Reviews Books

I find many of the reviews "right on".

However, many comments are off-base, and as His Cousin, I find inappropriate. Ask, and you may find Truth!

"No disrespect..." ..."but"... there is that word again... don't listen to what I just said, just what I am about to say...

Amazing how the critics, nearly a Century later, have criticisms that sting, but couldn't find the gumption to face Him... or me!

Let's get it on!

Simply put, William Roughead was and is the greatest true crime writer of them all. Combining unusually supple storytelling talents with an inimitable, pawky sense of humor, he remains the best prose stylist chronicling human depravity since, well, the compilers of the King James Bible. A Scot by birth, Roughead became a Writer to the Signet at the turn of the last century, a privileged position which allowed him to attend and write up the great murder trials of his day and his favorites from Great Britain's colorfully criminous past. Almost all of his works are shamefully out of print but are well worth searching out in used book stores: both his own popular accounts and his contributions to the more formally edited "Notable British Trials" series. Henry James was one of his many besotted fans, and even the briefest sample of his work makes it obvious why true crime buffs consider him the Master. "Classic Crimes" (which includes chapters on Deacon Brodie, Burke and Hare, Madeleine Smith, Dr. Pritchard and other irresistible villains) is the best collection of his work, and I would be remiss if I did not own that my introduction to his peerless work came via Toni Morrison, who confessed her own idolatrous admiration in the New York Times Book Review some two decades ago. If you like Roughead, you'll never be able to get enough. As Luc Sante writers in his perceptive introduction to this latest reprint, Roughead repeatedly creates narratives which contain "in full that collision of placid, well-furnished pedantry with savage howling atavism" that was the keynote of his fascination with evil--and Roughead did believe in evil--people. More of his genius is avalable on display in "Twelve Scots Trials," available from Amazon. co.uk. As Roughead so eloquently put it: "Murder has a magic of its own, its peculair alchemy. Touched by that crimson wand, things base and sordid, things ugly and of ill report, are transformed into matters wondrous, weird and tragical. Dull streets become fraught with mystery, commonplace dwellings assume sinister aspects, everyone concerned, howsoever plain and ordinary, is invested with a new value and importance as the red light fall upon each."

William Roughead's accounts of great crimes from eighteenth- and nineteenth-century Scotland and England are about the most delicious mind candy I can think of; I opened this new edition from NYRB and almost couldn't put it down. While his vocabulary and style at times go a bit overboard in terms of their purpleness, he still presents very readable and exciting accounts of some incredible crimes which still haunt the popular imagination today (such as his account of the West Port murders of Burke and Hare, the body snatchers).

Re-issuing Roughead's work is really a feather in NYRB's cap, and yet I can't help wishing they had taken more pains with this edition. (Because of this, I felt I could not really offer it the five stars it otherwise would've deserved.) The introduction by Luc Sante is interesting, but not without errors: he notes that all of the crimes excepting those of Burke and Hare "are discoveries [on the part of Roughead]"; yet Roughead himself admits that Deacon Brodie's case has been dramatized many times, and inspired Stevenson's "Strange Case of Dr. Jekyll and Mr. Hyde." Madeleine Smith's trial inspired a film, "Madeleine," directed by David Lean in the 1950s. Similarly, no editor seems to have taken the time to annotate some of Roughead's more bizarre (or anachronistic, or peculiarly Scottish) terms: "douce" is used repeatedly for "sweet", and "lands" (apparently a term for the highrise towers in Edinburgh) recurs often too, yet there's nary a word of explanation. This lack of editorial interference is not welcome, especially since Roughead often refers repeatedly to other writings of his which his original audience would have recognized but which remain obscure to a contemporary reader.

Still, this book is a real treasure--and, as with all NYRB books, it comes on beautiful paper and with a gorgeous cover.

Simply put, William Roughead was and is the greatest true crime writer of them all. Combining a supple prose style with an inimitable, pawky sense of humor, he remains the best prose stylist chronicling human depravity since, well, the authors of the King James Bible. A Scot by birth, Roughead became a Writer to the Signet, a privileged position which allowed him to attend and write up the great murder trials of his era (1870-1952). His works are shamefully out of print and are well worth searching out in used book stores: both his commercial collections and his contributions to the "Notable British Trials" series. Henry James was one of his many devoted fans and even the briefest sample of his prose makes it obvious why true-crime buffs consider him the master. "Classic Crimes"(which includes chapters on Deacon Brodie, Burke and Hare, Madeleine Smith, Dr. Pritchard, William Palmer, etc.) is the best collection of his work in print and I would be remiss if I did not mention that I owe my introduction to this peerless writer to Toni Morrison, who confessed her own idolatrous admiration in a New York Times Book Review piece more than 20 years ago. If you like his stuff you'll never be able to get enough of it. (Also worth securing are the works of Roughead's friend, the American Edmund Pearson, whose "Studies in Murder" was reprinted last last by the Ohio State University Press.) As Roughead so eloquently put it: "Murder has a magic of its own, its peculiar alchemy. Touched by that crimson wand, things base and sordid, things ugly and of ill report, are transformed into matters wondrous, weird and tragical. Dull streets become fraught with mystery, commonplace dwellings assume sinister aspects, everyone concerned, howsoever plain and ordinary, is invested with a new value and importance as the red light falls upon each."

This is a truly enjoyable read of murders and a recounting of the trials associated with them.-Roughead is an inimitable Scottish stylist and, as Luc Sante points out in the introduction, his "musical" use of abstruse Scottishisms is a joy in and of itself to read.

The only thing in literature to which one can really compare it is Sherlock Holmes-Sir Arthur Conan Doyle makes an appearance in one of these cases, btw.-I don't mean to do Roughead a disservice in this comparison-Certainly, these are as true to the actual facts as Roughead could make them (and he goes to great lengths to do so), and several of the cases remain unsolved or "Not Proven"-a verdict in Scots law with which you shall become all too familiar if you read this book. - But, the same Victorian atmospherics are present as in Doyle, the Victorian moralisms, the eerie descriptions, the bumbling Dogberries of police constables. It's actually refreshing to know that these things existed just as Doyle wrote of them....except these cases are REAL!

Of course, there's the question the contemplative reader asks himself from time to time as to why he is interested in the macabre and the details thereof.-An interesting question.-I know not the answer.-But we all are, it would seem, to one ghoulish extent or the other.

5 Macabre, Scottish Stars!

This work contains the details of classic horrors. i.e.
- Phantom of the Opera
- The Magician
- Dr. Mabuse
- Frankenstein
- Dr. Jekyll and Mr. Hyde
- The Mummy and White Zombie
- King Kong
- Cat People
- Hauntings and Possessions

Photos by Boris Karloff, the Bride of Frankenstein and Son of
Frankenstein provide an historic dimension to the overall
presentation. Lesser horrors are included; such as, the Creature
from the Black Lagoon , The Mole People and Monster on Campus.
The photos of Fredric March and John Barrymore depict the
Dr. Jekyll and Mr. Hyde characters in all their glory. A first
edition rendition of this work will be treasured most by
horror enthusiasts. The cost is modest for the value provided.

i like a comedy and sports and ect..... then, i want to show your videos but you may not accept my opinion....uhm.....

Having owned this book since the first printing in 1975, I have used it as a guidance tool to track down and watch over the past 29 years the excellence that is horror films outlined in this book. The late author clearly has a firm grasp of the element of a successful horror film; i.e. lighting, timing, musical score (or lack thereof), delivery, etc., and contained within this volume are critically acclaimed classics as well as little known "nuggets" worth searching out, such as "Murder in the Zoo," "Strangler in the Swamp," and the last of the great horror films, "Night of the Demon." Since the book's release, many of the titles have become increasing accessible both in video and in DVD, which allow for a greater enjoyment by the classic horror audience. You won't find any of the latter day slasher, gore-fest "movies," but you will find a careful synopsis and examination of each film contained in this volume. My recommendations to watch after reading this book are: Night of the Demon, The Uninvited, The Devil Doll, and The Man Who Laughs (silent).

Having grown up watching classic sci-fi, horror and monster movies on Saturday afternoons, I couldn't wait to read this book. It's a well-researched, enjoyable history of Classic Horror Films, from the 20s through the Exorcist. Everson does a fine job of covering the well known films, as well as pointing out a few classic sleepers (e.g., Murders in the Zoo) If you love these films, this book is a must read. Lots of great photos as well!

Having grown up watching classic sci-fi, horror and monster movies on Saturday afternoons, I couldn't wait to read this book. It's a well-researched, enjoyable history of Classic Horror Films, from the 20s through the Exorcist. Everson does a fine job of covering the well known films, as well as pointing out a few classic sleepers (e.g., Murders in the Zoo) If you love these films, this book is a must read. Lots of great photos as well!

Well written book with good examples. I am recommending this book to many of our residents and fellows !

This is an essential book for any physicians or other medical personnel interested in evidence based medicine and reading of the medical literature. It is extremely well written and presents the materials in a coherent and understandable manner. It uses excellent examples to illustrate its points. We are using this text to introduct our first year medical residents to clinical epidemiology.

Clinical Epidemiology has been considered the new 'Basic Science' to medical students. This book offers a excelent approach to main problems found by beginners in this vast field of knowledge like how to deal with Statistics and with the huge number of papers published. With a easy language this book is good option to get started in this branch of Medicine now called the 'Science of the Art'.

Clinical Epidemiology has become a core element in the understanding and treatment of human illness. Defined as a method of generating valid conclusions from clinical observations, clinical epidemiology arms health practitioners with skills essential for modern health care. As a Physical Therapist (PT) I am often asked to render a diagnosis based on clinical hypotheses with "soft" measurements like pain, distress and function loss; how can I ensure that my diagnosis is correct? Traditional practice encourages the health care student to believe that knowing enough anatomy & physiology will somehow optimise health care outcomes. This book not only challenges that view but it also arms the reader with the knowledge and applicable skills to interpret research and also to ensure that any work you carry out is robust and in keeping with EBM principles. A highly recommended text and great value for money. A must for lecturers, student PT's and anyone who wonders how they can improve their critical analysis of health care practice. Don't treat patients without a copy on your shelf (assuming of course you read it...osmosis is NOT a recognised learning tool).

The authors explain the basic principles and basic concepts of clinical epidemiology in a clear and understandable way. Examples for each subject make reading pleasant and easy, contrary to what one may expect in a book of this kind.
I recommend it for every person who is related to the health sciences and interested in obtaining the best out of medical literature.

A wonderful guide book for people new to anime. Includes a overview of anime history; year by year breakdown of TV programs released in the States from the 60's to the 90's; a listing of videos released in the states (both in and out of print), and a listing of anime related clubs, retailers, and conventions. Dated now, but still a wonderful resource.

Trish Ledoux is an absolute genius, and it shows in the amount of information held within this relatively short TPB. I have never seen such a vast amount of information in so few pages. The Complete Anime Guide succeeds is giving a very thorough account of the Japanese artform without boring the reader.

With out a doubt the most complete guide I've ever seen. Not only are most of the Anime tities cover with short synopses but history, fan clubs and retailer addresses are included. A superb book

This is the best book on anime released in North America. The section on anime TV series is interesting as well as informative. It just about covers every series that aired on U.S. television. It also covers the vast genres of anime while it gives informative side notes. It also has brief synopses on a few anime titles as well as a listing of all titles released up to December 1995. To sum it up, I believe that this is the definitive source on anime released in North America. The authors really did their homework in writing this book

This is solid an knowledgeable work, and an excellent resource for anyone new to Anime (Japanese Animation). The first half of the book covers the history and culture of Anime, and is thorough and well-researched. The second half gives quick synopses of the Anime titles available on video in the US. This section is slightly weaker: it is dating rapidly (unavoidable in such a work), and the synopses tend to be back-of-the-video stuff and not always too informative. On the whole, though, well worth buying.

How can any little book presume to be 'complete' when it comes to Alfred Hitchcock?

He practically invented a cinematic language, used his commercial success to at once deflate pretense in others and experiment most boldly with cinematic form, and, in the process, scared the pants off us.

What is complete in this book? Each film is given its own section, which concludes with a "Final Analysis" section. Here's a quick cut from the final "Final Analysis" [Family Plot]:

"Hitch's last project was the most important one he ever undertook, for trying to get this spy story to the screen allowed him to entertain the fantasy that he was both still working and well enough to work, despite evidence to the contrary."

Complete? Even in the last sentence, the authors admit that death cut off what could have been even more from a great twentieth century artist.

As a novice Hitchcock fan, I find this book extremely informative. It gives a good summary of all of Hitchcock's movies as well as a good analysis of the films. It also includes where Hitchcock can be spotted in the movies and little tidbits on the actors and actresses who were casted in his movies as well as behind the scenes information. I would recommend this book for those who are starting to discover Hitchcock.

I bought this book sight-unseen, knowing absolutely nothing about it (which is why I'm now writing this review; maybe you'll be more willing to try it once you know what it has to offer). It's a thorough, well-nigh encyclopedic look at Hitch's work, with a brief chapter (averaging about 4 pages) on each major film. The chapters include complete cast and credits --including "uncredited cast" -- plus a synopsis, and sundry comments on each film under such headings as "cruelty to

animals," "mysogyny," "ice maidens," "roots," and a "final word" with a critical appraisal including a rating on a scale of 1-10. While examination of each film is necessarily brief, it's quite thorough and absolutely chock-full of cool trivia. Every now and then there are sidebars on stars with whom Hitch worked; there's also an amazing appendix listing every single episode from Hitch's TV shows (not just the ones he directed -- but ALL OF EM). Only negatives: could use an INDEX, plus I noticed several careless spelling errors (actors' names and so forth) of the type that tend to make one a bit suspicious. On the whole, however, this is THE place to start for the Hitchcock novice, and a real treasure trove for the seasoned fan like me. Highly recommended.

I see that the other reviewers have pretty much said all there needs to be said about this book and I doubt I will say anything new here. All I want to emphasize it that this is truly THE book to get for a quick, easy, complete understanding of Alfred Hitchcock's movies. I have read other,longer, deeper books on his films which were very good, yet this one is nice when you are new to Hitchcock or just do not have the time to devote to much reading. These authors have a good sense of humor as well, and it always is fun to read a book where you can get a few laughs. They have some good trivia in the book, spotlights on certain Hitchcock actors,a few pages of pictures showing some poster art and movie stills, and they tell you where to find Hitch in the movies where he had cameo appearances. Hitchcock's movies are among my favorites, and this book is among my favorites about them. Get it and read it, you won't be disappointed.

After having read this book from stem to stern I would recommend it to new Hitchcock fans and more experienced fans alike. For the new fan it offers a clear synopsis of each film as well as offering many interesting points to look for. For the more experienced it makes for a convenient "turn to" source so as to better avoid the mountains of heavy, sometimes overly self satisfied observations that many resources tend to become, thereby saving wading through chapter upon chapter in order to reach simple facts.

I must respect the authors for their understanding that an enjoyment of film does not require a degree. I always commend a person for having the ability to transfer complicated observations in the simplest of English without the use of parables and without patronizing tones. Paul Condon and Jim Sangster have managed just that and not without the occasional bit of side splitting humour. Even if you are not watching the films in question it is more than a worthy read. That said, it may help to be familiar with some English terms such as "send up" as the average American does not know what it means to send something up so may be left wondering.

However, with the authors sardonic senses of humour being clear I would have liked to have seen further elaboration of the "goofs" section. There are so many Hitchcock bloopers worthy of a mention. I am certain it was a deliberate omission (perhaps for the next book) but nonetheless I was left wishing that they had made note of the obvious ones if only to give the new viewer that added bit of fun and sport.

Despite taking umbrage at the use of the phrase "just a smathering of dull brunettes" ahum, I would gladly purchase any other offerings from either or both authors and very much look forward to a second volume of "Complete Hitchcock," contradiction that it may be. Hopefully with an eye to the slip ups and perhaps more production details (locations, circumstances, first hand anecdotes, etc.) If that isn't a hint to get writing I don't know what is : )

In short I thoroughly enjoyed this book and would not only recommend it but have already bought several other copies for friends and family. Enjoy.

This book was very helpful in preparing for the IBCLE exam. The photos on the included CD were similar to those found in the exam. The questions and review sections were also very instrumental.

Whatever tools you use to prepare for the IBCLC exam, you can never challenge yourself enough. Each time you must think through a situation or analyze the facts presented, you are stengthening what you know. And, how can you go wrong with ANYTHING that Linda Smith writes! She is among the nation's most experienced lactation consultants, whose daily work involves handling lactation questions and concerns from around the globe. She has never responded to any of my questions with anything less than excellence!

This text and tests were very helpful in preparation for the lactation consultant exam. Very good practice exams helped those of us who haven't been in school for a while. The exams help with content and timing. CD Rom was helpful for the picture portion of the exam.

I think this book really did help me with the IBCLE exam! I would really recommend using this as a study guide!!

This book is an excellent preparation and a "must have" for the IBCLC Exam. If you have not taken a board exam in a long time, this book gets you into "exam mode". Sometimes, taking a test of this nature requires good exam skills. This book gives you plenty of much needed practice. The first part of the book delves into the different sections on the exam blueprint. It lists topics to learn and resources to read. The second part is three 200 questions tests. Eighty some questions in each test are based on pictures from the CD-ROM. The answers generally give the reasons for the right and wrong answer, list the difficulty of the question, and state from what section of the exam blueprint it pertains to. Having practiced with these tests, I felt very confident going into the Exam. It also is a great review for LCs who are retaking the certification exam. I heard comments from several LCs who stated the first exam they took they did not do as well as they thought because oftentimes taking exams is all about practice. They performed much better on the subsequent exams when they studied their mistakes. This is a "must have" for everyone planning to sit for the board exam.

The Crane is a nice, interesting story. Behind the story is is the parable of what happens when war comes. It is a great lesson in life and a great classic

A wise and well illustrated (by the author) childrens book, that is well known in Europe, and sadly overlooked in the US. Like "The Little Prince", this book has a charm and quality that transends age. It is about a man and a crane. It is about work,life,...the big questions the big answers. Good stuff. Sadly out of print.

'The Crane' is one of the most beatifully written childrens stories of this century. It is a parable that carries many important questions about who we are and how we live. As a teacher of English, I have found this book a remarkable resource and one that really allows for differentiation of learning with children around 11-12. It is a funny, sad and very touching story and I emplore somebody to reprint it, so that more people can access this wonderfull book. Why it isn't more widely known I do not understand.

I read this every summer at my grandma's. I never quite understood it, and I didn't quite like it but I did keep coming back to it. It's something of a fairy tale and something of a philosophical tale. If I had to describe it now I would call it hauntingly beautiful.

Reiner Zimnik, a former carpenter, was 26 and student at the Munich Art Academy when he wrote and designed this book in 1956. The illustrations, simple black and white sketches, stayed with me all my life. The most powerful one covers two pages with a few black strokes of sky, a fallen over little shoe, a dazed bird und the scribble: "Da war das Land traurig, und die Erde weinte." (The country was sad. And the earth wept.) As an adult I might say that it's a fable about the Second World War - what was there before and what came after. As child I experienced no other book that would speak to me with such immediatness. Though it wasn't that widespread in Germany I would still say that it's our best children's book till today.

I have met Dr. DeCherney. He has done a wonderful job on this useful text.

I used this book to study for my women's health exam and found the book user friendly.

Best choice for medical students who desire an introduction to Obstetrics an Gynecology. Includes guidelines for treatment. The first book at this speciallity for newcomers.

As a busy 4th yr resident, there is hardly any time to read the major OB/GYN textbooks. This text is a good review of major concepts in OB/GYN. It's a very easy read.

I used this book as a supplement to my 3rd year clerkship in med school. It is not a huge text, so it was great for looking up the details that were not found in Blueprints, especially if you are interested in OB for a career. The book is well organized and is easy to read. Too much to read for board review or shelf exams, but an excellent reference book for OB/GYN.

Book is very helpful and should be bought early during med school. It will make sure that you know frequently tested topics. Also great along w/ first aid for board prep. There are a few mistakes as this is a 1st edition book, but the book is well worth $20.

This book is not all encompassing however it does bring back into mind high yield facts that you should know. I would recommend using this book in conjuction with the First Aid

Just be careful when you go through this book, because there are quite a few typos. Usually it's nothing important, but once in a while it may confuse phase I and phase II, for example :). But again, it is not intended to be an ultimate resourse, so just be attentive not to confuse yourself.

Otherwise, this is a truly terrific book, and I still give it 5 stars because I certainly prefer to have it now, with the typos, rather then wait till all the little things are cleared. It helps me to structurize my studies so much, that I really cannot imagine what I'd be doing without it.

2Authors: Great job! Thank you very much!

I used this book as a quick review in the final days before my step I exam and scored much higher than I expected. I found it to be a great resource.

Deja Review is an innovative approach for Step 1 recall. I used this book as my primary resource and did outstanding on boards. Buy this book...you won't regret it!

I fell in love with Miss King's writings years ago when I read "Confessions of a Failed Southern Lady," her memoir of growing up in Washington, DC with somewhat(!) eccentric parents, grandmother, and assorted friends and neighbors. Finding "Deja Reviews" and rereading her memoir brought me a long weekend of totally pleasurable reading.

Her reviews make me want to read almost everything she read - so many books, so little time... She is funny, her observations are trenchant, and she does not suffer fools gladly.

What I want to know is where is she now? I sorely miss her.

One of the oddest fallouts fro the past eight years under Bush is finding the campfire that attracts the learned and wise is of mixed ideology. Where once national debates were between best and the brightest of liberals and conservatives, debates have been replaced by the shimmering that passes for combat on American Idol and the winner is the one who best bolsters an audiences' self-esteem, leaving those who once led the nation to higher levels of greatness huddled alone by a relatively small light in the dark.

Miss Florence King is a conservative voice of the most conservative kind and after enjoying her arch and historically solid opinion, deeply rooted in culture and criticism, this liberal knows that our country will not be healed until the likes of her again form the opposition.

I discovered Florence King while taking a history class at her undergrad Alma Mater - American University in Washington D.C. - where one of her books, Southern Ladies and Gentleman was used as a primer of sorts for class covering the South since Reconstruction. I became a real fan of her writing and writing style, which is possibly the best in American publishing not only of our time, but of all time.

While her only fiction book was a let down, King excels as an essayist, critic and commentator of American life, politics and social comment. Her writing style is something that every person who takes pen to paper believes (mistakenly) that they are using - its concise wording gets to the point and almost jabs you in the eye with its simplicity and ability to convey her thoughts while changing your mind. Think of King as the ultimate guest at your dinner party of dreams, polite, but ready to snip any loose threads of conversation off lest they dangle in the air and cloud her view.

While I am loath to bring this name up, I will say that I believe Ann Coulter probably thinks that she is a writer on par with Ms. King. She is not. I do bring her name up for one reason: Coulter represents the opposite end of the spectrum on which King "write-fully" (bad pun intended) sits, making King the Grand Dame of true Conservative commentary and writing.

In reading King, park your political beliefs at the door and luxuriate in her keen eye for word usage, grammar and thought. If you are so foolish as to approach her writing with any preconceived notions as to your own beliefs, she will skewer you just as the dim wit that you you know you are not. King is not the type of person to suffer fools wisely.

If our national culture were really based upon the high lofty ideals that we think that it is, King would be a regular on Sunday morning political shows, putting their hosts in their place. But alas, America and Americans are a vapid lot, and thus we get what we deserve: Ann Coulter distracting us from her unfounded and outrageous opinions by wearing a little black dress like a hooker on her way home from a Saturday night job.

But we have King in print. While she doesn't enjoy the book sales that Coulter does, Kings works will bear the test of time and one day she will receive the type of honors due her as a real American treasure that she is.

These are reviews you turn to over and over again, always with pleasure, always with astonishment. With forever the question: Just how did she turn that phrase that way and capture both the essence of the book and its aims and failures?"

In a better world, Stephen King would be forgotten and Ph.D.'s in literature would be written on Florence King's oeuvre, for her erudition is astonishing, and her work cries out for annotated editions. These collected reviews are no exception, for she tackles everything from history to feminism to biography (her review of Strom Thurmond's life is one of the finest sustained passages of prose in English belles letters). All extremely well written, all as funny as hell.

One peaks at her soul for a reincarnation of Rabelais and Voltaire, for she is as burlesque as the former, and as poignant as the latter. To be reviewed by Florence King is to cower in fear of a withering aside that will haunt you to the grave. I am sure those who have suffered here have even the typeface of more than a few of these sentences burned into their memory.

In summary, this is a work of timeless scholarship and an exemplar of American prose that should stand as a ready textbook for the art of the review. A joy, a revelation, a hearty laugh, a stimulated intellect, a new fact, a valued friend, a companion voice, a hope for the future, and a pleasure of spirit are all available to those who read Florence King. Get it today.

I've long described Florence King as my favorite living writer (my favorite writer, period, is Erik von Kuehnelt-Leddihn, who -- probably not coincidentally -- also wrote for "National Review" for many years). Yet I have avoided reviewing her books here, not only for fear of not doing them justice, but also because so much of how I try to review books has come from reading Florence King's own reviews. At what point is the pupil ready to grade the master?

Reviews are an art at which Miss King excels, which is why I was so happy to discover an advertisement for "Deja Reviews" a few months ago. This volume is a wonderful companion to "STET, Damnit!," the collection of her "Misanthrope's Corner" columns NR published a couple of years ago. "Deja Reviews" assembles about five-dozen pieces from NR and "The American Spectator." Most of them are reviews, but there are also a number of non-review essays including some NR pieces that weren't in the "Misanthrope's Corner."

Miss King is sharp of eye, wit, and pen. She famously has no patience with idiocy, and best of all possesses a wonderful facility with the language. I was about to call it a "gift," but I imagine she might object, rightly, to that word: she has worked hard over many years to hone her skills. It's not a "gift," but the product of time, energy, and mental commitment. I remember her writing once in the "Misanthrope's Corner" that she turned down invitations to go on television to discuss one or another of her columns. "If I had anything more to say, I'd have put it in the piece." I so admire Miss King not only for what she writes, but also for the effort she puts into her writing.

Her effort and skill make for a great reading experience. You don't have to be familiar with the books she's reviewing to enjoy what she's written about them. These essays are up to her usual high standards for style, humor, and dead-eye insight. As with her earlier collection, there's no index in this book, but that just means I'll once again be filling the flyleaves with my own notations. I imagine I'll learn a lot more about the art of book reviewing, and have a wonderful, entertaining time doing it.