Characters Books

Will there ever be a new edition of this title? It's been ten years. Any info. would be much appreciated.

I'll start this review by saying that, in fact, I haven't read THIS book, but I own Grant's older book from the '80's of the same title (which I bought from a used book seller for $3!), and I assume that this is the same material, but with some new stuff added. I plan to buy this newer book, because I can't wait to see this author's views on the subsequent movies that came out.

John Grant's description of the Disney movies and cartoons is amazingly detailed, and he profiles every character, from Mickey Mouse to obscure supporting characters that most people have forgotten about. While reading the entries, I remembered several movies and cartoons that I had seen as a kid, and forgotten about. It made me want to run out and buy all the old movies on DVD, so I could watch them again and relive this simpler time!

While Grant is definitely a Disney fan, he does look at the movies with a critical eye, and is willing to admit some of the shortcomings they had, including some of the racism that appeared in the earlier films (although I think he was a little too soft on this, which could be seen as insensitive to many people). He also has this charming, very British style of writing, that's addictive to read. Great escapist fun for any Disney fan!

This is almost certainly the best book on Disney animation ever published - it is difficult to think of superlatives that other reviewers haven't already (quite rightly) used in their praise of it. (To the reviewer who complained about the omission of Eega Beeva: Eega Beeva is a character in the comics, not the animated movies.) Astonishingly comprehensive, beautifully illustrated, and written with the kind of stylish wit that makes the mere act of reading the text a joy in itself, the Encyclopedia deserves all the praise that has been heaped on it.

I have only one complaint. This is the third edition, and was published in 1998. Why oh why has there been no subsequent edition? What has gotten into Disney's corporate head that they have not begged Mr. Grant, well known for his extensive writings elsewhere, to bring the story of Disney animation up to date? Such a book is desperately needed!

This is a definite must-have for any Disney fan. The book is divided into three basic sections: Characters in shorts, characters in television shows, and characters in features. Each category has a mention of every Disney character created until 1997 including interesting articles about them. This is also a great place to find information on lesser-known or forgotten Disney characters such as Spike the bee from a number of Donald Duck cartoons and Little Hans, a star of his own wartime propaganda film. Combine this with hundreds of pictures from the films and you have a book that is sure to be a favorite of any Disney fan.

First, while the title of this book is accurate, it is also misleading. This is no fluffy, flimsy book containing some fun descriptions of Disney characters from the latest popular films. This is an intense, in-depth look at EVERY Disney animated character since Walt began his career. The book is divided into two parts, "Shorts" and "Feature Films". The shorts have the usual gang, Donald, Mickey, Goofy, Pluto, and so on. After each characters bio is a list of every Disney short they've appeared in. Don't be worried or fooled by by this truly encyclopedic book - it is not a boring A to Z book. Color photos pop off of every page, including some from rarely seen Disney shorts. The feature films section not only includes detailed character bios, but plot summaries and "making of" details, cast and crew credits, and more. You buy this book, you will have a list of EVERY Disney short ever made (including the early "Alice" shorts and Oswald the Lucky Rabbit), every feature film in chronological order, and enough information about each one to be the champ of any Disney trivia game!

You can't beat the early Rumpole stories. My old paperback of "Rumpole of the Bailey," the first of the books collected in this omnibus edition, had grown so tattered and worn through reading and re-reading that I needed a fresh copy. And the omnibus gives you the two subsequent Rumpole books as well. These early stories really establish all the character traits that make Horace such an unforgettable character, his fearlessness before the bar, his inability to stand up to his wife, his love for small cigars and cheap red wine - Chateau Thames Embankment. The later stories - like those in Omnibus Three, especially -- can sometimes seem flat and tired but here, you get Rumpole in top form. I'm sure I'll read this one to tatters soon enough. Long live Rumpole!

I have read all three Rumpole Omnibuses several times. I ordered an additional set for my mother, a former probate judge. What I find remarkable about John Mortimer's work, is that Rumpole is as engaging at the end of the series as at the beginning. I have also enjoyed Mortimer's three autobiographical books. I read and reread these stories, not as mysteries, but as a series of one act plays, where the dramas are spun out of the interaction of stock characters in the style of commedia dell'arte. Rumpole himself plays the part of the buffoon as barrister: fat, vain, self-centered, addicted to greasy food and cheap wine; but also extremely intelligent, perceptive, and compassionate. As I read more of the stories, Rumpole became less of a stock character and more of actual human being. Unlike Perry Mason, Rumpole does not necessarily win all of his cases. When Rumpole loses, we get to see him go down to cells beneath the Old Bailey, with all of the sounds and smells of prison life, to say goodbye to his former client. The stories are often very funny, but occasionally poignant and even sad.

Finally, John Mortimer is one of the masters of modern English prose. Just read a few paragraphs of any airplane novel (preferably one that has "Code" in the title), and then read a few paragraphs of any Rumpole story, and you will see what I mean. And nobody, including Raymond Chandler, does dialog better than John Mortimer.

Horace Rumpole presents himself as just an Old Bailey hack doing run-of-the-mill burglary defenses and the odd car-heist case. In reality he defends the best in the Anglo-American legal traditions against modern forces (for example, the presumption of innocence) - and this was written 20+ years ago!

Rumpole is the lovable defender of the average man and foe to all stick-in-the-muds. His motto "Never plead guilty." It could just as well be comfort the afflicted and afflict the comfortable. Hilarious, warm, human, touching, self-effacing and ever-ready to pierce the pompous gasbag - that's Rumpole of the Bailey. Start with the First Rumpole Omnibus and work your way through the rest.

Guaranteed to tickle your funny bone and warm your heart.

The First Rumpole Omnibus gathers the material from Rumpole of the Bailey, The Trials of Rumpole (six short stories each), and Rumpole's Return, a novella. All of those books are now out of print and can only be purchased in this Omnibus form. The first several short stories establish some of the long-term status quo for the series. Characters such as Phyllida Trant join the Chambers while others such as Rumpole's old friend George Frobisher leave. Unlike most series, however, the status quo is much more fluid in the world of Rumpole and people marry, have children, move on to become judges, etc.

The writing in this compilation was a bit uneven. The first group of short stories are reasonably entertaining, but nothing that would cause me to become a true fan. The second group of six short stories rounded into form nicely, though, and the humor was much sharper. I found myself chuckling or laughing out loud fairly often at Rumpole's little asides. Basically, it just took Mortimer a few stories to truly find Rumpole's voice.

Unfortunately, the Omnibus is topped off with a novella that is roughly five times the length of the short stories and the quality drops once again. I don't want to overstate the case, it's not a bad read. But it's pretty clear that Mortimer was used to the tighter plotting of the short stories and things wander a bit as he essentially takes plots that would have made up two or three shorts and spreads them out into one novella.

This was my first experience with Rumpole. I had never seen the TV show or read any of the books. While I may not have become his number one fan, I can say that the best stories are truly excellent and the worst are still pretty good. I find myself curious to read the The Second Rumpole Omnibus (Rumpole) and even more so to try the TV adaptation with Leo McKern. I would recommend the book to others, not as rapturously as the most devoted fans, but earnestly nonetheless.

I certainly don't need to review "Rumpole of the Bailey." You know all about it. So, I'll just mention that he's especially good company when you fly. You can read a well-crafted story in what, 30 minutes? Ideal for airports and airplanes. Do this, sit for an hour, do that, sit for another hour, etc.

I read the reviews on how this series was a seminal work in science fiction but I did not fully understand those simple words and I will go further and say that not only is this a Sci-Fi masterpiece but I believe it transcends its genre and gives a treatise on the socioeconomic development of nations and just should be labeled a literary Masterpiece that goes well beyond the 50s future tech that almost seems irrelevant compared to the other plot developments that Dr. Asimov conceived. This book should be required reading for all human beings (maybe even read it to your dog) and you would forever be missing something in your soul if you pass on the opportunity of reading this book.

This is a sci/fi classic and should be on every science fiction lover's read list. Withouyt revealing the plot, life could be so much different than it is now. This is a three book series and another great Asimov tale!

Foundation owes its genesis to young Asimov reading Edward Gibbon's Decline and Fall of the Roman Empire. As the author explains, he started thinking, what would happen if he described the fall of a GALACTIC Empire? Armed with a "science" of history known as psychohistory, Asimov and his editor John W. Campbell set about trying to describe the fall and rebirth of that mythic Empire. While the trilogy (and even the subsequent sequels) did not finish the 1,000-year cycle, enough was described to bring about some rather intriguing fiction.

Asimov, of course, is fond of puzzles involving logic. While logic is rather hazy regarding human behavior (the "Laws of Psychohistory" are deliberately kept off-stage), the characters are nevertheless able to make guesses that fall within the expectations of said logic.

The prime element in the resurrection of the Empire is, of course, Hari Seldon, the greatest psychohistorian in history. Seeing through his equations that the galaxy is about to fall into ruin, Seldon strives to create a "Foundation" which will preserve the wisdom of the old empire when the collapse comes. This Foundation will ensure that, instead of thousands of years of barbarism following the collapse, only 1,000 years will ensue. The Foundation begins harmlessly enough, as a scientific organization, designed to write the "Encyclopedia Galactica," a repository for all the galaxy's knowledge. However, as the Empire falls and the scientists of the Foundation are isolated by the barbarism on the galactic periphery (in a series of "Seldon Crises"), it becomes much more. That is the basic context of the first book in the series.

Seldon also creates a "Second Foundation." The purpose of this organization, located at "Star's End," is to monitor the Seldon plan and make sure the First Foundation comes to no harm in its slow quest to restore the Empire.

If some of this sounds vaguely like Star Wars, you wouldn't be far wrong. Much of that trilogy owes its existence to Asimov's work. The most blatant example is the planet Coruscant, which echoes Asimov's Trantor, the capital world of the Empire, which is an entire world-city.

My favorite book in the Foundation series is Foundation and Empire, because they offer the most opportunity for action and challenge for the Foundation. As the series originally appeared as a series of short stories and novellas in Campbell's Astounding, the "novel" is really two stories. In the first story, the Foundation finds itself facing its first real threat--a strong Empire at the galactic core, with a strong general capable of defeating the Foundation. In the next contest, the Foundation comes up against a telepathic enemy known as "The Mule," who starts mucking about with the Foundation's path toward eventual Empire.

The third book, Second Foundation, describes a search for the "Second Foundation." This search comes in earnest, after the setbacks the First Foundation faced in the second book. Asimov manages to end the stories well, and Asimov manages to keep the reader guessing.

I really enjoyed the series when I read it in high school. The stories were great exercises in logic and managed to provide some sense of adventure. Looking back, I can see some "primitive" technological aspects of Asimov's "Future History," but that takes little away from the story. One innovation for this series was the invention of the pocket calculator (the stories appeared in the early '40s). Asimov took reluctant credit for the invention since, like Heinlein's water bed, he never thought of patenting it.

This is actually an excellent, kid-friendly introduction to science fiction, as it presents a lot of mental puzzles and very little violence. Given the time it was written and Asimov's own literary tastes, it is rather free from violence, sex, or other "adult situations." There have been grander epics, but this is one of the first to appear in science fiction form. Read from the master, and learn.

Twenty Stars ********************

Long before the notion of using a vision of the future to help shape the future, there was Foundation by Isaac Asimov. This popular book and series have undoubtedly played a role in developing the importance of vision in our society in the 50 years since these stories were first written.

The book is also prescient in another way. The current best thinking about problem solving is that scenario-based exercises are the best way to prepare to influence the future. Sure enough, that is what Asimov was talking about with Seldon's forecasting techniques.

If that was all that Asimov accomplished, this would be one of the greatest science fiction novels of all time. But he did even more. He conceptualized the significance of finding offsets to the kind of bureaucratic stalls that can delay progress. While Joseph Heller was inventing Catch 22 to identify the problem, Asimov was already onto the cure. Asimov's solution: a secret second foundation that works behind the scenes without bureaucracy to do the real work of making a difference. In my own research on how change happens in organizations, it is always the stealth activities that work best.

In a sense, any view of history would lead to the same conclusion -- that progress and regression will usually succeed one another in that order. That was the point of Toynbee's work on history. Asimov has made that point very elegantly here.

What I love about this book are the many brilliant philosophical perspectives woven into the story. I wish my philosophy classes had been this interesting!

The drawback of the book is that Asimov is not one to overly polish his writing. So it works, but lacks the beauty we normally associate with great books. Don't let that hold you back.

These ideas and concepts for dealing with them are among the most irresitible ever conceived of for thinking about our futures. As you read and enjoy this wonderful novel, be sure to consider what its lessons are for existing organizations, like the one your work for, the schools your children or grandchildren attend, the government, and volunteer organizations like the Red Cross. You'll be amazed how much more you will get from this book if you do. For this is really a management book, as well as a science fiction book.

This book has constantly inspired me. I hope it will do the same for you!

I still remember being intimidated by this book when I was in grade school. You see, Asimov was what "smart people" read. I also remember the summer that I read the entire trilogy, it was the first time that I was completely immersed in a satisfying, intelligent, alternate reality.

Epic, is the only way to describe this opus. Starting in a Galactic Empire that is starting to slip into decline, then on to the monastic settlement of the Foundation and it's mission to preserve the best of the old civilization, then on to the recivilization of the ruins of the old Empire. If I recall correctly, it takes around 1000 years, but without the foundation it would have meant 10 times more chaos and darkness. It is the sense of mission and purpose that holds the whole thing together. And if you like mysteries and surprises, there is the matter of the Second Foundation....

Asimov wrote this when he was pretty young. He still had an unshakable faith that science could accomplish anything. Indeed, he saw a traditional clockwork universe that a sufficiently great mind, like Hari Seldon, could mathematically unlock. Later on in his writing Asimov matured- until he saw the galaxy itself as a living, evolving organism- a grand Gaia hypothesis.

One other thing, having grown up in New York, I think young Asimov saw himself as Hari Seldon in seeing a decadent and declining civilisation before anyone else. You know, he may just have been right....

I don't usually write reviews, but I found this book too enlightening to not. Getting Into Character is full of excellent ideas and excellent examples. I am in the process of editing my National Novel Writing Month novel using Collins' ideas. Her examples are clear and illuminating. The recommended reading at the back of the book is extensive and well-explained.

I would have liked a little more on creating a good "Level A," but that is my only complaint.

If you write and are in the market to raise your writing to the level of such literary greats as Twain, Austen, Tolstoy, Dickens, Siddons, Dumas, Hugo, Mitchard, Foster, Waller, Martini or Saul, then this is a must have for your research library. From the fingers of Brandilyn Collins comes the experience of a best selling novelist and her adaptation of Method acting director/instructor, Stanislasky's words. Included are samples of contemporary and classic novels teaching you how to push your writing higher. You can learn how to draw the reader to your characters as their story unfolds. Don't miss this one!

An interesting analogy of how writers are like actors and must get into their characters' heads in order to portray them in a convincible style. Filled with good ideas.

This book seemed to be one-half Lajos Egri (The Art of Creative Writing) and one-half John Cleaver (Immediate Fiction). Like both of these authors, Brandilyn Collins explains how to create well-developed, compelling characters that you can let loose in your stories.

All of the author's techniques tie back to Stansislavsky's "Method Acting." Each chapter starts with an analysis of one of techniques of Method Acting. Then that technique is summarized in terms of ficiton writing. The remaining chapter fills in the details and gives examples.

In addition to the techniques of character development, the author presents several narrative frameworks for the overall plotting of the story. She also discusses crafting each scene using character objectives that flow from the character's Inner Values.

The chapter on dialog was interesting. Here, the author shows you how to link the hidden-message of dialog (sub-texting) back to the richly-developed psychological profile, or inner values, of the character.

I liked the book very much - particularly her conceptualization of Method Acting back to narrative writing and her well-explained examples. This book is different than many others describing character development. The author also includes exercises that the reader can pursue.

John Dunbar
Sugar Land, TX

The reviewers have said it all, and yet I feel the need to add my two cents as an author and a 'how-to' book collector.

I struggled with my characters from the beginning and since reading Brandilyn's book I can understand why. Never before have I read a book that gives such explicit examples of how to create characters of depth and motivation.

My copy is dog-eared, highlighted, scribbled, and has lovingly earned a spot on my shelf as a book I could not write without. I can't recommend GETTING INTO CHARACTER enough for new authors and those who think they have nothing more to learn.

We really appreciate the beauty of this series of books as it covers "The Epic of Gilgamesh" in an appropriate and accessible way for our children. We love to use actual historic documents in our study if possible, but the actual epic is too uncomfortably graphic even for our older children, so we use these for everyone as we study Mesopotamia, Sumer and Babylon. There are not many books that cover these Near East cultures, which makes this set especially valuable. Along with "Our Young Folks' Josephus" as our history spine, "Science in Ancient Mesopotamia" and "Ancient Egyptians and their Neighbors: An Activity Guide (covering Hittites, Nubians, Mesopopotamians and Egyptians) this series helps considerably to round out our ancient history studies and to teach our children about one of the most ancient tales in the world in a beautifully engaging way.

If you are studying ancient history with your elementary student, you must read this series of Gilgamesh books by Ms. Zeman. This one is the first of 3. It is a great story of love, loyalty, and greatness, the oldest written story in the world, and is wonderfully illustrated. I orginally borrowed them from our local library and then purchased them because my 6 year old loved them so much.

While this version is certainly accessible to children, I don't agree with many of the liberties the author took with any of these stories in the series. The many translations out there for adults at least attempt to stay true to the story. I regret that I cannot share these more accurate versions with my younger kids because of the description of at least one particular excerpt; I've had to settle for these. I believe if a person is going to adapt a classic to suit children that one should keep true to the story as best as possible, not adding and creating their own useless elements to the story. The Epic itself is wonderful, but I am still looking for an appropriate version that retains most of the original elements. I do appreciate the efforts of the author to share this amazing story with children.

Gilgamesh the King:

"Gilgamesh was part god and part man. He looked human, but he did not know what it was to be human." And that was his trouble, for he lacked empathy and forced his people to build a monument to his pride in the form of a huge wall.

The people sought help from the Sun God who ordered that a man Gilgamesh's equal be created. When Gilgamesh is told of this wild man, Enkidu, "the strongest man in the world," he seeks to destroy him.

Will the people of Uruk ever have rest from their toils? Can Enkidu survive?

Recommended for eight to twelve year olds, this book is the first in a three part series. The illustrations are done Mesopotamian style and add to the story. An author's note on the last page gives some back-ground information on the story of Mesopotamia, Uruk, and how the tale of Gilgamesh came down to us.

The Revenge of Ishtar

The Last Quest of Gilgamesh

Gilgamesh the King, The Return of Ishtar, and The Last Quest of Gilgamesh are exceedingly well-written and show many different themes and life lessons. The themes of friendship, revenge, good vs. evil, ambition, and immortality. But I think the most essential, underlying message is about love. Enkidu shows love to Shamhat and Gilgamesh, Gilgamesh shows love to Enkidu and his city, Shamhat shows love to Enkidu, and the city shows love to Gilgamesh, Enkidu and Shamhat! Love is woven into the theme of eternal life. I think these stories would be fabulous for anybody but recommended for 5-12. I am in middle school and we are reading these stories in class. I enjoyed these stories tremendously. So if you want to teach your children about death or love or friendship, these would be the ultimate choice.

My kids were both traumatised by Chicken pox, and this has enabled them to laugh about the whole experience. It is a very clever rhyming book which kids of all ages will love and the reference to other nursery rhymes makes it a throughly entertaining read.

This book is so clever! The book is fun to read b/c it rhymes, it has characters from nursery rhymes and it gives kids an introduction into the world of chickenpox. This book is a familiy favorite!

Me and my almost 3 year old daughter LOVE this book. She's never had the chicken pox, but even so, it's such great writing and cool pictures! I highly recomend it. My daughter begs me to read it to her every night! I wish the author/illustrater would team up for more books like this one!

This book is so cute. Goldie Locks has chicken pox and her little brother won't leave her alone. There are some familiar faces that drop by to check on Goldie and brother gets a little bit jealous.
Mamma Bear assures Goldie's mom that Baby Bear is fine because bears can't get chicken pox. Henny Penny comes by to let the Lock's that the sky is falling. Jack Be Nimble wants to play with Goldie but her dad doesn't think it's such a good idea. Little Bo Peep has stopped by to see if she can find her sheep and Little Red Riding Hood wants some company on the way to her grandmother's house.
It is a very contemporary book with humor and intrigue. Goldie's brother just can't stop teasing her. He wants to connect her dots and wants to know why she can have ice cream and treats and he can't. At the end of the story however, he ends up with some very mysterious spots.
This poem will make children laugh and get them excited because they will recognize other characters form other nursery rhymes. They will also be able to relate to Goldie if they have ever had chicken pox themselves. It is a very cute and simply entertaining story for children to enjoy.

This is a hilarious and fun read, perfect for preschoolers and beginner readers. Goldie Locks comes down with chicken pox and goes through the phases of the illness - the fever, the itching and scratching, even the pesky younger sibling! And she is visited by familiar nursery rhyme characters - Jack of Jack Be Nimble, Little Bo Beep, Red Riding Hood etc. The text is written in rhyming style and makes for an enjoyable reading experience. The illustrations are colorful and gorgeously detailed. My 3.5 year-old enjoyed this immensely and I bet lots of other readers will agree!

I have all of the Princess School books and all of them are great! I liked If the Shoe Fits because it tells about 4 friends who are princesses and are just like other girls. I love it!!!!!!!

This book is so good. I'm 12, almost 13, but I like reading fantasy books. I found this book in my school computer lab and started reading it. I hope to read the others. It looks like a book for 6 years old, but it's not. It's great for all ages!

This book is about a girl, Cinderella, who has to deal with her evil stepsisters and stepmother while attending a school, called Princess School. Her two stepsisters attend the school and try to make her life and her classmates' a living hell. Luckily, she meets 3 other girls, Snow, Rapunzel, and Rose, who are the only nice girls from her class. They help her get through her classes while Ella must do all the dirty work at home. Plus, I love the ending!

This was an awesome book. Like most people, i wish Ella was brunette. I guess disney made her blonde in the movie. My favorite character is Rose, though. They didn't have a whole ton of her. I've read the first three books, but I've started the fourth. When i picked it up, i though i was too old to read it, but i was wrong. It's great for all ages!

I've read every book in the series and am impatient for 'Thorn in Her Side'. This one is my favourite because Rapunzel's my favourite out of the four girls, and it has a lot of Val/Rapunzel moments. :-)

I'm 16 and loved this book. My sister (age 10) was reading it and the title caught yy eye so I picked it up. It's really cute and it stresses great values such as indiviuality and friendship. I found that this book made the princesses more like real girls and gives them the opportunity to relate to them better. It was good and I recommend it really for anyone who is a princess at heart.

I purchased the book at a conference several years ago. I thought it was about "mid-life" crisis and maybe I could use it to help someone else. Paul Tripp touches every aspect of aging, mental, physical, and emotional. I have bought the book for every friend I have over 40. I recommend it highly. It was delightful, insightful, and unbelievably encouraging to me.

The author is a man who has lived life into his latter 50's and has experienced much. He understands life and uses spiritual wisdom from years of studying GOD's word, examining himself by its teachings, and applying its wisdom to his own life. What results is a book that opened my heart and showed me what 'mid-life crisis' really is; a 'crisis of the heart'. It's about interpreting my world, life, and heart in view of the truth, not my feelings or perceptions; but GOD's truth. It is a book that is, at times, painful to read because it forces you to face your real problem (yourself), but is written with wit, humour, in a conversational one-on-one at the cafe tone, and above all, IT PRESENTS A LOT OF HOPE AND ENCOURAGEMENT! A must read for the Christian in particular, or anyone who is seeking to understand their inner person in the midst of mid-life struggles of the heart.

This book was excellent. It was just what I needed to read at this time. It is helpful to know when other people have had the same thoughts and feelings as you are having or have had and didn't fully understand them. I would highly recommend this book to anyone middle aged or older whose kids have moved on and are retired and not sure what to do now. I see now that there are a lot of people that are experiencing these same things.
There are also a lot of good examples of how others have handled hard times and turned them into something positive by trusting in the Bible, God's Word to us.

This is probably the most practical Christian "self-help" book I've read. It brings to focus things that long-term Christians know, but don't dwell on. If you are a believer, after reading this book your focus on life will be altered. I would recommend it for anyone. Not just those of us who are ( or were ) lost in the middle.

Paul David Tripp's book starts by describing three main triggers of mid-life malaise - mortality, regret, and broken dreams - and then walks through practical and biblically-based strategies for understanding, healing, hope, and renewal. He shares some unique insights, such as the purpose and misuse of our God-given abilities of imagination, and society's failure to define the various stages that constitute what we oversimplify as "adulthood". Although the book is long-winded, Tripp is a lively and eloquent writer, and uses thematic analogies and the stories of several individuals to illustrate his points and hold the reader's attention. I also appreciate his careful avoidance of overusing scriptual texts; when he does turn to scripture, the passage is directly appropriate and fully developed. On the whole, the book is well-suited to the person lost in their own mid-life situation, is chock-full of insights, inspiration, and practical recommendations, and is an excellent traveling companion for the journey to significance and meaning in the "second half" of life.

After months of "patiently" waiting for this title to come out in paperback, my almost 10 year old was thrilled to see its delivery from the UPS man. He LOVED this book, as he has the previous books and thinks they should all be made into movies and/or tv shows. He reads every night before bed, but usually only for about 20 minutes before falling fast asleep. With this book, he was up 2 hours after "lights-out" not wanting to put it down. Now he begins the wait for the next installment to be available in paperback.

I absolutely love this series. I have read them all but book 6, and can't wait for it to be released. I can see this series becoming very popular.

The 5th book is wonderful, but the end bit, which has to do with the Scarlet Hand, is extremely confusing. Furthermore, the 6th book (yes, its out!)has a plot that doesnt really match up with the 5th. Still, its an extremely compelling read, I suggest that you buy it!

I am sure that I am not the target market for this series, as I will turn 56 in less than a week. In spite of that I have to say that I love this series of books. The sisters and their extended family keep me entertained, crying and rolling on the floor with laughter.
I recently discovered these books when reading a newspaper article about the frenzy around the release of the sixth book.

I was a huge fan of the Harry Potter books and since there probably will never be another one am glad to find a replacement that is just as good and sometimes better.

I can't wait for the 7th installment, to find out what myths and fairy tale stories will have new light shed on them.

The adventures never seem to end for fairy-tale detectives Sabrina and Daphne Grimm. This time they are investigating a series of thefts of magical items like Baba Yaga's Wand of Merlin, Morgan le Fay's Wonder Clock, and water from the Fountain of Youth. Usually Granny Relda and Mr. Canis help them solve mysteries, but Sabrina and Daphne are pretty much on their own this time. Granny Relda is busy trying to raise money to pay her property tax and Mr. Canis is finding it harder and harder to stop turning into the Big Bad Wolf. Will Sabrina and Daphne be able to find the thief before they run out of time?

"Magic and Other Misdemeanors" is another great entry in Michael Buckley's delightful "The Sisters Grimm" fairy-tale detective series. Sabrina and Daphne continue to grow as characters in each book, especially Sabrina, 12 years old by the end of the book and not nearly as angry as she was in the earlier books. Buckley does a great job of incorporating fairy tale and other legendary characters such as Cinderella, Goldilocks, some of the seven dwarfs, the Queen of Hearts, the Sheriff of Nottingham, and many more. It's always fun to see how he tweaks the various characters - for example, Puss `N Boots is an exterminator, Cinderella hosts a radio talk show called The Dr. Cindy Show, and the witch from Hansel and Gretel is a (not very good) dentist. There's a wonderful sense of humor throughout the book (the magic mirror's computer still being on dial-up and Granny Relda's "recipes" are just two examples of that humor). There are some scary moments, but nothing too frightening. The reason for the theft of the magical items has been done before, but Buckley somehow makes it seem fresh.

"Magic and Other Misdemeanors" is aimed at ages 9 - 12, but readers young and old will enjoy it.

This is my first ever James Bond novel, I can't remember if I saw the movie. This is a thinking person's spy story with few gimmicks but great finesse and ingenuity. Fleming fascinated millions with his suave 007 personality and his missions against villains who were larger than life and twice as nasty.
The pace is slow, a good armchair read with a briar pipe in hand. An entire new generation will find the foreshadowing deep and miss the absence of the now classic action adventure. But Fleming's astute writing style will continue to attack new fans who enjoy a good story well told.
Nash Black, author of TRAVELERS and SINS OF THE FATHERS.

James Bond is still hunting for Blofeld. After a year Bond thinks he is useless, and wants to quit. In Italy he saves a girl who was trying to kill herself. This leads to a relationship, and Bond learns that she is the daughter of a high ranking Italian gangster.

He has info on Blofeld. He is in Switzerland running a finishing school type or organisation, after having undergone plastic surgery. It is really a brainwashing organisation to get women to basically be terrorist weapon carriers.

Bond infiltrates Blofeld's organisation, gets out of there, and here Tracy helps him out.

He asks her to marry him, and she agrees.

Bond, with some of Tracy's dads' men, assaults Blofeld's organisation, but the supervillain gets away again, and has a nasty surprise waiting at Bond's wedding.

This is definitely one of the better Bonds since, like CASINO ROYALE and FROM RUSSIA WITH LOVE, the more formulaic elements are so well integrated in the story.

What I loved about FROM RUSSIA WITH LOVE was that the obligatory romance was the actual scheme of SMERSH to ensnare and kill 007. The characters were well-drawn and Bond doesn't come off as such an indestructible superman. His heart is broken in CASINO ROYALE, confused in FROM RUSSIA WITH LOVE and then shattered in ON HER MAJESTY'S SECRET SERVICE. (It's also very cool that we learn that Bond annually visits the grave of Vesper Lynd as well as still checks into Casino Royale as well).

We meet Ernst Stavro Blofeld again, not because of some grandiose world-conquering plot, but because he wants the respect and nobility of a title. The College of Arms angle of the story should be the dullest part of the story but Fleming actually makes it interesting by revealing the desire of everyone--except James Bond--to be "somebody."

The biological warfare passages may seem dated but I like revisiting the 007 books while keeping them in context: they must have been fantastic reads in the 1950s and 1960s. These books really anticipated the very modern threat of what Fleming referred to as "the man with the suitcase"...which contains an atomic device. Blofeld's plot in this book to attack England through its livestock with a virus is certainly something to think about in this day of Mad Cow and Bird Flu epidemics.

Although I'm only quibbling, I wished there had been more development between Bond and Tracy, the only woman to ever become Mrs. James Bond. After reading the novel, I felt as if I saw more of her in the movie! (The movie version of OHMSS is also one of the best).

I recently started reading all of the Bond novels and overall have enjoyed them a lot. While Flemings writing style is consistently solid the plots and characters differ greatly. On Her Majesty's Secret Service (number 11 in the series) shares with Casino Royale the title of My Favorite Bond Novel.

The plot is interesting and not *too* far-fetched (for a bond book - some are very cheesy), the characters are very likable and Fleming really nails the mood of "European decadence". This book, like Casino Royale and a few others metes out a healthy serving of bond's classic vices laced with action.

If you like less-than-serious action novels, then I would highly recommend this. Perfect for a long flight or drive

Among the titles of Ian Fleming's James Bond novels, I'd have to say that On Her Majesty's Secret Service is my least favorite, with neither the brevity of a Dr. No or Goldfinger nor the plot descriptive nature of The Man with the Golden Gun or From Russia with Love. Even if I dislike the title, however, this is one of Fleming's best Bond books.

The story opens around a year after the events of Thunderball (the intervening book, The Spy Who Loved Me, is not even mentioned). The villain in that book, Ernst Stavro Blofeld, the mastermind behind SPECTRE, has been in hiding and James Bond is trying to seek him out. It is a more-or-less futile assignment and Bond is disillusioned enough to consider quitting. Before submitting his resignation letter, however, he takes a break at a casino. During this mini-vacation, he performs a chivalrous act to save a beautiful countess from embarrassment; she in turns, rewards him in her own special way.

This countess, familiarly named Tracy, is also the daughter of a genial but ruthless mob boss who Bond winds up (pardon the pun) bonding with. The boss, Marc-Ange, realizes that his daughter is troubled (in fact, suicidal), but that Bond may be able to help her by marrying her. Bond is not willing to do that, but is willing to see her again after she gets treatment. In the meanwhile, Marc-Ange gives Bond a lead on Blofeld.

Blofeld has holed himself up in the Swiss Alps, where extradition is nearly impossible. Bond goes undercover, hoping to lure Blofeld into Germany where he can be arrested. While there, he stumbles upon a strange plot that seems to involve young women seeking treatment for allergies. What Blofeld's scheme is goes beyond Bond's expertise, but the superspy will have more immediate problems as his cover is threatened.

Eventually, Tracy gets back into the mix, which adds another level to the story. Bond versus Blofeld is good, but at long last, Bond meets a woman who he can truly love. Since the first Bond book, Casino Royale, when Bond found himself betrayed by a lover, he has never been willing to truly risk emotional attachment. This time he does, and this adds an extra depth to this particular novel.

On Her Majesty's Secret Service is the middle part of what I think of as the Blofeld Trilogy, which started with Thunderball and concludes with You Only Live Twice, so it may not be the best Bond book to start with. For Bond fans, however, this book is a treat and one of the very best that Fleming wrote.