Reviews Books

This book and its sequel, "Between the Woods and the Water," is truly a classic of the personal odyssey genre. Together they are the report by the English author of a diary he wrote between the ages of 19 and 22 while he walked from Holland to Istanbul. But he writes his report after a lengthy career in military service and, among other things, in journalism. The result combines the enthusiasm of a young student with the measured and spare prose of a seasoned and skilled veteran. The author as student is amazingly well schooled, even though thrown out of his public school. His reflections on what he sees are both erudite and almost poetic. (Read, e.g., the chapter, Prague Under Snow.) They don't serve as a normal travel guide, but they'll introduce you to the lands he traverses in a way that will make your own visit unusually well informed.

This is the continuation of, "A Time of Gifts." The English youth continues his walk across Europe to Constantinople. He picks up now in Austria, on to Hungary following the Danube valley. I wanted to quit reading this - page after page of allusions to east European history from Roman and pre-Roman times, Hungarian geography, reflections on Slavic languages. Esoterics I cannot appreciate. Still, they lured me and challenged me. These are places and these are people - Magyars and Gypsies - we seldom find in writing. We are introduced just as an era is about to end and everything is to change. It can be a book to go to bed with.

I got this book before Amazon existed and I've bought multiple copies since then.
Buy this and treasure it, give it to your friends.

`Between the Woods and the Water' is a delightful travelogue, even though the sites and sounds are long gone. Fermor paints a picture of the life every young man wants to lead - well-funded itinerant travel, nearly effortless sociability, and a seemingly endless nightlife. This is the ultimate "Wish You Were Here" card, well worth the read for anyone interested in travel, history, and tales of pre-war social frivolity in Eastern Europe.

The narrative structure took me by surprise. Almost every region receives a minor academic treatment prior to Fermor's personal tales: history, language, architecture, nature, fun and games, repeat. I found myself skimming past descriptions of birds and trees, but fascinated by the author's insights into the interplay of geography, language development, and regional history. And, of course, it is impossible not to be won over by the author's late nights, fleeting loves, and brief stays with forgotten royalty.

My father often told me that `On the Road' had a profound effect on him as a youth. `Between the Woods and the Water' has a similar effect on me, only later in life. After the reading the story I was offered a brief trip to Hungary which I could not pass up. Far from Fermor's experience, I was greeted with mindless business meetings, post-communism industrial architecture, a robbery, and small-scale street riots. In the end, my disappointment with reality deepened my appreciation of the book - a memorializing tale of a geography and way of life that no longer exists.

The title above is German for "Absolutely nothing!", Fermor's droll reply to "What are you studying?" when visiting a scholar with his newfound Transylvanian friend Istvan, who laughs about such blasphemy all the way back from the visit. The polymathic Fermor had contemplated his answer a few moments before answering-"Languages? Art? Geography? Folklore? Literature? None of them seemed to fit." The truth is, of course, as anyone who has read of anything of Fermor's knows full well, that Fermor has been studying all of these things, but with his own assiduous, unacademic zeal. This time he spent in Transylvania (The country's name meaning, as any first year Latinist would know, "Across the Woods") is by far my favourite: His escapades with Istvan, the fleeting amour with Angela, the effortless historical erudition about the region all make it exemplary of the book as a whole - which is not to slight the rest of it at all!

I disagree profoundly with the reviewers who take umbrage at Fermor's "esoteric" use of language and historic allusion. For the armchair traveler, these qualities make the book just that much more fun - Diving into the OED and various encyclopedias to thresh out some of the references.

The overall effect of this book, as with A Time of Gifts, is best likened to a friendly punch in the gut by an old chum. It takes you at unawares but leaves you invigorated and happy to be alive in the world. Yes, there are sadnesses to the book, not the least of which is that the beautiful View of the Danube near Regensburg on the cover of the NYRB edition is now underwater, lost forever; But as Fermor contemplates as his time with Angela draws to a close, "There are hours in life worth more than diamonds." This book is full of them!


And all these youths chain-smoking cigarettes! Perhaps the Surgeon General should put a warning label on the book lest a youth of today discover the vibrant meaning of carpe diem!

A theatre writer, Riccardo Molteni, cannot write anymore because his wife, Emilia, does not love him anymore. Moreover, she despises him, all of a sudden.

The search for the reasons which led to this sudden change of feelings, makes Moravia rewrite a modern versin of Ulyse's myth. In a few words, Penelope did not love Ulyse anymore, though she remained faithful to him even before he left for Troja. Why did she not love him? Because the king's behaviour was not masculine enough towards her admirers at the court.
Therefore, Ulyse wins his wife's contempt and consequently leaves for Troja to free himself in a way. After the war, he postpones sine die his return to Ithaca, obessed by the same thing: Penelope's contempt.

When he finally decides to go back home, he knows he has no other solution but to violently kill all Penelope's admirers, in order to get her admiration and love.

And this is how Homer can be well combined with Freud. The moravian style, vivid and direct, manifests itself in this novel, keeping alive the pleasure of your reading.

I think Alberto Moravia is one of the greatest Italian writers of all times. All his novels deal with important issues our society has to face, problems we all have. Many of us will recognize ourselves in his characters.

It will be a very challenging reading that will make you ask a lot of questions about yourself and your life. Enjoy it!

After a second reading of Contempt, I feel compelled to call the short, tautly written novel a masterpiece. Told from the perspective of a neurotic egotist, the narrator accounts how he "sacrificed" his literary writing career to debase himself in the tawdry task of writing screenplays so that he can afford to lavish his wife with a bigger more opulent living quarters. The narrator convinces himself that not only does his wife not appreciate his "sacrifice," but that she no longer loves him. It's horrifying to read this narcissist's account of his marital disintegration because you begin to realize that he is projecting his own lack of love toward his wife (a pefectly fine, loving woman) and you realize that he is so emotionally arrested that he is incapable of loving anyone. Further, a close reading reveals that the narrator never sacrificed his writing career for his wife's opulent tastes, but rather is debasng his writing talents for his own greedy materialistic acquistion.

Many see Moravia's novel as the quintessential example of "modernism," the movement that emphasizes the human limitation for self-understanding and the understanding of others. Also, the novel explores Freudian themes of projection, paranoia, and the powers of the unconscious.

The novel is fast-paced save for a few chapters where the writer and director indulge in long-winded discussions about the mythical exposition of their film but overall the novel is a real page-turner full of suspense and psychological realism.

If you enjoy this suspensful novel told from the point of view of an unreliable narrator, I recommend Asylum by Patrick McGrath, Despair by Vladimir Nabokov, and The Horned Man by James Lasdun.

somehow there is a new found celebration for contempt and everything associated with it. a year and a half ago, godard's contempt was finally re-released; a couple of months ago, two new books about casa malaparte allowed us to view the importance of the film's setting, most notably capri and it's culture, but now this new publication of moravia's contempt will allow everyone to view the masterpiece it truly represents.

Finally, someone had the common decency to reprint Moravia in translation. And they also picked the best titles. Il Disprezzo (The Contempt) is the best, most honest, unflinching look at the disintegration of a relationship that I have ever read. Last released in the States in the 1950's under the title A Ghost at Noon, this is the same excellent translation by Angus Davidson, who translated almost all of the authors works up until his death in 1990. If you've ever experienced the conclusion of a long-term relationship and for some masochistic reason want to remember what it was like, this is the book for you. I guess that's not a ringing endorsement. But trust me, Moravia's penchant for psychological details is so devastatingly on-point, you'll find yourself nodding nauseatingly at the pathetic delusions and convoluted rationalizations taking place between the couple. It should be noted that this isn't the book's only focus. Quite uncharacteristically, Moravia tackles popular culture and the highbrow-lowbrow dichotomy in a darkly humorous fashion. I haven't seen Godard's film adaptation but I understand that it is an incredible achievement in itself.

Moravia's writing which I would not have encountered were it not for these elegant new paperback versions of his work is open to the bone. His honest revelations through his all too human characters are poignant, pointed, and penetrating. To any one interested in looking deep inside themeselves and their relationships: I recommend Contempt. Prepare to squirm.

I love princeton review series. they are the best best best. I used this book sophmore year to prep for AP bio. I didn't read the whole textbook only up to chapter 25, but this book helped me get a 5. You need to know everything in this book to do well. learn all the diagrams and every vocab. good luck

I would recommend this book to anyone taking the test. I used it to study for the AP exam in 2006 and crammed 90% of the book the day before. I'm really happy with the result because I got a 5 from it. This was the only book I used.

This book is really great just like all of the other princeton review book. I took the AP test yesterday, and just want to point out to everyone that as long as you read this book and do the practice tests, you don't need anything else. It's a great book with great info and great everything. Even though there are some mistakes on the practice tests.

I basically paid $13 for a 5 on the AP Biology Exam.

At my school, there is no AP Biology course. Instead, there is simply an honors course. A few friends and I, enrolled in that course, decided that we would take the AP Biology Exam. We all bought this book and we all studied. People doubted us, as taking an AP test without the class is often a recipe for failure at our school. In the class, due to an adaptation in the schedule, we didn't even cover plants, protists, fungi, photosynthesis, or respiration. Most of the body systems were left up to us to study, as well.

Fast forward to July 1. Being impatient, I call AP to find my scores. I'm praying for a 3 in Biology, but lo and behold, a 5. How?

The book goes over everything. Every subject that the book could test for it covers. In addition, the tests help prepare for the same kind of questions. I didn't incur the same problems as another reviewer, who said there were incorrect answers, but all the answers are explained and I really did not have a problem. In any case, the AP exam doesn't ask for the correct answer; it asks for the best answer. This book even goes over the experiments, which we didn't even have a chance to do, and thus helped me do well on the essay section even though I hadn't ever done the experiment.

If you are taking the AP Biology Exam, buy this book. With a little bit of work and this book, getting a 5 really isn't too difficult.

I had a horrible AP bio teacher this past year and I pretty much had to study on my own to learn this stuff. I also bought the AP Bio Cliffs book, but I used that as a review after I finished each chapter in the Princeton one. The Princeton one gives great descriptions and teaches you in essay format, while the Cliffs just gives you bullet points, so the information doesn't quite flow as smoothly. Also, Princeton's "words to know" and quiz questions at the end of each chapter helped me so much! I scored a 4 on the test, which would have never happened had I not got this book!

I would have to say that this is the best CCRN review book out there. It is easily readable, comprehensive, and includes many practice questions to help you determine if you understand, can apply, and can remember the material. I have bought other review books, but unfortunately, they have been in outline forms and not as valuable. They get boring quick too! I have no problems with the little bits of extra infomration included in this book that may or may not be on the exam as it helps you comprehend the other information and serves as a review. I have bought other books that only have questions for review and I must say that I tried some of them without this book and did so so, but not great. After reading the sections of this book, I went back to those questions and others I had not done and did much much, much better, as I had reviewed the information and had a better understanding of the material! I certianly think this is a good book for anyone planning to take the CCRN exam or wishing to brush up and learn more about critical care nursing in general! I definately believe this book is the book I need to help me pass the CCRN. I am planning to take the exam in September- I will leave and update to how I do after! Thanks again for this book.

I too thought that the first chapter was hard to get through--the cardiovascular section is extremely thorough and has quite a bit of information that really isn't addressed on the exam. The remaining chapters, however, were much easier reading, and the explanations are so much better than what I have found in other books. The book also has an extensive collection of practice questions, and while it does not give rationales for the correct answers, it does direct you to where it was covered in the book. I used several resources to study for the exam and this one was by far the most complete. I am currently in a graduate program working on my CCNS and I still use this book all of the time as a reference for my assignments.

EASY READING AND TO THE POINT. I OWN A FEW DIFFERENT REVIEW BOOKS AND THIS IS THE MOST HELPFUL.

fast shipping!!came on time and the book was as described! i'd defitely order from them again.

I attended AACN's NTI critical care conference in 2007, and had the privilege of attending lectures by Thomas Ahrens. After studying tons of material in preparation for the exam, this was the last book I purchased. It should have been the first and only one I purchased. Ahrens simplifies complex concepts in an interesting manner, and covers material you WILL SEE on the exam. This book was the most helpful resource I utilized! He presents hundreds of scenarios and practice questions, which were priceless when I sat for the exam. I passed the paper-and-pencil, full-length CCRN exam on the first try. Great prep indeed from Ahrens - a valuable and brilliant critical care expert.

Tip: If you want in-depth info (down to the cellular level), try using the "Core Curriculum" from AACN as an added source. Although Ahrens' book is the most in-line with the actual exam, if you desire advanced pathophysiological data, you will require another source.

I am such a huge CSI fan and this book is the most fantastic book for fans of the show. It has lots of information about ever episode from season 1 through to 4 and information on the characters too. For each episode, it's headed up with the name of the episode, original airdate, special guest stars etc. Then it goes into depth about the storyline (something the dvds don't do on the cover at any length) shows a few pictures and ends with a side piece about how the creation of that episode came about. Throughout the stunning glossy-ish book, there are case files on the CSI's themselves and their fields of expertise (and great pictures of Nick).
It's really a coffee table type of book in the fact that you look through it once or twice, keep it aside and flick through it again every now and then. It's interesting and fun to look at and I highly highly recommend it to any fan of the show like I am and you'll be so happy with your puchase for sure.

This is a spectacular book for all CSI fans that covers Seasons 1 - 3. Each episode is summarized in order of airing for each season with highlights of the case, investigator(s) involved, evidence found and tests performed (DNA, autopsy, facial reconstruction, fingerprinting), suspect and victim information, and the status of the case, i.e. solved, unsolved. If more than one case is handled during the episode, each plot is summarized separately, going between the cases as they do on the show.

Some case summaries include a couple pages of graphical information relating to the case and provide more details, such as investigator reports, evidence and chain of custody tags, evidence and DNA test results, investigative reports, etc. Some of the contents of these pages are difficult to read but give you an overall picture of the actual "case file".

Then on blue tinted pages, the producers, directors, writers and actors make comments on the episode. There is some great information on how some scenes were filmed for maximum effect. Actors also provide insight to their characters as they relate to that particular case and in general. This is really nice since for the most part there is not much character history on the show. It's also in these pages that we learn that some of the cases are based on real life cases by one of the writers.

It is also mentioned by writers and actors (William Petersen and Jorja Fox) that the sexual tension between the characters of Gil Grissom and Sara Sidle has been part of the plans from the beginning of the show. Also, details are provided of how certain scenes and dialog are planned out for specific episodes to highlight that tension.

There is also a character profile provided for each of the main characters of the show. This profile gives background information of each of the characters, including family history, education, work history and other pertinent personal information.

I give this book "two thumbs up".

Just what I wanted- very quick shipping and all ready to wrap for Christmas. Thank you so much. I would certainly rate this transaction A+,A+,A+,A+
I'll be back!

Now that the CSI series is into its seventh season I keep hoping that a second volume of this fantastic book, covering each program of the first three seasons, will be followed by a second volume covering the 4th, 5th and 6th season's programs. I can only hope that the author, Mike Flaherty and the publisher, Simon & Schuster's Pocket Book Division, will not disappoint this volume's legion of fans!

If you love C.S.I. Crime Scene Investigation - The Complete First Season (which I do) then you'll love reading through this companion book (which I did)! Covering every episode in the first three seasons of the hit show, this book takes you behind the scenes with details you might have missed while watching them on television.

Besides listing the writer of each episode, the director, and all of the guest stars and parts they played, you get an overview of the case, the evidence and facts, and the conclusion.

One of the most interesting aspects of this book are the pictures and illustrations. Taken from the actual "case file", you can see up close and personal the evidence that the CSI's collected from the crime scene and used to find the perpetrator. Many of these items were never shown on the actual show, or if they were, it was done so quickly I must have missed it!

I really hope that they come out with another companion for the succeeding seasons, as this is one show I can't get enough of. You'll definitely be happy you purchased this book, and the only thing I can think of that would make it better is to also put out a CSI: MIAMI companion!!

the quality of the product was the very best. it also arrived when i expected it too. i needed it in a crunch time and it came through beautifully.

This is a fascinating book for folks interested in the international decolonization movement of the 50s and 60s, and its relation to the Black Power movement in the States. The Discourse is beautifully written and passionately argued. The interview helps clarify Cesaire and Senghor's concept of "Negritude" as an early form of Black pride, rather than racial essentialism. The essay introduction is worthwhile since it puts the book in relation to Cesaire's poetic work and the Surrealist movement in France, America, and the Antilles. It's unduly dismissive of Cesaire's Marxist politics, especially since it goes against the spirit of the interview appended at the end.

I read Cesaire's 'discours sur le colonialisme' in one afternoon at a coffe place and it was captivating in how intellectually he wrote, with tinges of attitude in the words. A lot of the things he wrote about I already knew from studying a lot about Africa before and what ethnocentricism vs. ethno relativism means when applying yourself and perceptions of other cultures. This book is as applicable in the 1950's as today, I found that America seems to be the new France and Britain, as far as imperialism goes.

This book has so many good points about how one must look at the non Occidental world. Whenever I hear people talking about Africa in a degrading way in that the continent needs the Western world to give it medicine, schools, etc . . .it infuriates me with the lack of research these people have done. Although one can't expect everyone to know, but they would at least get a glimpse if they read this. They would see that it is the fault of the Occidentaux which is why Africa is in the state it is now. Before Europeans went there, the people of this rich, great continent had their own cultures, laws, languages, writing, religions that worked very well for them. Because they were different than Europes ways, they were viewed as primitive and uncivilized, but you can't measure a civilization by the same standards of another, far different one. Just because they didn't write their history down, doesn't mean they didn't have it. They used oral tradition for this, which is just one example of the European's prejudice. If Europe never went there, these African civilizations very well could have flourished and become great as the passage of time went along.

Colonization has done it's damage, Cesaire talks about decolonizing our minds, I wonder how long that will take to accomplish? I would recommend this short read to anyone who wants to try to get out of their own cultural shell and think about the way the world is viewed from the viewpoint of others, even though this book is seriously outdated and seems like the author has never even been to Africa.

Frantz Fanon is a more compelling read though (even though he's a bit of a misogynist), try "black skin, white masks" or "l'an V de la revolution algerienne/a dying colonialism".

In Aimé Césaire's "Discourse on Colonialism," She very blatantly voices her opinion that a (European) civilization that is:

...incapable of solving the problems it creates is a decadent civilization. A civilization that chooses to close its eyes to the most crucial problems is a stricken civilization. [and finally] A civilization that uses its principles for trickery and deceit is a dying civilization. (31)

As well as applying for both Britain's presence in Southeast Asia and the Caribbean, and France's colonial presence in Africa and the Caribbean, this powerful statement could become an equation for the line drawn between one country's involvements with another.

For example, here is an unmistakable connection here to the US' involvement in Iraq. Are we as a nation decadent? Stricken? Dying? The over $155B spent in Iraq (...) instead of other national priorities. Cesaire's points are very relevant to the times as she brings further knowledge and past histories into the damage of Colonialism: "...at the present time the barbarism of Western Europe...being only surpassed...by the barbarism of the United States" (47).
She talks about the `gangrene' of impartiality, in regards to the French hearing stories that are disturbing and pornographic. "Colonization, I repeat, dehumanizes even the most civilized man" (Césaire 41). A theme prevalent in films such as Black Girl, Chocolat, and Xala. It is easy to be impartial when one is ignorant.

Discourse on Colonialism was a serious eye opener. Cesaire made me think about all of the horrible out comes colonialization produced. It was one of the best non-novel books I've read in years.

I like the book I recemend it to anyone who is a mama and papas fan

This book was very good, but it was sad to find out how really pathetic these talented people were. John Philips was the worst of the group, what a egotistical and controlling as*hole! I was totally blown away by the actions of this famous group! I understand that this was the 60's , but not everyone was doing drugs and laying around stone out of their minds. Cass Elliott brags that she dropped acid 5 times during her pregnancy and her daughter turned out perfectly normal! She was considered a "good" mother by her friends?!! (I have to wonder what her daughter really thinks about that.) To me, being very talented is not an excuse for being irresponsible. I'm glad I read this book, It was a real eye-opener about who the Mama's and the Papa's really were.If you Love this group you HAVE to read this.

For me, a good celebrity biography has several qualities: it makes me feel I know the person better, it feels credibly researched, and it makes me glad I am NOT that person.

This is a simply wonderful biography of a great, flawed, unfortunate, amazingly talented person.

My mom went to Forest Park High School in Baltimore. Cass Elliot went there also. There is a picture of her in my mom's yearbook, 1959....Who knew? Love you Cass, always have, always will!!!

David Crosby offered the author $100 if during her research she came across anyone who disliked Cass.Needless to say,she did not collect any reward.

Her reward is knowing she has done a worthy job in presenting the essence of Cass Elliot for readers touched by the singer's amazing talent and personality.

A must-read for anyone remotely interested in Cass,The Mamas and Papas and the West Coast music scene of the mid to late 60's

Ed Robertson's book is definitely the best. I also own "The Fugitive - A complete Episode Guide" by John Cooper and "My Fugitive" by David Janssen's former wife Ellie Janssen which is worth a read!
Another amazon.com reader mentioned the Twilight Zone Companion. But where is the Peyton Place Companion? I'm missing a book on the TV series "Peyton Place" for several decades and wonder why there is still no book out there.

"The Fugitive Recaptured" was published in 1993, thirty years after the TV series, "The Fugitive", premiered on network television in 1963.

This volume, by Ed Robertson, is just about all a "Fuge" fan could want in order to find out everything you'd need (or want) to know about this excellent TV drama, which was on the air for 4 complete seasons (120 episodes from 1963 to 1967).

The book features an "Introduction" by horror author Stephen King, plus a "Foreword" by Fugitive co-star Barry Morse, who portrayed police Lieutenant "Philip Gerard", star David Janssen's chief rival and nemesis during the course of the series. A chapter detailing the origins and conception of the series is also, of course, included here. Interesting stuff too.

Within these 208 pages, each and every episode of "The Fugitive" is dissected and examined in detail -- including cast lists, writing and directing credits, episode numbers, original air dates, episode descriptions, and verbatim "Prologue" and "Epilogue" text (the exact words spoken by series' narrator William Conrad at the beginning and end of each episode).

Many fun "Fuge Facts" are also revealed for many of the 120 episodes. These "Facts" are bits of little-known trivia that make this volume an even more enjoyable read.

In addition -- This book includes extended chapters on the series' Pilot episode ("Fear In A Desert City") and the two-part final episode ("The Judgment"), which remains to this day one of the highest-rated TV programs in the history of the medium.

There is also an "Appendix" area of the publication, with "Appendix 2" consisting of some very interesting trivial facts and data concerning every Fugitive episode -- including every single "alias" that was used by "Dr. Richard Kimble" during the whole run of the series. This appendix is useful to mega-fans of the series, as it also contains information about the "Location" (City/State) of each episode, as well as Kimble's "Occupation" on each show. Example --- Episode 31 had Kimble pretending to be "Frank Borden"; Occupation: "Dishwasher"; Location: "Harrisburg, Pennsylvania".

Many top-notch black-and-white photos are also scattered throughout this paperback publication, mainly publicity stills.

"The Fugitive" (1963-1967) is one of the best TV dramas ever put on the boob-tube. The long-running cat-and-mouse game between Dr. Richard Kimble (David Janssen) and the police officer who let him get away, Philip Gerard (Barry Morse), provided some of the finest tension-filled moments ever aired on television.

"The Fugitive Recaptured" does, indeed, "recapture" the magic that surrounded this first-class piece of television entertainment.

Very Highly Recommended.

Certain television shows were so enormously popular during their original runs that they have been reincarnated more than once. THE FUGITIVE is one such drama. When Dr. Kimble began to run in 1963 in a three partnered minuet with Lt. Gerard and Fred Johnson, the American viewing public was so enamored of the chase that they refused to accept the judgment of THE JUDGMENT (the series finale) that the running had indeed stopped. Ed Robertson in his THE FUGITIVE RECAPTURED analyzes just what it was that made millions of Americans tune in every Tuesday night to watch Kimble run from one man only to pursue another. Robertson captures the essense of the spirit not just of the show but also of the social subtext of the show. In his Fuge Facts and plot synopses, Robertson well delineates the motivation of a doctor who, in his forced travels, became a collective Keroukian ON THE ROAD, with every watching viewer able to tap into the flip side of the American Dream, that out there in every dusty small town and bustling big city lay adventures that we could not aspire to but Kimble could. Roberston reviews every episode, judges its intrinsic worth, provides the needed Kimble trivia of both character and actor, and adds a handy list of names that Kimble used over a four year run. This list resembles a phone directory of a small town that Kimble must have passed through more than once. Reading THE FUGITIVE RECAPTURED made me think of the follow up success of the filmed version with Harrison Ford and the less succeessful small screen run of Tim Daly. It is not likely that the latter two will ever be considered worthy contenders for a pantheon of running heroes, but Robertson's literary paean to David Janssen serves as a perpetual reminder that for a spirit of a character or of an age to be recaptured, then that spirit must have been worthwhile in the first place. Robertson's book will not let Kimble ever run far enough or fast enough to escape our notice.

I can certainly add my kudos to Ed Robertson for his labor of love in this book commemorating the 30th Anniversary of the famous television program. This work brings to life the entire four years that the series ran on network television, and gives the reader the feeling that he was actually "on location" with the cast and crew as they produced this first-rate series. Each episode is fully documented with full credits for the director and all principal actors in the series. The episode synopsis give the reader a feeling of being on the run with the Fugitive. The opening and closing narration for each episode certainly sets the tone for each nights program.

If you are a fan of this great television series, then this book is certainly for you. I highly recommend it.

Mr. Robertson has written a book that was done with an obvious love of the subject matter. Though he admits he discovered David Janssen via his post-Fugitive "Harry-O" series, his thorough research makes this a "must read" for Fugophiles. I was truly impressed by the celebrity interviews. Barry Morse and Stephen King were excellent frontline introductions that certainly legitimized this meticulous account of this classic Television series. Insights from the guest cast ranging from Richard Anderson to Carol Rosser as well as show creator Mr. Huggins were truly informative. However, it is Mr. Robertson who has set the tone of this labor of love by concentrating on what fans of "The Fugitive" want and should remember. This is not a tell all scandal written anthology, rather it is a reminder that this was and is a classic that will endure.

SO many times you pick up a novel expecting to be entertained, but for that entertainment to last you also have to believe in the story and want to keep reading. Sherwood's work is not only entertaining, but not once did I skip ahead with a longing sigh for reality (a big achievement!) The plot is engaging, the characters sympathetic and real (no obviously trumped up stereotypes in this!) and the ending is very satisfying in a way that is both unexpected and relieving, as well as brutally realistic. (key words: realistic realistic realistic) His attention to character and environment is truly exceptional. I am impatiently awaiting his next literary endevor!

What an outstanding novel! It was thoroughly enjoyable. The western setting is authentic and you quickly feel like you are a part of the community. Similar to other reviewers - I was sorry when I finished it. I am looking forward to Steve's next novel!

I just finished Steve Sherwood's novel Hardwater and I'm very disappointed...that it's over! I couldn't put the book down. Mr. Sherwood has created such compelling characters that I feel like they are a part of my real life. I am a suspense and mystery novel buff, but Hardwater is the most emotionally involving novel I've read in a long time. Get this book, then get settled into your favorite chair, because you won't be getting up for a while! The setting, politics, relationships between characters is a joy to behold. When is Mr. Sherwood's next novel coming our way?

Hardwater is a hidden gem of a suspense novel set in the contemporary American West. The story opens on a gruesome crime scene, and a journalist intent on sniffing out the identity of a serial killer with a knack for verse.

Underneath this murder mystery is an issues novel about the contemporary American West, where native tribes and white farmers battle over water rights, and failed uranium mines sit abandoned in the landscape, to be approached with Geiger Counter in hand.

But more than the mystery or the provocative issues, what makes Hardwater such an enjoyable read is its fantastic setting. Hardwater is a world of granite monoliths, tribal customs, and wide open spaces. Fans of Tony Hillerman and John Nichols will eagerly devour this worthy winner of the 2003 George Garrett Prize.

If you're looking for a fine, fast suspense, Hardwater is a book you won't want to miss. Outstanding characters, fast paced plot, interesting setting--this novel has it all. Not to be missed.

if it's Jews you be a wantin..In Punk nonetheless..This stuff's for you.First of all,Marky Ramone rocks.He met me or rather vice versa.Steve does research into the sacred and shows that Punk music in It's New York Beginnings incorporated a lot of the Jewish Upstarters who could be credited for being Punk Pioneers. You like the Paranormal? Well Jews die too..and so:Labyrinth13: True Tales of the Occult, Crime & ConspiracyBut:Other good books about Music and the Jewish experieNce:Spiritual Bathing: Healing Rituals and Traditions from Around the World,Stars of David: Prominent Jews Talk About Being Jewish,Jews Who Rock,Stars of David: Rock 'n' Roll's Jewish Storiesand one more Paranormal plug:Questions from Earth, Answers from Heaven.

Punk was an assault on traditional western culture and society. No surprise here, that jews would be at the core of the punk movement. It chipped at the moral fabric of nations, embraced communism, and made them a boatload of money from gentile dupes. What's a jew not to like? And in the end, was as hypocritical as the people themselves. Nothing astounding here.

Beeber's book is an interesting recount of the formation of the punk rock scene in New York City. However, his attempt to correalate punk rock to the experience of being jewish stretches thin pretty quickly.

First off, Beeber utilizes Lou Reed and especially the Velvet Underground as forebearers of punk. While certainly influential, the Velvets were more of an avante garde pop band than punks. They were as much a result of the overall New York art scene and streets, as well as John Cale's british ideology and muscianship as Reed being jewish.

Next Beeber cites Jonathan Richman and the Modern Lovers. The Modern Lovers, despite the Sex Pistols covering Road Runner, were sort of pre-new wave folk band, they never really released an album when they were together and Richman was from Boston. How this qualifies them as a proto punk band representing the New York Jewish voice is too much for me to comprehend.

Beeber does make a good case that Tommy Ramone was the architect of Ramones. However, he only lasted a couple of albums, Dee Dee was the main songwriter and Johnny's buzzsaw guitar and militaristic leadership (he seemed like a real tool)were as essential as anything. Further, Joey might have been obviously jewish to the New York punk scene, but to most he was just the senstive outcast. Tommy's influence is obvious, but it seemed to me he was as influenced by being an immigrant and growing up in the wrong neighborhood as solely by virtue of being jewish.

While New York obviously was a huge influence on the punk scene, the industrial and menancing Detroit rockers like the MC5, Iggy and Alice Cooper had just as much influence as the New York bands. This is especially true prior to all the great New York bands getting started. Also, the true New York punk influence, The NY Dolls, who really blended the street, with artistic ambitions and the phoniness of Manhatten dont have the jewish connection and therefor dont really lend to the author's theory.

The somewhat later day punkers like Richard Hell, Lenny Kaye and Chris Stein make a good points of converstation, but all seem as influenced by academics as ethnithcity. Hell in fact wouldnt be interviewed and dismissed the premise completely. It also somewhat dismisses how much influence this groups partners in punk, Debbie Harry, Tom Verlaine and Patti Smith, had.

Some of the more interesting jewish punks, including the ladies, Genya Raven and Helen Wheels, and less well known acts like the Dictators (hilarious name) and Suicide just werent well known enough outside of the city to be all that influential.

I dont want to take anything away from the city or culture that reinvented music, but punk was about all that were alienated, suspected and unwanted. It was about anger, pointing out hypocrisy, doing it yourself and the desire to succeed. Didnt Bowie once say all the Brit punks "wanted to be stars."

So, Beeber's point is again lost when punk became so much the property of the anglo british (other than Malcom McClaren managing the Pistols)who apparantly lacking jewish guilt and the somewhat limiting factor of being the property of New Yawk, increased its exposure tremendously. (Hey lets face it Johnny Rotten cussing and spitting in a British accent is gonna play in Cleveland, whereas Joey Ramones obvious jewishness... well... its a joke, one I think Lenny Bruce might have gotten). Fact is, punk was never gonna play to the mainstream, the populus cant all be disnefranchised.

Overall and interesting read, with a thought provoking premise that is well explored, but ultimatly a bit overwritten to prove its point. Still worthwhile if you have any interest in those magical formative musical days in the Big Apple and some of its reaching influences.

In this brilliant exploration of outsider identity, Beeber uncovers the links between Jewishness and punk rock rebellion. The book includes in-depth interviews with such punk rock luminaries as Tommy Ramone, Chris Stein of Blondie, and former Sex Pistols' manager Malcolm McLaren. Beeber also explores the inherent contradictions within the punk movement, including the use of Nazi imagery by bands whose family members may have barely escaped the Holocaust. The book includes fascinating anecdotes about punk rock legends, including a chapter that describes Lou Reed's attempts to bring his dog to a seder, and Richard Hell's defensive responses to Beeber's simple question: Are you a Jew? Beeber is an insightful writer and cultural historian who makes heretofore unseen connections between origins of punk in the aggressive outsider comedy of Lenny Bruce and the work of graphic novel pioneer Will Eisner.

Like most music freaks, if you ask me where punk rock originated, I wouldn't hesitate to tell you that it happened in England. After all, the Brits lay claim to pogo dancing, safety pins as a fashion statement, and the Sex Pistols. The whole concept of punk rock is, essentially, very Clockwork Orange.

Steven Lee Beeber's The Heebie Jeebies at CBGB's: A Secret History of Jewish Punk challenges that notion by showing us that punk began in New York -- and was heavily influenced and shaped by a variety of Jews from a variety of backgrounds. Beginning with the cutting-edge comedy of Lenny Bruce and the musical innovations that were Lou Reed and the Velvet Underground, Beeber shows us how the music evolved. It is clear that without the involvement of Jews, there would have been no punk movement.

Chapter by chapter, Beeber traces the bands and the people, focusing on the Jewish players who coalesced around the Jewish-owned punk mecca, CBGB. This is dense reading, best taken slowly so that all of the facts and details -- not to mention the personalities -- can sink in.

One theme that Beeber refers to often is the link between the Holocaust and punk. His claims make perfect sense: the emotions invested in the children of survivors provided the fuel for punk's trademark anger. Yes, there is anger that so many people were eradicated, but one of the more surprising revelations is that some of the anger comes from and is fueled by the fact that the Jews allowed themselves to be victims. At the same time, though, there is an awareness that the word allowed is inaccurate. That anyone, faced with such a circumstance, would have done exactly the same thing. Ultimately, this isn't an emotion of victimization, but of helplessness and futility -- two strong emotions that run through the undercurrent of punk, both in its lyrics and its attitudes.

Beeber takes us across the ocean for a visit with the start of British punk -- the Sex Pistols -- but focuses on the Jews involved in creating that scene. From Sex Pistols creator Malcolm MacLaren to the ill-fated Nancy Spungeon, lover of Pistols frontman Sid Vicious, it is obvious that here, too, punk music and the Jewish tradition are linked so closely that removal of the Jew removes the music.

Many would argue that punk died out with the Sex Pistols, to be replaced by music from cities like LA and San Francisco, peopled with musicians and fans who shocked New York ex-pats with virulent anti-Semitic themes, attitudes, and lyrics.

Beeber returns to New York to show us what punk evolved into: John Zorn's dissonant art and even, perhaps unbelievably, the Beastie Boys, perhaps the most punk of all the bands in the book.

Even more than the Ramones, those poster boys for American punk?

You be the judge. For any music fan, this is essential reading. It's not just that this is a clear evolution of the music scene over the span of forty-some years, from the late 1960s to the present. This book traces the shifts in our culture during this time period, and the shifts in attitude that allowed punk to be as vibrant as it was.

Beeber's prose is smooth and charming, always focused on the topic at hand and never getting sidetracked like so many Jewish storytellers of old. He's also a master craftsman, showing his writer's roots in the construction of each chapter, bringing back points made in opening paragraphs, tying it all together with a neat black leather jacket and peppy beat.

For the music lover, the historian interested in Jewish history, or for anyone intrigued by how someone as tall, skinny, and scary as Joey Ramone could become a pop icon, The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk is one of those books you won't want to miss. Certainly, my copy now occupies a space between Deena Weinstein's seminal Heavy Metal and Joe Berlinger's Metallica: This Monster Lives.

To bring up one last point Beeber makes: Jews are people of the book. Heebie Jeebies is just one in a long line that proves this.