Reviews Books

What a pleasure to finally read this classic book. I grew up loving Cousteau's television programs. Ultimately, I became a diver because of Cousteau.

This is adventure writing at its best. Cousteau was always a master storyteller. That was probably more instrumental to his success than his bravery, innovativeness, or his ability as a diver. This book is a collection of Cousteau's experiences with early scuba. He masterfully captures the awe, the fear, the struggles, and the sense of adventure of the first years of scuba.

I love adventure writing, but sometimes great adventurers are not great writers. Cousteau was both. If you have an interest in Cousteau or in scuba diving, this book is a must read.

As promised in the title, in this book Jacques Cousteau reveals a new world of unanticipated beauty, fittingly described in his charming, French-influenced English phraseology. C. Blickenstorfer has done a fine job explaining the contents of this book, particularly as it relates to divers or those interested in diving history. However, The Silent World, read as a frontier narrative, also has relevance for anyone interested in our current and historical treatment of the ocean.

Humans have interacted with the ocean for ages, but before divers like Cousteau it was a blind interaction, a grasp at resources based on guesses and historical results. Cousteau's underwater observations of trawl-net fishing make clear the change of ideology his "aqualung" opened to humans. Watching the net destroy grasses on the ocean floor, Cousteau reports "Man's method of undersea farming seemed to consist of blighting the acre while reaping a small part of the crop" (48). As opposed to a history of blind grabs at ocean creatures, Cousteau's aqualung gives him the capacity to see without touching, and his narrative provides a chance for our knowledge to begin catching up to our know-how.

Another epiphany facilitated by the aqualung is a completely new set of fears and a new evaluation of old "monsters." The killers of which Cousteau writes are nitrogen in his blood and clams with shells sharp enough to sever air pipes. On the contrary, the octopus, demonized by Victor Hugo as a monster who will suck out a man's innards, shows itself as harmless and shy. Cousteau concludes his chapter "Monsters We Have Met" with a jocularity that is persistent in the work: "If none have eaten us, it is perhaps because they have never read the instructions so generously provided in marine demonology" (222).

Cousteau's reinterpretation of the ocean brings readers to the fundamental questions of humans and their environment. How are we going to think of this new space? Should we sell it as new realty? Militarize it? Farm it? Should we simply Keep Out in a quest to guard some portion of the earth against ourselves? Those from my generation who have mythologized Cousteau as a heroic conservationist might struggle with Cousteau's narrative. This is not the work of a dolphin-hugger. Cousteau writes of his exploits kidnapping an endangered monk seal pup in his desire for an aquatic hunting dog (the seal almost dies and is given to a zoo) and bludgeoning most large sea creatures who get close enough. This includes wounding a captured porpoise to watch sharks eat it alive, an act which he justifies with "It was cruelty to an animal but we were involved in a serious study [. . .] and had to carry it out" (234).
In his conclusion, Cousteau asserts "Obviously man has to enter the sea. There is no choice in the matter. The human population is increasing so rapidly and land resources are being depleted at such a rate, that we must take sustenance from the great cornucopia" (266). Both those who would agree with this 1950s assumption and those who believe this "cornucopia" has been already overexploited can gain insight from this book as a well-written record of human reactions to the new world under the waves.

As a diver for long years, I remember the old b&w tv days, when we find happiness with Cousteau's documentary films. Now it's a mirracle to be able to purchase the whole collection in DVD format.

As great a read today as it must have been over 50 years ago. Being a modern day technical and recreational dive instructor I still find this book a fascinating read and would recommend it to all ages to divers and non divers alike.

What can be said about Jacques Cousteau and his groundbreaking book that hasn't been said a thousand times? He is undoubtedly the defining figure of modern scuba diving, his books, films, and documentaries known to millions or billions. Even the name of his ship, the Calypso, is known the world over. It's a small volume, this book, just 160 pages, yet it's absolutely mandatory reading for anyone interested in what Cousteau termed "the silent world" under the surface of the water that covers 71% of our planet. The Silent World is the bible of modern scuba diving.

Jacques Cousteau himself died in 1997 at the age of 87, but the legacy of his pioneering work with diving and diving physiology lives on. It is all well documented and disseminated worldwide, thanks to this French explorer's unique combination of instinctive understanding of the world under the surface and his equally unique knack of spellbinding the world with his words and images. A total master of public relations and getting the word out, Cousteau managed to grab attention and media coverage wherever he went. Critics went so far as suggesting his media talents exceeded his actual contributions to understanding the seas.

At first it's hard to figure out why this slim volume became such a success. It's not a textbook, it doesn't cover the history of diving or even much of Cousteau's own research, and it's not an adventure book. Though Cousteau was French, he wrote The Silent World in English as he had attended American schools in his youth, widely traveled the US, and, of course, extensively lectured in his enchanting French-accented English. Yet, The Silent World clearly reveals its author's non-English origin and decidedly "non-English" thinking. The writing, while precise, often suggests that Cousteau frequently described a word or concept that existed in his native French, but did not directly translate into English. As a result, the writing at times seems a bit flowery and, well, foreign, and you need to read a sentence or paragraph two or three times to figure out what it actually means. Cousteau's liberal use of metaphors, artistic nuances, poetic concepts and words that have since fallen out of currrent language only serve to make The Silent World even more unusual of a literary treat.

Anyone looking for technical explanations, precise history, a logical flow of events, or anything one might expect from a world-famous documentary maker and researcher will not find it in this book. The Silent World is a totally unique, very compressed tale flowing from Cousteau's mind. Read half a chapter and you know the man; he's a unique combination of inspired philosophical observer and gifted researcher with uncanny intuition. While others conducted their research methodically and ploddingly, Cousteau always just seemed to know what to expect, how to behave, and what to seek and avoid to make it all seem easy. He and his close associates and friends Phillipe Tailliez and Frederic Dumas used their "aqualung" to experient liberally in sort of a "Hmmm.... this is probably what will happen, let's go check it out!" approach.

Using this, Cousteau describes the difference between "helmet divers" and the newly liberated users of their "aqualung" -- what we now know as air tanks and regulators. The book casually touches on all the principles of diving physics and physiology, the stuff we learn in our PADI and NAUI classes. He describes sea life, how it reacts, where it lives, how it behaves, and what is dangerous and what is not. They see just how deep they can go. They check how colors change. What nitrogen does and why we need recompression chambers. He offers his views on treasure hunting (not worth it; if you find real treasure authorities and hordes of lawyers will soon apprehend it). He reports on atrocities he witnessed underwater, like the needless destruction of corals and cruel killing of fish. He debunks myths of sea monsters, seeks answers to geological phenomena such as the Fountain of Vaucluse near Avignon, one that almost cost him and Dumas their lives in a pioneering effort at extreme cave diving. He describes what fish do and how they react. And sea mammals and other sea critters. Sharks remain an enigma to Cousteau as his conclusion is that you simply cannot understand or predict them.

So The Silent World relates, in 14 fascinating self-contained chapters, pretty much everything we know about diving today, 60 years after Cousteau began researching as a "manfish," all the principles we know, and it's all neatly and attractively presented in tales that always mix research with adventure. Cousteau never preaches or lectures. He just explores, pushes, interprets, and reports. Maybe Captain Jacques-Yves Cousteau was a showman as much as a researcher. If so, good for him as otherwise we may never have had the opportunity to learn from him and enjoy his remarkable insights. -- C. H. Blickenstorfer, scubadiverinfo.com

Oh, my God! This hasn't been updated yet? I thought that after waiting almost 12 years for a revised edition it would have happened by now!!!

Michael and Denise, please, for the love of Spock!!!!!......update this tired old beloved history of the future!!! I'm beggin' ya! I'm sitting here with credit card in hand ready and anxiously waiting!!!!

I wouldn't use this to prepare for a history exam (although it does cover some actual history pretty well), but this book will tell you anything and everything you ever wanted to know about what happened when and where in the Star Trek Universe... at least, up until 1996 franchise time.

Movies and episodes of DS9, Voyager and Enterprise past that year are left out, for obvious reasons. Hopefully, given the lack of tv series/movie activity, they'll take the time to come up with an upgraded version of this book. An interactive CD-ROM would be nice, too.

Worth getting in the meantime, though.

As it says in the introduction, there are many contradictions and empty spaces in this history, but if there's a need to understand the way Star Trek works, it's an indispensable reference book. Also for writers who want to create between the time lines listed in the book, it is a very well organized tool, and when possible, it reveals the contradictions or problems found by the authors in conjunction with the original writers, so you can fill in the blanks of the history or propose new theories. Well, it's a must have for those REAL Star Trek fans!!!

P.D.: if you want a perfect book, please read the I-Ching...

A great reference that starts several billion years B.C. to about one thousand A.D. This book has up to Star Trek: Next Generation First Contact, Deep Space Nine Season Four, and Voyager Season Two. One favorite section of mine is the alternate universes section with ALL of the alternate universes up to date. Now I'm waiting for an revised edition...

Everything I need to know about Star Trek is in this amazing book. The only problem I have with it is that I bought it when Star Trek Deep Space Nine was ending it's fourth season, and in the book, it goes up to the end of it's fourth season. I had no idea what was happening for two years! Oh well, now I know. Anyway, this book really helped me to understand the world of Star Trek, and the amazing thing is, that everything in this book has followed history so far! Anyway, I reccommend this book to any true Star Trek fans!

well written synopsis of each episode will bring
you up to speed if you have missed episodes.
excellent show shots and behind the scene looks.
the personal thoughts of the actors explain much
as to how their chactors have grown and adapted.

good reading for all.

...and this book is the best completion for this great show.
It's a complete and very detailed review for each episode and it's very useful for a SGA fan.
A must!!

This makes a wonderful addition to my Stargate Atlantis DVD collection. It pretty much explains all of season 1; the story lines, the characters, etc. I really like this book.

If your a fan of the series then you will want this book. I have all of the Stargate SG-1 series and found them very interesting to read and to having in my collection and you will to want this in your collection.The photographys and illustrations you can't get any where else.
As a fan of the series this book will help you learn some of the lingo.
I've enjoyed all of the SG-1 books and just started my collection with the Atlantis and I'm sure you will as well.

Great book. It fits in well with the Stargate SG-1 series. Lots of good insider information and pictues.

this book is actually one of the best of its kind. It documents quite well the music of the New Wave era and is a nicely done update of the previous edition.

I got hooked on the TP Record Guides in the mid 80s by luck browsing a cool bookstore. Love at first sight. Ira A. and crew approached a gigantic task with a process and a great sense of humor. Their reviews are amazingly complete for some amazingly obscure bands. [I actually feel honored to know music of obscure underground bands that were somehow unbelievably, under their radar. I wonder what ever became of the "Cache Valley Drifters"? I sure hope Pete and Lou Berryman are still out there too.] They treat most bands with respect, excepting bands of the "Frankie Goes to Hollywood" ilk, heck I trash them too even if I don't know any better! How's that for loyal?

A couple examples of the wonders that drift among the pages. One of my favorite reviews is Simple Minds. The reviewer carefully goes over the bands' brilliant first releases and then lashes out at an apparent total sell out after they got sucked into big production movies.

This book, plus the 1990s edition following it up, will give you an enduring look at the rise and fall of underground music.
Try this at your local library, open this book to Nirvana...read the terse review of the band printed shortly after "Nevermind"s release. Now thumb to Nirvana in the New TP Guide to 90s Music, written many years later, but right next to it in the stacks (dream on). It says things like "every generation has events like hula hoops and Nirvana, they explode out of nowhere" The book is a look at what is important to young people at an important time when their brains desire to look beyond the mirror, even farther outward than the next meal, and they turn to music. It's all-together mindbending and probably important.

This book is a quest giver. Ever hear of the Morels? Me neither, but from what Ira says in his review in this book, I've been on a quest to find some of their musical legacy and so far I've failed. But I'm persistent, they're out there somewhere on some dusty shelf. I'm zealous about this book because in this world you've got to edit.

I love this book. I have to say that I didn't always agree with Robbin's et al views of the music on display. One reviewer mentions their treatment of Simple Minds, and I could make a case for the Silencers. a great Scottish band of the mid to late 80's.

What makes this book great isn't the reviewing they do (concise and well written, always), but rather the fact that Trouser Press provides histories for each band before jumping into their material, and traces the progression of bands through their careers (read the Sonic Youth entry if you don't believe me).

This book leaves all others I've ever read far behind for that simple fact. If you want little info on the bands and sketchy histories and lineups, then by all means, run to Rolling Stone and Dave McKean. But if you want to understand the individual formations of bands, their original vision, how and why they changed, and a full critical accounting thereof, buy the Trouser Press guides.

Magic, I tell you. Magic.

Before there was such a thing as P2P music downloads and other ways of getting ear candy for free (hopefully just to listen before you buy the real CD from the artist you like) you had to rely on word of mouth or radio. Since radio did not play most of the great music listed here, take it from a Suicidal Tendencies/Thin Lizzy fan, this was the one way I KNEW the music I risked my money on was worth it. As far as guides go, this one surpasses them all.

I got hooked on the TP Record Guides in the mid 80s by luck browsing a cool bookstore. Love at first sight. Ira A. and crew approached a gigantic task with a process and a great sense of humor. Their reviews are amazingly complete for some amazingly obscure bands. I actually feel honored to own music of obscure underground bands that were somehow unbelievably, under their radar. They treat most bands with respect, excepting bands of the "Frankie Goes to Hollywood" ilk, heck I trash them too even if I don't know any better! How's that for loyal?

A couple examples of the wonders that drift among the pages. One of my favorite reviews is Simple Minds. The reviewer carefully goes over the bands' brilliant first releases and then lashes out at an apparent total sell out after they got sucked into big production movies. And this book, plus the 1990s edition following it up, will give you an enduring look at the rise and fall of underground music.

Try this at your local library, open this book to Nirvana...read the terse review of the band. Now thumb to Nirvana in the New TP Guide to 90s Music, written many years later, but right next to it in the stacks (dream on). It says things like "every generation has events like hula hoops and Nirvana, they explode out of nowhere" These books are a look at what is important to young people at an important time when their brains look beyond the mirror, even farther outward than the next meal, and they turn to music. It's all-together mindbending and probably important.

This book is a quest giver. Ever hear of the Morels? Me neither, but from what Ira says in his review in this book, I've been on a quest to find some of their musical legacy and so far I've failed. But I'm persistent, they're out there somewhere on some dusty shelf. I'm zealous about this book because in this world you've got to edit.

This is a great reference movie/DVD book for all those far out films of the Psychedelic Era. From GET SMART to AUSTIN POWERS. A little flare for the 50's and 60's, CASINO ROYALE, Peter Sellers, VALLEY OF THE DOLLS and BEYOND...If you collect films from the likes of BREAKFAST AT TIFFANY'S or IN LIKE FLINT, you'll need this reference book to see what you're missing.

Fantastic! Haven't been able to put it down.

I keep this book near. Its a great read front to back, or to just randomly flip through. Lots of insight into the wonderfully weird world of film. A must for all cinephiles.

I was attracted to this book after recognizing the author from his movie reviews on the radio. It is the perfect beach companion. I was amazed at the movies Mr. Slifkin included, many obvious selections with new insight. Others were obsure titles that I had all but forgotten seeing. Perhaps best are the movies that I have never seen, but feel compelled to do so after reading this book. Any fan of this era will love this book. In addition it introduces the unique charm of these groovy pics to a whole new audience who weren't even around the first time they hit the screen.

This book is so Groovy! If you lived through the Psychedelic era or would have loved to, this is THE GUIDE to those movies that were the center of it all. From Bond to Shaft to 2001, from Fearless Vamipre Killers to Top Secret it has it all. This book not only has those movies from the 60's and 70's but those that spoofed that Far-out time. 5 Stars

My newly discovered hobby is tucking this book under my arm, stuffed with an array of bookmarks, old business cards and straw wrappers -- to help seek out these cinematic gems when I enter my video store. Author DiLeo has unearthed a wealth of fantastic performances in films that I never would've thought to view or even knew existed! I actually called in sick to work one day after viewing three of his recommended classics back-to-back till the wee hours. What a glorious night! Mr. DiLeo... you're gonna cost me my job! BUY THIS BOOK!

John DiLeo's opinions and quips are quick, tart, and fun. But this book wouldn't be as fascinating if that was all that was going on. The depth of his film knowledge, his obvious love of movies, and the acuteness of his recommendations make this a wonderful book for anyone--from cinemaniac to cultural reader.

My newly discovered hobby is tucking this book under my arm, stuffed with an array of bookmarks, old business cards and straw wrappers -- to help seek out these cinematic gems when I enter my video store. Author DiLeo has unearthed a wealth of fantastic performances in films that I never would've thought to view or even knew existed! I actually called in sick to work one day after viewing three of his recommended classics back-to-back till the wee hours. What a glorious night! Mr. DiLeo... you're gonna cost me my job! BUY THIS BOOK!

Anyone who loves watching classic movies should buy this book! The author gives thorough reviews of all one hundred movies. He doesn't focus on just one genre and there is a good mix of comedic, dramatic, and musical performances. Some of my favorite performances are here including Jeanette MacDonald in Naught Marietta, Vivien Leigh in Waterloo Bridge, and William Powell in Libeled Lady. After reading this book there are many more films I want to see.

Overlooked performances from the movie stars of old or the present crop, take your pick. Whichever you prefer make sure you read John DiLeo's book. He captures the performances in such a way that you feel you are watching the film while reading his eloquent, captivating description. It is an absolute joy for any movie buff.

I recently bought all the box sets of X-Files DVD's and have been watching them in order when I came across this book on Amazon. It was a valuable source of information and trivia for all the episodes for that season. I only wish I had gotten the earlier volumes of this series and that it had continued for seasons 8 and 9.

After a much anticipated wait, I was glad to have this book appear in my mailbox shortly after it delayed in publishing. Happy as a clam I thumbed through the pages, seeing each episode written in a "short story" style with dialougue taken from the scripts. I am also glad to see that they kept the title "all things" in lower case, as Gillian Anderson had when naming the episode she had written and directed. I have all season guides and I must say this is one of the best ones put out.

This Book would have to be my all time favorite that only adds to my collection of vol.3-6 now. If you want more x-files, and want to learn more about Season 7, I suggest buying this book. Of course, like the other volumes it has in-depth details of each episode as well as black & white pictures to accommodate them. There are eight pages of color pictures: X-Cops, Je Souhaite, Fight Club, FPS, and, Hollywood A.D.. Very Cool! I enjoy this book very much, despite the delay in publishing, but beleive me, it was worth the wait. There's also the back story of why the ending of Requiem was kept a secret, why Chris waited until the last day of shooting Requiem to write the finale, and why only 2 people knew of it's true ending. . . . All in All, an Excellent Book to add to your X-Files Paraphernalia!

This book has great photo, dialogue each show, the cast, interviews, and intersting facts about the show. This is a must have in any one x-files colection.:) :) :) :) :)

I had some apprehensions about this book before it even came out. First, the release date for this volume was pushed back, which is not typically a very good sign. And second, this volume was being drafted by Marc Shapiro and not Andy Meisler (who did such a wonderful job with the previous two volumes). But after having read through it, I can happily allay any apprehensions about this book not living up to its predecessors. Volume 6 in this series is just as good, if not better, than those volumes that came out before it.

Marc Shapiro does a great job in delivering the goods behind every episode. I was very impressed with this from Andy Meisler, and Marc Shapiro doesn't disappoint. There is interesting background information on all the episodes - things like the time-crunch in making "Requiem" and the fact that Gillian Anderson had to wear a wig in a car scene in "The Goldberg Variation" because it was shot after her hair stylist had sheared off her lovely locks.

Included in this book are eight full-color pages of images from the seventh season. Those images selected are fine enough, but they only focus on about four or five episodes, which doesn't do such a great season justice. It would have been nice to see more of a mix - some mythology episodes ("The Sixth Extinction" and "Sein Und Zeit") and stand-alone episodes ("En Ami" and "All Things"). But this is a minor detraction from an overall sharp-looking book.

Any fans of the series should have this volume sitting on their bookshelves. This is a must-have, and it is an enjoyable read. Well worth the wait in the time it took to get it published.

Very good, very concise, especially with radiology. Get it - I think it is out of print but you can find it used. Good luck studying!

I found this book to be pretty good review for Part III. It helped with summarizing all the stuff I learned in chiropractic school. It gave good reviews of the clinical impression or diagnosis, physical examination, neuro examination, etc. I also used the following which was just awesome for showing me the type of questions to be prepared for on the Part III and Part IV chiropractic Boards:
National Board of Chiropractic Part III Study Guide: Key Review Questions and Answers with Explanations by Patrick Leonardi
National Board of Chiropractic Part IV Study Guide: Key Review Questions and Answers (Volume 1) and (Volume 2) by Patrick Leonardi.
In fact, Dr. Patrick Leonardi's and Dr. Jeannette Gibson's study guides helped me to pass the boards. I advise getting these four study guides. It's better than taking these boards over again.

I agree that this book is a great asset, and would recommend it to anyone in Chiropractic school, having previously stipulated that it will not prepare you for part IV. The book does indeed review Part III is great detail, but the part four review - with the exception some medical stuff, abdominal exam, thorax, etc. and some others, does not fully prepare you for Part IV. I found the last section on technique extremely lacking, there were no pictures, and very little on the method with which National Boards test you on (vertebral malposition listings [national listings]) since most of us were taught Gonstead (at least at Life West).

In conclusion, I recommend the Irene Gold review seminars. They may help more than this book will. It is a great book, but let's be real here, with the expense of Part IV National Boards ($850), it is cheaper not to buy this book and go to a review and get a passing grade, than to save in the beginning and fail the exam. That's the opinion of someone who used this book and studied in detail and failed the first time around.

4 Stars!

Buy it, study it, and then take some time to relax while the rest of your class tries to learn that which you've mastered. This text allows you to optimize your time studying. No more wasted hours organizing; it is already done for you. Great book. Worth much more than the price tag. I can't endorse it enough. I gave it to my son, a chiropractor for Christmas, and it proves as useful in practice as it is in school. Much thanks to the authors for writing this book. Well done.

At first I thought this was too much information, then I realized it was everything I needed to know for my clinical studies as well as my academic studies. It is hard to understand how this book was written by doctors. I think professional editors would have a hard time negotiating this level of complexity. You both made it look simple and easy to follow. The amount of organization it contains is awesome. I am finishing up school now, and I only have one complaint about this text. It should've been handed out to the students on the first day of class with a schedule of which sections to learn for each year of study. It should be a required text for everyone. My life, my family, and my peers all would have benefitted from the decreased stress associated with a properly organized course plan. I probable could have saved thousands on coffee and actually slept instead of cramming this information for hours on end. This is an entire education between two covers. Thank you, thank you, thank you. My younger brother starts school in September and he is studying this book already! His life will be so much simpler because of it. I not only studied this material for boards, but due to the ease of which it is laid out I actually had time to learn it. You should write a business text next!

I rate this book just a slight notch above the KQED AYBS book, simply because the creators of AYBS had input in this project. It also highlights the bit players who appeared on AYBS, otherwise the two books do a fine of episode, character, and actor bio's. But the before mentioned book does a slightly better job at reviewing 'Grace and Favour' and the Australian AYBS version..., so you have to buy both :-)

For those of you who have the Are You Being Served? book by Adrian Rigelsford--are you free? For those of you who don't, are you also free? Well, gather around everybody, and that also includes special Grace Brothers board members.

This 25th anniversary book by Richard Webber with the two co-creators of the show, Jeremy Lloyd and David Croft, is basically an update of the previous book, but in a slightly different format. The story-by-story synopses are there, but instead of the * to **** ratings, there are memorable dialogue bits, that are always good for a laugh or two.

New material: familiar BBC performers who made guest appearances (mostly as hapless customers) on the show, with a short bio on each one. However, why was Gorden Kaye, who later starred in Lloyd and Croft's French Resistance comedy, 'Allo 'Allo, excluded from this section? Also, an episode-by-episode list of guest appearances.

What really perks me are younger photographs of the stars. They are recognizable but it's interesting to see how they looked before they joined Grace Brothers. And Lloyd and Croft's personal observations on the stars are filled with the fondest and highest respect.

There are bios on some of the minor but regular performers, such as Vivienne Johnson (Mr. Grace's nurse), Milo Sperber (Mr. Grossman) and Benny Lee (Mr. Klein), as well as those in Grace And Favour.

There are some updates. Inbetween books, Arthur English, who played Mr. Harman the packing department head, died in 1995, as did Billy Burden (Mr. Moulterd), in 1994.
However, the icing on the cake is the list of hot dolly bird secretaries who appeared throughout the season. My favorites: Penny Irving, the luscious redhead who appeared during the show's peak era, Louise Burton, and the Barbie Doll Candy Davis, who now got a Master's degree and is teaching. Wow, brain and beauty! How rare! Another hottie, Debbie Linden, sadly died in 1997.

My recommendation: get this AFTER the Adrian Rigelsford book to get the optimal enjoying effect. You'll be right as rain then.

This lovely and indeed comprehensive tribute book commences with an introduction by Jeremy Lloyd and David Croft (co-writers of the series) and a foreword by Lloyd's ex-wife (and two-time guest), Joanna Lumley, and it is sure to be treasured by fans of this entertaining British comedy.

What makes this book so enjoyable is the amount of participation author Richard Webber has received from everyone involved in the production (from writers, directors, costume designers, etc., to the actors themselves), and the book is filled with their many anecdotes. In the case of deceased actors Harold Bennett (Young Mr. Grace) and Arthur Brough (Mr. Grainger), assistance has been provided by their son and daughter, respectively.

The book includes a detailed history of the series--how it came about, how the actors were chosen, why certain actors left the show, how certain effects were achieved, and so on. Also included are chapters on the stage show, the movie, the 90's sequel (Grace and Favour also known as Are You Being Served? Again!) and a look at the success of the show (and its US and Aussie spinoffs) abroad.

My favourite parts are the four-page bios of the original cast, which includes b/w and sepia photos of the actors at various ages and stages in their careers. (A priceless inclusion are the childhood photos of most of these actors). This is followed by one-half- to one-page bios of "other memorable characters"--the maintenance men, the replacements for Mr. Grainger and Mr. Lucas, Old Mr. Grace, the nurse, and the canteen manageress. There are separate chapters for the secretaries and the lift girls with brief quarter-page bios and tiny b/w photos of each. Finally, there is a chapter devoted to "familiar faces" which contains brief quarter-page bios & tiny b/w photos of every actor to have appeared as a guest on the show.

The book also includes a complete episode guide, often with a particularly memorable snippet of dialogue from the episode being summarized or a "memory" from one of the cast of crew. An episode guide and brief quarter-page bios are also provided for Grace and Favour. Finally, there is a detailed index.

The book is a 10" x 7 3/4" 176-page hardcover printed on thick, good-quality paper with a matte finish, and it contains many b/w and colour photos throughout.

In conclusion, this is an attractive, well-researched, well-written, comprehensive and thoroughly enjoyable look back at one of Britain's most popular comedies and at the cast and crew who made it so memorable. Very highly recommended!

For those of you who have the Are You Being Served? book by Adrian Rigelsford--are you free? For those of you who don't, are you also free? Well, gather around everybody, and that also includes special Grace Brothers board members.

This 25th anniversary book by Richard Webber with the two co-creators of the show, Jeremy Lloyd and David Croft, is basically an update of the previous book, but in a slightly different format. The story-by-story synopses are there, but instead of the * to **** ratings, there are memorable dialogue bits, that are always good for a laugh or two.

New material: familiar BBC performers who made guest appearances (mostly as hapless customers) on the show, with a short bio on each one. However, why was Gorden Kaye, who later starred in Lloyd and Croft's French Resistance comedy, 'Allo 'Allo, excluded from this section? Also, an episode-by-episode list of guest appearances.

What really perks me are younger photographs of the stars. They are recognizable but it's interesting to see how they looked before they joined Grace Brothers. And Lloyd and Croft's personal observations on the stars are filled with the fondest and highest respect.

There are bios on some of the minor but regular performers, such as Vivienne Johnson (Mr. Grace's nurse), Milo Sperber (Mr. Grossman) and Benny Lee (Mr. Klein), as well as those in Grace And Favour.

There are some updates. Inbetween books, Arthur English, who played Mr. Harman the packing department head, died in 1995, as did Billy Burden (Mr. Moulterd), in 1994.
However, the icing on the cake is the list of hot dolly bird secretaries who appeared throughout the season. My favorites: Penny Irving, the luscious redhead who appeared during the show's peak era, Louise Burton, and the Barbie Doll Candy Davis, who now got a Master's degree and is teaching. Wow, brain and beauty! How rare! Another hottie, Debbie Linden, sadly died in 1997.

My recommendation: get this AFTER the Adrian Rigelsford book to get the optimal enjoying effect. You'll be right as rain then.

I have watched this show for years and this is such a great book. There are episode details and bios, and even customer bios. Joanna Lumley from AbFab was in the show a couple of times.

If you like AYBS, get this!

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