Performing Arts Books

The book has great pictures and very detailed if you know someone who loves Sta Wars movies would love this book..

My son is using this book as a reference for his drawing class and we all find it very helpful. There are facts here which are quite detailed and wondered how the author know all these stuff! Anyway, we love the book!

This Book has a lot of glear crisp pictures in it. Since I make Star Wars movie props (Lightsaber hilts, Helmets, Costumes) this book helped a lot. darth vader lightsaber is totally sweet and the moment I saw it in the book I said I gotta make that, so right now I'm in the process of making his and many others.
Again this is a great book so please don't hesitate a second. buy it!

RYAN J.

This guide was accurate, except for one thing: Solah is Padme's sister, and Jobal is her mother. This book portrays it as the other way around. But otherwise, a good reference book for the best movie ever!

This is the best book for any fan of the movies. It explains things you'll never learn about on screen. From their weapons, to their clothes and why they need and have them, it makes sense of things that don't make sense. Good book!

Playwright Peter Shaffer is an exceptional dramatist. His characters are unforgettable, and each one is dealing with a psychological struggle. In "Amadeus," Shaffer examines seventeenth century Vienna and the life of Wolfgang Amadeus Mozart and his rival, court composer Antonio Salieri. This play shatters the view of Mozart as an innocent child prodigy, and instead paints a picture of a childish, scatologically minded, yet ultimately tormented musical genius. Trapped by the financial demands that are placed upon him, and the demands of a domineering father, Mozart strives to make his music and to be excepted.
The main focus of the play is upon Salieri, whom the audience sees as a sweetmeat loving, conniving schemer who is appalled by Mozart's new ideas and manner. However, Salieri is not one demensional. He is a sympathetic character, who wrestles with his conscience. Feeling betrayed by a god who shows favoritism, he recounts his desire to make music that will provide him with unsurpassable fame. However, his music is ordinary when compared with Mozart's genius, and Salieri is fully aware of this whereas ordinary citizens of Vienna are not. Vowing revenge, Salieri decides to lash out at Mozart: "God's Flute," therefore providing an opportunity for a terrifying confrontation in which Mozart is driven into madness and early death. Everyone can relate to the character of Salieri because we have all felt betrayed when our own specific talents were regarded as inferior to someone else's.
Shaffer introduces us to two tortured individuals who are nevertheless sympathetic and unforgettable. Please give this play a chance.

When I was younger, I almost never reread anything. My hunger was so voracious that I gobbled up a book and then rapaciously moved on to the next. But as I've aged, I read less frantically, returning again and again to a few works that especially move me. At the top of the list of such works are the plays of Peter Shaffer. And at the top of that list is his masterpiece "Amadeus."

What I find remarkable about Shaffer's "Amadeus" isn't so much the title character, Mozart, as the character who becomes Mozart's nemesis, Antonio Salieri. Salieri is one of the great tragic figures in literature. He's an individual who appears to genuinely love musical beauty, and who genuinely wants to dedicate his life to it. (In an early scene, for example, he makes a deal with God. "Signore," he begs, "let me be your flute, your mouthpiece. Let me produce absolute beauty. In return, I'll be your slave.") But Salieri is also a hopeless mediocrity. He knows good music when he hears it, but he's simply unable to create it himself. His compositions are acceptable, and sometimes even pleasing to the ear. But when compared with the music of Mozart, they reveal themselves for what they are: technically proficient, but utterly uninspired. The awareness of his own mediocrity, coupled with his absolute yearning for beauty and his life-destroying jealousy of/admiration for Mozart, is the heart of the play. (Milos Forman's 1984 cinematic production of the play unfortunately rewrites the script to put Mozart rather than Salieri centerstage, thereby missing the whole point.)

When one thinks about it--and I believe that this is what makes Shaffer's play so poignant and profound--Salieri is everyperson. Let's face it: most of us are mediocre. We fall somewhere in that great middle zone of "average." We'll never be able to create artworks that express the yearning for beauty that even the dimmest of us occasionally feel.

As if that's not bad enough, the world, as Shaffer demonstrates in his play, is unforgiving of mediocrity when it comes to art. One can work like a demon, as Salieri does, but it's genius that the world wants, genius that the world demands, and genius that the world rewards. Moreover, the creative genius is allowed anything by the admiring world--in fact, the world expects its geniuses to walk to the beat of a countercultural drummer. The mediocre artist, however, is allowed no latitude whatsoever in personal lifestyle.

The paradox of this situation, as well as the horrible burden of mediocrity felt by artists like Salieri (and the rest of us), is the tragic message of "Amadeus." When Salieri at play's end tells us, in his decrepitude and madness, that we can pray to him when we feel the sting of our own shortcomings and he will bless us, most of us ought to shiver. For, after all, we don't want our mediocrity blessed, do we? And yet the tragedy of the human condition is that, blessed or not, it's what we are. And so Shaffer leaves us with this question: how do we overcome our Salieri-like resentment and frustration at not being able to create beauty long enough simply to appreciate beauty when we encounter it?

The best part of the book is the introduction, which tells of the changes made to the script over the years, based on on-going research by the author. I saw the movie and the play, then bought the script in order to compare the different renderings of this amazing story.

Peter Shaffer's award-winning and highly popular play AMADEUS is in many ways a morality play but seen through the eyes of a complicated postmodern villain. The play is called AMADEUS but the chief character of the story is Antonio Salieri. Salieri is the Court Composer for Emperor Joseph II of Austria during the end of the 18th Century. He is held in esteem not only by the Emperor and Court, but by the masses as well. Then Amadeus Mozart makes his way to the Austrian Court at Salzburg and Salieri recognizes in the young man a musical genius superior to anything musical he has ever heard. He becomes enraged with bitter jealousy. Feeling that God has abandoned him and given the talent that he has trained to develop and possess his entire life, Salieri declares a war against God that he will fight on the battleground that is Amadeus Mozart.

AMADEUS is a fantastic play. Author Peter Shaffer has revised the play several times since its first performance in 1979 and this version of the show (written twenty years later in 1999) is in my opinion the best because it is the one that portrays Salieri more than just an evil man, but as a human being that the audience and readers can relate to and actually understand somewhat. A must see play that anyone who enjoys theatre should be familiar with.

Like a newspaper article, theatre has to convey its story with an economy of words.

In this way, great playwriting is a rare skill much like land the penny toss at the carnival and Shaffer is that rare playwriter who accomplishes his task so seemingly effortlessly.

Deftly, Shaffer tosses his Amadeus and Saliere together and in so doing plays each against their type rendering his Amadeus into the simple squeezebox which provides the background for the languid single note of Saliere's mournful jealousy.

What's so amazing is that in telling us the story of Amadeus' art, Shaffer shares important insights about his own. Don't have too many or too few notes but just the right number. Don't be so flashy in being good that people concentrate on the flashiness instead of the point.

And don't become so engrossed in your art that you lose sight of the ultimate ends it was meant to service in the first place.

Whether we are each more Amadeus or more Saliere we can connect with this play.

This is a wonderful book for those who want to know more about the actors who play on Friends.

The pictures of the actors are very good.

This was an awesome book that any Friends lover would love to have in their collection. I loved reading every bit of it and had it read in a few days if that long. Very interesting stuff in there. We have all 10 seasons and watch them quite often. We will never get sick of watching, learning about or hearing about our FRIENDS!!!

This is perfect for any Friends fan. It has interviews, photos, episode guides, summaries, biographies, trivia, and so much more. This book is amazing. I HIGHLY HIGHLY HIGHLY recommend it because it is just so great. The design is fun, the words are inspiring, and it is all just truly nostalgic. If you really love Friends, then you need this book!

I bought this as a gift for my sister for Christmas...she is OBESSED with the Friends show. The book had tons of great pictures, intervies, and information. I loved the picture on the front cover...all of the Friends stars look so beautiful! Then, on the back cover, it is amusing to see a completely opposite picture, all of hte Friends stars from one of the earlier seasons dressed very casually painting grafitti on a wall :-)

Any Friends fan will find something of interest in this book!

I like the Series even more after i lookes into the Book and read it.
Lots of Pictures and Information.
A friend who i purchased the book as Present also looks the Series again with the book in the hands and find always new things, that i never realized before (and he saw friends over 8 times!)

recommendable.

I have a book shelf, full of film production books that I have collected over the past twenty years or so. This book reads very easily and teaches some pretty complex concepts from the world of producing. (ie. Day of Days)

I would recommend this to new producers, students and people that would like a primer on the creative and business side of a Hollywood Producer.

I just completed a feature length screenplay that will soon become a feature length film. To prepare for production I decided to purchase two books: Creative Producing A to Z, and, A Film Director Prepares, both by Myrl Schreibman. Having just finished reading them, I now know I could not have made two better choices. Buy them both, read them both, then read them both again! I promise, your film career will be well served.

This book is the producer's version of Gray's "Anatomy of the Human Body." Without a doubt, Schreibman's text is the blueprint for any successful indie film and should be read and thoroughly consulted by every creative producer - experienced or otherwise. Furthermore, this book that can be extremely useful to directors and screenwriters because it provides a real understanding of what the producer does and how the other creative entities can best collaborate with the producer for creative and practical synergy. In short, this book is a must for anyone who wants to make movies.

I bought this book for my cousin who wants to start out in the film business. This book helped me break down the who's who in the industry and the breakdown and samples are easy to understand.

I recently finished producing my own independent film and found this book right at the beginning of my post-production period.

I wish I had found it earlier. It is full of no-nonsense advice and information that is practically bullet-proof, and I ended up agreeing with about all of it. Schreibman, who apparently has a long history of producing films for t.v. and theatrical market, has paid his dues, done his homework, and knows another "feel-good" you-can-do-it book isn't necessary.

He tells you like it is, doesn't pull any punches, and helps you avoid the most common mistakes, both legally and aesthetically. Writing and directing are generally the more "arty" positions in film production - the Producer is supposed to keep the ship moving forward and avoiding any fatal mistakes. This book directs you in the right direction.

My film was a "micro-budget" film, and this book may ultimately be more useful for "larger" independent features, including ones with SAG deals, distribution in place, and budgets closer to 7 figures. While all the advice here applies to everyone making a movie, it's the attitude Myrl conveys that I really appreciated and believed in, more than some of his nuts-and-bolts info. The contract samples at the end were also very helpful when I went out and began looking for more help finding money to finish my film (which I eventually did).

Now I'm dreaming of using the rest of the info here for my next film!

It was said a while back that Larry Fine was the best *actor* of the team. For the casual fan, that statement might bring as big a laugh as any of Curly's antics. But an objective look beyond the thrashing, poking, slamming, and general mania, and into this performers' technique, just might cause one to remark: he was pretty good...too bad he didn't do more...too bad some of the scripts were poor.
This book won't get into the art of low-brow or slapstick as a legitimate genre in movies. It's an over-all appreciation of that Stooge who was dumber than Moe but smarter than Curly or Shemp or Joe or Curly Joe. He truly was the center of gravity for guys who spent alot of time spinning out of control.
It's duly noted that a disproportionate amount of material relates to the '60s/'70s - but we should be sensitive that perhaps alot of detail comes from a man recovering from an illness and in his early 70s.
I would have really appreciated alot more stuff on the Curly era, and not just 1932 to 1947: as I understand it, Larry was the first person to write that a second, post-retirement Curly cameo was filmed (for "Malice In The Palace") but never used. Of course, this book is about Larry, not the most popular Stooge, but such information should be a chapter unto itself! Were there serious plans for "The Four Stooges"?
I guess I'll have to remain mystified that there seems to be zero interest in this footage.
This book has alot of rare photos and behind the scenes memorabilia, but in spots there are too many mixed mediums at work. Also, and it's not a big point, but the cover photo is ludicrous. The book's about Larry Fine and he is positioned beneath two other Stooges. How about a center shot of the "Stooge in the middle" - not below - and have a full set of Stooge images in a halo effect?

I thought this was an excellent book. It was well written and a lot of great pictures in the book. One criticism that I heard was that a lot of the information was recent information with Curly Joe DeRita ... and it is true... there is a lot of information on this and all their speaking engagements in the sixties... but that is OK, that is what the author knew about and what the people the author interviewed knew about .... the Curly and Shemp information has all been said, not much more can come out of them. A lot of the people that knew them are all dead... hence the detailed description of the stooges in 50's thru mid 70's... The book is well worth reading.

It's about time a book was written on Larry Fine. Without a doubt the "glue" of the Three Stooges, and possibly my favorite stooge, he finally gets his story in print. I enjoyed the book and was surprised at facts that I didn't know about the Three Stooges, and I know a lot.

I highly recommend this book.

This book does an absolutely marvelous job at delving into the life of Larry Fine, finally going beyond old urban myths, stereotypes, and the general perception that he was just the Stooge in the middle, some guy who got lucky but who wasn't as accomplished or funny as his partners. His character truly comes to life in this book, starting in his childhood days in Philadelphia, going to his early days in vaudeville with his future wife Mabel and her sister Loretta, to his 25 years of making shorts at Columbia, to the unexpected revival and mass popularity the Stooges received in the late Fifties and through the Sixties (when unfortunately they had to seriously tone down their trademark violent antics to please the parents of the children they were being almost exclusively marketed to), and finally to Larry's final years in the Motion Picture Country Home and Hospital, after he'd had a stroke. Though some sections of the book do read like a standard bio of the Stooges, only with the emphasis on Larry, the majority of the book goes so much deeper. There are so many stories that have never been written about before or which most people don't know about, such as Larry's deep love of his wife Mabel, a woman whom he continued to adore and stick by even through her alcoholism in her later years, his love of his children Phyllis and Johnny, the story of how he met a little blind boy backstage after a show in the Sixties and got really choked up by the encounter, his relationship with his hairdresser and her husband in his final years, how he found out Shemp had passed away, his relationships with the other Stooges, and even the point of view that Ted Healy, the Stooges' founder and original straightman, might not have been murdered at all but died from other causes and only coincidentally happened to die shortly after receiving a brutal beating. There are also lots of great pictures and mementos, some of them very personal and touching, such as Larry's handwritten letters to young fans, get-well cards young fans sent to him, pictures of him with his children, and the hand-written calendar he made for his daughter Phyllis to let her know when he'd be coming home from the road. There are so many sweet things about this lattermost memento, really showing what a nice sweet guy Larry was, and what a devoted family man. It's really touching to read about how in real life the Stooges were quite the opposite of their screen characters.

The only shortcoming I can find with the book is that it does seem to be a bit skewered towards the Stooges in the DeRita era. That chapter is by far longer than either of the chapters on Larry's life as a Stooge when he was working with Curly and Shemp. It might have been their most financially successful and popular period, but how many fans today seriously consider that their best and most memorable work? To put it mildly, I'm not exactly a big fan of the watered-down non-violent child-friendly latter-day Stooges, though I am of course happy that Larry and Moe lived long enough to finally start making serious money and to get the respect they deserved. And while the cover photo is really beautiful, looking as though it were taken yesterday instead of decades ago, I'm not happy that DeRita is the third Stooge on it. I'd bet almost anything that the infamous Comedy III is behind that one. It should have been Curly or Shemp, and everyone else knows that! Still, in spite of how the book does lean a bit more heavily towards the Stooges' latter-day career instead of their classic glory days, and the illogical choice of the third Stooge on the cover, it's a great book, with a lot of great information about a truly underrated comedian and a truly great man.

I just finished reading One Fine Stooge and found it to be very interesting. It truly covers the Stooges' entire career with a focus on the Stooge in the middle, Larry Fine. His story is often melancholy, but he seems to have enjoyed his life and success. The book is poorly laid out with sidebars regularly interrupting the flow of the book and often retelling content found in the body of the work, but it covers a lot of ground and seems to be a good history. I found it worth my time and would recommend it to anyone with a particular interest in classic Hollywood comedy and history.

Just one read of Peter Miller's book, "Author! Screenwriter!" will broaden your horizen of writing possibilities. Don't just think screenplay, but consider formating that same story idea into a novel as well. And when you consider the odds, 100,000 to 200,000 books published per year, as compared to only some 1,000 stories produced for all of the Network Television, Motion Picture, Cable and DVD industries, Mr. Miller argues an interesting point. With over 30 years experience managing and producing writers, he gives insights into the industry that few others have even touched upon.

Definitely worth any writer's time and money. But regardless of one's writing goals, this book gives that big push every writer needs to encourage perfection and perseverance.

If you're serious about realizing your potential as a writer, this is the book you buy. Having successfully managed hundreds of books, Peter Miller truly is "The Literary Lion", and Author! Screenwriter! has left a huge impact on me as a professional writer.

Need an inside guide on how to write the perfect proposal or understand the delicacies of contracts? He's got you covered. Or maybe you really would like to take a look at some sample inquiries, be inspired by some success stories, have a better understanding of the do's and don'ts in a profession where millions of writers compete for the interest of professionals in the industry. Trust me, if you read this book it will never be far from your hands. Buy Author! Screenwriter! and you'll go back again and again to Mr. Miller's wellspring of experience and insight.

If you're like me, you want to be armed with the truth as a writer, and Peter Miller delivers. Read it, cloak your talent in its wisdom, and move forward. You'll agree that it's more than a book.

It may well be the key to your future.

The book is a must-have for a writer's bookshelf. But a companion DVD is also available with practical and pointed interviews that is well-worth seeking out.

Peter Miller's Author!Screenwriter! is direct and to the point, so I shall be also. This beautifully organized exposition provided me with more insight into the Book and Film industry than I have found in any other source. I could write much more, applauding the great chapters on the mysteries of film deals and the most helpful examples of project proposals in many genres -- but the bottom line is simple Author!Screenwriter! is definitive, the most helpful book on the subject.

I purchased Peter Miller's book at the recommendation of a colleague who knew I was in the process of writing a book proposal. Peter's book and DVD provide the reader/viewer with such clarity and direction. Peter provides wisdom and insights for the experienced and the novice writer in how to maneuver their way through the challenges, obstacles, politics and subtelties of the publishing industry. By the time you are finished reading his book and viewing his DVD you have a very clear picture of what lies ahead - no rose colored glasses, advice for the dedicated writer; you are clearer than you ever imagined you could be about what lies ahead. Buy this book if you are serious about our writing career.

I like this book because it has over 14 pictures of vehicles from episode 1.My favorites are the Naboo N-1 starfighter and the AAT battle tank. Believe me,this is a great book! You should get it!

If you've stayed up nights wondering about the inner workings of a Naboo N-1 Starfighter, or even occasionally contemplate the unconventional solid-fuel concentrate slugs that the strange society of the Neimoidian traders use to give their droid starfighters such powerful thrust, you'll want to read Star Wars Episode I Incredible Cross-Sections cover-to-cover. This handsome book - deservedly referring to its illustrations as incredible - shows us a vroom with a view; more than fourteen vrooms, in fact.

SW Episode I Incredible Cross-Sections is brought to us by the great people at Dorling Kindersly Publishing -- or DK for short - where just about any topic you might think of has already been turned into a beautifully illustrated right-brained adventure in learning. The illustrators for this masterpiece are Hans Jenssen and Richard Chasemore, arguably the two artists with the best job available in that field this side of Alpha Centauri.

Jenssen, who specializes in technical art, especially machines, lives in England but claims to spend his vacations on Tatooine (no accounting for taste in vacation spots) where he has been known to engage in "moderately disreputable pursuits (he goes all the way to Tatooine for that?)." Chasemore has worked as an illustrator in both the U.S. and Europe on a great variety of projects, one of which was another collaboration with Jenssen: DK's Star Wars: Incredible Cross Sections featuring intergalactic vroom-vrooms previously made famous by the vision makers at Lucasfilms. Chasemore says he enjoys "perilous sports involving boards and high velocities (now, maybe he's the one who should check-out Tatooine).

Rounding out the gifted team taking us on intricate tours of Gungan Subs, Podracers, Coruscant taxis and Republic Cruisers, is Dr. David West Reynolds who earned his PhD in archeology at the University of Michigan. His background as a lecturer, veteran of field expeditions on three continents and as an author of scientific archeological publications should make one thing perfectly clear: you don't have to be a dullard denizen of the local mall scene to be a StarWars fan. If his background doesn't make it perfectly clear, the intellectual acuity of his copy will.

This must-have addition to the shelf of any die-hard StarWars fan is equally enjoyable to tot and teen as to tottering sage. It's a picture-book nonpareil or a detailed account of mid-power repulsorlifts and hydrostatic bubble projector units (if you do more than look at the pictures). It's even a trivia-hunter's true treasure. For instance (be honest now), did you know any of the names of Anakin's co-contenders for the Boonta Eve Podrace? Sure, you say - Sebulba. But anybody knows that! True buffs will want this book so they can win rounds of Star Wars Trivial Pursuit with answers like Ark "Bumpy" Roose, Teemto Pagalies, and the ever-impressive Clegg Holdfast.

If you like schematics (or even the word schematics - it's such a great one, isn't it?) you're going to want to pour over this book like hot fudge on a sundae. Featured is a dual fold-out center page affording a panoramic view of the Trade Federation's Droid Control Ship. The resultant artistry of this and the other detailed drawings was generated when the DK team worked directly with the film production art department at Lucas's Skywalker Ranch, mapping out the anatomy of each craft as it was being created. This book comes from the source, folks: from the source ... of the Force.

My ten-year-old loves taking turns with me reading sections of this book aloud and I can almost see his gray matter expanding (hasn't hurt his imagination too much, either) while we huddle by the lamplight. Only problem I'm left with now is what to do with all these detailed schematics of his own left lying about the house - outlandishly labeled creations from foreign worlds contemplating an invasion of Earth, no doubt. Hmm. Maybe I should call George Lucas.

This edition is devoted to the Spaceships and Craft from The Phantom Menace.

As with Star Wars Cross Sections it is very well detailed and even better with todays print technology. Great for children and first generation Star Wars fans alike.

I wouldn't call this the greatest technical book of all times. I wouldn't be suprised if this book wasn't nominated for any kind of award. But Episode 1: Incredible Cross-sections is captivating enough to stand on its own. I enjoyed it because I got to look through the insides of some of the film's most enigmatic ships and vessels like Darth Maul's Sith Infiltrator and the Gungan Bongo. It's good for those who were still puzzled about the ships after the end of the film.

I always wanted to see more and to be able to look inside of the vehicles more closely, and this book provides that information (and more more) in great detail. I really like the mini illustrations of where in the vehicles that events from the movies took place, it helps to "put a name to a face".

What an entertaining book! I'm half-way through it and enjoying every minute. You get a real sense of the various personalities that made up the Ramones roster, which changed over the years. Johnny - the hard-on; Dee Dee - the Crazy; Joey - the freak; Tommy - the oppressed; and Marky - the over the top alcoholic. I personally love the oral history format. Johnny, Joey, Tommy, Marky, Ritchie and Monte, their tour manager, all contribute their stories. For some reason, Dee Dee doesn't personally contribute but he comes through vibrantly in the stories of his band mates.

I'm not a fanatical fan, but after seeing the Ramones documentary: End of the Century - The Story of the Ramones, I knew I had to read this book. The only down side is realizing that the three core band members - Joey, Johnny and Dee Dee - all failed to see age 50.

The Ramones' popularity keeps growing--it's a shame that Joey, Dee Dee and Johnny didn't live to enjoy it. As a result of their popularity, so many--TOO MANY--Ramones books have been written and it seems like a new one comes out every month. If you are a die-hard Ramones fan, this is the ONLY book you need. Monte was with them from the beginning to the end and was partly responsible for making them the best touring band ever. He tells it like it was, and it is a fascinating read. Buy the book!

This is the best book on The Ramones, period. I absolutely loved it!! The pictures are so cool and the stories are even better. I recommend this book to anyone who loves The Ramones. Great purchase.

This book is a GREAT read for any Ramones fan, but it was very heartbreaking in the end to see how "the remaining band members" treated Joey at the Rock & Roll Hall of Fame induction. I only wish Joey's mom and brother would have stepped up on stage to accept that award for Joey. He indeed was the most kind hearted soul and he deserved more recognition then what he got that night. May he rest in peace.

The more I read and learn about Johnny, the more complicated and intriguing I find him. It could be easy to dismiss him as a jerk but then something like the "milk and cookies every night" story comes up and endears him to you.

I learned so much about all of my favorite artists in this book. This book is tastefull done (unlike Building a Mystery by Judith Fitzgerald). The author actually talked to the artist and got their perspectives on many different topics and the meanings behind their songs, which makes this book true and somewhat autobiographical. It is good to see a book also where the artists are not portrayed as glamorous. These black and white photos seem the bring the artists back down to the same level that the reader is working on. It is a really nice book and an interesting read.

Well, I am going to read the book, if I ever get a credit-card...which hopefully there's another option..( or I'll be broke before I get paid....) Anyhow, I'm sure this book is well worth reading..TO me anything by any of these great artist(s) who have inspired me in my darkest hours of frustration.. I will never give up the God given gift(s) thanks to you all!!!! (And hopefully we'll all Jam before New Year's Eve!!!!!) -C

com) from Atlanta, Georgia November 14, 1998 Dear Emma and Marc, Solo is awesome, the images and narrative are both soulful and powerful. As a practicing artist I'm attracted to the imagery in your book. The photographs have a cinematic quality to them, in particular the series of photo's of Holly Palmer. When I look at the images in your book I feel spirit and emotion of the people represented through your imagery. Examples of what I'm referring to are images of Lucinda Williams (pg 290 and 300), Sheryl Crow (pg 273), Roseanne Cash (pg 246), Jewel (pg 224), Shawn Colvin (pg 39), and Sarah (pg 18)... I like the way the narrative and art work weave together like a quilt, your images make me feel good. More on Solo later... Peace, Love, and Understanding, Freddy Ciminelli

This is the finest example of what beautiful photography and amazing storise can do for your soul. This book should be read by every woman in America at every age. The stories are personal, enlightening and truly amazing! There is so much to learn from SOLO... I return to it daily.

The night I bought this book I sat down and finished the whole thing. I bought this book because I was a huge fan of Sarah McLachlan and Shawn Colvin, Jewel and Cheryl Crow, but I learned so much more from the other singers too. Sarah's interview struck me as the most down to earth, but every interview was intriguing and I just couldn't put it down. Some of the artists I had never even listened to like Ani Difranco but then next day I borrowed a friends CD and I have to say thanks to this book my CD collection has gotten a lot larger! Thank you Emma and Mark! The only bad thing about this book is......it ended! (and Tori Amos wasn't in the book, but was mentioned by Sarah McLachlan! =)So that was fine by me!!!)

In his wonderful and fascinating book Unspeakable ShaXXXspeares, Richard Burt, the leading scholar of Shakespeare and film studies, pioneers research into the manifold ways Shakespeare enters into American popular culture. Concentrating mostly on film but attending as well to television sit-coms, Burt offers penetrating insight into everything from mainstream adaptations of Shakespeare to "low" spin-offs in which Shakespeare's language almost entirely disappears. Burt explores both what film and mass media have done to Shakespeare and also what Shakespeare enables our culture to do trhough film and other electronic media. Readers intersted in this book will be happy to know that Burt has since edited a related collection entitled Shakespeare After Mass Media and has co-edited Shakespeare, the Movie II.

One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.

One of the many strengths of Burt's truly excellent book is that it not only discusses Shakespeare adaptations but uses Shakespeare, or of ShaXXXspeares, to discuss post-war American popular culture. Burt's theory of the loser as critic has ramifications for all criticism, not just Shakespeare. This is a profound, original, and engaging book.

I happened to be doing research for my thesis on Shakespeare in the university library and, while looking for other books, I was intrigued by the three XXXs in the title of Burt's book on the shelf, so I pulled it off and looked through it. What a daring work of cultural criticism! When I saw the chapters on Shakespeare porn, I marvelled both at the courage of the man to write such a book and how at the publisher who took it on. Of course, I check it out and read it. I especially was drawn to the chapter on action films and Burt's point that while the films cannibalize others, no one in the films ever eats; the characters are anorexic. The book is full of similarly wonderful insights. I am a cinephile, and very much appreciated Burt's quite hip approach to ShaXXXspeare. Now, it's back to those other, rather staid books of Shakespeare criticism, I was orginally looking for.

Whatever you think about Shakespeare, it is impossible not to agree with the points Burt makes in this book. His analysis is right on the money and you will never be able to look at Shakespearean movies or literature in the same way. A fantastic book and a must read.