Characters Books

Robinson, holds a PhD in anthropology. Apparently, her husband bet her she could put it to use writing mysteries set in the past. They are about Lord Meren, the "Eyes and Ears of the Pharaoh" (an actual position, sort of a secret service type of job) in the time of King Tutankamun "Murder in the Place of Anubis" is the first in the series, but very hard to find. This series is, to me, the best of all the current ancient Egyptian mystery series, and superior to the current popular ancient Rome series as well. Write more and re-release the older ones, please!!

What a delightful read! I've read them all now and I think this is the best one--and it is very good indeed. I whooshed through them all with complete delight, and this is the most endearing of the series; but it is also the best-constructed. By that I mean it is by far the best puzzle--for mystery fans like me--and the plot had the fewest holes. Some of the books are slow to start; this one is not. All of them have wonderful and gripping climaxes that solder you to the page. It will be much more enjoyable if you read the series in order, beginning with "Murder in the Place of Anubis," which is the weakest of the series, but still a delight and a pretty good mystery. The three books that follow this one are also beautifully done--but it's very easy to guess the "who's" from the "dunits." I can't wait for the next book. A very, very charming and beautifully narrated and imaginative series.

After being wounded at the conclusion of the previous story, Meren needs to leave Memphis, rest, and recover his health - and not-so-incidentally orchestrate the transfer of extremely secret royal cargo from the former heretic capital city, Horizon of the Aten, to its new resting place in Thebes. What could go wrong during a nice quiet rest on the family estate in Abydos?

If you have to ask, you *must* come from a small family.

Meren's widowed sister Idut is in charge, training Meren's younger daughters Bener and Isis in estate management - and against Meren's express orders, she's organized a great feast of rejoicing, inviting most of Meren's extended family, including outspoken great-aunt Cherit, Meren's spoiled younger brother Nahkt (called Ra), and widowed Lady Bentana (Meren's female relatives think she'd make him an excellent wife). At the end of the list are the two names Meren least wants to hear this side of the halls of judgement: Hepu and Nebetta, who disowned their son Djet. Meren blames them for the suicide of the cousin who was far closer than his own younger brother. Even their surviving son Sennefer is warped, forever boasting of his sexual conquests while his embittered wife Anhai poisonously points out that he hasn't given *her* a single child in a dozen years of marriage, and threatens divorce. All this doesn't include two or three lawsuits, Anhai's maneuvering to get a good settlement, Hepu's agonizing habit of reading his own proverbs at banquets, Idut's new suitor Wah, Ra's drunken irresponsibility, and the young scribe Nu, who's been hanging around Bener lately - and the typical embarassment of much older relatives treating Meren like a toddler.

When one of Meren's more poisonous relatives turns up dead in the grainary, Meren is in charge of the investigation - after all, he's the local lord, and he's the Eyes and Ears of pharaoh anyway. I believe the body count in this story rises to 3 - and if *that* weren't enough, pharaoh himself clandestinely visits the area to check up on the transfer of the cargo. Meren has his hands full persuading Tutankhamun *not* to try to pass himself off as an ordinary nobleman so he can watch the investigation close up.

Some of the physical evidence is strange, giving Meren's physician a chance to shine. Kysen, after days of putting up with Meren's family's attitude - 'get rid of the adopted peasant, remarry, and father more sons' - exacts beautiful payback from the worst bully of the pack.

Even without Meren's own opinions on the ineffectiveness of torture in interrogation - having suffered it on the orders of Ahkenaten - he tends to encounter cases in this series wherein the suspects' position protects them from such indignities. In the case of some of his more trying relatives, though, he's not above making certain threats - and for any man who thinks improper thoughts about Meren's daughters, Meren gets downright graphic.

Lord Meren was injured in the solving of the Murder at the God's Gate, and Pharoah has granted him a leave to journey to his home in the country and recover. Of course, Meren never rests, and this trip also has another purpose. The bodies of the heretic, Ahkenaten, and his queen, Nefertiti, are to be entombed near Meren's estate until a proper place for them can be constructed. Those who were injured during Ahkenatens rule tried to interrupt his eternal rest by disturbing the bodies and looting the tombs. It is most important to King Tut that his brother and sister-in-law are properly cared for in death.

Unfortunately, Merens sister, Idut, has planned a feast for his homecoming despite his express directions to the contrary. His estate is crawling with relatives who squabble, meddle in his romantic life, and accuse him of shirking family duties. To make matters worse, Pharoah shows up, wanting to make sure the bodies are properly entombed.

As Meren is at his wits end, his cousins wife turns up dead, her body found in a granery. There is no evidence of murder, but what was the woman doing there and how did she die? She did not lack for enemies, and Meren's job is made more difficult when his family members and friends become suspects.

Lord Meren is sent home to rest but his sister arranges a family reunion instead. How many of these characters actually come from your own extended family? I recognized the majority from mine . This really makes Lord Meren into a human being rather than an historical personage. The series gets better with each book as I read them.

This book provides an excellent step by step approach to the rewrite process. No matter how good your script is, this will improve it or confirm that it is as good as you think it is.

I began studying screenwriting by taking Robert McKee's Story course back in '04. While it was a good introduction to the craft generally (maybe "academically" is a better word), Paul Chitlik's course in the UCLA extension program really got me started on the road to becoming a professional. Paul goes straight to the heart of the process from the very first session of class, and holds a true line to the end. I was fortunate to be a runner up in the UCLA Screenwriting Contest in 2007 with a story I wrote for his course, and did well in a few other contests, including Nicholl. Had I turned in the draft I've written recently using "Rewrite," I think I would have had a better shot at winning. If you want to be a screenwriter, and have a good story in you, Paul can help you get it on those hundred odd blank pages, and make it great in later drafts. Take his course. He's the guy.

The title of this book is "Rewrite" but save yourself a lot of work and read this book BEFORE you start your next script.

Paul Chitlik is an amazing instructor at UCLA (under his tutelage, my second screenplay ever went on to win the prestigious UCLA Professional Screenwriting Contest) and he has distilled his teachings into this concise yet comprehensive book.

This book is a "must have" for any screenwriter. I have a feeling that I'll be rereading it every time I finish a rough draft.

As a screenwriter and a professional editor and writing coach, I highly recommend this book. It has already helped me personally in a quick turnaround re-write I needed to do. The book provides clear guidance while not prescribing formulaic cliches. The examples are excellent and the information invaluable. Chiltlik strikes a balanced tone of the work required in rewriting and the humor required in getting oneself to do the work. A true gem of a book.

At the paltry price of a paperback, Paul Chitlik's REWRITE guides you, step-by-step, to revise your screenplay with the attention of an experienced script doctor. The book's tone is amiably authoritative -- the author has many years' experience teaching MFA workshops in screenwriting. Here are samples of the "To Do" items, chapter-by-chapter.

1. Clarifying Story and Structure for Impact. "To Do: Briefly outline your story in terms of seven points" (p 11): Ordinary Life; Inciting Incident; End of Act One; Midpoint or Turning Point; The Low Point; The Final Challenge; The Return to (the Now-Changed-Forever) Normal Life. Next "To Do" is to write a beatsheet or list of the scenes in your screenplay. The appendix presents an excellent example of a 67-item beatsheet with subheadings corresponding to the seven points.

2. The Powerful Protagonist. "Write your premise now. Do not tell the story, only the idea of the truth you want to prove." Does your protagonist help prove your premise? If not, adjust his profile. Ten more "To Do" items include the protagonist's apparent goal, what the goal changes to at the midpoint, and the personality flaw.

3. The Worthy Antagonist. "Write one line saying what your antagonist wants" (p 43).

4. Ensuring Dynamic Scenes. "Go through your beatsheet and examine each scene for conflict. Write what, exactly, is the conflict of each scene under your description of the scene. If there is no conflict, there is no scene. Sometimes you'll need to group several beats to make a whole scene, so not every beat will have conflict" (p 47).

5. Making Descriptions Leap Off the Page. "Go through the descriptive paragraphs in your screenplay and see if you can take out all the adverbs and as many adjectives and nouns as possible. Shorten your sentences. Shorten your paragraphs" (p 61). "To Do. Find a scene that is heavy in dialogue and try to express it completely in action and description" (p 62).

6. Life Support for Your Protagonist. "Go through your story an identify the supporting characters who are most important. Beef up their screen presence by giving them a quirk of some sort. Make them stand out. Have the quirk relate to their personality or function regarding your protagonist or your antagonist" (p 67).

7. Paring It Down. "Choose a ten-page excerpt from your script that you think is pretty tight already. Now cut a page from it. Use any tricks you can think of, but get it down to nine pages" (p 72). Chitlik presents an example from his own screenwriting: an 11-page excerpt pared down to 9 pages.

8. Where Am I? The "To Do" item asks you to complete the suggested Script Status Report on your rewrite.

9. The Right Look. The "To Do" items include standard formatting, correcting grammatical errors, and culling out camera directions.

10. Finishing: The "To Do" item is to go back and rewrite. How many rewrites? "A professional writer might revise a script 30 times.... In fact, a script isn't done until the final cut is made, an it goes into wide release. Even then some writers would like to do more" (p 111).

An eminent script doctor in paperback, Chitlik's REWRITE merits five shining stars.

-- C J Singh

I just finished the Poldark Saga (all 12 books) and can't recommend them enough!! I was able to secure 10 of the 12 from our local library system but had to buy the other two due to unavailability, and they are well worth their purchase price. I'm a lover of Brit lit and this series takes you to the Cornish coast and proceeds to envelop you into the lives of an engaging family and their friends and foes. Great descriptions of the coast and the weather, both of which figure greatly into the story lines, and the characters are indeed people you would enjoy knowing.

The quest for the 12 books was well worth the effort. Go forth and enjoy!!

These books have no equal in historical fiction. I have read them several times and am starting over again. The writing and character development are the best I've ever read. Start at the beginning and end with #12 - Bella Poldark - which was written a year or two before the author passed away. This series could provide a book group with material for an entire year!

I have recently been introduced to this series and started reading books which were originals from the 40's. It is a wonderful series and I have now read 10 of the novels and wish it would never end. Great piece of history and family. It is so nice to be able to read "new" books, even though I enjoyed the yellowed pages of the old ones I have. Don't miss it! Also have the BBC Video set which is in black in white, but interesting, none-the-less.

In 1783, Ross Poldark, the title character to the opening volume (published in 1945) of the magnificent Poldark series, the great undertaking of Cornish writer Winston Graham's ninety-three-year life, is first introduced to us as a young man in his early twenties, a de-commissioned infantry officer, recently returned from the brutality of the War of Rebellion in Colonial America. Given up for dead and in fact wounded almost to the point of death, Poldark returns to his native Cornwall, a scarred, limping figure, still spirited but aged and hardened by the horrors of war. Grimly, the adventurous risk-taker Poldark discovers his father, the local squire and something of a lothario, is dead, his fiancée, Elizabeth, believing Ross killed in combat, is now engaged to wed Ross' cousin, Francis, and that an ambitious family of rising commercial entrepreneurs, the Warleggans, are in the process of trying to persuade Ross's uncle to sell them the mines that would have been Ross's has his father's will been penned without the apparent tragedy of his son's death foremost in his mind. The story spreads like the branches of a massive tree and before the conclusion of this, volume one, we come to meet the sort of characters that will never be forgotten, and find ourselves witness to scenes and situations that stir the imagination.

What separates the dozen Poldark novels from so many other historical works is firstly the intricate, good-natured, involving plotline Graham sustained throughout the sixty years he was writing about these characters, but above that, there is within each Poldark work a sense that one is entering a past time, not merely reading of it. Life as Graham writes in any of these books is a near three-dimensional voyage two hundred years backward, and he leaves few stones unturned. When one reads these novels one learns about the mining industry of the era, the banking industry, social customs, warfare, and contemporary attitudes on an encyclopedic range of subjects. One witnesses the rise of Methodism, and grasps its role as an outlet to quell ill-will among the English lower classes, as nothing did among the violent-minded masses of 1780's France. Graham tells us what people in those times wore, ate, drank, what they would have felt, witnessed, heard, smelled, thought, and feared. He takes a modern person into what might very well be described as a psychological/sociological time machine. These books boil with the gamut of human emotion and passion, from hate to lust, to love, to desire for all manner of possessions.

Ross Poldark and the eleven other novels that follow it are storytelling at its old-fashioned greatest, and this book launches what I truly feel is the greatest historical saga in the English language.

This is the first Poldark novel introducing Ross Poldark, Cornwall mining owner/farmer/squire and his extended family.

I especially enjoyed listening to the audiotapes narrated by
Tony Britton; his chararcters' accents are humorous and entertaining. I love the Poldark series and after I read or
listen to all the novels I'd like to see the videos.

Wonderful stories and characters, highly enjoyable. Hard to
put down.

I picked this book up in the library because it looked moderately interesting and immediately fell in love. I have since purchased five more books in this series. If possible I would recommend a new reader begin with book one since it helps the story line and builds the characters but this is not required to understand any of the books. I have also re-read this book twice; something out of the ordinary for me. I am not going to go into detail regarding plot and story line since I hope you read it for yourself.

The protagonist, Decius Caecilius Metellus, is a Senator of Rome and a newly arrived junior officer at Julius Caesar's camp at the beginning of Caesar's Gallic Wars. After a Centurion who is savagely disciplining turns up dead, Metellus must find the killers. Metellus' search is complicated by the fact that he is in a war zone with three armies massing for war, everyone thinks he is an incompetent boob, and his habit of making enemies of everyone. Metellus determine whether the assassins were Germans, Helvetii, legionaries, or Druids in a matter of days.

This book had a realism that I sometimes found missing in Saylor's Roma Sub Rosa series (the other great series of late-Republican based historical mysteries) in that Roberts' Metellus is not so shockingly moralistic as Saylor's Gordianus could be.

I stayed up past 2am two nights in a row to finish this book, it was that good. I just put the rest of this series on my wishlist.

Oh how I love this series! I wish bookstores in Canada kept it on their shelves because I can't bear waiting for them when I order them from Amazon.ca (although Amazon is so prompt, they can't deliver within a minute)
This one has Decius Metellus at his best. He's told when he first arrives in camp, dusty and unshaven, that he should spruce up for the General, so he has Hermes shave and bathe him and goes into Caesar's tent wearing his full parade armor. Needless to say the laugh is on Metellus, since Caesar and his staff are in their informal duds.
But serious stuff is soon afoot. One of Caesar's confidents, his Primus Pilus Centurion no less, has been killed in no man's land - and not by the enemy, who are encamped too close for comfort. The accused murderer is a Metellus family client. Decius has two weeks to discover who really killed the centurion and why, or the young soldier will be executed and Decius and the Metellus family will be discredited - not a good thing for a man whose dad the senator, pro-consul, censor, etc. does not take kindly to sons and clients besmirching the family honour.

This book is a great crime solving series set in the twilight of the Roman Republic. If you like Cadfael series then here is something to look forward to when you get done with them. 1st rate! (Also if you are interested in the Caesars Army in Gaul then here you go!)

John Maddox Roberts is the pseudonym of Mark Ramsay, author of numerous works of science fiction and fantasy, in addition to his successful historical SPQR mystery series. He lives in New Mexico with his wife.

When the famous Julius Caesar arrived in Gaul, he announced "I Came, I Saw, I Conquered." When Decius Metellus arrives from Rome he that the conquered part at least, is very far from the truth, in fact the campaign seems to be stagnating.

Decius's arrival does little to placate Caesar's temper. The great general has been waiting form reinforcements promised to him. An intake of fresh blood to kick start the invasion again. Instead of that he has been sent one man ridiculously decked out in military parade frippery but very short on any military accomplishment. Decius is accompanied not by eager troops chomping at the bit to get at the enemy, but by one reluctant slave.

But of course trouble follows Decius like a bad smell and when Vinius, supposedly the most hated centurion in the army is found murdered Caesar remembers that his newest recruit has a reputation for solving mysteries.

I read all of the Sherlock Holmes stories (short stories and novels) in a relatively short period of time (good for comparisons), and this was by FAR my favorite of them all. _Nothing_ is as it seems to be, not in the presenting murder mystery, nor in the background story. Both of them are fascinating stories in themselves; combined, it's truly amazing.

The last of the four Sherlock Holmes novels, and one of the two best. It contains more detection in its first section than The Hound of the Baskervilles, with Holmes (off-stage for much of The Hound) actively investigating the murder at Birlstone, and drawing his ever-fascinating deductions from raincoats and dumb-bells; indeed it is the only pure detective story among the four, with the reader given every opportunity to solve the crime. Although the solution is justly famous, it is but a variation on "The Norwood Builder," at much greater length. The second half of the tale concerns the doings of the Pinkerton agent Birdy Edwardes in the eponymous Valley, terrorised by the Freemasons, a gripping and powerful account which is perhaps of greater interest than the detection.

The story is a report on the actual events surrounding the arrest, conviction, and hanging of the Molly McGuyers in Schuylkill and Carbon Countys, Pennsylvania at the end of the 19th century. In the story the Mollys are like the gansters. In the Pa. coal region they are folk heros who fought and died for workers wrights. See the movie, "Molly McGuyers" staring Sean Conrey, it's an exact match.

The actual Pinkerton, McGowan, Died of old age in California.

'The Valley of Fear'. A real page turner but what makes it most memorable for me is not that Holmes is at his best, but Conan Doyle is. After reading this book I recommend you to read this book because it was a suspense story. The whole story moves around Mcginty who was a big criminal in the valley of vermisa also called the valley of fear. There was only one person who could face to that criminal and his name was Jack McMurdo. He behaved as a gangster and he had taken many risks in his life and he was not afraid to take more risks. Don't miss 'The Valley of Fear'. It's terrifying, exciting, and best of all, real.

I liked this book a lot and it's right up there behind The Sign of Four as the second best Sherlock Holmes novel. Though it's well known that Conan Doyle was growing tired of the character by this point.

The story is of a brutal murder in a mansion house in the English countryside. There's not much sense-making evidence to work on so Holmes and Watson go down to investigate along with Scotland Yard and the local police. Sure enough, Holmes solves the case rather quickly and all is revealed. But it's here that Conan Doyle uses the same split narrative he used in A Study in Scarlet. The story jumps far back in time and details the long, sinister plot leading up to the murder in the mansion. It's a good story and quite addictive. But I'm afraid I saw the plot twist coming (though it's an imaginative surprise) and only because there were no small revalations at any point, therefor I knew I big 'un was coming and deduced the logical conclusion.

And is it just me or is there a major anachronism in the story? Holmes speaks of Moriarty as if he is still alive. But didn't he chuck him of the Reichenbach falls and watch him fall to his death? Unless this story is set before then. And who is this mysterious Porlock? It was never cleared up. Perhaps in a future story eh?

This is the book, in this format, my mother read to me 50-plus years ago, and it is still as good. I recently purchased four copies. One each for two adult friends who are very ill. Both responded with uplifted spirits. One each for two young women who will be welcoming new "Young" ones soon.
Please note "Disbobedience" was set to music in the '60s by, I believe, the Chad Mitchell Trio, and James James Morrison Morrison Weatherby George Dupree is still warning his mother "not to go down to the end of town unless you go down with me ..."
"Vespers", at the very end, not only brings back memories of your own and your children's innocent childhoods, but also contains a very important message, "Oh, I quite forgot/God bless me."
And God bless you and those with whom you share this book.

One day, I found one of these poems running around in my head 40 years after I first began reading them to my boys when they were very young. As my older son took possession of that copy some time back, I had to order a new one for my 67-year old self just to get the lines absolutely right. It was worth it. My only regret is that I have no grandchildren to drum them into. Charming, literate and comforting.

This is one very good book and can be enjoyed by people from 2 to 92. I've read it to senior citizens as well as my grandchildren. The subjects are universal. The rhyme and rhythm are delightful.

My copy of this book is 51 years old and has my grandmother's autograph. Talk about a lasting gift! I love books as gifts, and this is my all-time favorite.

I had to read this for a little while before I got to a poem I really liked. The first 10 or so poems just seemed incomplete to me. "Independence" caught my eye first. In very few words it pretty much tells us adults that our kids are going to do what they want, despite all the things we say. It's followed by the wonderful poem "Nursery Chairs" where a child pretends the chairs in his house are different things. Then after "Nursery Chairs" is another strong poem, "Market Square" where we learn that there are things all around us in nature that we don't need to get from the market.

"Disobedience" is another interesting poem. It's kind of a role-reversal story about a kid whose mother disobeys his orders to stay away from the end of town, and she gets lost as the result of her disobedience.

"Spring Morning" emphasizes the beauty of nature to us, saying, "It's awful fun to be born at all." Next is "The Island" which has a wonderful closing message that screams, "God made it all - FOR US!" to me.

And there are so many other joyous poems in this quick read too. There's "Jonathan Jo," "Rice Pudding," "The Wrong House," "The Dormouse and the Doctor" (which has some terrific rhythm), a very touching "Little Bo-Peep and Little Boy Blue," "The Invaders," "If I Were King," etc., etc.

But perhaps my favorite poem in the collection is "Halfway Down" which is about nothing more than sitting on stairs. Man, if someone can take such a simple act and make it so astoundingly wondrous, then that person truly must be one of the greatest writers ever.

As a Roman Catholic, I have been familiar with the Jesuit tradition of discernment of spirits - based upon St. Ignatius Loyola's "Spiritual Exercises". I have found to my surprise and edification that Arthur Stevens' "Abundant Living for Christians: Making Decisions in Church and Family" builds upon that tradition in a very accessible and practical way. This highly readable book (actually more of a manual) is first and foremost faith-based. Yet it offers its process also for the secular perspective with examples of decision-making in circumstances arising from business and non-religious community.

A major underpinning theme is the exploration of Christian Hope in day to day living and the decisions that may be made in that day. In fact, "Abundant Living" is a manual of hope - a hope that the way in which individuals, families, and communities make decisions can be changed - or transformed - for the better. Whenever possible, practical steps are provided in considerable detail. It is clear that this work is based on experience - both personal and communal. I would recommend this work for those who are willing to consider that they could improve on how their decisions are made.

 A refreshing, positive approach to making decisions and identifying hopes that are based on our deepest values. He reminds us to rely on and thank God for supporting us in these important choices in our personal and parish lives. Everyone with a stake in a decision is involved in a respectful, non-competitive way. It can transform the way we relate in community!

Art Stevens offers an excellent methodology for decision making which allows a rather reserved person like me to play an important role in all aspects of the process. His "Transformation through Cooperative Discernment" focuses on God's presence in every phase of decision making. The discernment of the hopes of each involved person gives every individual an opportunity to speak and be heard, and the communal cooperation in working through the process to an ending that is pleasing to all are appealing to those whose voices are not always spoken or heard.

While Stevens developed this new way of looking at an old and often difficult process primarily for families, churches and institutions, it can work beautifully for individuals and couples (very small families). He works through this approach to decision making precisely and clearly, step by step, and gives frequent examples to which the lay reader can easily identify.

This book is one that needs to be kept within easy reach, reread from time to time and referred to often. A wonderful new way to use our heartfelt hopes to make decisions, large and small, individual and corporate!

Art Stevens' method of decision making through discernment is applicable to institutions large and small, secular as well as sacred, and also to families. It is especially useful in situations where choices are fraught with emotion and conflict. In this little book, Rev. Stevens presents what he calls Transformation through Cooperative Discernment (TCD)as a clear, step-by-step process for resolving conflict and reaching decisions that everyone can feel positive about. He also shows how the process may be used for choosing leaders. The book includes abundant case studies as well as evaluations from people who have used TCD in their church or home life. I recommend it.

This is one of those books that come along rarely, with new insights and wisdom on the old subject of getting along and living together. Art Stevens' book ought to be required reading for anyone in a ministry of reconciliation-which certainly includes the clergy.

Abundant Living is solidly based on the Gospel. It challenges the familiar mindset of "good guys/bad guys, winners/losers. Stevens takes careful aim at the categorical thinking found in marketplace and Church, and suggests a more effective way to live fulfilled lives.

I do not want to get into a discussion as to who was the greater poet - Virgo or Homer. One was Roman and one was Greek. Both wrote with wondrous and beautiful words, but this book by Virgo is a stunner. This lengthy poem in twelve books traces the mighty Roman empire from the end of the Trojan war to the beginnings of the great empire which was led by Julius Caesar. Aeneas was the first of the great Roman rulers. I had read this story many years ago, and as I read it again, I remembered why I enjoyed this Roman story so much. I have always liked the Roman gods and goddesses, and this epic poem was the reason why. In this poem Virgil presents a struggling Aeneas who has to fight and win many battles before he can claim his crown. We also see the mighty gods and goddesses getting involved in human strife while the drama is played out on earth. But it is the descriptive language that is the beautiful thing here. Words like these can truly live forever.

I'm continually impressed by these classics written over two thousand years ago; some of them are astoundingly good. Seutonius' "The Twelve Caesars" or Plato's "The Republic" come to mind. Virgil's masterwork "The Aenied" lies comfortably in this category and is likely just his version of a tale that had been passed down by oration for generations. It's probably the goriest work of that time I've read too: in the battles heads are lopped off, blood jets out of wounds, torsos and groins are skewered by spears, etc.

The basic premise is that Rome was founded by Trojans who'd fled their home city (Troy) while it was being razed and plundered by the victorious Greeks. But it wasn't exactly a quick journey to a new homeland. A few of the gods (Hera in particular) despised the Trojans and did their utmost to prevent these people from reaching Italy. This epic is about the adventures of the Trojan prince Aeneas and his followers as they attempt to achieve their destiny as founders of Rome, which ultimately became the capital of the Roman Empire.

The translation is wonderful, no complaints at all there from a readability standpoint. An exciting adventure that hasn't worn out over time; it's still as fresh as it ever was and deserves its reputation as a classic of all time. The only nitpick I have is that the ending is rather abrupt, without a real sense of closure. I would have liked to know, for example, what happened in Carthage following Aeneas' hasty departure.

I read this book while on the beach in East Africa and was blown away. The beautiful descriptions of temples, castles, people, and their motivations for living and dying were incredible. Particularly, the Carthaginian Queen Dido and her disastrous love for Aeneas made me cringe as she cried in death on the fire. Buy this book---it will resonate within you for years.

Roman society was enamoured of Greek culture -- many of the best 'Roman' things were Greek; the major gods were derivative of the Greek pantheon; philosophy, literature, science, political ideals, architecture -- all this was adopted from the Greeks. It makes sense that, at the point of their ascendancy in the world, they would long for an epic history similar to the Homeric legends; the Iliad and the Odyssey, written some 500 years after the actual events they depict, tell of the heroism of the Greeks in their battle against Troy (Ilium). The Aeneid, written by Vergil 700 years after Homer, at the commission of Augustus (himself in the process of consolidating his authority over Rome), turns the heroic victory of the much-admired Greeks on its head by postulating a survivor from Troy, Aeneas, who undergoes as journey akin to the Odyssey, even further afield.

Vergil constructs Aeneas, a very minor character in the Iliad, as the princely survivor and pilgrim from Troy, on a journey through the Mediterranean in search of a new home. According to Fitzgerald, who wrote a brief postscript to the poem, Vergil created a Homeric hero set in a Homeric age, purposefully following the Iliad and Odyssey as if they were formula, in the way that many a Hollywood director follows the formulaic pattern of past successful films. Vergil did not create the Trojan legend of Roman origins, but his poem solidified the notion in popular and scholarly sentiment.

Vergil sets the seeds for future animosity between Carthage and Rome in the Aeneid, too -- the curse of queen Dido on the descendants of Aeneas of never-ending strife played into then-recent recollections of war in the Roman mind. Books I through VI are much more studied than VII through XII, but the whole of the Aeneid is a spectacular tale.

Books I through VI show Aeneas on the journey, and a failed love affair with Queen Dido. Aeneas is shipwrecked, and Dido (also an outcast from her homeland, setting out to found Carthage) gets Aeneas to tell her his story, in which he recasts the tale of the Trojan War and his own journey in terms that will lead to Rome. Gods and goddesses factor in here - Jupiter (the Roman Zeus) is protecting Aeneas, but Juno (the Roman Hera) favours Carthage, and is the one who caused the storm to shipwreck Aeneas near Dido so that he might be thwarted in his plan to found Rome. There is jealousy and rage because Aeneas eventually has to leave; Dido dies in a dramatic fashion, but not before her soul being given a blessed release by the favoured gods.

The most dramatic part of the story over, the reader settles into other action that, while interesting, is somewhat pale in comparison to the first half.

The Aeneid is a fascinating text, one of the greatest epics of the ancient world; it takes up the task of the Iliad/Odyssey cycle and 'updates', if you will, the story line into the Roman era. Pharr's book helps the reader to work with it in its original language, easily and methodically, with only a minimum of Latin training (one year is probably sufficient) required for engagement.

Vergil died before he could complete the story. He wished it to be burned; fortunately, Augustus had other ideas. Still, there are incomplete lines and thoughts, and occasional conflicts in the storyline that one assumes might have been worked out in the end, had more editing time been available. Despite these, the Aeneid remains a masterpiece.

[This review relates to the wondrous Penguin Classics
edition of THE AENEID, "Tranlated into English Prose with
an Introduction by W.F.Jackson Knight."]

If Virgil could lead the poet Dante through the wasteland
and Inferno at the end of the Middle Ages, perhaps the poet
Virgil, aided by the skill and inspiration of the translator
W.F.Jackson Knight, might perform the same needed function for
us, here at the end of the 20th and the beginning of the 21st
centuries.
W.F.Jackson Knight, in his very interesting and insightful
"Introduction," makes the argument that "the AENEID of Virigl
is a gateway between the pagan and the Christian centuries."
That much, itself, might serve as the basis for some excellent
essays of analysis and interpretation. But Knight has his own
path to tread. So we should let him.
-------------
"In the beginning, Rome had been a tiny settlement
surrounded by enemies -- and it had needed a strong will:
proud,disciplined, and sustained -- to survive at all.
Rome did survive and was led on by successive hard-won
victories to world dominion.
The early history is obscure, but the process seems
to have taken at least five centuries of almost continuous
warfare, and during that period the Romans achieved
unparalleled success, apparently through unique merits
of their own, combined with a special share of divine
favor and good fortune [a nice touch of Pagan sentiment,
there, to counter-balance the perhaps over-emphasis on
the Christian tie at the beginning]. This spectacular rise
of Rome was a matter for wonder and a certain reverence
to the Romans themselves, especially when, in the
later years of the republican period, new chances of peace
and prosperity, AND A NEW ACCESS OF SKEPTICISM threatened
THE OLD HABITS OF LOYALTY, INTEGRITY, and SELF-SACRIFICE"
[capitals are mine].
---------
Knight continues with his excellent "Introduction" and talks
of Publius Vergilius Maro [usually denoted as "Virgil"], the
excellent, visionary poet and artist who created the epic
poem for Roman patriotic pride, values teaching, and national
identity -- THE AENEID.
I especially like Knight's discussion of the influences on
Virgil as he wrote the epic.
--------
"The AENEID is the third, last, and longest of Virgil's
poems. It is a legendary narrative, a story about the
imagined origin of the Roman nation in times long before the
foundation of Rome itself. * * * The AENEID, as any epic should
be, is an exciting story extremely well told and full of
incident; it can be read as a story and nothing more. However,
besides being a story, it is a kind of moving picture --
carrying allusive, and in a sense, symbolic meanings. * * *
In the poem [the gods and goddesses]communicate with mortal men
either directly or through dreams, visions, omens, and the
words of prophets and clairvoyants. Virgil had no doubt that
the affairs of the earthly world are subject to the powers of
another world, a world which is normally, but by no means
always, invisible, but no less real for that....
* * * The great poets have a way of making what is seen
reveal the unseen; and they seem to do this better if they
collect an enormous quantity of observations on life, their
own and other people's, and then condense it under strong
pressure so that even a few words have a great power of
suggestion and persuasion. No doubt they are all the time

choosing with precise accuracy what is most important. The
result is an allusive and partly symbolic kind of language
able to communicate not merely single happenings but the
universal truth behind them.
These greater poets also reach back across past time, and
represent a view of the world which belongs not to one man
or one generation of men but to the men of many succeeding
generations or even a whole civilization. The experience
which is distilled may be the experience of many centuries;
and it may be condensed and focused by a single genius in
a single poetic statement. That is what Virgil did to the
experience of the Greeks and Romans in the AENEID."
["Introduction." W.F. Jackson Knight. AENEID. Penguin
Classics.]
-----------------
In talking of the other literary influences which helped
inspire Virgil and which he distilled into his own poetic
process with the helps of the fires of creative energy
and intuition, Knight mentions (of course) the fact of Homer
and his two major epics, the ILIAD and the ODYSSEY.
He also mentions the influence of Lucretius. But he says:
"Virgil knew his [Lucretius] work well and made free use
of many hundreds of his phrases in the AENEID, and let them
suggest ideas. But since HE VIOLENTLY DISAGREED WITH
THE MATERIALISTIC PHILOSOPHY of LUCRETIUS, he could not
adopt his thought. Indeed, he apparently delighted in turning
it upside down, and expressing something far more like the

idealistic philosophy of PLATO, even when the phrases of
Lucretius were influencing him."
I very much prefer Knight's "prose" English version of the
AENEID over most of the other ones which I have encountered.
His English prose flows like poetry, and is eminently readable
as well as instantly understood. One encounters that famous
opening, translated so well into intuitive, inspired English
prose: "This is a tale of arms and of a man. Fated to be
an exile, he was the first to sail from the land of Troy
and reach Italy, at its Lavinian shore. He met many
tribulations on his way both by land and on the ocean; high
Heaven willed it, for Juno was ruthless and could not forget
her anger. And he had also to endure great suffering in
warfare."
Inspiring and instructive, for Romans, for Dante, and
for us!

All of Michael Kahn's books have been favorites of mine, but his newest, Bearing Witness is outstanding. Anyone looking for a thrilling mystery should definately check out this book!

Just finished reading this Rachel Gold mystery. This is my fourth one and I have enjoyed them all. However, in this one, Michael Kahn kicks it up a few notches. In this book he tells the tale of Ruth Alpert. Her case evolves from an age discrimination suit to a qui tam case. Michael Kahn does a good job of explaining what a qui tam case is. He also re-educates us on Kristallnacht, die spinne and April 20, 1898 which are events none of us should forget. I live in the area of St. Louis and I loved the descriptions of Union Station (the Arch of Whispers)and the restaurants he names in the book. I can picture everything. Keep on writing.

a legal thriller worthy of the name. an age discrimination case evolves into a multi-million dollar whistle-blowing expose. narrative flow is steady if occasionally ponderous. nice balance of trial prep,personal travails and courtroom squirmishes- all fueled by an inescapable desire to root for the good guys.

Michael Kahn's books seem to just keep getting better and better. This is an absorbing and sobering adventure with Rachel, Benny and the rest of the crew. Rachel's relationship is progressing nicely with the "Wolf Man" and I hope it continues in future books. Keep writing PLEASE -- when you are sitting at your computer late into the night, be assured your fans are eagerly awaiting your next Rachel Gold adventure!

I discovered Rachel Gold through a short story in EQMM - thank heaven, as I don't think I would have found them otherwise; for anyone who is looking for a terrific mystery, interesting characters and courtroom drama - run don't walk to buy one of Michael Kahn's Rachel Gold books.

This is, by far, the best of the lot; full of history (Nazi treasure), present day issues(age discrimination and excellent sleuthing. The plotting and the characters are so well drawn that I find I have re-read this book several times even though I know "who dun it" and enjoyed it all over again.

While this book was quite enjoyable, it is not a thriller, filled with twists and conspiracies and secret societies, along the lines of the Da Vinci code, which starred Tom Hanks. In fact, there is no code-breaking at all. Read this book for its comedy, not for its code.

P G Wodehouse was very likely the funniest, most inventive and creative humorist in the English language, as agile a wordsmith as Shakespeare and far more prolific. There are very, very few of his books which are not every bit as funny today as they were when first published. (You may wish to avoid the very first school stories, but that's about it.)

The Code of the Woosters is of a piece with all Bertie/Jeeves novels, that is to say, brilliantly funny. The plot, which is as complicated and involved as any in British farce, is just about beside the point, as so much of the value in reading Wodehouse is in admiration and enjoyment of the language, the outrageous similes, the references to snippets by everyone from Browning to the Bible to contemporary stage songs, and the ridiculous characters, but even then this one is admirably involved. Somehow a book involving a would-be dictator (of the Black Shorts), a nauseautingly ugly cow-creamer, a journal of the repellent or objectionable mannerisms of one's companions, friendly aunts and domineering country-house hosts, etc etc et multiple cetera, all combine to jam 222 pages of joy, which cannot but leave you with a huge grin on your face as you close the book. Like every Jeeves & Wooster novel, it is a must buy.

Code of the Woosters served as my introduction to the oeuvre of Wodehouse, and, I must say, it was an exceedingly pleasant introduction at that. The book is absolute comic brilliance; it sets the standard for what lesser folks (like Carl Hiaasen) have tried to accomplish on their own right.

Some books are read once and discarded, but Code of the Woosters, I feel, has the rare quality of being able to be read time and time again...not just cover-to-cover, but at any particularly mirthful point which captures the reader's fancy. (The number of laugh-out-loud vignettes are too numerous to list.)

The only negatives to the book were the verbose introduction by left-wing crank Alexander Cockburn (if I had a name like "Cockburn" I'd be a bit edgy myself) and the relatively scant presence of Jeeves. Not that he plays a cameo role, but one does wish he figured more prominently.

If you haven't read this yet, you are in for a treat.

'Code of the Woosters' is frequently cited as P.G. Wodehouse's best entry in the Bertie and Jeeves series. It is a deliciously funny and clever little novel, revolving around the acquisition of an antique cow creamer. Bertie summarizes his pickle perfectly:

"Right. Now then. Item One-Aunt Dahlia says that if I don't pinch that cow-creamer and hand it over to her, she will bar me from her table, and no more of Anatole's cooking.'
'Yes, sir.'
'We now come to Item Two-vis., if I do pinch the cow-creamer and hand it over to her, Spode will beat me to a jelly.'
'Yes, sir.'
'Furthermore-Item Three-if I do pinch it and hand it over to her and don't pinch it and hand it over to Harold Pinker, not only shall I undergo the jellying process alluded to above, but Stiffy will take that notebook of Gussie's and hand it over to Sir Watkyn Bassett. And you know and I know what the result of that would be. Well, there you are. That's the set-up. You've got it?
'Yes, sir. It is certainly a somewhat unfortunate state of affairs." (106).

Revealing much more of the humor involves revealing more of the plot, which I won't do. I will simply say that Wodehouse was one of the literary comic greats of his time. This novel is a good place to start.

The Code of the Woosters, by the inimitable P. G. Wodehouse, is a fun and enjoyable romp with Bertie Wooster and his Man Jeeves. This novel features numerous plotlines, including but not limited to, the battle over a cow creamer, a lost notebook, romantic entanglements, the theft of a policeman's helmet, a potential jail sentence for Bertie, a dictator, and more romantic entanglements. Each plotline is brought to a conclusion by the brilliance of "Plum" the excellent English humorist. The book is full of hilarious one liners and brilliant wit. Amazingly, this novel was first published in 1938, yet it is still full of timely situations.

This novel of classic comedy introduces us to Totleigh Towers and its owner, Sir Watkin Bassett. Several memorable mainstay characters are in this book including Gussie Fink-Nottle, Aunt Dahlia, Madeline Bassett, and Stiffy Bing. Any journey taken with Wooster and Jeeves is time well spent. This classic series endures because the characters are wonderful and memorable. A 5 star fun-filled romp.