Characters Books

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.

Just like The Winter Child and The Faeries of Spring Cottage this is very lovely book. Both adults and children will enjoy the pictures and lovely story. This is a must have for all children and Froudians.

Wendy Froud is every bit the genius as her husband. This book is absolutly enchanting. Her dolls and her vision coupled with Terry Windling's adorable story create a world that young and old will want to escape to time and again. A must have for all fans of Frouds and faeries.

An excellent book for children. My daughter loved the heroic faery. The illustrations are first rate. After getting this book for my little girl, I tried out Terri Windling's "The Wood Wife" which is written for more adult readers. I am glad I stumbled onto Ms. Windling's work. Both books were excellent. She is a very good story teller.

Sneezle, you ask? What exactly is a Sneezle? Well, Sneezle is our little root faery hero, that's who! This is a wonderful book with a very good lesson that teaches us that everyone in life has been put here for a reason. Sometimes it may seem that certain people in life have better luck, are more beautiful, are thinner, have a better voice, etc but this book shows us that there is something special in everyone, even when we least expect it. Sneezle shows us that the pure of heart will always prevail over the forces of evil.

The artwork in this book is also PHENOMINAL (please forgive me if my spelling is incorrect.) Every time I look at the pictures, I find something new. The creatures, the landscapes, the settings are all GLORIOUS! Although this is a "children's" book, I highly recommend it for both the young and old at heart.

The book refers all to faeries, the story is good but what I was interested on was the art. Wendy Froud created the dolls for the story and since my interest is doll making, this was a great book full of details. She has another book named "The Winter Child" in which she uses the same dolls but there is different story line. If you are interested in books with great pictures, this is the one or if you enjoy reading good stories to children you will greatly enjoy it. Wendy Froud is the wife of Bryan Froud the great illustrator of "Good Faeries, Bad Faeries" and "The Faeries' Oracle".

We purchased twenty copies which we used as a text book for a 13 week class at church, mixed men and women. The thrust of the class was to help the students know what is involved in finding, mentoring, teaching, and releasing a disciple in a one-on-one long term committed relationship. The book made a good back drop for the course in so far as it gave us a track to run on, since none of us had taught this subject before. As the teacher, I found several of the chapters to be spot on target and I used them pretty much exclusively for about half the course. Other chapters however were either weaker in content or just didn't cut to the specific deliverable I wanted to get across, so I supplemented with independent material. Several of my students had gone to the church website (Xenos) to check it out and were a little worried about the "casual" approach to ministering. Our church takes a more conservative approach and some behaviors that are considered culturally permissible, like smoking, course language, etc. we tend to frown on and believe the Holy Spirit through the process of Sanctification will cleanse the mature believer of. We therefore don't condone or model those behaviors in an attempt to woo the non or immature believer into sticking with us. Fortunately almost none of this came out in the book. Moreover, the book (and Xenos fellowship) rely heavily on "cell churches" which we also do not subscribe to. This method did come out in the book and so I had to customize the content for my class when it did. This was not a problem though. All in all, I'm glad I chose the book because it lived up to its "organic" name. That is, it got right to the heart of mentoring one on one, as opposed to many books I've seen that are more "clinical" or targeted to my own discipleship and walk with the Lord. This book definitely got us into the messy "human-ness" of one man pouring his life into another man, or woman to woman.

I really liked the book. It had the right theological framework necessary to grow God's people and care for the flock as well as providing very practical advise for helping those that want to engage in discipleship at different levels.

I found the section on professional counseling rather difficult. I lean toward Biblical counseling which empowers God's people to counsel at different levels. I cringe at the advise most people get when they see psychiatrists. The problem is real, however. You were brave enough to speak about it. I would think something not so sophisticated speaking about this might be more appropriate for the readers of this book.

Your section on quality conversation and friendship making will surely be helpful to some.

It is a good basic book that helps people trying to make discipleship work in their cell groups.
I already started talking about your book and will pass it on to some of our pastors

For a number of years now I've been working on a practical how-to book on discipleship. Dennis McCallum has beaten me to the punch with Organic Disciple Making. He's written the most practical book on how to disciple people I've ever read.

Time and time again I find myself saying, "Yup, he nailed that one; that's how it works." For example, early on the book covers the subject of modeling and its key role in making disciples. Later it delves into the practical questions of how you counsel and disciple through various issues or how you deal with blocks in their development.

For example McCallum distinguishes the difference between weakness and resistance and the appropriate response of a disciple maker. A disciple struggling with weakness generally needs encouragement, whereas a disciple who is resistant often needs confrontation and possibly discipline.

I loved that the book had a whole section on coaching and I loved that its counsel is both biblically grounded and rooted in the everyday experience of someone who leads 250 home churches. I've read so many books on discipleship and few drill down to address the questions ordinary people have as they struggle to help their disciples grow.

All of us who have committed ourselves to following Jesus and representing his name need to learn how to make disciples. It was the last thing he asked us to do before leaving the earth. If you as a Jesus-follower feel like you need help in learning how to do this in a way that feels natural, do yourself a favor and get Organic Disciple Making.

If you want to make a lasting impact for Jesus Christ, this book is a must. McCallum and Lowery give Biblical, insightful, and practical ideas on how to promote and achieve Chritian formation in others. Not many have the gifting to lead thousands. Very few are effective at preaching to hundreds. Yet helping disciple one or two other Christians is something every Christian can do.

In the long tradition of The Lost Art of Disciple Making, Multiplying Disciples, and Disciples Are Made, Not Born, Organic Disciplemaking: How to promote Christian leadership development through personal relationships, biblical discipleship, mentoring, and Christian community is designed to do more than tell about the need for making disciples of Jesus. This is a book that painstakingly provides a path from start to finish.

This book has the potential to be used by small group coaches to disciple and develop small group leaders. With today's small group ministries launching groups with leaders just a step ahead of their members, this could be a very helpful resource providing a pathway for mentoring.

In its pages you will find more than stories of how it's working at Xenos. You'll also find the practical steps needed to begin a disciplemaking ministry in your own church. More importantly, you may find the inspiration to look for one life to pour into. After all, that is the point.

I've worked my way through this entire series now, and while the first dozen or so (this is no. 23) were generally well done -- good, reasonably accurate descriptions of London of the 1880s, pointed contrast between Society's drawing rooms and the miserable existence of the laboring classes, vivid character development of both working cops and the elite -- the last few have shown a definite decline. Thomas Pitt, Inspector and then Superintendent at the Bow Street station, and a both very talented and highly empathic detective, has now been stripped of his position by the Forces of Evil (the entirely fictional and extremely melodramatic "Inner Circle") and dumped in the lap of Special Branch, where he's beginning to learn how to be a secret policeman instead of a public one. The "Seven Dials" area of London is a pretty minor player in this one, too; the author should have called it "Alexandria," because that's where Pitt is sent to gather information on a beautiful and patriotic Egyptian woman living in London who is caught red-handed wheeling a dead bottom through her back garden in a wheelbarrow. Also implicated is a high Foreign Office official, which is how Pitt and his "M"-like boss, Narraway, get involved. If the details of the motive for the murder become public, the government could fall, Egypt could erupt in revolt, and Suez might even be lost. Can't have that, right? The action is low-key, the plot development takes its time, and the reader will enjoy the scenery, both internal and external. At least The Inner Circle manages not to appear this time, and it's fun watching Pitt trying to deal with a totally foreign milieu -- even though Perry could have spent a lot more time painting its details.

I never really liked political anything, even in Anne Perry, but I could not put this one down. I finished it in one day. She did not disappoint me!!!! Thanks Anne

elizabeth cohen

Classic murder mysteries rely heavily for both their effectiveness and their appeal on a "slight of hands," and one of the tricks is a set of characters in whom one can become interested enough to relate to them in some way. Another is to create an ambiance that arrests the attention and keeps it. Anne Perry has a great knack for creating both memorable characters and an interesting stage on which they play out their roles in the story.

Her Seven Dials is an amazing recreation of Victorian England in the earlier days of the queen's reign. The era is young yet, and the political turmoil that will set the stage for World War I and the social changes it brings is just beginning. Some of the older characters can remember the Napoleon wars. Thomas and Charlotte Pitt are paradigms of lower middle class life in the period, with their fate in the hands of Thomas's mentor in the Secret Service, Victor Narroway, and their maid servant and her beau, Samuel Tellman, in theirs. The interactions among all of the characters gives as much a feeling for the period as does the mention of hansom cabs, harnesses, and horse manure in the streets. Even the yellow skies and the chocking, smog filled London streets is classic for the era.

Perry's characters are charming and detailed, each a work of art in them selves. The maidservant is spunky, savvy and sensitive, used to the school of hard knocks, and her friend Tellman is gruff, masculine in an "old fashioned" sort of way, and smarts under the unfairness of social inequality and the period's newly arising sense of social empowerment. The stiff, formal society in which Charlotte Pitt grew up and still has family is faced with an erosion of their privileges and with a growing sense that they are on the threshold of major change. They are like dinosaurs waiting for the asteroid to strike them.

All of this sets the background for a puzzling murder of a man who should not really have been where he was at all and certainly not dead. The central characters push forward in an attempt to make sense of the confusing, almost irrational facts. It is this irrationality that is part of the slight of hands. Eventually Pitt must go to Egypt to unravel the mystery by back tracking the murdered man and his alleged murderess.

The venue in Egypt is Alexandria, a city to which I have been about three or four times. The descriptions of Victorian Alexandria might still easily pass for today, although the city today is more Western than Cairo and much more so than Thebes. The description of the rug suq was definitely memorable. The quarrel that leads to a small riot in the book reminded me of the minor violence that occurred among men there and in Cairo in the few days before Sadat was assassinated. Like the brewing sense of political unrest in the book, here too, everyone felt the tension in the air; everyone knew that something was afoot, but no one knew what was about to happen. It was a very tense time, and so was Pitt's Egypt.

I can not for the life of me understand the author's description of malaquia, an Egyptian soup--which I refer to as "frog-pond"--made for special occasions, as "delicious." I found it slimy and green. The latter I could handle, the former I couldn't. The mention of the sound of what seemed like crickets to Pitt, also brings back memories. Actually the sound is not crickets but a similar one made by small frogs in the canals and on the banks of the Nile. It's very restful. All in all, Pitt's trip to Egypt was as memorable for me as for him.

A delightful mystery.

Anne Perry doesn't disappoint in this recorded book. Read well, and easily one for the bookshelf.

Very descriptive and historically accurate. You'll love her vivid pictures of Alexandria. Egypt comes alive. I'm a harsh critic but this work bowled me over.

Very good book to start reading about a people and a time that is hard to research and investigate.I think the author presented a very good account of the Sumerians and in a clear and concise manner.Excellent book!

An extremely rich series of tableaus of a fascinating cvilization in all its past glorious history. The author is a superb writer. And this book is a treasure...almost all the vital aspects of Sumer are depicted with bright colors:...religion...culture, way of life...society..ideology...history and fascinating stories..It is rich rich rich. No library on history and civilizations is complete without this book! Really a rare gem!!

Kramer provides a brief survey of the history of ancient Sumer. Even though this book is listed as archeology, he gleans most of his narrative from literary sources. It includes a history of the area from early dynastic times down to the time of Hammurabi, as well essays on Sumerian literature, education, religion, and so forth. Kramer writes very elegantly and includes a large collection of primary sources, making this book, despite its age, one of the best on its subject. On the other hand, it is a rather old book, and there are some subjects where Kramer's interpretations do not seem to have been accepted by more recent scholars, for instance his theories about Magan, Meluhha, and Dilmun. Despite this, his book is a good introduction to the history of Sumer, worthy of a read by anyone who is or thinks they might be interested in the subject.

Kramer, one time the world's leading Sumerian epigrapher, does a remarkable job here of clearly explaining concepts and developments to a nonspecialized reading audience. In this regard, I found much in this book about both the general mechanisms of writing as well as the actual inscriptions themselves to be extremely useful when I wrote my own book (Wetlands of Mass Destruction: Ancient Presage for Contemporary Ecocide in Southern Iraq). It is a rare academic who can move between the writing of technical journal articles and of books for the educated lay public, something in which Kramer, regardless of how dated specialists may now find his work, excelled at.

The Sumerians is a very interesting book about ancient Mesopotamia and Sumerian civilisation.
One of biggest mysteries of the world is the development of human culture and civilisation, for many decades scholars believed that first writing system was invented in Egypt but excavation in Mesopotamia showed a different picture and tablets found in that area dated back to 3000 BC and recent excavation in Iran revealed tablets(proto Elamit found in Jiroft area) dated 200 years before Sumerian tablets.
The book gives a good insight to Sumerian daily life, Sumerian law,religion and Sumerian gods, mathematical school tablets(dated 2500 BC) which includes multiplications, squares, square roots, cubes
And many other amazing information about medicine(prescriptions to make herbal medicine) .
This is a very good book with lots of information and easy to read and
good value for money.

This series is great and this was another chapter in the ongoing story of Maturin and Aubrey. Their adventures are of another world and provide a great contrast to other books.

This entry in the Aubrey-Maturin seagoing saga was probably my least favorite that I've read so far in this series. My quibble was with the novel's plot, which was pretty thin and derivative of other action novels and movies. And Diana Villiers, Dr. Maturin's love, is starting to remind of the character of Irenee in The Forsythe Saga. Everyone is always talking about how fascinating she is, but darned if I can see why. On the plus side, as always O'Brian serves up amazing historical details and makes Jack and Stephen witty and real. And the on-going story of their lives advances to a very eye-opening and surprising ending. So you can bet I'll look forward to the next installment of this series.

The focus is on Stephen Maturin in this seventh installment of the Aubrey-Maturin series, which, though it isn't the best or most exciting of the first seven books, is still a ripping good read. Returning to England following their escapades in North America, Aubrey and Maturin try to settle into life at home -- Jack with his family and Stephen with his scientific pursuits -- but their pasts catch up with them, compelling them to join forces for a spur-of-the-moment mission to the Baltic. Will they succeed? Will they overcome the old problems that dog them? And just who is the surgeon's mate? Read this tale of spying, diplomacy, and (of course!) naval combat to find out.

Patrick O'Brian's scope of imagination is staggering. We are now into the seventh book in his series, and Captain "Lucky Jack" Aubrey and surgeon/naturalist/spy Stephen Maturin continue to find themselves in realistic-yet-dire circumstances of a personal, military, and intelligence nature. Through it all, these two characters never seem like invincible juggernauts, but instead very human, very capable men living by the best their wits and luck can offer.

At the outset of the novel, Aubrey and Maturin need to flee the New World for the old, but find themselves hard-pressed to do so. Thanks to Dr. Maturin's single-handed destruction of French spy networks in Boston (including a wee bit of murder), a wealthy intelligence figure hires ships to track down the fleeing Maturin. The result is a thrilling chase off Nova Scotia and the nearby waters - while I prefer Aubrey's sinking of the Dutch 74 the Waakzamheid in "Desolation Island," this chase is one of the most thrilling in the series so far.

And the joys of this novel don't stop there. O'Brian once again finds various ways to inject humor into his novel. Dr. Maturin hits a personal and professional high (as a naturalist) when he gets the chance to address a body of learned scientists in Paris . . . only to bungle the presentation horribly. Aubrey allows himself to be seduced by a wanton woman while celebrating his escape from the jail in Boston, and is confronted with news of the natural biological result of such a transgression. Maturin and Aubrey are accompanied on many of their adventures in "SM" by the Swedish captain Jagiello, a supremely attractive young man, and Aubrey finds himself at a loss as to why the women fall all over themselves for this young buck when they could have a sailor "with the handsomest set of whiskers in the fleet." There are joys in this novel that you just don't find in most swashbuckling thrillers.

But at its heart, "SM" is an adventure yarn, and O'Brian does not disappoint. In a story that sweeps from the New World to Paris to Denmark to the infamous Temple Prison back in France, Aubrey and Maturin find themselves thrown from one pan into another fire. And God bless them for it!

Confession time. THE SURGEON'S MATE is the fifth book in the "Aubrey/Maturin Series" of seafaring novels that I have completed; however, it is the seventh book in the logical series order. Having subscribed to receive the entire series, I began reading the books in the order that they arrived, assuming that the publisher would send them in proper sequence. Such turns out not to have been the case, and some of my discontent with other volumes I have reviewed derived from the fact that I had missed some events because of reading the books out of order. Allow my experience to stand as evidence that, for maximum enjoyment and even comprehension, these books should be approached in their logical sequence.

I have now edited those earlier reviews to correct any misstatements as to the books' places in the sequence of novels and have removed comments pertaining to missing events that actually were addressed in preceding volumes. Nonetheless, I find that my overall assessments of the books remain unaltered. I feel that Richard Russ (Patrick O'Brian's real name) is essentially a "three star" author. When he writes of naval engagements aboard men-of-war, sloops, frigates, and the other fighting ships whose maneuvering capabilities are largely at the whim of the prevailing winds, he is a most engaging author. However, when he delves into the interpersonal relationships of his characters, he is less successful in engaging his readers.

Two other continuing weaknesses in Russ' writing are his heavy use of now-archaic seafaring terminology that often clouds the meaning of the passage and his frustrating lack of time transitions. The first problem could have been alleviated by judicious use of explanatory footnotes. The latter could have been corrected by use of transitional commentary. As it is, however, in one sentence, the captain may call for one of his officers, and in the very next sentence he is speaking to that officer. It is as though a time warp has occurred and the officer has materialized next to his captain at the very moment he is called for. This annoying truncation of time appears in each of the five volumes I have read thus far, and I fear it is a weakness to which the author is blind and may well continue throughout the series.

By itself, THE SURGEON'S MATE, while subject to the general criticisms I have mentioned, is, by and large, readable and engaging. Is Russ/O'Brian improving as he writes additional volumes, or am I becoming accustomed to his style and more accepting of it? In either event, I found this volume a much faster and more intriguing read than some of the others I have already encountered. The single most perplexing thing about this book is its title. There is no focus on any "surgeon's mate" whatsoever, and where Russ/O'Brian found his inspiration for the title remains a murky mystery! (Some reviewers have identified the title as referring to the character of Dr. Stephen Maturin; however, he has hitherto been described as being much more than a naval surgeon, being a skilled physician while a naval surgeon was essentially limited to chopping off shattered limbs. If this is indeed Russ/O'Brian's intent, then his choice of title essentially demotes Maturin from his former position, which is not, I think, the author's intent.)

If, gentle reader, you are determined to read the entire Aubrey-Maturin series of novels, you will certainly not want to miss this one. However, you will perhaps enjoy it most if you have read the preceding six volumes first. On the other hand, if one is interested in merely sampling Russ/O'Brian's work, this would not be a bad example to choose, although I would still suggest reading at least the first work, MASTER AND COMMANDER, before delving into any of the succeeding books, including this one.

I luv Trixie Belden books. I started reading them when i was bored and now i read them all the time!! lol! Well anyway, trixie was gonna be bored all summer w/ out her older brothers. then some rich guy moves in next door and has a daughter. She and trixie become the best of friends. Then they find a runaway kid. And it gets way more interesting. so u better go and read what happens next!

I also read these books as a child and agree that they are engrossing and wonderful for a child to read. These books are hard to find since they are out of print now, but I have been lucky enough to purchase some, and my daughter loves them. What a great read. If you have kids, a great book for any pre-teen girl is the Belden series, or the Donna Parker series.

This book is the direct sequel to Trixie Belden and the Secret of the Mansion, which really must be read first. On the quest to find Jim -- on the lam from his evil stepfather Jonsey -- Trixie, Honey, and Miss Trask arrive in the Autoville trailer park, and the girls eventually find the dual mysteries of Jim's whereabouts and a stolen red trailer converging in one area of countryside. The Red Trailer Mystery does get confusing and could have used a map, but the author summarizes the action periodically, and it sounds natural and helps develop the reader's comprehension and critical thinking.

I think this series gave me an appreciation in my adult life for the benefits of family, community, and enduring friendships.

I was first introduced to the Trixie Belden series a couple of years ago with this book, and while I don't remember all the details of the books, I know it is an intriguing mystery! I have never enjoyed mysteries much, but the Trixie Belden books are a winner with me. My mom found this one at the library and I wouldn't touch it at first because of the ugly cover, but after a few peeks I was hooked! They're so fascinating anyone who loves to read anything will absolutely absorb these books, and I'm sure even someone who's not too excited about reading will have a hard time putting these down! They are so complete and realistic; not at all like some trashy incomplete books available that have no depth. Trixie and her friends are wonderful role models for all kids and even adults, and these books offer good, clean reading that are impossible to stay away from. My biggest problem is that they are no longer published and very difficult to get. I definitely would recommend these books and encourage any kids or teens to read them.

I read my first Trixie Belden book when I was 9 (37 years ago!) and I fell in love with the Belden clan, their farm, Honey, and Jim, and the horses! I can't believe this series is no longer in print. The kids are so normal, the dialogue natural, and the mysteries engrossing. When I read about Trixie, I became a "Bob-White" - these were my friends. Several years ago, I found my old collection in a box and re-read them. My husband thought I was nuts, but I had a ball remembering the plots and characters and feeling like a kid again---solving mysteries with Trixie!

There is simply no better way to immerse yourself in the semifictional London Holmes' lives in. All the rich cultural refernces are listed, plus every minor inconsistency in a continuity line Doyle never did care about. Great reading; adds immensely to the already great stories of Holmes and Watson.

William S. Baring-Gould (1913-1967) was one of the greatest Sherlock Holmes scholars ever. Publishing several works on Holmes publically and privately, this two-volume annotation of the Holmes canon is perhaps his greatest work, and was his last. Published in 1967, the copyright inscription shows that it is held by his widow, Lucile M. Baring-Gould. Baring-Gould himself was a life-long devotee of Holmes in particular, and mysteries in general. He is also noted for the fictional biography of Nero Wolfe, in which he puts forward the idea that Nero Wolfe is the son of Sherlock Holmes, via THE woman, Irene Adler, of 'A Scandal in Bohemia'.

Sherlock Holmes is one of the best known detectives in the world -- so famous in fact, that 221B Baker Street in London continues to get mail adddressed to this fictional character almost a century after he would have died had he been a real person. There are groups of people -- Sherlockians and Holmesians, the distinction between which is rather subtle -- who delight in retelling the tales. There are forever questions and debates about the ordering of the stories; Baring-Gould is one authority often referred to in these debates, thanks to his work on the Chronology of Holmes, used as a framework for this annotated set.

Baring-Gould breaks the time frame into the follow divisions:

- The Early Holmes (1874 - 1879)
- The Partnership with Watson to Watson's first marriage (1881 - 1886)
- Watson marriage to his wife's death (1886 - 1887)
- Partnership until Watson's second marriage (1887- 1889)
- Watson's second marriage to Holmes' disappearance (1889 - 1891)
- Holmes' return to Watson's third marriage (1894 - 1902)
- The end of the Partnership (1903)
- Sherlock Holmes in Retirement (1909)
- An epilogue (1914)

Baring-Gould introduces the series with a 12-part series of essays that look at various aspects of the Sherlock Holmes legend, including foreign translations, translation into stage and screen, and highlights of particular personalities (Watson, Moriarty). He includes a wonderful brief essay by Edgar W. Smith, an early Sherlockian, which asks (and answers) the question, 'What is it that we love in Sherlock Holmes?' In the end, beyond the setting and the culture and the chase, it is the values 'implicit and eternal in ourselves' that we recognise as manifest in Holmes that keeps him an enduring character.

The volumes are the complete texts of all short stories and novels, backed up with an almost equivalent amount of textual annotation, richly accentuated with photographs, engravings, maps, and other graphics (diagrams, coats-of-arms), often taken from Holmesian sources such as journals, playbills, early editions, and even 'The Strand' magazine.

Sherlock Holmes introduces us to a world foreign yet familiar, past yet somehow present -- the stories are very contextually bound yet timeless in almost inexplicable ways, and present mysteries beyond the face-value plots. Baring-Gould's love for his subject is very apparent throughout the over 800 pages of these volumes. Some editions of this book come with a slip-cover.

This is my favourite of all my Holmes books. It is must for any fan of Holmes.

I hope I am not the only one who loves reading Sherlock Holmes but is really annoyed by "Sherlockians" - people who take their Sherlock far too literally - a lot like Trekkies, who take Star Trek just way to seriously. Baring-Gould, it seems, was the ultimate Sherlockian, and this is his masterpiece - a 1500 page annotated, illustrated, and interpreted edition of everything Sir Arthur Conan Doyle - I'm sorry, Dr. John Watson - ever wrote about the subject, plus a healthy dose of his own interpretations and those of others.

I can't remember a piece of fiction recieving as much love and attention as the works of Sherlock Holmes. This edition has illustrations, maps, definitions, references - everything. Anybody who checks the actual weather and train schedules from a piece of fiction just has too much time on his hands. It truly is a work of art, marred only by an annoying habit of Sherlockians to take their subject far, far too literally. The biggest problem I have with the tome is B-G's annoying habit of inserting his own opinions as fact. My other major peeve was his organization of the work, which put everything in the author's own chronology rather than in the order in which the books were published. This makes finding anything a bit of a chore.

As far as the new Leslie Klinger three(!) volume annotated edition of Sherlock goes, I have seen it but not purchased them. Again, shelf space seems to be the major problem here, not to mention the $125 price tag. From a brief look-over, it appears to be a more subdued, up to date, better quality edition, but less exuberant and less fun than Baring-Gould.

`The Annotated Sherlock Holmes' by William S Baring-Gould is easily one of the top two or three best examples of annotated popular literature, as good as, and possibly even better than the most famous annotation efforts by Martin Gardner on the major works of Lewis Carroll.

It is not immediately evident to me that the works of Sherlock Holmes need annotation. Unlike the works of Carroll, there are very few linguistic tricks or cleverly veiled allusions to his English contemporaries. On the other hand, over the course of the last 120 years, there has been an enormous body of work dedicated to the exegesis of Conan Doyle's Sherlock Holmes stories. There has been probably more of this activity for works of popular fiction than for the next five cases put together. To my knowledge, there is virtually no similar activity on the mystery novels of, for example, either Agatha Christie or the mystery stories of Edgar Alan Poe, to take two authors who bracket Conan Doyle's' stories in time.

It is worth the effort to determine what it is which makes the Sherlock Holmes stories so popular. One of the easiest ways is to compare Holmes to the heroes of his greatest modern imitators, the lead characters of the CSI series, most especially Gil Grissom of the original CSI show, based in Las Vegas. Both characters are `amateur' scientists in that they apply scientific disciplines to solving crimes, and actually do original work in their respective sciences, in spite of the fact that their primary avocation is `consulting detective'. In Holmes case, this was a profession he invents out of whole cloth. In the case of Grissom and his colleagues, the `consulting detective' profession has become institutionalized in the discipline of forensics, where the crime scene investigators deal with things which are beyond the ken of the average detective.

There is an eerie similarity between Holmes and Grissom in that both are very detached from many normal human interactions. Holmes rationalizes this with his theory of the mind as an attic that can hold only so much information. To add new things, old things must be discarded. For this reason, Holmes is blissfully ignorant of the planets in the solar system, but he is an expert on over 100 different types of tobacco ash. Similarly, Grissom is very poor at office politics or romantic relations in favor of his dedication to the application of entomology (study of insects) to forensics, a subject on which he is a nationally recognized authority.

It should be no surprise if the popularity of Sherlock Holmes stories may actually be gaining in popularity, as the CSI shows go a long way to validating many of the scientific principles and techniques used by Holmes. The most famous may be his search for a very sensitive reagent for the detection of blood residues. This is what Holmes is doing when he and Dr. John Watson meet for the first time in the chemical laboratory of `Barts' (St. Bartholomew's Hospital). Holmes explanation of why such a reagent is important in the investigation of crime is verified on practically every episode of CSI, whether it be in Las Vegas, Miami, or New York City. So, not only are we taken by the fact that Conan Doyle had such a good grasp of criminal investigation, but that he was so astute as to realize that such a reagent was possible.

Holmes elevates intellectual competence almost to a level of magic, using that old chestnut that if the difference in the level of technology between two parties in an encounter is great enough, that higher technology becomes indistinguishable from magic. One major difference between Holmes and Grissom is that Holmes has no modesty about his abilities, demonstrated when he belittles' the deductive powers of Edgar Alan Poe's hero in his famous story, `Murders in the Rue Morgue'.

The value of this annotation also increases over time, as the world of Sherlock Holmes is rapidly slipping away from us. These stories were written when the sun literally never set on the great British Empire, stretching across Canada, hundreds of Pacific Islands, Hong Kong, southeast Asia, much of Africa, and that greatest `Jewel in the Crown', India, where Dr. Watson himself served as a surgeon in the British Army in India. Among other things, that meant that if anything could be found in the world at all, it could be found in London. London's scientific and intellectual centers were among the greatest in the world, so it should be no surprise that the world's greatest `consulting detective' should live in London. In many ways, Sherlock Holmes is a far more believable character than his later fictional colleague, James Bond, since England's fortunes as a mover and shaker on the world stage had fallen far between 1880 and 1950.

So, our pleasure is greatly enhanced by being given copious notes on Holmes' London as well as the science of the day. Also very satisfying are the notes that correlate events in various stories. The whole collection is laid out by the fictional chronological order of Holmes' cases.

The greatness of Holmes' character can be seen in the fact that he is probably the model for over half of the great fictional detectives of the last 100 years. While I am not a great fan of detective fiction, I am certain he was the inspiration for both Agatha Christie's Hercule Poirot and Dorothy Sayers' detective, Lord Peter Whimsey. In fact, the greatness of Dashiell Hammett's and Raymond Chandler's detective writing may be in the fact that they escape the Sherlock Holmes prototype and create a new style of private detective.

This work of annotation is so good, I am hard pressed to appreciate how anyone can fully enjoy reading Sherlock Holmes without these notes. As with the commentary track on better DVD releases of movies, the notes literally double or more than double the pleasure and rereadability of the works.

Very highly recommended.

Awesome is the only word I can think of to describe this particular collection--there is all the novels and stories with amplifing info on particular items in the story/novel you are reading listed on the sides of the pages, ala footnotes (sidenotes?)--and the supplementary info is staggering, with bios of Doyle, Holmes, Watson AND Moriarty, the history of Holmes on stage, screen and in print, 221B Baker Street info, etc.--these sections take up at LEAST the front 3rd or 4th of the 1st volume alone! If you are a Holmes fan, you MUST find and buy this collection ASAP!

Midshipman Alan Lewrie continues to reveal his inherent talents as a fighting officer in the British navy. Ashore with his beloved artillery at the Battle of Yorktown, he meets the Chiswick family of American Loyalists, forming relationships that will develop throughout the series.

The 2002 McBooks Press version (paperbook) that I bought at Borders has pages 145 through 192 printed twice, and then pages 198 to 241 are missing altogether! I can't imagine how such a mistake could get by. One minute they are setting up in the trenches, the next they are sailing wearily out of the the bay. So...I have no idea what happened and I'm taking it back tomorrow for a refund.

So check it out before you buy it.

Otherwise, great book.

As a strong fan of Dewey Lamdins' books, I've now read them all, The French Admiral was the best. I felt a much greater sense of history and a deeper understanding of the conflict as it impacted the lives of Loyalists, Revolutionaries, and their families. The bloody fighting seemed more in context than the conflicts described in the other books of this series.

I recommend this book very highly.

The French Admiral in paper has been awaited by Alan Lewrie fans since 1990. It is the crucial #2 "missing link" from early in the series of Alan's swashbuckling adventures in the age of fighting sail. Although we know the general events of this long-missing novel about the Royal Navy from references in succeeding books, it comes as a throwback to the exciting rakehell that Lewrie was early in his career. The alleged orphan [] of a scheming English knight, Lewrie has a most modest opinion of himself, although he comes of age as a mariner in the course of this pivotal novel. American readers will be most interested that this novel takes place on the Eastern Seaboard, especially during the crucial siege of Cornwallis' troops at York Town. (From the detailed sailing descriptions in the Chesapeake Bay it's a good bet that Lambdin sails there often.) This story offers a chance for an extended look, from the British point of view, at the vicious enmities and fighting that characterized the American Revolution in the genteel South. It does not, however, offer the least personal glimpse of the French Admiral. That august and triumphant sailor, the shipbound Admiral de Grasse, is instrumental in the series of British blunders and defeats that lose the rebel American colonies to England.

The language is a bit rougher than is the salty talk customary in sea stories by genuine British authors. I wonder if Lambdin chose "Lewrie" as his hero's name because it resembles lurid and lewd, which Alan is, although he's not a scoundrel as well. This is a physically bigger book than the other Lambdin pb's I've read, thanks to the customarily expansive McBooks Press edition (i.e., larger type and better paper than the stubby Fawcett Crest/Ballantine editions).

This is the second installment in what is developing into quite an enjoyable naval series. In _The King's_ Coat, Alan Lewrie, an illegitimate sixteen-year-old London rakehell, was essentially forced into going to sea in 1779 as a midshipman after being framed by his moneygrubbing father and his two half-siblings. He had a very rocky start in his new career but was beginning to learn his trade and had made a few friends, as well as more than a few enemies. He had also managed to come to the notice of at least two men of note, and well-placed interest was always paramount in advancing one's naval future. And there was the gorgeous young Lucy Beauman in Antiqua to whom he began paying court. Now it's two years since he left England and the rebellion in America is drawing to a close, buoyed by incompetence on the part of the British army and navy. And in the process, Alan finds himself trapped like a rat with Cornwallis at Yorktown. He escapes the disaster, partly through chance, partly through the aid of some Loyalist militia, and partly through his own intelligence and unexpected competence. By the end of the book, his future has improved in several important ways, both professionally and personally, and he has become a harder sort of person than he was at the beginning. And there's a new love interest, whether he wants to think so or not. Lambdin offers a welcome antidote to the rather proper style of Hornblower and even Audrey -- his sailors swear fulsomely, his protagonists can be just as narrowminded as anyone else in their society -- but he certainly knows his naval lore. And just when you're settling in to an adventurous episode, something horrible happens to remind you of just how bloody a true civil war the glorious American Revolution really was.

This book has beautiful pictures and a Bible verse which relates to each wise trait that is mentioned. It was a great purchase.

My son is not even two yet and this is one of his favorites. I have read several "Proverbs" to him from the book every night for the past 6 months or so and now he asks for the book before nap time too! If I forget to read it to him before bed, he reminds me by saying "boys." The pictures are fabulous and because the proverbs are made into poems, it's appropriate for even very young little boys. I am thinking of buying a copy to take apart and frame some of the pictures (& poems) for his bedroom. If you're looking for a book that teaches great character, you've found it!

Incredible pictures! Excellent wisdom for young boys...reminds us of character qualities that are lost in this day and age for males!

This is an outstanding books for little boys! I've given two: at each of my grandson's baby dedications. It has a place to write a special message to commemorate the date and occasion for giving, and I think it is a book that will truly grow up with the child and be a treasured keepsake. The illustrations are beautifully rendered in soft watercolors and has that old time look of little boys in days gone by. The values reinforced here (whether you are Christian or not) are what we all desire for our little men to learn so that they will grow up to be men of character. FIVE STARS!!!!!!!!

This book is great with beautiful illustrations. I would love to purchase a second copy just to frame the pictures! This book can be read, just one character trait a day or as the entire book. I like it as a book to help emphasize good behaviors. The book is very much enjoyed by my child.