Performing Arts Books

THERE ARE MANY BLUES SINGERS FROM ROBERT JOHNSON TO THE PRESENT, BUT THERE IS ONLY ONE THEY CALLED "THE KING OF THE BLUES" THIS MAN IS A LEGEND HE IS CALLED B.B.KING. THIS POWERFUL BOOK GOES INTO THE HUMBLE BEGINNING OF RILEY B. KING AS A SHARECROPPER,THROUGH THE CIVIL RIGHTS MOVEMENT,RACISM TO PERFECTING THE MUSIC THAT IS HIS FIRST LOVE "THE BLUES" .HERE IS A MAN WHO CAME FROM A SIMPLE HUMBLE BEGINNING TO PERFORMING BEFORE KINGS AND QUEENS AND PRESIDENTS AND EVEN THE POPE. IF YOU HAVE SEEN B.B.KING YOU KNOW WHY HE IS CALLED THE KING OF THE BLUES, IF YOU HAVE NOT SEEN HIM YOU ARE MISSING OUT ON "THE MAN" HIMSELF ALL YOU CAN DO IS READ THIS POWERFUL BOOK

I've read BB's book several times, maybe 5 or 6. Every time I read it I still love it. I learn something new about him every time. If you even consider yourself a fan of BB or the blues, you have to read this book. David Ritz is an awesome co-writer, keeping BB's voice in the forefront, and he just gently guides BB. He did a hell of a job with Etta James' autobiography also.
An excellent book!!

His real name is Riley B. King, the B.B. stands for Blues Boy, and he is known as "America's ambassador of the blues". A recommended enjoyable, good read about growing up and into music, self-taught guitar, remarkable attitudes of a man who faced prejudice and hate with an even keel. A performer who went on stage even when he was suffering from a bad case of flu. B.B. King took his music to Israel, England, and Russia, and held up in stature through the lows and highs. And he loves his 'Lucille' (guitar)! David Ritz has co-authored with the King a wonderful synopsis of love, fortitude, belonging, and enthusiasm. Recommended for blues lovers or otherwise... please don't miss this splendid read. (Review based on hardcover 1996)
Reviewer also recommends: 'Between Each Line of Pain and Glory My Life Story' by Gladys Knight

Wow, I just finished reading this biography and am truly satisfied with my reading. It's been a long time since I read a book this refreshing. Talk about honesty, passion and heart.
The last 3 chapters were especially entertaining, talking from the heart about issues generally left untouched. From page one, I couldn't put the book down.
This book really helps you understand B.B's live performances. For anyone who as seen B.B. King live sometimes gets the feeling that his performance is a routine that dates back 25 years (well, I now know it is!), but this fact doesn't bother my anymore, understanding where the man comes from, better understanding his way of doing things.
Recommended for blues fans and anyone interested in a very entertaining read.

A blues story
B.B. King's life is presented here in a breezy, happy go lucky style. Ostensibly an autobiography, (although if you heard any of B.B.'s interviews about the book and his amazement at some of the details that were revealed, you know David Ritz did much more than help out.) this book deals with B.B.'s childhood of amazing poverty and his eventual rise to be the "King of the Blues." Conversational in style, but revealing in detail, BLUES ALL AROUND ME works as both a personal reminiscence and as a look at the life of a black man living in America during the 20th century. Tales of racism (in the military and elsewhere), the difficulties of dealing with a less than honest music industry, and the struggle for success against these odds are all expressed in a manner that shows no true anger, rather an acceptance that these were challenges to overcome. B.B.'s personal relationships with the many women in his life is not avoided, nor his opinions of many of his contemporaries. While the selected discography is extremely disappointing, this book should be required reading for any fan of the blues, and while any autobiography has to be taken with a grain of salt, this one definitely rings true.

I have briefly looked over some biographies about Marilyn Monroe and have got upset, but this book is the most touching I have read. There is not much truth that is told about the great baseball legend Joe Dimagio and his love for Marilyn. However, it is the Hollywood industry that makes up lies and untruths about her in ruining her image. We need to give credit to the author for being a caring and generous man who deeply respects Marilyn's memory. She would be in approval of this book because it can help her rest in peace. People need to know the truth and should really get to know that she is a good lady.

More than 600 books have been written about Marilyn Monroe since her death in 1962. While most of them have focused on the theories surrounding her apparent suicide at age 36, author Gary Vitacco-Robles focuses his new book on the actress' last home. Cursum Perficio: Marilyn Monroe's Brentwood Hacienda/The Story of Her Final Months reframes and redefines Marilyn through the context of her efforts to establish a secure home following a childhood spent in a succession of foster homes. The author theorizes that the actress was trying to correct her past by putting down roots of her own. While several previous authors depict her final months as tumultuous, Vitacco-Robles provides evidence that suggests Marilyn was trying to pull her life together and give it some personal meaning. During the spring and summer of 1962, Marilyn embraced her newfound domesticity by pulling weeds in her garden, writing recipes in her copy of The Joy of Cooking and actually using the pots and pans in her kitchen. The book contains actual photographs of the house, interspersed with realistic renderings of the home by artist Brandon Heidrick. The author divides the photos and illustrations with floor plans for each room and includes pictures of an architectural model that depicts the entire property as it appeared in 1962. After she purchased the 2,300 square foot house, Monroe began extensively researching authentic Mexican design, landscaping and furnishings in an effort to slowly transform it into the home of her dreams. She arranged for an 11-day trip to Mexico where she painstakingly selected fabrics, tapestries, painted tiles, pottery and art. Monroe met the native artists who had made by hand the objects that she would later display in her home. Vitacco-Robles is donating a portion of the royalties from sales of this book to Hollygrove Children and Family Services, formerly the Los Angeles Orphans Home Society, where Marilyn Monroe lived as a child.

There has been some confusion about the second edition of this book and the sales information on this site. According to the publisher, Iuniverse, the hardcover edition offered here is actually a "second edition" released in October 2003, although the release date printed is still listed as 2000. This is because it is a "re-do" under the same title previously released by the publisher. The new second edition cover for the paperback and hardcover depicts Marilyn standing beside the gates of her home and sell respectively for $20.95 and $30.95. The first edition was only published in paperback with a different cover for $11.95. The publisher says that vendors will continue to sell the first edition paperbacks until supplies depleted. The second edition contains new images, new chapters, re-worked chapters and information not included in the first. Having seen this book, the quality of photo reproduction in this new version are far superior than in the first. It also includes professional, "photorealistic-style" illustrations by artist Brandon Heidrick depicting the interior and exterior of Marilyn's home and furnishings. The images serve as a "virtual tour" of Marilyn's last home similar to the author's website.

I've been confused about the second edition of this book and the sales information on this site. Having spoken with the publisher, Iuniverse, I learned that the hardcover edition offered here is actually a "second edition" released in October 2003, although the release date printed is still listed as 2000. This is because it is a "re-do" under the same title previously released by the publisher. The new second edition cover for the paperback and hardcover depicts Marilyn standing beside the gates of her home and sell respectively for $20.95 and $30.95. The first edition was only published in paperback with a different cover for $11.95. I understand that vendors would continue to sell the first edition paperbacks until supplies depleted. I have both the first edition and second. The second edition contains new images, new chapters, re-worked chapters and information not included in the first. The quality of photo and illustration reproduction in this new version are far superior than in the first. All around, it is a better product and a great, new look at a lasting legend!

When I first received my copy of Cursum Perficio: Marilyn's Brentwood Hacienda, I wasn't sure what to expect. Much to my surprise, I was enthralled and fascinated by the details of Marilyn's final months, so eloquently chronicled by Gary Vitacco-Robles. Void of any media hype and speculation about the cause of her death, Vitacco-Robles explores how Marilyn searched and found the perfect place to call home...a respite from the choatic life she led in the media spotlight.
You will journey with her as she went on shopping sprees for furnishings and ornaments in a quest to make the only home she ever owned a reflection of herself.
The book contains a vast collection of actual photographs, as well as impressive photo-recreations of the home's interior as it looked in 1962 and now.
I applaud Vitacco-Robles for a superb testamant to the woman so many longed to know. This book reveals a whole other side of Marilyn that has never been revealed.
A MUST HAVE for any Marilyn enthusiast!

Based on the "Structural drama" we got a different option to see the incredible notes compiled after several interviews at Laramies' residents who was shock (as the rest of the world) for Matthew Shepards' case. I loved it.

The book was in excellent condition and was delivered even earlier than expected.Wonderful and smooth purchase.

Matthew Shepard was about two months short of his twenty-second birth when he was robbed, beaten, tied to a fence post and left to die in a rural area of Wyoming. The man who found him at first thought he was a scarecrow. Rushed to Poudre Valley Hospital at Fort Collins, he died on 12 October 1998--and when Russell Henderson and Aaron McKinney were arrested for the crime they resorted to a defense known as "gay panic." Matthew Shepherd had propositioned them, they said, and they were so horrified that they killed him in response.

The gay community and numerous civil rights watchdog groups were outraged by the defense, and as more and more facts came to light it seemed that the crime was somewhat more complicated than Henderson and McKinney wanted the public to know. Witnesses stated that Henderson and McKinney had specifically targeted Shepherd because he was gay. After much legal wrangling, Henderson pled guilty and testified against McKinney, who was convicted; after still more legal wrangling, and at the request of Shepherd's parents, McKinney escaped the death penalty but has no chance of parole.

The case made headlines from end of the United States to the other and prompted numerous calls for Hate Crimes legislation, which had long been stalled both at the state and federal level. And in the midst of the confusion, chaos, and controversy, Moises Kaufman and the members of The Tectonic Theatre Project arrived on the scene, interviewing more than two hundred people about their thoughts and feelings on the case. These were shaped into THE LARAMIE PROJECT, a drama that debuted in 2000 and which has since shocked, impressed, and deeply moved audiences from coast to coast.

Playscripts are not really intended to be read; they are intended to be performed, and there can be a significant difference between how a script and how it plays. This is particularly true of THE LARAMIE PROJECT, which doesn't consist of scenes or acts but of "moments"--bits and pieces of monologue and dialogue and staging that non-play-readers will likely find difficult to envision. When performed, all those bits and pieces become like tiles in a mosaic: they may seem to mean different things individually, but when performed one right after another they become a unified whole.

Perhaps the single most impressive thing about THE LARAMIE PROJECT is its refusal to "take sides." The play presents its characters and their words with commenting in favor of them or against them; you are instead allowed to interpret for yourself. The result is uniquely powerful. Strongly recommended.

GFT, Amazon Reviewer

We purchased this play because my son's High School principal decided not to allow the theater teacher to put it on at his school without even bothering to read the play before making this decision!!! Moreover, the principal essentially threatened to fire the teacher if the issue was pursued. We wanted to share this play with as many people as possible after that incident and so have been loaning it to friends, relatives, other teachers, anyone willing to read it. It is truly an important work, putting a human face on the people of Laramie, Wyoming. What happened there could happen anywhere, and we not only can't, but shouldn't, hide these difficult truths.

Like a quilt, each little piece of play is woven together beautifully. Some pieces are juxtaposed next to contrasting pieces, but step back -- the entire piece is a sight to see, and touch, and feel.

What a sad, revealing, fearful, fearless, exasperating and lovely work of theatre.

This truly is an American quilt -- the ugly, the bittersweet, the glorious.

Absolutely recommended for anyone mature enough to deal with a tragedy of hate.

Good Book, I wish it were updated & re-released!

Finally after all these years we have a book that tells us everything we ever wanted to know about the queen i love my copy since i got it a few weeks ago i've read it fron to back and found out some truly interesting things that i never even knew...hell i always thought i was an expert on Madonna but after reading just a few chapters i realised how little i knew about one of the most contoversial, and diverse women in the business today all the info in this book just go to show there will never be another that could come close to filling her shoes or have the global impact shes had
there never has been, never will or could be another MADONNA!!

Okay. So I bought this back when it came out in 1995. I remember reading it and thinking, "SO, there IS a fan out there that knows almost as much as I do about Madonna!" Although there is a lot of opinion expressed throughout the book and some missing detail, it is a book worthy of your shelf or coffee table. It may be outdated since Madonna has morph like fifty million times since this book was published. It still is a great book to ahve around, even if for camp purposes.

There are literally thousands of books that have been published over the years about everyone's favorite Material Girl. Regrettably, the vast majority of these books are incredibly sloppy and aren't even worth lining my birdcage with. But the "Encyclopedia Madonnica" is very unique. This is the most accurate book ever written about Madonna which is also the most informative and detailed. The author, Matthew Rettenmund who wrote this for fans from a fan's prospective speaks to the reader in both an entertaining and enlightening way. You will learn so much about a woman who everyone already thought they knew. My only complaint is that this lists the documentary "Blast 'Em" as part of Madonna's filmagraphy. I'm not sure why the author did that because "Blast 'Em" is not a Madonna movie or a movie that she agreed to appear in. It just includes clips of her being stalked by photographers and as a fan I looked for this movie for years simply because I wanted to have every single movie that she appeared it. When I finally got it I was very disappointed to learn that it was not one of her movies and perhaps it was simply an error on the author's part. If you're a fan who wants to read about Madonna there are really only 3 books you need to get. Besides the "Encyclopedia Madonnica," I also highly recommend I Dream of Madonna & The Madonna Scrapbook.

Matthew Rettenmund certainly has done his research. Encyclopedia Madonnica is the most informative book about the Material Girl that has ever been published. After reading this book, you will truly know everything there is to know about the most famous woman in the world. Well-written and organized, it's also chock full of often hilarious tid bits and witty rejoinders. Mr. Rettenmund should do an updated version of this book, to cover the years 1995 to the present. If you love Madonna, then you simply must own this book, along with Michael D. Craig's "Who's That Girl? The Ultimate Madonna Trivia Book!

My 2nd bio this month on Grant. I had seen some recent favorite movies of his. I'm certainly not an unbiased Grant fan; I have always loved his movies. I liked this book because of so many direct quotes by him. Assuming thsee are factual it gives you a great insight into his shy character which I had missed some of in the first bio I read. He was a great actor but had a sensitivity side that I had never seen. Nicely laid out. I'm more a fan now than I was!

"Evenings with Cary Grant" is the most incredible book. A sort of documentary on paper, Nancy Nelson uses an interview/intercut format and cleverly weaves a narrative through the most revealing and often amusing anecdotes. Cary Grant talks and then Gregory Peck. Katherine Hepburn says something, and then we hear from Audrey Hepburn. As one reviewer said, "When you get to the end, you feel as though you've lost a good friend." Nelson uses no conjecture or supposition. All her sources are primary. An announcement in a recent Sunday "New York Times" said that Nelson will speak about "The Cary Grant Few People Knew" at The Metropolitan Museum of Art on June 15. I've got my ticket!

Like other reviewers, I'm a big Cary Grant fan. I usually hesitate to read about the personal lives of actors because they often lead disappointing lives. But Nelson's collection of stories and personal accounts from Grant's friends introduced me to the wonderful man behind the handsome movie star. I'm looking forward to watching his movies again after reading this book -- there is information from him and co-stars about some of the films that will make it fun to watch them again.

I absolutely love old movies,old stars, new movies and their stars, but I LOVE Cary Grant!!! So I wanted to get a book about him and I always check up on the author and how much they knew about the person they are writing about,and when I saw this book and I had to get it.This Book shows the life of Archie Leach (we know him as Cary Grant)his life growing up,and his rise to stardom,his love life,his friends, and his wonderful sense of humor.I was so happy to find out that the man we all fell in love with was the same in real life that he was onscreen.I don't want you to have to read a long review but I just wanted to say how much I love this book and the writers style.Every body should own this book.It's worth reading more than one time.

It is no easy thing to become so successful in one's career and yet be universally loved and respected as Cary Grant was in his lifetime.

Thanks to the author for focusing on the good of the man and ignoring the rest. He was a good man and that is enough. Ms. Nelson does a good job in giving us an idea of who the man really was--a gentleman who was loyal to his friends, if not his wives...but in the end, even THEY still loved him after it was over.

My only disappointment (not the author's fault) was to find out that Cary Grant hated "Arsenic and Old Lace," one of my favorite movies.

Lamb Chops...What do lamb chops have to do with this story, well everything! Lamb Chops is the vaudeville routine that brought fame to this comedic duo in the late 1920's. I have the link to a You Tube movie short that was filmed in 1929 for this popular routine here. ( http://www.youtube.com/watch?v=kzFcsdgkg54 ) In this clip and others that I've seen with Burns and Allen, I think Gracie is the reason that they had so much success. She was so natural in her role as the "ditzy dame". She was good if not one of the best funnymen to a straightman role. This book takes the reader back to the waning days of vaudeville and the beginnings of film, radio and television as the new media for bringing entertainment to its audiances. George Burns takes us back down memory lane with a personnal love story that lasted nearly 40 years. His memories include many places and friends that I as a reader enjoyed visiting. I don't read love stories usually, but this love story is one that I enjoyed and won't soon forget.

In our disposable transient society of today, it is a refreshing change to see a love and a marriage that lasted so long. As time goes on, it is becoming an even rarer event.

In this book, Mr. Burns fondly remembers his wife, Gracie Allen. The stories that he tells about her, how they met, and how they managed to stay together so long were interesting to read and entertaining.

I would recommend this book to all ages. It is easy reading and also tells somewhat of the history of vaudeville, radio, television, and movies.

If you love old Hollywood, read this book. If you loved George & Gracie, read this book. If you want to read a true life love story, READ THIS BOOK. I just love the inside scoop on the old Hollywood that George dishes out. I never knew Cary Grant sold neck ties before becoming a screen idol. Harpo Marx (the quiet one) wanted one child in every window to wave goodbye or hello when he pulled up in the drive. George wasn't all that impressed with Marilyn Monroe.

This book is an easy read and so hard to put down.

Growing up, I really only knew Goerge Burns for the occasional television special he would host. Other than that, and his "Oh, God" movie (which came out when I was very young), I was relatively unfamiliar with him.

In the mid 80's, when I was about 10 years old, I found that a local radio station would run old time radio comedies from 8-10pm, and as such, I used to fall asleep nightly listening to the like of Jack Benny, Fibber McGee and Molly, and, of course Burns and Allen.

I finally just purchased this book from and Amazon bookseller about two months ago, and honestly, it's as good a $2.95 as I've spent in a while.

As other reviewers have said, many times bigraqphies can be a bit on the dull side, but George really did well with this. It is an easy read... a page turner. It's very interesting to get more insight on what a great performer she was, and how natural it came to her. One always got the feeling that even though she was delivering her "dizzy" Gracie charater, that underneath that was a very smart, clever person. This book certianly backs that up, and it backs it up with all the warmth and affection George Burns had for his wife.

I thoroughly enjoyed this not only for the story of Gracie, but also as a way to look inside the life of an entertainer at that time. I neverquite understood before what it was to work the vaudeville circuit, but there is a ton of insight in this book.

This is a must read for even the most casual fan of old time radio and the celebrities of that era.

I glanced at the reviews here to see if my opinion of this book was just a fluke, but they pretty much bear me out. I didn't expect this book to be nearly as good as it is. On second thought, though, it's not that surprising. This pair was magic and it was seen in everything they touched, the prime and lasting example being the without parallel Burns and Allen Show.

Burns and Allen successfully weathered many storms, making the transition from Vaudeville and stand-up comedy to radio and later to television. The earliest TV shows are the only ones available on DVD, but in later seasons they really hit their stride. In this hilarious and ground- breaking show, George would turn on the TV in the den to see what Gracie was doing, and regularly chat with viewers about events in progress. Gracie would walk in the wrong side of the set and regale viewers (or listeners) with non-stop comedic patter, malapropisms and surrealistic humour (ala Ernie Kovaks) with George as the straightman and pinnacle of style puffing his ever-present cigar.

Even as an octagenarian he could still act (Oh God, You Devil) but as a nonogenarian (92) he could still write. This marvelous memoir is not only the most delightful reading I've had in a long time, but makes me all the more want the Burns and Allen show on DVD. This book was a bestseller in hardback, but is now unaccountably out of print. Yet many readers would love this book, and would enjoy making the acquaintance of the remarkable Gracie Allen.

What a real treat, anyone interested in matte painting or the history of those out of this world shots on the big screen, this book is a must. I can't put it down. Get this one!

Matte artists have always helped bring a movie to life, and until now, they were never really appreciated. In this beautifully layed-out book by critically-acclaimed writer Mark Cotta Vaz and insider Craig Barron, the history of matte painting is finally revealed. Living in Los Angeles, California, I was given the truly remarkable privilege to tour these once forbbiden glass artist studios and see a first hand account of what it was like to be part of the movie-making process. Matte artists have been such great assets to the movie studios in terms of saving a lot of time and money during what would be an other-wise laborious task to build an intricate set. What's great about this book is that it shows comparison views of a shot before and after a matte painting is included. Such famed directors as Martin Scorsese, James Cameron, and George Lucas have used the artwork of these amazing artists to create worlds that would be almost impossible to make without. The book also includes a companion cd about the matte paintings, and includes scenes from movies such as "Star Wars," "Casino," and "Titanic." If you hadn't known these were paintings, you would never have guessed. Finally, these truly genuine artists are credited, and Hollywood owes many thanks to the epic scenes they were able to create! So to all matte artists everywhere, THANK YOU!

I bought this book to mainly look at the pictures and thats mainly what I did. The writing of the book was so well done and knowledgable that I read a bit of it also. Before looking/reading at this book I believed that matte paintings were used for primarely sci-fi, fantasy, and other incredible landscape shots. This is not the case as most matte paintings are used for houses, interiors, street scenes, and many other shots that I never would have guessed they were used for. To think that all these years I've been fooled watching so many movies and seeing matte paintings and never even realizing it. An eye opening book to say the least.

I received this book last week, and had time over the weekend to enjoy a lot of it's contents.
Matte Paintings have always been my favourite aspect of SFX, so this book was one I have been waiting for. The price put me off, so I spent longer than I should deciding to buy it.
I diddn't need to worry. If you love the art of the Matte Painting, this is the one book you'll need, and the only one you'll need. From interviews with the Matte Artists themselves, and a complete history of the Matte painting, it simply covers all you'd want. A CD rom is included which compliments the book perfectly.
A beautiful book- Well written, and with the quality of layout that a subject like this deserves. Well done to the creators of this excellent publication!

I grew up in L.A. in the 50's and 60's when it was not OK to discuss matte painting as the studios did not want people to know that they really didn't go on location to film in exotic places. When people asked what my father did for a living, I said he was in "special effects." Then they would say "So, he blows up things?" "No, he paints in things that aren't there..."

Now, everyone can see what it is that he did for so long. He paints in things that aren't there. The authors did a fantastic job of explaining and demonstrating the incredible art of matte painting. Now I have the book to show my kids and others who never quite understood what it was that my father did. Also, this book has a great picture of him dancing with Betty Grable!

This is an excellant book by an author who best describes the feelings of this amazing film.
The book has a great mixture of photoes I have never seen before and also, a lot of interesting stories about the cast and and the making of the film.
I would certainly recommend this book to anyone who loves the film( Its a wonderfull life) and my praise to the author in writing something that I know both my family and myself will read and read again.
A great buy

If you love "It's a Wonderful Life" (and who doesn't?), then you'll LOVE this book! I was stunned to learn about what happened to the cast and where the Bailey kids are today and what they look like in more recent years. No other book offers the pure nostalgia factor like this one. The author gives us some amazing details about deleted scenes, as well as photographs that have surfaced showing these rare behind-the-scenes glimpses into scenes that never made the final cut. I loved the photo of Henry Travers (Clarence the Angel) in full color, not long before he died. What a treat this book is!! And the special message from Jimmy Stewart at the beginning of the book is pure magic! If you are a fan of this film, you won't be disappointed! This book is the perfect gift for any friends who love the movie, too. I've already ordered several and am giving them out this holiday!

Cox's "It's a Wonderful Life: A Memory Book" is an excellent addition to the movie buff's collection, and to fans of this exceptional film. The book is packed with stunning photographs (many never seen before), interesting tid-bits about the making-of, backstory on not only the fine performances of James Stewart, Donna Reed and Lionel Barrymore, but the character actors that helped make Capra's touching film so memorable and the holiday favorite it has become--almost 60 years later. It is well-researched and richly-written. This is a perfect gift year-round for any reason. It is one of Cox's best!

I have to admit that I wasn't much of an "It's a Wonderful Life" fan....until now. I had the pleasure of meeting Karolyn Grimes (little ZuZu Bailey) recently. She is such a warm and lovely person and spoke of IAWL with such passion that I bought the DVD the next night and watched it with new eyes. Now I'm hooked.

I was so delighted to find this book, to learn even more about this classic movie. After reading the book, I had to watch the DVD again.

Even if you're just a casual viewer of the movie, you'll still love this book. It's incredibly well-researched and jam-packed with beautiful photographs. Stephen Cox has a way with words. You feel like you're sitting with an old friend. His books are like comfort-food for the mind!

There are plenty of surprises in this book. You'll read what director Frank Capra and the players themselves have to say about making "It's a Wonderful Life," and you'll discover some interesting names among those who were almost cast. You'll also learn that some of the film's legends are true, while others are not. For example, while it is true that Carl Switzer (Alfalfa from the "Our Gang" comedies) was the rascal who opened the gym floor exposing the swimming pool beneath, it is NOT true that muppets Bert and Ernie were named as an homage to Bert the cop and Ernie the cab driver -- that's just a coincidence. In spite of the book's rather crowded layout and lackluster production, if you love "It's a Wonderful Life" and/or if you collect IAWL memorabilia, you'll want to have this book.

Like all the other reviewers I'm staggered by Youngkin's accomplishment, which seems to me--perhaps profanely--even more impressive than Lorre's own. In a way, Lorre has found a biographer supreme, one beautifully blessed by all the gifts of sympathy and knowledge needed to translate an artist's work into contemporary times. How many of Lorre's peers have been given such a chance to live again? It's really shocking how few good biographies there have been of Hollywood stars, and even some of the most acclaimed (think of Gavin Lambert's Norma Shearer) have actually been among the most banal and simplistic.

Of course Lorre gave Youngkin a life really worth chronicling. If it wasn't the drug addiction, it was the dramatic life in Germamny observing and protesting the rise of Hitler, till he and Celia Lovsky found their way out in a sequence right out of Shearer's ESCAPE! The work with Fritz Lang, with Brecht, with Hitchcock, with Bogart, with Irwin Allen, with Roger Corman, each one of these phases could have made an interesting book, and Youngkin knows how to spread them out so that every angle is covered and yet our curiosity remains high. And the research and the interviewing is by itself amazing. Every time you turn around, Youngkin is eliciting revealing and wry comments from exactly the people you hope would comment on the particular situation he is writing about. Because the book has apparently been in motion for something like 30 years, his reach goes way back--he spoke with Frank Capra, with Hitchcock and Huston, with Broderick Crawford and Corinne Calvet--hundreds of actors, writers, directors and behind the scenes personnel. This research gives the book a depth and richness of point of view that elevates it to the Mount Rushmore of biography.

I wasn't always persuaded by Youngkin's critical judgments, and would rather put a staple gun to my face than have to watch SILK STOCKINGS again, for example--but now he's got me re-thinking, "Maybe it is a great performance stuck within a lousy film." Youngkin pulls the camera way back and takes us through Rouben Mamoulian's whole career, his way of astonishing audiences by revealing unexpected sides to their favorite stars. I didn't actually need all of that to get the point, but I hope he gets to do the DVD commentary for SILK STOCKINGS, for we need more enthusiasts and fewer haters. Why write a book about a man, even a drug-addled and morose one, unless you love him?

if you are unable to get ahold of author stephen youngkin's earlier biography of peter lorre, then by all means purchase this book. it's comprehensive and thorough, and a good read of a fascinating subject. if you were able to get ahold of the earlier book, then you can save your money on this one. the only new item that would make purchasing this edition worthwhile is the photo and information on peter's daughter catherine. she looks like him but pretty, and her connection to the hillside strangler is included.

Peter lorre was one of the most unique and fascinating actors ever to come out of the studio system in Hollywood. Anyone who has every seen his soft, silken acting or heard that lyrically menacing voice ever forgot it. I know that I never did. I have been a fan since seeing him go toe to toe with Cary Grant in Arsnic and Old Lace when I was in my teens.

Peter Lorre fans have cause for celebration with this book, which is full of tremendous insight and depth. It covers all of Lorre's life and does so with compassion and appreciation. This work never becomes a fan's love letter, though, as the author does not shy away from the star's less admiriable qualities (which I will leave to the reader to discover). But everything is put in context, which often provides a certain understanding. And what a fascinating context it is - from the German stage of Bertolt Brecht to the Hollywood horror of Roger Corman. It's worth noting that this book is extremely well researched and includes a complete Lorre filmography as well as a complete listing of his tremendous radio work (was ever their a voice better suited for telling stories over the radio?).

As the Author tells Lorre's story, the reader is treated to plenty glimpses into several Hollywood immortals, such as Humphry Bogart, Walter Huston, Sidney Greenstreet, and Lauren Bacall (with whom Lorre had a close friendship). And the writing style is very readable and smooth.

All I can say is, for all of us Peter Lorre fans, Thank you, Mr. Youngkin.

And while we are on the subject of Hollywood greats that never have been given an aurhorative bio, what about Boris Karloff. Mr. Youngkin . . .?

-Mykal Banta

First of all I am profoundly grateful, that finally someone took up the task to write a biography on one of the greatest actors of the 20th century. Mr. Youngkin did very good work especially in researching the very early years of Peter Lorre in Vienna and Berlin, which I assume must have been a quite excrutiating task. Nobody who ever saw the film "M" will ever forget the wonderful performance Peter Lorre gave. Even later on, nearing the end of his live, when he was doing B-movies, he gave them that certain Lorre-touch. It is a wonderful read and Mr. Youngkins work cannot be praised enough. Sometimes this biography makes you cry and laugh at the same time. Finally somebody did credit to this wonderful, wonderful actor.

"He's crazy about me...all the degenerates are." Peter Lorre, speaking of his chimpanzee co-star in "Five Weeks in a Balloon."


From the beginning of his career, Peter Lorre was typecast. The classic German Expressionist drama, "M", set the tone for his entire career. Lorre said that from that point on, in people's eyes he was "forever the murderer". This was allowed to overshadow his incredible talent and his great aptitude for comedy. (His throwaway lines, like the one I quoted above, are priceless!)

His career spanned from experimental theater in pre-Nazi Germany, to classic noir films with Humphrey Bogart, to eminently forgettable films from the Sixties. (How odd that one of his last appearances was in "Muscle Beach Party"!)

Stephen Youngkin does an admirable job of chronicling Lorre's professional life, including the myriad missed opportunities--(of note: Malcolm Lowry's rabid interest in seeing Lorre play "the consul" in "Under the Volcano", and Lorre's own desire to produce a film about Kasper Hauser. Both of those projects, never realized, would have added so much to Lorre's cachet.)

The book overflows with examples of Lorre's humanity, professionalism, and wit. Unfortunately, the actor's personal battles with the demons of drug abuse and poor health, his unluckiness at love, and his profligate nature create an undertow of tragedy which no reader can escape. In the end, this is a deeply saddening and troubling book. Long after you have finished reading it, you will find yourself reflecting on the life of this brilliant and tormented individual, who indeed has a special place in the hearts of all the "outsiders" in the world.

I have actually used this reference for years as needed for ActionScript. I still had a good use for this text in ensuring compatibility with Flash MX until the lack of features became too overwhelming. This is in the face of newer versions of Flash such as CS3 (9.0) that use ActionScript 2.0/3.0. All in all, this book was wonderful until the release of Flash 8.

Because of the new Filters that have come out with Flash 8.0 and the features of ActionScript 2.0 to support these and other enhancements, I would instead recommend Flash 8 ActionScript Bible if one is concerned with cross-compatibility in their ActionScript code and wishes to still be able to use AS with newer features such as Filters (but not as new as Transitions or other CS3 exclusive features - for that, I'd recommend ActionScript 3.0 Bible or something similar).

As far as who I could possibly recommend this book for: It's good for somebody who is still working with Flash MX 2004 and below to Flash 5 (much of the text is compatible with Flash 5), however, I don't know that there are many of those sorts of individuals.

This book is a great resource for when you're looking for that specific line of code. Its terrible to read from front to back, but its an excellent way to find exactly what you're looking for. Its so much code, it'll make your eyes bleed.

One of the few comprehensive actionsctipt titles on the market. The first half of the book boasts a large variety of tutorials and examples that skillfully lead the reader through both the syntax and use of actionscript. Personally I found the text clear and practical. The chapters on OOP were of particular value as they went beyond actionscript basics into application, bordering on philosophical.

The second half is an invaluable reference of the entire actionscript dictionary with a comprehensive CD full of .fla example files and bonus chapters on the XML Object. As a qualified teacher I found it hard to fault the methodology employed by the various authors.

Well worth the purchase.

I am a former programming teacher and I have a style to teach my students the most UNDERSTANDABLE way to do something not just how to do it. This text/reference achieves that purpose. If you have an understanding of Flash (which you should have before getting into scripting see Weinman books) then this book will serve you well. There are other books on scripting - great books - such as Moock's books but they are more so for the programmer. This book is for the novelist programmer that desires to learn about action scripting.

5 stars if you know Flash well.
1 star if you haven't had any experience with it at all.

I was a beginner once, who couldn't figure out Flash at all. I'd like to help you build a bridge between where you may be now, as a beginner, to where you may find yourself aspiring to go.

If your only experience with Flash is to have seen the many wonderful and breathtaking Flash movies on the Internet and just had a look at the authoring tool, I strongly recommend that you leave this book until much later. It has its place in the learning curve but it isn't, in my opinion, the first book to see.

There are understandings to possess that this book doesn't cover sufficiently well enough for those whose minds work in particular ways. This is a programming book, for using the phenomenon of programming to create great design and animations. Whilst the focus is on design, you aren't using the design tools on the interface. With this book, you are using the Actionscript language and you have to have a logical mind for this activity (as well as keeping your strong creative one).

I began my steep learning curve with Flash by watching others and watching video tutorials, especially those by George Pierson. In this way, I can ask questions that are tailored for me and I get tailored responses. Books aren't always able to do so well here.

What is great about this book is the MX Actionscript reference in it and the seemingly well designed theory tutorials. I can't find a fault with the reference. The theory is quite good. In the reference, all Flash MX commands are covered. There are examples of how to use them, but the coverage may not be enough for some. Brill. Just BRILL. I can be excited but because I can follow Actionscript.

Approach this book when you are successfully making Flash movies on your own. Yes, on your own. For me, this book is an aid for when I am going to where I haven't gone to before. It helps me make judgements on ideas I get.