Performing Arts Books

Maxine Brown has created a masterpiece about the history, and characters involved in the making of Country Music. Her story is honest and heartbreaking at times. She has bumped into just about everyone who has had anything to do with the industry. She's smart, funny, honest and in some cases, unforgiving of those that have crossed her in the business. And, rightly so. Just the insight into the beginning career of Elvis Presley is worth the read. She toured with this shy kid who would become king. She gave us a glimpse into what it was like to know him before all the fame. This woman had guts to stick it out in a business that could be very unkind to women in the early days. Her determination to carve herself out a place in the business of country music is witness to her drive. The Browns hold a very important place in the history of Country Music. They influenced an entire generation, and let us not forget, were one of the first crossover sensations. Not only did they create a fire here in the States, they took on Europe with huge success as well. They lived through the rough and tumble days in Nashville when a chosen few could make or break a career. There were also good guys, like Chet Atkins who believed in the Browns, and stood up to the big studio execs to ensure that their records were made with integridy. Maxine was there to see it all, and tell it through her amazing recall. This book is an important piece of history, and should be read by anyone who calls themselves a fan of country music.

I've been a fan of the Browns ever since I was a young child in the early 1960's and my mom bought a Browns album. In recent years, I continue to enjoy the sweet harmonies brought by this incredible brother/sisters singing team.

Maxine Brown writes a riveting story of what country music was like in the 1950's, when they got started. It was a brutal, unforgiving business at the time and the Browns had their share of unscrupulous businessmen. She also writes about the relationship the Browns had with other country music singers of the day, some who have become major legends.

Very honest & open by the Author/Singer Maxine Brown. Very interesting & revealing, especially about Elvis Presley & Jim Reeves. Very good book.

Maxine Brown was part of a family country band with her brother, Jim Ed and sister, Bonnie. Their most famous recording is that of Edith Piaf's `The Three Bells'.

She writes about her early family life growing up in rural south Arkansas during the Depression. Her journey in country music and the people with whom she traveled and the songs she wrote. The people she met and performed with such as Jim Reeves, Johnny Cash, Patsy Cline and Chet Atkins. Performing on the Louisiana Hayride, at The Grand Old Opry and touring Europe. Particularly touching was the story about Jim Reeves' tragic death. It bought a new reality to his life for me.

I particularly enjoyed her stories of their encounters with Elvis Presley and how he fell in love with Bonnie and asked her to marry him. She turned him down. One particular incident was at the time of his discharge from the army when he called a press conference and invited the Browns to attend. He asked Bonnie did she wait for him and she told him `no', she was married and expecting a baby. She must have known what would have been ahead.

I absolutely loved reading this book and did it in 3 days. I love country music and it is also takes a look at the background of some of the great American country performers and the people involved with their careers.

Here in Australia we only see the end result of some the greats and have no idea what life was like for budding country singers in America.

I found this book while listening to WSM America's Country Music Station broadcast live from The Grand Old Opry. There was a live interview with Maxine promoting the book.

Thank you Maxine, for the experience.

Kudos to Maxine Brown for her fascinating no-holds-barred look at the country music industry of the 1950's and 1960's. Maxine, along with sister Bonnie and brother Jim Ed, were legendary country group The Browns, who chalked a number of hits for fifteen years, notably THE THREE BELLS, one of the biggest hits in country music history and as well as a number one pop hit for them. The Browns were all but ready to throw in the towel when they scored that monster hit. Their RCA recordings were not producing major hits. The group earlier came to success on the small Fabor Records label founded by one Fabor Robinson. Like many vocalists on small labels during the era, according to Maxine, the Browns "never made a dime" on their hit LOOKING BACK TO SEE, needless to say she has harsh feelings for Robinson "probably the sorriest b****rd then infesting the industry." She recalls a string of horrors the Browns had to put up with due to the association, so much so Robert Cochran, in the book's introduction feels to need to note country musican historian Colin Escott found similar stories from other Robinson associates in his research. Maxine titles one of her chapters "We Get Screwed" and her tales of blackmail attempts to harassment are truly astonishing.

There's lots of good times too, from dozens of close friends in the industry from Elvis Presley to George Jones and their years as the leading country vocal group. The Browns were especially close to Jim Reeves, and like Reeves they suffered from some backlash in some country circles because of their pop hits. Maxine recalls a run-in she had with Little Jimmy Dickens at a country music function during the peak of the Browns' crossover success when Dickens strolled up to them and said "What are you doing here? You Ain't country." As you might have guessed Maxine is not the type to just stand there and take that, calling him a "sawed-off son of a b***ch" which broke into a cuss fest that led to Maxine and Dickens not being on speaking terms for years although she happily notes they have since made amends.

After the Browns disband in the late 1960's and brother Jim Ed becomes a popular male star, Maxine found it difficult to launch a solo career (I personally love her only solo album SUGAR CANE COUNTY) and is surprised how quickly the industry seems to have forgotten she was one third of the hottest group in country music. Happily, the Browns have frequently reunited for concerts since the late 1980's and still perform today.

LOOKING BACK TO SEE is a great read, loaded with rare photos. Maxine writes in a friendly, talkative style and as you might guess, is as blunt as someone having an intimate conversation. This is a fairly large book - 348 pages - for a country star autobiography. The University of Arkansas (Maxine's home state and where she still lives) published this book and did a fine job with it. It's clear a local press is the way to go for country music star's of the past who might not be able to attract New York publishers. This book is a must for anyone who loves country music during it's classic "Nashville Sound" era.

My title is part of the inscription her husband Charlie had placed on Patsy's grave marker.Time has shown that truer words have never been said.
All the letters in this book were written to Treva Steinbicker who started and operated her fan club.They corresponded very frequently from the time that Patsy started in the business in 1955 when she was was only 23.The letters continued till 1959.There may have been more and Treva probably continued until she was killed in a car accident in 1960;but no letters were found during that period. Patsy met her untimely death in a plane crash on March 5,1963.
More than anything else,these letters show what a huge struggle and sacrifice to health,family and security the artists of the 50's went through in establishing a career.The number of Country Artists ,who made a living,were only a few dozen,and it took many years to make it.However,the music they made came from the heart and soul and was so good because they really lived it.Today new superstars appear like autumn leaves,and in my opinion most of it is "studio" music and that which the Industry promotes.It is hihhly that the stoff promoted today will be enduring like that which we got from the artists of Patsy's time.
Try as they may,to replace Country Music with Pop,Rhinestone Cowboy stuff,Country Rock,New Country,Line Dance music,the music of the Legends like Patsy,Hank Williams,Web Pierce,Johnny Horton,Roy Acuff,Ernest Tubb,Loretta Lynn,and other artists of the 50's and 60's,the real Country music survives because of the simplr fact that Country Music is the music of the people,by the people and for the people---Not the music establishment and studios.
The thing that surprisedme the most is how little these artists were compensated These letters show that during the time Patsy made her greatest hits,she virtually lived in poverty.Just imagine how moch people who couldn't write a simple ditty or even carry a tune,made off Patsy.

I found, Love Always, Patsy to be quite compelling. I wasn't reading about Patsy Cline the superstar but "Patsy" the young girl working her way up. To be able to do that in her own words left me with a special warmth for the person and all she hoped to achieve. To spend time recapturing a "lost" time in the business of music. A more simple time. I would recommend this book not only to Patsy Cline fans but anyone interested in music, life, biographies, or a hard working housewife.

I am the secretary for the Always Patsy Cline Fan Organization and I have to say, I'm pretty picky about my Patsy Cline merchandise, info., etc.

This book was so interesting to me because you really found out who Patsy was. She struggled just like the rest of us. It blew me away at how tight things were for her. Although times were tough, she kept going to make her dreams come true.

You could really tell how much she loved Charlie and her new daughter, Julie. Randy wasn't born yet.

It was really easy to read and I couldn't put it down. It's a real treasure to have something like this about someone we don't know much about, because of how short of a time she was with us.

If you are in any way a fan of Patsy Cline, this is a must read for you. It also contains a few new photos.

Enjoy!

Thank you Mike and Cindy for sharing the personal letters of Patsy Cline with all of us. What better way to get to know someone, then to peek into their letters written to someone very special. Not only are the words that she writes very intimate and from the heart, but the paper they are witten on and the way they are written(phrasing and penmanship) give you insight into Patsy's feelings and personality. Since reading this great book, I have become an REAL Patsy Cline fan.

If you are looking for a book that tries to analyze Patsy Cline from a woman's perspective, read Margaret Jones' biography. If you want dirt and hack writing, read Ellis Nassour. But if you want to know Patsy Cline, read this book. Patsy wrote it herself with a guiding hand from Mike and Cindy. Patsy tells us in her own words what kind of a woman she is and she shares her dreams and disappointments in a way no other writer can touch.

Mike and Cindy let Patsy tell the story, intruding long enough to clarify a point or identify an obscure reference.

As a female Impersonater/Entertainer, this is the BEST book on the market.
But one doesnt have to be a female impersonater to love this book, just the 100's of gorgeous pictures are well worth it!

Vlasis is a talented writer. Made You Look sits on my coffee table for friends and family to enjoy.

What a fun read! The world of "Star Impersonating" was a new one for me. Vlasis' book covered this world in both an entertaining and informative way.

I just have to say that this book is phenomenal! Who do you look like? Well, I can't count how many times people have told me I "look like so and so" or, "do you know who you remind me of"? One of the best books out there just to have on your coffee table guarenteed to start conversation! Uncanny resemblences! Makes you wonder how different from one another we really are...is there someone out there who looks like you?

This book is a win-win situation. If you want to get into any facet of entertaining, then the informative and generous writings that Denise offers in her book will be of intense value to you. However, if you're a person that is looking for a book that's eyecatching and interesting for your coffeetable or personal library, then this is the one! Most books like this only cover one person, and if you're a fan, that's great, but this one covers over 100 people that are dead-ringers! That alone will keep people talking for hours! I know- I see it happen again and again. Talk about fun. That makes this an investment book. I covered mine in a clear cover to keep it from getting tattered from all the handling! Thanks, Denise Vlasis! Bravo!

though i dont have this book my friends say its an excellent book and I've seen it for my self and it is definatly a must buy

It so good it has tempted me to buy alot of Magic cards

Richard Garfield is the creator of Magic The Gathering card game. This book gives the reader an in-depth look into the game and shows the beautiful illustration that each card contains. This is a must have for all players and collectors of the card game.

I collect the cards and I don't know how I would have known if they were rare or common cards if I hadn't found this book. It's the best!

If you are a mtg collector, you definitely need this book. Although it is much "thinner" than Volume 1 but it's still a must for any serious mtg collector

This is a grate and very useful book. It is very clear and understandable, it have many actually information about movie business which I cant find anywhere else!

I bought this book because I'm getting involved in the movie making business (my expertise is mainly from a product development background). Even though a film can be viewed as a product I needed to understand the complex market in which I'm getting into.

"Marketing to Moviegoers" is an incredible way to get insight on all aspects of the film marketing process: from creative ad campaigns, test screenings, media buying strategies, product placement, merchandising and getting to know the distribution strategies for both big studios and independents.

Rather than a how-to manual, Robert Marich compiles numerous examples and case studies, in an enticing and easy to read format (using indsutry charts and graphics), that allowed me to understand what to expect when producing, promoting and distributing my film in a few days.

I think this book, with its broad coverage of the movie industry and its practices is a great compliment to "The Complete Independent Movie Marketing Handbook", because the latter focuses more on step-by-step recommendations on how to get your movie packaged and sold.

As London bureau chief of The Hollywood Reporter, I covered the whole range of movie marketing strategies, from bad to brilliant. Bob Marich gives those who market movies and those with an interest in the film business a great inside look at how it's done, from market research to promotions and publicity to distribution. He covers major studio releases, movies distributed by indies, and foreign-language films. This is a great read for anyone who cares about how movies reach the ticket buying public.

This book is a must-read for any aspiring or practicing film marketer -- even marketers of non-entertainment products can learn a few tricks here. Thoroughly researched and logically presented with a liberal use of tables, "Marketing to Moviegoers" leaves no stone unturned in its elucidation of the whys and hows of selling a movie to the public. It delves into everything from concept testing and surveys to trailers and projection equipment and even the special challenges posed by foreign-language films. Should be required reading at all film schools.

I have written on films for a decade for VARIETY and have subsequently free-lanced for other publications. I found "Marketing for Moviegoers" a highly comprehensive account of marketing in the industry, of films winding their way to hoped for profitability employing multiple strategies through multimedia and ever expanding technologies. Even the most seasoned professionals in marketing will want to compare notes with this book's wealth of information and anecdotal material. It is definitely a must for neophyte filmmakers or those aspiring to that calling so that they will know exactly what they are getting into.
As the book gives a thorough rundown of the fields of marketing research, media advertising, promotional tie-ins, merchandising, publicity and distribution it carefully notes the opportunities and pitfalls of assorted game plans. Chronicles of standard industry practices are interlaced with boom or bust investment tales. It is especially skillful in coping with the constant changes of new technologies. On the subject of the Internet, for example, the various advances and retreats, strategies and counter strategies are duly recorded.
"Marketing for Moviegoers" bolsters its points with numerous charts and examples of recent movies. While this book's primary appeal will be to those in the trade its inside story of the intense media battle for consumers' dollars should have the attention of some just plain moviegoers.

Seriously. This lady apparently never threw away ANYTHING. She didn't even throw away the "Glorious Aryan Motherhood" medal she got from the Nazis in 1938 in an effort to entice her back to the Third Reich, though she was much offended by the "award" and described her displeasure in pithy terms. Conversely, she proudly told her daughter, Maria Riva, that whereas most daughters inherit medals from their fathers, Maria would inherit medals from her mother, and these decorations (including the U.S. Medal of Freedom and two degrees of the French Legion of Honor) are displayed in one of the book's many color photographs.



This splendid book is a Marlene Dietrich museum all by its lonesome. Gorgeous photographs from every stage of her career (including some very sexy and risque ones displaying her famous legs to best advantage!) are coupled with a visual catalogue of the most interesting of her clothing and possessions, including her famous good-luck rag doll, which appeared in several of her movies, and a pair of matched pistols she received from General George Patton (with whom she is rumored to have had an affair) during World War II.



Speaking of which, Marlene's WWII service, one of the great defining experiences of her life, gets full attention in this book, with many very striking photos of herself at the front. My favorite pictures from this period show her watching a training drop by the 82nd Airborne Division, the unit closest to her heart, in Holland in early 1945.



Marlene, of course, is famed as one of the great style-setters of the 20th century, and we see many, many photos of her outfits and accessories, both as display items and when she was wearing them.



Can I use the word "splendid" twice in one review? :) Because that is exactly what this book is. It's a bargain at any price you care to name, and one of the best retrospectives on any great film star I've ever seen.

Here are images we've never seen before. The ones of her life on the front in W.W. II are amazing. Brave woman fighting for the US soldiers. And the picture of her in the bathtub is worth the book alone. The private dresses, her lingerie, her jewels -- these are amazing.

A delicacy! The best book of photographs I have seen on Dietrich and a compendium of beauty, not only hers but all that was created through and with her. A must have book.

This is a dream of a book. Full of glorious photos and facts. I highly reccommend this to all Dietrich and film fans. All public figures should be the subject of a book like this.

If you were a fan of Dietrich and were allowed to own only ONE book about this woman, then this should be the book to own. To reiterate another reviewer's thought -- it is EXQUISITE.

as film student, this text is very inspirational and i keep going back to it for motivation. i read the whole book through the moment i turned the first page. this is a great inspirational book for anyone who is interested in studying or working in film.

This is, hands down, the best collection of advice -from the world's best directors- that I've ever laid my hands on. I came away from each of the interviews feeling illuminated and motivated to tackle my next directing job.

If you want to read something that is actually helpful, rather than some long-winded, boring 'how-to' book (which, let's face it, are almost always terrible) then this is the book to pick up. It is loaded with practical advice, articulated by very intelligent and respected individuals.

Want to know how Woody Allen shoots his films? He sums it up in about two paragraphs! Want to know what lenses Cronenberg shoots with? Well, he tells you! Whether you agree with the techniques of each of these directors, it is fascinating to hear them describe their unique approach.

I will always reference this book before tackling a film project...

Great stuff. Gives a lot of info on each director. For example; Sidney Pollack was an acting coach before he became a director.
This book is filled with insight, knowledge and terrific stories all from the top directors of our time.

This book is great and has a wealth of insightful conversation with some amazing directors but my one complaint is that the bulk of the book is framed too similarly. While the directors all have their unique take and insights, Tirard essentially asks them all the same questions which leads to repetition over the bulk of the book. In no way am I saying not to purchase this book but I'm simply criticizing it's redundancy.

This is exactly what a moviemakers master class should be. It asks technical and artistic questions to some of the greatest directors of all time.

If you want to hear why Tim Burton likes wide lenses, which contemporary directors Scorsese admires and why, Jean Pierre Jeunet's theory of camera movement, David Lynch's "secret dolly move", John Woo's method of shooting and cutting scenes to music, The Coen brothers writing process, Lars Von Trier's take on the rules of Dogme 95, Jean-Luc Goddard's theory of filmmaking out of desire vs. need, then this book is your ticket.

This is a goldmine of knowledge. There are no fluff interviews here; only the best filmmakers in the world relating solid technical advice and tried and true shooting strategies developed from years of experience.

I am an adult who read this after an 8th grade boy tried to explain the plot to me. Although I knew what the "surprise" ending would be at the start of the book and the story line was so predicatable, for teens I would highly recommend it.

Fast but not manicked pace and good dialogue (although it seemed a bit forced at times for cuteness sake when the main character spoke to his parents). Character developent was thin but the old man was quite well done.

Good read. Some nice lessons. Funny. I enjoyed it.

In Notes From the Midnight Driver, the titular "Driver" is Alex Gregory, a teenage boy with divorced parents, who in a fit of bad judgment takes a drunken drive to his father's house, resulting in Alex's arrest and the decapitation of a lawn gnome. As punishment, Alex is sentenced to community service with the elderly and ailing Solomon (Sol) Lewis who is notoriously hard to put up with. Alex's daunting task is to both teach and learn a "life lesson", but Sol seems only to want to criticize and mock his newest volunteer. Eventually, however, the unlikely pair open up to each other. Through a series of letters between Alex and his sentencer, Judge Trent, Alex's progress towards maturity is revealed. He loses his selfish exterior and is able to understand friendship, love and family in a way that creates a ripple effect into the lives of his friends, his parents, and even the rough-talking Sol Lewis.

Jordan Sonnenblick, author of Drums, Girls and Dangerous Pie, proves once again to be an expert at mixing serious and sad situations of teenage life with dry wit and sarcastic humor to provide an engaging and powerful story. Sonnenblick's teenagers are detailed and realistic and he does a great job of creating likable characters that are easy to relate to, while avoiding cliches and stereotypes that run rampant in other young adult novels. Though not a true sequel, Steven and Annette from Sonnenblick's Dangerous Pie also make an appearance as back up characters in Midnight Driver and the theme of music as an outlet for teenage emotion also runs through both novels. Overall, the mixture of laughter and tears, sadness and sarcasm make the book a delightful and poignant story.

It's not often that a feel-good story with its moral out in the open gets away with a 5-star rating, but Jordan Sonnenblick's NOTES FROM THE MIDNIGHT DRIVER manages to pull it off. Simply put, the novel follows the progression of a high school junior named Alex who must do community service in a convalescent home to make amends for his drunk driving conviction and suspension of license. The cantankerous old Jewish gentleman he's assigned to (named Sol) makes life miserable for him at first, but then some revelations begin to take place, with ramifications that go beyond the convalescent home and into every aspect of Alex's young life.

Yes, you can argue that the "set-up" is a bit contrived -- having your impulsive protagonist get rip-roaring drunk, driving to his estranged father's house to tell him off, and never making it due to an unexpected date with an unfortunate lawn gnome and the emergency room of a hospital -- but all is forgiven thanks to the winning chemistry of Alex and Sol, who are like fire and ice, oil and water, nasty and naive.

As subplots, Sonnenblick provides the marital woes of Alex's parents and his own attempts to convert a "just friends" relationship with a blackbelt beauty named Laurie into something romantic. And although there's some typical YA, school-side bullying episodes, the heart of this book is in the convalescent home where aspiring guitarist Alex eventually brings music and new life to an old man stricken with emphysema (overtly) and grief (covertly).

I was ready for a predictable ending and got it -- but with a twist I did not expect. In any event, it all works and readers will buy it. It's always good to read YA fiction that's carried by characterization and not plot alone. No, not YA no one under 18 will read, but YA that they will -- and willingly. This is a great addition to any home, school, or classroom library. Recommendation: buy.

Notes from the Midnight Driver is narrated by your average teenage boy (Alex)- its bound to be funny. But when an accident brings Sol, a grouchy man, into Alex's life, the story takes a heartwarming turn. At first Alex and Sol don't see eye to eye- Sol constantly verbally slams Alex, they argue- but after a while they find one thing that holds them together- music. It's a good read for all ages- it's got old people, cars, a little romance, and lawn ornaments.

Jordan Sonnenblick keeps getting better. NOTES is the story of an angry adolescent - even angrier than most! Alex's parents have gotten divorced and after drinking an excessive amount of vodka, he's going to just drive over and tell his dad how angry he is. Luckily, he doesn't hurt anyone when he crashes the car, but now he is even angrier, because he has to spend time at an old folks' home talking to possibly the crankiest man in the whole place - Sol. Sol's tough love is hilarious, poignant, and ultimately effective. Great book, great read, great for kids just starting to drive or even just thinking about starting to drive. I'm using it with my ninth graders right now, and they love it!

When I picked this book up from the library I was not sure it would be one that I would enjoy,but I was surprised how into the story I got and could not put it down! I am not going to tell all the details of the book but I will just say that if you want a book that will not only capture you mind but your heart as well than you will enjoy this book and even be sad when it ends cause you just want to keep reading!

Maurine F. Dahlberg.... wow can you ever write. This is one of my very favorite books of all time and I swear that I have read WAY to many books. Right now I am doing an Independant Novel studu on it and have to do a bibliography on you. I can't seem to find information but kids and/or Adults if you ever need a good book to read, I suggest you pick up a Play to the Angel and dig in!

" Austria 1938. War is coming. But Greta only cares about her music." What if suddenly you were practicing in your piano professor's apartment. When a loud banging comes from the door. You open it to see starched uniforms, shiny boots, pistols, swastikas, and lightning bolts. The Nazis are at the door.
This was just one of the many scenes from Pay to the Angel. Where words of cheerfulness and depression burn a seeping image in your mind. This author really sets the scene. Maurine Dahlberg wrote the magnificent and extraordinary novel.
Greta Radky loves to play the piano. But her mother does not want her to play. She threatens to sell the piano. But luckily, a piano teacher moved into the apartment not far away. Se learns how to play the piano from a Herr Hummel. But while at a party with her friends Mutti (the mother) finds out! But in a last desperate attempt by Herr Hummel and Greta, she decides... to keep the piano. So Greta plays better and better and eventually she is invited, by Herr Hummel, to a Recital at a huge musical academy, in front of a large audience! She had never done this before. And more than anything she wants Mutti to come. But at the end of the recital she is not there. When she leaves the academy, she why Mutti had not come. The Nazis had taken over Austria! But that's all I'm going to tell (I hate Spoilers).
One day, Greta was practicing on Herr Hummel's piano Sunday morning. Herr Hummel was never at his apartment room come Sunday morning. So he had given Greta a spare key to the room. Then a knocking came from the door. Too loud to be Mutti, Herr Hummel, or any of the neighbors. She opened the door, and the hall was filled with Nazis. Then they swarmed the room, tearing it apart, looking for signs of the unidentified Herr Hummel.
The theme to the book is that things aren't what they seem. Like cold- hearted Mutti, turns out to be, happy, loving, caring Mutti. And like Herr Hummel's identity. And how no one seemed to think that the Nazis would invade Austria.
I would recommend this book to anyone who likes books with mystifying people. And anyone who loves to read about history. This is a very creative story. If you wish to find out about Herr Hummel's secret past, Mutti's true feelings, and the story of Greta Radky, you will have to read Play to the Angel.

When I started to read this book, I was captivated. It is interesting and provides a good insight to musical life to someone who is musically challenged. I thought Herr Hummel, or Karl Von Engelhart, was very well-done and interesting. When I finished this book I suddenly wanted to go to Austria and see what it was like. The only thing I didn't like was it ended on a cliff-hanger, and I really tortured myself thinking about if Greta ever saw Lore or Erika or Karl von Engelhart (Herr Hummel) again.

One thing I disagree with in the review above: they say that Doris Ogel's The Devil in Vienna is better than Play to the Angel. It is not! I read about half of TDIV and I was totally bored and disinterested, although I finished it. It was shallow and the emotions of Inge were very undeveloped. Though I'm getting off the subject. Read Play to the Angel and you won't be disappointed!

Greta was a piano player in Vienna, Austria in 1938. Her brother Kurt died about a year before and her mother is starting to get insane migraines. But those wont stop Greta from dreaming of becoming a famous pianist. She is different from all the girls in school. And now that her best friend Erica has moved to America, she truly feels alone sometimes. Even her neighbor Frau Vogel can't help her that is until she tells Greta about a piano teacher that lives in the apartment next door. She goes to the apartment one day but no one is there. She walks in to find a beautiful grand piano. She takes out some music and begins to play when Herr Hummel startles her. They eat and start to talk. By the time Greta leaves she has agreed to take piano lessons from him for free. She keeps this a secret from her mother for a while but when Herr Hummel brings up that he wants Greta to play at the Academy of Music and Performing Arts. Greta begins to practice music from Scarlatti and Mendelssohn for her recital. Finally the day of her performance comes. Her and her mother had gotten in a fight earlier that day but Greta had hoped that she could still make it. To her surprise her mother didn't arrive. When the recital was over Greta and Herr Hummel were rushed back to Herr Hummel's apartment where they found Frau Vogel and Greta's mother with an injured ankle. Apparently the Nazi's had invaded Austria and while Greta's mother was running out of the shop where she works she sprained her ankle. Soon one of Herr Hummel's old students Rudolf Beck, who Greta and Herr Hummel had seen while they were in the city, has sent the SS for Herr Hummel. Greta is in Herr Hummel's apartment when the SS came in tearing the place up looking for things. That is when she finds out that Herr Hummel is actually famous pianist Karl von Englehart, and that he is wanted for helping Jews escape the Nazi's. When the SS men leave Greta remembers the money and passports in Herr Hummel's desk and takes them across town to the Academy where he is with one of the directors. He tells Greta that he is going to Prague and that he will contact her when he is safe. Later Greta receives a letter from him saying that he is on his way to America. Greta and her mother escape the Nazi's by going to live with family in Switzerland. This book is good for students who like to learn about the affects of WW2 and who study music. This book shows students that no matter what they can always make their dreams come true.

In the beginning of the book Greta has suffered a great lose in her life, her brother Kurt, who also played piano, died and her mother is becoming very irritable. Her mother used to always have fun with them and enjoy listening to Kurt play the piano but now every time Greta touches it she says she has a headache and wants to rest. Also her mother almost sold the piano and Greta began to greatly doubt she could ever become a concert pianist.

Greta also doesn't fit in with many girls in her school. For one of her papers she has to write about the best day of her life and she writes about one where she spends it alone playing the piano but her fear of being made fun of lowers her self esteem and makes her nervous about her upcoming recital.

After her recital Greta realizes that many people believe in her and that she can accomplish anything she wants to. Her mother risked dying to see her play at the Academy and Herr Hummel risked being captured by the Nazi's to help her succeed with her playing. And she even makes a new friend, Lore, who likes her for who she is and what she does. Greta realizes she has nothing to be shy about and that her brother would be proud that she is accomplishing what he couldn't.

This book can truly teach students many things about the world around them and themselves. I recommend this book to students of all ages that would like to learn more about the piano or more about the affects of war on people.


T.Shene

Newer thought that I would be considering working on a feature film, but reading and viewing Jason great material just gave me the feeling that I also could do it.

Books like this promise a lot but I have to say that Jason has done an excellent job of condensing the complex task of movie making into concise and accurate descriptions of each discipline. I've experienced quite a bit in the film business over 30 years and time and again as I read this book I kept saying "Oh yes, that's true." It is also a great reference for those noodly details one needs from time to time like proper script format. There is no need to hunt through your library for the answer, script format is right here on page 27. The other good thing about Jason's breakdown is the responsibility associated with film making regarding money,permissions, safety and insurance. I cringe when I think back on how we made 16mm indie films back in the 70s. In some cases we were lucky to be alive afterward much less sued! The Power Filmmaking Kit is terrific primer for those who wish to make a movie in the classic tradition for very little money.

Mark Sawicki
Motion Picture Effects Cameraman/Actor and Author.

I am currently a successful stunt woman in the entertainment business and have worked on many big budget films. I bought Jason's book because it laid out step by step everything I needed to do to start and finish my own film. I have found all the behind the camera details very helpful and they have saved me a lot of time in pre-production. His specific layout of what needs to happen when has been a life saver. Being a stunt performer and always in front of the camera has taught me some, but this book has filled in ALL of the blanks.

I was so frustrated with the lack of practical filmmaking instruction that I took two years out of my life to write and illustrate "The Shut Up and Shoot Documentary Guide", so I speak from the heart when I say that Jason Tomaric's "Power Filmmaking Kit" is a rare wonder of practicality, conciseness, and valuable filmmaking wisdom.

There are two ways you learn the things in a solid practical film book like this:

1) the hard way- by doing it and learning from your mistakes (fine if you've got the time and the money) or

2) by being smart enough to study and learn from a book like this how to stretch your time and money and get better results.

After fifteen years in this business, I still found plenty of valuable tidbits, forms, and practical wisdom in Jason's book and the jam-packed DVD lessons to make it more than worth the cover price. I only wish I had access to a book like this back in my film school days.

Yet another big shot in the DV Revolution. Well done, Jason.

Author Jason Tomaric has written, directed and distributed several minor independent features which is a laudable feat. Yet, Tomaric has surprisingly little to say about the filmmaking process. Sure, there's a lot of information here, but nothing you couldn't get anywhere else. Even the skimpy material on his own productions generally amounts to one thought--"Need something for free? Just ask!" What makes similar books like the Complete Guide to Low-Budget filmmaking (Josh Becker) or Make Your Own Damn Movie! (Lloyd Kaufman) interesting is the authors' willingness to share their personal views and stories of their triumphs and failures. Other books like The DV Rebel's Guide (Stu Maschwitz) and Digital Filmmaking (Mike Figgis) are authored by highly-regarded professionals who describe how low-budget technology potentially transforms mainstream filmmaking processes. Tomaric, on the other hand, opts for an encyclopedic "wide as an ocean but shallow as a water basin" approach. The result is a paint-by-numbers text that reads less like a book and more like a reasonably executed career move.