Reviews Books

Sadly, Robert Klepper died in 2000, at the age of 32. A very nice fellow and an important film historian. Do pick up this worthwhile book, and mourn the fact that there will be no more from him.

I bought this book last year and love it and use it all the time. I get films from libraries all over the country and look up the movies that come in. I bring it with me if I am going somewhere that I will be awhile and read each review. It has a permanent place on my coffee table. If you love silent films, this book is a must.

This is the best index of silent film that I've ever seen. The reviews are bold independent and informative, if not always completely objective, Mr. Klepper is not afraid to have an opinion. This is a reference that I keep going back to.

I have owned "Silent Films, 1877-1996" for two years, and use it as a constant reference. (If you are a fan of TCM "Silent Sunday" or are a fan of silent movies and would like a guide to watching or purchasing silent film, this is the first reference to which I turn.) This does not cover absolutely every silent film, but there have been very few which I did not find information upon here. "Silent Films" also covers actors, directors, and other cinematographical information. The price tag is high, but for the silent movie buff it is indeed worth the price. I journal my silent movie viewings on its pages to keep a record. "Silent Films, 1877-1996" has gone from investment to treasure.

Robert Klepper has a remarkable love and knowledge of silent film. His understanding of the historical place of any movie he reviews is impressive and thoughtful. The book is a standing resource for any film enthusiast. In watching these films some of our favorite practices are to look for scenes that more modern films either steal (or pay omage to - depending on your thinking) and to pay attention to stunts that no actor or actress will ever have to duplicate in a more advanced film age. These are things that Robert Klepper also makes notice of and shares with his readers. I find his rating system to be reliable to my own standards and his humor to be very welcome - though I think some readers might miss some of it.

I do cherish this particular book and guard it heavily - no one is permited to borrow it. (I am usually pretty generous with my shelves.)

I assure you that the book is well worth the price -it is an excellent resource to the novice or the expert.

J

Ms Henderson has taken from many, many sources to present a succinct analysis of myths from the past, works by many scholars, and today's world in order to show the need for all of us to have myths in our lives. Beginning with George Lucas' journey to creating Star Wars, moving into the cultural milieu in which the films were made to the that which the audiences brought and continue to bring, the author gives us the "reasons" for the motivation and then success of the 3 and later 6 movies done by Lucas. The book is well-illustrated with scenes from the movies, storyboards of its development, and art representing other myths, stories and legends of many cultures and times. A fantastic book for anyone looking for the core ideas of Lucas and his greatest work.

If you enjoy any of the books by Joseph Campbell and are a Star Wars fan, then this is the book for you. It covers everything from Greek mythology and Zen Buddhism to the Cowboy archetype and the uniforms of World War 2. Most of the artwork is incredible (many pics from the "Art of Star Wars" books), and there are tons of detailed photos from the Smithsonian tour, which I was lucky enough to catch at Houston's Museum of Fine Arts many years ago. I only wish they had waited a few years until the entire Prequel Trilogy was completed before they published this book!

Excellent book with amazing pics of the props and unusual images from the movies from the OT. Fantastic!!

Within this book I would say this incredible look into the mix of Mythology, History and Star Wars that I have ever seen. A great companion Book to the "Magic of Myth" exhibit.. and it would make a great companion book to the Joesph Campbell books "The Hero with a Thousand faces and "The Power of Myth."

Basically giving the impression of the origin of the Star Wars Films. How Lucas was influenced with all these ideas and made the films what they are today. How timeless the story really has been. Also available is some of the pre production artwork from the Classic Trilogy.

If you've been lucky enough to see "The Magic of Myth" in one of its many permutations, this book is a great supplement to and a wonderful reminder of just how cool that exhibit was. If you haven't seen the exhibit, this book is still great to have for it's back-story on the origins of the trilogy.

I'm not the most well-read person around so it was a lot of fun to learn how Lucas' characters and story were shaped by (or copied from) myths and legends of other times and cultures. Reading this book has led me to explore some of the material that Lucas borrowed from in creating Star Wars. I'm a big SW nut, but it's nice to get my head out of the SW universe and out into other forms of art and literature.

If you don't feel like reading, this book is also full of GREAT photos from the trilogy.

I keep this one on the shelf next to Joseph Campbell's "Power of Myth." It is a nice complement to Campbell's book.

True to the topic, it transports you right there. Historical and old, but still current.

Written about a South African farm. this book depicts the story of a family and how they interact throughout the book. The most striking dynamic in the book is the relationships of the women in it. It portrays female existence in a realistic light even for today. The story has a lot of character to it, and I would recommend it highly for teachers who want to teach about feminism.

Although I had to read this book for a college class, I would read it again in a second, I feel that I can only gain more and more from this book through rereadings. Its plot is at times disjointed to the style of the author and the message she is attempting to convey, so for those who are looking for a strongly Dickensian or "feel good" read, this is most likely not the book for you right now. But for me, from an analytical and heartfelt standpoint, the subtlety of the book and its beauty and its truth made me tear up a little bit. I'm currently writing a paper on Waldo and his artistic and personal growth throughout the novel, so maybe I'm a little biased, but although Lyndall is an incredibly interesting and advanced character, I think Waldo is often glossed over as merely suffering from a religious crisis of faith, and, being a man, not deserving of attention in this novel of the "New Woman". But Waldo ultimately reaches a place of amazing peace and understanding, and the lives of Waldo and Lyndall intertwined together is truly beautiful.

I thought this book was one of the best books Ive ever read it describes how people feel and view the world from inside themselves but can never express this externally or even realise they are thinking these things themselves.

For me It depicts how inadequate we all are men and women, when it comes to Love, and expressing it and sharing it. it flumoxes us all, Its too big for us, "the chickens had more sense"....pass the worms please.

"Story of an African Farm" is a difficult work to describe. It must be read several times, and carefully pondered before all of its secrets are unlocked.

Ostensibly, the book revolves around the lives of three children (and, later, adults) who live in the Karroo plains of South Africa. The main focus, however, is on two of the characters - Waldo, the earnest and deeply curious son of the German farmkeeper, and Lyndall, the beautiful, outspoken and rebellious orphan who suffers all her life for her ideals.

The book itself is semi-autobiographical. Waldo represents Schreiner's journey from fanatical, childlike faith to bitter skepticism, who reaches a watershed of sorts when he hisses to Lyndall 'There is no God - none!'. Lyndall, on the other hand, embodies Schreiner's frustation with her station as a woman - barred from the upper echelons of society, and her inability to find a mate who is both her intellectual match and willing to accept her as an equal. "I want to love", she whispers to the grave of Waldo's father, "I want something great and pure to lift me to itself."

There are many other themes that flesh out the subtext of this extraordinary book - the tragedy of solitude, that ultimately, all humans are alone in the cosmos. "Dear eyes", the dying Lyndall whispers to her mirror, "they will never part us."

Readers who expect a narrative will be dissapointed. What narrative there is serves only to undersore the book's many themes. Often, the flow of the story is out of sequence, or devoid of context, and deliberately so. Roughly, the book is divided into three sections - the first introduces us to the characters as children, and reveals their innermost thoughts. The second, and shortest section is entitled "Times and Seasons". It is somewhat of a summary of what has gone before, dealing mostly with Waldo's journey from Christian fanaticism to dispairing atheism, and foreshadows some of what is to come. The third, and longest section, covers the lives of the characters as adults, and is by far the most powerful, and moving piece of the book.

The reader who is looking for mindless action is advised to pick up the latest Tom Clancy novel, or whatever passes for literature these days. Those who are willing to put aside all preconceived notions, and have their cherished beliefs challenged are invited to read this book. The search for truth is endless. But this book is a perfect place to begin.

Touched is a novel of small town Mississippi in the 1920's. The humid, atmospheric setting is invaluable to the novel. The narrator is a young girl who was sold to an older man as his bride. Their relationship is at first violently abusive. As the story progresses, relationships change, lives change, the town itself changes. It is a wonderful look at the best and worst of humanity. Carolyn Haines is a fabulous writer. Her characters become part of your life. What a gift!

I love Carolyn Haines!!! Especially when she writes in this genre. I do enjoy the Sarah Booth Delany books as well, but it is like comparing a fine wine to Kool-Aid!
When the author writes in this genre it is always tough, life then was never "pretty" or easy, yet she counters it with characters who are gracious.
The only critism was the ending, a bit too abrupt. Or perhaps I just did not want it to end??

This book is different than the Carolyn Haines mysteries I have read, and is just as enjoyable. Touched is written in beautiful language, and I felt as if I were right there in the thick Mississippi summer heat, felt the heavy air just before a thunderstorm would hit. She knows how to weave a story so that you just want to keep on going.

I am glad I stumbled across this author and her books!

Ya never know what your gonna get. Touched is one of those books you think about at work...because you want to get home and finish it. I love it when Southern authors can make you feel the heat and humidity with their words; parts of this book reminded me of To Kill a Mockingbird (because of the place descriptions and the weather.)This is actually a quick read but you find yourself slowing down to savor the story. A five star book through and through!

Carolyn Haines' descriptions are so vivid and powerful that I felt I was walking on the road or actually sitting in the room with her characters. There were times the hairs on my arms just stood up or my heart was breaking with them. If Carolyn Haines was attempting to reveal the narrow mindness of people in small towns of the South, my opinion is She Nailed It. If she was trying to awaken compassion in her readers She Nailed It. Her characters took my heart. I am having flashbacks of times in her story and I am in the exact same spot with them I was while reading the book. I would recommend this as a wonderful read. It hurts but it certainly makes one think. I am so glad I read it. I believe it awakened a compassion in me which will remain a lifetime.

This is so packed with details that I am always searching for. It's awesome, it's so cool. It has everything that you need to know about the X-files, I have nothing but praise for the author. I love the fact that it told so much about all of the characters and stuff, and it's just so great that I recommend if you're as obsessed as I am about the show, to go and buy it. It's definitely worth the price. Again, really great book!!!

I thought that the book had alot to give and I realy liked it. If any one has a good X-files book tell me what it is called

Absolutely, positively, without a doubt the best and most complete reference book that has ever been published on THE X-FILES. This incredibly detailed and beautifully illustrated book covers everything you ever wanted to know about THE X-FILES but were afraid to ask! It is a massive undertaking that covers everything in easy to use A-Z alphabetical format. Every entry cites the episode it came from and every character has the actor's name. Say for example, in the letter (B): you will find lengthy entries for everything from Bear ("Ice") to Bay Area Carpeteers (the Chinese employer of Shuyang Hsin in "Hell Money") and Big Blue ("Quagmire"), from Babcock ("Gethsemane") to Bright White Place ("Nisei") and Biodiversity Project ("F. Emasculata") and tons of entries in between. It is also a very timely book as it covers all previous 4 seasons. I also love the classy look of the book, the good-grade paper and the typeset inside and, especially the price. Oh, how could I forget the illustrations! No more reused stock photos (that we've all seen in every magazine), but the coolest artwork enhances the book. Wait until you check out Flukeman, Mama Peacock and Dr. Zama! THE X-CYCLOPEDIA is a BIG book (with thousands of entries) and for only $15 it's a better deal than the 2 or 3 X-Files magazines I buy each month that total more than $15. If you call yourself an X-Phile, then you don't want to be without this DEFENITIVE reference book to the series! This is THE book of the X-FILES, and I highly recommend it.

This is definitely a 'must have' book for all X-Files fans! Every person, place, company name, historical reference or 'you name it' ever mentioned in seasons 1-4 is covered here! Also serves as an episode guide! Mine stays right next to me whenever I am watching the reruns! Get it...now!

This is the COMPLETE reference guide to my favorite TV show. Idon'tthink the authors missed a thing in this book...it is absolutely mind-boggling to see so many entries. From A to Z, The X-Files has never before been put under such focused, affectionate, and meticulous scrutiny. The X-CYCLOPEDIA is the ULTIMATE reference book on the series and if I only had $15 in my pocket and could only buy one book about THE X-FILES, then it would be this one. Hands down, this is THE best reference book on THE X-FILES ever written. I give it two thumbs up, four stars, or whatever critics use as a measuring stick. No X-Phile should be without it! The truth is no longer OUT there...it is IN the X-CYCLOPEDIA!

It seems everybody is doing an episode guide, but this book is different...it is all trivia, behind-the-scenes, and nitpicking. Loads of fun if THE X-FILES is your weekly fix. My son and I used it as a game to keep us occupied on a flight from NYC to San Diego as we tested each other's knowledge of our favorite TV show. I highly recommend this book...Must reading for X-Philes

If you think you know EVERYTHING about the best show on television, you're wrong. These guys pull up obscure info and quiz you on it, drawing not only from the episodes but from interviews, books, and magazines. This is a great book and a must for an X-Phile's library! My only complaint: after reading Phil Farrand's lighthearted Nitpicker's Guide, the authors of this book seem really critical. I mean, what's up with their review of "War of the Coprophages"? Lighten up! Other than that, of course, diehard fans will cherish this book.

Over 1,000 questions from the first three (3) seasons of my favorite TV show in a challenging format to test the gray cells of my brain. How would I describe this book: An X-Files version of JEOPARDY! More than just something to read...a book to play and damn well worth the $$$. I highly recommend it to any die-hard X-Phile

I've always considered myself an X-pert. None of my online friends (or real life for that matter) has ever been able to stump me on X-Files trivia. I'm completely addicted to the show and have 15 books.

This one is definately one of the best, pointing out many of the nitpicks and netpicks we've philes have already discovered in addition to new ones that sent me back to look for them. The trivia is extremely difficult and interesting.

I recommend this book to all philes who think they know it all. Take a few months to memorize this book and then you will know it all.

My brother got me this book for my birthday two years ago. It is my bible and my life (kind of sad, actually!) Anyways, it's really good and like that other guy said, if you take a few months to memorize it, you'll the X-Files Genius and you can impress your friends with little tidbits of knowledge. For example, what's Scully's home phone number? I'm not telling.. get it and look it up yourself! Note: good book for diehard fans!

Universal Horrors, which was originally published in 1990, is an excellent reference book of every horror related films made by Universal from 1931 to 1946. That book was a real eye awakener for horror movie fans and had a huge impact on how film books would since be written.

The second edition of Universal Horrors, published 17 years after the first edition, is essentially an updating and rewriting of the earlier version. It has additional quotes from the performers and production folks. Also, there are many new pictures added to the book. It goes to show that what was perfect can still be improved upon!

This book is highly recommended for anyone with interest in the old horror films from Hollywood's golden years. Those who already have the 1990 version should really consider going for this new updated version.

If your 'bag' is classic horror films of the thirties and forties, especially Universal films, this book is a must-have. To many baby boomers that saw these movies when they were released for television in the fifties, this book will bring back a lot of memories. The book is great, but like all McFarland books, it is pricey. But for the true fan (which is short for fanatic) the price won't matter!

The classic horror films of the 30's and 40's have never been as popular as they are today. Baby Boomers who grew up watching the old Shock Theater packages in the 50's and 60's hold a tremendous fondness for the films that terrified them as children. The Boris Karloff Frankenstein and Bela Lugosi Dracula are still the most recognized images of those two classic monsters...so much so that their families had to move to legally trademark their images to protect them.

The Universal horror films are the subject of Universal Horrors, the second edition of this outstanding book by noted classic film historian Tom Weaver and Michael & John Brunas. Throughout the massive 608 page hardcover, the authors cover each one of the 85 horror films made by Universal from 1931 - 1946. Just do the math...that's an average of about seven pages spent on each film during this period. This is no mere listing of actors with a one-page synopsis. Rather this is a definitive guide to these 85 films with complete cast and credits, detailed storyline synopses, production history, behind-the-scenes information, critical analysis, period reviews, and commentary by cast and crewmembers. Most of the comments come from the voluminous numbers of reviews that Weaver has conducted over the years.

The films are listed chronologically beginning with Dracula in 1931 and ending with The Brute Man in 1946. It even includes the Spanish version of Dracula which was filmed on the same set as the original at the very same time! White The Lugosi version was shot during the day, the Spanish crew took over at night. In many ways, the Spanish version outshines the Tod Browning directed original.

One of my guilty favorites of the Universal Classic film era is 1932's Murder in the Rue Morgue, presenting Lugosi in truly one of his most sadistic and macabre roles. This film ended up being the bone that both Lugosi and Director Robert Florey received for NOT getting their respective parts in Frankenstein, which instead went to Karloff and Director James Whale. This rather film features Lugosi as Dr. Mirakle, who injects the blood of an ape into women he captures. When the experiments fail, he dumps the women into a river. It's a highly underrated film and one of Lugosi's best roles.

Weaver and partners don't give a short shrift to lesser-known films. While the most popular films do get more coverage, even the least well-known of the Universal Horrors gets several pages devoted to it...and there are a number of lesser known films. Unfortunately a number of these are not on DVD or even VHS for that matter meaning that the entry in this book is probably the closest you'll get to the film without actually seeing it.

Many of these lesser-known films are not true horror but often murder mysteries with horror trappings such as "old dark house-style" films. These films include Secret of the Blue Room, Secret of the Chateau, The House of Fear, and The Black Doll. The appendix goes on to list several dozen more films that were borderline exclusions...close, but just not making the cut to receive a full write-up for various reasons. Actually it's somewhat difficult to figure out while some of these were left out of the main listing since many are quite similar in plot and tone.
This book is simply fabulous. Everything that Weaver does is always meticulously researched and extraordinarily entertaining. This is THE Bible to fans of Universal's classic horror films, and one of the finest film reference books I've ever read.


REVIEWED BY TIM JANSON

An amazing source of information for anyone who ever stayed up watching the late late show on a Saturday night. I am truly impressed at the thorough research that went into this book; many factoids which have escaped even the most die-hard of fans will be brought to light. I commend McFarland Press for providing fans of such an "un-hip" genre with consistently fine sources of in-depth information, especially keeping in mind that with each passing year the facts directly from those who were there are getting more and more difficult to find. This book probably does not hold a lot of interest for anyone who does not hold a special place in their heart for the studios' genre work prior to buying the book, and the authors do tend to often drift into becoming overly opinionated and putting much too much thought into subject matter that was never intended to be overanalyzed. Nonetheless, this is still an extremely fun read for any fan.

If your 'bag' is classic horror films of the thirties and forties, especially Universal films, this book is a must-have. To many baby boomers that saw these movies when they were released for television in the fifties, this book will bring back a lot of memories. The book is great, but like all McFarland books, it is pricey. But for the true fan (which is short for fanatic) the price won't matter!

We Think The World Of You is basically a tale of "you don't
get what you want you get what you get". In the case of Frank
he wanted Johnny but ends up with a dog named Evie. An amusing
and sly look at some working class personalities and carry on.

Fantastic book !

John

First published in 1960, this book is a delicious souffle, which J. R. Ackerley has whipped to perfection. It tells the hilarious story of the love triangle involving Frank, a buttoned-down civil servant, Johnny, the working class guy he's in love with, and the beautiful, headstrong Evie. As the story opens, Johnny has been sentenced to a year in jail for breaking and entering, and Frank is worried that this will give Johnny's pregnant wife, Megan, the chance to freeze him out of Johnny's life altogether.

But in the end it's the beautiful Evie that precipitates the final crisis, forcing Frank to go through some painful self-discovery along the way. Ackerley's tone is pitch-perfect throughout. An offbeat book that is completely hilarious.



Did I mention that Evie is a German shepherd?

It would be hard to make the case that WE THINK THE WORLD OF YOU is by any means a major work, but why should that lessen your fun? Ackerley's novel is very much a surprise in its relegation of its homoeroticism (dealt with very honestly and matter-of-factly) to the background; the protagonist's homosexuality is treated as simply a matter of course rather than as the center of concern, and what gets greater attention is his complicated relationship with his lover's family and dog.

The narrator himself is a terrific creation: sneaky, pompous, arrogant, and yet also somewhat likeable despite it all. And so too are the lover's parents and the dog herself--it all has the ring of reality about it. This is a minor delight, but a delight nonetheless.

This fantastic piece of high art just gets funnier and funnier and more blackly though generously hilarious with each successive page. Brilliant.

It's practically impossible to imagine a book like this being published in today's publishing atmosphere, but thankfully, NYRB is around to buck that trend. I mean what editor today would manage a straight face upon opening a proposal about a middle-aged gay man taking care of the irrepressible dog of his working-class lover who's in jail? But as usual, with any work of art -- craft, talent, intelligence, compassion -- this remarkable work is so much more than that. Around its droll premise, Ackerley found a way to brilliantly expose the pettiness of people, regardless (or precisely because) of their social standing. The dog, which is just as vividly alive as each of this novel's (bipedal) characters, is really only it's lovable catalyst. But finally, what makes this work astounding is how it slyly and assuredly gets funnier and funnier and more blackly though generously hilarious with each successive page. A real snicker of a book.

It couldn't be better said.

This book is pure enjoyment. What a wonderful command of the language from this former English professor! Insightful and reflective, this book is about so much more than the obvious. Though perhaps the title is not that far amiss...

My only "criticism" would regard the desire to see more of the photographs to which Adams refers or describes in detail. He gives us very few opportunities to understand what he says by looking at the picture itself.

A wonderfully written book about the wonders of photography written by a wonderful writer with a wonderful eye and a wonderful brain.

This book has been of great assitance to me in my teaching and creative practice over the years. It has been a source of inspiration and motivation allowing me to continue working with my cameras and photography, at the same time reconciling different ideas about 'money', 'ideas', 'freinds', 'teaching' etc to enable me to maintain my faith in what I do.

The essays on teaching and money in particular have helped me clarify my position as both an artist and teacher, I highly recommend this book to anyone considering teaching or photography as a career.

If you are not connected with any photography/art community, this book is for you. If none of your friends has an MFA, and if you are in need of someone who can speak intelligently about photography as art, then again, this book is for you. Robert Adams' writing is clear, concise, and insightful. Adams tells us why we photograph, for example, why we photograph landscapes. The answers include: because the images are of "emblems of a land" (pages 146 and 163), because our photographed subjects redefine us and is part of our biography (page 15), because art is "specifics made universal" (page 120), and because "art is a discovery of harmony" (page 181). Adams consoles photographers who come to realize that spending ten years doing photography won't necessarily result, e.g., in a contract for preparing a coffeetable book: "[t]hey may or may not make a living by photography but they are alive by it" (page 15); and the experience of having an exhibit where the photographer "stand[s] through the opening of an exhibition to which only officials have come." (page 16). Adams reveals the secrets of some of the masters, e.g., Weston: "limbs and torsos . . . treated as shapes to be enjoyed as one might the sight of a smooth stone" (page 64); and Paul Strand: "he worked off axis as if it were a moral principle . . . but usually just slightly off axis." (page 81) Robert Adams offers some critiques of the masters, e.g., of Paul Strand: "[o]ff-centering is used here . . . it begins to seem formulaic (page 87); and of Ansel Adams: "I have been derivative of myself for fifty years." (page 116). Robert Adams' book is a stand-alone book, that is, it does not require a knowledge of literature, art criticism, or history. The book is for the layperson. Another fine, insightful book on photography criticism is Light Readings by A.D. Coleman. A remarkable bit of insight by A.D. Coleman, for example, concerns his view of the typical amateur (page 164): "Typically, a snapshot of someone's relative at Grant's Tomb will show the relative too far from the camera to be identifiable and Grant's Tomb too close to be recognizable . . . Their charm and poignancy derives specifically from their failure to communicate . . ."The writings of Robert Adams and A.D. Coleman may be contrasted with the poetic commentary David Wallace (in Morley Baer's The Wilder Shore) and with the "writing" of Sally Eauclair in The New Color Photography and New Color/New Work. The writings of David Wallace and Sally Eauclaire are silly, and sometimes very silly, and serve only to draw attention to the words printed on the page instead of serving to invoke new concepts and connections in the mind.

Most of the book doesn't really respond to the title, but Robert Adams writes in a very engaging manner and talks about issues that most photographers will find interesting. I found particularly interesting his discussion of famous photographers and their aesthetic philosophy. This is not a book for the casual photographer, but for the photographer who is interested in photography's background, or a collector who'd like to better understand the photographer as artist, this book is terrific.

I'm working with several students in junior high to help them increase vocabulary for the SSAT test. This book helps teach the new words in context and lets them learn in a way that is more familiar to them. Love the book!!!

I am a 7th grader of a middle school, and this is what I think of this outstanding book. This book had a very interesting way of teaching... Instead of a textbook, this book was made into a chapter book with several excellent stories about adventures with three kids and a gargantuan, black cat. The stories were well put together and the advanced words fitted in perfectly. I shared my ideas with my family, and we bought more books of the same series. I think younger kids should just read the book for the stories if the words are a bit too complicated for them to remember, but I'm sure that they will enjoy it. Readers will no longer be oblivious about grammer. As a matter of fact, they might even excel in the field of grammer and writing. Anyway, to me, the words in the book were extremely easy to understand, because they were so well placed, that the context clues made the definitions very clear and obvious. There was also a glossary in the back that gave the definitions to the bold-faced words. Unfortunately, the glossary did not have definitions to all of the words, but if you have a dictionary, you should have no problem. Overall, this was a fantastic book leaving me craving for more.

I used to work as a professional SAT Reading coach, making big bucks; the key issue for most of my students was vocabulary. Rather, VOCABULARY. (The other is slowing down and thinking as--not after--they read.)

Many questions on the SAT reading section amount to vocabulary questions.

What this means is that if you want to improve your SAT scores, if you are an ambitious student trying to get into one of the top schools, there is no two ways about it: you have to study vocabulary.

And study vocabulary.

And study vocabulary.

You cannot study simply one book, or even one series of books. You have to study several series.

However, the Princeton Review Word Smart series is the best that I know of. You should start here. Even if you think you have a good vocabulary, start here just to be on the safe side, and you can move on later.

You would recommend studying any of the vocabulary books that I've ever seen--but I recommend mastering the Word Smart series. These really are by far the best--if you are shopping here, it probably means you need these books.

If you were one of my students, your parents paying lots of money, I would force you to master these books, and I would ride you like a horse until you did. And then your scores would come up, your parents would love me and tell all their friends, and I would get more jobs and more money. That's how it works.

Anyway, these are certainly the best vocabulary books on the market. Even if you're studying vocabulary for some other reason, these are probably still the best.

Good luck!

I am 11 years old and I thoroughly enjoyed reading this book, both as a story and as a no-stress way to learn new vocabulary. I am actually using the many words I learned in the book ~ it's easy because of the manner in which the book is written! I even enjoyed the quizzes at the end of each chapter ~ they were fun. I would save this book for after I had done my other work (I am a homeschooler) because I enjoyed this book so much. It was my inspiration to get finished with the other things so I could get back to this story!

The book is about three kids and a cat who have worldwide (and outer space!) adventures that lead them away from their real goal, which is to find Bridget's parents. You learn the new vocabulary from reading it in the context of their conversations. No memorizing lists! Great fun!

I bought this tape for my elementary age niece and two nephews. They have played this tape for weeks every night at bed time. They even fight over who gets to listen to it in the car. All of their vocabulary had sky rocketed. They are using "big" words properly and have no problem correcting the adults when we use them wrong. The way the new words are weaved into the stories give the kids the handle to truly understand what the word is, and what the correct usage is for any given situation. My sister and I are so impressed with this tape. We wish there were more of these.