Queen The Books

i absolutely ADORE this book. i fell in love with it for the first time when i was 12. i am 18 now, but the storyline and the characters are endearing to me every time i read it i must have read Ella enchanted about five times. the romance between ella and char is innocent, but it captures my heart every time. I was very disappointed when i saw the movie. I dont think the movie captured the essence of Ella and the magic that Levine bestowed in her book. If I could, I'd create a movie that is true to the book and its characters. Even though it is a children's book, it is still accessible to adults (though i am still kind of a child at heart- i LOVE fantasy stories)

1000000% RECOMMENDED

I actually saw the movie before I read the book and I loved the movie, but it's vastly different from the book. It was interesting to see the differences. I can see why some of the changes were made for the movie, but both are great in their own right.

I liked the treatment of Lucinda in the book better than in the movie. In the movie, Lucinda never learned or understood what she did to people, but in the book she did when Mandy tricked her into experiencing what she put Ella through.

I also liked that Ella had to find the inner-strength to break the curse, opposed to having an easy quick fix of undoing it. To be honest, Ella would have probably in more trouble if Lucinda had reversed the spell, so even if she wanted to obey at times, she would then be under a curse to never obey.

I also like that the prince was treated as a real person and given a real personality. Rewatching Disney's Cinderella as an adult, I was shocked how truly vapid the prince was. He had no personality. He was just a stereotypical pretty boy.

It was also nice reading the progression of Ella and Char's relationship, instead of her going to a ball and just falling in love with him.

This is a great book, which I'll definitely read again.

Romance, although also could be fantasy. Upper elementary to middle school. Reading level is supposed to be grade four, but it seems higher to me. 232 pages.

I read quite a bit of this book before I started to enjoy it, but because the librarian recommended it, I stuck with it. The book is the back story of Cinderella, although the reader doesn't realize it until near the end. Instantly, the story of Cinderella--which I never really liked--has a profound truth I now see: When we walk in another's shoes, our perceptions change. Honor book. No illustrations.

Ella Enchanted
By Gail Carson Levine

Ella only wanted to be a regular girl. But instead the day she was born, a curse was bestowed upon her. The gift of obedience. The fairy Lucinda does not think before she gives these silly curses and so when Ella is told to do something, she has to do it. If someone told Ella to kill herself she would have to obey. When Ella's mother gets very sick and dies, Ella is left with Mandy her cook that is her fairy godmother and her father. Ella's father traveled all the time and he doesn't know about her curse. Just like her mother said "Don't tell anyone about your curse." Ella had to obey.
But when Ella's dad introduces her to Dame Olga and her dreadfully bossy daughters, Ella realizes that the elder one, Hattie knows that Ella will do anything she says. Hattie commands Ella to give her the necklace that Ella's mom gave to her. But there is a silver lining on the story. Ella becomes dear friends with Prince Charmont, or as his friends call him, Char. Just when Ella thinks that Char and her are becoming great friends, Ella's father ships her off to finishing school so she can become a true lady with Hattie and the spoiled Olive (Hattie's sister).
Finishing school is the worst place for Ella. She must obey every command no matter how awful or difficult. When Ella cannot stand it anymore she runs away, and decides to quest for her fairy godmother and reverse the spell. But Hattie had forbidden Ella to see Char. So how will she be able to tell him how she really feels when he thinks she never wants to see him again?

Many young girls dream of having a fairy tale life just like the ones that appear in Disney movies such as Cinderella, but what happens when these girls grow into young ladies and expect a little more than your usual fairy tale? In her novel Ella Enchanted, Gail Carson Levine adds a whole new twist to the familiar story of Cinderella. With the use of point of view, characterizations and themes, she achieves to appeal to a budding, young female audience that already has a love for the classic Disney tale.

Point of View
Carson presents a first person point of view that allows Ella to narrate her own story. Her thoughts, her commentary and each of her actions are plain for the reader to enjoy and experience a first hand look into Ella's world. The reader is allowed to relate her character, as she seems more realistic (as far as a fairy tale goes) than ever before, as she goes through every day teenage trials with boys (a prince, to be exact), friendship, fitting in, envy and such problems that still happen today.

Characterizations
Ella
While Disney's Cinderella is an upbeat, optimistic girl that seems to have the whole world set out for her, Levine's Ella is given a whole new dimension as a character. Ella, as a child, receives the "gift" of obedience by the wayward fairy, Lucinda. Forced to do everything she is told, Ella develops a strong, rebellious character determined to become her own person, despite what others command her to do. She may subdue physically, but mentally and spiritually, she is a character that is intelligent beyond her years that refuses to conformity, aesthetics and propriety for the wrong reasons. Carson develops Ella in such a way that her flaws and struggles with herself and others are present. Ella is not a glorified storybook character that has everything going perfectly for her; she fights for what she believes in, she makes mistakes to learn from them and goes through the motions just like her young female audience.

Prince Charmont
When the thoughts of a charming prince come to mind, what is available is only the idea of a charming prince who is just there to both save the day and marry the girl. While in most fairy tales, the female lead character usually overshadows the male equivalent; Prince Charmont is far from hidden. Carson develops Char (as he is cleverly nicknamed) in such a way that he breaks away from the usual princely stereotypes by adding a little more to his personality but still maintaining the characteristics that would most likely still make any female weak in the knees. When Ella first meets Char, she keeps her distance in a demonstration of respect of his nobility, but he refuses to be regarded of higher ranking and asks to be addressed as any other person. He is kind hearted and humble but still he holds strong and true to the convictions that he is instructed as a young ruler. One example of this is when he pauses the beginning of a military journey to get on his hands and knees to help a merchant whose cart is overturned, instead of leaving off and ignoring the lower class. Another defining characteristic is that he, like Ella, struggles to create his own identity under the overpowering shadow of his future as the ruler of the kingdom of Frell. Char's authentic infatuation for Ella and his deep respect for her are what make the reader believe him as the true charming prince.

The Fairy Godmother
One may expect a flick of the wand and a bibidi boppidi boo to describe a fairy; Carson declines to this generic view. Mandy, Ella's fairy godmother is described as aging, overweight, speckled with freckles and frizzy hair. She hides her true identity from Ella and for the first 16 years of Ella's life, she is known as the kitchen maid and nanny. Her real self is only discovered after Ella's mother died and Ella is left to the care of no one but her father. The way that Carson portrays Mandy is in a stern, parental way so the reader can see her as a mother figure for Ella, more than just a fairy godmother that provides every single wish. Carson makes Mandy out to be a lovable character towards the reader because she nurtures and takes care of Ella while still remaining firm to what she thinks is best for her goddaughter.

Themes
In this novel, Carson explores themes that are of interest to a young female audience. One of these is the search for an identity and a place in the world. Carson develops her main theme as Ella is trying to establish herself as a person with her beliefs and convictions, and not just become a pawn to anybody's game that has knowledge of her curse. She demonstrates to the audience that they do not have to conform to a popular idea and encourages the reader to form opinions by gaining knowledge by Ella's example of maintaining her integrity and refusal to ignorance.

Another theme that goes hand-in-hand with the one mentioned before is integrity, being true to who you are. Carson encourages this by making Ella such a strong character that even though she is forced to be someone else, in her mind, she is determined to be who she truly is. Char is also another example of integrity. He is a prince, a trait that may give way to arrogance and to discrimination by status, but he denies any association of himself as a person to his nobility.

With these different literary aspects, Gail Carson Levine creates a fairy tale all her own that only alludes to the commonly known storyline. She creates a story for young girls to be immersed with such believable characters in a fictional world that teach very valuable lessons while also having those key elements that happen to draw the audience in.

I did not realize when I bought these books that they were for young adults, I still thoroughly enjoyed reading about Alanna's adventures, friends and family. Alanna proved to the men again and again that "anything you can do I can do better". A great message to put out there for young girls. And even though it took me 1 day to read each book I just couldn't stop until I was done!

When I first picked up this book, I was the typical bookworm. I knew every corner of my middle school's library. Most often, I'd find myself in the mythology section or classic plays. However, one day, I took a fateful journey into the fantasy section.
I was 12 years old, timid and accepting of even the worst opinions of me.
When I read it, I was enlightened. A whole five foot one, (four foot eleven at the time), I was keenly aware of her height issues and the jokes her friends made.
The way she shaped her own life made me feel as if I could do the same. And I have. I took control -- or as Alanna would say "rode the tiger" and I've made my own way in the world and I don't think anyone would call me timid now.
I'm in college now, and I know if I start to feel down or like I'm losing confidence in myself, I can just pick up my old worn out copy of Alanna (or any of the subsequent sequels) and feel better, feel like a stronger woman because of it. Tamora Pierce was a saint for writing this book. Sometimes I even feel like she wrote it just for me!

Is no one bothered by the essential lack of values in this book? Getting what you want is more important than honesty or respect for others. The main character threatens others with horrible, supernatural punishment, tricks her father, lies outrightly, and that's just in the first chapter.
What about integrity, justice, truth as foundations of doing right?
Compare this heroine with Jonas in The Giver, Frodo in The Lord of the Rings, Andy in Wolf Rider, or Karana in The Island of the Blue Dolphins.

I thought this book was wonderful. However, it is not appropriate for children under 14. The reading level is not that difficult, but the content is for upper grades. This book inadvertently appeared on my daughter's third grade reading list. She did not understand why Alanna's sheet were "smeared with blood" She also had lots of questions about fertility cycles, sleeping with men and getting pregnant.

This book started with a great IDEA. I liked the idea of Allana becoming a knight in her brothers place. It sounds like a book that can have SO MANY possibilites. However, the auther's choppy writing and typing errors were just sad. The author moves from one scene to the next, with no flow whatsoever, and simply skims the surface of the character's identity. There is no depth, and no description. It is almost a simple statement of facts throughout the whole book. Though I really want to know what happens in the series, and HOPE very much that the auther's writing has improved, I think I'll just look at the library for the rest of the series.

An admirable start to a great series. This is my son's favorite book and for good reason. The style with which Robert Stanek writes is fabulous and the notes at the end are great! I personally liked how it switched points of view between Vilmos, Seth and Adrina. As an adult reader, I found it engrossing and hard to put down. I thought the book was very descriptive and did a great job of creating a very beliveable world of magic. My final remark on the book, highly recomended for those of you out there who are looking for a good fantasy series to keep you spellbound.

This book is not good. At all. It has overwhelming positive reviews, but if you want to see what it's actually like, I suggest you click on the front cover and read the first few pages. That should be enough to permanently put you off reading the guy. This book suffers from poor prose, wooden characters, abominable pacing, and really just sucks.

Comparisons to Lewis, Dahl and other great writers are right on, Stanek's Kingdoms and the Elves of the Reaches books are some of the best I've read in a long time. Kids in my classroom have enjoyed these books for years and I always enjoy seeing when all the books are checked out of my class library. In this first book, Stanek introduces the characters and his amazing fantasy world. The reader gets a firm understanding of the characters motivations through their actions, words and thoughts. The mysteries and the glimpses of the villians and the evil spreading into the world help to pull the reader deeper and deeper into the story. A grand start to a fun, fast-paced series.

I discovered Robert Stanek's work about a year ago and have been happily reading ever since. Great writing like this speaks for itself! This is such a wonderful book and beautifully illustrated. The author has created a fantasy world with depth and made it real. This is a book that deserves to be read by readers the world over.

Well, to start off, I'll say I was ecstatic when I picked up this book. However, that feeling quickly faded. This is not actually a book, not in the traditional sense of the word anyways. This is the very beginning of a book, a measly two hundred page offering that doesn't even attempt to have some sort of a resolution at the end. I got to the last chapter, sixteen, and said to myself, "Wait, that's it?" By the end of the "book", you only have an inkling of the plot, the setting, and the direction of the story. It's unfortunate if you happen to buy this "book", because you can get an actual book for much less than this. I would recommend Sean Russell's books, or Patrick Rothfuss if you want an actual fantasy book.

Though, this "book" gets two stars for it's decent characters. And I said decent; I don't know why people a praising them as amazing. They are interesting, though they aren't horribly complex, and some the character's, especially those of the elves, feel severely lacking. As for the plot, it's got a few cliched elements in there, and it develops in the least subtle way possibly. Two of the three protagonists are quite literally thrust into the plot, while the third, and most interesting, more or less makes the opportunity herself.

If you buy this "book", you most likely will be dissatisfied with its paltry length and high price. What you get is decent though, and of small quantity, but by no means an extremely deep story with complex characters.

The book is extremely entertaining. Cimorene is certainly the kind of princess you don't often see in fantasy. And Kazul is not the typical dragon either. The book is really funny and is guaranteed to make you laugh

In the book"Dealing with Dragons"there are lots of enjoyment you can get. For example:during the story, a princess who thinks being a pringess is dull, runs away to become a dragin's princess for a very powerful female dragon. Somehow she finds cooking and cleaning facinating. While reading this book you can find alot of adventure. Some adventures you can find are challenging a Death-Dealing Bird, a Witch, A Stone Prince,a Jinn, lots of Wizards and alot of Dragons, both good and bad. Read this book and dive into adventure with Cimerene and her new best friend Alianora on her journey to complete a very important mission to save the Dragons. The thing i liked about this book is when Kazul became a King because i think Kazul was one of the most powerful Dragons. The thing i didn't like about this book is when a dragon betrayed his own kind just to help out some evil wizards.

In the book"Dealing with Dragons"there are lots of enjoyment you can get. For example:during the story, a princess who thinks being a pringess is dull, runs away to become a dragin's princess for a very powerful female dragon. Somehow she finds cooking and cleaning facinating. While reading this book you can find alot of adventure. Some adventures you can find are challenging a Death-Dealing Bird, a Witch, A Stone Prince,a Jinn, lots of Wizards and alot of Dragons, both good and bad. Read this book and dive into adventure with Cimerene and her new best friend Alianora on her journey to complete a very important mission to save the Dragons. The thing i liked about this book is when Kazul became a King because i think Kazul was one of the most powerful Dragons. The thing i didn't like about this book is when a dragon betrayed his own kind just to help out some evil wizards.

The book Dealing with Dragons is one of the most fantastic books I have ever read. It held my interest and made me feel good. Between adventure and happiness, Patricia C. Wrede catches your attention and makes you want to read it over and over again.
In the book, the characters were really willing to go and figure out why wizards have been snooping around the Mountains of Morning. That's one of the reasons I liked this book so much. My favorite characters are Cimorene and Kazul. As Cimorene runs away from the castle she meets a kind dragon named Kazul, who lets Cimorene live with her. Later in the book wizards secretly working with a dragon named Worag, who wants to be the king of dragons and is trying to get rid of Cimorene and her friends. In this it was a wild adventure for princess Cimorene.
The book Dealing with Dragons was not a boring book. The author Patricia C. Wrede was able to hold the interest of the reader throughout the story. The description of scenes was really descriptive and you could picture them in your head. There were sad and funny parts throughout the book. One of my favorite parts was when Cimorene and Kazul visited Morwen the witch. Cimorene rode on Kazuls back while she was flying over the tall trees. I was imagining that I was on Kazul too.
After reading this book, I learned many different things. I also couldn't believe how good this book was. The major situation was trying to figure out what the wizards were up to. This book will leave you wanting to read it over and over again.

Princess Cimorene is the daughter to the king of Linderwall...where the knights keep their armor polished for show considering nobody's seen a dragon there in years...

Cimorene HATES it at Linderwall. And she wants to do things, not learn exactly how and when she's supposed to scream if someone decides to come and kidnap her. Cimorene takes classes behind her fathers back for extreme fun. She tries fencing...until her father makes her stop. She tries cooking...until her father stops her. She tries magic...until her father stops her. You get the pattern. If things aren't already bad enough her parents are making her marry Prince Therandil. YUCK!

"I'd rather get eaten by a dragon," Cimorene muttered.
"That can be arranged."

With the advice of a "not" enchanted frog she ends up at a dragons cave and before you know it she's the dragon Kazul's princess. And also before ya know it she's on an adventure.

What happens on that adventure? Well...

She meets a powerful witch, a stone prince, snotty princesses, a kind princess, annoying wizards, mean dragons, and a talking frog.

She finds plants that hurt dragons, a dragons magical stone, and a fire proof spell...she's found A LOT of adventure!

great book regarding the history of cryptography. The only way to truly understand anything is c the history of it's introduction

For a book on cryptology from a historical perspective it's really hard to believe it would be as entertaining as Singh makes it. Using his skill as an author he weaves history, technology, and methods of encryption together to explain topics that normally would leave many of us in the blind.

The most interesting thing about the whole book is that as you begin to read up on forms of encryption and decryption you begin to absorb yourself into the whole culture. One chapter describes the Beale Ciphers, a set of ciphers that gained popularity especially in the early 1900s and still are significant today linking to a fabulous treasure and yet still remaining unbroken. I remember spending the day after reading up on it thinking of ways I'd try to break the cipher. Not many books fill your mind with such rich images and excitement as this book seems to.

Generally, the book is wonderful and has enough to keep you hooked until the very end despite its historical nature.

Simon Singh does a very clever thing. He takes comlex topics and makes them understandable without dumming down the science or math.

If you have never read a Simon Singh book, it's time to begin now! While most Singh books can seem a bit boring when you read the synopsis (can a book about codes really be interesting??), this is not the case. He has a wonderfull way of explaining complicated things in an understandable way. I will also highly recommend "Fermat's enigma" and "Big bang".

As a mathematician in the early 1970s, I saw many advertisements recruiting mathematicians for the CIA. I knew that it had to do with cryptography and number theory but it was all very mysterious and since I never got a job with them I didn't see precisely how the disciplines fit together. As Singh describes the discover of the RSA coding system it all becomes very clear.
The story he tells is particularly interesting because it starts with the ancient Romans and the decoding of the conspiracy messages of Mary Queen of Scots in Elizabethian England.

Singh also wrote an very interesting account in layman's terms of the discoveries that led to the proof of Fermat's last theorem. That skill is also demonstrated in this book where the key concepts of cryptgraphy are discussed as they were developed through history. The uses of cryptography in World War I and World War II are brought out. We learn of the men in England at Bletchley Park who were able to decypher the German Enigma Machine and play a major role in the latter success of the allies. The gain of information from the U boats enabled the Americans to transport supplies and soldiers to Europe to fight the war. The U boats were very successful at destroying American ships prior to the breaking of the code.

It is interesting that after the war the academic community in the United States solved the problem of key passing for computer networks and developed the RSA code. These discovery were developed earlier and independently in England at their secret agency the Government Communications Headquarters (GCHQ) based on the unheralded ideas of James Ellis. Their work was kept secret until the late 1990s when their achievements were finally brought to light.

The book also discusses the archaeological work on the Rosetta Stone and Linear B. This work uncovered the meaning of the hieroglyphics and showed that the Minoans language was a form of Greek. The techniques were very much akin to deciphering code.

Also of interest is the Navajo code talkers who used their language as an unbreakable code during the war in the Pacific in World War II.

Recent developments and conjectures about future breakthroughs are discussed in the last few chapters. The book provides very useful information about other books and interesting web sites including one that allows you to download Zimmerman's Pretty Good Privacy (PGP) which provides RSA level security.

This is a wonderful story and a great book I was able to share with my students. The only drawback with the book is that the pages are not in color, but the extremely low price allowed me to purchase the books for my students out of my own pocket.

Katherine Woods' translation is the only English-language version of The Little Prince which captures the beauty, simplicity, clarity, and profundity of the Antoine de St. Exupery's classic, penned in French.

(The newer translation is appallingly horrid and bland, mistaken, and frankly perplexing.)

This is really not a children's book, although older children will appreciate it.

Don't measure the value by the thickness of the book. De St. Exupery, himself a WWI pilot, writes with a great economy yet produces here the most beautiful poetry with a delightful playfulness and childlike innocence -- a fresh vision which thus sees clearly and does not obscure the profound.

Mr. Fred Rogers used to quote from de St. Exupery, whose image and illustrations once graced the 20-franc note (in the days before the euro).

There simply is no other work like this one. It is an exceptionally rare treasure, a masterpiece.

Be sure to read Katherine Woods' translation. Read it privately, when you have time to savor each word. And keep a box of tissues nearby.

The Little Prince has often been heralded as a youthful book, required reading in elementary and high schools alike. In delivering it this way I think The Little Prince is missed by the only audience that is likely to truly appreciate it, that is adults. It is not an uncommon misconception that this is a children's book. Indeed, I keep the pictures stored on my computer, and am often asked where they came from. I reply that they are from one of my favourite books, and without fail the response is along the lines of, 'I don't mean to be rude but is that a children's book?'. 'No', I explain, 'it is not'.

The Little Prince is most needed, I think, by adults. It is easy to be caught up in, as De Saint-Exupery describes it, 'matters of consequence' and forget that it is not these matters which bring meaning to life. By pointing out the futility of professions practised endlessly and in isolation of other people, it becomes clear that the Little Prince, with his rose, is the only character with a life of consequence.

This book is beautifully written and translated by Katherine Woods. It speaks volumes through its simple tale, strange though it seems that matters such as these only become clear when they are somewhat removed from reality. Matters such as love, innocence, imagination and priorities. The Little Prince is a gentle and stirring reminder to never forget to see the boa constrictor from the hat.

I was an adult when i read this book, and i really appreciated the lessons in life that Saint-Exupery shares through the Little Prince.

A great book, full of beautiful illustrations, easy to read, while fun and sad at the same time.

I personally read it as if Exupery is sharing with us the conversations he has with his own inner child, in the image of the Little Prince. That is why the Little Prince would ask many questions, but rarely answer the ones he was asked. Like all our inner children he's been hidden inside and kept silent for a long long time, and now that he was given his chance, he will speak. And we better listen, for he is an integral part of our psyche, who will take us through the most unbelievable adventures.

I popped in to a bookstore to buy this book and noticed that it was a new translation. New translation? Fortunately I had the foresight to thumb through it. I promptly left it behind and went straight to a second hand bookstore to buy a copy of the original translation. How could the publisher eliminate the wonderful poetic language? I read The Little Prince as a child ( which by the way wasn't so long ago) and I loved the language. Antoine De Saint-Exupery's work is all about painting pictures through language. This watered down mess is no better than an edition of Cliff Notes. I actually apologize to Cliff Notes. At least with Cliff Notes would have explained the intention and nature of the language. I am sorry to see that this publisher allowed the dumbing down of this beautiful classic.

Stanek definitely has outdone himself in the second installment of his Quartet. Overall, The Kingdoms and the Elves of the Reaches 2 was a great second installment to the set, staying true to the series and providing decent plot development. It did give more details into the storyline than The Kingdoms and the Elves of the Reaches but it still kept the reader hooked! I loved all imagary and description. Dean and I could sit and read it for hours you should get the Audio books as well the narrator really helps you feels the emotion the author is trying to convey.

After reading this book and the first one, I was very amazed at Stanek's talent. This is one of the most amazing stories I've ever read. It opens to the reader a whole new and vibrant world. And to the earlier reviewer who said that Stanek is America's Tolkien, I say ok maybe but more like America's C.S. Lewis. I would recommend this to everyone who loves action, mystery and fantasy books.

I definitely see why Robert Stanek is considered to be America's Tolkien. He writes with the deft hand of Lewis, and the clear eye for detail and worldmaking of Tolkien. Indeed some of the things I love best about the books as an adult reader are the careful prose, the solid pacing, the fascinating world, and the interesting characters. This is plain and simple good-old fashioned story-telling at its best. The kids in my classroom would mostly likely have a different line of thought as what I hear most about are the characters and the intruiging goings on. In this second book, Robert takes us farther into the mysterious otherwordly realm of under earth and farther into goings on in the kingdoms of men. This is where all the plot points of the previous book come together and the reader learns more about the villians from the evil shapeshifting queen to the evil maniacle king to the mysterious force that has returned from the distant past. One thing Robert knows for certain is plotting and pacing, and this ensures the story is a fast-paced rollercoaster ride all the way to the end.

One of the best things about the Ruin Mist series is that they keep gettin better and better, leading to some astounding conclusions (Kingdom's IV and Dragons IV).
The continuation of the previous book, this epic tale combines great characters, intruiging plot, and lush details and narrations- perfect ingredients for a great book. And a great book it is. Be sure to read all four of the kingdom's books, and the sequel series In the Service of Dragons.

Everything about the first book that made my son and I love it so much returns in this sequel.
The illustrations are absolutely gorgeous, and help to craft a definite image of the world unfolding to your eyes through the lushly detailed text.
My absoulte favorite part of this book, the thing that matters most to me, are the characters. The cast of characters in Robert's writing are always amazing, and they grow even more in this book.
The plot is epic and entertaining, but doesnt try to be more deep than it is, and makes for great reading.
Both my son and I blazed through it, eagerly anticipating the next adventure awaiting us.
For a great fantasy series you can't do better than the Ruin Mist books by Robert Stanek.

I recieved this book in perfect condition and it came a day before the estimated time of arrival. Thank you.

The book is great so far. I ordered it because its my ex girlfriends favorite book and i trust her taste in books.

The Six Wives of Henry VIII
Wonderful book. Very well written. It has increased my desire to know more about Henry the VIII and his times.

Very informative book! Weir manages to give us a detailed description of the personalities of each of these six queens. What makes this book such a success is that its very easy to read making it impossible to get bored!

What I liked most about this book is also what since distresses me most about films circulating on this topic. Weir so thoroughly researches the profusion of biographic material available (besides Britain, courts throughout Europe had documention on the wives of Henry and him) that it is clear there is no need to fictionalise this fascinating story (you wouldn't even try to imagine it). And although it lends itself so well to a series (or a film) once you have read this book the inaccuracies in (Gregory's, for example) fictionalisions on the screen tend to get annoying. Wonderful book -the story is historic and timeless at the same time. (If you can recommend a good, unembellished biographic DVD, please do.)

Jamin P. review of The High King by Lloyd Alexander, March 19, 2008

The book I read, The High King, was great. The time, setting and plot all fit together quite nicely. The story takes place in Medieval Times but it is a fantasy world. Taran, an assistant-pig-keeper, is now a great warrior and he is the leader of an army of horsemen against Arawn-Death-Lord. There is a catch though Arawn has stolen the sword of Dyrawyn- the most powerful weapon in the kingdom of Prydain. Taran and is companions have set out to claim the sword back for the diabolical Arawn. They have to go to Arawn's lair, which is at the top of Mount Dragon. After many bloody battles they are able to retrieve the sword for Arawns Lair. At the end they end of the book some of Taran's companions go to the Summer Country, while some stayed on the now peaceful and prosperous land of Prydain.

Pig boy gets over it, the sword, the girl, the knowledge and the administration job.


Taran finally gets organised as far as the princess is concerned, but, as these things goes, is rudely interrupted by the goings on caused by your usual dark lord of the underworld.

A fantasy hero has to deal with that first, befor eany nuptials, as well as all the nicking off of the supernatural types and a decision for the woman of the piece.

The order came in a few days which was great. The person I orded this for was happy with the book and enjoyed reading it. All in all the order was fast and I was a satisied costomer. Cyndi

The high king by Lioyd Alexa is a wearied book that I wouldn't recommend if you are younger than a 5th grader. There is a guy that is going somewhere. Then there was a ogre and it was green. The guy went somewhere to get someone. He traveled a long way. He was on a horse back. It took him a few days to get there.
The guy was a worer and he was trying to beat someone. The person that he was going to defeat was a ogre. The ogre was as mean as a vicious dog. The guy had a sword and the ogre diden't but it had muscle, and it had friends and the guy diden't. The guy had to fight them off with one sword. It took him like 40min to fight them. After he did that he started going again to where he was going. It took him two more days to get where he was going.
He finally got there and the person wasen't there when he got there.

It is NOT my intent to be inflammatory or insulting with this review. However, as humans, we live and die by comparing and contrasting, so I can't help it if I do so. Please don't shoot the messenger because I rate Alexander's series according to personal standards.

Second, I am not merely reviewing The High King here; this is the best place to review the entire Chronicles of Prydain, and so I shall.

I have also heard a little rumor recently that Alexander's books have been recommended in reference to Harry Potter, and I have nothing against Harry Potter other than it is a lukewarm, morally tepid tale in which the characters, magic and plot are only occasionally consistent; however, the likeness between Harry and Taran are, in short, the difference between heroism by circumstance and heroism by choice.

Now to the review and to more (unintentional) offense: The Chronicles of Prydain slightly resemble (especially in the first part, The Book of Three) The Lord of the Rings because they are both drawn from the same Welsh roots. The Chronicles of Prydain are better, hands down, no questions asked. I have always regarded Tolkien as the untouchable master of Fantasy, until now. Here is why Alexander tops the unbeatable:

1. His characters are closer, more human, and more real. They are all easily accessible. They are all ingeniously well-defined. I am not as well-read as I should be, but I have never read a more likeable, fleshed-out and consistent, large cast of characters. His genius shines through.

2. Where Tolkien is mythology, Alexander is what mythologies are made of. The Chronicles of Prydain cut right to the core of the greatest human stories and their humanity--their sacrifice. The individual acts of sacrifice in each of the books are heartrending, and somehow, almost in an act of divinely-inspired propitiation, heart-mending. Frodo's act of sacrifice at the end of Return of the King pales in comparison to the multitude of sacrificial acts that culminate with Taran's decision at the end of The High King. It is awe-ful.

3. The female characters are superb. Eilonwy is a likeable, strong and strong-willed female who is consistently Eilonwy, the perfect foil to Taran, and perfectly balanced. Alexander did not make her a shrew, a feminist, or anything overboard to the point of ruining the character, the story or the consistency. She is wonderfully written and no less a hero than Taran, though the spotlight is not always on her. Alexander was truly ahead of his time in making a female hero so real, so approachable, so likeable, and truly heroic.

4. The plot is seamless. Books one through five fit together as in a panoramic puzzle, with each thing building on the other. Granted, Tolkien wrote in the style of the medieval, and he did so without flaw, but with Alexander, every scene serves the plot. There is not one wasted word, and few unanswered questions, if any.

5. The plot is character-driven. Unlike Harry Potter, where the deus-ex-machina is unbelievably heavy, the plot in the Chronicles of Prydain is character-driven, and hinges on the characters making the right decision without regard to their personal desires. I have only seen one other author in whose books this trait is so pronounced (see Nicole of Prie Mer: Book One of the Latter Annals of Lystra, to start) and so perfectly wielded. However, it makes for the most satisfying plot resolution possible.

6. The characters are hopefully complex and dynamic. I have never read of so many characters that are redeemable--and indeed, we see many of them redeemed. I can only hope to look on life with the optimism that Alexander must have had. His characters, even many of his bad ones, are so lovingly handled, I must hope that my Author chooses to deal with me so mercifully. The Mercy offered in these books goes beyond the pity offered to Gollum and into the redemptive work of One who can transform lives. It is extremely powerful, and the same reason so many of the minor characters are beautifully real and dance off of the pages.

I could go on and on, and fortunately for you, I won't. I am so lucky to have found these books. I hope many receptive hearts will continue to find them for several generations. May Alexander rest peacefully, and I hope that somehow, somewhere, he knows that his Taliesin is smiling.

I loved this book, the entire series is amazing. I cannot wait until I read the next one.

Tamora Pierce is an excellent writer. All of her books really put you into the stories and make you feel as though you know the characters personally. This book is no different.

PAGE is the second installment in Tamora Pierce's PROTECTOR OF THE SMALL quartet and it improves on the already fantastic opening novel FIRST TEST. This particular series is again set in the enchanted kingdom of Tortall and features Keladry of Mindelan, now eleven years old and still as determined as ever to become a knight. In FIRST TEST, Kel successfully undergoes a probationary year which had been unfairly imposed upon her by the conservative training master Lord Wyldon, who doesn't believe that women are cut out to be knights. However, Kel truimphs over every test put in her path and Lord Wyldon has no choice but to add her officially to the ranks of pagehood.

PAGE chronicles Kel's three eventful years as a page. Here, she faces a diverse and ever escalating gamut of challenges, from battle lessons to physical tests of endurance and strength, from suffering growing pains (she develops a crush on a friend) to enduring the persisting scorn of several of the male fraternity, and, on one peril-fraught occasion, fighting for her very life as she and her fellow pages must face off against desperate bandits. And then, finally, there's the all-important and extremely difficult fourth-year exam, which will determine whether she'll advance to squirehood, the next rung up to knighthood. But an unexpected, catastrophic event will transpire which will endanger her chances of even attending the test and will pit her against her greatest weakness. Once again, Kel is well served by her fruitful time spent on the Yamani Islands as she habitually makes good use of the adopted martial training and the poise she had learned from her Yamani instructors. Also, now in her second year, Kel has garnered enough friendships amongst her peers that she doesn't feel quite so isolated. Her horse Peachblossom and her helpful flock of sparrows again prove to be invaluable. Meanwhile, her mysterious, unidentified benefactor pleasantly continues to present her with inestimably practical gifts.

As ever, Kel continues to champion the underdog and the helpless. Here, she takes into her care the homeless and homely but ingratiating mutt Jump (never mind that she's not allowed to have pets) and hires into her service the timid maid Lalasa, who had suffered ill-treatment in her past. Kel aims to foster a confidence in Lalasa by instilling in her a belief in her own worth and by teaching her various martial arts moves for self-protection. Kel also continues her informal evening hall patrol as she keeps a watchful eye out for her nemesis, Joren, and his disagreeable clique of hangers-on, who revel in the abuse of the hazing ritual, too often unlawfully beating up on smaller, newer, and younger pages.

Kel persists in being one of the better young heroines out there. I really liked her in FIRST TEST and, here, she's even more appealing. Unlike Alanna, Tamora Pierce's first heroine, Kel isn't imbued with a magical power and doesn't attempt to hide her gender. Kel is a GIRL and very proud to be one, and she doesn't take short cuts. Pierce nicely depicts sequences of Kel stubbornly working hard to better herself as she stoically suffers every bead of sweat, bruise, and ache brought on by her training. Thus, the reader actually ends up cheering all the more for the approbations she does receive.

By the way, I don't mean to knock Alanna. I also enjoyed the quartet of books about her. Her achievements are what made Kel's endeavor here possible. But, yeah, when you get right down to it, Alanna has a supernatural ability while Kel remains a regular human girl. To get even more nerdy, it's kind of like comparing Superman to Batman. Anyway, if you've already read FIRST TEST, I won't have to talk hard and fast to convince you to read PAGE, or the subsequent novels. I'm in the middle of reading SQUIRE right now, myself. And that one, so far, is even marginally better than FIRST TEST and PAGE.

I gave the first of this series 5 stars, and reluctantly subtract one for the execution of her second. The premise is sound - she planned to deal with Kel as a child, a Page, a Squire, and finally as Lady Knight, but the pace and high drama of this book left many things feeling a bit rushed.

Firstly, expect the content to be notably more mature than in First Test. Kel deals with hitting puberty, hitting boys, being hit by boys, and a brutal regimen of forcing down her phobias. This, in addition to intense training, having (and dealing) with crushes on her fellow Pages, and proving over and over and over that she can and will "run with the big boys."

Despite cramming several years worth of experience (literally) into this book, Pierce does an admirable job of containing and streamlining it. The years are well defined, and the individual 'quests' are tightly written and clear. This book also handles the development of Kel's unique abilities in command. Her growing sympathy for commoners and the weak is showcased in a series of growing climaxes. The ending sequence is especially well-done, and younger readers will be very impressed with Kel's maturity and self-sacrifice.

Again, I find that Pierce writes extremely appropraitely for the age-level (estimating by Kel's own age, the pre-teen market) and I find that her focus on morality and strength of conviction in difficult circumstances is fitting for younger readers. I wholeheartedly suggest these books for parents wishing to instil those ideals in their children, in addition to reading them because they are simply VERY nicely crafted books.

**Lastly, as I warned for First Test = Parents who are very careful of the sexual, homosexual, or magical encounters their children have - PLEASE read these books before handing them over to your kids. I personally see nothing wrong with her handling of delicate issues, but you might. And to set your child on a series of entertaining books, and then later ban them for dealing with unfortunate subjects - this makes rebellious and NEEDLESSLY unhappy children. Please, if you are sensitive to sexual references (including a brief mention of homosexuality and extremely frank dealings with rape) and/or the use and presence of magic, please make sure YOU read this first.

Keladry of Mindalen has passed her test and is now a full page, dreaming of becoming a knight. Kel is keeping up with life but it's getting hard. She still has to handle to fact that many, many people are still mad about her becoming a page. While she deals with this she is trying to maintain her training. And ALSO trying to deal with her feelings for her best friend, Nealan of Queenscove. In other words life is hectic for Keladry of Mindalen.
In this book there is a part where Keladry shows her skills and leads her friends out of a sticky situation where they're trapped by a group of bandits while the pages are on a little 'field trip'.

"Ladies have no place bearing arms..." I've said it once and I'll say it again...that's WRONG!

I hope you'll read this book, 'Page'. I'm sure you'll love it.