Photography Books
Related Subjects: Cameras Education Resources Organizations Photographers Techniques and Styles
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informative and incredibleReview Date: 2008-10-09
Great picturesReview Date: 2008-10-02
Great picturesReview Date: 2008-09-06
Great Find! Review Date: 2008-07-05
wonderful pictures but need updatingReview Date: 2008-06-30

Used price: $15.60

Buy this bookReview Date: 2008-08-18
I wish I bought the Scott Kelby book first- it is by far the best and the only one I use.
The Best Photoshop Book Ever!!!!Review Date: 2008-07-26
GREAT AUTHOR POOR BINDINGReview Date: 2008-07-25
HOWEVER THE QUALITY OF THE BINDING ON THE BOOK IS THE WORSE I HAVE FOUND. I OWN ABOUT 12 BOOKS ON ELEMENTS. THIS BOOK IS FALLING APART AFTER 1 MONTH. I AM NOT HARD ON BOOKS. I AM GOING TO HAVE TO TAKE THE BOOK APART AND PUT IN A LOOSE LEAF BINDER. I ALMOST THREW IT AWAY. I WILL THINK TWICE BEFORE I BUY ANOTHER ONE FROM THIS COMPANY.
Outstanding book!Review Date: 2008-07-06
Kelby is KoolReview Date: 2008-07-01

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the glory of sweat stainsReview Date: 2008-09-15
what if my search terms could have been better. what if the auto completion / auto correction was hindsight itself--imagine it: letters slowly congealing into subliminal idiom. do i keep it general, interrogative, pessimistic? "how to take a good picture" "photography" "light" "portrait" struggle to completion in the same suspense of watching a kid mess up at a spelling bee, going really meditative about their my mistake, sweat stains the only glory.
once i learned through exercises how to appropriately evoke the mood of (wheel's been invented) electrical setups. it was another notebook, seventeen pages in, that i was too lazy to recycle when the storage space let out the air in its balloon. i couldn't read my handwriting anyway.
i really can't stand the artificial much longer. i am planning a purchase by justification of investment. i will be ready now when the mother of some friend of mine contacts me about a reputation i had for training in this skill and therefore she'll want to pass my name on to someone who needs headshots of their niece's aspiring actress daughter. i will agree under the condition that the daughter will probably fail in that competitive industry and it won't be my fault. i will agree under the condition i take them in natural light.
technical hocus pocus may evaporate in the politeness of a first time conversation. so i should be prepared if someone misunderstands me and wants to be portrayed as an indoorsy hermit. discovering a niche is what to sell nowadays.
so what am i going to do when the pop of a flash resting on top the camera, as lazy as a microwave, exerts itself as if it knows how to light my subject?
(i hope to have learned by now) i would plant the flash elsewhere, a coiled wire ready to trip any intruder between me and it's piƱata stronghold. (i hope to have learned by now) i would wrap the palm of a rubber glove around it, the allergic latex fingers brushed back like sturdy hair plugs not to interfere with the consistency of a diffuser. (i hope to have learned by now) you may decide not to pay me in fives tens and twenties because the job was shot on film, handed over in a closed off canister with a prankster smirk that reads: take it to not only walgreens but cvs, duane read and rite-aid when they are closed and shove it through their overnight drop off slot, creative directions on the envelope only--no contact information--scribbled in sharpie marker: turn me into grey scale to satisfy my craving for abstraction. (i hope to have learned by now) to prevent the inevitable of bargaining image quality for lack of knowledge. (i hope to have learned by now) i've been less qualified than others yet hired to team teach this stuff before i even have the time or energy to refresh my memory. (i hope to have learned by now) sunglasses and or a cigarette don't actually make you look cool. (i hope to have learned by now) tell the subject not to stand in front of the sun.
that larger forces in life mess up my light meter is the true search for compensation. while techniques indoctrinate trial and error, you bring me closer to secrets.
Lighting from a scientific point of viewReview Date: 2008-10-05
Highly recommended (it is a strobist.blogspot.com/ choice).
I don't think this book is for the very beginners.
very comprehensive Review Date: 2008-09-19
it was very helpful for me because i look for a book that talk about the basic principles of light.
It is SCIENCE!!!!Review Date: 2008-09-18
essential for all photographersReview Date: 2008-09-21
As a companion volume I also recommend Kirk Tuck's book " Minimalist Lighting: Professional Techniques for Location Lighting" if you are using small strobes such as the Canon, Nikon, Metz or Sony Speedlights. Together these two books virtually 100% of the ideas concepts and practices of using light dynamically to make more creative and visually powerful photographs.

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Its goodReview Date: 2008-10-06
EXCELLENT professional level training the skips worthless fluffReview Date: 2008-09-30
Unlike other books, this book skips the worthless cheezy stuff that professionals
aren't likely to be interested in to begin with. This book focuses on tasks that
photographers and graphic professionals are most likely to need during post processing.
This book is simply a "must have" for those who want to get straight to the point,
without having to flip through hundreds of pages of worthless fluff, just to get the
most out of Photoshop. The book is easy to follow & well written.
#1 If you want to be able to make great composites, work with layers and masks, etc.,
on the level of someone who's trying to create a composite for a cover of say Redbook
Magazine, to be imported into InDesign or Illustrator for polishing- then THIS is your
book!
#2 If you want to remove portraits from horrible backgrounds, and engage in the common
advance post processing procedures common to professional photography, then THIS is your
book!
#3 If you just got a digital camera last week, and you're just now trying to figure out
how to work Photoshop- Get THIS book and immerse yourself. To be honest, anything less
probably a gross waste of your time in the long run as this book focuses on the tasks
that are most needed for taking your photos to a professional level.
Lastly, it is virtually IMPOSSIBLE to regret purchasing this book if you make even a
modest attempt at learning the material. Like anybook, the single most reason people
don't learn software is because they don't READ the material. People want stuff spoon
fed to them. Hint: If you make money from photography, and you don't know how to do
the things in this book, but your competitors do.. you will be at a HUGE disadvantage.
Good luck!
A must have for designers!Review Date: 2008-08-12
I have other photoshop books, but this one explains it the best.
~Stacey~
Katrin Eismann is a Masking/Composite DivaReview Date: 2008-06-12
Debbie Schmidt
dsh Solutions
http://www.dshsolutions.com
The best photoshop book everReview Date: 2008-05-29

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extremely well-written Review Date: 2008-09-07
I have just started learning to use my D80 and this is the best book I've found for the novice . It is written without a lot of jargon and gives simple yet clear descriptions of functions and great illustrations/photos to reinforce the info.
A photo book should not be printedReview Date: 2008-09-05
In regards to content and explanations, it is a good book and well conceived. It helped me quite a bit. However, the author thinks, that good pictures can only be taken with DSLR cameras. Some of his own examples don't make a good point of that.
BetterPhoto Guide to Digital PhotographyReview Date: 2008-08-13
The better photo guide to digital photographyReview Date: 2008-08-04
Great photography bookReview Date: 2008-07-19

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Excellent transaction. Great communication with seller.Review Date: 2005-09-06
Lest we forgetReview Date: 2005-01-14
EffectiveReview Date: 2008-04-23
A portrayal of any kind... is the truth of 9/11/01...Review Date: 2004-02-04
My spouse and I resided on the Lower West Side, Battery Park City, Gateway Plaza, So. End Ave. As survivors of the 9/11 World Trade Center Towers tragedy... From our Gateway Plaza apartment, facing the street and 300 yards from the Towers, we helplessly witnessed all from our apartment windows. The closeness of the Towers viewed from our windows - gave an illusion that one could reach out and touch the Towers; their beauty with night lights reaching toward the sky promoted a contemplative emotion.
We viewed the planes entering the Towers, the overwhelming inferno, individuals jumping, the collapse of the Towers, the darkness as debris hit our windows with a fury. What occurred over a period of hours, seemed like a much shorter time span. The darkness was darker than an eclipse, darker than the darkest night; and then a momentary hush after the air cleared. Viewing the roof garden one floor below, with the human reaction of looking out to see if someone might be on that roof garden and in need of help. Debris strewn everywhere, recording tape and paper hung from the trees of the garden and oh, so much ash. The momentary hush, whether real or imagined, then the viewing of debris for a second, fantasized that a parade had just passed by on our short street. I now really understand the expression a "feeling of helplessness", I couldn't fix what had just happened.
We vacated our apartment finally at 5:15 p.m. that day, waiting for someone to knock on our door, with only a battery radio to keep us abreast of happenings. "In a New York minute", we evacuated via the stairwell touched with ash, the result of a first floor door left open. With a few belongings, gathered with a tad of thought of what was being left behind, we stepped out of the door onto the pavement, seeing and standing in ever so much ash & debris, I wanted to turn around and go back to our home. It was one moment of reality in time, I carry to this day.
We planned to walk up the East Side, glimpsed the tired fire, police, volunteers, and med techs in our immediate driveway and street, so instead opted to pass through the building in back of the apartment complex. We gained access to the Esplanade walking the short distance to reach the Hudson River North Cove dock. We were escorted to the New Jersey shore via New York Police boat. From the boat deck, we viewed even more damage to the Manhattan skyline, especially noting the zigzag shape of the side of the American Express building, housed in one of the World Financial Center buildings along with the glorious Winter Garden, as well as the fall of World Trade Center Building 7. We were taken to the Jersey City Hospital, attended to by compassionate staff. Then traveled by National Guard truck to Hoboken, NJ where we were housed by a wonderful family who with great trust welcomed strangers to their home.
On Friday 9/14, our eldest son & daughter-in-law drove from New Hampshire via New Jersey routes to Hoboken for transport us to New Hampshire for temporary residence with our daughter, who along with her friend and our youngest son, greeted us with open arms & the overwhelming feeling of not wanting to let go with each hug that followed. Our daughter and son had spent that Friday in New Hampshire collecting items of clothing and necessities which the Concord community generously opened their hearts and donated by churches, stores, individuals, employers, American Red Cross, et al.
One of our grandchildren -- he was 8 at that time - arrived home from a few days with his Dad. He hugged us so tight, understanding the depth of 9/11 events for someone so young and yet so wise. He told Grandpa & Babcia that he had something for them... his Mom was not even aware of his gift. He had spoken to his classmates about his grandparents' closeness in location of the World Trade Center Towers. Presented to us was a large envelope full of hand-made cards from each of his classmates. And if that isn't love and caring, I don't know what is - from the hearts and minds of children!
Residing now in New Hampshire, not because of 9/11 drove us away, but circumstances just went that way as we continue to put our lives into perspective.
We Miss - New York City deeply; events found nowhere else in the USA, the introduction to & interaction with so many wonderful cultures. There isn't a day or night over these years that we do not think of 9/11... the Lady of Liberty & Ellis Island both on the merge of the East and Hudson Rivers. And that Lady of Liberty wept, I just know it, & still stands with pride that the USA is a democracy that will prevail.
We Remember - the victims, the survivors, their friends and families, the workers from the public and private sector, the volunteers, our neighbors in Gateway Plaza and staff in the small group of stores on South End Avenue, Battery Park City.
We Remember - the places we visited, the book signings attended, the celebrities we met, the concerts and theater plays, the movies, the arts, the parks, the strangers we talked with, on streets, on subway and those while standing in line for an event...
We Remember - Always In Our Hearts, Forever In Our Souls, Heroes, Victims, Survivors One and All... We Were There.
Painfully, the lump in my throat and the twist in my stomach, the tears in my eyes and the pain in my heart, to the depth of my soul, forever reside.
Remember 9/11Review Date: 2003-10-14
This act conjours up different thoughts for everyone who witnessed it ,in whatever fashion,but no more so than those who had friends and particularly those who lost loved ones.
To those who may turn a little soft on the War on Terror a review of this book should remind one of what we are dealing with.
A great book TIME and thanks.

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Amazing look into the deep blueReview Date: 2008-08-16
Gorgeous bookReview Date: 2008-07-01
Underwater magic!Review Date: 2008-05-15
Incredible journeyReview Date: 2008-05-27
Welcome to the mysterious Black PlanetReview Date: 2008-07-01
Where would you find these?
(1) Gorgon's head
(2) Fangtooth
(3) Pigbutt worm
(4) Black medusa
(5) Radiolarians
Possible answers: In outer space? On the Earth's surface? In a horror movie? On a farm? In an electronics store?
Correct answer: these are the names of creatures found in the abyss. (Technically, the abyss is a particular zone of the oceans extending 3000 to 6000 meters in depth. This term is also used to designate the deep oceans overall.)
You will find photographs of the five creatures indicated above and the pictures of many more deep ocean creatures in this stunningly beautiful book by Claire Nouvian, a journalist, producer, and film director who has travelled the world for more than a decade, filming wildlife for French and international television.
The book has photographs with captions (its main feature) interweaved with text. The contents of the book is divided into two parts:
(I) Life in the water column (meaning life in the water above the seafloor)
(II) Life at the bottom (meaning life on the seafloor or just above it).
The colour photographs are, in a word--astonishing. All the creatures (that look like they're not of this planet) imaged are marvels of evolution and adaptation. Rare and unidentified abyss-dwellers are even photographed.
Each photograph has a caption made up of several pieces of information: (1) the abyss-dweller's scientific name (2) its descriptive name (not all photographs have this) (3) its size (4) the depth at which it's found and (5) known information about the creature. As an example, I will give an actual example of such a caption for the creature found on the book's jacket cover (displayed above by Amazon):
(1) Teuthowenia pellucida
(2) Googly-eyed glass squid
(3) SIZE 20 centimeters
(4) DEPTH larvae and juveniles 0-900 meters, adults 1600-2500 meters
(5) Three sentences of known information about this abyss-dweller.
The number of pictures in this book is almost 210.
In the copy of the book I have, at the beginning the reader is alerted that there are "four computer-generated illustrations." When these illustrations are actually encountered, the caption for these illustrations states "computer-generated image."
The text that's interweaved with the photographs consists mainly of two-page essays that begins most chapters, factoids, and quotations.
There are a total of fifteen succinct essays indicated in the table of contents. Each is written by a researcher at a prominent research facility. Examples of such facilities include the USA's Monterey Bay Aquarium Research Institute, France's French Research Institute for Exploitation of the Sea, and the Japan Agency for Marine-Earth Science and Technology.
There is also an excellent five page introductory essay (not indicated in the table of contents). Be sure to carefully read this so as to orient yourself to the rest of the book.
Quotations from prominent people permeate throughout. One of my favourites was uttered by Jacques Cousteau in 1976:
"Under the sea, it seems my every gaze is as stolen from some forbidden world; and it triggers an emotional shock that never flags, no matter how many times I dive."
Revealing factoids also abound throughout the book. Here's an interesting fact:
At 150 meters depth, 99% of sunlight has been absorbed by water. Below 1000 meters, it's total, inky blackness for all.
(It is from this factoid that I came up with the title of this review.)
Based on the photographs and text, this book deserves a solid 5-STAR RATING.
Unfortunately, there are some problems with the book. The majority are minor (for example, the first two pictures found at the very beginning of this book have their captions on the credits page--the very last page), but the major problems primarily deal with the table of contents and index. (Note also that the credits page is not indicated in the table of contents.)
The table of contents is incomplete. For example, why isn't the introductory essay's (see above) title not mentioned in the table of contents? This introductory essay has four sub-sections. Why weren't these sub-section titles not mentioned? I feel that a ground-breaking book of this type should have a detailed table of contents.
The index is also incomplete. All it does is give the scientific names of the known species in this book and what page to find them on. That's it!! Why wasn't, for example, all the important information found in the fifteen chapter essays and the introductory essay appropriately indexed? Again, a grounding-breaking book of this type should have, I feel, a detailed index.
What is Nouvian's function with respect to this book? If you look at the book's cover, it seems that she is the author. She is NOT. If you look at the credits page, she is in charge of "photographic research." Amazon thinks she is the editor, but according to the credits page, she is not. Very confusing.
Based on these major and minor problems, this book should perhaps be given a 3-STAR RATING.
Finally, my final rating is an average of the two RATINGS given above.
In conclusion, this is a mesmerizing book giving us a glimpse into an alien world--the abyss.
(published 2007; preface; introduction; 20 chapters; main narrative 245 pages; appendix; glossary; index; bibliography; acknowledgements; credits)
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Fantastic Wildlife book-Best I've ever seenReview Date: 2008-09-24
Animal bookReview Date: 2008-09-03
The photography is beautiful, vivid colors, and explanations of everything is provided. I see them picking this book up as teenagers and still finding something they missed.
great bookReview Date: 2008-08-30
C'mon, let's take a look!Review Date: 2008-06-17
Amazing Book!Review Date: 2008-05-26

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Fascinating BookReview Date: 2008-08-08
Outdated but valuableReview Date: 2008-07-24
this was an eye openerReview Date: 2008-05-11
A must see!Review Date: 2008-04-17
Material WorldReview Date: 2008-03-10

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U.S. Afghanistan Veteran Can Relate Review Date: 2008-08-16
Russian dispatches from Afghanistan.Review Date: 2008-03-17
There is some writing in this large picture book. The writing did not flow smoothly, but the pictures were great. They show the guerrilla war in Afghanistan from the Russian perspective.
AfghanistanReview Date: 2006-02-11
The Real Thing Review Date: 2004-08-26
a must for anyone interested in Afghan military historyReview Date: 2005-10-09
Related Subjects: Cameras Education Resources Organizations Photographers Techniques and Styles
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