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Tenting on the PainsReview Date: 2008-04-30
John Stuart Mill in Small-Town TexasReview Date: 2006-01-08
It's never too late to fall in love!Review Date: 2006-01-01
Joseph Erwin
Current Day HippiesReview Date: 2005-12-07
laugh til you cryReview Date: 2005-11-18
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Know these VignettesReview Date: 2006-11-17
Perfect companion bookReview Date: 2006-03-22
Bugs review galore!Review Date: 2003-09-16
Great book, great seriesReview Date: 2003-08-04
Worth more than platinum!Review Date: 2003-07-04
My score ended up being higher than I had hoped for, and I give much of the credit to this book and the rest of the series. Strongly recommend for Step 1 review!
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Know these VignettesReview Date: 2006-11-17
This is awesome!Review Date: 2003-10-14
Very high-yield infoReview Date: 2003-11-03
Can do much better than pass with this seriesReview Date: 2003-07-04
Lives up to the hype!Review Date: 2003-09-20

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Brilliant, bleak and very EuropeanReview Date: 2008-07-08
"Which way shall I fly? Infinite wrath and infinite despair?Review Date: 2008-06-20
Still threatening to devour me, opens wide,
To which the hel l I suffer seems a heaven."
John Milton, Paradise Lost
There are some books that you can finish, put back down on the table and five-minutes later have it virtually erased from your consciousness. Stefan Zweig's "The Post-Office Girl" stayed with me long after I put the book down. It is a brilliantly crafted book that looks at the mind-boggling despair that can crush the soul out of just about anyone. What makes the book memorable is the fact that Zweig does not write with an overwhelming appeal to pathos. No, instead, Zweig is direct and his narrative manages to convey this sense of despair without drowning the reader in rhetorical devices aimed at soliciting sympathy for his characters.
The setting is post World War I Austria in the 1920s. The Austro-Hungarian empire has been dismantled after the Treaty of Versailles and Austria, like her ally Germany, is suffering the `economic consequences of the peace'. The Post-Office Girl is Christine Hoflehner. At the war's outset, Christine and her family enjoyed a comfortable middle-class existence in Vienna. But the war and the economic suffering brought on by the hyper-inflation of the 1920s has booted Christine out of Vienna and her middle class life. She and her mother live at the poverty level in a one-room bed-sitter in a village two hours from Vienna. Christine works as a low-ranking postal official in the town's post office. As the story opens she's in her 20s and merely going through the motions. But her robot-like existence is shattered when she receives a telegram (a big event) from an aunt, her mother's sister, who left Austria before the war and married a rich American businessman. They invite Christine to spend a holiday with them in a Swiss mountain resort. Christine goes grudgingly but is astonished at the life she is exposed too. Her aunt buys her beautiful clothes, feeds her well and all of a sudden Christine is exposed to a life she never knew existed. She takes to it immediately. She relishes her new life and cherishes every minute of it. But no sooner has she found a new life than she is tossed back into the old one. Any despair Christine may have felt before her Swiss trip is now magnified by the fact that she has actually seen how different life can be. She arrives at what she thought was the lowest deep only to discover that there are depths of despair yet to go.
It is at this point that she finds Ferdinand on a day trip to Vienna. For Ferdinand life has been, if anything, more unkind to him than to Christine. Their meeting and their developing relationship takes us through the second half of the book. They know they are soul mates but their existence is such that they each know that love (if you can call their fumbling attempts at personal physical and social intimacy love) is not nearly enough to be of any help to them at all. They face the question posed by Milton in the heading of this review - which way shall they fly? Zweig's resolution is, in this context, perfect.
What Zweig has done so well in my opinion is to use Christine and Ferdinand as a masterful vehicle for looking at Austrian (and Europe generally) society in the aftermath of the Great War. Zweig's characters are well crafted and felt very realistically drawn to me. They were absorbing, warts and all. "The Post-Office Girl" was well worth reading and I'd recommend it to anyone interested in reading a book that lingers with you after you are done. L. Fleisig
Now on my list of favorite booksReview Date: 2008-07-13
Summary, no spoilers:
Let me start off by saying that it is difficult to give a good review of this book without slight spoilers - but I will do my best and try to still give a flavor of what makes this such a memorable read.
This *gorgeously* written novel starts off with a brilliant description of a desolate country post office in Austria, in 1926. Working in this depressing bureaucratic hell, is a 28 year old woman named Christine, who has been beaten down by poverty, dullness and tedium in her life.
Christine had a much different childhood; her family had substantial means and lived comfortably, and she grew up a happy and content child. But all changed with the Great War, and they, like so many other Europeans, lost everything. All that remains to Christine is her job with the post office, and taking care of her sick mother in a depressing and decrepit attic room.
She is devoid of hope, and that is part of the key to this fantastic story.
While toiling at the post office, Christine gets a telegraph message from her aunt in America - a woman she's never met. The wealthy aunt offers her a vacation at an expensive and elegant Alpine resort. Christine immediately runs to her mother to find out if this is real, and her mother explains that it is, and that her sister (the aunt) wanted her to go, but that she couldn't because she couldn't travel and that she should take Christine.
Christine, utterly flummoxed by the thought of any change in the dull routine of her life, packs her small straw suitcase, and takes a train to meet her aunt.
The description of Christine's arrival at the hotel are priceless and brilliant. Christine is overwhelmed by the beauty and by the elegance of everything, and she is like Cinderella at the ball. Her aunt (and uncle) are good to her, and dress her in beautiful clothing and have her hair cut in the latest elegant fashion, and have her face made-up. The scene reminded me of Dorothy in the Wizard of Oz movie - being primped and taken care of from every angle.
Christine is so excited, and so astounded at her ability to feel anything but sadness and tedium, that she cannot sleep for the first night. She feels like her eyes have been opened to the beauty of the world, and she wants to take it all in.
This is all from Part One, of this two part novel. If you want absolutely no spoilers, don't read on (and don't read the back cover of the novel) - although I recommend that you do and that it won't take away from your enjoyment of this novel. For me, knowing a little bit in advance only enhanced my reading experience.
Part Two is a far different story, although it takes place immediately afterwards. Christine, like Cinderella, has been returned to the hovel, but now it all becomes unbearable because she has experienced and seen the other side.
Christine befriends a man named Ferdinand, a bitter war veteran, who shares her world-view and despondency. They try to see each other and have a relationship, but this is not easy in post-war Austria, when one doesn't have any money or means. But they make plans...
There are so many things to love about this book - number one being that it's just so beautifully written. There are paragraphs that I read over and over again, just because of Zweig's ability to string words together to get across a feeling or an idea or a description are just so perfect. And yet this is a translation, to boot! It makes me want to learn German, just so I could read this in its native language.
Secondly, this is an astute novel about what it's like to live without hope, and what happens when someone who has nothing is given this chance to see what the good life is like, and then have it taken away from them. Is it better not to have been given this chance at all?
Needless to say, this novel is highly recommended. I also highly recommend another NYRB Classic release, "Beware of Pity", Zweig's first novel released under this label. He is fast becoming my favorite author, and I hope that all of his books and stories become available in English. Sadly, he and his wife committed suicide in 1942 in Brazil, haunted by what was happening in his native Austria and Germany.
Capitalism with the gloves offReview Date: 2008-06-08
with the backdrop of 1930's Nazism Review Date: 2008-05-24
Zweig wrote The Post-Office Girl in the early 1930s, working on it during years that Hitler rose to power and that saw Zweig, as a Jew, forced into exile. He appears to have considered the book finished, and yet he left it untitled and made no effort to publish. Why? My own hunch is that it was just too close to the bone. Zweig was famous all over the world as a writer of fiction and non-fiction and as a public intellectual. He was, you could say, the standard bearer for a certain liberal ideal of civilization, for a way of life that is worldly, compassionate, cultivated, tolerant, sensitive, self-aware, and reflexively touched with irony; the life of, as he considered himself, a man of taste and judgment. In the face of Nazism, such an ideal may have come to seem so much wishful thinking, and certainly Zweig, in exile, found his whole reason for living undercut. This, it seems to me, is the trauma that The Post-Office Girl registers. It accounts for the raw power and relentlessness of the book, for its difference from his other work, and also, I imagine, for Zweig's uneasiness about it. He couldn't put it or the reality it describes in perspective. I don't think that it's an accident that The Post-Office Girl, though finished in the mid-30s, finds Zweig rehearsing a scenario for suicide that clearly anticipates his and his wife's deaths in Brazil in 1942.
Found among Zweig's papers after his death, The Post-Office Girl did not appear in German until 1982, when it was published as Rausch der Verwandlung (a phrase taken from a crucial early episode in the novel, translatable as "the intoxication of metamorphosis"). Zweig's letters refer to his "post-office girl book," and we have chosen to follow this lead. An equally good title, also true to the book, it strikes me now, would have been "State of Shock."
--the new york review of books.

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very helpful.Review Date: 2008-05-27
CLS Review BookReview Date: 2007-12-12
Prentice Hall Health's Question and Answer ReviewReview Date: 2006-11-09
Prentice Hall Q&A Review of Med Tech/CLSReview Date: 2003-09-04
A must have for reviewersReview Date: 2006-05-31

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med studentReview Date: 2008-05-06
Huge, but excellent for really understanding materialReview Date: 2006-06-13
I went back to this book many times when I ran into difficult questions reviewing for Step 1 and realized that I didn't really understand the basic concepts.
Not the book to use the night before your pharm exam: for that, I'd use the small Katzung and Trevor.
A really nice review bookReview Date: 2004-06-25
Just get this book as soon as possible!Review Date: 2007-08-29
One more thing: The book is brilliantly complemented by its companion book, "Principles of Pharmacology Workbook", by S. Farrell, a great account of more than 100 clinical cases regarding each chapter of the main book, with no less than five questions -and their corresponding answers- for every one of the cases. The ideal complement to make this couple of books the best pharmacology books in the scene today. I work very actively with both of them in teaching my own pharmacology courses.
A unique case-oriented phramacologyReview Date: 2005-02-15

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AmazingReview Date: 2008-05-30
All you need for Biochemistry USMLE step 1Review Date: 2008-03-30
Believe me it's worth every penny!!!
Excellent USMLE Review!Review Date: 2008-02-05
After taking 90% of our basic science curriculum, and then reading this book, it tied in Biochemistry with all of the rest of my knowledge very well, and in a very easy to read outline format with EXCELLENT diagrams and charts. If you care about biochemistry at all for your boards prep, this is a great choice. Also, co-authored by Goljan, and you can see his hand all over this book with the clinical tie-ins.
Rapid Review Series: the in-thingReview Date: 2007-08-07
Great Biochemistry Review for the Boards but not for classReview Date: 2007-03-30

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great edition to fans (and non fans) of the classic showReview Date: 2004-01-11
some have come to like red dwarf because of season 8 others come to love season 8 because of this book
it is well worth the pounds or dollers you will pay
One classy book!Review Date: 2000-09-04
The MUST BUY Red Dwarf BookReview Date: 2000-04-28
The content is first rate. Each script contains many sections which were (unfortunately) obliterated from the final shows and almost every scene is accompanied by a full colour photo - there are literally hundreds of them. The comments and anecdotes by Doug only serve to improve an already damn fine book, and allow it to be classed not only as a scriptbook, but also as a series companion and a 'behind the scenes' book, too.
Every fan should have a copy - get one now!
Great for RD fans!Review Date: 2000-04-03
The intro alone is worth the $17.Review Date: 2000-04-08

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Collectible price: $24.99

Takes the guesswork out of picking a movieReview Date: 2000-03-21
A Spiritual "Ahaaa!"Review Date: 2000-03-29
What comes after "Did you like it?"Review Date: 2000-03-25
THIS IS DEFINITELY AN INVALUABLE GUIDEReview Date: 2001-06-18
I believe that this book will do loads in enhancing your enjoyment of many films, and may change your mind about some which you consdidered valueless until spiritual elements are brought out.
At Long Last!!! A really rewarding guide to filmsReview Date: 2000-09-16

A Class Act!Review Date: 2000-11-28
A comprehensive tutorial for those taking the NCEReview Date: 1999-02-22
Rosenthal's EncyclopediaReview Date: 2000-08-09
Rosenthal's Encyclopedia of CounselingReview Date: 2000-06-23
How I passed the NCE in one shot!Review Date: 2001-10-10
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Where is Aaron Spelling when you need him? This rollicking novel needs a sitcom venue. Gail Mount, a Fort Worth native, Rice graduate, UT teaching fellow, and experienced short story writer and playwright, tosses sedate novel-writing aside, and gives us Ezekiel and Vida, two seniors with a love of life and devil-may-care schemes.
To the small town of Burro, Texas, Vida returns and immediately Ezekiel falls in love with her a second time. Mount's fast-paced plot and the characters fast-paced plotting make the story fast reading, delightful reading. Ezekiel is a painterly artist who even derives an income there from; Vida is a burning individualist, now 80-years-old. The town's citizens have long categorized both as trouble makers. They start off caring for Mad Betty's dead, naked body, he prepares an art show, she organizes a school for rebels, he deals with his mother, she deals with philosophy, and they touch each other gently. It is one rollicking scene after another. They wander apart and re-unite.
Finally, after a year or so, they decide to really get wild. They marry and drive off into the sunset. If the concept of two creative oldsters making love and being in love with raucous language and civilly unacceptable behavior offends you, die young or sad. This couple does neither.