Reviews Books
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Used price: $9.21

for the ultimate fanReview Date: 2008-12-29
Must have for a BONES addictReview Date: 2008-07-21
Just can't get enough of Bones? Here's more to love!Review Date: 2008-06-13
Great Companion!Review Date: 2008-06-09
Bones the Companion and Season 2Review Date: 2008-05-08


Inciteful...Review Date: 2008-04-07
A fine attention to artistic reflection and analysis.Review Date: 2006-11-06
Diane C. Donovan
California Bookwatch
Good,but very deepReview Date: 2005-08-13
"to break the bonds which bind". . . "to an impoverishment of possibility"Review Date: 2007-06-26
Instead, Kandinsky extended the frontiers of painting and authored philosophic writings on the future of art that are among the most important of such works. M.T.H. Sadler, who translated this work into English, was a friend of Kandinsky's and was among his early admirers. The notes he has written in the front of the book (Translator's Introduction) are therefore more helpful than could be the opinions of many other critics, including myself:
"Anyone who has studied Gauguin will be aware of the intense spiritual value of his work. The man is a preacher and a psychologist, universal by his very unorthodoxy, fundamental because he goes deeper than civilization. In his disciples this great element is wanting.
"Kandinsky has supplied the need. He is not only on the track of an art more purely spiritual than was conceived even by Gauguin, but he has achieved the final abandonment of all representative intention. In this way he combines in himself the spiritual and technical tendencies of one great branch of Post-Impressionism.
"The question most generally asked about Kandinsky's art is: 'What is he trying to do?' It is to be hoped that this book will do something towards answering the question. But it will not do everything. This--partly because it is impossible to put into words the whole of Kandinsky's ideal, partly because in his anxiety to state his case, to court criticism, the author has been tempted to formulate more than is wise. His analysis of colours and their effects on the spectator is not the real basis of his art, because, if it were, one could, with the help of a scientific manual, describe one's emotions before his pictures with perfect accuracy. And this is impossible.
"Kandinsky is painting music. That is to say, he has broken down the barrier between music and painting, and has isolated the pure emotion which, for want of a better name, we call the artistic emotion. Anyone who has listened to good music with any enjoyment will admit to an unmistakable but quite indefinable thrill. He will not be able, with sincerity, to say that such a passage gave him such visual impressions, or such a harmony roused in him such emotions. The effect of music is too subtle for words. And the same with this painting of Kandinsky's. Speaking for myself, to stand in front of some of his drawings or pictures gives a keener and more spiritual pleasure than any other kind of painting. But I could not express in the least what gives the pleasure. Presumably the lines and colours have the same effect as harmony and rhythm in music have on the truly musical. That psychology comes in no one can deny."
Some aspects of Kandinsky's color theory are dubious, at best they cannot be universalized, and Kandinsky sees this. But other of his ideas and arguments are widely accepted among artists, even as being self-evident. Stating that "there is no 'must' in art, because art is free," that is, free to address external representations OR "the inner need," to merely chase after material 'objects' OR to wrestle with the mysteriously spiritual, to somehow meld the two visions OR to stay purely to exploration of the spiritual high ground, Kandinsky absolutely rejects the materialistic expectation of an art "explanation" that has been articulated by EO Wilson in his unfortunate daydream 'Consilience' (Wilson knows ants better than he knows humans, and is given to understanding humans to be essentially ant equivalents).
Anyone interested in art history, painting of the past century, or the relationships/correlations/divergences of the various arts (visual, musical, literary), as well as anyone interested in the meaning and purpose of art, or in the philosophy of aesthetics, should read this important book, perhaps more than once.
AmazingReview Date: 2007-01-04
This book is a very good read for anyone feeling slumped in their art making. And for anyone who wants to expose themselves to ways of thinking about art. By the third time I had read the material I had underlined and highlighted almost every line and filled all the margins with notes. The book is fantastic. It is especially good when paired with Hans Hofmann's essay "In Search for the Real." Although the ideas in the two books do not parallel. In fact the lines aren't even on the same page. Kandinksky's critiques of other familiar artists are very interesting too. Names like picasso and Cezanne pop up quite a bit.
I'll stop rambling now. Read the book, it is very good.

Used price: $80.00

"Excellent resource for old exam questions"Review Date: 2007-01-13
Exactly what I'd been looking for!Review Date: 2004-10-28
Dynamite review. Got my results already.Review Date: 2004-10-29
There's only one way you can "Pass" on this one...Review Date: 2004-11-20
AM HIGHLY RECOMMENDING...Review Date: 2003-04-14

Used price: $0.01

Liked it -- mostlyReview Date: 1999-09-01
The perfect guide for any movie buff!Review Date: 2000-06-21
As entertaining as the films...Review Date: 2000-01-06
Funny, Witty, InformativeReview Date: 1999-07-26
Witty and irreverent, just like the girls themselvesReview Date: 1999-06-30


Sorry the saga has endedReview Date: 2008-09-07
Into TemptationReview Date: 2008-04-25
A page turner, as were the first 2 !! So well researched and written.
If you love long family stories you will love these books.
Even the ending of this, the third was just right!
A great read!
Into Temptation (Lytton Family Trilogy)Review Date: 2007-09-27
Loved this trilogy!Review Date: 2007-09-29
LinnieReview Date: 2007-08-24

Used price: $28.26

Med Students need thisReview Date: 2008-05-26
MICROCARDS are a mustReview Date: 2008-05-04
Good USMLE, not great for a micro classReview Date: 2008-06-06
AWESOME!!!Review Date: 2007-04-02
The Best Cards!Review Date: 2007-04-23

Collectible price: $10.95

Who Wants to Laugh Out Loud? Review Date: 2006-10-19
What a clever, funny book that was clearly written from the heart. What a fresh directive. I could almost hear the author talking to me. I could almost "see" the people and nearly experience what was going on, the desciptions were so clear.
I think Im now a Millionaire Fan..
Now i tape all the shows to find J.E.'s show and watch it. -THANKS ALOT -
All i need to know now is.....what's next Millionaire Boy?
I was so excited...Review Date: 2002-12-15
Loads of fun!
A very entertaining read!
this is a book for everybody!Review Date: 2002-12-13
I enjoyed this book thoroughly! It was well-written and very amusing.
The author has a very comfortable style. It is really like he is talking right to you. There are inner monolouges to let you know what he is thinking at key parts of the book.
This was a very visual book, because the author's descriptions
of people, settings, and activities were superb!
I had read other reviews of "Millionaire Boy" and questioned if people
were really laughing out loud as they claimed.
I can atest to the fact that this is a very funny book and, yes, I DID
laugh out loud. SEVERAL times!
I have passed the book along to other fans of WWTBAM and they have enjoyed it as much as
I did.
I too am looking forward to the author's next book.
I think he has a great future ahead of him.
Have a game
show fan or a Regis Philbin fan on your gift list?
This is a book for them!
But like I said at the beginning, "Millionaire
Boy" really is a book for everybody!
Lots and lots of FUN!!!!Review Date: 2005-06-14
The perfect sitting by the pool book!
If you like Dave Barry, you'll appreciate the humor in this book.
Anybody know if the author has written anything else?
Dave Barry eat your heart out...Review Date: 2003-02-25

Used price: $0.01
Collectible price: $16.00

Poor Layout for my favorite RW SeasonReview Date: 2003-09-01
Lots of Info You DIDN'T Know!Review Date: 2002-01-27
My favorite part about the book was the information about the Kelley/Danny and Melissa/Jamie "feud." With quotes from the sources themselves, it adds even more drama than was on the show! VERY interesting!
A must for fans of the real worldReview Date: 2003-02-02
You will really enjoy it!!
Good buyReview Date: 2001-07-25
The Truth Be ToldReview Date: 2001-04-16


Good readReview Date: 2008-12-12
One of the best books for children Review Date: 2008-05-13
So happy to find this bookReview Date: 2007-11-12
a classicReview Date: 2006-07-10
The book reads very fast and is incredibly emotionally touching. I reread it recently as an adult, and still found it as magical as I did when I was a child.
Beautiful, touching, and inspiringReview Date: 2006-08-17

Used price: $3.48
Collectible price: $18.95

A little disjointedReview Date: 2008-09-13
An affectionate rememberance!Review Date: 2006-04-22
Renoir considered himself an artisan rather than an artist, disliked anything artificial, from margarine to ready-to-wear clothes, had among his friends artists, and musicians who are household names today. "It is when you have lost your teeth that you can buy the best beefsteak" he would say, and considering that he became more infirm with age, this truism affected him no less than the rest of us.
Two for the Price of One: More Than an Artist's Bio--A Detailed Historial Portrait of 19th C. FranceReview Date: 2007-09-16
Beginning at Louis-Philippe's "July Monarchy" (1830-1848)-- generally seen as a period during which the haute bourgeoisie was dominant and the 1840's which saw financial crisises and bad harvests with an ensuing economic depression--we are reminded of the general and specific trends vis-à-vis how they affected the Renoir family's world. Curiously descriptive, this was a world of street oil lamps and chamber pots; anesthesia was not yet invented (nor any antiseptics); butchers slaughtered the animals on site in the back of the shop; great debates about the inferior railroad system and the overall safety of locomotives were waged (could a pregnant woman harm her unborn child by moving a such great speeds? Did the smoke and soot emitted hinder crops in nearby fields from growing). Adding to the vivid and graphic storytelling of French life are vignettes of the senior Renoir's dealings with fellow Impressionists and art dealers as well as his painting process behind some of his masterpieces. Family life, the defining touchstone of the artist as a man, is shared in humorous and matter-of-fact style ("My mother brought a great deal to my father: peace of mind, children whom he could paint; and a good excuse not to have to go out in the evening.") This book, which was first published in the mid-1950's, affords the reader a complete picture of the life of a great artist during a time of vicissitude and excitement in all facets of French society.
BeautifulReview Date: 2002-02-19
As we get to know Renoir we get to know his contemporaries, too. Jean Renoir writes about Monet, Cezanne, Manet, Sisley and many other great artists. We learn many "little known" facts, such as Monet's penchant for lace and his "artful" way with the ladies.
Paris really comes alive in this book. Many of the places Renoir writes about still exist and can be visited today. This book makes any art lover's trip to Paris more meaningful whether he's a Renoir fan or not.
When reading this book, one must remember that this is not a "run of the mill" biography. This is a son writing about the father he adored. The portrait we are given is very intimate, detailed and loving. It's obvious that Jean Renoir adored his father, just as Auguste Renoir adored his family.
Ultimately, this book is a beautiful tribute from a loving son to a father who was one of history's consummate artists. If you have any interest at all in art, this is one book you simply must not pass up. The last page alone will break your heart.
TherapyReview Date: 2003-12-27
The book might take a bit of getting used to: Jean has his own pace and his own way of telling his story. We did it in small doses and I'm not certain yet that I quite catch the rhythm. None of the rough edges have been smoothed off which, come to think of it, is just as Claude would have wanted: Jean speaks with his own voice. You have to listen well, but you know that the voice is nobody else's.
I suppose it helps to know a bit about the Impressionists to enjoy it all, but I can't say I know all that much, and I didn't feel impaired. Anyway, God bless Google: more than once, when Jean talked about a painting or a subject, I key-clicked my way to an image and completed (as it were) the picture.
Kudos also to NYRB (this time) for producing what it does not always produce: a finished physical specimen The paper feels like quality; the binding is sturdy, and there is a small but satisfying selection of pictures, both colored and black-and-white. There is even an index of sorts (I assume from the original translator) but it is patchy and incomplete. That last is a shortcoming, but forgivable in light of the book's other virtues. In the NYRB firmament, this is surely a star.
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