Reviews Books

This book was recommended to me in my favorites quite a while ago, and I finally decided to give it a try. It was so good. I never wanted to put it down, and when I was finished I wanted it to keep going. I have read "These is my words" and loved that. This is another to add to it.

Good book, but I liked Calico Palace much better. Jubilee Trail is just a little to predictable.

We had a rather intimidating librarian at my high school, but she was also very insightful when suggesting books. I was Junior when she handed this book to me, stuck her face right in mine, and said, "This book is out of print, so if I don't get it back, YOU'RE IN BIG TROUBLE!" As she escorted me to the checkout table, she gave me a full dissertation on how wonderful the story was, and how much I'd love it. Staring at the plain blue cover with white writing on the spine, I wondered what could be so great. Curious, I took it home.

Trying to avoid my sister later that night, I stretched out across the foot of my bed, and decided to give it a chance... It had my full attention well within the first chapter, and I finished the entire 300-something page book within three days - three SCHOOL days, I might add. I absolutely devoured this book.

I returned it to Ms. Padilla gushing about it, and she had my full trust in any other suggestions she had. I have a few other favorites that were first placed in my hands by that woman, but this one stood out in my memory for a long time as honestly and truly one of the very best books I had ever read - and this is coming from a 'Gone With the Wind' fanatic, too!


***


Fast forward six years, my sister calls me from a rare bookstore to ask the name of the book I'd read in high school and loved... She knew I was looking for a copy, and thoughtfully decided to stop and search for me. Lo and behold, they had a first edition. They obviously didn't know what it was worth, because it was only $8.95. A gem for that low price; what a shame.

I read it again, and was just as enraptured as I was the first time! I now tell everyone that it is my absolute favorite book in the entire world, and the few people who have read it on my suggestion have all but kissed me for it.


***


I really encourage you to pick this one up... Meet Garnet, Oliver, Florinda, John, and - my favorite - Texas. They will have a place in your heart forever, just like they do mine. This is one you pass down to your children.

Living out West I've always been into the history of the Oregon trail but I never knew very much about the history off the California trial (except apparently there was assign showing the turn to Oregon and on fork was a nugget of gold and on the other was the word Oregon because the settlers in Oregon wanted more people to come there and settle who knew how to read and the illiterate people went to California) so reading "Jubilee Trail was kind of a history lesson for me. And an interesting, well written one at that.

This is the story of Garnet, a very well brought up New York socialite in the 1840's who ends up marrying a man who is a trader on the Jubilee trail, the trail to California, which Garnet has never even heard of. She marries Oliver because she wants adventure so bad, and ends up going on the trail with him. Along the way she meets Florinda, who is a sort of actress/courtesan with a very mysterious past but a heart of gold. The book tells the story of the journey to California and Garnet's meeting with Oliver's evil older brother Charles, who has Oliver so squarely under his thumb he makes Garnet feel like an exile in the beautiful flower cover Californian country. But she also meets Oliver's mysterious, emotionless best friend John, and his best friend the seven foot tall Russian called the Handsome Brute. When disaster strikes for Garnet, leaving her 3,000 miles from family in a wild country she will have to rely on her own strength and endurance, because even though she has great friends, pioneers can not depend on each other for sole support.

This is really a good historical book. Its quite accurate from what I can tell and very well plotted in the smallest details that all fall to place at the very end. Though it was written 50 years ago it's very readable and in fact, this gives the unique perspective of letting you see what people in the 1950'ss thought of people in the 1840's-so it's like a double historical. It also has wonderful insights into human nature and the nature of pioneers especially, which are beautifully expressed. I recommend this book highly and look forward to reading others by this author.

Five stars.

I can't believe I had never heard of this book before, and I am grateful to my Amazon friend who did review it or I would never have found it. I was quite surprised, as Amazon is usually so good at recommending similar items once it picks up on your reading habits.

This is the story of just out of finishing school Garnet, who meets and falls in love with Oliver Hale while he's visiting New York from California. Garnet has an adventurous spirit that Oliver indulges and they're off to California via the Jubilee Trail. Along the way they meet up with Florinda, the "bad" woman with a heart of gold and Garnet and Florinda become great friends, and support each other during the good and bad times as they cross the country and come to California before it is governed by the US.

The author does a very nice job of setting the scenery and the conditions along the trail -- you almost feel the dust in your mouth and on your skin and hair. I loved the way she used John's love of nature so that you can visualize everything from the snow topped mountains, to the red rocks of the southwest, to the wide open ranges, and the flora and fauna of California.

All in all a jolly good yarn, I had a hard time putting this down until the very end at the discovery of gold at Sutter's Mill. Highly recommended for any lover of historical fiction, and as this was written 50+ years ago, the love scenes (if you can call them that) are very chaste and well suited for a younger reader.

this kind of book is right up my alley, time period is the most enchanting.

I will keep this short and simple Mrs. Wolf is one of the best writers around. I loved this book it was worth every penny and I plan to keep it and read again one day.

This was a great read -- I could not put it down. It was wonderful to start with the young Arthur and the experiences that made him the man - king -- that he was. The love story between Arthur and Morgan is truly heartbreaking and will bring tears to your eyes. The scene where Arthur comes face to face with the son he didn't know he had is gut wrenching.

I highly recommend this book, as well as the other two that follow in this trilogy, Born of the Sun and The Edge of Light. I wish the author would return to this style and quality of writing as opposed to the light fluffy regencies she is currently writing.

The Road to Avalon is the story of King Arthur written as pure historical fiction with very elements of fantasy. This makes it quite a different story from the one that is normally told. There is no magic, no dragons, no quest for the Holy Grail and such things as are normally incorporated into the story.

Uther Pendragon and Igrane married and three months later had a son. Because Igrane was married to another man when the son was conceived (though it was Uther's child) they thought it best that the child not be Uther's heir. So he was sent away to be raised with peasants. Fast forward nine years and Igrane has had no other living children, so Uther sends his father in law, Merlin, to fetch young Arthur and raise him to be a king. Only when Merlin finds him he discovers the boy has endured years of abuse. He takes him home to his villa, Avalon, and raises him along side his eight year old daughter Morgan. But he never tells Arthur who he is.

Morgan and Arthur grow up together and are in love. But Arthur is reveled to be the next High King when he is 16 and he learns Morgan is his half-aunt and he can never marry her. They end their relationship. Arthur doesn't want to live without Morgan but she knows the country needs him and sends him away.

You can guess the rest. This is a lovely version of the classic Camelot tale and is very romantic and sweet. My only complaint is that Morgan doesn't have much of a personality-she's basically a reflection of Arthur, who is a lovely portrayal of a tortured soul who only exists because of love. And the choice she made about not marrying Arthur because they couldn't have children after her son Mordred was born seems stupid. I don't think that she did it purely so Mordred could have a happy childhood-she could have made him happy with her and Arthur. But other than that she's a great charecter. And it is nice how no one is really evil in this book or wholly unlikable-everyone is portrayed very fairly.

Anyway, good book. Four point five stars.

An incredible version of King Arthur sans Lancelot. This is the story of Arthur, and his more than humble beginnings, until Merlin tells him years after he "adopted" him that he is the heir to the British throne after Uther. He is Uther and Igraine's legitimate son. While Merlin is preparing him to be a leader whilst living in Avalon with his daughter Morgan, the two children develop a lasting friendship that turns into love. He doesn't know for years that Uther is his father, Igraine his mother, Merlin his grandfather and Morgan his aunt until he is to be king. By then it is too late to stop the love between Morgan and Arthur.

He becomes king but he still wants to marry Morgan. Merlin & Morgan warn him that the threat of incest will impede his reign and tell him it's impossible to marry her. He does eventually marry Gwenhwyfar in a loveless marriage to produce an heir while continuing his relationship with Morgan. Meanwhile, Gwenhwyfar finds comfort with Bedwyr with Arthur's knowledge and unspoken permission. Morgan has been keeping a secret from Arthur for 15 years that also comes out.

Read this book! It's a refreshing storyline that I haven't encountered before. Bedwyr is Gwenhwyfar's lover and there is no Lancelot to fuddle things up as usual. Mordred is portrayed as a very unwordly teen and unsure of himself and others. Agravaine is as obnoxious and cunning as he usually is in other novels. Gwenhwyfar is in love with two men. Finally, the relationship between Arthur and Morgan is not a simple one but a lasting one.

Book received in a timely manner and in good condition. I am impressed with my Amazon.com purchases.

This book is awesome!!!!!!! If you want to pass the NCLEX-PN, you have to purchased this book. This book was a blessing for me to prepare for the NCLEX-PN. Hey, I'VE PASSED TOO!

The book itself is broken down to help you learn the key elements. The cd worked fine with my computer; and I had no problems with it crashing. The cd questions can be repetitive in some sections and all of the questions in the text are on the cd.

This is a well organized book with all the information you will ever need. Also came with a disk that is very helpful, if the disk crashes like another customer mentioned its your computer not the disk. Diffently a great buy.

I purchased this book to review for the NCLEX-PN. It is well put together and easy to find the topic I am currently studying. The CD has been extremely helpful, as well.

SWORD AT SUNSET BY ROSEMARY SUTCLIFF: The late Rosemary Sutcliff was a prolific writer from the 1950s through the 1970s, publishing a number of children's books, including the Eagle of the Ninth series and a series of Arthurian novels, as well as over twenty other children's books on historical subjects. She also penned nonfiction works and adult fiction, including Sword at Sunset, originally published in 1963 and re-released on May 1st of this year.

Sword at Sunset features an introduction by Canadian author Jack Whyte, writer of the successful Camulod Chronicles, a nine-book series beginning several generations before Arthur was born. Whyte freely admits that when he first discovered Sword at Sunset it changed his life, which becomes all too clear when one has read both authors. The characterization, the tone, and the painstaking attention to historical detail and accuracy are prevalent in both works, to the point where one might think Whyte owes Sutcliff more than an introduction and homage.

In Sword at Sunset, Sutcliff creates a world where the Roman legions have left Britain, yet the sense of Romanitas remains strong, especially in the noble characters of Ambrosius and Artos the Bear. They retain not just the armor, style of combat, and the Roman military organization, but a superior, almost arrogant sense of belonging to something that was once great and could be again. Sutcliff's early medieval world is not as "dark age" as normally depicted in fiction, but thriving with trade and societal infrastructure across Europe still seemingly intact. Artos the Bear spends the beginning of the book traveling to southern France where he looks to purchase strong breeds of horses to bring back to Britain to create a strong cavalry force to fight against the invading Anglo Saxons and maintain the British control and rule.

While it is not completely clear how Artos the Bear has risen to such great prominence, he nevertheless has the backing of the people, which spurs him on to defeat the Saxons in many battles. Sutcliff introduces many familiar characters from the Arthurian world, though there is no Merlin or Lancelot (the latter originally an addition made by Chrétien de Troyes in the twelfth century), but an important appearance is made by Arthur's incestuous sister Medraut (or Morgan). Sword at Sunset reads like a historical military text with its calculated and descriptive battle scenes that make the world come alive, to the point where the reader may indeed believe such events transpired in the fifth century, leaving the common storylines of romance and chivalry out of the story completely, much as they were in the original time of Arthur.

For more reviews, and writings, or to buy yourself a copy, please visit www.alexctelander.com

I loved another book by Sutcliffe but this one disappoints. The doom and foreshadowing is so relentlessly drummed in that I could never begin to care about the characters. The subtlety that she is skilled at is overdone here, and the heart of it seems hollow. Battle scenes roll by, in extravagant detail; crucial personal scenes flit past in a couple of sentences. Artos' wife is hard to love and rarely seen.

It seems like Sutcliffe was desperate to avoid the overdone, often covered traditional plot elements of the King Arthur story. She keeps only the doom and very little of the honor or love.

I have read most of the variations and book series on the King Arthur legend (Jack Whyte, Bernard Cornwell, Mary Stewart, Stephen Lawhead, etc) as well as a good deal of background information and theories. This edition intrigued me because Jack Whyte has written the forward and he has been my favorite writer on the subject ... to a point (up to the end of "Uther"). But Rosemary Sutcliff, by far, has set the standard for the conclusion of this legend. It is realistic, and most importantly, believable. You want to know the people in this book. You can see, feel and hear what they are experiencing. Her style is intelligent, interesting and true to history. And curiously, she wrote this before any one else did. THIS is how this story should end.

This is quite simply the best dark ages historical fiction novel ever written. "Sword At Sunset" tells the story of Artos the Bear, the war leader who will one day be known in legends as King Arthur, and his valiant struggle to fend off the invading Saxons, Angles and Jutes who are descending on Britain in the wake of the Roman evacuation in ever-increasing numbers. Sutcliff avoids the swords-and-sorcery of the Arthur legends and focuses on relating an amazingly accurate and realistic-seeming tale of what the TRUE Arthur must have been like. This book is in some ways a sequel to "The Lantern Bearers", which tells the story of a Roman soldier who chooses to stay behind after the legions depart Britain in the early 5th century. Here Sutcliff's magnificent prose reaches its zenith as she describes the struggles of Artos and his "Companions" to rally the populace and raise, train, and feed their army. The language crackles with authenticity, the battles are gripping, the historical detail is uncanny, the characters are all complex and multi-dimensional. Arthur in particular is portrayed as a admirable but flawed man whose failings as a husband and father are as much a driving force of his persona as his ability to attract and lead men into war. The book also touches on Arthur's negative light in many of the saint's lives, by describing his conflicts with the church over provisioning his war band. You will not find a more believable or poetically written tale of the dark ages, though Wallace Breem's "Eagle in the Snow" comes somewhat close. This one has it all and will not disappoint true fans of historical fiction looking for a realistic, well-written novel of this fascinating time.

As close as possible to depicting the real King Arthur. Beautiful, gritty, based on history and archeology. No silly fantasy here -- no Merlin, no magic, no Camelot, no Round Tables, and no damn Wiccans dancing in the moonlight.

Mary Stewart is a great writer. I'm glad that I discovered her again. This book keeps you guessing until the end. I really enjoyed this book.

Back when I was in high school, my bookshelves were filled with the Gothic romances of Mary Stewart, Victoria Holt and Phyllis A. Whitney. In my mind's eye (especially on a dark and stormy night!), I liked to cast myself as one of the the intrepid governesses who finds employment at the manor house of a devastatingly handsome but brooding lord with a plethora of mysterious, murderous relatives and eavesdropping servants. While I always questioned why these young women used to traipse out at midnight into the fog-shrouded moors - wearing only a diaphanous nightgown - to investgate a spooky noise, I was nonetheless captivated by the way all three of these authors could spin such breathtaking ambiance and make a reader feel as if they were right in the scene. I was, thus, delighted when an associate sent me a paperback copy of the newly re-released "The Ivy Tree" by Mary Stewart. Her heroine is a plucky lady of mystery who or may not be who she really says she is, and the scintillating underscore of sexual tension throughout the chapters makes this the kind of read that should be enjoyed with a pot of herbal tea, a fire in the fireplace, a cozy comforter, and a storm outside one's windows. Even with the passage of 40 years since I originally read this title, it's a cleverly orchestrated mystery that still feels timeless.

Christina Hamlett
Author of "Movie Girl" and "Screenwriting for Teens"

First Sentence: I might have been alone in a painted landscape.

Annabel Winslow has been dead for four years. Mary Grey, over from Canada, looks enough like Annabel to be her twin. When Conner, foreman at Whitescar, stumbles upon her, it takes a bit of convincing that she is Mary. Con, and his half-sister, Lisa, work up a plan for Mary to pretend to be the missing Annabel long enough to ensure her grandfather passes the ownership of Whitescar to Con in his will. Annabel Winslow has been dead for four years. Or has she?

This is Mary Stewart at her very best. With lovely nods to Josephine Tey's "Brat Farrar," which I also loved, "The Ivy Tree" is a more complex, layered book, although the clues are there for us to find. Stewart's characters come alive and even have reader questioning just who is Mary? There is that constant threat of danger. Her descriptions and use of imagery make me go back and re-read passages for the pure pleasure of her words. It is a story of love, loss, and hope is wonderfully timeless. Stewart is always such a pleasure to read and this is one of, if not the, best of her works.

This book is wordy and descriptive--half of our book club really appreciated her use of words, and half found it tedious. The beginning is a little slow and hard to engage in, but stick with it because the plot thickens enormously in the middle and the twist is so much fun! It has a dramatic conclusion that made for some fun conversation at book club.

All of Mary Stewart's works are good. This is one of her best mysteries.

Quite possibly the most charming cat stories ever written. Jenny the cat is filled with wonderful emotions that everyone can relate to...nervous about making new friends, afraid that she's not good enough, she proves herself through all sorts of wonderful adventures. Highly recommended!

Friends gave us this one for a birthday present for our six year old. Have since ordered the whole series!
Nice to have children friendly, wholesome story...our children can't hear it enough!

I loved these stories when I was a little girl and its been a joy to pass them along to my own daughters. I love how Jenny realizes her own worth even though she feels so small and shy sometimes. Friends, loyalty, and fun adventures makes these stories timeless

I love Jenny Linsky. I love her gentle nature, her kindness, her shyness. I loved her from the moment I opened the book and read the first paragraphs to my (then) 5 year old daughter. I loved her as I made red pom-poms to tie onto a red scarf so my daughter could dress up as Jenny for Halloween. But five years later, she's my second favorite Linsky. My most favorite is my three year old daughter, Zoe Linsky, whom her big sister lovingly named after the nicest person she could think of, a little black cat named Jenny.

I am so glad they re-released this book--my mother was thrilled to receieve it. Seller sent the book in great condition and it arrived very quickly.

A lot of info that a lot of people did not know about those little darlings. Very interesting, good reading, very well done. Thank You.

Excellent book....Leonard really digs deep to document and convey all things "Rascal". It's worth the purchase price.

Revised in 1992, Leonard Maltin and Richard W. Bann's "The Little Rascals" is a must for anyone who has enjoyed the antics of Spanky and the gang. The authors' exhaustive research and warm-hearted nostalgia is evident as they chronicle the history of these enduring comedy shorts. Along with biographies of the ever-changing cast and crew, the book offers a detailed critical analysis from the golden Hal Roach period (1922-38) to the sad decline at MGM (1938-44). It's the ultimate Our Gang celebration, with a treasure trove of rare photographs and publicity material.

I have been looking for this book for ages.Answers so many questions about all the Little Rascals.Some didn`t live long and very few are still with us.Being from Long Island I watched them on CH.11 on the Officer Joe Bolton Show every day after school.Kids today have nothing like them on TV.The facts in this book are fantastic and the pictures are great.If you love the Little Rascals buy this book.

The Little Rascals: The Life and Times of Our Gang is the most comprehensive book available about the popular short series. Leonard Maltin, longtime fan of both Hal Roach comedies and the Our Gang series itself, writes both intelligently and lovingly about the series with the help of Richard W. Bann.

This book opens with a short history of the Hal Roach film company and the Our Gang series.

Then, it leads to a collection of all of the shorts made for the series including the cast, release date, and highly effective synopses and analyses of each short. These are listed chronologically and noted according to ownership and distributor and silent and sound. Some of the silent have been lost, but they are not neglected. Instead, Maltin has used reviews from the time period to give the reader a sense of the short and an idea of its quality. Opinions are used, but they are obviously separate from the factual information and are supported by facts. They add to the effectiveness of the synopses and paint a more vivid picture of the shorts that are unavailable. What is also unique about this book is the listing of the MGM shorts that are often regarded as the worst quality episodes of the series. Skipping these films, although understandable, would have made this book far less complete.

Next, the spin-offs and pop culture effects of the series are addressed, including the Saturday Night Live spoofs of Buckwheat and the cartoon versions of the show.

Last, the book includes a brief history of all of the major stars of the series and a few sentences about the more minor players. Sadly, this section needs to be updated because of the deaths of the cast members after this second publication. However, the information that is included is accurate and valuable, as much of it cannot be easily found anywhere else, especially interviews.

One must also comment on the abundant photographs utilized in the book including rare publicity stills.

Overall, this is a high quality history of The Little Rascals.

I love this textbook (as much as you can love a textbook). This is the bible for your cardiology block. I've read it cover to cover and think it's probably the best textbook (by far) I own. Not only does it provide information in a concise fashion, but it explains it very well too.

I am a first year medical student in the middle of my cardiac module and have really enjoyed using this book. It is easy to read, high yield, and very clinical. I would recommend this book to any student trying to really nail down cardiology.

If you are in medical school this book is the greatest thing you will ever buy. For our cardiology block I read this cover to cover and made the highest grade I have ever gotten on an exam.
Get it right now!!

I picked this book up at Barnes and Nobles while studying for the boards. It is excellent, both concise and thought provoking. My only regret is that the faculty and students have not written these books to cover every topic in medical school.

I read this book cover to cover for my cardio theme. It was clear and well written. I would recommend it highly to anyone in medical school who wants a clear easy read. It has all the detail you need to know, without extraneous material.

Charles L. Granata is a Sinatra Historian and Archivist, and he has distilled a wealth of information into his book: Sessions With Sinatra. It covers Frank Sinatra's career, from his first recording in 1939, until his last in 1993. It focuses on the music, and only mentions his private life if it pertains to the music. The book is about Frank Sinatra, the singer, but it is also about the Art of Recording, and the development of recording technology, which parallels the career of Frank Sinatra, or that is the central thesis of the book. "Chuck" Granata puts up a very good case, and documents his case with extensive detail. But with evidence like the illustrious career of Francis Albert Sinatra, it is an easy case to make.

Frank Sinatra is quite a paradox, someone with a dark side, but also a sensitive artist, the greatest singer of the 20th Century--but sometimes he could be a real jerk. The book doesn't pull any punches, but since we mostly see him in the recording studio, he is on his best behaviour. There is mutual respect between him and the musicians, the producers, and arrangers, with him occasionally pushing them to do their best. Yes, there are tantrums at times, and it is all in this book.

As well as information about Sinatra, his singing, the arrangements, and the music, there is also a tremendous amount of technical information. The various microphones used, the recording equipment, the echo chambers used to enhance it, the various studios and their construction and acoustics. Sometimes this can be a little dry to the non-engineers who might be reading it, but what is fascinating about it is that Frank was there making records when they were recorded on laquer covered disks, and he was along for the ride for all of the technical innovations that followed. To study the recordings of Frank Sinatra is to study the history of recording. He was not only there when it happened, but often the force making it happen, or at the very least the catalyst.

It is all there in Mr. Granata's book: From his early days with Harry James and Tommy Dorsey, through his solo career at Columbia and Capitol. He left Capitol to form his own company, Reprise, and then finally at the end, for the Duets I and II he was back at Capitol. The great arrangers and producers that worked with Sinatra are all covered: Axel Stordahl, Nelson Riddle, Billy May, Gordon Jenkins, Don Costa, Johnny Mandel, Jimmy Bowen, Mitch Miller, Claus Ogerman, Ernie Freeman, and many others.

If you have ever wondered what is was like at the creation, this book is for you. If you are skeptical about Frank Sinatra's talent, if you doubt that he was the greatest singer of the 20th Century, and if there is a greater one in the 21st, he or she has yet to reveal him or herself, then listen to the songs listed in the book, then read the book. Songwriter Sammy Cahn knew Frank when he was just starting out, and as his career was just starting to gather momentum, he told him of a dream, a vision, that he could be, was going to be, the greatest singer the world has ever known. And he was.

Essential Sinatra:

Songs for Young Lovers (Nelson Riddle, August 1954) My Funny Valentine, The Girl Next Door
In the Wee Small Hours (Nelson Riddle, April 1955) In the Wee Small Hours
Songs for Swingin' Lovers! (Nelson Riddle, March 1956) I've Got You Under My Skin
Close to You and More (Nelson Riddle, January 1957) Featuring The Hollywood String Quartet
Frank Sinatra Sings for Only the Lonely (Nelson Riddle, September 1958) One For My Baby (and one more for the road)
Come Fly with Me (Billy May, January 1958) Come Fly With Me
Ring-a-Ding Ding! (Johnny Mandel, March 1961) Let's Fall in Love, I've Got My Love To Keep Me Warm
It Might as Well Be Swing (with Count Basie) (Quincy Jones, August 1964) The Best is Yet to Come
September of My Years (Gordon Jenkins, August 1965) It was a very good year
Strangers in the Night(Nelson Riddle and Ernie Freeman, May 1966) scoobey doobey doo!

Sessions With Sinatra sets a unique standard of excellence in balancing historical research with respectful recognition of Sinatra's importance to Twentieth Century music.

"I adore making records. I'd rather do that than almost anything else." ~ Frank Sinatra, 1961 ~

"Frank had the color and the fire and the brains and the imagination. Intellectual background strangely enough. Artistic sensitivity." ~ Nelson Riddle, 1983 ~

"Most Sinatraphiles would argue that his finest work, and the style he will ultimately be remembered for, was forged with Nelson Riddle. Sinatra-Riddle partnership was musically ideal and illustrates how a symbiotic musical relationship between orchestrator and singer can make a world of difference in what we hear and how we hear it." ~ Chuck Granata, 2004 ~

"Sessions with Sinatra and the Art of Recording" is indeed a wealth of information on everything you should know about Frank Sinatra's recordings. It is divided into five parts: The Big Band Years (1937-1942), The Columbia Years (1943-1952), The Capitol Years (1953-1962), The Reprise Years and Capitol Revisited. Mr. Granata did an excellent job in outlining Frank Sinatra recordings during his entire musical career, and his vast knowledge on all aspects of recording, technical in particular, is so amazing.

The Foreword was written by Phil Ramone, who himself is very well-versed when it comes to recording session engineering, and once said that he "was in heaven on the day that he realized his dream of engineering a Sinatra session."

Nancy Sinatra, who herself is a star in her own right, has written a very loving tribute to her famous Dad and "her hero" on the Afterword. I would single out a quote from her that I found so moving, here goes. . .

"My father always had a genius for picking the right songs, and when you consider the relationship between the tunes he selected, and the remarkably different themes that comes with each passing decade, you can see that his music tells a story that parallels his life and ours. Those songs, and their changing themes, represent Dad's most passionate dream - the one he talked about on dates with my mother - and the realization of that dream, which brought him almost insurmountable pain along with irrepressible joy as he experienced it, and as he lived it."

This wonderful and well-written book also features over a hundred black and white photos of the star himself with his fellow artists, musicians, conductors and arrangers such as Nelson Riddle, Quincy Jones, Billy May, Count Basie, Duke Ellington, Mitch Miller, Rosemary Clooney, Bing Crosby, his daughter Nancy, among others; Nelson Riddle's original score for "Close To You" in 1956; a vocal lead sheet of "April In Paris," (from Come Fly With Me sessions in 1957), which Mr. Granata cited as an example of how great Frank Sinatra was in legato-style phrasing, breath control and vocal maturity.

Mr. Granata wrote about the collaboration between Sinatra and Riddle (Part 3, Pg 92) and called it "A Musical Marriage." Frank Sinatra believed that Nelson Riddle was "the greatest arranger in the world, a very clever musician who was like a tranquilizer - calm, slightly aloof. And he's got a sort of a stenographer's brain." If Sinatra tells him, "Make the eighth bar sound like Brahms," or "make it like Puccini" - Riddle will make little notes, and will obey the Chairman. Their partnership was so fruitful and creative as well, and had produced the finest recordings of all-time, there's no doubt about it. They were truly musically made for each other. They both had good work ethic and the same musical goal. They knew what "each other was doing with a song and what they wanted the song to say." They had a very good rapport in all their collaborations, which is the most important factor to the success of a recording.

This is a very detailed source of information to any new Sinatra fan looking to start a collection of albums for the appendices show lists of Companion Recordings, Basic Collection, Concept Albums under Columbia, Capitol, Reprise, QWest Records. It also enumerates "Fifty Songs That Define the Essence of Sinatra" and most of them are meaningful, special songs that are my all-time favorites.

Congratulations, Mr. Granata for an excellent and well-crafted book you've written. And thank you very kindly for inscribing my copy. :)

Very highly recommended to any Sinatra buff.

This book comes from a different perspective and reminds the reader that really , it should be about the music .

I had read some silly books about Mr Sinatra and was glad to come across a serious one - I've always been fascinated by recording studios , having done some recordings myself . I wish I could have been at some of Sinatra's sessions .

This book is the next best thing for me .
I loved it .
Buy if you are even a small fan - this will make you into a bigger one .

Read this one cover to cover. Incredible detail, both technical and artistic. The only thing that would have made this book better is a complete sessionography or a description of the recording process of each album rather than just select dates. That said, it is an incredible resource. This book, along with Will Friedwalds excellent "The Song Is You" are the definitive works on Sinatra's recording career.

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.