Reviews Books

What a novel idea, that movies are more than just entertainment. The author points out that watching some of the traditional Christmas movies (It's a Wonderful Life, A Christmas Carol) makes us feel safe and comfortable. They relieve stress and give us a feeling of control.
I remember my family having a ritual of watching Yankee Doodle Dandy every fourth of July. Even now, if I sing a few lines from one of those songs, my sisters join in (40 years later) with all the words.
Movies like these, are "very rich in spiritual messages," according to the author.

"Reel Fulfillment"
A 12-Step Plan For Transforming Your Life Through Movies
Maria Grace, Author
McGraw Hill, Publisher
ISBN 0-07-145907-3

Reviewed by Donna Van Straten Remmert,
Author of "The Littlest Big Kid" and "The Jitterbug Girl"

If you love movies as much as I do, "Reel Fulfillment" is an insightful guidebook that will entertain as well as transform you. It will explain why you love some movies enough to see them over and over again, and why you laugh or cry your heart out each time. Psychotherapist and author Maria Grace is well known in Austin for her live, standing-room-only movie reviews that humorously and poignantly probe into our psychological make-up and help us realize truths about ourselves, as reflected by characters in the movies. She is also well known at SCN for her fabulous Be Our Guest presentation. If you've witnessed Maria's gigs, I know you haven't forgotten how delightful they were. The same is true about "Reel Fulfillment". It's delightful.

Maria moved to New York City a few years ago, and she has already received a great deal of praise and recognition for her inspiring book, her seminars, and her ezine that I highly recommend as a way to continue analyzing your responses to movies after you've read "Reel Fulfillment". Each week's ezine is about something new and different and it's always fun and thought provoking. This week's challenge, for instance, is to watch movies that are about food cravings. She tells you some of her secrets for relating to food in a more healthy way, learned from having attended a spa in Brazil, she invites you to click onto her 60-minute seminar "Eating Without Guilt: The Joy of Conscious Eating" and she asks you to watch two fabulous movies about food to better understand yourself: "Chocolat" and "Real Women Have Curves". Go to www.mariagrace.com to learn about Maria's adventures and to read more about the ezine that's free for the asking. Subscribe!

Thanks to "Reel Fulfillment", I can now say it right out-I am a movie addict! I watch at least one, sometimes two, movies a day. In the privacy of my bedroom where I can laugh or cry to my heart's content. I'm obsessed, and I now know that I don't need to feel shame or guilt for spending so much relaxation time in bed, because through my obsession and with the help of Maria's 12-step plan for transforming my life through movies, I accomplish major self-awareness fetes. There is a Questions to Answer section in each chapter of "Reel Fulfillment". I glance at these questions in advance of watching a movie recommended by Maria in that chapter. Then, as I'm watching, I think about possible answers to these questions, viewing the movie as if it were a story about my life. Metaphorically, it usually is!

After my movie(s) for the night is over, I sink into my unconscious for a good night of dreaming. When the movies I've seen are especially relevant to my life, they often trigger fantastic dreams that reveal things about me that I'd otherwise not know consciously. What a gift! Imagine all of the unlived lives I've been able to experience through this process!

I am so in love with Maria's work that I flew to NYC to attend one of her seminars. She's better than ever, and what a good excuse for having fun in The Big Apple. Reading "Reel Fulfillment" is like being with Maria again. Order an autographed copy and browse her other learning tools at her online store at www.mariagrace.com.

Life should be as happy as we can make it. Life should be as fulfilling as we can make it. Life should be as free of fear and doubt as we can make it. No one book, no one program can provide all these needs. But this work, Reel Fulfillment, is certainly a tool you will want to add to your tool box. If you are building a house, you cannot do it with only a hammer. You must have saws, screwdrivers, rulers, pliers, and on and on. To build a full life you must have many tools also. Most certainly, this work, I feel, can be one of those tools, quite an important tool, actually. What a unique and fascinating concept...using movies to help analyze your life and help correct those little and big blimps and bumps in life that we all encounter. This is not a just a book about "going to a movie and feeling good." It is far more. The author, Dr. Grace, gives us a twelve step plan or program for truly changing the way we perceive ourselves and the way we meet and treat the various crises and challenges we all encounter. The subjects, Gaining Inner Clarity, Emotional Health, Joy, and Gaining Spiritual Fitness, are all more or less hung on a unique framework, on the concept of movies, on the stories that we can relate our own experiences to, and learn from, which we see on the screen. We can and, indeed, do learn from these stories.

Movie, of course, are art. Who has not been emotionally changed by a great piece of literature, a great painting, a wonderful photograph, a deeply felt and written poem or one of the world's great paintings. Most of us can be driven to either tears or great joy by any of these. Movies are no different. More importantly, with movies, we can learn from the stories these artists, the movie makers, writers and actors bring us. We can relate. I dare say that not one person reading this review has ever not been moved, in some way, after watching some film story at some time in their life. Dr. Grace has given order to this. Each chapter includes a wonderful section of self examination, profound questions, which, if answered truthfully by the reader, can indeed shed great light on our inner being. She has been able to articulate what most of us actually know, but we simply did not know we knew. She has given us a tool and then explained how to use that tool effectively.

Now, this work, like any work in this particular genre, is only effective if you actually DO IT! I wonder how many "self help books" are purchased, skimmed, shelved and forgotten. You actually have to work through the program for it to help. Folks, there are no free lunches...you get out of something just about what you put into it. This book is no exception.

On the other hand, if you want to purchase it, skim it and then shelf it, that is okay too. As an added bonus, even it you don't work through the doctor's program, you will certainly pick up some great tips to make your movie going far more pleasurable. You really cannot loose with this one. I highly recommend! Recommend you add this one to your library.

This new self-help book is really good with this new method of watching movies combined with exercises in each step to find fulfillment.

At the beginning I thought it was about analyzing movies but was pleasently surprised that the method uses the movies to help the reader find answers and create awareness. I did watch a couple of the movies suggested and then followed the exercises and it really works.

I highly recommend this book to anybody who likes movies. Watching them from this new angle will make you enjoy even more your favorite films and even better appreciate the ones not so good.

This book was the single thing i studied and i passed with flying colors. I studied about 2 weeks in advance. The test was so close to the book, and i felt like it prepared me! Thanks for the great book, i would suggest it to anyone wanting to become certified.

I took the test once! This book helped me a lot! Get this book and keep practicing. The only problem you need to get some extra help for new drugs on the market or new generics now available.

I've been in pharmacy for 10 years; CPhT for 7. This was the only book I needed.
Highly recommend!!!

I took the March 2006 PTCE and began studying for it in November 2005. Over that time I aquired many different books (as I suggest you do if you already haven't) to study for the test (Check out the rates of passing on ptcb.org).

When used with a multitude of other books it will obviously take a lot more time to get through all of the books in entirity.

this book in particular is a bire more of a review over many things you may already know. So I wouldn't necessarily reccomend this as the first book you begin study with.

I found this to be very informative and helpful. Every chapter is like a review and it is followed by a series of quizzes.

But if this is one of the books you are using to study (keep in mind studying for more than 20 minutes at a time is considered cramming and you absorb less of what you read) you may just possibly want to begin studying sooner than I had.

This, is no small book. You need a very fair amount of time to properly read through then review all you should have learned by books end.

This is a great book, telling the story of a man who has inspired generations of doctors (and non-doctors) to try to cure more than just human disease. Norman Bethune, whose life this book describes, was a multifaceted man, for whom the adjective "great" would be quite appropriate. He was a surgeon, a health activist, a communist, a poet, a painter, a journalist and above all a great human being. This book describes his early life, his battle against tuberculosis,against fascism and all those who injure other human beings. Quoting his speeches,his newspaper articles and his journal extensively, the book informs and inspires and should be a must read for everyone who aspires to be a doctor or just loves humanity.

There are simple people and there are complicated people. Norm Bethune was definitely of the latter strain. Independent, erratic, gifted, persistent-ever searching for the next direction, or "mission."

His parents were great admirers of D.L. Moody. His father was a pastor at various small towns throughout Ontario, Canada, and his mother was a missionary. Bethune himself didn't seem to have the same interest as his parents in the things of God. But his mother's missionary fervor was obviously a very prominent influence in his life.

His genius as a surgeon first emerged when he contracted tuberculosis and decided that he must prepare to die. He encouraged his wife to divorce him, and he went to a sanitarium. But once he got there, he found the boredom of waiting to die was more tortuous than the illness itself, and he began to research the disease. His fortunes changed drastically when he happened upon a book describing a new procedure which involved removing part of the ribs to collapse an ailing lung. This procedure was new-only about a year old, but Bethune was interested. He was determined to be a beneficiary of this new innovation, and this determination eventually led to his recovery. It was 1927.

After his recovery, he became a thoracic surgeon. But he was frustrated by the numbers of indigent patients who did not get timely treatment because they were too poor. His preoccupation with, an concern for the "underdogs" of the world eventually led him to Spain, where he got involved in the Spanish civil war, working with the forces battling Franco. This experience had a profound effect on his thinking. He joined the Communist Party, and campaigned for support for the resistance forces.

But the heart of this book really begins when Dr. Bethune goes to China. His experiences as a battlefield surgeon make fascinating reading. He was hot-tempered and impatient, but his decision to use his genius as a surgeon to help the guerrilla fighters has given us a story well worth the reading. Edison said that "Genius is one percent inspiration and ninety-nine percent perspiration." Well, I don't know about the actual percentages, but it is clear that Bethune's life had a good dose of both. He was not only a physician, he was an inventor. He invented 12 different surgical instruments, and published 14 articles outlining his innovations in surgical technique. He was very creative, and a very, very hard worker. And he would not tolerate incompetence. He was vehement almost to the point of violence in his determination to give the best possible treatment to the wounded. The descriptions of battlefield surgery in this book are sometimes painful to read, but very, very compelling.

But I am not a medical person. My primary interest in this book stems from my interest in history. There are several ways that this book is helpful in that area. First of all, the story takes place during the Sino-Japanese war, a time in which Jiang jieshi got a lot of criticism from the Americans because of his refusal to fight the Japanese. Jiang jieshi always said, "The Japanese are a disease of the skin. The Communists are a disease of the heart." Although, he certainly did not want the Japanese to overrun China, he was very hesitant to expend men and resources against what he saw as a major enemy of the Communist armies, which he despised. He obviously felt that if he burned himself out fighting the Japanese, he would make it that much easier for the Communists to take over. That being the case, I have always wondered how much the Communists concentrated on fighting the Japanese themselves. This book answers that question. The wounds Bethune treated were inflicted by the Japanese. And the book gives weight to the idea that perhaps Jiang jie shi's approach backfired, because his refusal to fight the Japanese caused the Chinese people to lose respect for him.

Bethune died of septicemia in November of 1939. In her forward to the book, Soong Ching ling makes much of the charge that his death was due to the fact that the Guomindang refused to let the medicine through. I don't know about that. But it is terribly frustrating to read a story like this, because it is clear that a simple antibiotic could have saved him, as well as many other soldiers he would have been able to save if he had lived.

Finally, Bethune's life had a unique influence on history in a way that I am sure he never could have anticipated. During the days before the opening of China, which began with Nixon's visit in 1972, very few countries had any relationship at all with China. But Canada was a notable exception. Mao and others in China always viewed Canada in a positive light, and much of this was due to the overwhelming tendency to identify Canada with Dr. Norman Bethune, who is a national hero in China.

This is a book that should be on the essential reading list for those planning a career in medicine (surgery). It is truly inspiring, and it provides an interesting history of the early years of thoracic surgery, transfusion medicine, and humanitarian committment. I recommend those who have the opportunity to visit the Bethune Peace Hospital in China, about a two hour drive from Beijing. The Bethune Museum there is wonderful.

I remember this story from my mother reading it to me a s a child and again reading it as a highschool student. I gave me hope that one person can make a difference. That we can do things to help people not for fame and fortune but because people need our help and we have the expertise to help ease their pain and suffering.

Norman bethume was such a man and his story needs to be told again and again. I highly recommend it to anyone who values the efforts of individulas and the love of community.

Chester

Unplug the phone, cancel all your appointments, put the cat out -- okay, you can keep the cat. But Robert Walser's wonderful "Selected Stories" must be read in an atmosphere of silence, with complete attention. You owe it to yourself to have a chance to appreciate this utterly distinctive voice. Others have called him a "comic Kafka," and others have complained that he is not a "comic Kafka," so perhaps we can stipulate that he is "the writer who is not a comic Kafka." He is, indeed a good deal more hospitable and accessible than Kafka, but he is not always comic in "A Little Ramble," (which might be my favorite of these collected short items), he can stop you in your tracks. I haven't read Walser's novel, "Jakob von Gunten," yet (though I certainly plan to) but I wonder if Walser's peculiar talents aren't particularly suited to a form that is ephemeral, almost furtive.

Read "The She Owl," which has a gentle charm. Read "Parisian Newspapers," which has an edge. Oh, read them all, listening to catch Walser's extraordinary voice. And aboave all, read "A Little Ramble," which might be the best onc-page story in the language.

Although his novel "Jakob von Gunten" is a masterpiece, the maniacal genius of Walser is more easily discovered in his short fiction. If Kafka's vision is maddening and claustrophobic, Walser, who deals with a similar kind of surrealistic world, applies a lighter, more deftly playful touch. Sometimes, the puns and literary license Walser take can be willful and test a reader's patience, but the sheer force of his philosophy and world view contained in these miniaturist stories are awe-inspiring, and are on par with the delirious vision of Kafka. Walser is a kind of a writer who can turn from anger to unbearable tenderness within a sentence. Many of these stories will move you and frustrate you at the same time, but all the risks he takes are still, and I suspect always will be, thrillingly modern and relevant. I only wish his excellent reworkings of fairy tales (I'm thinking especially of 'Snow White') could have been included in this volume. Walser has been neglected for far too long, and the longer his work languishes in obscurity, the world is that much more at a loss.

Robert Walser. I came to this Teutonic scribner by way of a jackass professor I had in graduate school. In his class on Modern European literature we read "Jacob von Gunten," a 1st person neurotic diatribe about a man enrolled in a servant's college. Unlike the professor's lectures, I enjoyed certain passages of that work immensely, especially the transcendental moments where the main character describes how he melts into the shuffling masses in the city where he lives. Other sections were less engaging.

I believe that Walser's short stories, at least the ones collected here, are better able to display his literary gifts than that novella. Clearly the masses are an issue he enjoyed writing about, and there are several stories that deal vividly with the dehumanizing reality of city living, as well as office work. Clearly, Walser writes most prolifically in the fist person, a voice that is often driven by angst and inflected with various neuroses (Walser himself ended up in a mental hospital). But what I enjoyed most about this collection were the stories that differed from his normal style. Stories like the "She-Owl," "Balloon Journey," and "Kliest in Thum" are some examples. These are short third-person pieces, often only a page and a half long, which tell simple stories as they bend perception, causing the reader to see the world with new eyes. I find these short pieces more entertaining than the fist-person stories, which tend to be heavy on the solipsism and lack structure (see "The Walk"). There is something Borges about the economy of these stories, and maybe some Cortazar in their oddness. This collection rewards a thorough reading. And afterward the reader will get a better appreciation for Walser's influence upon two of the world's greatest writers - Kafka and WG Sebald. Does Walser eclipse his literary offspring? I'll leave that up to you to decide. But one thing is clear, Walser's literary reputation needs to be reinstated -- and this collection helps.

"Wandering, what a brilliant, light blue joy you are!"

If the absolute inevitable truth of every word of that sentence isn't immediately clear to you, you may not be the kind of reader who will be knocked off your feet by Robert Walser, whose typical prose piece is always a kind of wandering. The most acclaimed piece (and the best, I think) in this collection is in fact titled "The Walk," a perfectly honest title that serves to summarize the plot.

If you're one who needs beginnings, middles, and ends...
If you insist on naturalistic dialogue...
If you want at least a modicum of happening...
you may not be the kind of reader who will rave about Walser to your friends, as I have been doing since I started reading him a couple years ago.

Walser was roughly a contemporary of Franz Kafka, who read and seems to have been influenced by Walser. Although Walser wrote four long pieces usually labeled as novels, his most characteristic works are short sketches, two to ten pages, only rarely resembling anything most people would call a story. Some of Walser's work was published in his lifetime, and he had a coterie of distinguished fans like Hermann Hesse. Then, after 1933, when he was committed to a "madhouse," he was as forgotten as a politician's promise. His rediscovery began with American and English readers, especially translator Christopher Middleton.

By our times, Walser is widely perceived as a pioneer surrealist; his work certainly has surreal effects, but his intentions, as I read him, were never to extend reality but merely to capture it as he alone saw it. That he was, perhaps, slightly mad and certainly eccentric did refract his vision in unexpected and original colors. His subject, even when writing in his not-fooling-anyone disguise as a simple man, was always his own strange, joyful, aimless personality.

Catch the word "joyful" there! Walser is NOT a depressing writer. He's a man enchanted with everything, from mustard to mountains. He's wry, salty, silly, satirical, and sooo penetrating.

The translations in this collection are close to the character of Walser's "wandering" German. There's another collection - Masquerade - translated by Susan Bernofsky. I prefer Bernofsky somewhat for syntactical cleverness in translating, but this collection includes The Walk, the most picturesquely brilliant of all Walser's prose.

Some critics have said that Walser was a columnist before there were columns, and it's easy to imagine Walser being a huge success reading his pieces on NPR, but for all their apparent inconsequentiality, Walser's works have a profundity that will accumulate as you read.

As a Shelley lover I've read numerous biographies, but this will be the last one as no amount of research or writing talent can improve on this book. Richard Holmes clearly did an enormous amount of research and his attention to detail is extraordinary. His love for his subject comes through strongly yet he remains objective throughout and is not blind to Shelley's flaws. His descriptive writing also paints a fascinating picture of the interesting and tough times during which Shelley lived and his wonderful vocabulary had me reaching for my dictionary many times!. He pays as much attention to the other colourful characters in Shelley's life as he does to the poet himself. His analysis of Shelley's complex psyche is intense and I believe his perceptions are very accurate. This book impressed and excited me more than any biography I have ever read.

How is it possible that the world's largest online bookstore doesn't stock any biography of Shelley? He was, after all, not just a poet, but a fascinating character even without taking his literary accomplishments into account. I found Mr. Holmes's great biography in an Oxford, UK bookstore. And I must say it's amazing. I can't believe it was written by a 28-year-old. The research done here is nothing short of astounding. I must say, however, that the long pages devoted to Shelley's political creed and activities can get a bit wearisome - at least for me, who was more interested in the personal and literary aspects of his life, than in the political ones - but then, I understand that this reflects my personal preferences, and admit it doesn't much deter from the book's qualities. In fact, you could say it makes it more solid and thorough, in including a part of Shelley's life that has been traditionally neglected by his biographers.

A nice feature of Mr. Holmes's work is the description of the physical places in Shelley's life - for instance, the house where he was born and the ones which he inhabited during his years in Italy. All of these had some endearing and fascinating trait, from the rolling lawns of Field Place to the sun-soaked terrace of the Casa Magni. I only wish these descriptions had been more in-depth, since it is obvious that Shelley often built strong emotional connections with the places where he lived. I look forward to reading "Footsteps", which is the account of Holmes's literary travels and research, and which is already awaiting me in my bookshelf!

It's probably time for a new Shelley biography, despite Holmes' excellent work. I couldn't recommend this book without a number of caveats.

It was valuable in its time, for countering that Victorian view of the angelic depoliticised and emasculated Shelley. But it's still a document of its time.

There are two things that were wrong with the book even at the time it was written. One is the constant failure to mention instances of Shelley's extraordinary generosity and kindness to others. Maybe it was boring, to a 1970s writer, to mention the old women carried in out of the cold, the children fed, the money given away to strangers in hard times: but to leave most of it out badly distorts the reality of Shelley. He was no saint, but he was a remarkably kind person, and practical with it, and that central and salient characteristic is glossed over, though "gloss" is not quite the word. White's earlier biography is actually more comprehensive on this sort of thing.

The second issue is a grotesque mis-reading of the "Adelaide Shelley" affair, in which Shelley put his name down as the father of an Italian baby. Holmes invents from whole cloth an incident in which Shelley seduced the maid, turning her out of the house when she became pregnant. This is simply bizarre, as Holmes himself later acknowledged. In his next book, "Footsteps", Holmes concedes that not only was there no evidence in favour of this claim, but that it would have been completely out of character for all three of the key figures (Shelley, Claire Clairemont and the maid whose name, from memory, is something like Paola Foggi) who would have had to have been involved in Holmes' scenario.

The story, acknowledged by Holmes to be false, did Shelley's reputation enormous harm (Paul Johnson siezed on it, and added inaccuracies of his own, for his attack on Shelley in the ludicrous "Intellectuals" book; Johnson's Shelley chapter is virtually a cut and paste job from Holmes).

So this has always frustrated me: Why on earth hasn't Holmes corrected it in a later edition? I suspect that Holmes feels that it is a form of integrity, of trueness to himself as a young man, or something, to leave the book in its current form. But since the book is supposed to be a record about Shelley, not Holmes, I'd rather he made this and other corrections.

As well as that, there's new information about the circumstances of Shelley's break with his family, and about his life in Italy, which Holmes doesn't include, because they are based on documents that have only recently come to light or been studied.

So while this was a landmark in its time, it is from this distance not as good as some earlier biographies, and it is due for replacement. If I were to recommend a biographical work to someone with a strong interest in Shelley, I'd recommend his Letters.

Laon (no relation)

After reading Miranda Seymour's biography of Mary Shelley I looked around for an account of P. B. Shelley and found this excellent biography of the poet. The whole generation and family from Mary Wollstonecraft onwards makes a dynastic epic, and a good history of the social politics of a radical generation living through the Restoration. There the ethereal Shelley myth is corrected by a portrait of a radical who had the courage and will to attempt to extract himself form his aristocratic family and class to pursue a radical dream in the unforgiving world of the reactionary wake of the French Revolution. Literary portraits of Shelley still suffer the fate of the poet's work after his death when his reputation was crippled by the conservative age against he revolted. It reminds one of the fate of the Sixties in the minds of the (current) powers that be. It is significant, and mostly forgotten, that the early Queen Mab that so shocked the establishments of the times passed into the bloodstream of the left via the radical underground press, thence to influence the early labor movements and Chartists. Meanwhile the image of Shelley was sanctified by several packs of lies as the quality of genius forced its way into anthological immortality.

Leonard Kohl's book fills a much needed gap in my personal knowledge of cinema history. The serial is a form I remember with great fondness. As a child, it was a part of my first forays into the world on my own when my chums and I hoofed it to the Strand Theater on Saturday mornings for an hour of cartoons, a cowboy double feature, a humiliating go in the yo-yo contest and, of course, to catch the latest installment of ..... Radio Patrol....Don Winslow of the Navy...Tim Tyler's Luck... Whatever! By then (circa 1950), the heyday of the cheap and keep-em-coming-back cinema serial was ending and the subjects of Mr. Kohl's excellent work had gone on to bigger things (except, sadly, for Bela Lugosi, who -- as I discovered in "Sinister Serials" -- began his American film career with bigger things, only to slide into the world of serials).

This book is clear, concise, and well written. Kohl spins out the stories of these three seminal film figures and provides us with an outstanding look at a now-past era in film history. An excellent piece of work!

Because Mr. Kohl will blow you away!!!! This is a fine book. The research is impeccable. The photos are sublime. Kudos to the author!!! I saw Mr. Kohl give the commencement address at the University of Chicago and the crowd was mesmerized. Most likely, because he hadn't been invited by the school to give it.

Kudos to Kohl, who has done a fine job of presenting an informative, and always fair-handed, look at a fascinating period in movie making. This is clearly the product of painstaking research, resulting in a heaping-helping of historical data, elucidating testimonials, with a rich array of pictures to boot. Every true fan of "The Sreamsome Threesome"--Karloff, Lugosi, and Chaney--and the too-often overlooked serials genre, should get their hands on this.

Leonard Kohl's first book is a fine effort, a splendid purchase for any fan of the big three horror icons who made serials. It is loaded with interesting facts. Where else could you discover that silent comedy star Harry Langdon almost co-starred with Lugosi in THE WHISPERING SHADOW. The book is chock full of rare photos, and they are a genuine treat. Fans of Charle Chan would be happy to find rare photos of Warner Oland from silent serials. This volume is a recommended purchase. As an author myself, I can see the hard work and dedication that went ito this volume.

Provides an in-depth and fascinating account into how Star Trek productions are conceived, filmed and produced. The book showsthe transition from initial idea to final product in 3 Star Trek guises - DS9, Voyager and the film Insurrection. The book is jam-packed with pictures throughout and Erdmann's dialogue is very much narrative in style, as the story is told for much of the book in the quotes of various cast and crew. The book particularly highlights how stories are formed and the various inputs from script writers, producers, directors and cast, and it is fascinating to see how a story develops and changes throughout time. An extremely good read.

From the first writers' meeting to the satellite upload, this book describes in detail every step taken by actors, producers, designers, directors and editors to create an episode of Star Trek. Terry J. Erdmann has had unprecedented access to production meetings, film sets and post-production facilities to unveil how various Star Trek incarnations get from idea to (small of big) screen. If you're interested in what's going on behind-the-scenes, I highly recommend this title.

For any star trek fan, or just for those interested in the making of tv series and films, this book outlines, in high detail and many photographs, the process of producing an episode of DS9, Voyager, and a portion of Star Trek: First Contact. A must for any fan's collection.

With print and pictures detailing EVERY inch of the making of three Trek productions, this is a book that is a treasure for any student of filmmaking. One does not have to be an aficionado of the offspring of the original series to appreciate the work that went into the publication of this book.

The book is a fascinating (to use Spock's word) how-to-make-a-television episode (or movie scene) primer.

Remember, this is a guide. It is great fun. Many interesting descriptions and a few tech BW images of comm badge, phaser modifications and alien monsters. There is also a description where and who first encounter a problem (reference to Star Trek episode).
The most interesting writing style - it's like all the Star Trek universe is NOW. Great.
I was a little disapointed - I was hoping for more. It's too short.

I used to have a very simple definition of a textbook: a book that contains a great deal of factual information, but puts you to sleep while attempting to absorb it. This totally fails to meet the second criteria (unlike, for instance, the TNG Technical Manual). Essentially, this is a collection of Trek trivia, in terms of equipment, creatures, and medical techniques, from the shows. However, from the style it is written in one can clearly picture a Starfleet officer actually reading and using this Guide. The descriptions are very clear, concise and interesting. One of them - Section 1.11, "Surviving Atmospheric Re-entry in a Pressure Suit" - is downright compelling reading. The mental picture of each step is incredibly vivid, and so involving that one can actually feel worried when reading the fatal consequences of anything going wrong. This is a brilliant piece of writing and extremely entertaining. For someone starting to collect Trek trivia books and/or manuals, this is definitely the one to recommend buying first.

Star Trek: The Starfleet Survival Guide written by David Mack is a unique little tome in that it is written in computer manual style... starting with 1.0 and ending at 4.15.But more importantly, this book makes you alert to the countless dangers that arise in space and how to cope.

This book has uses for standard-issue equipment that are nonstandard, for exanple remodulating a universal translator into a jamming device, recalibrating transporter enhancer armbands as temporal shields, or this one that you just can't live without sterilizing food and water with a phaser.

The second chapter is unconventional medicine which I found to be enlightening like modifying a type-1 or type-2 phaser into a scalpel, neutralizing Denevan neural parasites, or this one the proven herbal remedies for Mugato venom.

The third chapter is dangerous life-forms which helps with some very unique advice such as avoiding mind control by Elasian women, surviving an attack by a Crysstalline enity, or this onenavigating inside a Borg Cube or Sphere.

Chapter four is extreme scenarios like the following inducing solar eruptions for tactical purposes, surviving if you are shifted out of phase, or this one detecting and escaping temporal causality loops.

This book is full of things that happen or could happen and what to do. So, if you are traveling the universe soon... get your copy and don't leave home without it. There are illustrations in this book that help take you through the techno-jargon and I only mentioned some of the information in each chapter. Reading this book will enlighten you to a lot more survival information.

As it states in the book, "it should be noted that "The Starfleet Survival Guide" does not contain information on basic survival techniques..." This guide is intended as a specialized supplement to the basic survival manual. It reads quickly and is a weath of quirky information.

This is a great book for any Star Trek fan. This is a documented list of unconventional uses of standard equipment for situations that Star Fleet personel may encounter that requires a creative, if not vital, method for survival.

Great book. A lot of technical information, and if you're a fanfic writer of Star Trek, there are a lot good things you can incorporate into your writing.

I really didn't expect too much out of this book. But I was quite pleasantly surprised to find myself thoroughly enjoying it. It gives background to so many of the customs and questions about Siam. It was very interesting to read because it made the story of Anna and the King more understandable and easier to relate to. It gives real story behind each character, but it also explains where this movie came from. If you enjoyed the movie, this is the book to get. It has a lot of awesome pictures, and it tells how the story developed from the true story to a wonderful tale. I think everyone understands that the movie isn't very true, so this book is perfect for learning the truth, and also learning more about the movie. If that's what you're looking for...here it is!

Being obsessed with all things 'Anna', I had to have this book, just because its about 'Anna'. But I can't believe how cool it is beyond that. It is a behind the scenes guide, beautiful, glossy picture book, and well-researched, informative, awesome history lesson in one. It totally quenched my need for 'Anna'!! I reccomend this to fans, historians and movie buffs alike. Ceccelia Holland is brilliant; you can tell she really thought about this and did her homework. My copy is priceles to me. Please get this!

If you enjoyed "Anna and the King," I think you will love this book. It is filled with huge glossy photos, many of them close-ups of Jodie Foster and Chow Yun-Fat as well as the beautiful sets and landscapes. It contains tons of historical background information on the movie and makes for a very interesting read. I highly recommend it.

A good book on the making of the movie Anna and the King and a brief on the history of the Chakkri Dynasty. Disapointed only that the author did not give details on production of the movie. Such as why did they produce the film in Malaysia recreating elaborate sets and imitations of the real thing in the real country, Thailand? And the fact that it was banned in Thailand. Otherwise a good buy, especially if you enjoyed the movie.

Great job! Got the book fast and the book was in a great condition with the CD!

I used this book for my Ob semester of nursing school. This book along with the disk helped me get wonderful grades in the semester. This semester is very hard, but using this book made it very easy. I HIGHLY recommended this book to everyone who is in or going to nursing school. This book is great. It actually covers material the instructors lectured on. The questions on the disk were very similiar to the questions on the nursing tests. It helps you understand maternity and neonatal.

This is a great book......would recommend this to any nursing student. It really helped me get through nursing level 2. It really breaks the important material down and makes it easier to understand. The CD has Nclex type questions that are really helpful as well.

If you have one of those large texts that you have to read and just dont have the time- this is the perfect middle man! It cuts to the chase- gives you all you need to know in relation to the facts- I read my big text for the nursing know how's for how to care for the new mom- but this is great to get just what you need to know for the tests! I love this book- in fact all of the straight a's books are great as well- my teacher in fact wanted to use this book as the actual text, she liked it so much. Really a great investment- This was a great read too- not boring like some other texts- kept me very interested!