Comics Books

Really, there isn't a better way to describe this series (especially this volume). The characters are cute, the situations (minus the dramatic parts) are cute, and their reactions... CUTE! While that may not be enough for some readers, it's enough for many of us. And to be honest... the ones who aren't into cute really would never get into this series in the first place.

In this volume we meet a rather persistent admirer of Kyo & get a little more of his background before Tohru. It's great development & is sure to please fans of the series.

I own this series in Japanese, and it is a wonderful read! It has all the important elements of a good shoujo manga: it is romantic, twisted, with a shoujo (in the traditional meaning of the word) involved in finding a new family and love triangles galore. It is just a very fun read, no matter the language!

Yes, the "Best Manga Ever According to Me" award goes to.. FRUITS BASKET!! It's absolutely WONDERFUL!!!! I loved it so much, I've read it 5 times already!
I must admit, sometimes I love Kyo so much it scares me, and this book didn't help.. now I feel bad for him too! This book has lots of character development for Kyo. It was good timing on the writer's behalf. I find myself drawn to the pages where Tohru encounters Kyo in the forest, it's such a perfect scene for him and Tohru.... oh, it makes me want to swoon.....

Alright, now i've been reading manga for about 2 years now and i haven't been hooked on one as much as Fruits Basket! It's amazing, it combines romance with comedy, it's a definate page turner! This one may in fact be my favorite one out of the series so far...it's absolutely amazing! You get to see a side of Kyo you haven't seen yet and this particular manga has alot of character developement in it. It's a definate buy for anyone that wants a good romance/comedy! Not only do you get to see an emotional side of Kyo you haven't seen before, but you also get to see his "true form." Overall, the 6th volume of Fruits Basket is a must read! Kyo is personally my favorite character and you really get to see a side of him you don't normally see and you get to see the relationship between Kyo and Tohru deepen and become alot stronger! Definatly a 10/10!
~alexis~

I'm continuing with Fruits Basket since I have been enjoying the character interaction. Now that I've gotten to volume 6 it's getting easier to recognize the characters, but there's still a lot of cross-cultural stuff that eludes me. The most irritating part to me is...I don't even know how to explain this, but here goes:

Someone (usually a Sohma) is thinking about something. So the words are on the page, not inside thought bubbles or anything, just words on the page. But the pictures are of other people (usually Tohru, or Tohru plus other Sohmas). The thinking person is not always present at the scene being shown. For example, the book has Hatori and Shigure in a conversation. Then we have a few pages of this "someone's thinking" with pictures of Tohru et al. having a fun time. Then at the end of these 5-6 pages, we find that it was Hatori doing the thinking. So I have to go back and reread from the point where he and Shigure were talking, so that I understand what is intended. These books really are a lot of mental work to process at times.

I have picked up the first volume of Ouran High School Host Club to see if it's a problem with me, or a problem with manga in general, or a problem with Fruits Basket. I'll report back after a few more volumes of Fruits Basket!

S.C. Ringgenberg
(602) 621-6439 /sringgenberg1@cox.net



Sight Unseen Brings Terror to Light


Sight Unseen, a 2006 graphic novel from Image, written by Rob Tinnell, and illustrated by Bo Hampton is quite simply, one of the best graphic novels of the last two years, and at the same time, the scariest ghost story I couldn't put down. Tinnell and Hampton's collaboration has produced a genuinely scary and original fearfest, with one of the creepiest villains ever put on paper. Tinnell's script is atmospheric, crackles with believable dialog, and provides a number of good shocks along the way to its melancholy conclusion. Some of the protagonists survive, but this brush with supernatural forces scars them forever.
Bo Hampton eschews his usual realistic, cleanly rendered style (always reminiscent of Al Williamson and Michael Kaluta in good ways) for a moodier, computer drawn style that gives him a broader emotional palette to work with, especially in the darker range of the spectrum. Hampton captures the mood of Tinnell's script so well that I can't imagine another artist drawing this. I give Sight Unseen my highest recommendation. If you haven't read this book, don't waste any time tracking down your own copy! And while you're reading it, you'd better leave the lights on. Pleasant dreams, readers

It's disappointing how unreadable some comics and graphic novels are today. Pretentious, patronizing, overwrought, and often boring. It's a shame how art-driven the medium has become. That sounds a bit odd when you consider I'm talking about COMICS, but it's true nonetheless. If the book has a plodding script with flat characters, cheap lines and horrible pacing, then no artist of any caliber can save it from an inevitable demise. No artist worth his lead should have touched it in the first place, but unfortunately they do, and we the buyers often let ourselves be lured in by big names and lay down our hard-earned cash for worthless drivel.
But this gorgeous little book is worth every penny I laid down for it. Sight Unseen is everything I want my comics and graphic novels to be. Original without being pretentious. Intelligent without being patronizing. Thought-provoking without being overwrought. The characters are believable, likeable and thoroughly fleshed-out. The relationship dynamic between Frank, his daughter Molly, and his research partner Derek couldn't be more spot-on. Every page of this book is perfectly done, by both Bob and Bo. Speaking of which, Bo's artwork is really something to behold. Loose and organic at just the right moment, yet clean and tight right when it had to be. Not to take anything away from the guy, but a few of those panels gave me very Templesmith-esque shivers! That's definitely a compliment in my book. The complete lack of dialogue or narration in certain sequences is nothing short of brilliant...and terrifying!
Truth be told, I was hesitant at first about the glasses. While I'm familiar with some of the research done regarding the paranormal, I feared that the scientific aspects would be delved into far too much for the average reader, and would threaten to overtake the amazing ghost story that was evolving. I was quite relieved and very pleased to see that wasn't the case! Just enough information to keep the reader up to snuff, nothing more. The build-up and climax is a crash course in Horror How-To. My pulse hasn't pounded that hard in a long time.
Kudos to Bob and Bo on this amazing book. I'll be passing it on to everyone I know that loves a great ghost story. I truly hope that there is a script treatment in the works and a studio smart enough to pick it up!

When I originally found out about this book it was at the Philadelphia Comic convention in 2005. I met Bo Hampton who gladly shared some of the pages and concepts to Sight Unseen. I had the pleasure of meeting Bob Tinell and together they crafted a story that frankly scared the hell out of me. The art was riveting. The fact that there were so many panels with no dialouge left the reader to truly study the panel and after looking past the obvious, the minor nuansces are what left the reader frightened. Great concept! The writing is top notch. I could not put this book down. I am not a fan of horror but this ranks with 30 Days of Night as a book that will only fuel the flames of the horror comic book comeback. If this is not made into a film it would be a travesty. This is as chilling as the Sixth Sense and makes the Ring seem tame. I would recommend this book to anyone whether a fan of horror or not. My hope is that Bob and Bo will continue to spin tales of horror and suspense for many more years to come. Dare I say that if I had a few million dollars I would find a way to make this book into a movie. That's how good it is! Read Sight Unseen.

Not a bad book, but at the same time not as frightening as i was hoping for, but it still has quite an interesting premise and a pretty suspenseful climax.

I picked up this book solely to enjoy Bo Hampton's wonderful artwork, but I was surprised at how well written the story was. You don't think that you'll be spooked by a Graphic Novel, but I read this lengthy book before bed and I have to admit that when I turned the lights out I could have sworn I was hearing things. Incredibly creepy.

No doubt, what draws you to this story is the masterful artwork by Bo Hampton, but the entire book is a treasure. Even the format of the book and it's extra behind the scenes section at the end fit in perfectly. The only thing I have to say negative about it is that I found a few mispellings and grammatical errors in the book. Strange. Usually you don't see that in a Graphic Novel. But that really doesn't affect the intensity of this book. My highest recommendation.

I have been a faithful FoxTrot reader for years. Roger, Andy and their kids Peter, Paige and Jason are always good for a reality check with a large dose of laughter. I've got two girls and let me tell you, I see a lot of my kids in Paige with, I believe, even a healthy dose of Jason thrown in. And they have Peter's bottomless stomach. Of course, they're faithful FoxTrot readers too. I used to read the strip to them, explain what was going on, but now they get it just fine and we three all laugh together. Then my girls try and explain the strip to their dad, who pretends he doesn't get it.

The FoxTrot folks are a great family, one we sort of got used to checking up on every day, so we took the news that Mr. Amend was going to cease daily distribution of his wonderfully funny people and turn his strip to Sunday only, with a bit of sadness. Still, we have these terrific FoxTrot books to keep us going with our FoxTrot fix. Mr. Amend is to be commended for his great gift to our culture and his great gift to so many lives. I truly believe a laugh a day, helps keep the blues away and the FoxTrot gang are always good for a laugh. Heck there are a lot of laughs in the FoxTrot books. I know, I have them all and I am, along with my girls and my hubby dear, eagerly awaiting the next one.

Oh yes, I forgot to mention, we don't have an iguana, but my girls do have a pet gecko and, you guessed it, his name is Quincy.

I've been a Foxtrot reader for a long time and personally I think there is something suspiciously wrong with people who don't find Bill Amend's characters funny as all get out. If you want a good laugh, check out Bill in your local newspaper, or better yet, get one of the Foxtrot books. They are all great, really, they are.

Like many of Mr. Amend's fans I'm a bit disappointed he's switching his strip to Sunday-only, but fortunately I can still read him daily in the Foxtrot books. Get them one and all and you can keep right on a laughing.

You see the list on the side, and obviously, I am a FoxTrot fanatic & own all of the books. Just why would I own something that is dumb? Besides, if you haven't heard of FoxTrot, you either: don't look at the newspaper, or haven't visited the bookstore in about a year.

Among all of the halarious one-day strips, outrageous series include:
-Moby 2000
-Thanksgiving
-Jasoneezer Scrooge
-Christmas
-Jasonzonbayhoodotcom
-Paige vs. Red Orb Guardian
-Babysitting
-Baseball's suprising spectators
-Where's the coffee???
-Summer Dayz
-To Boonhurst...To the hospital...To Wall Street

Aren't intrigued yet to buy this book?

Admit it. We all have one or more family members that resemble the characters in the FoxTrot comic strip. Whether it's the tofu cooking mom, the morning-coffee addicted dad, the hollow leg older son, the self-absorbed daughter, or the geeky younger son, every family can relate.

"Think iFruity" is a collection of daily and Sunday FoxTrot comic strips. It starts with the dad, Roger, buying a Mobycom-2000 cell phone (think Titanic), and ends with Peter being disappointed with his Physics Lab. In between, the family gets their new "iFruit" computer (mango-kiwi, thank you), Roger goes a day without coffee (not a pretty sight), Paige fills her aquarium before taking it upstairs, and Jason kills off the Internet (makes the "I Love You" virus look like the sniffles).

The fun and hilarity never ends with the Fox Family. There's always some kind of chaos or mayhem going on--mainly created by the youngest, Jason Fox. If there hasn't been a problem that has confronted the Fox Family, just wait. They're always having to deal with a crisis that leads to hilarious results.

"Think iFruity" is yet another fabulous FoxTrot collection that is 127 pages of fun-filled comic antics from Roger (the father), Andy (the wife), Peter (the oldest son), Paige (the daughter), and Jason (the youngest son who has a pet iguana). One of the main story points that surrounds this collection is when the family must buy a new computer, and to Jason's absolute horror it is an "iFruity." How will the family cope with the change? Will Jason lose his mind and trash the computer himself? You'll have to wait and see what happens.

Other funny scenarios included in this fine collection:

*Roger's "Mobycom-2000"*
*Jasonezer Scrooge*
*Paige Defeats the Red Orb Guardian*
*Giving Up Coffee*
*Peter's Summer Gig ("Star Wars" Phobia)*
*The Paige Witch Project*
*Roger Quits Work (A Classic "Fox" Saga)*
...and more!

Bill Amend has never failed to get more than a few laughs out of me with his funny characters. The strips are topical, witty, clever and downright hilarious. He never runs out of ideas or storylines, and he always uses his characters to their full potential. This collection is just as funny as the previous ones, if not more. I am never bored when reading FoxTrot, and I was never bored during my reading of this particular collection. A job well done on all fronts.

"Think iFruity" is another hilarious FoxTrot chapter that definitely needs to be a part of your FoxTrot collection. And if you have not read FoxTrot, the more reason to check this out! If you're looking for an entertaining read that won't take up a lot of your time, this FoxTrot collection is just the fix for you. A great read that will have you laughing from the start. -Michael Crane

Perhaps looking forward to this book raised my expectations. I thought the previous two in this series were simply some of the best space opera combined with social commentary scifi available. This book simply does not deliver.

First, there are continuity errors. In one page of the novel, literally, one page, prepackaged meals are called 'prepacks'; in the rest, they're suddenly 'preheats'. Huh?

Second, she changes POV character waaaay too often. You can't even really call this a Koscuisko novel because he appears in less than half of the scenes, and is very rarely the POV character. I don't mind multiple POV novels, but someone as accomplished as Matthews should know that readers need some kind of clue at the beginning of a section as to who is narrating that section. Even just some geographical locator "on board _ragnarok_" or some such would have been an immense help. Half the time I had to go back after a page, when I'd figured out where and who 'we' were, to realign that information in my brain. Sometimes I had to stop in the middle of a section and wonder if she'd changed POV character on me or just got her pronouns confused (which she did, at least twice).

The whole novel has a sloppy feel to it. There's no compelling plot for Andrej; one never feels an awful lot of empathy for Ivers, and even though the surface plot tensions are resolved at the end, the internal problems for Andrej or Ivers are never resolved. And I don't mean 'unresolved' in a way that screams 'sequel'. She wraps everything up pretty tightly, so that I wouldn't be surprised if this is the last novel in the series--everyone's off to a Brave New World, inside the Judiciary or not, and hope is in the air, and.... all the loose ends are just oh so conveniently tied up. (Except the rioting and bombing and looting and why have a prologue in a place that's never EVER mentioned again in the novel?) It's a fuzzy and unfocussed novel that actually at times was a chore to read. I loved her other Andrej novels, but this...well, I wish I could go back in time to a week or so ago and still have hopeful expectations for this novel.

I think Matthews is taking the Conan Doyle approach and chucking Holmes off the cliff in a hope to be done with the whole mess. A shame, really.

You should buy this book.

HOWEVER, I reccomend doing so only if you've read the other Jurisdiction novels-- Exchange of Hostages, Prisoner of Conscience, Hour of Judgement, and Devil and Deep Space. It's not that Warring States isn't a coherent tale on its own-- it is, and a good one. But you won't enjoy it as much if you don't know the context, especially since a fairly major plot in the book hinges on a conflict begun two books ago. Besides, these are all fine characters who deserve some getting to know.

To those who have read the others-- Warring States is a little different from what we've seen before. There's a little less focus on Andrej Koscuisko, and a little more on the workings of Jurisdiction. It isn't a bad thing. All the old themes are still there-- love, and sacrifice, and willful stupidity, and good intentions. And they're just as satisfying as they've ever been.

As in the previous books, the author demonstrates a really refreshing grasp of a universe that exists outside of her main protagonists. Conflicts do not arise in a void; they exist because of other characters-- whose point of view you also get to see things from. None of the characters in Warring States are just handy plot devices.

One of the really nice things about reading Susan Matthews' writing is that if a person is antagonistic, she does not tell you so. She shows you so, by letting you into their head and letting you see how they understand the world. Look, ma, they've got motivations! Ditto her protagonists, and she doesn't exactly attempt to gloss over their flaws, either. None of these people fell from Krypton to leap tall buildings in a single bound. They're just people-- like the villains-- doing what makes sense to them.

It's nice.

So she's got a bunch of great characters. And? And they exist in a well-planned world. There are well defined cultures and governments and it makes SENSE that thus-and-such a character came out of this-and-such a culture. It's all internally consistent, which means there's nothing to jar you out of what is really a fascinating universe.

In the end, Warring States is a compelling book (and we shouldn't expect anything less of this particular author) and a well written one (ditto) and a satisfying one (see previous).

Well, as satisfying as a cliffhanger could be.

Susan R. Matthews returns, after a long wait, with "Warring States," the latest in her "Judiciary" novels featuring Andrej Koscuisko. It's packaged well--a large-size paperback on good paper, and it solves the murder of First Secretary Verlaine that occurred at the end of "The Devil in Deep Space." This time Andrej, after setting one of the two plots in motion, becomes more or less tempest-tossed as the action switches to the doings of Bench Specialist Jils Ivers, who's part of a convocation assembled to pick the next First Judge (while also being a suspect in the murder).

Ms. Matthews tries hard to overcome the inherent clunkiness that she's set for herself by blending the two plots together, and if she doesn't quite succeed, she certainly fails honorably, and it's definitely worth your time. As before her sense of place is extraordinary (when Jils orders a meal in a luxury hotel suite, you'll almost taste the food; when she descends underground where the convocation is being held maybe you'll feel claustrophobic too), and her chilly prose is as lucid as ever. Unfortunately, Andrej, who's worked hard to overcome his sadomaschoism (he refuses to torture people anymore), is a crashing bore after the tempest starts tossing him about after that opening act of his--he seems to have no willpower, nor control over his own life, and his motivations seem principally to have become those which Ms. Matthews assigns him, rather than having grown organically from the story.

In short, the author probably would have been better off writing two novels instead of cramming two stories into this one.

Notes and asides: Bench Specialist Vogel, who used to be Garol Vogel has become Karol Vogel. The handsome cover, by Christian McGrath, depicts, almost certainly, Jils Ivers, but who the man in uniform is could be any one of several characters. That might just be the point.

This is a thoroughly enjoyble book! Especially if you've been reading Susan Matthews before, you'll like this one.

Why? I think that, in the previous 2, Susan couldn't make up her mind about giving Koscuisko a happy ending or getting him killed. The fact that she couldn't make up her mind, hurt those plots. Now she's made up her mind: not to kill him, not to give him a happy ending and nevertheless to change his entire universe. And that brings so much new freshness to this book...!

The plot? Warring states (I think) refers to colliding realities: the Judiciary order with its rules and regulations versus the chaos and turmoil because of the departure of its Enlightened ruler (the First Judge). Free individuals versus slaves. Loyalty to principles and people, versus loyalty to ambition and selfishness. In Koscuisko the warring states are guilt (over the anguish caused by his legal exercising of torture) versus eagerness to relive the thrill caused by the adrenaline rush provided in the act of torturing.

It's a good book in this series, on many levels. Sometimes it's a bit slow, because the dramatic tensions makes you want the action to speed up (skipping forward solved that problem for me).

You'll enjoy it.

The eagerly awaited next installment of The Life & Hard Times of Andrej Koscuisko is here! All major points having been covered in previous reviews, I'll just add my opinion that Susan has done it again. Our beloved favorite characters are all here (even Joslire through his family), including cameos from those we might have forgotten about. The emotions run just as high or higher than in previous books, despite the reformation of certain characters. Hints of what is yet to happen in this universe will keep you checking to see when the next novel is scheduled for release.

I will reiterate the warnings of previous posts, however. This is a volume of a series, so it's best to begin at the beginning with Exchange of Hostages. Otherwise, some of the shocking page-turners in this book just aren't as shocking.

This volume is the conclusion of one of the best love stories of all time. You must start with volume one and read the whole set. I've got the books and the TV series, and I re-read/re-view them quite often. It's a funny, silly, heartbreaking, frustrating and ultimately a heartwarming, beautiful story. After all their difficulties, Yusaku and Kyoko finally get together in a perfect final volume. I just wish we could have more (hear that Takahashi?)!

Rumiko Takahashi is known for letting the relationships between her romantic leads drag on for years or even decades without them ever evolving or being consummated (see Inuyasha), but as the last and concluding volume of Maison Ikkoku opens, Godai and Kyoko enter a love hotel. Godai should be in heaven, right? I mean, this is what he's always wished for. But things become a bit awkward when Kyoko says that she is thinking about Soichiro. Godai thinks she's talking about her dead husband, but Kyoko corrects him and says she meant her dog, which happens to have the same name. Is that the truth? Suffice it to say, Godai suffers from impotence at the moment of truth. Things get even more complicated when his ex-girlfriend, Kozue shows up wanting to talk about their relationship. She had already told him a guy proposed to her but she didn't want to say yes because she didn't want to hurt Godai's feelings. On top of all this Godai is going to find out how he did on the teacher certification exams. The only way he can ask Kyoko to marry him is if he passed, so there's a lot riding on the results.

I have been reading this series off and on for a little over two years now and I have to admit I got a little misty eyed when I came to certain sections of this last volume. Simply because you never wish good things to come to an end. I used to have that experience a lot with anime and manga series, but it has become rarer lately, probably because there is so much product coming out that you don't have time to lament the end of one before you start another. Instead of just centering a review on this one volume, I'll just make some comments about the series as a whole because in terms of quality they were all about the same. The central conflict of the manga that lasted through the first to most of the last volume was the lack of courage Godai had to make Kyoko his. He bumbled his way through a relationship with Kozue and some childish competition with Mitaka the tennis coach but he was just never aggressive enough to pursue Kyoko with a single-minded determination. He was too wishy-washy. Kyoko too suffered a lot because she wanted to be pursued, hunted, and caught by an alpha male. While this kind of thing makes for a lot of heartache and tragedy in real-life, in the manga world it's the perfect tried and true setup for comedy. And boy was Maison Ikkoku funny! One of the best comedies I've ever read. I've still never figured out how Takahashi was able to make such a masterpiece from such simple materials and operating mainly with character interaction rather than plot. To me, that's the hardest story to write. Making the lives of everyday people interesting and fun. It's also great to experience a relatively long manga series that has true resolution and ends on an upbeat and happy note. A great manga work.

I must have read MI a dozen times in Japanese, and I recently bought the whole series in English just for fun. I'm generally pleased with the translation, but a mistake in this volume on one of my favorite lines in the whole series prompted me to comment. "When she laughs, the world is mine" should be "When she smiles, the world is mine." Subtle, but important.
Now that I have that off my chest, ignore the nitpicking and buy the whole series. If you like great stories and superb characterization, you can't go wrong.
I'm dropping a star for some rough editing at the beginning of the series and for a few other productions problems.

Whew!
I laughed until my mouth hurt, I went thirsty while reading this series so I wouldn't wet my pants or spit out my juice. I tried not to read Maison Ikkoku in public because my laughing made people look at me.
I made sure that when I reached the more tender, introspective scenes, that I locked myself in my room so I wouldn't embarrass myself when I began to cry.
I connected with Yusaku because I'm a college student, and with Kyoko when she was in deep thought.
I don't know what powers of telepathy that Ms. Takahashi has that she can pinpoint the exact thoughts that go through a person's mind. Being a creative type, I can understand a little, but her skills are uncanny and her comedic timing plays out as some of the best TV skits.
(Just remember the double-takes of the characters and you know exactly what I'm talking about)
I'm happy to say that I was not only entertained, but also learned a great deal about proper story-telling, pacing, and emotional setting.
This was truly extraordinary. Yusaku's heartfelt plea to Kyoko, Kyoko struggling within herself over moving on, the events and circumstances in life that hinder or help us... I'm getting emotional here.
Bravo Ms Takahashi. I know there is a kind of lifetime achievement award in the comic world that you should receive, or perhaps you already have.
It took me two years to finish the graphic novels. A two years that I rushed through and now wished I had savored more, but I'm not complaining.
All Yusaku's dreams came true as well as Kyoko's.
May all our dreams be just as fruitful.
I'm going to miss these people.
And I mean ALL of them.

There were times I thought the story of Maison Ikkoku would never end--the complications just compiled and continued! But at last, the conclusion arrived, and it left me feeling relieved and satisfied. I was still left to wonder about a couple things, though. For instance, just what does Yotsuya do for a living? Was this something I was supposed to pick up at some point, or are we left to wonder forevermore?
I'm glad I started reading the series, and I'm glad I read it all the way through. All that money was well worth it.

Tintin is a great comic book ... funny, witty, adventurous, and with clean language. These are classics! I used to read them growing up in Europe, and I am glad that I can have my children read them too.

Many of us grew up on Tintin and love them for their great nostalgia value, and reminisces of childhood, as well as the brave values of a simpler, more clarified world of yesteryear.
This volume brings together three of the best loved Tintin classics in one handy volume- and for not much more than the price of one.
They are:
Land of Black Gold

An oil crisis breaks out, leading Tintin to the Arab Emirate of Khemed. There he works his way through a series of escapades in the desert and the cities of Kemekhal and Wadesdah where Tintin must deal with the thuggery of the local Arabs . Tintin meets with Emir Ben Kalish Ezab and agress to rescue his kidnapped son Prince Abdullah leadfing him to confront his old enemy Dr Muller, as well as the impossibility of dealing with his charge, the young Abdullah. Quite fast moving and without the flow of some of the Tintin books, this adventure is nonetheless jam-packed with action. We discover that behind all the troubles are agents of a foreign power (Most likely the Soviet Union, whose menace had finally been recognized by the West when this book was first written, in French, 1950. As usual the rest of the gang such as the fiery Captain Haddock and the disastrous Thompson and Thomson add to the brew!

Destination Moon

First written in 1953, 15 years before the first real moon landing in 1969!
I like these books because of their nostalgia value, good old-fashioned values of heroism, adventure good vs. evil. . I first got hold of copies of 'Destination Moon ' and 'Explorers on the Moon' when I was ten, and I was fascinated by the world which they opened up.
Tintin and Captain Haddock fly to the uranium-rich Balkan State of Syldavia, to work with Professor Calculus on his project to send a rocket to the moon, using the mountains of Syldavia as a base. You learn a lot about the fantasyland of Syldavia, and about the unusual perception of the world of his time, by the author, Herge.
This work is amazing in its futuristic scope. The super-modern (for when it was written in1953) Sprodj Atomic Research Center, and the details of the rocket where quite an amazing concept when the book was first published, 16 years before the first real moon landing by Neil Armstrong in 1969.

It is full of adventure, such as when Tintin is wounded while surprising villains at the ventilator grid in the picturesque Syldavian Mountains; and much humour such as escapades with Captain
Haddock's pipe and Professor Calculus' hearing aid , and the famous scene of an enraged Professor Calculus `acting the goat'.

It is a great adventure for all ages, a wonderful album to have.

Explorers on the Moon

This science fictional comic , written in 1954 , 14 years before the first actual moon landing , fails to disappoint , after the precedent set by its prequel , 'Destination Moon'.
This adventure sees Tintin and friends successfully go to the moon and back , defeating such problems as a rapidly depleting oxygen source and villains who have followed them into space .
I read it when I was ten and it led me to become interested in space.
I remember sitting on top of the roof of my home , reading it , and seeing a shooting star fly by. There is something intriguing about these comics.

Don't be fooled by the size of this little book. Other readers have stated how the pictures seem much to small in this more compact version of the comics we loved as children. These are just as visually stunning as the original size comics. Best of all, it is hardcover and will not get damaged (a problem I had with the originals) and they are compact enough to take on a car ride. My son is now as much of an addict as I was at his age. Happy reading!

If you are a Tintin freak, this one is for you. Just buy them

Volume 5: Land of Black Gold (1951), Destination Moon (1953), Explorers on the Moon (1954). This is the fifth instalment of my reviews of each of the seven volumes.

Land of Black Gold makes little use of Captain Haddock (it actually took form before The Crab With the Golden Claws) and is, subjectively of course, the weakest of all the Tintin adventures created after Tintin in America.

The third of the three double adventures, Destination Moon and Explorers on the Moon show an amazingly detailed lunar effort, 15 years before the real moon landing, using Syldavia vs. its communist-style rival Borduria (see King Ottokar's Sceptre) as the backdrop. We see a side of Calculus that we had not suspected, a great deal of slapstick from Haddock, highly convincing moonscapes, somewhat drab colours however, but an effective layout; the moonscapes are outstanding. Tintin's friendship with Haddock requires a little tough love. Great stories, and yet exceeded by the last two in the preceding volume and the three in Volume 6.

Is the second time I order a book from amazon and I'm satisficed with the service, I live in other country and i never had a problem.

The Art of Howl's Moving Castle is a large, hardback book, and is chock full of information and pictures from the amazing movie by Hayao Miyazaki.

This book begins with hundreds of concept sketches by Miyazaki, containing location scenes and characters with notes. The concept sketches go in order of appearance from the movie, so the concept sketches for Sophie come at the beginning, for example, while the concept sketches for Human Turnip show up near the end. There are thousands of gorgeous location scenes as well plus short bios on some of the creators of the movie and a few articles that discuss the creaters' experiences working on the film. Also, at the very end is the complete final screenplay to read through. The screenplay has a few minor changes in it from where the English actors improvised a little (especially Billy Crystal), but otherwise, is exactly from the movie.

Being a student of film and the arts, I found this book extremely helpful and interesting, because it showed the creative process of a huge movie. I would definitely recommend it to any film or arts students to browse through if they wan to get an idea of what kind of work it takes to create such a monumental film!

The only qualm I have with this book is that there were hundreds of screenshots. Not that that's bad, especially if you want to buy this book to revisit the movie, but I would like to have seen a few more sketches and whatnot, or at least a few more articles on how the particular scenes with the screenshots were made.

That aside, I fell in love with this book and was enchanted from front cover to back cover.

This book opens a world of anime art like none other. Primary characters & secondary characters are carefully drawn out and walk through a world & story created for them. As a professional artist, I found great interest in the prelimiary drawings straight through the setting concepts. This is also a great book for fans of the movie. If you loved the movie, you will love this book.

I totally enjoyed the layout and discussion in this book. I have been a Miyazaki fan ever since, "My Neighbor Totoro" which I saw when I lived in Japan. If you relish animation and all the details of this art form, you'll like the format and attention this book gives.

Janine Bolon, Financial Coach, Radio Talk Show Host, author of "Money...It's Not Just for Rich People!" available on amazon. Money...It's Not Just for Rich People!

If you loved the movie, you will love this book, The Art of Howl's Moving Castle it's hard cover, with original sketches, storyboards and the final screenplay!

The book explains every step of the complex story, from the original book adaptation to the final movie. Also have quotes and articles from creators of each process (designers, art directors, supervising animators, etc.) It's like seeing the movie scene by scene with artist commentaries.

This manga is unsophisticated in its artwork, storytelling, and politics. Yet that very lack of sophistication seems to me to be what gives it power that probably could only otherwise be generated by poetry, or perhaps opera.

You might as well go ahead and buy the four volumes in this series now, to save time & postage. Then you can wait, like I am waiting, in the hope that Project Gen manages to publish the next six volumes in the series.

Note: there is at least one prior English edition of Barefoot Gen, and the volume contents are not the same as in the latest edition. So if, for example, you buy volume 3 of the earlier edition (1979), you will find that it overlaps the latter part of volume 2 of the current edition (issued in 2004.) The volume titles seem to be the same in each edition, so things can get confusing if you don't stick with the same edition. If you buy used, pay attention to which edition you are getting.

According to Wikipedia, these are the published & projected volumes in the current English translation series of Barefoot Gen:

* Barefoot Gen #1: A Cartoon Story Of Hiroshima (ISBN 0-86719-602-5)
* Barefoot Gen #2: The Day After (ISBN 0-86719-619-X)
* Barefoot Gen #3: Life After The Bomb (ISBN 0-86719-594-0)
* Barefoot Gen #4: Out Of The Ashes (ISBN 0-86719-595-9)
* Barefoot Gen #5: The Never-Ending War (17 April 2008, ISBN-10: 0867195967)
* Barefoot Gen #6: Writing the Truth (17 April 2008, ISBN-10: 0867195975)
* Barefoot Gen #7: (Not published in English)
* Barefoot Gen #8: (Not published in English)
* Barefoot Gen #9: (Not published in English)
* Barefoot Gen #10: (Not published in English)

Barefoot Gen - I grew up with this famous comic series by Nakazawa. It's about a boy called 'Gen' and his life in Hiroshima during the WWII and soon after the atomic bomb. Volumes 1 & 2 are probably the most important ones. After I read them in English, I just had to lend them to everyone I knew. If you read this story, you'll realise how silly to hear some popular opiniton 'Dropping two atomic bombs in Japan was necessary to end the war'. The author Nakazawa says that each and every event illustrated here is a true story. You'll see, for example, that two young brothers fight against each other for a little grain of rice. Gen trying to encourage a girl who used to be dreaming about one day becoming a professional dancer, but now her face was badly burnt by the bomb, although she still didn't know it - he refuses to let her see the mirror.

The bombs were dropped onto civilians in the two cities, and, in Hiroshima alone, 100,000 people, including children, elderly people and western prisoners of war, were killed instantly, and the pain they suffered from it was tremendous. The way some of Gen's family members, including a new born baby sister, were slowly dying is simply too sad to look at. But the reality is that it actually took place and was caused by human hands.

I sincerely hope that many people will find the opportunity to read this book at least once in their life-time, and I strongly believe that this book will enlighten the whole world with the message: 'What really happens when a nuclear bomb is dropped onto humanity', which hasn't really been talked about in history books for some reason. But I think it's time to face reality.

The manga form of presentation makes reading about the prelude to this event easy and fast. The book seemed to be reasonably accurate with historical documentation and the visual format allowed the author to include detail that might otherwise have become difficult to work into the story. The clothing, clogs, air raid hoods, etc. that are be depicted add depth of information to a quick read.

Keiji Nakazawa, Barefoot Gen (New Society Publishing, 1983)

Keiji Nakazawa's four-volume graphic epic Barefoot Gen has become legendary in the field of graphic literature, and also, in no small way, out of it. While many Japanese artists working in every medium have examined the dropping of the atomic bombs on Hiroshima and Nagasaki and their aftereffects, Nakazawa, who lived in Hiroshima at the time the bombs were dropped, has an understandably closer perspective than most others who have tried it. For sheer power, Barefoot Gen's only rival in the subgenre is the similarly legendary Grave of the Fireflies.

This eponymous first volume takes us through the life of Gen, an elementary school student, and his family in the months before the dropping of the bomb on Hiroshima. Gen's father, while not a pacifist, is notorious in town for his speaking out against the war, which gets him and his family branded traitors. Because of this, they don't have an easy life. The family members try to find various ways to survive in the face of shunning at best, and aggression at worst, from the rest of the townspeople.

Do you need to be told that this is a book that's going to hit you in the face like a sledgehammer with its message? The artistry, or lack of same, in the delivery is the place where Grave of the Fireflies is clearly superior to Barefoot Gen, but while Nakazawa is not above letting his message get in the way of his story on occasion, it never happens for too long a period of time. Nakazawa's characters are well-drawn, and the story spends more time focused on its characters than on its message. There is a lot to be liked here, and a good deal to be mulled over, as well. Well worth your time. ****

In our present time this portal to the topic of Hiroshima and Nagasaki and our nature as the only nation to build and to use nuclear weapons, and against strictly civilian population centers may inform our moral consideration of the present failure of our total war alone against civilians to establish a peaceful and stable and democratic society.

This present volume serves as an excellent introduction to the topic. Centering on Hiroshima, as may supplement this strong introductory reading with the recent study by Prof. Takaki, or the new Racing the Enemy, which explores the lack of military reason for dropping the Bomb against an already defeated Japanese Empire. We may also read on this specific event of crisis the moving Letters from the End of the World, or HIroshima Diary, written as was Gen by eyewitnesses and civilian victims of this our nuclear holocaust. Hershey is also important to read of course, and the reissue of Hiroshima Mon Amour, but I keep returning to this child's eye view in Barefoot Gen.

We are fortunate in this reprinting for the informed and astute introduction by Art Spiegelman, the creator of the Maus series which does a similar though more symbolic treatment of the Nazi Holocaust. Art strongly recomends this first person account of a small boy on the morning of the Bomb, and its immediate effects upon himself and upon his family. Please read this book and remember. Our Popes continue to visit the Peace Park at Ground Zero in Hiroshima, to pray for peace and nonviolence and for the development of peoples.

I am a big matt groening fan so I bought this. One out of every 10 was funny and the others...

This book is really funny,and yet so realistic (apart from the talking bunnies). You can definitly see some simalarities between the charactors in the Simpsons and the characters in the book. I plan on buying all 5 books

I must say, Big Book of Hell is 10 times better than Huge Book of Hell. Funnier, less preachy, bigger, and just plain better. It's honest, and extremely observant of the little stupid things we do every day. Matt's detailed descriptions of school and work are so true, I wish I would have written them. Bongo's anti-school agenda is so funny and true. The strips with the eyes and Bongo strapped in a chair are among my favorites. Another thing Big Book has that Huge Book doesn't, is that it is TOUCHING! Witness the 8 Steps of Handling a Divorce (or something to that nature). I almost cried when I read it. In some ways, its more personal than Huge Book, other times, more universal. Which is why Greoning's work (and the Simpsons) are so brilliant: touching, personal yet universal, bitter yet hilarious, observant without being fake. Big Book also has TREMENDOUS re-read value. I highly suggest anyone looking for a laugh or some delicious insight to purchase Big Book of Hell.

It's one thing to say that life is hell and sit back and sulk. It's another thing to turn it into hysterical, scathing humor. Matt Groening's "... is Hell" series is by far the darkest and funniest exploration into our modern life. If Mark Twain were a cartoonist, this is what he would have produced. Compare these cartoons to those animated yellow people (Bart, Homer, et al.), and The Simpsons are no longer a dysfunctional family.

I've been a huge fan of the Simpsons since they first aired, and recently I decided to check out Matt Groening's other works. I bought this book used and it was worth every penny. The comics here are unlike any other. I particularly enjoy them because they are totally irreverent, yet honest about the state of American society today. Many of the 'School is Hell' series appear in this collection. They are my favorites--they get me through long nights of studying. It makes me wish there was a 'Life in Hell' TV series to go along with the Simpsons.

With each new Bone book I get, I never get disappointed. Each book is more and more engrossing. While the black and white issues are the originals, the colors add more to the overall story than I would have guessed. The art is great, the epic story is amazing and the colors just help bring everything together even more.

I gotta say that once you get into the Bone series, it's hard to stop reading it, and I really enjoyed this volume, which is mostly about the antics and schemes of Phoney Bone as he tries to swindle people out of their money, hurting others along the way as things backfire terribly. Definitely great stuff!

The Bone series really hits its stride in this volume. Continuing the excellence from previous volumes, the story deepens and builds into a truly great fantasy tale, on par with classics of the prose fantasy world. I'd give this volume more than 5 stars if I could. Highly recommended.

Side note: - While I understand the all ages appeal of the Bone series; I find it odd that these books get shelved (and buried from a wider range of readers) in the young adult sections of the major chain stores. It would be better to shelve them with Graphic Novels or SciFi/Fantasy.

Jeff Smith's BONE: THE DRAGONSLAYER provides another fine graphic novel in Book 4 of the Bone series. Here the forces of evil are growing - and the roots may be within the Bone family itself. Full-color graphic novel pages entice kids to read the Bone adventures, and even newcomers will find it easy to jump in.

Action, suspense, mystery, with a winning plot and great characters, this beautifully mastered chapter in the bone series is top notch! I can't wait for the next book in the (assumed nine-part) series to come out!