Reviews Books

This coverage of the making and cast of the show Xena: Warrior Princess is downright hilarious. Granted, I have an odd sense of humor, but you can tell that the author went out of his way to make this as entertaining as possible. There are lots of spiffy pictures, and two sections of large, full-color photos. The cast bios are particularly interesting, in my opinion; many things you might not know about these crazy actors/actresses (ie. apparently, Ted Raimi is a fantastic swing dancer; who'd have guessed, oh, wait, I always have...never mind). There are little mini-interviews and comments scattered throughout the pages, along with amusing production anecdotes, and episode synopses in the back (paired with commentary by Lucy Lawless/Xena). My only complaint is that this book only covers the first couple seasons. Perhaps there's an upgrade version that I missed, and if not, there should be. I highly recommend this book for even the casual Xena: WP fan, and particularly the rabid ones, though if you're a rabid fan, you probably already own this...

....being a hardcore nutball Xena fan ranked for me - but only for a short while - among the highest!But then,now that I've embraced this pleasure wholehartedly, let's put things like this: if anyone wants to understand the ideological linings of postmodernity, understanding the Xena phenomenon provides one of the shortest roads, and if anyone wants to study XWP one has to begin gathering extra information here. I would recommend, however to order this book with Ariele Dorfman's & Armand Mattelart's _How to Read Donald Duck_, if the purpose is scholarly; if you just like Xena, order the two neverthless.

What can I say? If you love Xena, you gotta have this!

Robert Weisbrot's paperpback book `Xena: Warrior Princess, The Official Guide to the Xenaverse' is an entertaining and informative presentation which chronicles the first two seasons of the immensely popular television series that lasted six delightful seasons.

Making good use of the same format used in his episode companion for the Hercules series, he provides not only a synopsis of each show from season 1 and 2 but also loads of behind the camera information providing the reader with a thorough grasp of what is involved in bringing the Xenaverse into existence.

Definitely an enjoyable and informative read sure to be treasured by Xena fans everywhere. The only question I have for the author is "When are you going to complete what you've begun and release a follow-up covering seasons 3, 4, 5 and 6?"

This book is great. I have the Warrior Princess Costume all ready! Lucy Lawless Looks sharp on the front cover of this book and I got this with my staff at the Joyce Warner House... I really have to say is that it has great pictures! :) <3Cheeeeeyyyyaaa!Young Xena Warrior Princess

I love this book!! comfort food at it's finest...the grit gravy and the grit tofu are just amazing.

This cookbook is absolutely fantastic! I used to live in Athens, Ga and this cookbook gives the recipe for my old favorites at the real restaurant, The Grit! I could NOT be happier- as a beginning vegetarian, this book is priceless because it helps prove that as a vegetarian you do not have to miss out on great tastes, new great tastes are DEFINATELY out there!

The publishers ought to be giving me a commission as I have turned so many people on to this cookbook! Seriously, it has fantastic recipes, including the best pancakes I have ever made....the nutritional yeast gravy and the golden bowl are to die for...the stews with Guinness beer rock....the cilantro and pesto quesadillas are always a hit....yum......

My son bought me this book for Mother's Day. He told me to bookmark the book I wanted. I didn't, but had left the page up with the Grit Cookbook on it and left the room. I had wanted another cookbook, looking forward to receiving the other cookbook, and to my surprise, received this book instead. What a wonderful accident. I have enjoyed reading the book. It's so fun; it makes you want to visit the Grit. I have, also, enjoyed the recipes. So far, we have tried the salsa, famous vegan ranch dressing, tabouli, spinach and lentil soup, and my husband's two favorites: cream of tomato soup and mock cream of chicken soup. Everything has been excellent! Thank you son for such a wonderful surprise!!

I never been to the restaurant before but from this book I can imagine their food is great. Its full of interesting, tasting, and quality recipes. Also these recipes are made to feed large families which is good with me because I have one. My absoultey favorite recipe is the BBQ Tofu Sandwiches oh my goodness it is the best bbq sauce I have ever made and the ingredients are so simple(I must note this recipe calls for honey but I use agave and it is still good). I must add that this book is not 100% vegan some of the recipes call for cheese, butter and milk but that can be easily substituted with its vegan counterpart. All of the vegan recipes have a little V by them to make them recognizable on site. So if you are looking for good vegan food for a big family, then check this book out.

A lot of info that a lot of people did not know about those little darlings. Very interesting, good reading, very well done. Thank You.

Excellent book....Leonard really digs deep to document and convey all things "Rascal". It's worth the purchase price.

Revised in 1992, Leonard Maltin and Richard W. Bann's "The Little Rascals" is a must for anyone who has enjoyed the antics of Spanky and the gang. The authors' exhaustive research and warm-hearted nostalgia is evident as they chronicle the history of these enduring comedy shorts. Along with biographies of the ever-changing cast and crew, the book offers a detailed critical analysis from the golden Hal Roach period (1922-38) to the sad decline at MGM (1938-44). It's the ultimate Our Gang celebration, with a treasure trove of rare photographs and publicity material.

I have been looking for this book for ages.Answers so many questions about all the Little Rascals.Some didn`t live long and very few are still with us.Being from Long Island I watched them on CH.11 on the Officer Joe Bolton Show every day after school.Kids today have nothing like them on TV.The facts in this book are fantastic and the pictures are great.If you love the Little Rascals buy this book.

The Little Rascals: The Life and Times of Our Gang is the most comprehensive book available about the popular short series. Leonard Maltin, longtime fan of both Hal Roach comedies and the Our Gang series itself, writes both intelligently and lovingly about the series with the help of Richard W. Bann.

This book opens with a short history of the Hal Roach film company and the Our Gang series.

Then, it leads to a collection of all of the shorts made for the series including the cast, release date, and highly effective synopses and analyses of each short. These are listed chronologically and noted according to ownership and distributor and silent and sound. Some of the silent have been lost, but they are not neglected. Instead, Maltin has used reviews from the time period to give the reader a sense of the short and an idea of its quality. Opinions are used, but they are obviously separate from the factual information and are supported by facts. They add to the effectiveness of the synopses and paint a more vivid picture of the shorts that are unavailable. What is also unique about this book is the listing of the MGM shorts that are often regarded as the worst quality episodes of the series. Skipping these films, although understandable, would have made this book far less complete.

Next, the spin-offs and pop culture effects of the series are addressed, including the Saturday Night Live spoofs of Buckwheat and the cartoon versions of the show.

Last, the book includes a brief history of all of the major stars of the series and a few sentences about the more minor players. Sadly, this section needs to be updated because of the deaths of the cast members after this second publication. However, the information that is included is accurate and valuable, as much of it cannot be easily found anywhere else, especially interviews.

One must also comment on the abundant photographs utilized in the book including rare publicity stills.

Overall, this is a high quality history of The Little Rascals.

this kind of book is right up my alley, time period is the most enchanting.

I will keep this short and simple Mrs. Wolf is one of the best writers around. I loved this book it was worth every penny and I plan to keep it and read again one day.

This was a great read -- I could not put it down. It was wonderful to start with the young Arthur and the experiences that made him the man - king -- that he was. The love story between Arthur and Morgan is truly heartbreaking and will bring tears to your eyes. The scene where Arthur comes face to face with the son he didn't know he had is gut wrenching.

I highly recommend this book, as well as the other two that follow in this trilogy, Born of the Sun and The Edge of Light. I wish the author would return to this style and quality of writing as opposed to the light fluffy regencies she is currently writing.

The Road to Avalon is the story of King Arthur written as pure historical fiction with very elements of fantasy. This makes it quite a different story from the one that is normally told. There is no magic, no dragons, no quest for the Holy Grail and such things as are normally incorporated into the story.

Uther Pendragon and Igrane married and three months later had a son. Because Igrane was married to another man when the son was conceived (though it was Uther's child) they thought it best that the child not be Uther's heir. So he was sent away to be raised with peasants. Fast forward nine years and Igrane has had no other living children, so Uther sends his father in law, Merlin, to fetch young Arthur and raise him to be a king. Only when Merlin finds him he discovers the boy has endured years of abuse. He takes him home to his villa, Avalon, and raises him along side his eight year old daughter Morgan. But he never tells Arthur who he is.

Morgan and Arthur grow up together and are in love. But Arthur is reveled to be the next High King when he is 16 and he learns Morgan is his half-aunt and he can never marry her. They end their relationship. Arthur doesn't want to live without Morgan but she knows the country needs him and sends him away.

You can guess the rest. This is a lovely version of the classic Camelot tale and is very romantic and sweet. My only complaint is that Morgan doesn't have much of a personality-she's basically a reflection of Arthur, who is a lovely portrayal of a tortured soul who only exists because of love. And the choice she made about not marrying Arthur because they couldn't have children after her son Mordred was born seems stupid. I don't think that she did it purely so Mordred could have a happy childhood-she could have made him happy with her and Arthur. But other than that she's a great charecter. And it is nice how no one is really evil in this book or wholly unlikable-everyone is portrayed very fairly.

Anyway, good book. Four point five stars.

An incredible version of King Arthur sans Lancelot. This is the story of Arthur, and his more than humble beginnings, until Merlin tells him years after he "adopted" him that he is the heir to the British throne after Uther. He is Uther and Igraine's legitimate son. While Merlin is preparing him to be a leader whilst living in Avalon with his daughter Morgan, the two children develop a lasting friendship that turns into love. He doesn't know for years that Uther is his father, Igraine his mother, Merlin his grandfather and Morgan his aunt until he is to be king. By then it is too late to stop the love between Morgan and Arthur.

He becomes king but he still wants to marry Morgan. Merlin & Morgan warn him that the threat of incest will impede his reign and tell him it's impossible to marry her. He does eventually marry Gwenhwyfar in a loveless marriage to produce an heir while continuing his relationship with Morgan. Meanwhile, Gwenhwyfar finds comfort with Bedwyr with Arthur's knowledge and unspoken permission. Morgan has been keeping a secret from Arthur for 15 years that also comes out.

Read this book! It's a refreshing storyline that I haven't encountered before. Bedwyr is Gwenhwyfar's lover and there is no Lancelot to fuddle things up as usual. Mordred is portrayed as a very unwordly teen and unsure of himself and others. Agravaine is as obnoxious and cunning as he usually is in other novels. Gwenhwyfar is in love with two men. Finally, the relationship between Arthur and Morgan is not a simple one but a lasting one.

SWORD AT SUNSET BY ROSEMARY SUTCLIFF: The late Rosemary Sutcliff was a prolific writer from the 1950s through the 1970s, publishing a number of children's books, including the Eagle of the Ninth series and a series of Arthurian novels, as well as over twenty other children's books on historical subjects. She also penned nonfiction works and adult fiction, including Sword at Sunset, originally published in 1963 and re-released on May 1st of this year.

Sword at Sunset features an introduction by Canadian author Jack Whyte, writer of the successful Camulod Chronicles, a nine-book series beginning several generations before Arthur was born. Whyte freely admits that when he first discovered Sword at Sunset it changed his life, which becomes all too clear when one has read both authors. The characterization, the tone, and the painstaking attention to historical detail and accuracy are prevalent in both works, to the point where one might think Whyte owes Sutcliff more than an introduction and homage.

In Sword at Sunset, Sutcliff creates a world where the Roman legions have left Britain, yet the sense of Romanitas remains strong, especially in the noble characters of Ambrosius and Artos the Bear. They retain not just the armor, style of combat, and the Roman military organization, but a superior, almost arrogant sense of belonging to something that was once great and could be again. Sutcliff's early medieval world is not as "dark age" as normally depicted in fiction, but thriving with trade and societal infrastructure across Europe still seemingly intact. Artos the Bear spends the beginning of the book traveling to southern France where he looks to purchase strong breeds of horses to bring back to Britain to create a strong cavalry force to fight against the invading Anglo Saxons and maintain the British control and rule.

While it is not completely clear how Artos the Bear has risen to such great prominence, he nevertheless has the backing of the people, which spurs him on to defeat the Saxons in many battles. Sutcliff introduces many familiar characters from the Arthurian world, though there is no Merlin or Lancelot (the latter originally an addition made by Chrétien de Troyes in the twelfth century), but an important appearance is made by Arthur's incestuous sister Medraut (or Morgan). Sword at Sunset reads like a historical military text with its calculated and descriptive battle scenes that make the world come alive, to the point where the reader may indeed believe such events transpired in the fifth century, leaving the common storylines of romance and chivalry out of the story completely, much as they were in the original time of Arthur.

For more reviews, and writings, or to buy yourself a copy, please visit www.alexctelander.com

I loved another book by Sutcliffe but this one disappoints. The doom and foreshadowing is so relentlessly drummed in that I could never begin to care about the characters. The subtlety that she is skilled at is overdone here, and the heart of it seems hollow. Battle scenes roll by, in extravagant detail; crucial personal scenes flit past in a couple of sentences. Artos' wife is hard to love and rarely seen.

It seems like Sutcliffe was desperate to avoid the overdone, often covered traditional plot elements of the King Arthur story. She keeps only the doom and very little of the honor or love.

I have read most of the variations and book series on the King Arthur legend (Jack Whyte, Bernard Cornwell, Mary Stewart, Stephen Lawhead, etc) as well as a good deal of background information and theories. This edition intrigued me because Jack Whyte has written the forward and he has been my favorite writer on the subject ... to a point (up to the end of "Uther"). But Rosemary Sutcliff, by far, has set the standard for the conclusion of this legend. It is realistic, and most importantly, believable. You want to know the people in this book. You can see, feel and hear what they are experiencing. Her style is intelligent, interesting and true to history. And curiously, she wrote this before any one else did. THIS is how this story should end.

This is quite simply the best dark ages historical fiction novel ever written. "Sword At Sunset" tells the story of Artos the Bear, the war leader who will one day be known in legends as King Arthur, and his valiant struggle to fend off the invading Saxons, Angles and Jutes who are descending on Britain in the wake of the Roman evacuation in ever-increasing numbers. Sutcliff avoids the swords-and-sorcery of the Arthur legends and focuses on relating an amazingly accurate and realistic-seeming tale of what the TRUE Arthur must have been like. This book is in some ways a sequel to "The Lantern Bearers", which tells the story of a Roman soldier who chooses to stay behind after the legions depart Britain in the early 5th century. Here Sutcliff's magnificent prose reaches its zenith as she describes the struggles of Artos and his "Companions" to rally the populace and raise, train, and feed their army. The language crackles with authenticity, the battles are gripping, the historical detail is uncanny, the characters are all complex and multi-dimensional. Arthur in particular is portrayed as a admirable but flawed man whose failings as a husband and father are as much a driving force of his persona as his ability to attract and lead men into war. The book also touches on Arthur's negative light in many of the saint's lives, by describing his conflicts with the church over provisioning his war band. You will not find a more believable or poetically written tale of the dark ages, though Wallace Breem's "Eagle in the Snow" comes somewhat close. This one has it all and will not disappoint true fans of historical fiction looking for a realistic, well-written novel of this fascinating time.

As close as possible to depicting the real King Arthur. Beautiful, gritty, based on history and archeology. No silly fantasy here -- no Merlin, no magic, no Camelot, no Round Tables, and no damn Wiccans dancing in the moonlight.

Quite possibly the most charming cat stories ever written. Jenny the cat is filled with wonderful emotions that everyone can relate to...nervous about making new friends, afraid that she's not good enough, she proves herself through all sorts of wonderful adventures. Highly recommended!

Friends gave us this one for a birthday present for our six year old. Have since ordered the whole series!
Nice to have children friendly, wholesome story...our children can't hear it enough!

I loved these stories when I was a little girl and its been a joy to pass them along to my own daughters. I love how Jenny realizes her own worth even though she feels so small and shy sometimes. Friends, loyalty, and fun adventures makes these stories timeless

I love Jenny Linsky. I love her gentle nature, her kindness, her shyness. I loved her from the moment I opened the book and read the first paragraphs to my (then) 5 year old daughter. I loved her as I made red pom-poms to tie onto a red scarf so my daughter could dress up as Jenny for Halloween. But five years later, she's my second favorite Linsky. My most favorite is my three year old daughter, Zoe Linsky, whom her big sister lovingly named after the nicest person she could think of, a little black cat named Jenny.

I am so glad they re-released this book--my mother was thrilled to receieve it. Seller sent the book in great condition and it arrived very quickly.

I love this textbook (as much as you can love a textbook). This is the bible for your cardiology block. I've read it cover to cover and think it's probably the best textbook (by far) I own. Not only does it provide information in a concise fashion, but it explains it very well too.

I am a first year medical student in the middle of my cardiac module and have really enjoyed using this book. It is easy to read, high yield, and very clinical. I would recommend this book to any student trying to really nail down cardiology.

If you are in medical school this book is the greatest thing you will ever buy. For our cardiology block I read this cover to cover and made the highest grade I have ever gotten on an exam.
Get it right now!!

I picked this book up at Barnes and Nobles while studying for the boards. It is excellent, both concise and thought provoking. My only regret is that the faculty and students have not written these books to cover every topic in medical school.

I read this book cover to cover for my cardio theme. It was clear and well written. I would recommend it highly to anyone in medical school who wants a clear easy read. It has all the detail you need to know, without extraneous material.

Charles L. Granata is a Sinatra Historian and Archivist, and he has distilled a wealth of information into his book: Sessions With Sinatra. It covers Frank Sinatra's career, from his first recording in 1939, until his last in 1993. It focuses on the music, and only mentions his private life if it pertains to the music. The book is about Frank Sinatra, the singer, but it is also about the Art of Recording, and the development of recording technology, which parallels the career of Frank Sinatra, or that is the central thesis of the book. "Chuck" Granata puts up a very good case, and documents his case with extensive detail. But with evidence like the illustrious career of Francis Albert Sinatra, it is an easy case to make.

Frank Sinatra is quite a paradox, someone with a dark side, but also a sensitive artist, the greatest singer of the 20th Century--but sometimes he could be a real jerk. The book doesn't pull any punches, but since we mostly see him in the recording studio, he is on his best behaviour. There is mutual respect between him and the musicians, the producers, and arrangers, with him occasionally pushing them to do their best. Yes, there are tantrums at times, and it is all in this book.

As well as information about Sinatra, his singing, the arrangements, and the music, there is also a tremendous amount of technical information. The various microphones used, the recording equipment, the echo chambers used to enhance it, the various studios and their construction and acoustics. Sometimes this can be a little dry to the non-engineers who might be reading it, but what is fascinating about it is that Frank was there making records when they were recorded on laquer covered disks, and he was along for the ride for all of the technical innovations that followed. To study the recordings of Frank Sinatra is to study the history of recording. He was not only there when it happened, but often the force making it happen, or at the very least the catalyst.

It is all there in Mr. Granata's book: From his early days with Harry James and Tommy Dorsey, through his solo career at Columbia and Capitol. He left Capitol to form his own company, Reprise, and then finally at the end, for the Duets I and II he was back at Capitol. The great arrangers and producers that worked with Sinatra are all covered: Axel Stordahl, Nelson Riddle, Billy May, Gordon Jenkins, Don Costa, Johnny Mandel, Jimmy Bowen, Mitch Miller, Claus Ogerman, Ernie Freeman, and many others.

If you have ever wondered what is was like at the creation, this book is for you. If you are skeptical about Frank Sinatra's talent, if you doubt that he was the greatest singer of the 20th Century, and if there is a greater one in the 21st, he or she has yet to reveal him or herself, then listen to the songs listed in the book, then read the book. Songwriter Sammy Cahn knew Frank when he was just starting out, and as his career was just starting to gather momentum, he told him of a dream, a vision, that he could be, was going to be, the greatest singer the world has ever known. And he was.

Essential Sinatra:

Songs for Young Lovers (Nelson Riddle, August 1954) My Funny Valentine, The Girl Next Door
In the Wee Small Hours (Nelson Riddle, April 1955) In the Wee Small Hours
Songs for Swingin' Lovers! (Nelson Riddle, March 1956) I've Got You Under My Skin
Close to You and More (Nelson Riddle, January 1957) Featuring The Hollywood String Quartet
Frank Sinatra Sings for Only the Lonely (Nelson Riddle, September 1958) One For My Baby (and one more for the road)
Come Fly with Me (Billy May, January 1958) Come Fly With Me
Ring-a-Ding Ding! (Johnny Mandel, March 1961) Let's Fall in Love, I've Got My Love To Keep Me Warm
It Might as Well Be Swing (with Count Basie) (Quincy Jones, August 1964) The Best is Yet to Come
September of My Years (Gordon Jenkins, August 1965) It was a very good year
Strangers in the Night(Nelson Riddle and Ernie Freeman, May 1966) scoobey doobey doo!

Sessions With Sinatra sets a unique standard of excellence in balancing historical research with respectful recognition of Sinatra's importance to Twentieth Century music.

"I adore making records. I'd rather do that than almost anything else." ~ Frank Sinatra, 1961 ~

"Frank had the color and the fire and the brains and the imagination. Intellectual background strangely enough. Artistic sensitivity." ~ Nelson Riddle, 1983 ~

"Most Sinatraphiles would argue that his finest work, and the style he will ultimately be remembered for, was forged with Nelson Riddle. Sinatra-Riddle partnership was musically ideal and illustrates how a symbiotic musical relationship between orchestrator and singer can make a world of difference in what we hear and how we hear it." ~ Chuck Granata, 2004 ~

"Sessions with Sinatra and the Art of Recording" is indeed a wealth of information on everything you should know about Frank Sinatra's recordings. It is divided into five parts: The Big Band Years (1937-1942), The Columbia Years (1943-1952), The Capitol Years (1953-1962), The Reprise Years and Capitol Revisited. Mr. Granata did an excellent job in outlining Frank Sinatra recordings during his entire musical career, and his vast knowledge on all aspects of recording, technical in particular, is so amazing.

The Foreword was written by Phil Ramone, who himself is very well-versed when it comes to recording session engineering, and once said that he "was in heaven on the day that he realized his dream of engineering a Sinatra session."

Nancy Sinatra, who herself is a star in her own right, has written a very loving tribute to her famous Dad and "her hero" on the Afterword. I would single out a quote from her that I found so moving, here goes. . .

"My father always had a genius for picking the right songs, and when you consider the relationship between the tunes he selected, and the remarkably different themes that comes with each passing decade, you can see that his music tells a story that parallels his life and ours. Those songs, and their changing themes, represent Dad's most passionate dream - the one he talked about on dates with my mother - and the realization of that dream, which brought him almost insurmountable pain along with irrepressible joy as he experienced it, and as he lived it."

This wonderful and well-written book also features over a hundred black and white photos of the star himself with his fellow artists, musicians, conductors and arrangers such as Nelson Riddle, Quincy Jones, Billy May, Count Basie, Duke Ellington, Mitch Miller, Rosemary Clooney, Bing Crosby, his daughter Nancy, among others; Nelson Riddle's original score for "Close To You" in 1956; a vocal lead sheet of "April In Paris," (from Come Fly With Me sessions in 1957), which Mr. Granata cited as an example of how great Frank Sinatra was in legato-style phrasing, breath control and vocal maturity.

Mr. Granata wrote about the collaboration between Sinatra and Riddle (Part 3, Pg 92) and called it "A Musical Marriage." Frank Sinatra believed that Nelson Riddle was "the greatest arranger in the world, a very clever musician who was like a tranquilizer - calm, slightly aloof. And he's got a sort of a stenographer's brain." If Sinatra tells him, "Make the eighth bar sound like Brahms," or "make it like Puccini" - Riddle will make little notes, and will obey the Chairman. Their partnership was so fruitful and creative as well, and had produced the finest recordings of all-time, there's no doubt about it. They were truly musically made for each other. They both had good work ethic and the same musical goal. They knew what "each other was doing with a song and what they wanted the song to say." They had a very good rapport in all their collaborations, which is the most important factor to the success of a recording.

This is a very detailed source of information to any new Sinatra fan looking to start a collection of albums for the appendices show lists of Companion Recordings, Basic Collection, Concept Albums under Columbia, Capitol, Reprise, QWest Records. It also enumerates "Fifty Songs That Define the Essence of Sinatra" and most of them are meaningful, special songs that are my all-time favorites.

Congratulations, Mr. Granata for an excellent and well-crafted book you've written. And thank you very kindly for inscribing my copy. :)

Very highly recommended to any Sinatra buff.

This book comes from a different perspective and reminds the reader that really , it should be about the music .

I had read some silly books about Mr Sinatra and was glad to come across a serious one - I've always been fascinated by recording studios , having done some recordings myself . I wish I could have been at some of Sinatra's sessions .

This book is the next best thing for me .
I loved it .
Buy if you are even a small fan - this will make you into a bigger one .

Read this one cover to cover. Incredible detail, both technical and artistic. The only thing that would have made this book better is a complete sessionography or a description of the recording process of each album rather than just select dates. That said, it is an incredible resource. This book, along with Will Friedwalds excellent "The Song Is You" are the definitive works on Sinatra's recording career.

This is classic sci-fi in its space opera format. I read this when I was a teenager because I'd read Lord Kalvan (Paratime series) serialized in Analog. It's quintessential escapist fiction--one of the most popular sub-genres in sci-fi. Taken as part of Piper's grand Future History saga, this is one of the best.

If you ever played Traveller, or GURPS or anything else like that, you will love this story. Very well written and entertaining. Piper's death was a loss that the SCIFI community will never recover from, especially with books he wrote like this one.

This novel reads like an adolescent fantasy. What would I do if my new bride were murdered? Become a space viking of course! And start an empire, and then everyone would respect me!

I found the messages disturbing as well. A couple that come across include the idea that stealing from and killing those weaker than you is OK, and the concept that those in power shouldn't tolerate lower classes working toward equality.

For the price of the Kindle edition, it wasn't awful, but I'll take an early Heinlein any day.

_Space Viking_ (1963) was a four-part serial in _Analog_ in 1962-63 and was accompanied by some marvelous John Schoenherr illustrations. It was reprinted by Ace shortly thereafter to modest attention. Since Piper's death by suicide in 1964, a number of his admirers have tried to make a case that the novel is a classic. Well, it isn't. It is a well-crafted space adventure that has some intelligent things to say about politics and warfare. But there is nothing highly original about the novel in plot, style, or content. It doesn't have the sparkle of his own Little Fuzzy novels.

Briefly, the story is this: The Galactic Federation has collapsed, and planets are now at the mercy of marauding Space Vikings. The hero is a nobleman named Lucas Trask whose bride is murdered on their wedding day by a madman. To catch the killer, Trask becomes a Space Viking and begins a series of conquests across the galaxy. But gradually, he finds that he is also rebuilding...

One of the characters in _Space Viking_ is an admiral named Otto Harkaman, who becomes a right hand man to Trask. The name sparked an echo in my mind when I reread Piper's novel. And then it clicked. It reminded me of the Baron Vladimir Harkonnen in Frank Herbert's _Dune_ (1965), another _Analog_ novel. One man is essentially heroic, while the other is essentially villainous. But both are politically savy. Orson Scott Card once complained that most science fiction writers knew little about politics. They would have politicians in their stories say things that politicians would never say in real life and do things that real politicians would never do. This is not true of Piper and Herbert. You sense that their depictions of political meetings are authentic and that the policies that they make are realistic. Granted, their politics are somewhat on the medieval and Machiavellian side, but they are realistic nonetheless.

In any event, I heartily recommend _Space Viking_. Classic it may not be, but it deserves more attention than it has received in the past.

I picked this book up the other day at a used bookstore. I decided to do this when I saw that the book was in better shape than the one I have in the basement and the price was great (only $3.00, not bad at all for a book that I love). Having picked it up, I immediately started to read Space Viking (again for the upteenth time). As with many of Mr. Piper's books, Space Viking is as much a look at society and political systems as it is a space opera. In this case a futuristic feudalism is examined while remnants of the Old Federation raid their poorer neighbors.



For me this is a five star book. The story telling is descriptive, the plot; while simple it does have a style that enables the space opera to move forward nicely while Mr. Piper explores space feudalism (and other forms of government) and the impact when people leave one country/planet to seek their fame and fortune. While this book was written in 1963, Mr. Piper does a great job making this a timeless classic. More science fiction writers would be better if they'd emulate Mr. Piper's works.

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.