Reviews Books

This particular book follows the eleventh and twelfth seasons of the "Simpsons." We are offered summaries for each episode, as well as chalkboard and couch gags, hard-to-know facts and trivia, and character sketches and designs from various episodes. This is a great addition to the first two books in the series, but seems to be filled with some extra, not very essential material, just to seem larger and worthy of the price. Yet, in any event, I think if you are a big "Simpsons" watcher, or want to know more about these seasons, this book is a great purchase.

This book is hilarious, even better than the other two! Every series,the simpsons just gets funnier and funnier. I can't wait for the next book to come out and the next series to be shown on C4. If you like The Simpsons, you will love this book.

Amazing. The ultimate for any Simpsons fan!

THE SIMPSONS BEYOND FOREVER! A COMPLETE GUIDE TO OUR FAVORITE FAMILY...STILL CONTINUED is probably the best book on the Simpsons that I've read, along with THE SIMPSONS: A COMPLETE GUIDE TO OUR FAVORITE FAMILY and THE SIMPSONS FOREVER! A COMPLETE GUIDE TO OUR FAVORITE FAMILY...CONTINUED. It includes, and I am taking this right from the cover, all new characters, episodes, and secret jokes you might have missed from seasons 11 & 12. The book was created by Matt Groening and edited by Jesse L. McCann. It details each episode and even has extras: Season 11 Production Art; Season 11 Character Designs; Season 12 Production Art; Season 12 Character Designs; Church Marquees; "D'oh"s and "Mmm"s; Itchy & Scratchy; Couch Gags; Who Does What Voice; and Songs Sung Simpson.

The books dedication even reads:
TO THE LOVING MEMORY OF SNOWBALL I:
YOU ALWAYS MANAGED TO LAND ON YOUR FEET.

My favorite sayings in the book are all on p. 104 - 105, "Simpsons Tall Tales":

A hungry, hungry Homer: "I haven't had buffalo in six hours. Marge, how about whipping up some buffalo sausage, huevos buffaleros, and some fresh-squeezed buffal-OJ?"

VICTUAL REALITY:
HUCK FINN (NELSON): I'm considerable hungry. We got any food left?
TOM SAWYER (BART): Hmm. Looks like we're out of cornpone, fatback, hardtack, fatpone, corntack...
HUCK: Any tackback?
TOM: Tackback?
HUCK: I mean, backtack.
TOM: Plum out.

COMPARE AND SAVE:
APU: One jug of whiskey, three plugs of tobacky, and some extra-strength opium. That will be two cents, boys.
TOM: Gasp!
HUCK: Two cents!
APU: Hey, if you think my prices are high, go across the street!
(He points at a $0.99 Store.)

I would buy this book for double the price!

P.S. - I also reviewed the first two books mentioned above.

Wow, The Simpsons has been around a LONG TIME! Right now, they're on Season 15 and the hit show doesn't look like it will end anytime soon. Of course, the episodes are kind of stupid now and some are losing interest. The Simpsons Beyond Forever covers season 11 and 12. The book is basically a really detailed episode guide. Inside, there is an Itchy and Scratchy Filmography, Homer's D'OHS! and his mmm's, and of course, the couch gags. But, that's only part of the book.
Also, they tell everything you need to know about each episode in seasons 11 and 12. There's the stuff Bart writes on the chalkboard, quotes from the episode, a summary and hilarious pictures. With 2 pages for each episode, they have plenty of room to fit anything they want on it. They even do a The Stuff You May Have Missed section for every episode. They have even more information for the Treehouse of Horror episodes. 4 WHOLE PAGES! The episodes aren't even that great!
The book, I wouldn't consider short, but not long. The first book(The Simpsons: A Complete Guide To Your Favorite Family) almost has 100 more pages than Beyond Forever! But, Beyond Forever has enough information that the few pages don't really matter.
You'll find EVERYTHING you need to know about season 11 and 12 in this book. Basically, it's amazing. I would reccommend this true work of art to any Simpsons fan. You could watch one Simpsons episode and still find this book interesting. Seasons 11 and 12 weren't included in the drop of ideas that has suddenly come into The Simpsons. The wonderful episode HomR lets you discover Homer's only stupid because he lodged a crayon up his nose as a kid. Plus, there's the crazy Trilogy of Error episode where it tells where Homer's finger was cut off by Marge and her brownies.
All in all, this book is AWESOME! Buy it.

This is a great book, covering just about everything you could hope to know about the first six seasons of the show. I really enjoyed the writing by Colucci and the actor/producer/director/guest star anecdotes. I don't care for the format of the book, though - the episodes are usually covered two-to-a page, in column format (yecch). Some of the interlude pages are kind of cheezy (i.e., there's a page listing all of Will & Grace's various boyfriends) and some of the pages with behind-the-scenes info (i.e., the decor used for Grace's office and Will & Grace's apartment) have a corny-looking layout. Hopefully by now this book has been expanded to include the last two seasons and the historic Finale, and the aftermath of this groundbreaking sitcom. Incidentally, "Will & Grace" was remarkably consistent - the first five seasons were consistently great. Season six slipped a bit, probably due to the writers having to work around Debra Messing's pregnancy, but Season 7 came back stronger than ever. The last season of most sitcoms is, predictably, never the best, but the earlier seasons more than make up for it. This book does capture the magic of Seasons 1-6. Thanks, Jim Colucci.

Will & Grace is on of my favorite shows. And this book just proves my point. From the beautiful photographs to the hilarious interviews, it's a pretty awesome companion book.
My only complaint is that I wish it were updated to include all 8 seasons, as it only covers up through season six. But it's still great, and a must have for any Will & Grace fan!

"Will & Grace: Fabulously Uncensored" is a must-have item for every fan of the now-defunct but forever-classic television program, but it will also be of interest to the casual reader who may be curious about the "behind-the-scenes" makings of a modern sitcom. This book is dense with anecdotes, factoids, and gossip; it outlines the fascinating history of the inception and casting of the show, along with exhaustive information on how the episodes are put together, from initial writer's conferences and cast readings, through rehearsals and show tapings, including furious last-minute script rewrites, and, at least in one instance, the firing of a guest star during the performance. I would offer, however, a few words of warning: the book only covers to the end of Season Six (a "W&G" quiz featured in the book's appendix contains a couple of incorrect answers due to further developments in Seasons Seven and Eight); and the proofreader for this tome should be shot -- I stopped counting typos and misspellings after I reached a dozen, and I wasn't even a third of the way through the book. The wary should, of course, be more concerned with the former than the latter, and I offer it only as a cautionary note to avoid undue disappointment. Otherwise I highly recommend this book to all!

This book is great for people who are obsessed with the show. The colorful (and I mean COLORFUL) pages are filled with photos, episode summaries (seasons 1 -6), cast and character bios (on minor characters as well), witty quotes and a lot of behind the scenes articles and tidbits. It makes a great coffee table book to pick up and flip through and relive the laughter.

What more can I say that hasn't already been said in these other 5 star reviews?

If you loved those crazy characters...you'll love the book. You'll learn fun tidbits & laugh as you recall your favorite moments from the show.

It was fun reading the original, after seeing both movies. Lots of details, inner thoughts not possible otherwise. Very thought provoking. Loved the Gory illustrations.

Ellie Lezak
October 9, 2007

This book was no doubt the best science fiction book I have ever read. H.G. Wells does a amazing job recreating a book that has been done by many authors, into the type of story that has you on the edge of your seat, never wanting to put the book down because you just have to know what comes next. In this book, the main character who stays anonymous by name is a normal simple man, not any really any different from any of the other people in this time, but there is one difference, this man happens to know, how to survive. What to look for and what to stay away from, who to trust and who has to go. And how to rebuild something that was destroyed, so that there was nothing left. One normal night but one twist, what seems to be smoke in space coming from mars? For ten days, at the same time every night, the same smoke appears. And exactly 10 days after he 1st say the smoke a green light heading right for earth not to far from his house. Days. The day after the asteroid land no one really pays attention to it but it is mainly the noises inside that attract them. Even if they new what the future had in store for them. There would probably be no preventing fate from doing what was going to be done. Battling the fate of everyone around him this man manages to live, and start over again just like everyone else.

In H.G. Wells's writing, he does a amazing job to capture the seen, and make it so the reader can actually imagine what the situation would be like. And put them self's in the moment. There were only 2 things that I did not like about this book. At some points it would just go on, about the same thing, just a list of different things, and than it would happen again. And the only other thing that I didn't like was the ending. I've always thought that the ending of a book should be fun and exiting, and wrap up the whole story. But the ending to this book wasn't the best it explained a few things and than there was one food scene and it ended. But over all I would rate this book 4 stars out of five and I defiantly recommend it for all ages.

First thing I have to say is what great scientific imagination for a book written in the late 1800's. I mean they didnt even have cars yet and Mr. Wells is writing about partical beams and biological warfare. 2nd is I was actually surprised at how much the recent movie used from the book. I didnt care for the movie as much as I did the original version but it was much more faithful to the book than I'd ever imagined. If you your a fan of either of the two movies or just want a very good sci fi book to read I highly recommend this book. The language at times is dated being written at the turn of the century but it's still a quick and easy read.

I read this book because I was curious how close or incredibly far the movie had stuck to it. I was quite surprised to discover, that while the movie's main character couldn't be more different, the plot is almost identical in spirit. Spielberg didn't create all those different modes of suspense, he just channelled them from Wells. First we have the discovery, then the initial panic, then the mob mentality, then hydrophobic, claustrophobic, and xenophobic situations that are chilling. Granted all these circumstances are updated into the 21st century. I was impressed by how many details were included (the redweed particularly).

The book is better than the movie in two aspects. First off, the scene in the cellar with the main character and curate. I've talked to a lot of people who felt that the execution of Tim Robbin's character in the movie was not just and unnecesary. The book handles this much better-"with one last touch of humanity"

The ending of the movie is absurd. You don't care that the son is still alive because he annoyed us so much with his whining. Then you are let down when there is no true reconciliation between the broken family. In the book (PLEASE STOP HERE IF YOU HAVEN'T READ IT YET) you barely meet the wife, and deep down, you are just sure she is still alive, but their reunion does not seem fabricated, it seems somehow eerie and almost gives you chills.

I liked this book mainly because it's science fiction. I liked the martions and the detail the writer used. I liked the interesting words used by the writer. It was illustrated well.

EXCELLENT!!! I love this book. I've been waching GH for years now but this book gave me the backstory to alot of plots. The pictures are great and seeing all the old charachters from years back is the best. I love it, love it,love it!

A wonderful compilation of memories from a once-great soap opera. It's a necessary memory tool for Classic GH fans to remember the show before it turned into the poorly produced, poorly written mockery it is today, courtesy of current misproducer Jill Farren Phelps (better known as Dull Darren Delps) and hack writer Bob Guza Jr. (a.k.a. Mob Luza Junior Writer).
It's a fine written tribute to the late, great producer Gloria Monty, who guided GH out of the doldrums in the late 1970s. Monty's best are on parade in the scrapbook --
The love triangle of Luke, Laura and Scott.
The love triangle of Alan, Monica and Rick.
The spy adventures of Luke teamed with Robert Scorpio opposite the wicked and domineering Cassadines.
The expansion of the WSB/spy stories through the characters of Sean Donely, Anna Devane and Frisco and Felicia Jones.
The enduring loving couples that put your faith back in human nature -- Drs. Rick and Lesley Webber, Lee and Gail Baldwin, Steve and Audrey Hardy, Edward and Lila Quartermaine -- are well presented.
The great villains -- Helena Cassadine, Cesar Faison, Grant Putnam, and Heather Webber -- are in the house.
There's also a neat section of GH vets who went on to bigger and better - singer Rick Springfield (GH's Dr. Noah Drake) and Demi Moore (the soap's erstwhile newspaper reporter Jackie Templeton).
Only thing that's needed is an update of the book. The current book only goes as far as 1995. Warner should bring it up to 2002, the year GH began its rapid decline.

Sincerely,
J. Mosher.
(a.k.a. doneleywannabe of ABC's GH Internet message board).

This is especially great for old time fans like myself, because it reminds us of some great old scenes. It's too bad a lot of the newer actors are not in this, but it's a few years old. I love seeing this on my book shelf, proclaiming my love for GH. A great gift for the fan.

Okay, this book goes back, way back, to the beginning. LOTS of great photos and it explains the storyline as well! So if you wonder what Jason used to be like or who's related to whom...this will explain it all!

I bought this book as a gift for a friend so I can't comment on the contents but she LOVED it and is a big GH fan so I'm assuming I did well! My experience was exceptional. Got my book within a few days in mint condition as promised!

This book I will cherish for all my life. I love looking back at the old GH to the present. It just shows you how awesome General hospital is. It has such great stories. Love stories like Brenda and Sonny, Robin and Stone, to break through stories like Allen drug addiction to Stone's AIDS Story. God this book will make you scream in glee or shead a few tears. To All- ENJOY!

I first learned of Mistress Masham's Repose during a game of charades. (Can you imagine trying to act out this title, especially since it's a book so few people have heard of?) I had already read and loved The Once and Future King, and set out to find a copy. I have read this book three times over the past 20 years. Each time it strikes me anew as such a wonderfully funny, sweet and substantial novel. It could be that the title itself is what kept it from becoming a classic alongside Wind in the Willows and A Wrinkle in Time. Read this book! Buy this book for all the book-loving children in your life!

As an American child of about 10, I acquired a battered copy of this book along with a bunch of children's books from a family friend whose children had outgrown them. As other reviewers suggest, I was mystified by much of the book (the poet Pope?) but I still found it a great adventure story and loved the illustrations. It didn't hurt that I resembled Maria myself (a bookish tomboy with glasses--thank God for LASIK). I have re-read the book with pleasure on a number of occasions and now understand the references, but I wouldn't hesitate to give this book to an intelligent American child today. Perhaps it would prompt him or her to learn more about British history and literature. I'm glad to see it has been reprinted.

As kids, both my brother and I considered this one of our favorite books - and we did a LOT of reading. I can't tell you how many times I read it. Our copy was lost at some point, so I am thrilled that it is back in print so I can now read it to my own children. My kids are 3 and 6, so still a bit young for this book, but I'll probably buy a copy now for my own pleasure, and another for my brother.
I have always loved books that lead you to another book, and I just had to read "Gulliver's Travels" after reading this one. As a kid, much of it went over my head, but I still enjoyed it. Now that I think about it, I should re-read that one too...

Although one of White's lesser-known works, to my mind it's easily one of his best (Anne Fine regards it as her favourite children's book). The concept of Lilliputians living in an English landscape garden is superb, and White develops his theme in wonderfully enticing ways - and always with his typical 'feel' for character and setting. There's so much to enjoy in this tale - still a classic after 60 years.

After finishing university T. H. White worked as a teacher in the Stowe School which occupies a gigantic former Baroque stately home: here he conceived of the idea of Malplaquet, modeled after the greatest of all British country homes, Blenheim Palace, where the Dukes of Marlborough have lived and where Winston Churchill was born and raised. Malplaquet, an imaginary dilapidated repository of all its nation's history (we find out the Princes in the Tower were executed in its medieval dungeon, which also contains the ax which beheaded Charles I), would make a wonderful setting for any book, but rather than use it for a Gothic (the obvious choice), here White had the inspiration to make it the setting for a children's fantasy. White's mansion is not only the home of the little girl Maria who has inherited the estate (and not much else) and her warders--some cruel, some kind--but also a group of Lilliputians brought over from their island home during the time of Swift, whom Maria encounters one day. Maria's encounter with the Lilliputians becomes for her a means for learning about the nature of tyranny--both that exercised over herself by her guardian the Vicar Mr. Hater and her governess Miss Brown, but also that she herself can hardly keep herself from exercising over the Lilliputian community hidden on her estate.

This is a children's book that, to be honest, will best be appreciated by adults. White imagined his readers not only familiar with GULLIVER'S TRAVELS but also with some of the history of seventeenth and eighteenth-century England: American children particularly today would be confused as to who Mistresses Masham and Morley were, or what Malplaquet is named after, or even who Gulliver was. And their patience might well be tried by White's love of Wodehousean "types": the bluff Lord Lieutenant with an obsession with horses and hounds, and Maria's mentor the absent-minded and esoteric antiquarian the Professor . But adults (and even older children) should love this book, and its well-structured narrative is a real pleasure.

I feel I can now successfully pass the CMA exam in June 2007, if i can find the time to sit down and study(LOL)

If you buy this book you will not be diapointed. Studing this book for my state test will make the test easy. Even though its a lot to learn you will learn it from this book. Its easy to understand. Some times its hard to put down. Keep up the good work Dr. Moini.

I recommend anyone that is preparing to take the CMA exam to purchase this book. I find the information very helpful and easy to understand. The CD-Rom is also very helpful with over 2,000 multiple choice questions. Thank you Dr. Moini for writing such a wonderful book. Keep up the good work.

I am currently a student of Dr. Moini, and I bought this book while taking his Anatomy I class. I have continued to use it throughout the rest of my Anatomy classes, and it is still very helpful. This book is very helpful; it makes learning even the most complicated things easy. Dr. Moini's book has been an invaluable resource to me so far, and I am sure that it will be just as helpful while reviewing for the CMA exam. I highly recommend this book - it's an excellent way to study!

This book is a must have for all MA students. It helps not only with the CMA exam but as a study guide for all classes. It is clear, well organzied and covers all the necessary information. Thanks so much!

Maybe to that limited set of writers who thinak they are the Homers of today.

But a great american novel would be read by many people with differing levels of appreciation and determined to refelct the CURRENT and essence of America (oh what about south america) not just the mythical past.

THe words may flow as a poem, and cover or expound cleary or lyrically the points of life in this country but that alone does not make it a great story. Or a timeless one.

In preface to my review, I have to say that my favorite writers are Thomas Wolfe, F. Scott Fitzgerald, Henry Miller, Hermann Hesse, Heinrich Boll, Arthur Rimbaud, etc.
Many of the reviews here have bandied about the name of Thomas Wolfe (whose "Look Homeward, Angel" was brilliant); and the comparison is richly deserved; but the most insightful comparison came from the person who said it reminded him of an American version of Tolstoy's "War and Peace".
I've actually read "War and Peace". Lockridge's "Raintree County" rises to that level--and, in my estimation--surpasses it. I love the Russians--Tolstoy, Dostoevsky, Turgenev. And I love Walt Whitman and Ross Lockridge for the same reason. They all have what the Spanish call "duende," what the American blacks clamor to express by the word "soul". These aren't weak, spineless, effete Victorians afraid of beauty, passion, shame and awkward emotions.
They cast light into the dark corners of the human soul and throw open man's collective experience for all to see--something rarely achieved in typically dryer Anglo-Saxon literature.
Ross Lockridge's "Raintree County" astounded me. It left me wondering how this great American genius has been ignored, neglected. The only thing I can think of is that Lockridge makes the fatal mistake of being honest, of writing too accurately about the time-period, of not lying and indulging in historical revisionism. As a result, spineless readers wince when the "N" word is used, or terms like "pickannies," "darkies" or various other period vulgarities are employed by despised side-characters.
For this reason geniuses like Booth Tarkington are banned and suppressed.
It's sad. They want to revise the past and make it "acceptable" for modern audiences. But if you sanitize, you gut, you neuter, you destroy the hard edges which give the time-period texture, verisimilitude. (I mean, if slaves were well-treated why did we fight the Civil War?) But modern hacks would have writers keep all profanities out of it, re-write it so that nothing crude or insensitive made its way in.
If you want lies, watch a Hollywood movie, read a trash novel; if you want genius, poetry, brilliant insights and literary talent, give "Raintree County" a try. Maybe, with enough of us protesting, the prude schoolmarms with tenure at universities will be nudged from their slumber and realize that they have neglected one of the titanic achievements of modern American literature.

Raintree County is the anatomy of a fall from Paradise-with all the Edenic metaphors placed in a fictional county in Indiana-and the process by which it is regained. The structure and scope of the book are extraordinary, a system of telling and suspension that turns one day into a hundred years, all hinged upon the American Civil War (and the allegorical death of the principal character). Like another great contemporary American novel, All The King's Men, Raintree County was built upon the wreckage of a failed epic prose poem. Also, like Robert Penn Warren's glittering classic, Ross Lockridge's best-selling masterpiece deals with a gifted primary character caught up in the vortex of human history (though Penn Warren was more interested in the problem of power than he was in the cataloging of the life of Huey Long).

Raintree County should be a standard of 20th Century American literature. It is perhaps the greatest novel ever written. I'm mystified as to why it doesn't make Random House's Top 100 Novels List. I think in all honesty that Raintree County is too straightforward, too compassionate, too wise, too loving, too optimistic, too gently humorous, and too accessible to please the moldy and myopic listmakers. Really "great" books, as everyone knows, are dry game puzzles, smug literary fogs, brutal crayon travelogues, or ancient misanthropic sphinxes that museum directors and tenured professors of the academies alike can dust off occasionally without fear of ever having to update their pamphlets.

The texture style and meter of this work is astoundingly lyrical yet clear. To wit: "The world is still full of divinity and strangeness, Mr. Shawnessy said. The scientist stops, where all men do, at the doors of birth and death. He knows no more than you and I why a seed remembers the oak of twenty million years ago, why dust acquires the form of a woman, why we behold the earth in space and time. He hasn't yet solved the secret of a single name upon the earth. We may pluck the nymph from the river, but we won't pluck the river from ourselves: this coiled divinity is still all murmurous and strange. There are sacred places everywhere. The world is still man's druid grove, where he wanders hunting for the Tree of Life."

As long as I have a mind, I won't forget this profound and wonderful book or the characters who inhabit it: Perfessor Stiles with his pince-nez and Malacca cane, the cigar-chewing bighearted phony senator from Indiana, Garwood Jones, sweet Nell Gaither, the dark lost and deranged Susannah Drake. Carefully researched (it took seven years to write), it is also an excellent freshener on historical events of the nineteenth century, especially the Civil War. Contained within, for all you philosophiles, is the added bonus of cogent and detailed arguments for free will over predetermination, the triumph of spirit over matter, a solution to the riddle of the Many and the One, an explanation of the Word, and many more.

Born four years before J.D. Salinger, who still breathes at this writing, Ross Lockridge Jr. ended his life by carbon monoxide poisoning March 6th, 1948, two months after the publication of his one and only novel. He was thirty-three. He left behind a wife and four children. His second son, Larry, five years old at the time of his father's death, has written a book (Shade of the Raintree) attempting to explain what he calls "the greatest single mystery in American letters." He largely blames success in combination with a "biological (possibly genetic) predisposition to depression" along with "suicide-personality disorder (narcissistic)." It's easy to see why a John Kennedy O'Toole battering his manuscript (Confederacy of Dunces) against the unbreachable ramparts of Harcourt Brace and Get Lost, might do himself in (and then of course win a Pulitzer). But to receive a Harvard scholarship, publish an immediately successfully and lavishly acclaimed book which wins several major prizes including an MGM contract, and then to take your life as a proclaimed lover of life and a protector of four children, is a riddle beyond the ken of my meager imagination.

You may have once wandered through an art gallery and
while walking between images both beautiful and banal
happened upon a painting unlike few you have ever seen before.
It was found placed in a more remote part of the exhibit
and poorly lit thus causing you to give it a brief glimpse.
At first glance, the quaint simplicity caused you to smile yet upon
a second look you noticed the unmistakable quality, the rich
shadings, the subtleties, the emotion upon the faces of the characters,
and within a short time you realized that the artist had captured the
very essence of humanity. Shades of life both light and dark and all
the hues in between, this is what Ross Lockridge has placed upon his canvass for
posterity. This is Raintree County.

Raintree County; a mythical place, a gentle and beautiful tale of an
age and culture that has long since been harrowed under and paved over.
A verdant and pastoral county whose heart is found at the crossroads of
two dirt roads, whose inhabitants are poised at the intersection between a young
and thriving republic and greatest wrong every allowed to fester within
its expanding frontiers. The sunny days of community existence intertwined
with the political complexities surrounding the greatest rift ever to divide a
nation. A portrait of the land and its people in the midst of life and the
trials and tribulations of life's inescapable vicissitudes.

Within the covers of this book are found the joys of love upon the banks of
a river, the excitement and pride of a community during the celebration of
Independence day, the pungent smells and prolific yet depraved lifestyle during
the last days of antebellum New Orleans, and the songs of the slaves in their
agony, joy, and uncertainty. An epic, a day in the life of a ordinary man and
how he came full circle-if that is indeed possible. A reminder of the nation and
her people who were deeply shattered by the violence of a Civil War.

Within the prose are whispers of Plato, Poe, and Shakespeare. Characters
of well developed intellect and humor coexist amid the turgid and the
unlearned. At its core is love, insanity, birth, death, family, war,
and a river that courses through the county to both nourish the smiles and
drain the bitterness. Indeed perhaps the "Great American Classic," and a
sadly overlooked book. Lockridge is of the same ilk as Wolfe, Faulkner,
and Emerson. It has been said that each of us contains a book. To have this
as your only book is a majestic feat. Raintree County can be analyzed at many
philosophical levels and I am sure subsequent readings will reveal a multitude
of lessons. To me, my first time just staying at the surface brought me
the great joy that a masterfully written novel must impart.

I have positioned this book as "The" Great American novel - in reccomending it to a dozen friends. Only one has disagreed. Nuff said.

Absolutely amazing, excellent for anyone who enjoyed watching the west wing, great to read, surprized it was so big when it arrived, but I'm not complaining there's just more to have in there then. I do love the fact that there are quotes from the actors, about the show and there other cast mates. This is an excellent buy! Worth every penny!

The item showed up just as described and within a reasonable time. I was notified that it had shipped. Excellent transaction. Excellent item. I would order from this seller again.

I thumbed through this book in a bookstore and by the time I got home, I realized I had to own it and I was online ordering my own copy. This book is more than just a rehash of the first two seasons. We are treated to a real behind-the-scenes tour of what goes into filming the show. Talk about your West Wing trivia!

The asides from the actors on the characters they play are filled with gems of inside information. For instance, what do Brad Whitford and Janel Moloney think the roles of Josh and Donna are all about; how does Martin Sheen get the cast to treat him like the President and why is this adulation so important; and why is Allison Janney everyone's favorite? We are treated to a tour of the West Wing to fully understand the layout of the staff's offices and the dynamics of the characters in relationship to each other. Then, the decorations in the offices are explained, and nothing is so minor to be included by chance.

Sorkin claims he doesn't have a political agenda. He asks his staff to write a pro-con memo on each episode, and he is most comfortable when two people disagree. If the points are good, he incorporates them into the show's dialogue. You have to be a West Wing fan, and a pretty serious one at that, to fully appreciate this Official Companion, which brings to light the fine points of all that went into creating the first two seasons of this amazingly written and performed show.

Being a newly minted "Wingnut", I recently went out and purchased the first 3 seasons of The West Wing of DVD and then set about finding a good companion guide to go along with them. After sifting through the good, the bad, and the ugly, I settled on this excellent 342 page tome. While only covering the first 2 seasons, this 9" X 11" book is chock full of beautiful color pictures and enough extras to rival the DVDs themselves. Accept no substitutes and add this one to your TV library. I can only hope that a volume II (covering seasons 3 & 4) will be published when season 4 is shortly released on DVD. Plenty of time for us all to brush up on our Latin (post hoc, ergo propter hoc). R.I.P. John Spencer.

I have seen the "West Wing" books that feature scripts from selected episodes. But this book includes every episode from the first two seasons, told in story form. Plus chapters on each of the actors and their characters, the background on the making of the show -- if you're a fan, this is a "must have". I just hope that there will be, at some point, additional volumes to cover the third, fourth and fifth seasons -- and so on.

I will be starting school this fall, and found this book to be a great introduction. It is easy to read, and the highlights and charts made memorization easy. It was easier to read then Baby Barash, as a beginner.

I have to agree with the other 5 star writers. Pound for pound (makes a difference in your backpack) this book is hard to beat. I find it more complete than Secrets of Anesthesia, and more user friendly than Miller. If you want to learn 100 ways to not do something, and read conflicting studies then go for Miller, otherwise "M & M" is king. Besides, I challenge anyone to bring Barash or Miller into the OR with them for a quick reference...

It is a good basic book that covers the essentilas very clearly in not too long chapters. It is a good entry level book for doctors during their first year of residence in anesthesia.
Also for the doctor that needs to update his knowledge.

My personal experience and the reason for buying the book was that I after 5 years i neuroanesthesia needed an update prior to a period as an anesthesiologist in a not specialised department. In this way the book served its purpose well.

I used the third edition of this book for my writtens and orals. I am fellowed in cardiothoracic anesthesia, and boarded in pain medicine. It is more than comprehensive enough for everday practice, and it is more than enough to get you through the written boards, and will certainly help with the orals. Miller, Barash (is there an etc to these two choices?) are much more comprehensive, but they are highly dependent upon the writers of each chapter: while some are great reading, others ramble on incessantly about studies which show effects on giant squid axons, or how 3-74% of rats will react when their tails are clamped. And who can forget the effects of isoflurane on the livers of salamanders? Morgan-Mikhail is put together logically, it is highly readable, and it is extremely affordable, and while it won't give you every answer, it's a good start.

This would be an optimal choice for most medical students with a special interest in anasthesia as well as for anaesthesia residents. It's extremely well-written, neither too detailed nor too simple. The authors write with authority, which is a good thing.

If I had to say something negative about this book, it would be the lack of colourful illustrations (this refers to edition elder to the 2005 edition). But then again, one knows what to expect when buying a Lange medical book. Still, this is a minor drawback, and means nothing in my eyes. I highly recommend this book!

I highly recommend this rarity of a book! My favorite part was the 8 page interview with Bill Mumy who played in three episodes of THE TWILIGHT ZONE "Long Distance Call," "It's a Good Life" and "In Praise of Pip." - Three of my favorites. I really enjoyed the never before scene pictures of him as well. Also, another perk for me was the pic of Terry Burnham who starred in the episode "Nightmare as a Child" which would have to be one of the scariest episodes as well. I got a kick out of Bill and Terry both being in THE TWILIGHT ZONE since they both starred in one of my favorite childhood movies FOR THE LOVE OF WILLADEAN. All and all, this book is a must to THE TWILIGHT ZONE fan! It's chocked full of everything you could ever want to know about the episodes, behind the scenes and more! I just love this book and found out information on so many of my other favorite episodes. This was one of the best shows ever created for television and this book does it justice. Rod Serling would be proud of it, indeed! It's beyond another dimension!

This is a great book of the behind the scenes with many photos and insights from those around Rod Serling during the creation of the series and effects on the world because of it.

This was a program I had grew up on and I say thanks for the behind the scene cover stories and pictures.

Back in 1983 I received a type-written catalogue in the mail that advertised sets of proof sheets from the Viacom archives...namely the "Twilight Zone"! - Hundreds of rare, behind-the-scenes photos from the 1st three seasons of the show were being offered for sale! Unfortunately, I was "between jobs" at the time and was unable to purchase any of the photos. Some of the sets from the more popular episodes were already marked "SOLD" in the catalogue, and I have always assumed that the remaining ones were snatched up quickly by collectors.

WRONG! Most of them are IN THIS AMAZING BOOK! Author Stewart Stanyard's
introduction explains how he happened to acquire this fabulous collection,
and even though Stanyard's writing is merely passable(he's not a professional author), the PHOTOS are INCREDIBLE! And there are LOTS of them, too!

I have always been fascinated by behind-the-scenes stuff, and as I paged through this book, I could not believe my eyes. I have now spent hours staring at full-page, elevated shots with cast, crew and sets from episodes such as "Death's-head Revisited", "The Purple Testament", "Static", etc....and an unbelievable shot of the dual break-away set of "A World of Difference"; great stuff!

And even though the quality of the writing is only so-so, the author at least arranges and presents his material in an intersting format. But in
the chapter entitled "Themes of the Zone", he goes a bit too far trying to
shoe-horn TZ's plots into neat and tidy categories. For instance, I was
baffled by Stanyard's assertion that bookworm Henry Bemis (of "Time Enough at Last") is a "social misfit" who gets what he deserves when he breaks his glasses, since he spent most of his life shunning the company
of his wife, co-workers, etc. Astounding! That's just NOT RIGHT!
Henry Bemis is the quintessential "Everyman", the little-guy who is hounded and misunderstood by the world, who finds comfort and solitude in reading because the real world is a harsh and uncaring place. Doesn't he try to interest his customer in the opening scene in "David Copperfield?" Doesn't he attempt to share his love of poetry with his thug-like wife, who cruelly feigns interest only to shatter her hapless spouse when he discovers that she has defaced his beloved volume of poems?
NO---Bemis' story is an example of the most cosmic sort of tragedy--- the
little guy who is crushed by the most cruel and ironic hand of fate.

Anyway, Mr. Stanyard also mixes up the two actors who play the 2-headed
Martian in "Mr Dingle the Strong"; Douglas Spencer is the guy on the RIGHT (remember him as "Scotty" in the 1951 "Thing from Another World?...the guy who says "Keep Watching the Skies" at the end?)

Also...I realize comedy is a very subjective thing.....but the author
praises "Mr Dingle", "Mind and the Matter" and the ridiculously over-padded "The Bard" as stand-out comedies, while dismissing the truly
funny "ShowDown with Rance McGrew" as merely silly. I think "McGrew" is a comic gem, with marvelously controlled performances by Blyden, Cornthwaite and Johnson in roles that could have easily veered into
total caricature. And Jesse James' arrival at the end as McGrew's agent and the subsequent change in the script cracks me up every time.

BUT WHO CARES ABOUT THE TEXT?!! It's the Photos that allow us to step back in time and peek in on the production of the legendary "Twilight Zone"! SEE Joseph Schildkraut reading his off-camera lines for "Death's Head".....SEE Brian Aherne and Pippa Scott rehearsing their night club encounter in "The Trouble with Templeton"....SEE numerous shots of Fritz Weaver being assualted in the final scene of "Obsolete Man"....SEE Ivan Dixon as boxer Bolie Jackson being photographed from UNDERNEATH the
boxing ring in "The Big, Tall Wish".....the list goes on!

GET THE BOOK!

PS. There is also a nice selection of interviews with actors, writers and technicians who worked on the series, plus a very cool reminiscence by Charles Beaumont's son Christopher.

Any book about The Twilight Zone has big shoes to fill. Marc Scott Zicree's The Twilight Zone Companion is the bible of The Twilight Zone and, moreover, one of the great books about a television show--any television show. Still, give Mr. Stanyard his due, this is a pretty good book.

Wisely, Mr. Stanyard has followed a different path that Zicree. After a few early chapters on history and analysis of the show, the bulk of the book is taken up by interviews. Over 150 pages of interviews with nearly 40 people involved in the show on various levels, from relatives like Carol and Robert Serling, to writers (Matheson, Hamner, etc.), actors, producers and directors. The last pages are a series of "appreciation essays" written by various people who feel their lives have been impacted by the show as well as speculations by people who knew him of what Rod Serling might have achieved had he lived longer.

Mr. Stanyard has also included a number of interesting photos and a few documents like letters and contracts. Most of the photos are backstage photos from the author's own (inherited) collection. This actually poses a bit of problem. Since the photos Stanyard received cover only a fraction of the episodes, there is a lot of repetition from certain episodes and a whole slew of some very great episodes that have no pictures.

In fact, if I were going to nail down one weakness in the book, it's repetition. Besides the pictures, the interviews also end up being somewhat repetitive as many of the people interviewed have very similar words of praise and descriptions of the show. We're all fans of the show but, with rare exception, the interviews are variations on a theme with not as much enlightenment as I was hoping for.

Still, for a fan of The Twilight Zone this is a difficult book to pass by. There are enough pleasures here to make spending time with this volume worthwhile. For newcomers to the series, I would suggest Zicree's book first.