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Great histology book!Review Date: 2006-11-06
very goodReview Date: 2006-08-30
excellentReview Date: 2006-05-09
I really like histology and this bookReview Date: 2006-06-22
If you want also a great studying tool to help you prepare for your exams, I recommend HISTOLOGY STUDY GUIDE: KEY REVIEW QUESTIONS AND ANSWERS author Patrick Leonardi. This helped me!!!
Makes a difficult topic very approachableReview Date: 2006-09-15

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An Absolute Must-Read . . .Review Date: 2007-11-07
Use the phrases in "How to Say It" to give constructive suggestions and reinforce good behaviors. This takes you WAY beyond tired formulas like "catch them doing something right," and instead gives them positive guidence. Start getting the best out of YOUR people and order this book TODAY.
HelpfulReview Date: 2007-09-16
Great performance review tool!!!Review Date: 2007-04-27
I enjoyed the examples of employee reviews from the chapter "Performance Review Tales of Triumph and Terror." I also enjoyed the "Bonus Superlative Phrases" at the end of each phrase category. These are amusing phrases for the employee whose performance is fabulous.
I recommend the first half of this book for anyone who needs to learn how to give a performance review of an employee (it's full of how-to's) and I recommend the second half of this book for anyone who is looking for sample phrases for performance feedback. And if you're looking for additional inspiration/guidance, the author has a free list of employee review phrases on her website at [...]
Required Reading for Every Supervisor!Review Date: 2006-12-19
A must for all managers!Review Date: 2007-01-05
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Capital ecologiesReview Date: 2004-01-08
One nice part of the book is the review of Marx's materialism, and the relation to his early studies of Epicurus. Thence the Hegelian sources of Marx and a history of Marx and Engels on Darwin. The problem with Marx's materialism is that it is, despite the obvious enrichment of the Greek source, too nineteenth century, and too obsessed as contra-Hegel. To transcend bourgeois society seems to ask for a philosophy that transcends the whole (bourgeois) philosophic tradition. But didn't Hegel steal on march on that question? To pick materialism against idealism was a strategic limitation. Hegel is too clever to outwit with materialist boilerplate from the age of scientism and water cooler jargon from hallways at Nasa. One is a Marxist anti-Hegelian yet armed with pilferred Hegelian material--the result is seen in the author's discussion of Hegel on Kant, a point on which Marxists tend to toe the line, like pragmatists with their 'naturalized Hegelianism'. Marx was brilliant but Marxism was outwitted by Hegel. Why not backtrack to Kant then, a gesture the author points to without intending it in, surprisingly, Engels whose reputation sits badly with his dialectics of nature, but the book shows thinking much more cogently in private with the Kantian third critique.
The most useful part of the book is the discussion of Marxism and Darwin. But here total confusion has always reigned in the 'over the falls' embrace of Darwin. And I was fascinated to read the author's giving the game away on Marx's obvious reluctance to let selectionist theory pass. For that we must admire Marx's instincts, for he smelt a rat, but the tide turned against him reservations. I think the Darwinist embrace produced by the Seond Internationale was a great failure of Marxism, as the 'critique of evolutionary economy' failed to make it into the tradition, in part because of the agenda on materialism. In a word, our fire equipment is not ready, for this and other reasons. Interesting little book anyway.
Original and CompellingReview Date: 2003-03-23
Indeed, Foster's book is an interesting study of intellectual history, with an emphasis on the debates that raged during Marx's lifespan in the 19th century. The ideas and discoveries of Darwin, Engels, Epicurus, Hegel, Malthus, Proudhon, and others are discussed at length. Foster presents a Marx who was clearly at the vanguard of progressive thought in his era and gives us considerable insight into how Marx created his materialist theory of history. We also understand why Marx privileged the environment but explicitly rejected the fashionable teleological and racist arguments of his time.
In particular, I found the discussion concerning Epicurus to be fascinating. Epicurus was an ancient Greek philosopher who had a profound influence on the Enlightenment and was the subject of Marx's doctoral dissertation. Foster tells us that Marx's unconventional interpretations have been confirmed by recent archaeological discoveries, although at the time Marx had been working from a small number of extant fragments of Epicurus' writings. In addition to explaining to the reader why Epicurus' ideas are important, Foster deepens our appreciation for Marx, whose intellectual capabilities were evident even at a fairly young age.
In the Epilogue, Foster shows how Marx's ecology fell out of the loop, a victim
to Soviet ideology, Stalinist purges and other historical forces. But he shows how snippets of Marx's environmental thought
has influenced scholars and activists throughout the 20th century. In fact, Foster suggests that Marx has been vindicated
by some within the contemporary environmental movement. For example, Rachel Carson's work connecting corporate power with
environmental and social degradation recalls (unconsciously?) Marx's work regarding the dialectic of nature and science. But
with this book, Foster has effectively redrawn the circle, solidly connecting Marxist theory with the environment. Foster
helps us understand that social justice and ecological sustainability are core Marxist values that can guide and inspire activists
who are looking for solutions to today's environmental crisis.
In short, I strongly recommend this book for readers
who are interested in intellectual history and/or eco-socialist theory, and congratulate Foster for an outstanding piece of
research.
A Revolutionary DebunkingReview Date: 2000-06-07
Foster presents prodigious historical evidence for his thesis that, despite a century-and-a-half of obtuseness on both right and left, Karl Marx was one of the greatest and deepest inheritors and advancers of the best tradition of both "Enlightenment materialism-humanism" and ecological realism.
Foster shows that, contrary to traditional interpretations, Marx was neither an admirer of crude mechanistic science nor an airy Hegelian dreamer. If one actually bothers to read the earliest and the lesser-known Marx, it turns out that the bearded one was quite consciously an exponent of the supple, open-ended materialism embodied in the Epicurean tradition and in the best ideas of its Enlightenment elaborators, including giants of science like Bacon and Darwin.
This unappreciated fact, Foster also shows, meant that Marx was also a very profound ecologist. Up to speed on the most important ecological debates of his epoch, Marx's whole project, Foster convincingly demonstrates, rested on the kind of hard-headed, historically-sensitive, and politically clear-sighted concern for the world's ecological welfare that is so sorely lacking in today's sterile debates between status-quo ostriches and "radical" nature worshippers.
This book has opened my eyes and greatly deepened my appreciation of Marx, ecological thought, the history and future of science, and the best meaning of humanism. Anybody interested in these vital issues ought to get and digest this ground-breaking tour-de-force!
A wonderfully learned and useful bookReview Date: 2004-12-20
Marx as ecologistReview Date: 2000-06-24
Although most students of Marx are aware of materialist thought in such early works as the 1845 "Theses on Feuerbach," Foster argues convincingly that materialism made its debut in Marx's doctoral dissertation on the "Difference Between the Democritean and Epicurean Philosophy of Nature," written four years earlier. According to Foster, the standard explanation for the dissertation is that Marx saw Epicurus as a kindred rebel spirit. This Epicurus sought to overthrow the totalizing philosophy of Aristotle, just as the post-Hegelians--including the young Marx--rose up against Hegel. What is missing here is the element of materialism, which drew Marx to Epicurus in the first place. Marx identified with the Enlightenment, for which Epicurus serves as a forerunner to the radical democrats of the 17th and 18th century. The materialism they all shared was crucial to an attack on the status quo, ancient or modern.
The Greek materialists, especially Epicurus, are important to Marx because they represent the first systematic opposition to idealist and essentialist thought. Just as importantly, Epicurus in particular anticipates the scientific revolution of the Enlightenment. His dicta that "Nothing is ever created by divine power out of nothing" and "nature . . . never reduces anything to nothing" are in harmony with what we now know as "the principle of conservation." Foster also notes that Lucretius, another materialist of the classical era, "alluded to air pollution due to mining, to the lessening of harvests through the degradation of soil, and to the disappearance of the forests; as well as arguing that human beings were not radically different from animals."
In their early writings, Marx and Engels wed the materialism of the Enlightenment to a political critique of the capitalist system, particularly targeting ideologues such as Malthus. Taking aim at his false piety, the 1844 "Outlines of a Critique of Political Economy" challenges private property, especially in the land, asserting that:
"To make earth an object of huckstering--the earth which is our one and all, the first condition of our existence--was the last step in making oneself an object of huckstering. It was and is to this very day an immortality of self-alienation. And the original appropriation--the monopolization of the earth by a few, the exclusion of the rest from that which is the condition of their life--yields nothing in immorality to the subsequent huckstering of the earth."
By restoring Marx's materialism to its proper place, "Marx's Ecology" provides a theoretical foundation for further explorations in ecosocialism. Once we understand the proper connection between nature and society, we can begin to act to confront the major problems facing humanity, from global warming to diminishing fresh water supplies. In the final chapter, Foster cites a number of Marxist thinkers who belong to the materialist tradition. Their examples can help to inspire a new generation of ecologically minded socialists.
Foster presents an unfamiliar side of Bukharin. His "Philosophical Arabesques," only made available in 1992, reveals a sophisticated dialectical materialist who grounds his analysis of society in ecology. Bukharin writes of the "earth's atmosphere, full of infinitely varied life, from the smallest microorganisms in water, on land and in the air, to human beings. Many people do not imagine the vast richness of these forms, or their direct participation in the physical and chemical processes of nature."
As one of the founders of German Social Democracy, August Bebel not only spoke with some authority in the 1884 "Woman Under Socialism," he also seemed to be anticipating the dire consequences experienced today in the wake of clear-cutting:
"The mad sacrifice of the appreciable deterioration of climate and decline in the fertility of the soil in the provinces of Prussian and Pomerania, in Syria, Italy and France, and Spain. Frequent inundations are the consequence of stripping high ground of trees. The inundations of the Rhine and Vistula are chiefly attributed to the devastation of forest land in Switzerland and Poland."
Finally, in an instance that seems to address Joel Kovel's complaint about the lack of spirituality in Marxism and a possible alternative to Lewis Henry Morgan's obsession with "improvement,", we have the example of Rosa Luxemburg who wrote from prison in May, 1917:
"What am I reading? For the most part, natural science: geography of plants and animals. Only yesterday I read why the warblers are disappearing from Germany. Increasingly systematic forestry, gardening and agriculture are, step by step destroying all natural nesting and breeding places: hollow trees, fallow land, thickets of shrubs, withered leaves on the garden grounds. It pained me so when I read that. Not because of the song they sing for people, but rather it was the picture of the silent, irresistible extinction of these defenseless little creatures which hurt me to the point that I had to cry. It reminded me of a Russian book which I read while still in Zurich, a book by Professor Sieber about the ravage of the redskins in North America. In exactly the same way, step by step, they have been pushed from their land by civilized men and abandoned to perish silently and cruelly."

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Impressive amount of info.Review Date: 2008-01-24
Great, concise reference for the medical studentReview Date: 2005-02-25
Great medical resourceReview Date: 2004-03-19
StudentReview Date: 2003-08-08
Fast and FactualReview Date: 2004-03-19

Pollock, only Pollock, nothing else but PollockReview Date: 2007-04-16
Beautiful illustrations make this book an indispensable presence in any arts library.
Very good overview of the MoMA exhibitionReview Date: 1998-12-01
Best Reproductions and Most CompleteReview Date: 2001-05-31
If you're interested in Pollock and need to refer to the reproductions, I absolutely recommend this book above all others out there.
simply the bestReview Date: 2003-08-08
As the other reviewers state, there are many generously-sized fold-out pages here, and the crispness and resolution of these big reprints and of the more modest pages are simply amazing. To take two essential examples, this book's reprints of "One: Number 31, 1950" and "Blue Poles: Number 11, 1952" are astoundingly clear, better than any of the many other versions I've seen in art books, even in Ellen Landau's large-format survey, a book which also includes gatefolds.
(Another reviewer, by the by, states that "Lucifer" is not available in any other book, which is not true. Among other places, it appears in Landau, in Elizabeth's Frank's concise volume, and as the sole color reproduction in the book for the 1965 MOMA retrospective. Anyway, it gets terrific treatment here.)
Another invaluable inclusion in this book is a great number of full-sized detail photos of the canvases. For example, on a page adjacent to "Lucifer" and "Autumn Rhythm" and "Full Fathom Five," we see another photo of just one small section of that same painting but in 1-to-1 scale; these details reveal much of the dynamic, kinetic, urgent quality of these works, their encrustations of sand, glass, pennies, paint caps--traits which even this book could otherwise never offer a livingroom Pollock-viewer.
Further, having seen the exhibit in January of 1999, I can attest to the generally excellent fidelity of the color-balance. (Curiously, no one seems to be able to capture "Autumn Rhythm"'s grey-teal passages in a book, but if you were at this show or have viewed the painting at the Met you've seen them.)
The accompanying articles are excellent. Kirk Varnedoe overviews of Pollock's life, artistic aims, his accomplishments, all illustrated with family and archival photographs and drawing on Pollock quotations. Pepe Karmel uses the extensive photographic and film record of Pollock painting to analyze Pollock's physical movements. Most wonderful are Karmel's computer reconstructions of early states of the painting "Autumn Rythm," based on Hans Namuth's photos of Pollock at work.
In sum, this book gives the finest, fullest offering of both Pollock's life and art.
Pollock Without the Boring MythologizingReview Date: 2000-06-05
Large format features fold-out reproductions of breathtakingly high quality. Among these, incredibly, are paintings not found in any other published sources. (The incomparable Lucifer (1947) is one such work).
The text is scholarly but readable, and although there is a considerable amount of it, each open page of writing offers at least a couple relevant and highly interesting photos or other illustrations. The many large color plates would certainly make a gorgeous and impressive coffee table book for anyone who doesn't choose to read it.
Kirk Varnedoe writes definitively about Pollock's mercurial life & career. Varnedoe's nearly 75 pages of biographical analysis are a welcome alternative to the kind of misguided mythologizing about Pollock that has for a long time colored the artist as an overrated art "star."
Pepe Karmel's contribution to this book is an amazing analysis of Pollock's painting process through an exhaustive examination of the famous films and photographs of Pollock at work. This was a fascinating, ground-breaking part of the exhibition, and is equally wonderful in the book.
Well worth the price.

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Fun and Entertaining!!Review Date: 2005-10-14
Linore Rose Burkard
Author, Before the Season Ends
(A Regency Romance)
great mix of cooking and literatureReview Date: 2008-02-06
A must for Jane Austen fans!Review Date: 2000-07-19
A great book to ownReview Date: 2008-02-06
Nice little introduction to Jane Austen's food and cultureReview Date: 2005-11-11
The introduction is very much about how people ate - what was available, how it got to houses, and why this was so. There is some division by class (upper class, middle class and lower class are all discussed) but also the divisions by Geography - whether coastal with access to fresh fish, or inland - how food was transported, and even in terms of access to market towns. Even 5 miles away was almost impossible for those trying to get up a dinner from 'scratch' so to speak if someone was coming around.
The introduction also talks about the types of food and dishes which were eaten, and that the whole culture of dining was completely different. Not only were meal times different, but how they dined. The explanations are simple and there is good use of quoted material throughout, the diaries and letters of the time providing a strong and occassionally humourous voice.
Where possible leFaye and Black have used diaries and 'receipts' from Austen's friends and family and point out that in the days before recipe books were published these books of receipts would be handed down from mother to daughter and one family's speciality would be renowned - they were truly heirlooms.
The last section of the book is a collection of recipes - these are taken from books of reciepts. The original receipt is usually fairly interpretative, that is the measurements are not generally noted, nor how to put them together or cook them. So there has been experimentation and the recipe is re-written with the details put in. These essentail details would have been handed down in a practical manner, but in the days before temperature gauges you would have needed to rely on simple temperature variations, quick, moderate and slow oven to dictate just when to cook it.
Most of these recipes are actually very useable for today - they don't have many potted meats, but mostly roasted meats, cakes, egg dishes and still room crafts. There are some things we dont' see these days like Syllabub - which is quite tasty
There are other books of this kind around - Margeretta Ackworth's cookbook for instance, which is interesting too - but I would recommend this is a good modern cookbook and an interesting historical look at the culture of food in this period.

AmazingReview Date: 1999-09-06
simplifying the whole thingReview Date: 2000-07-15
A good introduction to systems throry at the largest levels.Review Date: 2000-08-31
This is a really big book besides having a lot of pages, and I have a hunch that not too many people are going to buy it outside of researchers or university librarians. But, I suppose, if you're either of these (though if one were going to research they'd probably look to a sucession of smaller books, no?) I'd buy this book.... your collection would be enriched through having it....
It's Like Aristotle Said Review Date: 2005-02-25
Here Miller lays out 19 processes which every living system needs to perform in order to compete and survive; eight processes for information, nine processes for matter and energy, and two processes for both. Miller also sees that there are billions and billions of different kinds of living systems in the world from microscopic cells to international organizations. So, he has categorized them into seven levels from the simplest and tiniest to the most complex and largest. And, he frequently makes interesting comparisons across these different levels.
Miller weaves volumes of information about the life sciences into his theory, particularly the biology of evolution. The concept of "emergence" appears to be its bedrock. New characteristics emerge as living systems become more complex, miraculously it would seem. In that sense, the book appears to be a detailed proof of Aristotle's famous conclusion that "the whole is more than the sum of its parts."
Many readers of this book have described it as a reference book, which it is. But, that description sells the book too short. Miller's prose is graceful and readable. I would say this book is enjoyable and well worth reading even if you have only enough time to read one chapter.
Two interesting companions to Living Systems would be Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems, and Economic Order and also Ruppert Sheldrake's Morphic Resonance: The Habits of Nature. It might be said that Living Systems is a sequel to Alfred North Whitehead's famous book Process and Reality.
A Theory of EverythingReview Date: 2000-08-28
To see more of Miller's work and its implications, see the web site Principia Cybernetica.


Good book, but hard for young readersReview Date: 2008-02-19
It's good. It's not as good as her more famous books, and it does not age well. However, there is more creativity in this work than in anything of hers that I have read. Sadly, I'm also older now, and was able to see things in this book that I would not have noticed when I was younger.
The story introduces two children who are forced to live together when their caretakers marry. (Unlike The Ogre Downstairs, I don't find fault with this plot device because the book is set around 1900. Culture was quite different then.) The girl (Lucy) quite likes the boy (Phillip), but he does not return her affection because he's upset that his life has changed. This continues when they both get magically sucked into a world that was created when Phillip built a city out of various things around the house.
This is where it gets difficult to read, due to cultural differences. See, the city is populated by the toys that the boy used to build the city. Additionally, the things in the books that he used for walls sometimes come out. So, there are a LOT of references to toys and educational materials that simply aren't common any longer. However, her writing more than makes up for the cultural divide. I am going to share some with you. If you do not wish the spoilers, buy it and read it yourself.
'I was about to tell you,' said Mr. Noah, 'and I will not answer questions. Of course it is magic. Everything in the world is magic, until you understand it.
(Mr. Noah is a character from the Noah's Ark toy set.)
'Because,' he said, 'I'm more likely to meet Lucy. Girls always keep to paths. They never explore.'
Which just shows how little he knew about girls.
(This is after Philip loses Lucy due to a strange series of circumstances.)
'But laws can't be useful and beautiful, can they?'
'They can certainly be useful,' said Mr. Noah, 'and,' he added with modest pride, 'my laws are beautiful. What do you think of this? "Everybody must try to be kind to everybody else. Any one who has been unkind must be sorry and say so."'
(Mr. Noah is also the Chief Judge, so he gets to make the laws.)
'Is it something we shall be afraid of too?' Lucy asked. And Philip at once said, 'Oh, then she really did mean to come, did she? But she wasn't to if she was afraid. Girls weren't expected to be brave.'
'They are, here,' said Mr. Noah, 'the girls are expected to be brave and the boys kind.'
(That fact that I grew up reading stuff like this goes a long way to explain my attitudes towards gender, I suppose.)
The sun was shining--there was a sun, and Mr. Noah had told the children that it came out of the poetry books, together with rain and flowers and the changing seasons--and in spite of the strange, almost-tumble-no-it's-all-right-but-you'd-better-look-out way in which the camel walked, the two travellers were very happy. The dogs bounded along in the best of spirits, and even the camel seemed less a prey than usual to that proud melancholy which you must have noticed in your visits to the Zoo as his most striking quality.
(It's true, camels are quite mournful beasts. I'll try to take photos for you some time.)
'Oh, anybody can steer then,' said Billy; 'you if you like.' So it was Lucy who steered the ark into harbour, under Mr. Noah's directions. Arks are very easy to steer if you only know the way. Of course arks are not like other vessels; they require neither sails nor steam engines, nor oars to make them move. The very arkishness of the ark makes it move just as the steersman wishes. He only has to say 'Port,' 'Starboard,' 'Right ahead,' 'Slow' and so on, and the ark (unlike many people I know) immediately does as it is told.
(I probably picked up my proclivity for parentheticals from E. Nesbit as well. Oh, and who can not bask in the awesomeness that is the word "arkishness"?)
* * * * * *
I'm sorry this chapter is cut up into bits with lines of stars, but stars are difficult to avoid when you have to tell about a lot of different things happening all at once. That is why it is much better always to keep your party together if you can. And I have allowed mine to get separated so that Philip, the parrot and the rest of the company are going through three sets of adventures all at the same time. This is most trying for me, and fully accounts for the stars. Which I hope you'll excuse. However.
(Nothing special to say here. I'm just going to let the beauty of that paragraph stand on its own.)
'The more a present costs you, the more it's worth,' said Mr. Noah. 'This has cost you so much, it's the most splendid present in the world.'
(Look, a moral lesson - just hiding in there waiting to jump out at the unwary reader.)
'Oh, dear,' said Lucy despairingly, 'aren't there any women here? They always have more sense than men.'
'What you say is rude as well as untrue,' said the red leader; 'but to avoid fuss we will lead you and your fierce dog to the huts of the women. And then perhaps you will allow us to go to sleep.'
(More gender-preconception correction. Also, note the presence of "red leader". George Lucas must have read E. Nesbit as well.)
So there you go, excellent writing and a story about creativity, magic and the imagination. How can you go wrong?
Well, you can make reference to numerous things that are no longer commonplace (Noah's Ark set, motor veils, white dominoes, draughts, blotting pads, lead soldiers, wooden dollhouse food, etc). You can also casually accept the fact that, at that time, there was a strict social hierarchy in England and only address this book to young children of the upper class. (This is very slightly addressed in the end, but not by much.) Oh, and you can suggest that it's a good idea for children to lick lead paint off of wooden toys.
However, if you can accept the book as a product of its time, and one that did try to address inequality and prejudice, just not everywhere, it's a very enjoyable read. I burst out laughing several times (especially at the end, which I shan't spoil for you). If you like reading children's stories, it's a delight. If you have children, this would be a good read-aloud book. It's not a good children's read-on-your-own book, because of the cultural differences.
I'd give this book six stars, but E. Nesbit already did
Loved it!Review Date: 2007-07-11
The Book I Spent Ten Years Looking For...Review Date: 2000-06-14
This is her best book. A boy dreams and finds himself in an equally real world, made up of the pretend cities he's made while awake.
I read The Magic City back in 1989 and spent years searching in second hand books stores for my own copy until I tracked it down on amazon.com!
If you love Harry Potter, try this!Review Date: 2001-02-17
Philip Haldane, our hero, and his half-sister Helen are orphans. Helen has been Philip's sister, teacher and playmate for what seemed like all his life, and there wasn't a shadow of a doubt in his mind that this would go on for ever; he wanted it to. But the unimaginable happens -- Helen marries and goes honeymooning around Europe, leaving Philip at his new residence, friendless and bitter. But soon his new, seemingly dreary life is changed by his embarking on an exciting adventure, so splendid and picturesque that he never would have dreamed that he had built it with his own hands. You see, Philip had always played building games, and he built not with plain old building blocks but with...well, everything -- everything from ink-wells to bronze Egyptian figurines! And it was while he was in the depths of his misery and pining harder than ever to see his sister again that he, the Creator, discovered it -- his Magic City -- and its delightful secrets.
Now, to look at it from a Harry Potter fan's viewpoint. I shouldn't be giving any clues, you really should have read this book at least once before comparing it with HP, but I'll just say...Philip is of course the Harry Potter of this book, but he is also the Ron Weasley because of his initial malice towards his new stepsister, Lucy -- the Hermoine Granger of this book. The Grey Nurse is the Snape/Malfoy/Voldermort figure of this book. The Great Sloth is rather like Scabbers, and Polly is somewhat Hedwig-like. And Mr. Noah is almost EXACTLY like Professor Dumbledore; if you look at the part of the book when he goes to visit the prison, you'll know what I mean :)
If that still doesn't grab the average Potter fan's attention, how about this: J.K. Rowling favours E. Nesbit as one of her must-reads! Enjoy...
Nesbit's bestReview Date: 2001-07-05

very good book for economics and history foundation Review Date: 2008-03-04
and you can find some kind explanations and illustrations of the writer for your better understanding within pages... i would recommend this book for high school students or freshman students of college.
Making economic history exciting!Review Date: 2001-12-04
A Fantastic and amusing journey through history!Review Date: 1998-11-24
History seen with the eyes of working class people.Review Date: 1996-12-10
Magnificent in scope and understanding of economics!Review Date: 1999-07-08
In an age where belief in the Left is scorned and the free market rules supreme, this book is as relevant as ever, reminding one of the perils that can arise when a market is too free.
Huberman explains economics in its historical background and shows the user the reason why he is against free markets.
A valuable work from a brilliant American economist! His bibliography is also excellent
This book is still available in India!

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So much better Review Date: 2008-08-18
A good review bookReview Date: 2008-04-12
I suggest you visit your local Barnes and noble to read this book first before making the purchase and see if it suit your style.
I graduated from medical school 13 years ago from another country, just passed my step 1 last year, Kaplan and Goljan definitely are critical to my success.
Good luck for your boards!
Great Review - Light on Path Review Date: 2008-01-08
Great supplement to First AidReview Date: 2008-04-28
THE BEST USMLE STEP 1 PREPReview Date: 2007-10-25
I AM 100% CONFIDENT ABOUT THIS BOOK AND HOW GREAT IT IS!!! BUY IT!!!!
ITS A MUST!!!!
Yes first aid is there but it doesn't cover the depths of Medessential..The uniqueness about KAPLAN MEDESSENTIALS is that it goes by organ system. IT starts with the Embryo, and finishes up the chapter with Pharm and Path!!!
It is the complete thing!!! And No I don't work for Kaplan, I just had the pleasure to use this book for step 1. I was blown away with how it fit the real style of USMLE!!!
I wish I had it when I was in basics, because it helps draw out the most important facts that are a must for step 1 instead of bombarding your head with useless facts.
Thank you KAPLAN!!
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