Saint The Books
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TransportingReview Date: 2007-07-28
The adventures of a rebellious 17th century orphan Review Date: 2006-02-28
She chafes against her lowly, outcast position in a society that claims itself egalitarian, and resentfully despises their hypocrisy, but it doesn't occur to her to renounce the only religion and community she has ever known. Where would she go? What would she do? She does her work and confines her rebellion to small things - until she falls in love and lust with Adam Stradling, son of the Saints' minister and leader and a bit of a rebel himself, who delights her with his irreverent mimicry of his father, John.
Beahrs, with a background in archaeology and anthropology, bases this community on the Plymouth Colony people, the Pilgrims, as they came to be called. Farmers (husbandmen) for the most part, they keep to themselves, shunning the world and fearful of persecution. Because they do not recognize the king as the head of their church, their religion is illegal. Within the community discipline is harsh, with the stocks employed for infractions like observing forbidden holidays or clinging to superstitions. It is a pared down religion, shorn of frills and ceremony.
But Beahrs keeps his characters human, allowing them to stray from the righteous path in one direction or another. Some, including Melode, cling to the community because it's all they know. But when their land is rented and when the owner dies and his son brings in new settlers, the Saints decide to leave behind their familiar, but no longer safe world and migrate to the New World.
John Stradling sends Adam to London to arrange passage. Although eager for the adventure, Adam promises to reunite with Melode on the ship. Naturally things do not go as smoothly as Melode hopes, but to say more would be to sacrifice some of the plot's suspense. And there is plenty of that.
Not edge-of-the-seat, nail-biting suspense, but an absorbing, character-driven desire to know what happens next. And plenty does. From stifling, smelly berths and storm-tossed leaky hulls to precarious coastal fishing camps, frightening and frightened natives, isolated bird-nesting islands and fractious, struggling settlements, the story moves through much that the journey to the New World could offer in those early days and does it well.
Beahrs has a flair for the cadence of the language. Though he readily admits that no one can know exactly what people sounded like in the early 1600s he does a good job of making the reader feel transported.
Early in the book, the young girls are raking hay:
"I slip into the rhythm of the work line. The raking is rough and tacky where the grass is cut low, tines bumping over warm earth and cropped stalks. Hay builds beneath my rake, heaping in heavy banks. I pull the wooden handle back but it's all pillowy, durable hindrance. We've missed the first cool hour, and the heat of the day is trapped beneath the layers of my clothes like flax oil. The handle is rough and unfinished, and grates against my hands. Sweat beads on my forehead."
His prose is tactile, helping us experience Melode's world, from the extreme but ordinary lack of privacy to the harangue of the meeting room, the strangeness of a new continent and the timelessness of human emotions. Well written, with a fine, melodramatic plot, "Strange Saint" is an adventure for those who like some substance to their historical novels.
--Portsmouth Herald
A "Strange New World" that Beahrs uncoversReview Date: 2006-02-11
Extremely well-written with a compelling narrative, Beahrs has re-created a fascinating time in history with a page-turning plot.
Strange Saint by Andrew BeahrsReview Date: 2005-10-04

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The street where I live...Review Date: 2008-02-09
Looking ForwardReview Date: 2007-07-31
Great Local HistoryReview Date: 2007-01-09
Great BookReview Date: 2006-10-21

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Wonderful!Review Date: 2008-03-19
I also recommend these other books by Matthew B. Brown: The Gate of Heaven: Insights on the Doctrines and Symbols of the Temple, JOSEPH SMITH: The Man, the Mission, the Message, All Things Restored: Confirming the Authenticity of Lds Beliefs and The Plan of Salvation: Doctrinal Notes and Commentary
You Will Know Them By Their FruitsReview Date: 2004-06-21
Definitions of symbolsReview Date: 2000-03-31
Great discussion of Temple symbolism.Review Date: 2000-08-02
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The Seeds of a Master's ThoughtReview Date: 2007-05-05
In this essay, Ratzinger primarily investigates the eschatological thought of Saint Bonaventure, placing the aforementioned topics into relation with the thought of the Seraphic Doctor. The eschatological development of Bonaventure with respect to the Franciscan order is compared with those of his day, particularly Joachim of Fiore who had an eschatological outlook which was more progressive and historically-directed than even that of Bonaventure. It is here that we see Ratzinger's personal development of the realization of Christ as the midpoint of history by means of Bonaventure's work. Additionally, he appropriates the conceptual framework of revelation which was developed by the Seraphic Doctor (although it would be more appropriate to refer to this as a "theology of revelations"). Finally, while looking at the dialogue (and polemics) between Bonaventure and the Aristotelians of his day (including, to a degree, the Thomistic school of thought), one is able to see the seeds which Bonaventure sowed into Ratzinger's mind, reflecting on the temporary character of scholastic/philosophical/rational theology which makes it subservient to full supra-intellectual Love of God.
As a whole, the text remains a great contribution to the overall corpus of material available about Bonaventure's thought on eschatology and the role of the Franciscan order therein. However, I think that the most profitable reading of this text will ascertain those latent predispositions in Ratzinger's work which remained with him through the years. In order to understand the overall theological vision of Pope Benedict XVI, this text is fundamental for seeing the foundational lenses through which the master views the issues of eschatology, revelation, and Love.
Interesting insights into Ratzinger's thoughtReview Date: 2007-02-28
This early work on the historical theology of St Bonaventure helps give one some understanding of Ratzinger's often deeply conservative stance on many issues. Indeed Ratzinger might be said to stand in the Augustinian tradition of the Church, while Pope John Paul II was firmly in the tradition of Aquinas. Ratzinger's monograph focuses then on how Bonaventure thought about history and where the history of the world was leading, and what this meant for the Church, from the time of Adam to the final eschaton at the Last Judgement.
While Raztinger writes this book mostly with academic theologians in mind, the non-theologian can get useful insights into the theological orientation of his later works and stances as the Prefect for the 'Inquisition' or Congregation for the Doctrine of Faith.
A Wonderful Look into Ratzinger's (Benedict XVI's) ScholarshipReview Date: 2006-05-07
A theological must read.
A superb studyReview Date: 2005-12-16
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An utterly invaluable primary source Review Date: 2007-03-06
I Recommend, HighlyReview Date: 2006-12-02
As "The Greatest Generation" falls to the "silent artillery of time," this book is a wonderful document for bringing them, and the era that they lived through, to life.
I Recommend that you read, "They Say There Was a War."
sweet!Review Date: 2006-01-18
WWII is one of the most interesting things I've learned about in school.
They Say There Was A WarReview Date: 2005-09-02

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Defense of iconsReview Date: 2008-08-02
Theological-dynamite for today's disunityReview Date: 2008-01-04
St. John takes on the iconoclasts from several directions. With respect to their use of scriptural prohibitions against images, St. John responds with church tradition as the guide to interpreting scripture and challenges those who would "remove the ancient boundaries, set in place by our fathers" [Prov 22:28]. He reminds his listeners several times in these sermons that, "Not only has the ordinance of the Church been handed down in writings, but also in unwritten traditions." And ends the first sermon on that theme with, "Therefore I entreat the people of God, the holy nation, to cling to the traditions of the Church. " Referring to Ezek 20:25 in light of Matt 19:7-8 with Heb 1:1-3, St. John says, "And I say to you, that Moses, on account of the hardness of heart of the sons of Israel, ordered them not to make images, for he knew their tendency to slip into idolatry. But now it is not so; we stand securely on the rock of faith enriched by the light of knowledge of God." The authority of the church to interpret scripture based on the sacred tradition is without doubt in John's eyes. It is a direct challenge to those in John's day (and ours) who would attempt to claim scripture alone guided by private interpretation alone as the final authority on faith and morals.
With respect to the authority of the emperor to arrogate the authority of the church, St. John responds forcefully on the basis of apostolic succession, "It was not to emperors that Christ gave the authority to bind and loose, but to apostles and to those who succeeded them as shepherds and teachers." Several times he refers to emperor Leo by name so there can be no doubt of his meaning.
St. John is not shy to imply that the iconoclasm movement is, in essence, nothing more than a resurgence of the Manichee heresy that viewed matter as inherently evil. He challenges this heresy with "You abuse matter and call it worthless. So do the Manichees, but the divine Scripture proclaims that it is good. [Gen 1:31]" And when challenging the view that images of matter could not be made or venerated he responds, "For just as the holy Fathers destroyed the sacred places and temples of the demons and in their place raised up temples in the name of the saints, and we reverence them, so they destroyed the images of the demons and instead of them put up images of Christ and the Mother of God and the saints." And, St. John further asserts, "I do not venerate matter, I venerate the fashioner of matter, who became matter for my sake, and in matter made his abode, and through matter worked my salvation. I reverence therefore matter and I hold in respect and venerate that through which my salvation has come about, I reverence it not as God, but as filled with divine energy and grace." St. John also links images with the veneration of saints and contends that removing an image of a saint is the same as not venerating them, and, he contends concerning the saints, "It is just as bad not to offer the honor due to those who are worthy, as it is to offer inappropriate glory to the worthless."
St. John's eloquence alone makes this an enjoyable and inspiring read. The relevance to the issues related to images which St. John touches upon (relics, hagiography, Mary, icons, statues, scripture and tradition) are still hindering our unity today and that makes this work all the more valuable to us. This is a must read for anyone interested in the development of Christian doctrines or church history.
Well worth itReview Date: 2004-08-03
He makes three basic arguments. First, he points out they did not worship images, but revere them as a window or pointer towards a heavenly reality, much like how most Christians would treat the printed Word (the book itself is not sacred, the messages contained in it are).
Secondly, the use of images is not only not forbidden in the Old Testament, but is actually commanded (the Ark, for instance, or the bronze serpent). Thus, only "idols" are forbidden, not images (actually, it is the word "eidol" in the Septuagint that St. John would have used).
Third, when God became man, He effectively gave us an image, Himself. To deny that images have a valid place in worship is to deny the Incarnation of Christ, and the Trinity is the very heart of Christianity.
St. John the Damascene makes these arguments bluntly and succinctly. He believed that he was holding up the traditional view of Christianity, and he did this in Syria, then controlled by Islam which forbids the use of images. His defence made him unwelcome in the Empire and it placed him at odds with a core teaching of his rulers. Given that he thus risked his life to write these, Christians should give him a firm hearing.
A Fresh Translation, with a Remarkable Scholarship of Theology and Ecclesiastic History Review Date: 2007-04-27
"John of Damascus helped to secure the future of art in the service of Christ. Without his brilliant defense, both profound and at times earthly, we might well have had no icons, murals, and mosaics in churches to elevate and enrich our spirits." L. Wickham, Cambridge Divinity
Icons then & now:
The Orthodox attitude toward icons developed out of the iconoclastic struggle of the eighth and ninth centuries. During the reformation, early church reformers were iconoclasts, they believed it impossible to portray the divinity of Christ, and thus found it heretical to portray only his humanity. The Eastern solution to the icons of Christ was to focus on the image, which God made visible in the flesh, emphasizing the divine nature of the humanly experienced Christ. This strictly adhered to a traditional portrayal by copying a likeness from one image to another, revert to early 'iconic writings', rather than mere imagination or interpretation. The features of icons are similar because they are portraits based on historical prototypes, unlike Western art, individual visualizations of figures available for unending imagination. These representations help Eastern Orthodox in worship, though inevitably flawed, by providing a blurred vision of spiritual truth.
Icons, a Western View:
"...the icon Fr. Barbour purchased wherein one sees the women 'Orthodoxy, and 'Hellas,' this is a coy and clever rhetorical strategy. ... It is also suggestive of that ubiquitous caricature of Orthodoxy we are all well aware of: the Orthodoxy that is nothing more than the idolatrous synthesis of faith and cultural identity." The Ochlophobist, Oct. 06
The very different response of the West to an iconoclastic challenge led to a different Christ figure than that of the East, which emphasized his humanity. The Christ figure, Dostoevsky portrays, in Myshkin is very much a Western Christ, one who is undeniably human, vulnerable to suffering and death, not a deity in human form, who is offering us salvation. Dostoevsky has dislocated the iconography of Christ, East and West, to carry out what might be called an iconoclastic project of his own. In portraying the 'truly good man,' an even necessary task for an artist, he runs the risk of producing an authoritative discourse which answers those questions which must remain open, only dealt with through the experience of suffering. If he were to create the image, he would destroy its power. These issues were far ahead of John Damuscene when he wrote his apologies.
Louth Translation & commentary:
John of Damascus wrote 'Against Those Who Attack the Divine Images' in debating the iconoclastic Byzantine theologians of the 8th century, and the imperial powers violently rejecting icons veneration. He defended the tradition of using icons in liturgical and private prayers, reminding the Church that their use is a safeguard to a central doctrine of orthodox Christian faith: the Incarnation of the Word. In Jesus Christ, God became man, and therefore, can be depicted in icons.
This fresh, complete translation, of John's three treatises on the divine images more clearly display the issues at stake, both then and now. This translation by the eminent patristic scholar, in modern English, renders these central treatises accessible, to scholars and laymen alike. John's message remains pertinent today, for those who still regard icons with suspicion.
John of Damascus:
Andrew Louth task was initiated by his study on John of Damascus, unlike JND Kelly on Golden Mouth, is a remarkable combination of theology and scholarship. He is capable to analyze the various influences discernible in the numerous writings of John. Louth's scholarly methodology combines the historical analysis of literary association with the exposition of the thematic content of the texts, demonstrating an enviable mastery of the Greek patristic literature. This study sets John's theological work in the context of the process of defining, preserving, and defending the church doctrine. He explores John's achievement as a theologian of icons and as a liturgical poet. Louth depicts John as standing at the end of the creative era of patristic thought but addressing that thought to a new age of expanding Islam and Christian iconoclasm, in which his Arab monastic community, despite its remoteness from Byzantium, played a strategic role in articulating theological defense.
Fr. Andrew Louth:
Professor of Patristic and Byzantine Studies, U. of Durham. He taught patristics in Oxford University, and Byzantine and Medieval history in the University of London. His research interests lie mostly in the history of theology of the Greek tradition, within the Byzantine Empire. His books include: Origins of the Christian Mystical Tradition: from Plato to Denys, Discerning the mystery: an essay on the nature of theology, books on Dionysius the p-Areopagite, Maximos the Confessor, John Damascene, and on the tradition of desert Christian spirituality.


Time management from my carReview Date: 2006-03-30
Well-written, in plain EnglishReview Date: 2006-02-23
The secret to what makes good Catholic Families tick!Review Date: 2003-01-24
Reliable techniques for overcoming procrastinationReview Date: 2002-11-05

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Wonderful bookReview Date: 2008-03-04
COULDN'T PUT IT DOWN!!Review Date: 2007-12-01
Romantic, gripping, and just plain good!Review Date: 2006-04-13
The story was rich with conflict, resolution, loneliness and loveReview Date: 2005-09-29

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Study on the life and influence of PaulReview Date: 2002-08-13
Awesome writerReview Date: 2002-04-19
Wonderful bookReview Date: 2008-04-06
JeffreyhReview Date: 2007-01-25

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FascinatingReview Date: 2002-01-26
Ancient documentary evidence for the Book of AbrahamReview Date: 2006-09-23
A fantastic book! The Prophet Joseph's critics are on the run!Review Date: 2007-04-20
This book is just one of many - though perhaps the best - that authenticates and vindicates the Prophet Joseph's claims about his translation of the Book of Abraham and shuts down all of the attacks made by uneducated "scholars". Every day now, Joseph is looking better and better.
"Millions shall know Brother Joseph again. Hail to the Prophet!"
Valuable Aid to Religious ScholarsReview Date: 2005-06-26
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