Star Trek - First Contact Books

This is without doubt the best of all Star Trek stories, both in film and in print. It touches on many grand philosophical, scientific, and technological themes: machine intelligence (both in Commander Data and in the Borg), space-time engineering (the first time humanity has done this, via the efforts of Zefram Cochrane), the first contact from an alien civilization (the arrival of the Vulcans), the confrontation with true history (meeting Cochrane and finding out just who the man really was), and the ethics of highly advanced civilizations (the contrast between the Borg and humanity). This book and the film will without a doubt inspire many a young reader to take up the practice of science, and thus it will do the best job of all. Science fiction has the habit of coming true sometimes, but it also has the fault of underestimating. The future of humanity, as exemplified by the Star Trek crew of the year 2367, is a grand one to contemplate, but the true future will be much better: a world populated by humans and machines striving to be the best they can be; a future that is never static, for stagnation to intelligent life is an abomination. We will do genetic engineering of humans, to be the best we can be; we will do space-time engineering, to travel beyond any immediate confines; we will create intelligent machines, to be our friends and allies. All of these things we will do, and much more. Humans and all other lifeforms, organic or not, will be very different in the time frame set in this novel. But they will be restless, ambitious, and always yearning for more understanding, for more insight, for more knowledge: these traits will characterize the beings of the 24th century...and beyond.

"And you people...you're all astronauts on some kind of...star trek?"

That line, uttered by Dr. Zephram Cochrane in both movie and novelization, has to be my all time favorite from the Trek film series. The most interesting difference between movie and book, as far I am concerned, is that despite James Cromwell's fine performance I found the film's Zephram Cochrane incredibly annoying. I never developed a shred of sympathy for him, because the background the film gave me - the Third World War and its chaotic aftermath - wasn't sufficient to make me understand him. I don't know, not having seen the script from which J.M. Dillard worked, whether she added "Zef" Cochrane's tragic battle with bipolar disorder (a disease that before the War had an effective treatment), or if it was among the elements that inevitably got cut as the film took shape. But I do know that for me, it made all the difference in being able to care about this character and root for him.

The book follows the film with little filler added except for background on Lily Sloane and Zephram Cochrane, which gives it a similar pace. They complement each other well.

As usual, J.M. Dillard does a fine job of remaining true to the source material, while still elaborating on it. The story is an excellent one, with plenty of action and plenty of interesting science-fiction concepts for the more thoughtful to consider. It gives us a bit more insight into the "future history" between the near-collapse of civilization and the beginning of the Federation that has been hinted at but rarely detailed in various episodes of Star Trek, in various generations of series.

The plot and characterization are both excellent and the writing is fluid and professional. The book is a pleasure to read.

This is, of course, the novelization of the highly successful Star Trek: The Next Generation film of the same name. First Contact refers not to first contact with the Borg, for, six years later, Picard still bears the mental scars of his assimilation in the form of Locutus, but to Earth's first contact with an alien civilization. It is a story that had yet to be told, although Captain Kirk and his crew had met the extraordinarily old Zefram Cochrane, inventor of the warp drive, in an episode of the original series; additionally, there had been hints that this pivotal event in human history took place some time after a terrible Third World War on Earth.

As the story begins, the Borg have attacked the Federation, with one of their massive cube ships making a bee-line for Earth herself. Picard and the new Enterprise-E starship defy Starfleet orders and rush to the battle, after which they follow a small Borg ship through a time portal which takes them back to 21st-century Earth. The Borg plan is to destroy the Phoenix, the spacecraft which Zefram Cochrane launches and, by way of its successful warp drive test, captures the attention of a Federation scout ship. If that pivotal event does not happen, the Federation we all know and love will never come to be. While half of the senior staff is planet-side trying to make sure the Phoenix launch happens on schedule, the rest of the crew find themselves battling a Borg infestation onboard the Enterprise herself. Data is captured, Picard is in danger of letting his hatred of the Borg overrule logic and reason, and we get to meet the Borg Queen. Personally, I've always felt that the introduction of the Borg Queen was a disservice to the greatest Star Trek villains of them all. The Borg Queen is a complete contradiction that introduced a level of individual vulnerability into a collective that was, up until this time, faceless and seemingly invulnerable.

This is an impressive novelization of the film, making it a worthwhile read to those of us who are already familiar with the onscreen story. In particular, it provides a great deal of insight into the erratic nature of Zefram Cochrane himself; in the movie, he came across as basically a drunk, but the novelization does a much better job of explaining his behavior. That alone makes this novel a natural and extremely beneficial corollary to the movie.

Star Trek First Contact by J.M. Dillard was an excellent book. it showed emotion, fear, dispair, and anger. IT was a well written book considering it was made after the movie. I encourage all Star Trek fans to read this book and watch the movie.

This is a great book. I got it at the dollar tree store and have read it a million times. Its not to big and a young Star Trek fan could read it.

A+

Wonderful book! Well written! Gives insight to the emotions of hatred and betrayal toward the Borg.

As with many of the new Star Trek (Classic, Enterprise, TNG, DS9) figures from Diamond Select, this figure demonstrates excellent accuracy and attention to detail. Picard's face, uniform and accessories are all extremely accurate to Star Trek: First Contact and this figure pairs well with many of the Diamond Select/Art Asylum characters in Star Trek: Nemesis attire. Diamond Select never disappoints!

... of the behind-the-scenes design, artwork, and storyboarding for the first two Next Generation movies, "Generations" and "First Contact." Indispensible to a real starship hardware fan, this book gives plenty of details and is interspersed with interviews, recollections, and notes from some of the principal talents involved in creating the location sets, some of the special effects, and the new ships seen in both films, as well as much unseen material from the design of the Borg presence. I found the evolution of the Enterprise-E, Phoenix warp ship, and Vulcan ship from First Contact especially interesting. My only criticism is that, even at 340+ pages, there is not enough! First Contact alone should occupy a 400-page "Making of" book. Nevertheless, this volume is a gem which belongs in the library of any hard-core Trek devotee.

Not only is this volume a must for anyone interested in production design, it is also a well designed book all round. Each page is a stunning work of art in its own right. Full compliments to John Eaves for so carefully selecting his, and other artist's work, for the book. His commentary throughout is informative and interesting. JM Dillard holds it all together with his, as always, brilliant text. I hope Eaves releses a new book about Insurrection, or at least, has the existing book expanded to include this film. Well done, S&S, John Eaves and JM Dillard.

I interviewed John Eaves two years ago and first heard about this book at that time; I am more than slightly relieved to say that it was worth the wait! Profusely illustrated -- with artwork that has NOT already appeared everywhere else -- the book is both reader- and Trekkie-friendly, with brief anecdotes which humanize the filmmaking process while also supplementing the nice pics. Eaves' attention to detail -- especially in regard to properly crediting those responsible for a given design -- is both noteworthy and surprisingly welcome ... This book almost makes up for previous "authorized" illustrated Trek volumes, nearly making me forgive Pocket/S&S for THE ART OF STAR TREK, and gives cause for one to hope Eaves will contribute in a similar fashion to STAR TREK 9. (and generate another book like this as well.)