Piano The Books

This is quite a comprehensive book of "selections"...I feel that you could almost perform a revue of the show just using this book! (Just kidding, don't try it or they'll throw you in the Pit of Copyright Infringement!) In addition, delivery was prompt and the book was in very fine condition (looked new).

I am most pleased with this book because of the very detailed arrangement. Although the melody is written in the Treble Clef, the music survives arrangement very well. The chords are accurate, and in my case, difficult to play, but all the songs are included. But the most surprising thing about this book is that it includes all the vocal harmonies as well. Currently I am learning how to better play the music (it is NOT for beginners) and I'm sure I will appreciate the score when I can play it more effectively. This was a very good buy.

I bought this book because the other Avenue Q book I have was only the "Vocal Selections" and it was missing several songs. This songbook has every song from the Broadway Cast Album, with the exception of "School For Monsters/Money Song (Reprise)" and "There's A Fine Fine Line (Reprise)/What Do You Do With A B.A. In English? (Reprise)". Other than that, every song is here.

This book, unlike my other Vocal Selections book incorporates the melody into the right hand, but it can be easily removed to make room for vocalists if needbe.

The best songs to play/sing in this book are "Schadenfreude", "There's A Fine Fine Line", "It Sucks To Be Me", and "Fantasies Come True". At least, that's what I think. To each his own.

I like the book I bought. It had all the songs I wanted. It came in a decent amount of time from when I bought it.

If you haven't seen the show, go and do it. If you have, well done.

What many piano arrangements for recent Broadway musicals nowadays such as Wicked, Mamma Mia, and Spamalot have in their respective arrangements is a lack of a challenging score to play, though it may sound easy, and how oftentimes, they composer tries to alter the original score into something more adaptive for the public. Although this may sound like a good idea, it really isn't, because as soon as you play it based on the arrangement or sing it, you quickly realize it's not as good as the original, which is what everyone wants, right?

The Avenue Q Piano arrangement, however, keeps all the songs in their original context, letting everyone emulate the classic songs the way they're supposed to be sang. No one wants to sing "Defying Gravity" from Wicked without the chorus back-up or Glinda singing in every now and then, right? Avenue Q gives you the score straight from the source, without awkwardly messing up the original greatness of the music. A must-buy.

The Hunting of the Snark is a whacky piece of poetical silliness by Lewis Caroll. Complete nonsense, no-one knows what a Snark is, or why Snark hunters hunt it, or why anyone would want to become a Snark hunter to start with. Anyway, the poem is definitely amusing at times with some of the humour he slips in.

The Hunting of the Snark seems to be a very, very short imitation of The Canterbury Tales. The first chapter (titled a fit) introduces all of the occupations of all the different people going on a journey. However, instead of going on a general pilgrimage and telling tales along the way, their trip is very specific to hunting.

The Baker actually attempts to tell a story, but the Bellman (who leads the group) says there's no time for storytelling. They have to catch the Snark before nightfall.

Along with the Bellman and Baker, a Banker, a Bonnet-maker, a Butcher, a Boots, a Billiard-maker, a Barrister, a Broker, and a Beaver tag along to hunt for the Snark. The Beaver is afraid of getting cut by the Butcher, so he puts on a dagger-proof coat and talks to the Banker about buying an insurance policy.

The Beaver is involved in a hilarious scene with the Butcher later, when the two attempt to compute sums. But perhaps the funniest scene of the entire book is in the Barrister's dream when the Snark declares sentence on a pig, only to find out the pig has been dead long before the trial even began.

I'd highly recommend this short poem for Carroll fans, even though it's not big enough to contain but a small portion of what's to be found in the Alice books.

I have read a great deal of nonsense in the past, but this was by far the best nonsense that I have ever read. There is no point, no meaning, no sense, and no boringness. It is a delightful poem (which is well written and very fun to read aloud) about a crew on a ship hunting a snark. The crew includes a captain who only rings a bell, a beaver, a cook who only cooks beavers (the beaver and the cook did not get along well), a man afraid that the snark would turn into a boojum and make him disappear, etc. As you can tell, this makes for an insanely silly poem. The subtitle is rather fitting, as my sides were definitely hurting from laughter when I was done. Well done Mr. Carroll.

Overall grade: A+

Nonsense poems can easily miss the mark
Yet, this masterpiece has that spark.

"How do you kill a _____?", you ask
To find the answer was the hunters' task.

"What was their fate?", you wonder
Did they ever catch their elusive plunder?

A paragon of haunting Carollian lore
Be in no doubt that you'll finish wanting more.

This poem is just great!

First, this one of the most delightful pieces of writing that ever appeared in (more or less) English. It succeeds as a sustained exercise in illogic. I am sure that only a mathematical logician like Dodgson could possibly have pulled it off - only someone with such deep understanding of reason could master unreason so completely.

Second, Martin Gardner's commentary adds depth and background to the reading. Gardner explains terms that are now obsolete, but also adds his own analysis and a rich history of the Snark phenomenon. It should be no surprise that Gardner is still best known as the long-time editor of Scientific American's column on Mathematical Games, a mathematician himself.

I can't add much to the scholarship or praise that already surrounds this incredible poem. I would like to point out, however, that most non-native English speakers are unfamiliar with this poem. Many of them have only ever seen the serious side of the English language, and have never seen English at play. I consider this short work to be the ideal introduction to the very best of English-language nonsense.

//wiredweird

This book is absolutely enjoyable to read. I just couldn't stop reading it...I did not want to continue practicing without hearing all that William Westney had to say about practicing techniques (for any instrument, though mainly piano) and musicality. He uses great resources if you want to learn more about what he writes. His focus is getting in touch with the innate musician within you...a very positive and motivating book...highly recommended.

I had a difficult time reading this, only because the content was so close to my own life/story. I could've sworn that William was writing about ME, and I relived many things that I didn't realize this book would create the avenue to surface. Fortunately, this book has helped me to begin to heal old, deep, and hidden grievances that have kept me from being the musical self that my soul longs and deserves to be ... until now.

What a great way to address a very real issue. What a great way for me to finally resolve my childhood rejections of not being allowed to express myself at the very time I was creating my musical self.

Thank you, William. I can now forgive and begin new again, this time without fear of repercussion in expressing what is in my heart and my soul, even if I'm the only one that appreciates it!

If you want to truly refresh your thinking about teaching music, this is the book. Explore with the author ways to bring enthusiasm and joy into the learning process... how to use 'honest mistakes" as tools. Be prepared to learn why traditional methods can sometimes harness creativity. This book described for me a way to help my students relax and welcome the journey into music. Whether teaching by traditional methods or not, this book is a must. Thanks, Mr. Westney, for the great read and the inspiring words.

Not really being part of the culture to which the author is reacting, I found this book to be captivating, if a bit strident. The unfortunate tendency towards perfectionism taints a great deal more than music instruction. The expectations of deference and respect on the basis of position weaken bishops and U.S. presidents as well as maestros and music teachers. Still, the control freak element runs deep. As an adult beginner taking piano lessons, I just see it from a different perspective. Take humor in the strutting of the popinjay, no need to be alarmed by it.

Also, the man either knows nothing about golf, or else cheats on his scorecard. I suspect the former rather than the latter. But, a recorded lousy golf swing is just a lousy golf swing, while one left off the scorecard is, well, a reflection of character.

However, on his home ground, the practice room and the recital stage, the author is very strong. Texas Tech is lucky to have him. Go, Red Raiders!

This is my favorite book about music-making (classical piano, in my case). Westney very convincingly makes the case for an overhaul of the way we approach music practice and performance. The 'juicy wrong note' idea promotes a wholistic, passionate attitude. It is NOT the idea of treating mistakes lightly...more, it's the attitude of making the mistake whole-heartedly and then learning what it has to tell you about your level of preparedness,an unsuspected weak point, etc. Westney does not cover specific how-to's (the best book on that for piano in my opinion is Berman's) but more the philosophy to bring to the practice room and to the performance. I'd give more stars if it were possible

Enjoyable and wonderful. Well written, to the point...many anecdotes, but never mean...informative.

A great buy. Makes great present to anyone who is even vaguely interested in piano literature or music in general.

Undoubtedly it's a bible for pianists, as well as a must have for all classical music fans, even whom can not read staves well.

It's getting so that if Charles Rosen announced a forthcoming book on the collective memories of his summer vacations during his youth kind of thing, I would buy it! Bottom line, and obviously what I'm saying here is that I like the way he writes 'all' of his books, what he has to say and how he says it! A style that both holds and informs if you will. So too, he's "been the road" so the contents of these books draw on the cumulative wealth of his experiences whether it's a discussion of Beethoven's sonatas, the classical era itself and its stand-outs or this present book on the world of the pianist.

Regardless of one's level of experience on the piano, this book is an excellent read from a man who knows what he is talking about. It is NOT a book zeroing in on posture or breathing or "don't bang the keys" recitations or 'lectures' but rather a nitty-gritty practical tome that touches on various areas and what life with the keys is all about. The ups and the downs and all in between.

BTW, if books like these appeal to you written by folks who have "been there, done that" albeit well 'verifiably' so as is the case with Mr. Rosen, and as they equally appeal to me when I can locate such informative tomes, and as a classical oriented player making no excuses for literally loving the classical war-horse pieces, check out "Piano Pieces" by Russell Sherman [New England Conservatory]. Another great read!

Doc Tony

As a pianist I stand in awe of Charles Rosen's phenomenal analysis and exposure of the life, status, mind, intellect and passion of one of our most celebrated pianists. If there were ever any doubt about why one plays the piano, here is the answer. This is another MUST HAVE for any honest and serious pianist, either amateur or professional.

I didn't know Charles Rosen from a hole in the ground before I picked this up; I'm just a piano enthusiast. His personality comes through in his writing as he reflects on past concerts and recordings and travels and the likes. Not a memoir, but I suppose something pretty close to it. He essentially goes on about the different facets of being a pianist and if you eat breathe and sleep piano, you're sure to enjoy this. His writing style is polished and rather dignified, without being pedantic or scholarly. Heck I wanna go out and buy all this guy's books and records now. The only reason I didn't give it five stars is because it took me some getting used to at the first chapter, but once I adjusted to the fact that he's world class material and I'm just a schmuck doing scales, it was all smooth sailing from there.

This is one of the most awesome soundtrack sheet music books I've ever seen! All of the pieces sound like they do in the movie, and the grand staff notes are close enough to the original melody to sing along to. The key is hard to get used to, but once you do, it's amazing!!

This book is a challenge even for the most experienced pianist. His music is fun and intricate and complex. I recommend this book for anyone who is not only a fan of the movie but a fan of excellent music who is looking for music that takes their knowledge of music theory to the max.

I love all things tim burton, especially the soundtracks to his movies. danny elfman is possibly the most talented composer in hollywood and it baffles me that not all his music is sold as a piano vocal series, since it is so very suitable for just that. consequently I was thrilled to find this little book, and I was not disappointed. it is simple enough for a novice to play along based on the chords, and yet sophisticated enough for the more experienced pianist to get a lot out of the instrument. as has been noted elsewhere, the guitar chords are indeed systematically drawn every tim they occur, which to me is a fantastic idea. every tim burton/danny elfman fan who likes singing and playing the piano should own a copy of this!

the second I got my hands on it, I went directly to my piano and did not get up for the next four hours. that's how great it is to be your very own nightmare before christmas soundtrack!

I'm not musically gifted like the rest of my family; I only took 4 years of violin to get out of gym, but wouldn't know what to do with one if I picked it up today. But I do know that this music/lyric book has every song from "The Nightmare Before Christmas" movie. anyone that's watched it KNOWS that every song is hauntingly, melodiously beautiful, just like any other Tim Burton production. Even if you can't carry a tune or don't know the words, you have to try to sing along. But with this musicbook you can! -at least know the words -you know best if you can actually sing... I would highly recommend this product! Kudos to the Hal Leonard Corp for making it available! :)

There's lot of stuff in this tiny cheap book. It's obviously not aimed at orchestrators but more at the movie fans who expect some nice evenings, singing these excellent tunes.
I give this book a 5 because of the guitar chords which are systematically drawn each time they occur. It wasn't expected, especially as we're dealing with a piano vocal song book, so: 2 thumbs up=5 stars !

I satisfied with this book very much.

What can be better than taking lessons with Chopin? This book is very objective. The sources were his students' letters and the chapters are very well-organised.
The higher the level you are in playing piano/music, the more you get.

Watch Video Here: http://www.amazon.com/review/R3V2VGA1KQTPLV Chopin book review that I bought for my mother...

AAA++++...a must have book if you are serious about playing Chopin. A wealth of valuable information. Very highly recommanded.

To the general public Chopin is famous for his beautiful piano music. However, in his days he also was a renowned piano teacher with some revolutionary ideas (at least for his time) about piano technique. His students included rich, aristocratic ladies (he had to make a living) and some very talented students.
Luckily many of the things Chopin told his students during their lessons have been preserved in various diaries and notes by his students and have now been compiled in this book.
Also, Chopin made a start with a piano method (which he did not complete). This method is also included in this book.
If you are a piano student this book is simply a must-have.
If you are not a pianist, but seriously interested in Chopin's ideas about (his own) music and teaching you also should buy this book.
JJ Eigeldinger wrote more excellent books about Chopin which unfortunately are still only available in French.

This book is excellent. Even though it is advanced, it has a variety of songs, some of which are much easier than others. With this book, you can awe your friends by playing popular songs made into beautiful piano solos.

As a professional pianist, I appreciate the fine arrangements by Dan Coates in his Dan Coates Complete/Advanced Piano Solos. These arrangements are very good and I can use them in any venue. His arrangements sure save time for me -- I can simply perform any of his work as written and don't have to rearrange anything. This is an excellent book.

I bought this for my wife who studied the piano up to a pretty advanced level, but stopped playing regularly about 6 years ago. Other reviews made me think that it would be a challenging book for her...in fact, she is enjoying the variety and smoothness of it. I guess that is both an advantage and disadvantage...depends on your expectations. One thing is for sure...she is loving it.

Intricate, Detailed Renditions...Difficult Segmants for the Advanced Pianist.

I'm 20 yrs. old and I have been a pianist for 16 yrs. I have also taught piano for 6 yrs. I HIGHLY recommend this item because these pieces are not simple versions of the origional composed pieces. I'm always put out as I receive an ordered book that is too simple or does not contain a single key-change. Dan Coates is a professional composer who finds new ways to present the enlightening pieces her arranges. Don't try to pass me up by simplifying the music, I want the real piece! He never fails to start the piece establishing the main melody and then gradually building until he finishes with a finale worth presenting to the President. I could not rate higher...well done Mr. Coates!

The songs in this book are challenging yet worth it once you've learned them. The arrangements are well-written and flow smoothly when they're up-to-speed. The difficulty range is not huge, and tends to hover between intermediate and advanced. The left hand usually plays broken chords which are simple, yet effectively lay a base for the right-handed melodies. A great selection!

The backbone of Duke Ellimgtons music was his association with Billy Strayhorn. Where such genius came from emanates from poverty and rather ordinary family roots. This is a fascinating and beautifully documented story that completes any previous knowledge of the beauty that is Ellingtons music. Strayhorn was obviously an unrecognized genius deserving of notoriety and equal prominence.

Great Book... if you're an Ellington fan and like "Strays" music this is an absolute must. Very informative and interesting and also great reading. The author was here in Seattle for an Elllngton concert with Earshot Jazz and I met and chatted with him.... a very charming and informed man. cmm

one of the most interesting biographies I've ever read. When Billy Strayhorn was growing up in Pittsburgh he met Duke Ellington in the back of the theatre after a concert Duke performed at. He blew Duke away when Billy played the piano for him. Years later Duke would remember him and asked Billy to come out to NYC to see him. When Billy asked for directions Duke would write on a piece of paper, take the A train. While on the A train to Upper Manhattan to see Duke, Billy wrote the music for 'Take the A Train". So it goes the great collaboration between Duke Ellington and Billy Strayhorn would begin. Always in the background and never given the proper credit for all the music he wrote Billy Strayhorn would live a lush life. Travelling the world and meeting the kings and queens of the jazz world, he could be the life of the party but the applause for Duke Ellington's music would bypass him. Being black and gay back in those days was not acceptable behavior so Billy stayed in the background and Duke kept him. Billy wrote the music and Duke played it, his own personal muse. Billy loved the 3 am hour the best, it was the happiest hour of the day when you're too exhausted to care anymore and numb to everything else. A wonderful book.

i find myself always enjoying Books on People&this is no exception.very well detailed Book on a Important Composer&His Many Demons&Surroundings.I heard a few years back that Will Smith was considering doing the Bio Movie on Billy Strayhorn.it would be really interesting to see how things would come out on the Big screen.this book reflects on Music Talent&whole Life.very well done book.

This book has a lot going for it. Do you like music, swing and jazz? Do you like intersting people? Did you live through the 30's, 40's and 50's? Do you enjoy reading about that era? Do you enjoy reading a well written biogratphy? If the answer to any of these is yes, you'll like this book, it the answer is yes to several of these questions then you'll LOVE this book. David Hajdu has done an exemplary job of documenting the life of Billy Strayhorn. I really felt like I knew the man after reading this. He has done his research and he also writes with a very smooth style that keeps you intersted. I love music and I've read bios of Miles Davis, Dave Brubeck, BB King, Chuck Berry, Led Zepplin, Allman Bros. on and on. This is one of the best if not the best music bio I've read.

When I picked this book up from the library I was not sure it would be one that I would enjoy,but I was surprised how into the story I got and could not put it down! I am not going to tell all the details of the book but I will just say that if you want a book that will not only capture you mind but your heart as well than you will enjoy this book and even be sad when it ends cause you just want to keep reading!

Maurine F. Dahlberg.... wow can you ever write. This is one of my very favorite books of all time and I swear that I have read WAY to many books. Right now I am doing an Independant Novel studu on it and have to do a bibliography on you. I can't seem to find information but kids and/or Adults if you ever need a good book to read, I suggest you pick up a Play to the Angel and dig in!

" Austria 1938. War is coming. But Greta only cares about her music." What if suddenly you were practicing in your piano professor's apartment. When a loud banging comes from the door. You open it to see starched uniforms, shiny boots, pistols, swastikas, and lightning bolts. The Nazis are at the door.
This was just one of the many scenes from Pay to the Angel. Where words of cheerfulness and depression burn a seeping image in your mind. This author really sets the scene. Maurine Dahlberg wrote the magnificent and extraordinary novel.
Greta Radky loves to play the piano. But her mother does not want her to play. She threatens to sell the piano. But luckily, a piano teacher moved into the apartment not far away. Se learns how to play the piano from a Herr Hummel. But while at a party with her friends Mutti (the mother) finds out! But in a last desperate attempt by Herr Hummel and Greta, she decides... to keep the piano. So Greta plays better and better and eventually she is invited, by Herr Hummel, to a Recital at a huge musical academy, in front of a large audience! She had never done this before. And more than anything she wants Mutti to come. But at the end of the recital she is not there. When she leaves the academy, she why Mutti had not come. The Nazis had taken over Austria! But that's all I'm going to tell (I hate Spoilers).
One day, Greta was practicing on Herr Hummel's piano Sunday morning. Herr Hummel was never at his apartment room come Sunday morning. So he had given Greta a spare key to the room. Then a knocking came from the door. Too loud to be Mutti, Herr Hummel, or any of the neighbors. She opened the door, and the hall was filled with Nazis. Then they swarmed the room, tearing it apart, looking for signs of the unidentified Herr Hummel.
The theme to the book is that things aren't what they seem. Like cold- hearted Mutti, turns out to be, happy, loving, caring Mutti. And like Herr Hummel's identity. And how no one seemed to think that the Nazis would invade Austria.
I would recommend this book to anyone who likes books with mystifying people. And anyone who loves to read about history. This is a very creative story. If you wish to find out about Herr Hummel's secret past, Mutti's true feelings, and the story of Greta Radky, you will have to read Play to the Angel.

When I started to read this book, I was captivated. It is interesting and provides a good insight to musical life to someone who is musically challenged. I thought Herr Hummel, or Karl Von Engelhart, was very well-done and interesting. When I finished this book I suddenly wanted to go to Austria and see what it was like. The only thing I didn't like was it ended on a cliff-hanger, and I really tortured myself thinking about if Greta ever saw Lore or Erika or Karl von Engelhart (Herr Hummel) again.

One thing I disagree with in the review above: they say that Doris Ogel's The Devil in Vienna is better than Play to the Angel. It is not! I read about half of TDIV and I was totally bored and disinterested, although I finished it. It was shallow and the emotions of Inge were very undeveloped. Though I'm getting off the subject. Read Play to the Angel and you won't be disappointed!

Greta was a piano player in Vienna, Austria in 1938. Her brother Kurt died about a year before and her mother is starting to get insane migraines. But those wont stop Greta from dreaming of becoming a famous pianist. She is different from all the girls in school. And now that her best friend Erica has moved to America, she truly feels alone sometimes. Even her neighbor Frau Vogel can't help her that is until she tells Greta about a piano teacher that lives in the apartment next door. She goes to the apartment one day but no one is there. She walks in to find a beautiful grand piano. She takes out some music and begins to play when Herr Hummel startles her. They eat and start to talk. By the time Greta leaves she has agreed to take piano lessons from him for free. She keeps this a secret from her mother for a while but when Herr Hummel brings up that he wants Greta to play at the Academy of Music and Performing Arts. Greta begins to practice music from Scarlatti and Mendelssohn for her recital. Finally the day of her performance comes. Her and her mother had gotten in a fight earlier that day but Greta had hoped that she could still make it. To her surprise her mother didn't arrive. When the recital was over Greta and Herr Hummel were rushed back to Herr Hummel's apartment where they found Frau Vogel and Greta's mother with an injured ankle. Apparently the Nazi's had invaded Austria and while Greta's mother was running out of the shop where she works she sprained her ankle. Soon one of Herr Hummel's old students Rudolf Beck, who Greta and Herr Hummel had seen while they were in the city, has sent the SS for Herr Hummel. Greta is in Herr Hummel's apartment when the SS came in tearing the place up looking for things. That is when she finds out that Herr Hummel is actually famous pianist Karl von Englehart, and that he is wanted for helping Jews escape the Nazi's. When the SS men leave Greta remembers the money and passports in Herr Hummel's desk and takes them across town to the Academy where he is with one of the directors. He tells Greta that he is going to Prague and that he will contact her when he is safe. Later Greta receives a letter from him saying that he is on his way to America. Greta and her mother escape the Nazi's by going to live with family in Switzerland. This book is good for students who like to learn about the affects of WW2 and who study music. This book shows students that no matter what they can always make their dreams come true.

In the beginning of the book Greta has suffered a great lose in her life, her brother Kurt, who also played piano, died and her mother is becoming very irritable. Her mother used to always have fun with them and enjoy listening to Kurt play the piano but now every time Greta touches it she says she has a headache and wants to rest. Also her mother almost sold the piano and Greta began to greatly doubt she could ever become a concert pianist.

Greta also doesn't fit in with many girls in her school. For one of her papers she has to write about the best day of her life and she writes about one where she spends it alone playing the piano but her fear of being made fun of lowers her self esteem and makes her nervous about her upcoming recital.

After her recital Greta realizes that many people believe in her and that she can accomplish anything she wants to. Her mother risked dying to see her play at the Academy and Herr Hummel risked being captured by the Nazi's to help her succeed with her playing. And she even makes a new friend, Lore, who likes her for who she is and what she does. Greta realizes she has nothing to be shy about and that her brother would be proud that she is accomplishing what he couldn't.

This book can truly teach students many things about the world around them and themselves. I recommend this book to students of all ages that would like to learn more about the piano or more about the affects of war on people.


T.Shene

I enjoyed Fine's first book and have recommended it to
clients wanting to buy a new piano. I have seen
first hand how it saved some clients tons of money.
For those who already have the first book, I highly
recommend buying this updated version.

I would seriously recommend this book to anyone thinking of buying a new piano. It lists every brand I've ever heard of and many I haven't. There is a tier system set up so you can compare brands within a price range. My wife and I learned a lot about pianos in general, which helped us make our decision as to which one to buy. It's a supplement to the main book and comes out every year.

Larry Fine's book is an invaluable source not only for those of us in the piano business, but for anyone who owns a piano and especially for those who are seeking to purchase one. I highly recommend it.

The previous positive reviews are true; this is an indepensable book for anyone in the market for a piano.

This little book is worth it's price many times over for those seriously piano shopping. I learned so much about pianos and brands. I've played a wonderful Kawai upright for 16 years and am ready to purchase a grand. I thought all these brands I'd never heard of before were "no-names", definitely not what I wanted. Well, after a month of research and many trips to piano stores, I am buying one of those no-names! My Estonia 190 (6'3") will be delivered in a week!