Archives Books

Much has already been said about the quality of the book. I personally find that the book is a due tribute. I also must say that I have not found something on Kubrick of comparable depth.

On the content side, I would have liked to see more info on the projects that were not realized, especially on "Napoleon". And I didn't find a lot of value on the CD, since it's a spoken track instead of some audiovisual material. Nevertheless, as I said before, I haven't been able to find anything comparable to this book on Kubrick. The written material is of excellent quality, as are the pictures and graphics.

I see that Taschen is issuing a new version for it's 25th anniversary. As I understand it, it will be out on Oct/2008.

In conclusion, I am the proud and happy owner of an excellent piece of work.

I have been a Kubrick fan since I was 7 and saw "Paths of Glory" - it was the only film I ever saw that I NEEDED to know who directed it, and, what other movies of his were out there. That was 30 years ago, and I still keep all his films seperate from anything else in my collection! This book is simply INCREDIBLE! Buy it if you can.....no true Kubrick fan should be without this......it is MIND BLOWING! A true work of art covering the work of a true artist. We will not see Stanley's talent and caliber in any other film maker, at least not in my lifetime. Bravo, Stanley!

If it wasn't for its hefty weight, the book is one of the items I'd take with me if my house was on fire - without hesitation. I can't even imagine how long it took for the Taschen team to assemble this incredible book; it tries to do justice to recollect Kubrick's body of work in the form of a portable archive. Seeing this book in person is an experience in itself. The conceptual design is simply impressive: details like the texture of the binding mimicking that of a real archive is a start.

A CD of a rare uncut interview with Stanley Kubrick included in the book is a real gem. The interview takes place during Kubrick's career in its earlier years, and it provides an insight of the director that no other text interview has been able to accomplish - precisely for the reason that you hear Kubrick's voice and his unfiltered opinions. Then, of course, you have a piece of 2001's film strip as an added bonus. It's just too much for a book! And I say that gratefully.

The first part of the book is filled with glossy stills of all the films made by Kubrick. It's nice, and glossy, but the real reason I purchased this book is for part two.

Part two, or "The Creative Process", is filled with a lot of archival materials for each of Kubrick's films - especially pre-production materials: production notes, correspondences, and etc. You learn a lot about how Kubrick prepares for his films by seeing just a tiny fraction (undoubtedly) of what he does before he actually goes into production - it is one of the reasons that explain the long intervals between the director's releases. In addition, the book has an extensive collection of interviews with the director from various sources. But it is little treasures like the former that make this book special.

If you are a serious fan of the master director that is Stanley Kubrick, this is the next thing to have in your possession after the DVDs. Taschen made a serious effort in paying homage to Kubrick's work as a book publisher, and they have succeeded. They could've made a lazy effort in disguise to simply profit off of Kubrick's name, but they didn't, and for that they have my respect.

Amazon now has this book available for pre-order for an October 1, 2008 release date, for $44.10 from a $70 retail cost. Look under 'The Stanley Kubrick Archives [ILLUSTRATED] (Hardcover)'. I would like information on book dimensions as the first print run was on average 40 by 30cm.

Lucky me! I scored a copy of this and I have to say it is the best book on a film artist I've ever seen. The previous reviewers weren't kidding--this thing is huge! Too large and heavy to be read anywhere but on a large flat surface, but that's not a complaint, unless you're lugging it across an airport like I did.

A spectacular book that you'll refer to repeatedly. I pored over it for hours. The first half is devoted to an incredible array of pristine stills from each film. The second half is focused on every film with a plethora of on-set photos and interviews with cast & crew. The book is helpfully tabbed by film.

A stunning look into one of the greatest of all filmmakers. So well designed that my friends were awed by its beauty. And that 70MM film strip--holy cow! IMHO, it's worth the price for just for that.

The Dream Manager is a remarkable book. It is simple and powerful. The book presents one idea: if you are looking for engaged relationships with people, find out what people are dreaming about and assist in making these dreams possible. This applies to yourself as well, to become more engaged yourself, state your own dreams and work to make them possible.

The first part of book is written as a story about a company that develops a program for making the dreams of their employees come true. It shows the steps taken, the obstacles, real and mental, and how to overcome them and the benefits of the program. The format of a story makes for an easy, short and interesting read. The second provides resources to start working on realizing your own dreams and those of others.

This book is a quick read that motivates anyone to manage, lead, and live at a greater dimension. Engaging the workplace and those around you is a wonderful gift and sharing true compassion & good will to see others dream come to pass it what AMAZING leadership is all about. Thank you for challenging us to think better so that we can lead better. Awesome book!!!

The Dream Manager offers some keen insights into how we may take control our own dreams & aspirations while assisting employees, family & friends realize & accomplish theirs as well. Our dreams can & should be our motivating force. Its critical that we have dreams & persue them.
Matthew Kelly is a gifted, understandable author & speaker.

This is one of the best business concepts that I have ever heard. This book is a must own for everyone, but especially for business owners. The wealthy already understand this simple (yet profound) premise. What are you waiting on?

-ski

Being in a management position, I thought the book was supposed to teach me how to be the dream manager. I soon found out that it is much better than I expected. It teaches you to start dreaming again. The reason why people are so miserable at work is because they do not feel that they make a difference. I live and breathe this philosophy now at work and in my personal life. The 12 areas that we can dream guide you toward your personal achievements. I am forever changed in the best way possible. A must read for all.

After reading the reviews I knew this book would be great... It greatly surpassed my expectations. If you are a Star Wars fan, you should order it right now!

I bought this book for my husband. He really loves it. Its like a scrapbook collection of 30 years of Star Wars. Very neat! I was disappointed because the shipping caused the book to be dented in the corners. I know its a heavy item, but Amazon should make sure to accomodate.

My husband LOVES all things 'Star Wars' and I don't think there's a single day in his life that goes by without him making at least one daily Star Wars reference. This collection has so much to offer. So many little gems that will surprise even the biggest Star Wars fan. It's so masterfully crafted and quite a show piece! It's like a modern heirloom, and sure to provide hours upon hours of enjoyment.

STAR WARS VAULT BY STEPHEN J. SANSWEET AND PETER VILMUR: Celebrating it's thirtieth anniversary this year, the Star Wars franchise is in a similar predicament to the time after the release of Return of the Jedi: no plans for future movies, apart from a continuing animated series of the Clone Wars. By the same token, fans are in the same state with little to nothing to look forward to. Thankfully, to commemorate the third decade of the blockbuster, internationally bestselling movie series, there's the Star Wars Vault: "thirty years of treasures from the Lucasfilm archives with removable memorabilia and two audio CDs.

This is not just a nicely decorated picture book in a sturdy slipcase; it's an experience, a journey that one is immediately taken one when they open up the cover. Star Wars Vault is part of the new style of picture being published, like that of 1776: The Illustrated Edition, where the book goes beyond glossy, colorful pictures and photos, but incorporates all types of media, and with the rich heritage of the Star Wars franchise which literally revolutionized the world with merchandising, Star Wars Vault is a gift that would make any fan of the series, no matter how old or how much of a fan, respect you greatly in your choice of gift.

Sansweet keeps his story short, taking up little room on the page, and leaving the evidence reproduced here in various forms to speak for itself. He begins with the fascinating tale of how the first movie, Star Wars Episode IV, barely made it to release, and with little support, until the enormous numbers of audience members proved that the studio executives were very wrong. While Sansweet spends less time on the development and release of the rest of the movies, the experience as one turns the pages and relives the history of the Star Wars empire is unlike that of any other. With unique photos, movie posters, and a plethora of pictures from around the world, there are innumerable insets and handouts of unique items like patches, stickers, collectible postcards, film cells, and even two audio CDs with a variety of different pieces ranging from the mid-eighties radio ads, to special interviews, to a recording of the song sung by Carrie Fisher for the infamous Star Wars Holiday Special.

While the price for Star Wars Vault is considerable, no one will regret it when they turn the page and discover the world within. It is a book that will immediately be quickly read, the stickers and patches possibly used, and added to the shelf to be rediscovered over and over.

[...]

My 8-year-old, who is a huge Star Wars fan, loves this book. Unfortunately, because it's so cheaply made, it fell apart shortly after he got it. The pages have completely separated from the hard cover, probably because the materials/methods used in the binding are too flimsy. For a more-than-$50 "collector's edition," the publisher should have made the book to last more than two weeks. It will cost me $85 to have it repaired.

I bought this book for my dad for Christmas. He is a history nut and thought he would enjoy it. The pictures were phenomonial and eerie. He has not put it down yet. It was definately the best present he received this year. Amazon was half of what the bookstore in the mall wanted. Would definately purchase from them again.

Aftermath: World Trade Center Archive
Book received in perfect sealed condition,would use this seller again in a heartbeat

Meyerowitz his taken a step out of his usual repetoire in making these remarkable photographs. He has provided us with a devastating and incredibly imporant record of all that transpired in the Aftermath of the 9/11 tragedy. We have been staurated with images of the event itself; what we see here is the heroic and painstaking recovery work that followed.

Aftermath represents the efforts of Joel Meyerowitz to document the destruction and cleanup of the World Trade Center following 9/11. This is a beefy coffee table book that is large enough to give his photos some real impact. Unlike most photo essays, however, you won't find hundreds of beautiful images. After a couple of pages show what New York's skyline once looked like, you are confronted by image after image of the horrific destruction of these huge landmarks. There are also many instances where we see the people who worked the cleanup site. Many of these are the most moving images as you can imagine the emotions that sometimes overcame these men and women who were there every day for months on end.

In addition to the photos, Mr. Meyerowitz also shares some anecdotes about what he went through to get these photos. He also talks about some of the people he met. I found these stories at least as powerful as his words. Most Americans were obviously distraught by the events of that day, but most of us were also able to start moving on with our lives and slowly put it behind us. But these people were there on the ground confronting the effects for months. Recovering bodies and personal objects, as well as being asked by survivors to put mementos on the pile of rubble as little memorials to their lost loved ones.

This is not the happiest book you can buy. It doesn't have the prettiest photos or the most elegant prose. But it may be the most worthwhile book I've ever purchased. I would urge everyone to buy a copy and read it cover to cover.

I first saw photographs from this collection at the Museum of Modern Art in Salzburg, Austria. Anyone who entered the gallery was immediately struck by a panorama of ground zero on one wall, each emitting an audible gasp, then standing before it for several minutes in silence. Meyerowitz is an extremely gifted photgrapher, and I recommend other of his collections for viewing. Cape Light: Color Photographs by Joel Meyerowitz, Tuscany: Inside the Light: Inside the Light (Photography). The "Aftermath" collection is the only archive of the activities following 9/11 at ground zero, and it is quite moving. Meyerowitz had access to many vantage points to capture for posterity the many facets of ground zero and this tragic event in our history. Viewing these photos takes time and thought, as Meyerowitz has also included brief descriptions and stories about each photograph. You will be struck by many emotions, sadness, anger, shock, and awe. But, there is an eeriness and a beauty, as well as hope in these photographs, inspired by the photographer's exquisite eye for detail, composition, lines, faces, and light. Photographers, professional and amateur alike, will deeply appreciate and learn from these aspects. Anyone to whom I have shown this book has been as immensely moved as I, from the UPS driver who delivered the package, to my father, a refugee of WWII, who still cannot speak easily of the events of 9/11. This book is highly recommended as an addition for one's library.

This book it loaded with great recipes.Dom puts a twist on this book with his humor You'll also understand the relationship between Italian Mom's and their son's.

I have been looking for this cookbook for a long time. My Italian mother-in-law had made many of the recipes from this book and they were wonderful.

EAT THIS . . . IT'LL MAKE YOU FEEL BETTER! MAMMA'S ITALIAN HOME COOKING AND OTHER FAVORITES OF FAMIY AND FRIENDS is a beautiful and priceless celebration of food prepared in some of the finest ways imaginable. Some of my Italian friends think that some of the rest of us cannot cook truly Italian food. Here's a little secret: with this book all of us can cook wonderful Italian food.

In Dom's book, we have all we need: detailed and easy-to-follow recipes for the best dishes, such as meatballs, Mom's Sunday sauce, marinara sauce, and pizza dough; pictures of Mamma helping cook the food; and funny stories about Dom's interaction with the food.

My book actually was published in 1988, and it has been used well; yet it still looks brand new. If you can get a copy, do so. This is bound to become a collector's item.

Oh, there is something else too. The book has several pictures of celebrities way back when.

I love to cook. Over the years I have collected a large number of cookbooks of all varieties. I am also of Italian decent so naturally I am somewhat biased with regards to Italian cookbooks. I owned a copy of this book for years and I used it so often that it literally fell apart so I purchased another copy. The recipes in this book are extremely easy to follow and Dom Deluise fills the book with humorous stories that any Italian can relate to. The meals I have cooked bring back memories of eating at my grandparents home and the taste is almost identical to the way my grandmother made them. I thought those meals would be lost forever when they died but thanks to Dom, I can re-create them in my own home and my children can carry on the tradition. I would highly recommend this book to anyone who likes to cook and eat great southern Italian food.

I lived with a very Italian aunt who made the best food, and for so many years I assumed that these recipes- lental soup, pasta fagioule, eggs with tomato sauce, pasta primavera etc were from hand me down recipes. To my surprise, after inquiring about how to make "her tuna fingers," she handed me this book. It blew me away how simple and easy the recipes were. Really good Italian food! Its a shame that I bought so many Italian cookbooks trying to perfect these dishes when they were all right here. Dom Deluise adds personal stories which are a little sappy but still entertaining as well. It gives you something to read while your cooking dinner. Enjoy

Fascinating experiment with words, literary structures, feelings and emotions, Rayuela, in the words of its author, gives a chance to the reader to take an active role in the reading process by freeing up his or her own creativity to choose how to go about this game, what pages to jump to, what chapters to skip, in a stream of consciousness in which many will see themselves reflected.

Una novela que marca a todo el que la lee... el lenguaje en su máxima y más hermosa expresión.

La historia con Bèrthe Trépat, la carta de La Maga a Rocamadour, Talita pasando por el tablón y, claro, el capítulo 7 (toco tu boca...). Este libro me deja sin aliento. Nunca, pero NUNCA he leído nada de semejante belleza.

It has taken me years to sit down and finally make a serious commitment to read Julio Cortazar's "Hopscotch/La Rayuela." I cannot think of a better companion to devote a few weeks to, maybe even longer - hey, whatever it takes! It depends on your reading speed and the time you take to truly savor the poetry of the author's language. So, be willing to make a small personal investment in this very special novel, and the reward you reap will be a worthy one. Julio Cortazar will take you to places you have never been before in literature, and may never experience again. I read "Hopscotch" over this past summer, after a thirty year delay. I can be very stubborn about putting off what is good for me!! The author's imagination is boundless, his prose rich and luminous, his wit and sophistication rare, the dialogue brilliant, the plot...I won't attempt to describe that with a few adjectives. Wander through the extraordinary labyrinthine plot on you own - the way is yours to discover. I promise, you won't get lost!

I was introduced to "La Rayuela" about thirty years ago, when a close friend, with similar reading tastes, gave me the book. Enthused after just reading the novel, he told me that I reminded him of one of the characters, La Maga. (What a compliment...I think!). I was living in Latin America at the time. With personal interests at stake and much curiosity, I bought a copy in Spanish, which I read with some fluency back then. After experimenting with which way to approach the novel, and trying both ways, I gave up...and just read the parts about La Maga. I had little patience at that point in my life, and needed to acquire some, and to read slower, with more of a sense of play and participation. Cortazar wants his readers to participate - to make reading his book an interactive experience, not a passive one. I was and still feel touched when I remember my friend's comments regarding La Maga. She is a magnificent character and Cortazer's prose, his language, (Spanish), is exquisite. So, about a year later, I thought I'd give it another try, in English, perhaps with better results. None! I just wasn't ready, I guess. That happens to me with fiction occasionally. I have to be open to the experience. Yet, after all these years, I still thought of Horacio Oliveira and La Maga from time to time. And why not? They are truly unforgettable. As I wrote above, I did make time, at last. For an adventure of a lifetime, I recommend you do the same.

When Julio Cortazar published "La Rayuela" in 1966, he turned the conventional novel upside-down and the literary world on its ear with this experiment in writing fiction. He soon became an important influence on writers everywhere. "Hopscotch" is considered to be one of the best novels written in Spanish. The work is interactive, where readers are invited to rearrange its text and read sections in different sequences. Read in a linear fashion, "Hopscotch" contains 700 pages, 155 chapters in three sections: "From the Other Side," and "From This Side" - the first two sections are sustained by relatively chronological narratives and so contrast greatly with the third section, "From Diverse Sides," (subtitled "Expendable Chapters"), which includes philosophical extrapolation, character study, allusions and quotations, and an entirely different version of the "ending."

The book has no table of contents, but rather a "Table of Instructions." There, we learn that two approved readings are possible: from Chapter 1 through 56 "in a normal fashion", or from Chapter 73 to Chapter 1 to... well, wherever the chapters lead you. The instructions are all in your book and are extremely clear. At the end of each chapter there is a numeric indicator to lead the reader to the next chapter. One never knows where one will be lead. Due to its meandering nature, "Hopscotch" has been called a "Proto-hypertext" novel. Cortázar probably had this work in mind when he stated, "If I had the technical means to print my own books, I think I would keep on producing collage-books."

Horacio Oliveira, our protagonist and sometimes narrator, is an Argentinean expatriate, an intellectual and professed writer in 1950's bohemian Paris. He and his close friends, members of "the Club," do lots of partying, drinking, and intellectualizing, discussing art, literature, music and solving the world's problems. Oliveira lives with and loves La Maga, an exotic young woman, somewhat whimsical, at times almost ephemeral, who leaves behind her, like the scent of a light perfume, a feeling of poignancy and inevitable loss. La Maga refuses to plan her encounters with Oliveira in advance, preferring instead to run into each other by chance. Then she and Oliveira celebrate the series of circumstances that reunite them. Eventually, he loses La Maga, who loses her child. With her absence, Oliveira realizes how empty and meaningless his life is and he returns to his native Buenos Aires. There he finds work first as a salesman, then a keeper of a circus cat, and an attendant in an insane asylum.

As Oliveira wends his way through France, Uruguay and Argentina looking for his lost love, "Hopscotch's" narrative takes on an emotionally intense stream of consciousness style, rich in metaphor. Back In Argentina, Oliveira shares his life with his bizarre double, Traveler, and Traveler's wife, Talita, whom Oliveira attempts to remake into a facsimile of La Maga.

The game of hopscotch is only developed as a conceit late in the narrative. It is first used to describe Oliveira's confused love for La Maga as "that crazy hopscotch." The theme develops as a metaphor for reaching Heaven from Earth. "When practically no one has learned how to make the pebble climb into Heaven, childhood is over all of a sudden and you're into novels, into the anguish of the senseless divine trajectory, into the speculation about another Heaven that you have to learn to reach too." The variations on the children's game are described as "spiral hopscotch, rectangular hopscotch, fantasy hopscotch, not played very often." The allusions continue and include some beautiful passages.

"Hopscotch" is much more than a novel. Ultimately, it is best left for each reader to define what it is for himself/herself. Pablo Neruda in a famous quote said, "People who do not read Cortazar are doomed. Not to read him is a serious invisible disease." I don't know whether I would go so far. Remember, I put off the experience for many years. But this is one novel that should be read during one's lifetime. It is brilliant and it is fun!
JANA

I really enjoyed this original book.

deserves the big screen treatment. Far more interesting than the X-Men, this is the story about a group of people who become superheroes through no fault of their own (its the result of machinations from somebody, but you'll have to read the series to find out), and how they deal with being "different". Negative Man, Robotman and Elastigirl are three of the most tragic figures ever to grace the comic page and their stories are far more pathetic than anything in X-Men(not that I don't like X-Men). Read the series. You won't be disappointed.

Doom Patrol, as represented in the first volume of their Archives Edition, was an interesting attempt in the 1960s at DC to expand the notion of what makes a super-hero, along with Deadman, Challengers of the Unknown, Eclipso, and Metamorpho (most of these heroes created by Bob Haney, the author behind the Doom Patrol). Their resemblance to the X-Men is obvious although DC was never able to create an environment where the oddball heroes fit in as well with Superman, Batman, et al, whereas the X-Men never seemed out of place in the Marvel universe. But Doom Patrol's biggest weakness was its lack of stand-out villains. The X-Men had Magneto and his Brotherhood of Evil Mutants while the Doom Patrol struggled along with General Immortus and the Brotherhood of Evil. The Doom Patrol stories are still quite charming, though, and show great promise for what could have been. It was an adventurous experiment at DC to create a team of outcast heroes that is worth checking out.

Found this to be one of the best archives that DC has to offer. And from one of the least popular series they had. The art and stories are superb. And still stand today. I had reservations about getting this. But when DC announced that there was going to be a new Doom Patrol series coming I decided it was time to get to know these characters all over again. And guess what. Not a single disappointment.
Pick this up if you get the chance. You will not be disappointed. So glad I did. Already ordered Vol.2. So enjoy.

They were four damaged people: Rita Farr, a beautiful actress who, while shooting on location, was exposed to a gas that gave her the power to vary her height; Larry Trainor, a daring test-pilot who flew through a belt of radiation, and come through with the ability to release an embodiment of negative energy, but only for a minute at a time; Cliff Steele, a race-car driver, until the crash that destroyed everything but his brain, which was transferred into a robot body, and; Niles Caulder, the brilliant genius who brought these people together as a force for good. They are Elasti-Girl, Negative Man, Robotman, and the Chief: the Doom Patrol.

Contrary to popular belief, DC Comics figured out pretty quickly that rival Marvel Comics formula of character-development was something that they needed to infuse into their own line. The problem was that they were very hesitant to do this with their big gun characters: Superman, Batman, and Wonder Woman, iconic characters that never had any of the problems Spider-man did. However, DC had no problem creating new characters in the Marvel style: fantastic characters with a down-to-earth core.

Perhaps the best example of this approach is the Doom Patrol. This was a team of strong individuals who found themselves possessed of powers that they didn't want. Indeed, for these characters, there was very little hope of ever being normal again. So, they did the next best thing: they fought people who were in worse shape than them, hell-bent on spreading evil.

Arnold Drake's writing made the most of the bizarre premise. The villains were sinister, vile, and above all, quirky. Of course, while General Immortus, the centuries-old genius, was perhaps the team's most persistent enemy, by far their best loved was the Brotherhood of Evil. Led by the Brain, a disembodied brain, and Monsieur Mallah, a surgically enhanced gorilla, the team was the Doom Patrol's counter-part; misfits that sought revenge on the world.

Amazingly, Drake's scripts never stretch credibility to the breaking-point. He stayed within the rules he set for himself, and never forgot that his heroes were suffering, and not always in silence. They pined for normality, they wished for acceptance, they bickered amongst themselves. At the same time, he never let the action get bogged down in the team's personal traumas. Moreover, Drake tailored the stories to spotlight the unique abilities of his characters, while examining the strengths and weaknesses of their individual personalities.

Bruno Premiani's name is not one of those artists who immediately named when discussing comic book greats. He probably should be. As his artwork proves here, Premiani had a strong sense of realism. He made the most of his talented line work, grounding his art with a realistic sensibility that further underscored the bizarre tone of the series. One only need to look at the gorilla Mallah, and the extraordinary detail he paid to the character's design. Truly, Premiani was a craftsman, and deserves much more recognition.

It's not hard to see why, although never a first-string book, "The Doom Patrol" is still remembered fondly today. It was a unique mix of absurd super-heroics and sharp character-drama. While DC recently made some questionable continuity decisions about these characters, they've wisely pulled away from them. So enjoy these wonderfully weird stories.

A group of disgruntled social outcasts with super powers comes under the guidance of a wheel-chair bound genius and is frequently called on to save a general populace they increasingly grow to despise.

You got it...the X-Men, right? Nope. The Doom Patrol.

The comparisons are immediate and striking (The Chief/Professor X, The Brotherhood of Evil/The Brotherhood of Evil Mutants), and given that Doom Patrol actually predated the X-Men by several months, one has to wonder if Stan the Man and the merry men at Marvel didn't pass out a few copies of Doom Patrol at editorial meetings.

But to the stories themselves: the characters are great. The heroes find that their powers have literally ruined their ability to lead normal lives. They are resentful. They find code names stupid and embarrassing and call each other by their first names. Even in attempting to forge relationships with each other, they frequently fail due to shattered self-confidence over their own perceptions of themselves as nothing more than freaks. Remember kids, this wasn't written in the 80's or 90's. This was written in 1963!

Arnold Drake's scripts are hokey by today's standards, with what can be called B-movie dialogue and plots. However, once you accept them on that level (don't look for the gritty realism of the 80's or 90's), they are great fun. Bruno Premiani's artwork is simply excellent, at places it reminds me of Brian Bolland. I agree that it is simply unfathomable that Premiani is not held in more esteem.

While X-Men became a mass market phenomenon, Doom Patrol has had what can be charitably called a star-crossed publishing history. No incarnation of it has ever lasted, although Grant Morrison gave it a great run in the early 90's which I recommend to anyone. Somehow, though, this is sadly appropriate for Arnold Drake's original vision of the quintessential unhappy super heroes. They just never got popular enough to sell out.

The next time you see Hugh Jackman or Patrick Stewart onscreen, or walk past the endless rows of X-Men compilations in a comic book store, do yourself a favor and find the DC section and introduce yourself to these characters. Take the Doom Patrol challenge: go for the original.

This book has the most awesome animal drawings I have ever seen. The fact that they are wood engravings is more than remarkable!

A present for my daughter-in-law and the illustrations were incredible. She is an artist and will make good use of this book.

Wow - the enormous numbers of animal life is astounding and the book clearly shows this. Unfortunately the images are quite dark and the book is very thick (you get your money's worth - image-wise), so scanning them for use in various artistic media is difficult. Therefore, I bought two of the books and plan to cut one of them up (that hurts to say for I treasure books of all types). This way I can control the scanning and modification using software to bring out details and highlight an image to my satisfaction. And finally, the classic images are impressive and I applaud the author for his selection of animals from all realms of life on earth.

Used several of these drawings in projects. Books like this are great for those of us designers who aren't the best freehand drawers.

This is just packed full of brilliant illustrations of birds frogs fish girafee spiders butterflies you name it , throughly recommended for any one who loves botanical illustrations or engravings , really good source material for artists or designers.very nice book but rember it is a paper back not that that matters to me.

This is a perfect book for the amature who is trying to learn the right way to use the camera. Lots of great tips and easy to understand.

I learned more reading the first 75 pages than I had from reading the manual four times! But, I don't know how much is missed because the images are all in B&W and the author refers to the different colors in charts and photos. Still, this book is really excellent. This is my first DSLR and I had only taken 24 pictures in almost two years because I just couldn't understand it.

Very good book.
To figure out by yourself all tricks on Alpha 100 that author provide in this book you would probably need at least a 2-3 years. Strongly recomended. GREAT GUIDE.

This is the book that should have came with the camera. Now I have a better feeling how the camera works and how powerful the camera really is. I will be using the "AUTO" setting much less, and only when I don't have time to set anything. A great book.

I was surprised that a former rocket scientist could write such a clear, succinct and absolutely useful book. I have tried his suggestions with my a100 and have taken a few pictures I am very proud of. You cannot go wrong with this choice. Hard Copy or downloaded (print pages to take with you on theme shoots).

dateline 3 months later... I have since taken many more pictures with the Sony and Gary's guidance and am still very happy with the outcome.

I even took one of his weekend seminars and came out with much more knowledge than I took in. If you want to move your photography to the next step, check out his schedule on the website when you order.

This book is filled with loads of laugh-out-loud scenes. O'Brien is especially good at setting up a scene and then delivering a hilarious punchline. Even when the reader can predict how the joke will play out, O'Brien teases the story out in such a way to make the humor even funnier. Each chapter is episodic and stands on its own, but there's a wonderful arc to the entire book. The allusions to Irish history, literature, and folklore add to the writing, and O'Brien really captures the style of writers like Tomas O'Crohan and Peig Sayers. There also are some clever allusions to Wm Butler Yeats and John Millington Syne. I found the satire to be a good-natured, tongue-in-cheek humor that revolves around hyperbole and even surrealism. I find it curious that some fans of Gaelic literature, especially those who admire the real "poor mouth" writers, would be offended by the book. I like the writing of O'Crohan, Sayers, and others, and O'Brien's satire actually seems to complement and enhance the humor in their books, rather than cynically criticize their tomes. O'Brien's real target seems to be more focused on the misty-eyed romanticism of readers of Gaelic writing.

The bleak atmosphere and the beautiful, flowing prose in "The Poor Mouth" are completely at odds, which is what makes this novel so hilarious. O'Coonassa has no idea what's happening to him much of the time, but he dutifully records it as best he can, with amazingly comical results.

The concept here is much like a Buster Keaton film, in that the protagonist is presumably ignorant, but he keeps a sharp eye on events, and he's basically good-hearted (except when he has to resort to stealing a pig or a chicken or some silverware, just to stay alive).

Have you ever had a laughing fit while reading on a bus? It was almost enough to have me committed.Although not personally aware of any Irish in my blood, the way this erupted in me makes it a strong chance.

It has never been better explained why so many Irish ended up in America and elsewhere abroad. A true story!

Lighten up guys. This is satire. Flan O'Brien is satirising those - like Yeats - who mythologised a Celtic and Gaelic past that never existed. The spirit is like Paddy Kananagh - but it's satire rather than gritty realism. Understand?

This book is an inside joke, and a classic at that. It is a grand send up of professional Irish (both at home and abroad). As example, consider a book written in Gaelic making sport of the Gaelic movement by means of a Gaelic festival. ( In ourland of the professional ethnic festival, this might serve as an effective antidote to "Irish" nights and "Scots weekends.") If you are inclined to romanticize villages of the old sod dominated by pigs, mud, rain and potatos, avoid this work. If you want a great classic of the jaundiced eye school of literature, read this book. By the way, some of the fun lies in the many parodies of Irish literary works in the assorted chapters; knowledge of the genre helps.