Commercials Books

Lots of pictures of different logos and the book is arranged in a very orderly manner. Excellent book!

Well printed, well edited and an excellent resource for designers and creative individuals.

I'm very impressed with the wide array and organization of this book (and the others in the series). Such great colors, and layout... everything just makes me want to study every last detail on every last page. I've bought the first two... and have added the third one to my wish list. If you want to be a good logo designer but experience "designer's block," this should get you over that hump. Thanks, Bill Gardner, and all the fabulous designers who were featured in the book!

Logo Lounge 1 is a must-have in my design library - I refer to it often. Unfortunately Logo Lounge 2 seems lackluster, uninspired, and disappointing. While it contains the same quantity of logos as the first book, the solutions are much less imaginative and the profile section at the beginning is too long and the designers profiled, and their work, are difficult to relate to.

Great for idea gathering and inspiration. It keeps you up to date with the newest logo designs.

I absolutely love this book. The pictures in it are all so beautiful and so reflective of traditional Mexican culture. I even went to the lengths of cutting the binding of the book and cutting out the pictures that I most loved and pasted them on my wall. That would be my only suggestion to the author, make the pictures where they can be pulled out and framed. They are just that stunning!

This a wonderful book. The illustrations are beautiful, vibrant, and an excellent example of Mexican art. This is very nice coffee table book.

This book was a beautiful insight to the 30's art of Mexico. Also through it one can understand much of the culture of ancient mexico and what was going on in the era. I loved it. I have always been fascinated in the calendars of this time. Great! KCT

What a marvelous book! I grew up in a bicultural home in Monterrey, N.L. Mexico, so I am familiar with these Mexican calendars. Although I do not remember having one of these calendars at home, I remember visiting homes that had them. It was fascinating to learn about the talented artists that created them. However, it was sad to see how early on the commercial world was trying to set standards of what a "beautiful woman" should look like. Never the less, these calendars are an important part of the Mexican culture and history. I hope these unrealistic standards are changing - in both Mexico and the USA! (PS - Although there were a few mistakes, the Spanish translation was well done.)

Nice texts abouth the authors, and a lot of good images about the mexican pinups, very influenced by the american ones, but dressed in traditional mexican outfit.
I'm interested in the pinups subjet and that's what I loved from this book. Another good feature is that is bilingual!

---I'm sorry to do thid to you, but the previous review was actually meant for a book of the same title. (Pose File volume 1). I do not own this particular book you are researching, but If I get a copy, I will be sure to get back to you on this.--I am not saying that this book is good or bad, just that I cannot speak for it personally...

Cobalt

This book has one unusual strength: most poses are shown from many angles, up to about two dozen in some cases. This gives extra insight into unusual foreshortening and into how the figure articulates.

The weakness of this book is that, in order to show so many different views on a page, each figure photo is relatively small. This is especially disappointing because the models are all Japanese, where most pose books show only European features and figures. This book never meant to document details of faces, though, so I really can't complain,

From moderate shadow to deep chiascuro effects this is a beautiful addition to the Pose File series. The other books excellently describe the figure, in proportion, motion and moving through space, but mostly in an even tonal scale. This volume emphasizes the extremes of that scale, making it a necessary addition to the set.

---You may be wary of the idea of buying a japanese book, where 99% of the text is in Kanjii. Rest assured that this book is as useful in the states as it is in Japan, because the main body of these books are beautiful photographs of female models taking every pose one could imagine in any studio.--Being a fellow who works in cartooning and graphic novels more than any fine art. I find this series endlessly useful as an excersise in my spare time.--Just pick a page and draw all it's figures until your arm is sore, and you will be all the better than trying to glean useful practice from old Playboy Magazines.--Pose File books are for, and will always be about fine artists who have a passion for the ultimate machine.

Cobalt

PS. THIS is the right review for the right book Sorry about any confusion

I'm trying to learn how to draw, and the books in this and similar series would be really helpful--if I could afford any of them. I found this book in a store where I live and decided to buy it until I checked the price tag that the store had stuck onto it. because I lived in Japan for a while, I'm used to the printed price that appears on all books, so I had just looked there. I have decided to wait until Christmas when I can buy it myself for a decent price. Blah.

This collection of original ads and the subsequent exercise done by at least 4 different design firms is a very interesting approach to an art book. I enjoyed the accompanying "interview" with each designer so you could align the feeling you got from the rework with their explanation of the approach.

I work as a designer myself in an advertising agency and have only had this book for a short time, but really enjoy looking and reading through it. It has givien me inspiration and motivation in my own work. Also it has been a good way of seeing how other designers and artist percieve the same idea or concept. This book is great for anyone who wants to see or learn how other designers work, it's a good motivational tool.

Right when I opened this book I already knew that I would be hooked. The idea that certain design work would be redesigned by other designers helps me to see that there is never one way to solving a problem. If you want a new perspective on a project you are on, perhaps this book will help!

I highly recommend this book for your library. As a graphic design student, it helps me prepare myself for what my competition will be. I love how it shows the original piece and re:designs from other designers. The interviews are so captivating it is hard for me to look at just the piece alone without reading the interview. It will help you become a stronger designer, and as a student, it will help you become less intimidated. Great book!!!

Quizás lo que aprendí en este libro es que cuando estamos trancados en un diseño, es mejor empezar desde cero, como si nunca hubieramos trabajado alguna idea sobre el mismo desde el comienzo.

Really great classic artwork..One of the finest illustrators for many years. If you enjoy this type of art, this will be a fine book for your art collection with an insight into the head of Mr Griffin. Two thumbs up! 5 Stars, and a big YEE HA for this book! mondocain

One of the Best in his field, and respected among his peers, Rick Griffin ruled. Great book and just a sample of the great work that came from this man.

This is a fabulous treat for the eyes.
Griffin perfected the late 60s San Fran poster art style in his work for the Dead and others (cover of Aoxomoxoa, for instance, or the immortal surfing eyeball poster for the GD with It's A Beautiful Day), and he was also a phenomenally gifted painter, spraybrush stylist, and pen and ink man. He takes the art deco influence of the SF school and melds it with a classicist's sensibility, creating a beautiful synthesis of mind and Mother Nature.
There is no doubt that Michelangelo or DaVinci would smile in appreciation at Rick's Omo Bob Rides South, a six-page black and white masterpiece where each page is an absolutely perfectly composed gem that stands on its own as a true work of art. He exhibits the total control of a master, and his eye for symmetry is astounding, as is the depth of his chiaroscuro. Griffin is also one of the great letterers of all time; it's a real joy to read words written in his inimitable script (but imitated ever since, including almost every decent graffiti artist).
To top it off, his writing is genius in Omo Bob, reflecting a deep understanding of life's many paradoxes. If you've never experienced this work, get good and ready in your favorite way (RG was an early fan of Dr. Hof, and that influence is clearly felt) and then spend at least ten minutes on each page, letting your eyes bathe in the serpentine brilliance; you will be endlessly rewarded. I still enjoy it at least once a year, decades after my first exposure to it, and never tire of its mellifluous lines and incredible detail.
The book also highlights some of his early surf work (a surfer through and through, Griffin's work embodies the grace and flow of a true waterman; no one has ever visually conveyed the joy of a wave like RG), his album covers, his paintings, and various pieces.
But it is Omo Bob and a couple other pen and ink pieces here that ensure his artistic immortality. Griffin was by all accounts a wonderful friend and a very spiritual man, and those qualities shine through in his art.
It is somehow very comforting and reassuring to gaze upon his work;
there is proof here that a deep and perfect form lies beyond the seeming chaos of the physical plane.
What more can you ask from art than that?

This book was out of print for a while and ebay prices were not cheep. To get it for under $20 seems like a steal. It is exactly as I remember from the late 80's. Beutifully reproduced on nice paper.

This is an excellent printing on heavy stock of some of the finest works from a master of poster and comic artist from the San Francisco Haight Ashbury era. I think it is a wonderful addition to any collection of psychedelic ephemera, and an admirable part of my own art library.

I have a past of 15 years in the fish business in my family company (third generation) and I'm a commercial fisherman since 10 years ago and I know something about commercial fishing and fishermen.
If you like to know how that fish you love to eat come to your table and about the real life and feelings of the people who made it possible this is the only book you must read.

This was by far of the three books i have red by william mccolskey the favorite he has another book called fish decks cannot find on amazon have to let you know about that one.

unlike highliners and breakers this one is nonfiction and follows along as the author goes back to alaska and around alaska where he served in the coast guard 20 years before and now is crab fishing and goes fishing around georges bank of the coast of chile and new zeland ,indonesia,and japan.looking for fish and shellfish. it also extensively covers the wreck of the exxon valdezand the effect on the fishing industry and the enviroment.Fisherman were making more money selling back buckets of oil back to exxon.He goes to the tokyo tsukiji market which i have seen on a national geographic program. This place is huge they figure they have on any given day 330 different species for sale which come from all around the world for example They have prawns and shrimp from 64 nations the market and auction generate enough trash to fill 200 trash trucks a day.It cover alot of the political side of fishing and how the different regulations have come about to protect the fish.
You read this book it is amazing that they fish with nets miles long and never think about depleteing the resources.Also learned tha over fishing was not the only thing affecting the amount of fish being caught runoff from farms both animal and agricultural.And fish farms that apeear on the surface appear to be a good thing end up causing harm to native fish.

The author knows his subject matter but gets too heavy with all the legal bs and too light on the human stories. Seems like the author couldn't decide if he wanted to write a text book or a down to earth type story.

The best book I've read dealing with the social AND political AND cultural aspects of commercial fishing. Making no excuses for the industry or the people who condemn it. His stories are compelling and enrapturing as well as extremely informative. It'll give understanding of why the worlds oceans are in the state they are in and all the players who have caused it to be where it is. Enjoy!

This is a superb book. McCloskey writes from such a deep base of personal experience, that within a few lines we are transported to the heaving, noisy and often foul-smelling deck of a rusty trawler pitching in a cold northern sea or the cramped camaraderie of the galley on a Japanese squid boat. You feel the shudder of the steel deck as the boat pitches into a steep swell, taste the salt in the air and gag on the stench of diesel fumes and dead fish. The book is a collection of essays, exploring the challenges that face commercial fishermen in various parts of the globe. We hear lots of languages - Russian, English, Spanish, Norwegian, Japanese and more - and experience very different cultures, each united by the sea and the grueling task of pulling food from its depths. Gradually, the similarities grow much larger than the differences. No matter where he is, McCloskey can rapidly blend into the crew becoming just one more figure shrouded in foul weather gear pulling in the nets. This remarkable desire to muck-in with the deckhands no matter how hard the work or how severe the conditions, is the secret to his vivid and exciting writing. I can never look at a piece of sushi or a bag of fish and chips in quiet the same way.

I have not had the pleasure of seeing Howard's follow-up work, "Pool Light," but if it is anything like this it is absolutely remarkable! "Water Dance" has several pages of written introduction followed by a stunning array of hundreds of full-page, sharply contrasted and brightly colored photos of nude dancers/models exhibiting many traditional ballet style moves under water. There are other kinds of poses as well, some showing full frontal nudity of male and female figures, most with long veils and ribbons that further enhance the fluidity and grace of the poses. Howard Schatz has truly charted new territory here. This work should serve as inspiration to all aspiring artists of the nude figure as well as photographers and students of dance. I bought a new paperback copy in 1998 but would gladly pay the (much) higher used prices people are selling it for (as I do intend to buy a used copy "Pool Light" for it's even higher asking price). This is a positively magnificent work!

And, to Amazon's credit, I also recommend the following: David Hamilton's "Age of Inncocence," Jock Sturges' "Radiant Identities," also (for some more abstract and hard-hitting photography, demanding personal interpretation) Jan Saudek's, "Saudek," and Boris Vallejo's, "Bodies," Christian Voght's "In-Camera: Eighty-Two Images by Fifty-Two Women" and, of course, Howard Schatz' "Pool Light."

Howard Schatz is a master at creating amazing photographic images of the human body. "Water Dance," his fourth book (1995), is a collection of over a hundred stunning color photos taken of ballet dancers underwater in what started out as an experiment and ended up as new and alluring choreography.

The introduction to this book talks about man's quest over time to conquer gravity, and how dance is created to give the illusion of weightlessness. This discussion is a perfect foreword to Mr. Schatz's work, in that having dancers "perform" underwater essentially solves the gravity problem. What you see in "Water Dance" is a collaboration between photographer, dancer, choreographer and even costume designers to produce a sort of ballet that is weightless . . . underwater. Virtually all of the subjects are dancers from the San Francisco Ballet and other companies, recruited by Mr. Schatz to perform in this project that uses a pool as a stage. Each image is entitled "Underwater Study #..." and features usually one, but occasionally two or more dancers, captured in the midst of an expressive movement or pose, but suspended in a way that the fluidity is still present. An interesting attribute to these photos is the use of the surface of the pool as a mirror, or as a plane through which a portion of the body can penetrate to become hidden. Note also the use of special chiffon fabrics which were created for the underwater studies to take a shape which complements the dancers.

You don't have to be a fan of dance or photography to appreciate this book. The images are truly amazing, and I believe anyone will find fascination with these photos.

I first saw this book over a year ago, and I have been captivated by it ever since. The high contrast cover says it all: Red and yellow fabric, and a redheaded dancer with cream coloured skin. I like drawing the human form, and especially dancers, but the positions that are achieved by the dancers in this work are floating and effortless. The use of primary coloured fabrics alongside the fair skin of the bodies is superb. The physicality of the movements and the bodies is breathtaking. This book belongs on every artist's and dancer's coffee table for all to see.

Review Summary: This book deserves more than five stars.

Take the most talented dancers from the San Francisco ballet, give them special gossamer costumes for underwater, and see how their poses and moves soar in the relatively weightless space beneath the surface. The resulting color photographs capture exquisite forms, bubbles, reflections, and stressless arabesques. The photographs are done with a Nikonos RS camera and a Hasselblad underwater camera, lit by Balcar strobes.

Viewer Caution: These images contain many nude photographs of men and women that would earn this material an R rating if it were found in a motion picture. All of the images evoke freeflowing, tasteful versions of classical poses for dancers and nudes.

Review: Water Dance is one of the most original photography books I have ever seen. Most underwater images are of fairly still poses, while these are often dynamic in their movement. Mr. Schatz has also found many special effects that mimic mirror images, reflections on the surface of water, and bubbles caught in solid transparent objects. Flowing hair and costumes also serve to capture the undulations and movement in the water in ways that will remind you of the most delicate kites flying in the most gentle, steady breezes.

The dancers themselves are in marvelous shape and seem to have adapted well to making leaps and pas de deux that would be impossible above the water. Those images are the most ethereal. The images are greatly enhanced by the special costumes designed to work well in the undulating world of underwater.

Ms. Katita Waldo is clearly the dancer who has taken most naturally to this new medium, and you will be intrigued by her freedom of expression in these images. But many other dancers were able to achieve remarkable poses that were well photographed and reproduced in this wonderful book.

Here are some of my favorites:

Underwater Study #49 (Shannon Lilly); U.S. #229C (floating costume); U.S. #189 (Heather Nahser); U.S. #117 (Tiffany Heft and Nikolai Kabaniaev); U.S. #179 (Jessica Schatz and Heather Vaughn); U.S. #152 (Katita Waldo); U.S. #107 (Anastasia); U.S. #215 (Julian Montaner and Nicole Panone); U.S. #183 (Wendy Van Dyck); U.S. #130 (Katita Waldo); and U.S. #41 (Katita Waldo).

I hope that someone will take this concept the next step and choreograph a whole underwater video featuring such beautiful dance sequences.

After you finish marveling over these astonishing scenes, I suggest that you think about how your own work could be transformed by being moved into a medium in which it could operate with fewer constraints. What would glass blowing look like in outer space? How would writing change if it were dictated while roller blading?

Extend the joy of life in as many ways as possible!

Having gotten acquainted with several of Howard Schatz' books, and owning more than one, I vouch for the opinions of other reviewers that this collection of photographs of dancers, fabrics, bodily configurations and arresting visual phenomena underwater is just beautiful, and astounding! An earlier reviewer said, "The photos in this book are a bit rawer than those in 'Pool Light' - and by that I don't mean tawdry." Unfortunate use of the word; since true appreciators of dance and the human form don't consider the uncovered body as "raw", but exquisitely natural. Mr. Schatz is very discrete in his exposure of both male and female bodies in this fine collection. To my taste, this book is superior to the later one, "Pool Light" (which I also own and thumb through).

One of the arresting visual phenomena is the reflections of forms from the "mirror" meeting of water and air (mediums of different density) at the pool"s surface.

To me (dance buff) this is much more than a "coffe table" book.

This book is wonderful. I have read it cover to cover at least 5 time. I love how everything is broken down, it's very clearly written. Becky is a wonderful person. I emailed her about her book and she got right back to me within a day.

After trying to apply with one of the most difficult airlines in the industry, I finally secured a position as an airhostess with Pakistan International Airlines- PIA.

A good book with a lot of helpful advice, as well as very easy to read. My only regret is that the book wasn't longer - I was really craving as much information as I could.

Loved the story at the beginning. Really helped me see what a flight attendants work is like. I could see the mistakes I had made at my flight attendant interviews. I know I will get the job now that I've read this book!!!

From a letter to the Publisher. I would like to thank Becky Bock for writing Welcome Aboard! I bought it when I had an interview (for a f/a job). It helped me a lot when preparing for my final interview. It gave me all the tips and encouragement I needed! I WAS HIRED ON THE SPOT! Thank you so much. I am grateful there are people like Becky who are passionate about their work and share their knowledge with others like me.

you've got to get this book and check out page 97 - tell me what you think.

If you're even a remotely Addams family or cartoon fan, you wouldn't have to read these reviews. Just buy it!

If you are a fan of black humor, then these cartoons are for you. This book contains many of his "Addams Family" cartoons, but there is MUCH more in there as well. A collection of classic cartoons that will have you rolling read after read!

AAAHHHHHH. Now this is an art book. Experience the dark and clever world of Charles Addams in this once-in-a-lifetime treasury of high-quality images. Finally, a masterful collection of his work. Addams' widow, Tee, should be proud of this book, which she assembled, in tribute to good ol' Charlie. God rest his soul.

Charles Addams was the man behind hundreds of delightful and dastardly illustrations for the prestigous New Yorker. Here, in one volume, are 300 of his best pieces. Included are several pictures involving the all together kooky Addams family and the macabre events that to them seem so normal. It is from these illustrations that the popular televison series, The Addams Family, emerged. And if you ever watched and liked the show, you'll love the cartoons it was based on. A great book for the coffee table!

This is A replacement for the one I lost in Hurricane Katrina.

My six year old boy is an airplane lover and he loves this book and its sister book "Airlines World Wide".

All I can say is if you like airplane spotting this is a great resource.

Tom Singfield has crammed a lot of information and some very nice photos into this charming aviation hobbyist book.

The aircraft are presented alphabetically. The general specs and history of each aircraft is given. Finally, a useful list of operators of the aircraft is provided.

Singfield selected his photos with great care to emphasize the unique and distinctive identifying features of the aircraft. Among the curious aircraft variants photographed: a Basler turboprop DC-3, a DC-7 water bomber, and a "hushed" UPS 727-100.

The book is very well constructed, with a solid stiff binding.

It came out in 2005 its not out of date I think the other reviews were for an older edition

A beautiful, compact reference guide for all the major airliner types currently in service. Very handy!