Reviews Books

An award winning anthology of poetry, "Dark Card", is Rebecca Foust's reflections on dealing with her Asperger's Syndrome afflicted Autistic son. The poetry within explains why the chap book is award winning, and why the titular poem was nominated for 2007 Pushcart prize. "Dark Card" is an excellent collection, to be considered by poetry fans everywhere. "Underneath": His face is blank as a kettle pond/dawn, but he feels everything/there is underneath-- //tadpoles, minnows, sunfish, perch/fish-hooks, tangled lines,/frays of fat yarn algae strands,//filaments tethering lily stars/that from above seem free to skim,/milky writhe of swimmers' legs//mossed undersides of floats,/surprising truth of sailboat keels,/their iceberg depth.

The twenty seven linked poems of Dark Card, winner of the 2007 Robert Phillips Poetry Chapbook award, turn on the poet's experience of raising her son, born with Asperger's syndrome. The narrative arc travels from grief and white-hot anger, to Foust's difficulty in accepting all aspects of her child's disability, opening finally onto transformative acceptance-- a state of grace, perhaps. The resonance of recurring themes and images help mould this collection into an almost novelistic whole.

Foust shows us her gifted, afflicted child as he is. We learn about the syndrome's manifestations, the child's neurological deficits, the wrong-headed practices of institutions responsible for him. When, in the title poem, the boy creates a scene at school, we are shown the coping mechanisms of his mother, as well: she plays the "dark card of the idiot savant ... /...It's my ploy to exorcise their pitchforks and torches/... But it's a swindle, a flimflam, a lie/ a not-celebration of what he sees/with his inward-turned eye:/the patterns in everything---"
The poet's emotions overflow the page. She rages against the possible sources of her son's syndrome. Like a tongue to a tooth, the author worries "...that Gordian- knot neck-throttled curse, /that gene-encrypted, linked-chain curse,//that DES-taken-by-his grandmother curse,/that fumble-fingered-fool-doctor-shaped curse..." . She spits out her indictments in diatribes worthy of the name. Her anger hits its target in "Palace Eunuch":

Don't say you were trying to be kind,
you ball-less prick soft dick eunuch
cowardly coin-counting conservator.
You were practically pissing yourself
in your fear of malpractice,
you were shaking in your green paper booties.

These poems show the many ways in which the quality of life argument is entirely subjective. We see how the boy's behaviors set him apart and make him singular, but we get a rounder view here than in disability poetry purely from the patient's POV (The Hospital Poems by Jim Ferris comes to mind). In one of the best poems, "Asperger Ecstasy," Foust observes the activities that make her son "vibrate with joy." "It can be tying flies under a microscope, knot patterns / the size of this period. It can be cataloging washing / machine brands or the note variations in a symphony, / or committing to memory for joyous recounting / the entire year's schedule for the El-train." As she makes peace with his differences, she begins to celebrate them: "He makes/ meaning from acorns,/ the sky,/knotted bits/ of string." (The Visitation) We watch her empathy swell. She makes us believe her when she says that her son "loves who he is."

Foust's use of poetic devices is as expert as her emotional spectrum is varied. Her line breaks reveal meaning in fresh ways, and her use of sound is a mark of her craft---the sustained vowels throughout "Instrument," the single word lines in the final strophe of "Firstborn," echoing the child's first thin breath; the compound words that heighten the passion in her teeth-gnashing rants. There are allusions to Emily Dickinson's feathered hope and Temple Grandin's empathy, and Foust raises the hair on the reader's arm when she says about her baby, "You freeze my heart to stone/when I measure your foot with my thumb."(No Longer Medusa).

The author reconciles the grim with the hopeful in Dark Card, and her voice never wavers in its fierce emotional honesty. And when, in the extraordinary final poem, the recurring image of her son's Gordian knot "unravels with his years, unwinds, unfolds,/lets loop out in vast uncoiling spirals/whole archives of text,/found worlds," we are moved. The poet has succeeded in making the personal universal. We close the covers, uplifted by Rebecca Foust's courage and her compassionate song.

Life as art ... there is a special gift in the ability to share one's life as art, to issue a challenge to each beholder, to trigger a deeper reaching within and without, to one's coming away changed. The amazingly insightful cover and the signpost of a title dare us to pass through this doorway, to accept the challenge to go beyond and experience what these travelers before us offer to share. Will any two come away with the same experience? I don't think so. For me this journey was worth the beauty, love, and mystery revealed along side the pain of Dark Card. Without the presence of light, we would not even see this silhouette. I am thankful that there are artists and poets who can transcend the dark to share their lives by shining light.

In Dark Card, Rebecca Foust gives the reader a lesson in courage -- the courage of a mother raising a child with a disability, the courage to face the reality this forces upon her, the courage to probe the feelings deep within, and the courage to put those feelings into unforgettable words. This is the open heart of a mother, with all the pain and joy exposed. Read it with respect. It will move you.

I read Dark Card on my vacation. I reacted most deeply to Perfect Target, Sweet Heart, Begin Again - all three made me pause and just feel sick about how cruel people can be to each other and the impacts of seemingly small events on a precious life. It makes me wonder how easily we as individuals and a culture are afraid of vulnerability and the need for eliminating the weak to make ourselves feel strong rather than embracing them. These three poems are marked with tears. There were a few others that really hit me in the gut for how much the emotional content of the poem became my own: Apologies to My OB-GYN, No Longer Medusa, Unreachable Child, He Never Lies, Eighteen (he made it!), Refrigorator Mom. These poems are marked with a check to reread. Thank you for sharing yourself and your son's journey through poetry.

Very well written and captivating non-fiction story about the intrigues around the Sigmund Freud Archives. The character descriptions are interesting, and we are also given some insights into the history and concepts of psychoanalysis. This is done without the text becoming too theoretical. In the Freud Archives is not difficult to read. After reading the postscript I wondered a little about Janet Malcolms use of sources. She is not exactly kind towards Masson, and maybe she betrays him by putting into text words not intended to.I don't know, there was some controversy after the first publication. Anyway, the book is great.

Wow!

This concise primer on Freud's legacy details the evidence behind his theories, profiles three characters who fight over their origins and significance, and questions the wisdom of restricting access to the Freud archives. A brilliant work that fascinates, illuminates, and documents - and deserves to be read by all psychology students. Hint: Freud's conclusion that his female patients were fantasizing about sexual abuse seems more arrogant and less plausible than ever. Further, the decision to keep key source documents locked away in the Freud archives until 2102 emphasizes the lack of transparency and secretive, almost sect-like style of Freud in creating his new "scientific" discipline.

A very entertaining, intellectual, and rather disturbing read for a breezy summer day!

A great read and one that explicates the silence of the patriarchy yet again.

Though under 150 pages in length, In the Freud Archives is so complex that, to serve the potential purchaser of this book, I want to confine my comments to the writer's craft, that is, to how Janet Malcolm constructed her tale, and to notions such as subtext (what the author does not or cannot say on the surface), and to how her book and its topic of the Sigmund Freud legacy might have changed since the book was first published in 1984.

There is clearly a central "character," a protagonist, in this book: Jeffrey Moussaieff Masson. The opening pages of In the Freud Archives recount Masson's personal charm and dazzling intellect as he begins to appear at psychoanalytic conferences (which lead to his meeting with the most important of the four or five other "characters," Kurt Eissler, the Secretary or head of the Freud Archives). Note that throughout the book, author Malcolm gives more pages to Masson than to anyone else, the final pages of the book are Masson's words, and he is the only person Malcolm shows in the intimacy of his home with his family. Masson seems to be the perfect "main character" because of his internal conflicts (which he makes visible, as Malcolm recounts them). Very quickly, we find out that Masson's words and actions are uncivil, bad-tempered, and generally destructive of friendships; though other people in the book are also similarly flawed, they seem not to have redeeming qualities.

As the narrative progresses, its as though Malcolm realizes that Masson's situation makes the most compelling narrative and she wanted to record moments which "save" him; in other words, it seems to me that there is little to redeem Eissler, Peter Swales, or Anna Freud, but Malcolm gives Masson some moments of truth. For example, at the end of the book, in Jeff Masson's home with Denise, there is a bit of dialogue which Malcolm records that shows Masson does let someone (an intimate friend) question him about his manners. And at two points in the book, Malcolm records Masson saying that the results of psychoanalysis (the conclusions drawn by the analyst about the patient) don't matter as much as how the patient feels about his or her life. Masson asks, "What do you do with something like Auschwitz?" Masson asks this in the context of psychoanalysts' debates on the patient's "reality" versus "fantasy."

A great deal of what In the Freud Archives is about has to do with the current value of psychoanalysis, i.e., its efficacy in assisting the patient to recover happiness in life. If Masson was disgusted with psychoanalysts and their work, and this disgust led him to disgust with Freud and his legacy (thus leading to his being fired from the Archives job), then I wish Malcolm had written more about that point of disgust (at which Masson began to turn away). (However, she meant her book to show the relationship of everyone involved as Freud and his legacy mutated in the 1970s.) Clearly, to me, a key turning point in the narrative occurs when Masson says, "The business of analysis is to . . . get to the [patient's] pain and the sorrow. But they [the analysts] were arguing that there is no such thing as reality--that there is no single Auschwitz. That is the worst thing that analysis has left the world: the notion that there is no reality, that there are only individual experiences of it" (56-57). Be that as it may, or for what it's worth, other people in the book don't have moments of truth like this; Masson doesn't look as "bad" in this book as he thought back in 1984. It's unfortunate that he did not see that. Of course, slowly, but surely, In the Freud Archives is becoming fiction; sooner or later all nonfiction does.

Simply put, this book is a must read if you, the reader, want to be a student of life and of the era in which we live. Along those lines, it seems that because of the value of "pop psychology" and "self-help" books, the legacy of Freud and his archives are no longer worth fighting over because people in general see little at stake in Freud's interpretations of life or of our interpretations of his private life. For one thing, sexuality and the meaning of it doesn't bother people the way it did in the first half of the twentieth century. Today, the average person doesn't spend much time "interpreting" past actions, phobias, fears. If anything, we come to our conclusions about life very quickly, and we move on. Also, we live in the era of Wayne Dyer, Deepak Chopra, Stephen Covey, and Landmark Education, Inc.,of San Francisco; people interested in moving forward in live spend less time "interpreting" the past and more in conscious actions which bring them fulfillment. However, a general idea people might agree on is that Freud and his work came into being (in Europe) because the rising middle-class people had a sense of their own misery in an era of rapid industrial development and technological change. Analysis, or psycho-therapy or therapeutic counseling, or "self-help"--whatever you call it--responds to the basic human desire to have positive change in life--and to be at peace.

Given that happiness should be easier to find, it is sad--indeed tragic--that the intelligent people Janet Malcolm writes about should find it not only impossible to get along, but also escalate and perpetrate bad feeling. Another unfortunate situation is the tendency of "experts" like Eissler and Swales and Masson to protect their viewpoint at any cost, to the point of declaring people "wrong," people who as writers and thinkers might have something valuable to say. Malcolm's book is a chronicle of intellectual history, a tale of that specific time in the 1970s and `80s when such fights could take place. The copyright on Malcolm's "Afterword" for the NYRB edition is 1997--now ten years ago.

This small well written book is really nothing but a bit of fluffy gossip. But gossip that will delight anyone who has found themselves caught up in the now-venerable controversy surrounding both Jeffrey Masson's book: "The Assault on Truth: Freud's Suppression of the Seduction Theory" and the furor among Freud followers that resulted from it's publication. Through personal interviews, Ms.Malcolm gives us the lowdown on the brilliant but (to say the least) quirky Mr. Masson as well as most of the other surviving characters (as of 1983) involved in Masson's brief yet productive romance with the keepers of Freud's well guarded letters and library.

Perhaps the surprise here...or lack of surprise, is that those such as Masson, who attempt to push the understanding of any intellectual field beyond it's comfortable boundries will, perhaps out of necessity, find themselves snooping around its often dangerous edges. And perhaps because of the hornet's nest they may stir up, are often a bit on the edgy side themselves.

Malcolm does a fine job of exposing us to Masson's truly obnoxious character, and yet raises a larger unasked question. Does eccentricity alone invalidate an individual's research and ideas, or when one dares to take on the giants, is that same eccentricity a necessity?

Whatever the answer, the almost 25 year tandem printing history of these two volumes speaks to the apparent importance of the contentions reguarding Freud that the voracious Masson dared to raise.

And perhaps simply through daring to raise them, Masson finds his victory.

One of the best books for children ever written. I read it in Russian, when I was a kid. I reread it several times after. I read it to my sons. They both loved it. Why it is so difficult to find? This book should be available to every kid!

I read an abridged version of Sans Famille when I was little, and when I found this book I bought it without a second thought. And the story is just as touching and good as I remember. If you have never heard of this book, read it; you'll love it.

I read this book many years ago in Russian. It is still widely printed there, while virtually impossible to find in English in Canada. It is a beautiful story about a young orphan, Remi. The story begins with Remi finding out that he is in fact not his mother's son, but was found by her husband years ago on the streets of Paris. Now her husband has been crippled in an accident and money has became tight. So to get rid of the boy he secretly (from the mother) sells him to a travelling stranger he met at a tavern.

The book reads very fast and is incredibly emotionally touching. I reread it recently as an adult, and still found it as magical as I did when I was a child.

I read this book when i was less than 10 years old in Vietnamese and it took me almost 30 years to find it in English here. It's one of the most influential books in my life. It's a story of self sufficient, hamonious rapport, and integrity, imho. I would recommend this book and "Nobody's Girl" by the same author to all, especially parents for their children.

I was in third grade. It was the first library book I had ever read. I cried and cried it so emotionally touched me. I read it 3 times. It still is the best book I have ever read. Thank you Amazon for giving me the opportunity to read it again....

For nearly half a century Peter Ferdinand Drucker (1909- ) has inspired and educated managers-and influenced the nature of business-with his landmark articles in the Harvard Business Review. Here, gathered together and framed by a thoughtful introduction from the Review's editor Nan Stone, is a priceless collection of his most significant work.

One of our leading thinkers on the practice and study of management, Drucker has sought out, identified, and examined the most important issues confronting managers, from corporate strategy to management style to social change. Through his unique lens, this volume gives us the rare opportunity to trace the evolution of the great shifts in our workplaces, and to understand more clearly the role of managers in the ongoing effort to balance change with continuity.

Now, these important articles and essays are strategically presented here to address two unifying themes: the first examines "The Manager's Responsibilities" while the second investigates "The Executive's World". Accompanied by an interview with Peter Drucker on "The Post-Capitalist Executive", as well as a thought-provoking preface by Peter Drucker himself, a complete picture of management theory and practice emerges, both as it was and as it will be.

Infused with a perspective that holds new relevance today, these essays represent Drucker at his best: direct, wise and challenging. Peter Drucker on the Profession of Management, sure to be studied, debated, and enjoyed by everyone concerned with management, everyone concerned with management, is a timely offering from one of the most respected and prolific authors to appear in the Harvard Business Review.

At 90, Peter Drucker is, by all accounts, the most enduring management thinker of our time. Born in Vienna, educated in Austria and England, he has worked since 1937 in the United States, first as an economist for a group of British banks and insurance companies, and later as a management consultant to several leading companies. Drucker has since had a distinguished career as a teacher, including more than twenty years as Professor of Management at the Graduate Business School of New York University. Since 1971 he has been Marie Rankin Clarke Professor of Social Science and Management at the Peter F. Drucker Graduate School of Management, Claremont Graduate University in California, where he still teaches in the fields of management and business policy. He is the founder of The Peter F. Drucker Foundation for Nonprofit Management, and has counseled numerous governments, public service institutions, and major corporations.

Drucker is a writer, teacher, and consultant with a long-term business perspective second to none. His twenty-nine previous books have been published in more than twenty languages and span sixty years of modern history beginning with The End of Economic Man (1939) and Managing in a Time of Great Change; Management: Tasks, Responsibilities, Practices; Innovation and Entrepreneurship; The Effective Executive; Managing for Results and The Practice of Management. Nan Stone is the editor of the Harvard Business Review.

Peter Drucker has 60 years of experience teaching and writing about management. This collection of essays, first published in Harvard Business Review, outline Drucker's views on managerial responsibility. Among other things, this book also includes his insights on making more effective decisions, improving staffing choices, locating innovative opportunities, and aligning your theory of business.

Drucker outlines the five essential management principles:

1. Management is about human beings. Your task as a manager is to make people capable of working together.
2. Management is embedded in culture. You must be able to use parts of your history, tradition and culture as building blocks for a common corporate culture.
3. Management is responsible for growing an organization. Integrate training and development into your organization at all levels.
4. Use yardsticks like market standing, innovation, productivity, human development, quality and financial results to measure and improve performance.
5. Look for results outside of your company, in the products and services you deliver, not relative to internal processes within the company.

Drucker also outlines six steps to guide decision-making:

1. Classify the problem. Is the problem unique to your company, or the beginning of a more general problem?
2. Define the problem. Make sure the definition explains all the observable facts.
3. Define the boundary conditions, like objectives or goals, that your decision must satisfy. When the conditions change, your decision must change with them.
4. Decide. Usually you will have to compromise eventually. Decide what is right.
5. Take action. Make sure your employees know what the decision involves, and who is expected to do what.
6. Get feedback. Gather information on the effectiveness of your decision. Make sure your decision is still relevant to current conditions.

This is one of the most, thought provoking books, I've read this year. In the first part of the book, Business philopher, Peter Drucker protrays and verbally the business model of today, and highlights the necessary interactions of managers with the model. In the second part of the book, Drucker breaks away and reveals a series of startling revelations about today's business.

The theory of business is what Drucker, defines as "what a company gets paid for." Drucker states when big companies get in trouble they blame "complacency, arrogance, mammoth bureacracies", as a plausible explanations. However, the problem's root causes are rarely identified and the prevously stated explanations are rarely right. Most companies fail, to perform well, at what they get paid for.

Drucker defines the parts of the business environment, as: environment (society and its structure and the market), mission (customer ), (core competencies) and technology. Why is this important? The assumptions about environment, mission, and core competencies must fit together. Drucker drives home the point by contrasting the sucess of non-profit organizations with profit organizations, stating we can learn from the success of non-profit organizations, namely: well define mission, lack of deep management hierarchy, individual responsiblity, a deep understand of individual roles and purposes, and cohension between expectations and results. Secondly, the theory of business must be known and understood through out the business. Drucker stresses the importance of learning from the non-customer. And Lastly, the theory of business must be tested constantly.

The Effective Decision process involves the follow sequence of steps: 1. Classify the problem 2. Define the problem 3. Specify the answer to the problem 4. Decide what is right rather than what is acceptable 5. Build into the decision the action to carry it out 6. and test the validity and effectiviness of the decision against the actual course of events. This is an high level sketch outlining a model for effective decision.

Drucker provides two methods, to help make, people decisions. The two creative approaches are: determine if the right people has right qualifications, perceptions, and talents; and make sure the individual understands the job. The first approaches advocates careful selection of the individual, by determining, how well the candidate fits the job assignment. The second approach measures the new manager's understanding of the job. The process requests, the new manager to write on paper, what they think will make them sucessful, in their job. Senior management reads the paper to determine, if the manager has grasped an understanding, of the job, and revalidates their decison about the individual being the right person, for the job.

The discipline of innovation encourages managers to separate the reasons for successful management, into two groups: systematic and non-systematic innovation. Both systematic and Non-systematic opportunies exist within an company or industry because of unexpected occurences, incongruties, process needs, and industry and market changes. Systematic innovation begins by analyizing the sources of opportunity. Innovation is perceptual and conceptual by definition and innovators must go out look, ask, and listen. Effective innovations start small. Small Innovations can lead to large implementations. Without innovation the company will go out of business. Innovation keeps a company competitive in the market and capable of meeting customer needs.

Technology has created a great diversity of information. In order for a manager, to be effective, managers need to identify the information they need to effective perform their jobs.

The world is moving to a society of organizations. Companies are moving to global economies of scale. People interact with various organizations to achieve results. Because of this new organization theory, outsourcing is preferred when no direct management hierarchy exists to a Vice President. Outsourcing provides high skill specialist, management, and senior management. Companies are achieving better results organizationally by outsourcing business process where possible.

Management is responsible for creating the knowledge worker. Historically, significant increasing in productivity were the result of a management core build established. Management is responsible for building the skilled worker. Organizations are made up of individuals, who have a high degree of technical skill and knowledge. Information must be convert into knowledge and manager's communication ability dictates the level of effectiviness in using the skilled worker's knowledge. Organizations represent a network of specialists, rather than a strong command and control heirarchy. However, technology of itself does not increase productivity.

How do managers increase productivity? Managers increase productive by helping the knowledge worker to work smarter - not harder. Management creates the knowledge worker by empower them with specialized skills and knowledge. Productivity gaps are closed through training. Management must decide who gets trained. Training the right people increase the worker's capability, compensation, and productivity. Performance can only be achieved by the worker working smarter not harder. Only ten percent of the work is effectively and producing ninety percent of the productivity and profit. Thus, over ninety percent of the work is ineffective. It is management's responsibility to reduce this inefficiency. Drucker will later introduce his activity oriented decision model to help managers reduce the amount of inefficiency.

Managers are responsible for creating and maintaining their carreer path. Receiving a higher education degree and employment, in a large company does not guarentee retirement, with the company. Managers are responsible for designing and maintaining their career. Fragmentation of purpose and thought must be overcome to reduce confusion and losses. Knowledge workers must learn how to produce. This requires the knowledge work to remain current, with changes, in the business environment. Their contribution in large part depends on the knowledge workers ability to adapt and learn smarter ways to produce.

Activity Oriented Decision model prevents loses and failures. Activity Oriented decisions combine value analysis, risk analysis, quality analysis, and process analysis, into one. Decisions resulting from managers who follow the activity oriented decision model don't risk losing capital. The combination of the various information sources, associated with the activity oriented decision helps the manager understand the potential value of the venture, the potential value, the risks of failure, and the cost of modifying or implement new processes, and the long term affects on quality in the organization.

The activity oriented decision model is a conceptually definition and the practical discipline proposed exciting possiblities. Activies are analyzed, defined, and sequenced. Resources are allocated to the activity. The activity outcomes are measured to determine, if they are meeting requirements. Managers weight the risks by asking "what are the benefits of the activity?","What are the fallout impacts for failure to implement the activity?", and "what are the impacts to the organization long term by implementing the activity?"

Analysis of the process, results in time and budget allocation estimates. Schedules provide time lines and sequences linked to a resources. Managers must coordination various organizations to gain access to a resource. A resource represents a individual in a specialize field of knowledge. Communication and coordination are necessary to effectively manage various resources, so each individual understands, what is expected and what to produce. Budgets and time provide the boundary of the activity problem. Its possible to have a budget or schedule which exceeds the boundary of the problem, making the activity unfeasible. To avoid this problem, the manager must provide clear objectives to be developed and maintained. The objectives scope must stay within a predefined problem boundary.

Peter F. Drucker is known as the "management guru's management guru". The articles in this book explain the reason. Each article is a landmark in the field of management.

In the preface Drucker shows why he has become so famous. He shows his strength of recognising trends and how these trends will affect business, people, and society. This preface is followed by a short introduction from the editor.

The book consists of two Parts, The Manager's Responsibilities and The Executive's World, with each consisting of 6 Harvard Business Review-articles (out of 32 articles and growing). The book also includes an interesting preface, an introduction by Harvard Business Review-editor Nan Stone, and an interview with Peter Drucker.

In Part I - The Manager's Responsibilities, the articles discuss the managerial responsibilities of the manager, although Drucker prefers the term "executive". The articles discuss general management such as the decision-making process, effective management, strategic management, and innovation.

Part II - The Executive's World, Drucker discusses the history of management, the transformation from the traditional command-and-control model to knowledge-based organizations, information technology, and non-profit management.

The book concludes with an interview with Peter Drucker, which is based on his 1995-book 'Post-Capitalist Society'.

The book deserves the five-star rating since each article is fantastic. Perhaps some of them overlap, but it is amazing that some of the articles written in the 1960s are still very valid today. Drucker's writing style is simple US-English.

It should be mandatory for every M.B.A. student in the world.

Growing up in Iowa in the 70s, we didn't have the grindhouses movie theaters of NY nor did we have the drive-ins of the South. Being a b-movie fan at that time meant combing the TV Guide every week to find oddball movies, although if the title was not eye catching (e.g.-The Devil's Rain, Blue Sunshine), it might be missed. This book came out when I was 15, and although horror movie encyclopedias had been published in the past, this was the first really comprehensive tome on what is generally described now as "exploitation movies," "cult movies," or more recently, "grindhouse movies."

The term the author coined, "Psychotronic," became inclusive of not just horror movies, but also biker, blaxploitation, juvenile delinquency, drug, scare, softcore, and any other type of offbeat movie the author happened to fancy.

It was published at the very cusp of the VHS boom, when not only were video shops sprouting up all over the place, but electronic shops, supermarkets, and even convenience stores had huge video rental operations. Michael Weldon's movie guide gave an entire generation of b-movie buffs who did not live in NYC a glimpse into what was out there. This book became a bible to us given that it was first time in our lives that these movies were available to us thanks to the proliferation of VHS rental tapes.

The book is now 25 years out of date and younger audiences might not find it quite so useful (it doesn't list The Evil Dead-that's how old it is!), but on the plus side, there are many listings for movies from the early 80s and before that have disappeared, so it's difficult to write it off as irrelevant even now.

Absolutely indespensible guide to cult, sci-fi, horror and every other offbeat film genre written by people that understand subculture. Never ceases to amaze with the rare titles the Psychotronic folk somehow managed to track down and review years before we mere mortals knew these films existed. I refer to my copy at least once a week which should indicate how valuable a resource book this is to me.

I am the first to confess that not everyone spends their time wondering if they might like to watch Untamed Women tonight, or have an Ed Wood film festival, but I am one of them. Call me crazy (ahem!), but I like really bad old movies, especially the ones that try to scare/pander you. Perhaps I yearn for the time when showing a bit of cleavage was considered racy. So I nose around the discount rack looking for such gems as Mermaids of Tiburon or The Earth Dies Screaming. I come across a copy of Demonoid. Should I buy it or not? Comes the rescue the Psychotronic guide which safely guides me through these murky dark waters. It and its companion Video guide are essential for those who share my idea of fun, with reviews of 6000 screen gems, such as Curse at Cactus Creek and Robot Monster.

Perhaps my only objection is that the guide makes no pretense at being authoritative. For example, When a Stranger Calls is reivewed (favorably), but its sequel, When a Stranger Calls back, does not appear at all (and is arguably the better movie). There is also a smattering of "legitimate" film, such as Pursuit of the Graf Spee, and Polyester. No matter, all the films reviewed are, at the least, quirky, and there is a pretty good chance, at any rate, that the film you seek is reviewed. If not, you will have great fun just looking for it.

My only grief is that the concordance is limited to an index. After all, what more important thing could there be than a filmography of Barbara Steele, the geratest actress that ever lived?

These things aside, I recommend this without hesitation. There are other books listing gore/sleeze/exploitation films, but you will find none better.

This tome makes one yearn for the good old days, long gone, of the drive-in movie of the 60's and 70's now replaced by video bins. B movie makers of those days- their names are legion - made an honest attempt to entertain their audiences with meagre resources and often more meagre talent(unlike exploitation film makers of today, whose direct to video releases are lazy and witless). Weldon chronicles this glorious time in a very generous compendium, chocked full of wonderful black and white stills and capsule reviews of the inane and the obscure, thw wild and the wonderful, the unbelievable and the unforgettable. A feast for the fan of offbeat cinema.

The Psychotronic Encyclopedia of Film consists of plot summaries of the kind of movies that come on at 3 am. No not porn - get your mind out of that gutter. Weldon chronicles 50's movies with huge mutant animals from the old nuclear test site, vampires, werewolves and anything with killer androids.

Each movie has a plot summary and many have publicity stills or small news articles about the film culled from Weldons home collection. The introduction includes a section on the psychotronic film zine which Weldon ran. The zine included a listing of which weird movies were on that week and included plot summaries of said movies. What I found entertaining about this section was Weldons description of the difficulties getting his girlfriend to xerox the copies on the office copy machine when no one was looking. This book grew out of that zine.

When it was published in the early 80's this book would have been a great idea for any fans of bad movies. It is still a good source for info about bad movies up through the 70's. (I checked it out of the library and kept it for a semester during which I investigated such classics as Doctor Goldboots and the Go-go Girls and found that it was pretty thorough in the bad movies department.) As Weldon points out it was very difficult to find information about the kinds of films covered here at the time when this was published. However with the internet and sites like badmovies.org and the ever handy Internet Movie Database it is possible to get the information elsewhere.

If you have an internet connection then don't bother with The Psychotronic Encyclodedia. If you like bad movies and don't have internet access then this is a very useful reference for plot summaries and information on bad movies made prior to around 1980 and would be worth buying.

It's not a good idea to spend time memorizing answers to questions. It is in your best interest to know the principles behind the answers, if you plan on passing the registry. This book is a fine condensed version of your 2 year program.

THIS IS A GREAT BOOK TO GET READY FOR THE TEST , AFTER BEING COUPLE YEARS OUT OF THE FIELD I USED THIS BOOK AND THE Q & A BOOK, AND I PASS WITH AN 85%. IT HAVE SOME MISTAKES BUT THEY ARE OBVIOUS.. ITS A VERYYYY GOOD BOOK !!

Arrived very promptly in perfect condition. great book for review. gives you need to knows for boards.

I would totally recommend this book to anyone who is going to be taking the ARRT registry. It's a great review from the x-ray program. A must have!!

This book helped me pass the ARRT Exam. I haven't been in school for a couple of years...plus I went to school overseas. I had the old version of this book but I needed to buy the newer one. It lived up to it's title "Radiography PREP". This book together with the Lange Q&A - Radiography Examination were the only books I needed...now I'm a Registered RT.

SOX AND THE CITY IS WRITTEN BY RICHARD ROEPER WHO IS ALSO A MOVIE CRITIC ALONG WITH ROGER EBERT IN CHICAGO AND THEY HAVE A SYNDICATED TV SHOW. I REALLY LOVED THIS BOOK. I AM NOT A SOX FAN BUT AN INDIANS FAN AND I KNOW MANY MANY SEASONS HAVE PASSED SINCE A WORLD SERIES VICTORY. ROPER BRINGS BACK MUCH NOSTALGIA FROM BASEBALL IN THE 1960'S TO PRESENT DAY. I REALLY ENJOYED THE SEGMENTS ABOUT THE 1967 TEAM AND DICK ALLEN. I ESPECIALLY RECOMMEND THIS FOR ALL SOX FANS AND EVEN IF YOU ARE NOT, THIS IS AN EXCELLENT READ FOR ALL BASEBALL FANS. HE DOES A GREAT JOB DESCRIBING IN DETAIL HOW THE 2005 SEASON WENT WITH SOME GREAT BEHIND THE SCENES STORIES. I THINK THE ONE MAIN THING I ENJOYED MOST WAS HIS EXPERIENCES FOLLOWING THE SOX AS A CHILD WHEN WE ARE YOUNG AND NAIVE AND HOPE IS ETERNAL. A MUST READ.

Roeper writes very well for a journalist (ha-ha), and this book was both funny and captured the essence of being a White Sox fan. He takes you through his personal experience of being fan from his childhood in the 1960s to attending the World Series in 2005. The book would be a fun read even if you were not a White Sox fan as Roeper includes a lot of jokes about pop culture such as movies and music, and many of the stories of being a fan are universal regardless of the team.

Fantastic recap of decades of Sox lore! This book was a quick and interesting read, containing trivia, stats, and facts all interwoven with personal anecdotes and memories. Terrific for new or old fans - a must have for all who know and love the Sox!

"Sox and the City" is a great read for any baseball lover, but particularly White Sox fans. They say that as a baseball fan you are wedded to one team for life, and live and die with them each season. Or to paraphrase one of those east coast baseball fans, baseball is not life or death, but the [White] Sox are!

"Sox and the City" will most interest Chicagosns, of course. But all baseball fans might enjoy it. After all, being a White Sox fan in a city with more than one team, and an ancient generational rivalry (I won't name that OTHER team) is an experience few living baseball fans still know. the annual highs and lows (and finally triumph) that made the suffering all worth it. Only perhaps New Yorkers share the experience (and even the New York Mets are stand-ins for the old Yankees-Dodgers-Giants rivalry).

If you love baseball, pick this one up!

Thank goodness the White Sox have southside Chicago native Richard Roeper as a fan! The Cubs and other more popular MLB teams have a much longer roster of both author/fans (e.g. Stephen King and the Red Sox) and A-list celebrity/fans (of which the White Sox have none - sorry Jerry Springer, you're B-list). But the White Sox, with their long, interesting history and their amazing 2005 World Series run, needed someone to step up to the plate and deliver what the fan base needs: a book documenting what it means to be a White Sox fan in the four decades up to 2005. Roeper delivers a solid home run, albeit not a grand slam.

Roeper deftly interweaves three main storylines in "Sox and the City": the highlights of the past 40 years of Sox history; Roeper's own personal experiences as a fan attending more than 1000 Sox games; and the highlights of the 2005 season and World Series run. Along the way Roeper provides a personal, often humorous view of the main topics in Sox history: the different Sox teams that have been assembled over the years; what it means to be a Sox fan in what will always (unless the demographics of Chicago change radically) be a Cubs town, including especially the Sox/Cubs rivalry among the fans (which, because of geography is more passionate - at least on the Sox side - than any other intercity major league rivalry); Harry Caray's move from the Sox to the Cubs; Bill Veeck's attempts to generate excitement (and bring in paying fans) on the southside; Disco Demolition Night; the move from Comiskey to the Cell; and much more.

There is so much White Sox history that it is impossible to capture it all in a single volume, but Roeper hits all the highlights. His prose is very accessible, humorous, and direct. "Sox and the City" is likely to become the definitive guide to what it means to be a White Sox fan in the present day.

Why only four stars? Roeper's done an admirable job in all areas of the book except two: explaining precisely what made the 2005 team different than all other White Sox teams, and capturing the excitement and impact of the Sox's 2005 World Series victory on the city of Chicago. Perhaps the latter is an impossible task to translate into words - you had to be there.

All literate White Sox fans should read this book.

This thin volume provides an excellent introduction to many of the most important supreme court cases that shape this country, and could be used as a guide for further readings on them. Each chapter review a specific topic (separation of church and state, discrimination, etc.), with important cases looking at different aspects of it. Highly recommended!

After seeing a 60 MINUTES interview with Judge Scalia recently I wanted to know more about the Supreme Court. This was one of the most interesting books I have read in years. I read it in just a few days and would highly recommend it to anyone. It talks about the evolution of the Supreme court and their most important decisons, decisions that effect us everyday. Also it is written in plain english so you do not need to be a lawyer to understand and enjoy it. Great book!

From Marbury v. Madison to Gore v. Bush, this book covers the most important cases in Supreme Court history. It's very clear and concise, an absolute delight to read.

Sure, you've heard of many of the cases in this book. But do you know what the legal underpinnings of "Roe vs. Wade" actually are? Do you know how the court derives its power?

I've been talking to everyone I know about this little gem, because it is so darn readable, and so relevant. Yesterday my local paper ran a story about filtering software the local library may soon install. And this morning I finished the book after reading about the cases that are directly tied to this course of action. So I can speak more intelligently about this issue, and I can read the paper with a more informed perspective.

Many of the cases are introduced by discussing a logical framework that parallels the facts of the case. The case is then introduced, and the arguments and reasoning that drove the court are discussed. Wow, that makes it sound really boring. But on the contrary, its a fun read and each chapter is short and encapsulated. Highly recommended.

I bought this as a gift, decided I'd better preview it first, and now I don't want to give it up. I'm ordering another one. Believe what the other 5-star reviewers have written.

This is an important book for everyone. It really shows how workings of the justice system are very much different than commonly supposed. It addition to valuable information for the individual in their dealing with the authorities it has some valuable sociological insights into how the legal system might be improved. The book gives the lie to the notion of 'innocent' until proven guilty.' If you are arrested the record stays out there to affect your life. It is the case that 'if you were arrested then you must be guilty of something.' ... I bought several copies and passed them out to my friends.

I read this book and was both shocked, ticked and, well, amazed. A lot was just plain common sense. But a lot I would have never imagined. The bottom line is this is a must read for every person no matter what the age. I have showed it to a couple teachers and they were amazed at how easy it is for even a kid in school to get a criminal record that will haunt him for hte rest of his life. You will hear a lot of things you want to believe do not exist in the United States, but believe it! It does happen to good people, even what the author calls "Whitebread America". The book talks of how the way one dresses, talks, drives, walks and who they associate with can all contribute to their 'arrestibility'. This book is a no nonsense book on how to reduce the risk of ever getting a criminal record by a man who has been in law enforcement for a very long time. He pulls no punches and tells it like it is. He even touches on subjects like the 'pussification' of America and how the old ideal of 'innocent till proven guilty' has been replaced by 'guilty till proven innocent'. I don't care if you are a hip hop punk or a soccer mom. You NEED to read this book! It could save you from the true nightmare of an arrest record which could cause you problems from not being able to get a job to not being able to get credit to buy a new home. Did you know that you can end up with a criminal record for little more then being taken in for questioning and then just set free? Unbelievable right? But I personally know of a person who has had this happen and was denied a job because now he shows up as having a criminal record. Prospective employers could care less if you were guilty, just that in a check you show up with a record. Buy this book and read it if you value your rights.

This is an essential guide for everyone--it doesn't matter what your previous encounters with law enforcement have been. Carson explains that in the world of criminal justice, it's all a numbers game: how many arrests can the beat cop make? how many tickets can he write? how many convictions can the prosecutor get? how can the city/county/state make money off the people who end up in the endless cycle of the justice system? (Don't believe me? Read Reason Magazine's story about Tracy Ingle. Unfortunately, most police officers are in the business of policing because they want to play cops and robbers; they aren't in it to help people.

The most eye opening part of this book was when he explains how someone can be inexorably caught in the "social services plantation," as he calls it:

Joe gets arrested for carrying a joint (or DUI, driving without a license, mouthing off to a cop, etcetera ad nauseum). Joe needs to have the financial resources, familial support, and a very understanding boss for the needed time off to make it to his court appearances, probation officer meetings, court ordered Narcotics/Alcoholics Anonymous meetings, and he needs to make it home from all these appointments in time because he's also ordered to complete in-home detention.

One day Joe's car breaks down on the way home. He calls a tow truck. After the tow truck drops the car off at the repair shop, he calls for a taxi to take him home. He gets home an hour later than he's allowed, and fully expects to hear from his probation officer, but he's sure the tow truck bill, repair shop bill, and receipt for the taxi are enough to prove he is telling the truth. Sure enough, he gets a call, and he goes about explaining the situation. A few short minutes later, the police show up and arrest him for violating his probation. The probation officer tells him that the GPS device Joe is required to carry shows him being in the liquor store next to the repair shop, and any drinking is prohibited on probation. Joe insists he was only in the repair shop, but the probation officer doesn't believe him, and that's all that is required to put Joe in jail.

Now Joe, the kid arrested for carrying a joint in his pocket, is a part of the local jail population for the next month. Career destroyed, family starting to have enough of Joe's getting in trouble, and financially buried by the court costs, the cost of the in-home detention, the cost of probation, and the cost of missing work for the required appointments throughout the day, Joe gives up on living a "proper life" and gets mixed up with illegal activities in the jail, and the process continues. All that from an arrest for a non-violent legal infraction.

I know the above is a long anecdote, but it's a perfect illustration of one part of Carson's subtitle: "How Even a Single Arrest Could Ruin Your Life."

The only part that seems a little bit paranoid in this book is when Carson demonstrates how to make an arrest-proof car, complete with filling the glove box with expanding foam and super gluing the trunk shut. That's a bit much, but still understandable.

The best part of the book are the "Creds" he offers: Sheets of paper that have all the pertinent information a cop would ask for, along with a statement that your lawyer has told you not to say anything in those situations. That's worth the price of the book alone. I'm putting my Creds together right now.

Highly recommended for everyone--especially those in the most arrestable demographic: young, poor, minority males.

This is a tremendous book and is worth every penny because the people it will save from jail are not the true criminals (who ought to be there because that protects the rest of us) but those who just do dumb things like mouth off to cops. As the author says, jail is full of people who are there principally because a policeman didn't like the attitude they projected.

However, he could have saved even more people from jail if he had been more forthcoming and graphic about what happens there. The jail population would drop by half if people new exactly what takes place (courtesy of their fellow prisoners) behind bars. As a former police officer and current practicing criminal attorney, he is most definitely well aware of the unspeakable horrors awaiting both males and females in jail.

Of the How To" books, this one may be the most important one that you will every read.

Author Dale C. Carson is a former Florida street cop and FBI agent. He is presently a practicing criminal defense attorney in Jacksonville, Florida. As such, he is in a perfect position to reveal the brutal truth about how police work, their methods, dirty tricks, and motivations. He stresses that cops do not receive promotions or accolades for keeping the peace, or resolving disputes by negotiation, but are evaluated and promoted strictly on the number of citations issued and arrests made, especially felony arrests.

He goes on go to explain how easy it is for *anyone* to get arrested, a subtitle of the book. Most non-criminal "upstanding" citizens" can inadvertently become caught up in the criminal justice "plantation," to use a word coined in the book. Arrest records can have serious consequences, even if the charges are subsequently dismissed, not pressed, or you are acquitted. Such an arrest will doom you (especially young people) to a lifetime of low paid jobs, since many employers will not hire anybody with an arrest record, regardless of the judicial outcome or merit of the arrest. This is particularly dangerous in the age of electronic information, where records can last indefinitely. Before the computer age, written records often got lost with age. Not so now.

So the only practical approach is a defensive/preventive/proactive one. Sadly, most people with not read this book until it is too late, if at all. The "clueless" people, who don't even understand the basics of the system, but are either petty criminals or non-criminals, because in their addition to their lack of ability to keep court dates (they do not own or do not use calendars or alarm clocks), frequently turn minor charges to major ones by failure to appear and other add-on charges. Probably most of them are not even literate enough to understand the simple advice in the book.

This book explains how to keep from being sucked into the system. Once you are, it will be very expensive to get out, if it is possible at all. Numerous parasites in the criminal justice system, including cops, lawyers, prosecutors, jailers, social workers, psychologists, have a big interest in perpetuating the system. The most important battle to be won is for custody of your body - remember, cops are visually oriented predators, whose main motivation is to arrest you and take custody of your body.

Buy this book BEFORE you get sucked into the system, and save a lot of money and heartache. As noted by the author, if you are a real, habitual, or big time criminal, this book will not be of much use to you - you will eventually be residing at the "Graybar Hotel" sooner or later. This book, however, is a must read for the non-criminal, petty criminal, or "victimless" criminal, or just for anybody that is naive about a dangerous, unforgiving system, in which ANYONE can inadvertently be caught up in for a momentary lapse of judgment.

Un des livres sur le cinéma qui m'a le plus enthousiasmé. Une écriture très divertissante et des réflexions sur les films et leurs artisants qui captent notre intérêt au point de ne plus pouvoir arrêter notre lecture.

I can't say enough good things about this book. It has ended the difficult search for movies that please both the kids and the adults. It has inspired my family to get at least one pre-70s movie every week to watch together. It's been an education. Through this book, we've found a few movies that we all unequivocally adore, and others that we enjoy but have sparked some important deeper conversations. His ideas on why older movies are good for our children are very thoughtful.

My daughters are nearly the same age as his daughters were when he wrote the book (9 & 11), so the book is particularly on target for us. I love how Burr describes his daughters' and their friends' reactions to old movies. I am surprised by how much negativity about older movies he says has received from some of his children's friends and their parents, because my children and their friends have always been completely receptive to older and black & white movies. But we don't move in mainstream circles (we are secular homeschoolers), so I will take his word for it.

If you enjoy watching movies with your children, you need to own this book.

Excellent Book--I have given it to all of my grown up children. Just reading through it is a trip down memory lane.

Our family enjoyed this book--we got lots of ideas for movie nights, and we also got a kick out of reading the author's entries on movies we've already seen with our kids. It also kick-starts your memory for movies that Burr didn't write about--we were surprised that John Wayne's "True Grit" didn't make the cut for tween girls, and that the Julie Andrews' "Cinderella" wasn't mentioned in little girl musicals. Altogether, this is an engaging and fun book that I would also recommend for adults who are looking to educate themselves about classic cinema.

I came across this book in my local library, and after reading it, am going to purchase a copy for myself, and perhaps give it out as gifts for friends that have young children. This is an amazing movie resource. Ty Burr writes in such a familiar, easy-to-read style, and despite his motives [trying to get us to expand our young ones' movie viewing experiences through old movies/classics], never once comes across as condescending or snobbish.

The fact is that children these days are really being fed a steady, and not so healthy diet of the same type of movies that have spawned sequels, mass merchandising, and dare I say movies that don't really promote great role models [I have had enough of those tween movies with young Hollywood starlets in them]. Ty Burr provides great tips and ideas on overcoming this problems by suggesting old movies, or rather classics that will appeal to the toddler set[Meet Me in St Louis], the tween set[The African Queen], and also teenagers[Metropolis]. There are also old movies he doesn't recommend you watch with your children. The best part of the book is the comprehensive list of old movie titles in the different categories such as comedy, drama, musicals, action, adventure & westerns, horror, sci fi and fantasy, & foreign movies.

All in all, I'd highly recommend this book to readers who are interested in expanding the movie viewing experiences of the young children in their lives, and even for one's own viewing pleasure [there were titles in here that I had never come across and plan to check out!].