Characters Books

If you love Lt.Ellen Ripley and actress Sigourney Weaver? - you must read this book!

In the span of the twenty-five years since the release of the first Alien film in 1979, much has changes in the American culture and society and the film industry. It would be easy to write a relatively standard work analyzing the four films in the series that include Lt. Ellen Ripley (Sigourney Weaver). Other than those interested scholars and, perhaps, fans engrossed with those films, such a book would be rather dull. But Gallardo C. and Smith have produced a far different, far more unexpected and powerful work. This is done through an elegant and insightful organization of the work. Each of the four major chapters deals with one of the four films (Alien, Aliens, Alien3, Alien: Resurrection). Nicely written personal forward, introduction and a conclusion surround these, but it is these four chapters that are the meat of the text.
At first glance a potential reader may imagine that these four chapters have little to do with each other, as each deals with a different film. What is so wonderful about this organization is that Gallardo C. and Smith are able to actually accomplish two things with their text. The first is a surprisingly well researched and detailed close-reading of each of the films. But the second, which would likely not be possible in any other format, is a tracing of those cultural shifts of the last twenty-five years. When the first film was released in 1979 the United States was on a cusp both culturally and politically. Second Wave feminism was reaching a crest of cultural importance, the rise of the Republican Right was beginning to be noticed, and one small decision to change a protagonist from male to female was surprising in many ways. This was a female hero that did not scream and run to her protecting male. Gallardo C. and Smith do not pull punches, though, and while they praise Alan Ladd Jr. (then the head of 20th Century Fox) for casually suggesting the change, they also point out that he gathered together secretaries from the Fox offices to view Sigourney Weaver's screen test because in the late 1970s there simply were not female executives in the film industry.
With the emergence of the Reagan-era, the defeat of the E.R.A. (Equal Rights Amendment) film in the United States changed as well. The new heroes of film in the 1980s became muscled "hard men" and Gallardo C. and Smith spend much time discussing the changes made to the character of Ripley by James Cameron as a reaction to this change. The two most general critical replies made about these first two Alien films has been that the first suggested a new type of female hero, while the second was one of two things (or perhaps a bit of both): Either it is a film about reifying the nuclear unit (in the form of Ripley as mother, Newt, a young girl as daughter, and Hicks, a marine, as father), or it is a metaphorical Vietnam film.
Gallardo C. and Smith have it both ways, emphasizing the polyphony of the texts, and the fact that multiple readings are not necessarily false readings. They become more critical of the final two films featuring Lt. Riply, but in a carefully respectful way. Blamed for the lackluster reception of the third film are mostly studio problems that led the film to essentially be the "merged" versions of two competing scripts within the studio - and that with far too little "development" time. Of the fourth they note that the film undermines much of what came before it because of the underlying ironic and postmodern nature of Alien: Resurrection.
Gallardo C. and Smith claim early that they do not intend to write a "theory book" for such a book is beyond the scope of what they intend. Any while they have not, in another way they have written a "theory book" of a certain time. The organization of their volume is such that the intellectual history (the changes in theoretical perspectives from 1979 and after) can quite easily be fished from their text. The transition from Second Wave to post-feminism (or Third Wave, or whatever term you prefer) is there. The transition of the Modernist heroes of the 1970s to the muscle-bound Sylvester and Arnold-like character of the Reagan-era (which were ironic, but few seemed to notice) to the postmodern pastiche and irony are all just under the surface, waiting to be considered.
That "just beneath the surface" level allows Alien Woman to work very nicely as both a film studies work on its topic, and as, literally, an intellectual history of one of the more profound times for change in the academy in some time. The character of Ripley has always been on that embodied a certain amount of "sex trouble," but by placing the films in their own times, Gallardo C. and Smith manage to analyze with being over critical. This isn't the type of criticism too often found in the academy, the kind I like to call "claiming Napoleon was a bad general because he never called for air support." This is the kind of critical examination that allows theoretical perspectives to exist, but doesn't think an analysis of Ulysses should spend fifty pages discussing Foucault and five with the actual text. So, when the authors make their claim that this is not a "theory book" what they seem to really mean is, "we are theoretically informed, but are dealing with our texts, not polysyllabic jargon. And it is all the better for it (this from someone who likes theory, too!).
Gallardo C. and Smith have produced a work that is developed, complex, insightful, and still maintains a readability that was so accomplished I almost felt jealous. It is a suitable for collections at colleges and universities with film programs, film studies programs, English programs that emphasize cultural studies, American studies programs, and popular culture programs. I would recommend it for upper level undergraduates, scholars of culture, feminism or speculative fiction in all its form.
I just published my first book (do not worry, I wont name drop it here!) and upon publication I approached the large dry eraser board in my office and wrote down all the possible "next book" projects I could think of and, among these was a book on the Alien films. It turns out that Ximena Gallardo C. and C. Jason Smith have already written it, and I'm scholar enough to know the did a better job than I would have. Alien Woman has my highest recommendation.

About a two weeks ago, my husband bought this book, and we have been notified that it will be on its way soon. I'm saying this because for some reason Amazon delayed the delivery, and if it happens to you, it's worth the wait. I know it's worth it because I borrowed a colleague's copy.

But to the review: Having watched the first three movies only once when they were released in theaters, I found that ALIEN WOMAN helped me remember many, many scenes I had forgotten. I believe that this is one of the book's strengths: the authors deal with the movies in their entirety, as opposed to dealing just with selected scenes that "prove" their points and ignoring the rest.

Another strength is how easy and fun this book is to read! No cumbersome quotes, no "academese" to muddle through-a book as entertaining as the movies, and even more exciting sometimes. Where else will you find an academic text that describes Ripley's spacing of the Alien Queen as "bitch-slapping the Alien into space"?

ALIEN WOMAN does have an agenda. It centers on Ripley more than the monster, and it does reveal how hard it is for actresses to find a role different from "babe," "mom," and "old lady" (and I'm old enough to remember what few roles women had before ALIEN was released). It is the book's contention that Ripley manages to escape this mold, and so, that she's a somewhat unique female hero in sci-fi cinema-and more than just a dragon slayer.

All in all, ALIEN WOMAN was good enough to make me want a copy of my own, and to make me rent ALIEN RESURRECTION, which appeared to be too violent and silly in the ads for me to care about watching it before I read this book.

Alien Woman is one of those books that works to find the proper context for an aesthetic product. Gallardo and Smith read the Alien films in the context of gender theory and feminism (and the way gender theory and feminism fit into the very different cultural moments of the films: 1979, 1986, 1992, 1998). For them, the films unevenly chart such themes as the primacy of the body, the breakdown of the rationalist-humanist white male subject, the fear of woman and the feminine, the identification of the monstrous and horrific with the feminine and with sexuality, and the emergence of philosophical post-humanism as an alternative to Renaissance humanism. Though they do not put it in these terms they essentially track the consequences of a Hegelian-style equation: the split "Man vs. Alien" is merely the reflection of a split within category "Man (human)" itself, "Man vs. Woman." In other words, the fight between Man and Alien is really the gender trouble within humanity itself.

The authors have an admirable sense of focus: outside of an introduction and an afterword, the book devotes one chapter to each film analysis: no novel or comic book spin-offs, no video games, no parodies, no fan-fiction. Gallardo and Smith know these films backwards, forwards and sideways. Heavy theory is relegated to the footnotes (making the whole thing easy to read), but their knowledge of Freud, Jung, Foucault, and Butler shows in the pages. And for several years Gallardo and Smith have chaired the science fiction section of one of the largest academic popular culture conferences in the world: Alien Woman is particularly strengthened by their almost encyclopedic knowledge of science fiction movies good and bad; the reader benefits from their sitting through these often awful films (Ice Pirates, anyone?), and connecting them to the Alien series. The book also hits every substantial piece of Alien criticism: future scholars will start reading about the films here, and then follow the bibliography.

Gallardo & Smith have written a work that *will be* one of *the* most important books ever for scholars AND fans of the Aliens series of films. This serious and thought-provoking, clearly-written work is immanently readable at the same time as it is insightful and rigorously scholarly. It will promote greater academic understanding of science-fiction and feminism (together and as discrete studies) and those who read it will want to own it, reference it, and read it for sheer pleasure again and again.

The study examines the entire story arc of four movies that made us gasp and wonder, and made us re-examine science fiction not only as more than just "bug eyed monsters against the good GUYS" but also as reflections of the historical era from which each film arose. This seriously well-researched and well documented work traces the history of the movie's compelling images, (for example, giving us "ah ha" moments about the inspiration for the films' artwork, facts that I know I never knew about the reason for the Aliens' form). It gives us intricate close-readings of each film, examining scene after scene with insight and depth, and helps us understand the metaphors of Corporate space and humanity in a post-human era.

One of my favorite parts is the close-reading of Ripley's suicidal leap in Aliens 3, and I had to gloat as Gallardo & Smith reveal the background meanings and imagery of her strongly compelling act of grasping the newborn alien bursting from her chest. I was delighted when I realized that my own feelings watching the film for the first time were right (I knew it!) and had that comfortable feeling you get when having a great conversation with people who share your passion for interesting works of cultural significance.

Never a "publish or perish," jargon-laden ivory-tower read, this work is compelling and fun, at the same time that it contributes important scholarship to a pivotal science fiction franchise and science fiction studies in general. If you are a fan of the series, but not an academic, you will still love this book, and learn something new and worthwhile about your favorite sci-fi. If you are an academic looking for rigorous critical interpretation, you will also find what you are looking for.

A must read for fans, scholars, and anyone interested in the "post-human" subject and Ripley's compelling character. Plus, a heck of a lot of fun and hard to put down.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stoires, as a sort of Watson to Raffles' Holmes.

These were very charming stoires. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

I haven't read this particular ebook version and have no idea how good it's quality is. You can download the text for free at Gutenburg Project.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

This is a great detailed book featuring many of the beloved American Character dolls! It has helped me tremendously with my doll collection.

Very nice book & lots of information i have been looking for these past few years.

A most comprehensive and well-researched book! Having contributed to the Tressy section of the book (look for pics from my collection!), I must say that this guide is a must have for Tressy collectors as well as for those who collect other American character dolls.

You can order an autographed copy directly from Judith by going to: www.americancharacterdolls.com

You cannot buy an autographed copy through Amazon.

Judith Izen has written another wonderful book! For collectors of American Character dolls, it's a book that needs to be on your bookshelf. It's well written and researched with great photographs. We can only hope that Ms. Izen will continue to share her love and knowledge of dolls with more books.

My niece is into dancing and reading books, so the Angelina Ballerina series if perfect for her. I chose to give her this book for Christmas because it fit the holiday theme.

I really loved this book. It was my very first book I got. Of course I got it because my name is Angelina. When I was little I used to think the book was actually about me! I own the first publication of this book and noticed that in the original one I've got it says "Santa Clause" and in the new one that my little cousin has it says "Father Christmas". I don't understand the change. Although I still recommend this book for any little girl who loves to dance, or who's name is Angelina!

I came across Angelina's books a while ago. ...Great book, speaks to the kids for real

This beautifully illustrated tale gives the reader a warm feeling when a retired postal worker, who is alone in the world, is visited by Angelina and invited to appear as Father Christmas at the school Christmas show. The community appreciates his contribution and he is invited to the school show every year. This is a wonderful reminder to us all that the elderly should not only be cherished, but that they still have much to offer to the community.

Young Angelina Ballerina couldn't be more upset when she spots old Mr. Bell sitting all by his lonesome at Christmastime, looking like a sad puppy. Mr. Bell used to be the jovial postman in town, who brought gifts and cards to everyone during the holidays, and played the town Santa Claus for all of the little mouselings. Angelina, full of Christmas spirit, decides that it is up to her to make Mr. Bell's season bright. So, with the help of her young cousin Henry, as well as her father, Angelina bundles up some cookies and cakes to bring to Mr. Bell. But when they arrive, Henry is too concerned about Christmas Eve, and whether or not he will have the chance to see Santa Claus in the flesh, to notice the joy that twinkles in Mr. Bell's eyes at the prospect of visitors and good, old-fashioned holiday cheer. When Henry learns that Santa Claus comes in the middle of the night, and that he won't get to speak to the illustrious Saint Nick, he bursts out in tears. That is, until he learns that there's a live Santa Claus living amongst them all, right here in town, and that his presence will not only bring a smile to young Henry's face, but fill old Mr. Bell with the joy of the holiday, as well.

ANGELINA BALLERINA can be called nothing less than a children's icon. Her presence in numerous glorious children's books, and now in her own TV show make her more and more well-known, while her lovable, kind heart grows bigger by the day. Katharine Holabird works wonders with a pen, as she tells the tales of the young, ballet-loving mouseling who has big dreams, accompanied by an even bigger heart; while the gorgeous, full-color illustrations by Helen Craig bring each and every Angelina "tail" to life. ANGELINA'S CHRISTMAS is a charming addition to the mouseling library, and a wonderful holiday classic for all!

Erika Sorocco

I purchased this book for my son, a high school student who was assigned HUCKLEBERRY FINN in an American Studies class, and promptly fell in love with it. The commentary is delightful, and the many illustrations (many taken from the original edition,) photographs, prints, cartoons, and maps give a real sense of time and place. Homey details that might not be familiar to the modern reader are explained in some detail, as are customs of the time. The author includes material from Twain's notes and details about his life, always in a manner that illuminates the passage.

HUCKLEBERRY FINN frequently turns up on lists of banned books, and it's interesting to read of the controversy that dogged this story from the beginning. The particulars of readers' outraged sensibilities might change, but the response this book has always engendered suggests the timelessness of Twain's targets: ignorance, cruelty, hypocracy, racism. The story is a clear-eyed yet subversive look at a society in transition, and a relentless skewering of treasured myths concerning childhood. These themes remain as troubling today as they were in the 1840s, the supposed setting of the novel.

This book is an excellent resource for students and teachers, as well as for those of us who love Mark Twain's stories. The book itself is beautiful, with high quality paper and binding. A worthy addition to every library!

The greatest American novel, still. The country it sees is still in front of our eyes. The Americans it shows, we still are, though we live nearer to highways now than rivers. Twain's tale can be read both intellectually (yuck) as symbolic of the American quest for masterlessness (see Studies in Classic American Literature by D.H. Lawrence) and as a kid-on-a-raft-let's-see-what-happens story. Art and fun. Not an easy achievement to tie those two rascals together with one rope. Master of structure and flinger of fun though he be, the most exciting reason to read Twain is the language. The book is a hundred and sixteen years old, the writing ain't --"Steamboat captains is always rich, and get sixty dollars a month, and they don't care a cent what a thing costs, you know, long as they want it. Stick a candle in your pocket; I can't rest, Jim, till we give her a rummaging. Do you reckon Tom Sawyer would ever go by this thing? Not for pie, he wouldn't. He'd call it an adventure-that's what he'd call it; and he'd land on that wreck if it was his last act. And wouldn't he throw style into it?" --One caveat: Be careful the illustrations don't mess up the pictures the author can put in your head with his sentences.

Mark Twain at his best...great pictures and annotation...that are first rate. Due to time restraints, I have only skimmed the book. What I have read is great. It is a Norton book...always-great editions. If weight means anything, then this is a heavy-duty book. I look forward to reading the entire book after graduation in the spring. In addition, it even looks good on the shelf....

No repeats of the due praise by previous reviewers. If you have never read Huck Finn before, do not start here, the annotations would make it difficult to read with a curious eye to the margin notes breaking up the flow, like watching a DVD movie with the director comments turned on. But do come back when your done a non-annotated version (or even audio); travel down the river again with the annotations by your side, here as lengthy as the book over again, a whole new magical worlds awaits in the margins; you will discover the hidden depths and meanings of one of the most important literary works about America ever written. An amazing book lovingly produced.

Mark Twain opined that a classic is a book everyone wants to own but nobody reads!
However if you want to read Twain's best book with a full
critical apparatus, an introduction over 100 pages and excellent
illustrations this is the volume for you!
Anyone teaching Huckleberry Finn in high school or college should make use of Michael Patrick Hearn's well researched notes
which make this volume required reading.
I have read all of the Norton Annotated Classics and found this one (along with the Sherlock Holmes volume) the best.
Huckleberry Finn deals with the tragedy of 19th century slavery as Finn helps the black slave Jim escape down the mighty Mississippi river. In Huck's odyssey down the river he also travels from boyhood to manhood.
Twain's use of dialects is amazing as is his dissection of prebellum southern/southwest society rife with violence, bigotry, child abuse and cruelty.
Norton is to be commended for their series of classics opening up new ground for all students of Mark Twain. Excellent!

This series is incredible! Unlike the Anita Blake series, these characters are likable, not annoying and well developed. Their missions as CIA assassins are the main plots of each book. Their personal relationships add to the story in a wonderful way but I can tell this author won't turn these books into porn like Laurel K. Hamilton did. Jennifer Rardin clearly loves her characters so I love them too!

Jaz Parks is back again in this action packed squeal to Once Bitten, Twice Shy. After taking down Assan, finding out who the Tor-al-Degan is, and spending time with her sister's family, Jaz is back on assignment. The mission, to find vampire Chien-Lung and kill him by any means necessary. There is only problem one tiny problem. Chien-Lung stole a powerful biotech armour, made by Bergman, and when he activates it he becomes invincible and turns him into a dragon. Sounds like the perfect job for Jaz and the gang.

The first book in the series, Once Bitten, Twice Shy, left me with mixed feelings. It had a great concept and brought a fresh new outlook to the urban fantasy genre, but ultimately it didn't wow me. After reading Another One Bites the Dust, I'm now hooked on the series.

Jennifer Rardin does a great job at the action scenes, but the biggest highlight in the book is the growing relationship between Jaz and Vayl. I love that Rardin decided to take this relationship slow, instead of having the two declare their love for each other in book one. That being said, I would have liked to have more information on what the avhar means for both Jaz and Vayl.

Overall, this was a great book and I'm glad I picked it up. If you liked Once Bitten Twice Shy you will love this.

I absolutely love this series. They are the kind of books you cannot put down until you have finished them.

This second book in the Jaz Parks series is every bit as good as the first (which was, incidentally, great). Sarcasm, humour, action, mystery, romance... These book really run the gamut, without ever letting up. There are continuously things that are being thrown at Jaz, Vayl, and their companions, making each page a study in 'how to keep your readers flipping.' It was, quite truthfully, very hard to put this book down, because it was so chock full of Important Conversations and Pivotal Events. You couldn't help but keep reading.

As the second book in a series, Another One Bites the Dust certainly delivers. There are some answers for questions brought up in the first book, some (halfway?) resolutions, but then there are also new questions raised which have me iching to get my hands on the next books. This looks to be the start of a new favourite series!

Jaz and Vayl's latest mission finds them pursuing stolen biotechnology, and saving the world...again. :) Also along for the ride are Cole, Bergman and Cassandra. The group goes undercover at the Corpus Christi Winter festival - fighting reavers, human extremists and dragons. Jaz is still dealing with her unresolved issues and once more the ultimate villain (Samos) proves to be elusive.

The thing I adore about this series is the relationship between Jaz and Vayl. They have great chemistry together, but the situation doesn't feel forced or rushed. They are still having misunderstandings, very realistic as he's a vampire and is over 300 years old. At certain points in the book Jaz is somewhat self-involved, and thus there's a delay between Vayl's actions and her grasping what he's about. Unfortunately by the time she's up to speed, he's brooding. It's realistic though, because she's still dealing with the death of her fiance. She's trying to resolve the issues in her sleep, so you have to pick up the cues when surreal stuff starts happening, as she doesn't always realize she's dreaming. Very well written.

The dialogue is again snippy, sarcastic, witty and self-depracating and I find Jaz's internal commentary hilarious. The banter between the characters means you are racing through the pages whilst at the same time not wanting it to end. There are so many quips to choose from.

"Something was stuck in my throat. If I was a guy, I'd have sworn they were my testicles."

My favourite is the 'snippy' comment on p59 of the UK issue. Just like book 1 the story is peppered with moments that make you laugh, wince and surprise you. And for those of you who've read book 1 and remember the hula dancing quote, p3 'belly dancing'. nuff said.

We learn more about the other members of the team in this book. Especially Bergman and Cassandra. Though it's not necessarily in what they say, but more in their behaviour and actions towards each other. There's a definite friction between them, which makes for some snappy dialogue. He's very much of the technological and Cassandra is of the magical.

There are also things left unresolved here that I think it will be important in upcoming books. Especially Cassandra's vision. Of some concern is that it's hinted Jaz might be developing new powers. Always a bit of a worry in urban fantasy that your hero/heroine is going to be 'The One' and become super-powerful and boring. But that's a concern for a future book.

Also available:-
Book 1 - Once Bitten, Twice Shy
Book 3 - Biting the Bullet

Our sub six year old children enjoy Mickey Mouse Clubhouse on the Disney Channel, so we purchased this DVD for road trips. The TV show and DVD compliment one another like you would expect.

I ordered this for my son who is 21 months old. He loves Mickey Mouse Clubhouse and knows all the characters. The book is very short and keeps his attention long enough for us to practice counting. He loves this book.

As a homeschooling mother, I have a difficult time finding readers for my 4 year old. He is eager to learn, but there isn't much available reading at his level. Dick and Jane are horrible, but these books, featuring his favorite Disney characters are perfect. There is a great deal of repetition, and pictures that give clues to what the words say. No, at this point it isn't really "reading", but kids need this kind of book to encourage a love of reading. Otherwise they get bogged down in the nuts and bolts of phonics, and "learn" that reading is all work and no play. As it is, my little guy brings me these books every few hours, and reads them to me. He reads them to everyone he meets. He is excited to read, and even feels ready to tackle harder books.
My older son never had any of this type of book. At the age of 6, he is well advanced in phonics, and can read any word you put in front of him. However, he is intimidated by books. He doesn't enjoy reading them at all. He is catching on, as I have been introducing him to these readers however, since they are so easy, they guarantee success.

I highly recommend these to parents whose children are "ready to read" but need easier texts than most early readers (or easy readers) provide.

I bought this book for my 3 year old daughter who is a fan of the Mickey Mouse Clubhouse t.v. show. This book did not grip her attention in the slightest, and she has not wanted me to read it again. It is not a bad book in terms of early reading skills, but it does not follow the pattern of the t.v. show. I find "Over the River" in the Mickey Mouse Clubhouse Early Readers to be a better book.

My son LOVES Mickey Mouse and loves this book! It's a fun counting book with great, colorful pictures!Plus they learn about locations as well.
"Are we at the beach yet? No, not yet!" Then they show pictures of the desert, a rain forest, a regular forest, Antarctica, etc. Perfect for the Disney fan!

I am a fan of Naruto, which is why i bought this book. I also love to draw, etc. Although this book doesn't really teach to how to draw the characters, it is still a great book to just go through and say, "Wow, that's a really great cover!"

So, If you're a fan, then i recommend this. If not... then... go find something else...

This is a perfect item to be added to your collection if you are a Naruto die-hard fan. I said "die-hard fan", so if your just one Naruto fan, this one is probably not something you should quite consider to buy, since you'd think it'd waste your money later on.

This one is a collection of previously published Naruto arts, whether in Shounen Jump, tankonbon covers, and such. So if you want all those in one book, so this is for you.

All in all, I think this book would make a Naruto die-hard fans and Naruto fans under 13 happy. Period.

I was impressed with both the quality and contents of this book. Mr. Kishimoto not only provides readers with amazing art (colorful and huge!), but also a variety of thoughts and concepts behind each of the 75 drawings (how they relate to the overall Naruto world, technical art details, etc.) There are also bonuses: a detailed description of how the cover art was made, a gallery (small, greyscale) of Shonen Jump covers featuring Naruto, and interview material. Believe it!

Short and sweet: If you like the artwork of Naruto, you won't be disappointed with this book. I especially liked Masashi Kishimoto's walkthrough of the cover art and his interpretation of squad 7 as a rock band (although I would have made Sasuke the guitarist as the guitarist and singer are always vying for the camera's attention but that's a personal choice). Several of the pieces would be excellent poster fodder. Highly recommended!

My daughters (pre-teens and teens) likes these types of books. It's not my favotite but it's theirs. And to encourage their love in reading, I do allow them to read some books of their choices in additional to the more academic choices books.

P.G. Wodehouse is truly a master wit, evidenced in his novels, especially those that feature Jeeves and Wooster. "Bertie Wooster Sees It Through" is his typical hilarious romp through misunderstandings and shady dealings, chock full of literary allusions and laugh-out-loud moments. Wodehouse is a true joy to read, in any society or generation.

As with most of Wodehouse's plots, "Bertie Wooster Sees It Through" hinges upon the best laid plans that go mightily awry. When Bertie Wooster grows a mustache, he suddenly finds himself the object of affection of one Florence Craye, and the object of desired pummeling by her jilted fiance, Stilton Cheesewright. During a visit to his Aunt Dahlia's, matters become even more complicated with his aunt hoping to sell off her weekly magazine to buyers who are more anxious to spot theft than buy the paper. Bertie is called upon to help his aunt out of several fixes while trying to extract himself from Florence's clutches and to prevent bodily harm to his own dear self. And of course, every solution to every problem can be found in the astute mind of Jeeves.

"Bertie Wooster Sees It Through" is a fast-paced, delightful read. Wodehouse has created an almost idyllic England, where the most confusing of misunderstandings is quickly set aright with the slightest amount of discomfort to all parties involved. Bertie Wooster is a straightforward narrator, addressing the reader directly, and admitting his own faults along the way. Without Jeeves, his know-it-all valet, he would be completely at the whims of outrageous fortune with all its slings and arrows, if that is what I mean.

As Evelyn Waugh points out, Wodehouse's world is idyllic. It is not our world. It has a different set of rules, for instance, the fate of its characters are determined by silver cow creamers and French cooks. Call it absurd or trivial, and you would be right. If you are tired of "serious" literature and the "real" world, this is a wonderful place to escape to!

Typical of the Jeeves and Wooster tales, Bertie Wooster Sees It Through begins (and ends) with a trivial yet heated battle between the sage valet and his woolly-headed charge: Bertie's newly acquired mustache. Jeeves can't stand the thing, and Bertie is to be damned if he is going to have his face edited by a hidebound gentleman's gentleman. Of course, the plot thickens, involving unwanted engagements, jealous lovers, police raids, and fake pearl necklaces. This is an extremely funny and charming book. The ending breakfast scene is one of my favorites.

Towards the end of his career, P.G. Wodehouse found himself charmed by the idea of reprising the characters who and plot lines that provided the greatest triumphs in his earlier books. Bertie Wooster Sees It Through is a worthy sequel of that sort.

In the earlier book, you may remember that Stilton Cheesewright and Bertie Wooster had been schoolmates in preparatory school, at Eton and at Oxford. Stilton chose to become a policeman and his career led him to become very serious and strict in his outlook, so that Bertie thinks of him as "that blighter Stilton." Love transformed his life when he fell for the writer, Florence Craye. But Florence is also apt to respond well to Bertie, and Stilton takes that personally. When we last saw them, Florence and Stilton were engaged.

In this story, Bertie's Aunt Dahlia enlists him to come to her country home, Brinkley Court, to help her entertain a family by the name of Trotter. The assignment seems to be off to a rocky start, however, when the Trotters' stepson, Percy Gorringe, calls Bertie to hit him up for 1,000 pounds. That seems like too much entertaining and Bertie declines.

In the meantime, Bertie has started growing a mustache and Jeeves doesn't approve. In fact, no one else does either . . . except Florence Craye. That enrages an already touchy Stilton, who fears that Bertie is trying to steal Florence. Soon, Stilton is also sporting the hairy stuff on his upper lip. To make matters worse, Stilton has a large stake on Bertie in the Drones Club dart championship and decides that Bertie should starting keeping regular hours and keep off the sauce. And that's just why Bertie doesn't want to have anything to do with Florence, she's not only brainy . . . she also likes to improve her men. And Bertie likes himself just the way he is.

Stilton is also the jealous type and quickly turns suspicious when Bertie is picked up after a raid on a late-night bistro where Bertie had taken Florence at her request to do some research on local color.

But Aunt Dahlia has an even more serious problem. She has pawned her new necklace to buy the serial rights to a new story, and her husband, Uncle Tom, is about to have it appraised. She has been hiding the fact by wearing cultured pearls instead, but is about to be caught. Naturally, she decides to have Bertie steal the cultured pearls. And equally naturally, that proves to be more difficult than anyone can imagine and with unexpected consequences. And so the country farce begins!

Bertie Wooster Sees It Through has that nice combination of serious pending threats, irrational fears and hopes, and muddle-headedness that makes for such good social comedy. Like all of the best P.G. Wodehouse books, the language sparkles with original similes, metaphors and allusions.

Jolly good show!

Previous: The Mating Season

Bertie Wooster Sees It Through surprised me a great deal. I had read almost all of the Jeeves books by the time I got to this one, and I had no idea that I could still be so utterly and completely charmed by Wodehouse's words. Of all the Jeeves books, this one is probably the funniest, with the most laugh-out-louds-the knee slapping, snorting, tears-streaming-down-your-face, scaring-the-cat-out-of-the-room kind. I can't praise it highly enough. First, the setting is a breath of fresh air. After visiting such horrific places as Steeple Bumpleigh and Deverill Hall, going back to Brinkley feels like going home, complete with Aunt Dahlia and all her warm endearments ("Bertie, you revolting object."). One delightful twist after another brings Bertie to the brink of disaster and back again, as he is faced with the prospect of having his spine broken in three, four, or five places by the oaf Stilton Cheesewright and, worse yet, marriage to Florence Craye. Couple that with Bertie's new mustache, Aunt Dahlia's pearl necklace, a somber chap by the name of Percy Gorringe, and the Drones darts tournament, and you have the funniest thing ever written in the English language.

And that, by the way, is what makes Wodehouse so wonderful-it is not the characters, nor the stories, nor the settings, but the language he uses, and the way he forms sentences, and the vocabulary which is an eclectic mix of colloquialisms, literary references, foreign phrases, and Woosterisms. Until I read Wodehouse, I had never dreamed that the English language could be rendered so beautifully, and so, so, so brilliantly funny. It is like nothing else I have ever read.

Next: How Right You Are, Jeeves (Jeeves in the Offing)

When there's one too many Adam Sandler flicks out, and you are just tired of flatulence humor then this is the best book to pick up. Wodehouse's dry British wit shines through as bumbling Bertram Wooster fights through life (and a new mustache) with his trusty butler Jeeves there to save him. The lead character, Wooster, has a serious problem as an intellectual woman chases after him as does her ex-fiancee. Only Jeeves can save his arse.

This book will bring a smile to the reader regardless of his state of mind. I think that it should be placed in psychiatric offices around the world.

And if after reading through this book, please please read Wodehouse's dedication if for anything else than his poem. This a great book but be warned, only those who are lovers of the dry wit will enjoy it.

Sorry but you can't just shut down your brain in order to enjoy this book.

Like the first 'Zits' treasury, this book will provide you with a lot of laughs, and you will probably want to return to reread the strips again in the future. I enjoyed this book immensely and plowed right through it in two sittings, even though I had planned to stretch it out over a week.

My one quibble with the book is that several of the strips are exact duplicates of strips from the first treasury.

If you have or have had teenagers, you need to red Zits. The adventures of all the characters will keep you laughing. They even manage to capture the angst of both parents and teens.

I evaluate funnies by the drawings, and, of course, is it funny or not? With that said, here we go.

In some ways, I think this comic is influenced by Calvin and Hobbes, one of the most memorable and classic strips. This comic strip is drowned in sarcasm and irony. The drawings have a sort of sketchy quality about them, something that makes them loose and very cool-looking. They have shading and scribbly detail, but are still very clear and easy to understand.

It has more than 4 characters, allowing the cartoonist to come up with many interesting character traits. Exploring these personalities is very fun to read. A boy and a girl never seen not hugging each other, a mom, a dad, a big brother, and a boy with a guitar are just some of the characters. I think this strip has about the right amount of characters.

This book is my first encounter with the comic and it is very appealing. I won't tell you to buy it, because I'm not a salesperson. I'm merely telling you why I like it.

In Big Honkin Zits (hey, it's named after ME when I was 16..or 26) you can clearly see WHY this strip by Jerry Scott and Jim Borgman is one of the fastest growing and most popular strips EVER.

The best way to explain it is: it's on the same quality level as Bill Watterson's Calvin & Hobbes at it's funniest, most irony-laced and visually comedic BEST. Once again we have Jeremy...the self-absorbed 15-year-old who is constantly (in his view) humiliated by his parents' mere existance (except when he lowers the posture and briefly show he really cares). The strip shows things from the adult point of view but ALSO does a good job of pointing out how a teen might view the parents (his parents ARE dorky).

There are several reasons why this strip is such great COMEDY, and holds up so well in a treasury form such as this. The artists use a story-line of sorts (akin to the story-line Watterson would use where a given daily strip would stand alone but is part of a group with a theme). The shorter strips work as well as the longer ones. As in Calvin & Hobbes we often see things from the teen or parental view in the form of a fantasy (his father dressed like a clown; Jeremy with huge ears after his girlfriend mentions his ears are big).It's a strip that shows character evolution: his girlfriend finally gets her braces off; he goes to his first real rock concert; sneaks into his first teen porn film etc.

But above all it's the world-class visual comedy, character facial expressions and actual irony-heavy comedy that makes this strip among the best EVER. Since there are tons of strips I'll share one that is my favorite. Jeremy's mother reads an article that says "the average teenage boy thinks about sex once every eight minutes." They look at each other and each says "Wow." She thinks: "That much?" He thinks: "That's all?"

You're going to want to read Big Honkin' Zits again and again and each time you're going to laugh as much as the first time. SUPERB selection of a SUPERB strip that happily continues to quickly grow in circulation, artistically and comedically.

Jeremy returns in his second treasury, combining strips from the books "Don't Roll Your Eyes at Me, Young Man!" and "Are We an Us?" Not much has changed since the first treasury. He still wishes his parents would get off his back, he still doesn't understand women, and he still dreams of making it big in music. But whether he's trying to decide what to do about the upcoming Gingivitis concert, win back Sara from a sophomore, support a friend's mom who has cancer, or sneak over to his girlfriend's babysitting job, he's sure to find the humor in any situation.

Unfortunately, I don't get the strip in my local paper, so I have to wait for these books to enjoy it. But I can certainly see why it has become such a popular strip. Everyone can appreciate the humor in the storylines, which poke fun at everyone equally. The visual gages are some of the best in the papers today and make for some of the best strips in the book as well. And it's easy to like these characters because they really do have good hearts just beneath the surface. My only complaint with this book is that the strips don't appear to be in order. It makes for a little confusion when a character is first introduced after we've already met him or her, but over all, it really is minor.

This is a wonderful collection that should win new fans and satisfy the old. Buy it today and enjoy the laughs.