Reviews Books

Florence Nightingale greatly influenced modern nursing, to focus on the needs of the patient and establish nursing as a profession requiring assessment skills as well as caring presence. This brief, well-written & clearly understandable book is a must for the personal library of any nurse or nursing student. It is amazing to realize how advanced Nightingale's thinking was in her era; her lessons remain essential today and provide a basis for understanding why we do the things we do. A great read for anyone interested in nursing!

I received the book within a few days of the order and it was in perferct condition.

A book for true Nightingales! I enjoyed this book a great deal, some parts had me laughing out loud. It is an excellent gift book for nurses!

This makes a wonderful gift for a nursing student who is graduating, a nurse who is retiring or one who is being promoted. It is fascinating reading from a historical aspect will be relevant until the end of time.

Nursing is a vocation; not "just a job." Miss Nightingale knew this, and this book reflects this philosophy. Nursing-schools, many years ago, designed the curriculum--and educated the aspiring nurses--with this in mind. Sadly, many present-day nurses (and nursing-schools) have lost this ideal...and the state of affairs in nursing bears this out.

If you're seriously considering nursing--or are a nurse who is "burned out," read this book. It will enlighten and edify you.

If you're interested in looking at the data behind women and careers, this is the book for you. Hewlett has summarized a number of really interesting data. For example, 37% of women take time off at some point in their careers. 30% of women take advantage of part-time or other flexible programs. Hewlett's data illustrates a number of important reasons companies should care about gender diversity. After building the business case for women, she talks about how companies have created programs to make it work. One of the nice elements of this book is that she illustrates the data with personal stories. One of my favorite quotes underscores the importance of finding meaning in your job. A working mom comments, "when I walk out the door in the morning leaving my 2-yaer-old with the nanny, there's usually a bit of a scene. Tommy clings, pouts, and whips up the guilt. Now, I know it's not serious--most of the time he likes his nanny. But it sure makes me think about why I go to work--and why I put in a ten hour day. It's as though every day I make the following calculation: do the satisfactions I derive from my job (efficacy, recognition--a sense of stretching my mind) justify leaving Tommy? Some days it's a close run. One thing I do know. It couldn't just be the money. I need a whole lot of things to be happening for me to work."

Economist Sylvia Ann Hewlett does an excellent job of outlining both subtle and bold barriers that relegate many talented women (and minorities) to the lower end of promotions and pay scales. Using ample documentation, she outlines the financial costs that corporations suffer when they operate with outdated career models designed for white male professionals. Hewlett also lines up practical solutions with real-life examples from top corporations. Though the book is marred by repetition and various examples are recycled in different chapters, overall, we consider this essential reading for senior corporate officials and staff members.

This book honestly and openly explores what I believe thousands of professional women are facing today - the deep challenge of creating a successful professional life of meaning, fulfillment, and balance, in today's current dominant work model. As one who works with hundreds of professional women each year, I see over and over the ill-effects of professional women striving to fit into a model that no longer reflects our needs, priorities, and values. Hewlett's book goes a long way toward presenting beneficial new thinking and programs that, when adopted, will certainly bring about beneficial and urgently-needed change.

Despite all the print about the "Mommy Wars" and whether women should or shouldn't be in the workplace, the fact is that half the U.S. workforce is currently made up of women - and the workplace will have to change to accommodate them. Sylvia Hewlett's "Off-Ramps and On-Ramps" adds new, crucial information to this discussion. She provides data about women in the work force and provides models of flexible workplace structures now being used in corporations. The book gives a convincing business case for work force diversity and for the restructuring of our career model.
Hewlett's book is a must read for anyone concerned about the work force of the twenty first century.

I actually hesitated to read Off-Ramps and On-Ramps, as it looked like a boring textbook at first glance. But, as I got into it, it was quite a provocative read and even brought up some interesting points that applied to both men and women. Here are a few highlights that struck my fancy:

Chapter 1 - Why Mess with the Male Competitive Model. Good way to start a book. I think we'll be hearing more about this as generation y gets further into the workplace. While a hardcore minority will stick to the traditional Gordon Gecko "greed is good" model, we'll see countless others rebel against the values of the generations before them (as all generations before rebelled against their parent's values).

Chapter 2 - Looks at how large a factor elder-care already plays in women's lives. In fact, it's larger than child-care as this affects all women. This is only going to increase as Boomers start being the ones needing care.

Chapter 3 - Extreme Jobs, Extreme Demands. Thought this chapter could make a whole book. It's a great overview of how corporate America has changed. I have a friend whose parents were both big executives at major companies, yet all the time growing up, she swears that both made it home for dinner almost every single night. This is practically unheard of even for middle management these days.

The latter half of the book gives examples of companies who are launching innovative programs to resolve the situation. This makes it a must-read for any management team who is struggling to keep women, OR, better yet, recognizes what a great asset they have and wants to boost them up even more! However, it still begs the question of what to do for the majority of women who do not work for the handful of Fortune 500 companies who get it, and have the funds to produce such innovative programs.

The Author of this book should be very proud! I mean I thought I was a fan and then I read this book and I realized so much I didn't know! This book has shown me how I can dedicate and try to make this show more popular by supporting it!! Read it, it's GREAT!

Pro's: It was interesting to read about the actors and their were plenty of interesting photos. I like reading the comments from the actors on certain episodes.

Cons: The episode guide was good, but it was something I could care less about. I wanted to see more behind the scenes facts and this book gave me what I already knew. Also the quiz at the end was impossible. I've been watching the show since it started, and the questions are based on details that are impossible for even me to remember and the only way you'd remember them is if you taped each episode and/or took notes from each episode. I read what the other people said about the book and thought it would be great, instead it was a dissappointment.

Over all: Don't get this book unless you are a NEW fan and don't know anything. Also don't even try the quiz!

I think that this book was really good, probably because I am a po5 fan! It has good information that I didn't ever know about. I recommend it, and any other party of five books!

It has bios of all the stars and guests, recaps of all the episodes of the first three seasons, behind the scenes info./pics, plus tons of other great stuff!

If you love PO5 as much as I do (which beleve me is a alot!) this is the book that you should read. It gives you the inside scoop on the show and the stars and also includes tons of quizzes and an episode guide. So if your smart (which you must be if you decide to watch PO5) read this book now!

I have been taking recommendations from Berardinelli's website for a few years. This book is a compilation of his favorites from about the last 10 years, and are arranged by genre (Action/Adventure, Animated, Comedy, Drama, etc.). An appendix uncovers some 'easter eggs' (want to see Gollum's MTV speech from the DVD?), and another reviews directors' cuts. Berardinelli includes only 'recommended', 'highly recommended', and 'must see' movies.

Berardinelli exudes both open-mindedness and conviction in his reviews. He sees through audience manipulation and recognizes artistic vision. He's not syndicated, and has only his fans to please. I get the distinct feeling that he writes reviews to create a more demanding movie viewing audience. If my feeling is right, I hope he succeeds.

You'll have to visit Berardinelli's website (www.reelviews.net) to experience the other half of his vocabulary: the colorful invective he uses to trash truly bad films. A great example: "I have written this review as a public service to those who stop by my video column. I sacrificed my time so others don't have to. Feel free to ignore this warning..".

James Berardinelli's Reelviews website has been my go-to source for movie reviews since I stumbled upon it a few years back. I admire his candor and insightful analysis of films and the film world. Just like a previous reviewer said, since discovering James I have not wasted money seeing a dud film in the theater).

Best of all, you can always trust James to tell the truth. If the movie is schlock, he lets you know; if the movie is decent, he'll tell you who might be most attracted to seeing the film in theaters (often times by providing a list of similar films like a "if you liked these, try this" recommendation); and if the movie is great, James sounds the horn. And I must admit, while I look forward to seeing four and five star films, I look forward to reading the one and zero star reviews (there's just something deeply gratifying and entertaining about a reviewer ripping some piece of schlock to the tiny bits it deserves...call it my guilty pleasure).

So if you want a "Reel" honest review, James is your man. Pick up the book, check out the website (I recommend spending some time running through "ReelThoughts" for a few great ideas about what is going on in the entertainment industry, what could/should be going on, and so forth), have yourself a ball. I only hope Mr. Berardinelli can find the time to put together a DVD guide as well for those of us - and he knows were out there, growing in number - who prefer the comfort of home to the current theater experience.

You da man, James. Keep it up!

This book provides heavily edited versions of James Berardinelli's website movie reviews. Unfortunately, instead of skimping on plot descriptions, he skimps on analysis, which is his strong suit.

My first exposure to Berardinelli was the first version of this movie guide. And I didn't think much of it. Some time later, I was discussing Berardinelli with a friend, who advised me to check out his complete reviews posted on his website. After reading the complete reviews, with all of the analysis intact, I finally became a believer. But despite all of this, I now own both versions of his movie guide, which I find useful for quick-reference purposes. (Note: If this movie guide contained Berardinelli's complete, unedited movie reviews, I would bump my rating up to four stars.)

Note to ALL film critics: In the future, try to restrict your movie plot summaries to just one or two paragraphs, and then get on to what you were truly put on this planet for, i.e., providing analysis and criticism.

(Note: this review assumes that you are not terribly familiar with James Berardinelli. If you are, skip to the last two paragraphs.)

Growing up in a Dallas suburb, there was nothing much to do but to get a ride over to the local multiplex and catch the latest flicks. Early on in my preteen years, of course, almost anything would catch my interest (save for something like Jane Eyre), but after awhile it became apparent that my time would be better spent going to movies that were actually decent. So, this led me to peel open and dog-ear the "Guide" section of the Dallas Morning News, always skimming the review snippets before deciding to which movie I would beg my mother to take me. However, while this system proved adequate early on, it became apparent that I was still spending time watching alot of terrible movies, movies that had been given such wonderful critical catch phrases as "Two Thumbs (Way) Up!" (which I'm sure must be trademarked or something similar by now) or "Four Stars! One of the best movies of our time!" Which, of course, led me to a gradual disillusionment and the growing belief that all critics were cash-mongerers being paid off to write catchphrases to be used in advertisements.

I still think that about many critics. But eventually, I discovered rottentomatoes.com and it proved to be a good, brute force way of finding quality movies to spend a hard-earned 8 bucks. I came to notice, however, that one reviewer in particular kept standing out for well thought out, well-read (and well-seen) reviews, many of which corresponded to my tastes and interests. It was in this way I came to find James Berardinelli. His name was a bit of a pain to remember at first, but it soon became synonymous to me with pure, intellectual and quality reviews.

Very few critics, I feel, are able to properly enunciate precisely why they feel a movie is good or bad. I've read many a four star review of Pulp Fiction, for example, that was filled with vague assessments and ephemereal praise; namely, that the critic had realized they had just seen something wonderful, but couldn't quite express why. And sometimes this enunciation can be done in overkill; however intelligent a review from the New York Times or the Chicago Tribune may be, sometimes they seem a bit *too* intelligent, a critic trying too hard to maintain an image or trying to be Faulkner when Hemingway would suffice.

It is, however, this precise skill of putting down in words that certain "je ne sais quoi" many of us may feel when watching the latest masterpiece that makes Berardinelli brilliant. It is his irreverant attitude to the worst of movies, and his superbly insightful and analytical approach to even the most untouchably brilliant of movies and his refusal to reduce his thoughts to a catchphrase that makes every read an enjoyable one. I never read reviews in my free time for fun before, but now I pour over Berardinelli pages as if looking over a great literary tome. And in fact, his reviews may be; each review opens a dialogue with the reader, explaining everything what one wants to and needs to know. One has a question, and Berardinelli has anticipated it and answered it. If anything, I wish his reviews were longer.

However, it's simply more than just Berardinelli agreeing with my tastes. In fact, I found I disagree with him on quite a bit of movies, but unlike many other critics, a point of divergence is not an irreconcilable-"oh-he's-just-one-of-the-crazies-who-liked-star-wars-episode-one" moment but rather a way to see an alternative opinion presented intelligently and analytically. If anything, if you're used to just reading reviews from your local newspaper, Berardinelli will elevate your level of discourse with movies and will broaden the way you think about the art of filmmaking.

That being said, why do you need to buy the book when all his reviews are archived for free on his website? If you've a soft-spot for reviews and movies, this is a good addition to your library, beating out the more mainstream works such as "Videohound's Golden Movie Retriever year XXXX" (which I never read for fun). Even then, a collection such as this belongs in the category of art criticism, not movie reviews, and for that reason a hard copy will always be welcomed as a permanent reference for the thoughts and analyses of one of the most important critics of our time. If that's not your thing, having a hard copy of the reviews means that you can always quickly look up a review without having to worry about booting up a computer or remembering how to spell "Berardinelli." If anything else, this makes sure that you vote with your dollar and support a critic who deserves greater exposure.

(I realize the overly-glowing tone of this review, but if you've read Berardinelli, you'd understand.)

I've been an avid reader of James' website for the last year of so. I have come to value his reviews over almost everyone elses. He never fails to expose a bad movie and tell exactly why in an intelligent, and sometimes humorous way. I've often been prompted to see a movie that I otherwise would have probably overlooked. James, if you read this, ignore that jerk who gave your book a one star. Everyone is entitled to their opinion, but writing scathing reviews that are based on questionable informatio is unecessary. I look forward to reading more of your reviews and your next book. Take care!

This is a good book as a review for nurses already in hemodialysis and an informative book for new dialysis nurses.

I have a Masters of Science in Nursing. This was the best written, easiest to read book I have read in a while. Question and answer format. Worth the money.

This book is very informative not only for experienced Dialysis professionals but also for those who are new to this sub-specialty. I highly recommend it for anyone who needs a book that is very readable and covers the topics necessary without using terminology that is too technical and complicated to understand.

"THIS EDITION INCLUDES SIX NEW CHAPTERS:
* Transplantation
* Diabetes and Hemodialysis
* Pediatric Hemodialysis
* ESRD in the Elderly
* Management of Quality in Dialysis Care
* Renal Care and Information Technology
These chapters focus on the needed interdisciplinary approach reaching across the continuum of care."
[from the book of back cover]

I used this book at a study guide for the nursing certification test in 2000. I passed with flying colors. It is comprhensive and to the point. There wasn't a subject in the test that was not covered in this book as well. This book is a much easier read than the ANNA curriculum. If you are looking to study for the CNN or CDN then look no further.

I read this book first in the 1980s, while I was actually working in the theater (and I had met a few of the people talked about in the book). What I like about it so much is that Goldman expresses his opinions, especially about the fare on Broadway at the time (not so good), the deficiencies of some of the actors and actresses and his sweeping view of the whole milieu. I don't always agree with him, but he's so incisive that you gain enormous respect for him, particularly when he's writing about Judy Garland, Sandy Dennis and Tom Stoppard. Students of theater history should turn to this book to find out what a bygone era (before huge corporations and nonprofits took over Broadway) was all about.

This book is it. It's just it. If you have any inclination at all to work in the theatre in any capacity, this book is required reading. Do not move to New York without it. I did, and I barely barely survived the few days it took me to find a copy. Order it now while you still have time! I'm serious!

William Goldman is not only a great screenwriter, but a wonderful writer of prose/criticism, as evidenced by "The Season," probaby the smartest, if not funniest, book ever written about the (sorry) state of Broadway. Here he tells you all you would want to know about the making of a Broadway show--all the compromises, betrayals, fits of ego, and under-the-table deals that keep the "fabulous invalid" (a phrase, by the way, that makes Mr. Goldman want to vomit) alive for another season. As a lover of theater, you may become depressed at the cynical machinations that go on to get what is, after all, usually pretty mediocre material to the stage; however, Mr. Goldman's prose is so crisp and entertaining that your spirit is ultimately lifted by his keen analysis. Although the patient is very sick, here's a doctor who has a prescription to offer. And all through the book, he does offer suggestions on how Broadway can better serves us, the theatergoers. Alas, the advice wasn't followed then (the late 60s), and it's not being followed today.

This is an extraordinary book. It is written by an author with a first class mind and genuine curiosity about his subject. Whilst one may not agree with all of it, the writing is a delight and he does not shirk dealing with controversial issues such as the influence of homosexuality on the stage and the corrupt financial practices in relation to theatre tickets, etc. Even though it was written for the 1967-1968 season, it still resonates and viewed in retrospect, it provides crucial evidence relative to the aetiology of the culture wars.

William Goldman's groundbreaking book The Season is all it's cracked up to be and more. Though a number of the people he deals with are no longer with us, many of the shows have been forgotten, and the ticket prices are quite a bit higher, it's astonishing how much the Broadway of the late 1960s resembles the Broadway of today. The same problems, the same headaches, the same disappointments, and the same triumphs are all still a part of the Great White Way. No Broadway enthusiast should be without this book; The Season is a stunning history--and current events--lesson on Broadway theatre.

When my son graduated from Army chef school, I couldn't resist presenting him with a signed copy of this book. It really was the perfect gift! He loved it and so did his classmates and instructors. Guess Army cooking really hasn't changed so much over the years. lol He intends to try several of the recipes as a lark. He's going to let me know how it goes.

this is a great cook book, not only for M*A*S*H* fans but, for anybody who enjoys cooking. the titles of the recipes are all M*A*S*H* related. THERE ARE COCKTAIL RECIPES!!!!!!! a must for any true M*A*S*H* fan. the col. Flagg truth serum is very good stuff. your girlfriend will love it!

As a true die hard fan of MASH I can honetly say this "takes the cake!" After flipping from beginning to end I actually attempted Hunnicutt's wife's cookie recipe.

Needless to say they were AWESOME, and my wife and my family enjoyed them until the last morsel. I'm now looking through the book for more wonderful morsels of goodness.

Jocularity! Jocularity!

This book is a funny look at life in a fictional mobile army surgical hospital through the eyes of an army private. Igor is not a well trained army cook, but is forced into the role of cook by the army anyway. In spite of his lack of great cooking skills, the recipes he includes in his book are actually quite good. My sons, both of whom are extremely picky eaters, have made several of the simpler items included in this cookbook and have enjoyed the results of their efforts.

This book is not for the master chef or for the hardcore food critic. The recipes are fairly basic and don't require a lot of unusual skills or ingredients. However, the story, the pictures and the recipes are fun and useful.

If you are a fan of M*A*S*H, as I am, you will really enjoy this book and find the recipes a nice addition to your own collection.

In 1950, a country bumpkin named Igor Straminsky answered his country's call to duty and, as an unwitting Army private, soon found himself in the most hostile environment that the planet could ever serve up. No, we're not talking about Korea. We're talking about the men and women of the 4077th who queued up three times a day with plastic trays, growling stomachs, and growing suspicions that they'd more likely meet their deaths at the inept hands of their new cook than they ever would in confrontations with the enemy they'd come to fight.

"Dear Ma," Igor wrote home, "Instead of letting me work at something I'm good at, they're gonna make me do a job I don't know anything about! Radar, the company clerk here, told me that he thinks the Army does that on purpose."

Still, a job was a job and the beleaguered young private wasn't going to let the ongoing sarcasm of Captain Hawkeye Pierce dampen his spirits.

HAWKEYE: It's inhuman to serve the same food day after day. The Geneva Convention prohibits the killing of our taste buds.

Suffice it to say, Igor had plenty of time to hone his craft (such as it was). His stint in a mess tent chef's hat, in fact, lasted 8 years longer than the actual Korean War. When the hit television series M*A*S*H finally bowed out in 1983, almost 125 million viewers tuned in to say goodbye, the largest audience ever for a TV show.

"Ma!" he wrote, "I'm sure you've heard the news...IT'S OVER! I'll probably be home by the time you get this letter but I wanted to write it anyway. I'll make everybody dinner when I get there but could somebody else please serve it?"

Fortunately, Igor's efforts to please the palate weren't left behind on a helicopter pad. His alter ego-Hollywood actor/writer/entrepreneur Jeff Maxwell-has compiled the best of Igor's mess tent magic into a hilarious book entitled "Secrets of the M*A*S*H Mess: The Lost Recipes of Private Igor."

Testimonial from Colonel Potter: "There seems to be a misconception here-those recipes weren't lost! We did our best to hide them."

Within these wacky pages--which are replete with black and white production stills, "dog-tag" quotes, and letters home-the author not only gives us generous dollops of homegrown culinary advice but demonstrates a talent for memorializing his Army experiences and friendships with his own brand of signature recipes:

* Hawkeye and Trapper's Swamp Spaghetti
* Winchester's Upper Crusted Chicken
* Hot Lips Tri-Tips
* Pork Choppers with Barbeque Sauce
* Stuffed Seoul
* Radar's Teddy Bear Turkey Loaf
* The Colonel's Kernel Stew
* Toasted Tank Tuna
* Hunnicut's Homesick Cookies
* Intravenous Drip Dip

IGORISM:
Hawkeye told me he went to school for twelve years to be a doctor. I trained in boot camp for eight weeks to become a soldier. It sure takes a lot more time to learn how to save a life than how to end one.

As clueless as Igor seemed to be whilst unveiling inventive concoctions such as "Cream of Weenie Soup" or "Hot Potato Pucks", he shows remarkable clarity in laying out instructions that are fun and easy to follow. Whether you're mustering your troops off to work or school with "Frontline Flapjacks with Chocolate Gravy", settling in for an evening flick with "Movie Night Popcorn Shrimp" or dazzling your next book club group with "Forward Marsh Melts", there's no denying that Igor knows what it takes to please picky eaters.

IGOR: Peas or carrots, Sir?
HAWKEYE: Oh, a little of each will be fine.
IGOR: Good, because I don't know which is which.

He has also included a short section on drinks, including "Pre-Op Novocaine Shake", "Swamp Swill Martini" and "Suicide is Painless", the latter popularized in song for both the original film and the TV series.

Testimonial from Hawkeye Pierce: "Can't wait to try the recipes. There are several people I'm trying to kill."

In real life, by the way, Maxwell is the inventor/purveyor of a kicky Bloody Mary Mix called Chico Rico™ which won a People's Preference Award in the 2003 International Zesty Foods Show. The mix, which he describes as "Lip Smackin' Fire & Spice", is available at Bristol Farms or through his website at http://www.chicorico.biz/order.html.

While dinner is cooking, TV trivia fans will find themselves well entertained with Maxwell's behind-the-scenes anecdotes as well the convoluted journey that took this affable actor from the bowels of the Print Department at 20th Century Fox to stand-up comedy to the elation of playing a character with an actual name on a hit series instead of just a credit as "Soldier 1". The proliferation of candid shots suggest the slap-dash happiness of an overgrown kid who has not only found himself at the summer camp of a lifetime but in the thick of new friendships destined to last forever.

HOTLIPS: I thought you might enjoy being the Charity Officer for me. You'd be so good at it.
BJ: Oh really?
HOT LIPS: You have such a nice smile. Not liking you is the same as not liking a collie.

Last but not least are the bittersweet tugs of nostalgia which remind us that the 4077th wasn't just Igor's family and his home-away-from-home but a weekly part of our own family as well.

"Dear Ma," his letter began, "We all just found out that Colonel Blake gets to go home. Lucky guy-sure wish I was gonna be on the plane with him!"

In the third season finale, "Abyssinia, Henry", marking actor McLean Stevenson's departure from the cast, viewers will recall the heart-stopping moment when a stunned Radar announced that Colonel Blake's plane had been shot down en route to Japan. There were no survivors.

It was moments like this that reminded us of what good writing can be. And it's books like "Secrets of the M*A*S*H Mess" that demonstrate Private Straminsky has a definite calling in top brass cuisine.

What a pleasure to finally read this classic book. I grew up loving Cousteau's television programs. Ultimately, I became a diver because of Cousteau.

This is adventure writing at its best. Cousteau was always a master storyteller. That was probably more instrumental to his success than his bravery, innovativeness, or his ability as a diver. This book is a collection of Cousteau's experiences with early scuba. He masterfully captures the awe, the fear, the struggles, and the sense of adventure of the first years of scuba.

I love adventure writing, but sometimes great adventurers are not great writers. Cousteau was both. If you have an interest in Cousteau or in scuba diving, this book is a must read.

As promised in the title, in this book Jacques Cousteau reveals a new world of unanticipated beauty, fittingly described in his charming, French-influenced English phraseology. C. Blickenstorfer has done a fine job explaining the contents of this book, particularly as it relates to divers or those interested in diving history. However, The Silent World, read as a frontier narrative, also has relevance for anyone interested in our current and historical treatment of the ocean.

Humans have interacted with the ocean for ages, but before divers like Cousteau it was a blind interaction, a grasp at resources based on guesses and historical results. Cousteau's underwater observations of trawl-net fishing make clear the change of ideology his "aqualung" opened to humans. Watching the net destroy grasses on the ocean floor, Cousteau reports "Man's method of undersea farming seemed to consist of blighting the acre while reaping a small part of the crop" (48). As opposed to a history of blind grabs at ocean creatures, Cousteau's aqualung gives him the capacity to see without touching, and his narrative provides a chance for our knowledge to begin catching up to our know-how.

Another epiphany facilitated by the aqualung is a completely new set of fears and a new evaluation of old "monsters." The killers of which Cousteau writes are nitrogen in his blood and clams with shells sharp enough to sever air pipes. On the contrary, the octopus, demonized by Victor Hugo as a monster who will suck out a man's innards, shows itself as harmless and shy. Cousteau concludes his chapter "Monsters We Have Met" with a jocularity that is persistent in the work: "If none have eaten us, it is perhaps because they have never read the instructions so generously provided in marine demonology" (222).

Cousteau's reinterpretation of the ocean brings readers to the fundamental questions of humans and their environment. How are we going to think of this new space? Should we sell it as new realty? Militarize it? Farm it? Should we simply Keep Out in a quest to guard some portion of the earth against ourselves? Those from my generation who have mythologized Cousteau as a heroic conservationist might struggle with Cousteau's narrative. This is not the work of a dolphin-hugger. Cousteau writes of his exploits kidnapping an endangered monk seal pup in his desire for an aquatic hunting dog (the seal almost dies and is given to a zoo) and bludgeoning most large sea creatures who get close enough. This includes wounding a captured porpoise to watch sharks eat it alive, an act which he justifies with "It was cruelty to an animal but we were involved in a serious study [. . .] and had to carry it out" (234).
In his conclusion, Cousteau asserts "Obviously man has to enter the sea. There is no choice in the matter. The human population is increasing so rapidly and land resources are being depleted at such a rate, that we must take sustenance from the great cornucopia" (266). Both those who would agree with this 1950s assumption and those who believe this "cornucopia" has been already overexploited can gain insight from this book as a well-written record of human reactions to the new world under the waves.

As a diver for long years, I remember the old b&w tv days, when we find happiness with Cousteau's documentary films. Now it's a mirracle to be able to purchase the whole collection in DVD format.

As great a read today as it must have been over 50 years ago. Being a modern day technical and recreational dive instructor I still find this book a fascinating read and would recommend it to all ages to divers and non divers alike.

What can be said about Jacques Cousteau and his groundbreaking book that hasn't been said a thousand times? He is undoubtedly the defining figure of modern scuba diving, his books, films, and documentaries known to millions or billions. Even the name of his ship, the Calypso, is known the world over. It's a small volume, this book, just 160 pages, yet it's absolutely mandatory reading for anyone interested in what Cousteau termed "the silent world" under the surface of the water that covers 71% of our planet. The Silent World is the bible of modern scuba diving.

Jacques Cousteau himself died in 1997 at the age of 87, but the legacy of his pioneering work with diving and diving physiology lives on. It is all well documented and disseminated worldwide, thanks to this French explorer's unique combination of instinctive understanding of the world under the surface and his equally unique knack of spellbinding the world with his words and images. A total master of public relations and getting the word out, Cousteau managed to grab attention and media coverage wherever he went. Critics went so far as suggesting his media talents exceeded his actual contributions to understanding the seas.

At first it's hard to figure out why this slim volume became such a success. It's not a textbook, it doesn't cover the history of diving or even much of Cousteau's own research, and it's not an adventure book. Though Cousteau was French, he wrote The Silent World in English as he had attended American schools in his youth, widely traveled the US, and, of course, extensively lectured in his enchanting French-accented English. Yet, The Silent World clearly reveals its author's non-English origin and decidedly "non-English" thinking. The writing, while precise, often suggests that Cousteau frequently described a word or concept that existed in his native French, but did not directly translate into English. As a result, the writing at times seems a bit flowery and, well, foreign, and you need to read a sentence or paragraph two or three times to figure out what it actually means. Cousteau's liberal use of metaphors, artistic nuances, poetic concepts and words that have since fallen out of currrent language only serve to make The Silent World even more unusual of a literary treat.

Anyone looking for technical explanations, precise history, a logical flow of events, or anything one might expect from a world-famous documentary maker and researcher will not find it in this book. The Silent World is a totally unique, very compressed tale flowing from Cousteau's mind. Read half a chapter and you know the man; he's a unique combination of inspired philosophical observer and gifted researcher with uncanny intuition. While others conducted their research methodically and ploddingly, Cousteau always just seemed to know what to expect, how to behave, and what to seek and avoid to make it all seem easy. He and his close associates and friends Phillipe Tailliez and Frederic Dumas used their "aqualung" to experient liberally in sort of a "Hmmm.... this is probably what will happen, let's go check it out!" approach.

Using this, Cousteau describes the difference between "helmet divers" and the newly liberated users of their "aqualung" -- what we now know as air tanks and regulators. The book casually touches on all the principles of diving physics and physiology, the stuff we learn in our PADI and NAUI classes. He describes sea life, how it reacts, where it lives, how it behaves, and what is dangerous and what is not. They see just how deep they can go. They check how colors change. What nitrogen does and why we need recompression chambers. He offers his views on treasure hunting (not worth it; if you find real treasure authorities and hordes of lawyers will soon apprehend it). He reports on atrocities he witnessed underwater, like the needless destruction of corals and cruel killing of fish. He debunks myths of sea monsters, seeks answers to geological phenomena such as the Fountain of Vaucluse near Avignon, one that almost cost him and Dumas their lives in a pioneering effort at extreme cave diving. He describes what fish do and how they react. And sea mammals and other sea critters. Sharks remain an enigma to Cousteau as his conclusion is that you simply cannot understand or predict them.

So The Silent World relates, in 14 fascinating self-contained chapters, pretty much everything we know about diving today, 60 years after Cousteau began researching as a "manfish," all the principles we know, and it's all neatly and attractively presented in tales that always mix research with adventure. Cousteau never preaches or lectures. He just explores, pushes, interprets, and reports. Maybe Captain Jacques-Yves Cousteau was a showman as much as a researcher. If so, good for him as otherwise we may never have had the opportunity to learn from him and enjoy his remarkable insights. -- C. H. Blickenstorfer, scubadiverinfo.com

well written synopsis of each episode will bring
you up to speed if you have missed episodes.
excellent show shots and behind the scene looks.
the personal thoughts of the actors explain much
as to how their chactors have grown and adapted.

good reading for all.

...and this book is the best completion for this great show.
It's a complete and very detailed review for each episode and it's very useful for a SGA fan.
A must!!

This makes a wonderful addition to my Stargate Atlantis DVD collection. It pretty much explains all of season 1; the story lines, the characters, etc. I really like this book.

If your a fan of the series then you will want this book. I have all of the Stargate SG-1 series and found them very interesting to read and to having in my collection and you will to want this in your collection.The photographys and illustrations you can't get any where else.
As a fan of the series this book will help you learn some of the lingo.
I've enjoyed all of the SG-1 books and just started my collection with the Atlantis and I'm sure you will as well.

Great book. It fits in well with the Stargate SG-1 series. Lots of good insider information and pictues.

this book is actually one of the best of its kind. It documents quite well the music of the New Wave era and is a nicely done update of the previous edition.

I got hooked on the TP Record Guides in the mid 80s by luck browsing a cool bookstore. Love at first sight. Ira A. and crew approached a gigantic task with a process and a great sense of humor. Their reviews are amazingly complete for some amazingly obscure bands. [I actually feel honored to know music of obscure underground bands that were somehow unbelievably, under their radar. I wonder what ever became of the "Cache Valley Drifters"? I sure hope Pete and Lou Berryman are still out there too.] They treat most bands with respect, excepting bands of the "Frankie Goes to Hollywood" ilk, heck I trash them too even if I don't know any better! How's that for loyal?

A couple examples of the wonders that drift among the pages. One of my favorite reviews is Simple Minds. The reviewer carefully goes over the bands' brilliant first releases and then lashes out at an apparent total sell out after they got sucked into big production movies.

This book, plus the 1990s edition following it up, will give you an enduring look at the rise and fall of underground music.
Try this at your local library, open this book to Nirvana...read the terse review of the band printed shortly after "Nevermind"s release. Now thumb to Nirvana in the New TP Guide to 90s Music, written many years later, but right next to it in the stacks (dream on). It says things like "every generation has events like hula hoops and Nirvana, they explode out of nowhere" The book is a look at what is important to young people at an important time when their brains desire to look beyond the mirror, even farther outward than the next meal, and they turn to music. It's all-together mindbending and probably important.

This book is a quest giver. Ever hear of the Morels? Me neither, but from what Ira says in his review in this book, I've been on a quest to find some of their musical legacy and so far I've failed. But I'm persistent, they're out there somewhere on some dusty shelf. I'm zealous about this book because in this world you've got to edit.

I love this book. I have to say that I didn't always agree with Robbin's et al views of the music on display. One reviewer mentions their treatment of Simple Minds, and I could make a case for the Silencers. a great Scottish band of the mid to late 80's.

What makes this book great isn't the reviewing they do (concise and well written, always), but rather the fact that Trouser Press provides histories for each band before jumping into their material, and traces the progression of bands through their careers (read the Sonic Youth entry if you don't believe me).

This book leaves all others I've ever read far behind for that simple fact. If you want little info on the bands and sketchy histories and lineups, then by all means, run to Rolling Stone and Dave McKean. But if you want to understand the individual formations of bands, their original vision, how and why they changed, and a full critical accounting thereof, buy the Trouser Press guides.

Magic, I tell you. Magic.

Before there was such a thing as P2P music downloads and other ways of getting ear candy for free (hopefully just to listen before you buy the real CD from the artist you like) you had to rely on word of mouth or radio. Since radio did not play most of the great music listed here, take it from a Suicidal Tendencies/Thin Lizzy fan, this was the one way I KNEW the music I risked my money on was worth it. As far as guides go, this one surpasses them all.

I got hooked on the TP Record Guides in the mid 80s by luck browsing a cool bookstore. Love at first sight. Ira A. and crew approached a gigantic task with a process and a great sense of humor. Their reviews are amazingly complete for some amazingly obscure bands. I actually feel honored to own music of obscure underground bands that were somehow unbelievably, under their radar. They treat most bands with respect, excepting bands of the "Frankie Goes to Hollywood" ilk, heck I trash them too even if I don't know any better! How's that for loyal?

A couple examples of the wonders that drift among the pages. One of my favorite reviews is Simple Minds. The reviewer carefully goes over the bands' brilliant first releases and then lashes out at an apparent total sell out after they got sucked into big production movies. And this book, plus the 1990s edition following it up, will give you an enduring look at the rise and fall of underground music.

Try this at your local library, open this book to Nirvana...read the terse review of the band. Now thumb to Nirvana in the New TP Guide to 90s Music, written many years later, but right next to it in the stacks (dream on). It says things like "every generation has events like hula hoops and Nirvana, they explode out of nowhere" These books are a look at what is important to young people at an important time when their brains look beyond the mirror, even farther outward than the next meal, and they turn to music. It's all-together mindbending and probably important.

This book is a quest giver. Ever hear of the Morels? Me neither, but from what Ira says in his review in this book, I've been on a quest to find some of their musical legacy and so far I've failed. But I'm persistent, they're out there somewhere on some dusty shelf. I'm zealous about this book because in this world you've got to edit.