Reviews Books

If you're looking for saucy gossip about groupies and drugs, this is not the book for you. If you want to learn about five teenagers from London who had a dream, buy this book. James Phelge, forever known as "Roommate of the Stones," offers priceless insights and hilarious shenanigans of a struggling, unknown band named after a Muddy Waters blues song. After the Stones start touring America, the story seems to drag a bit by focusing on some of the "Swinging London" scene, but it is merely a set-up for the shocking ending -- Phelge walks away from it all and chooses to live a normal life! The crazy man of Edith Grove turns out to be the sanest of them all. A must read for EVERY Stones fan.

My husband is a true Stones fan. He loved this book. It gives many insights to how they began and grew to what they are now. He has thanked me over and over again for buying him this book to add to his collection. He knows alot about the Stones and this book was not a repeat of things he already knew. If you like the Stones, you should grab this book!

This is certainly the best "story of the Stones" book. Phelge manages to present the story straight out, with an excellent memory for detail. When he drops names (and there are lots) you really don't get the feeling he's dropping names, it just somebody else who was around at the time.

Although many of the stories have been told by Phelge to other writers before and have sort of become part of the Stones legend, it's great to hear the whole thing from beginning to end from the man himself.

If you only buy one Stones book, this is a great choice.

If you want one book that provides a window on the early 60s London music scene, this is it.

If you want a book that tells a great story about a group of naive guys trying to be a band, this is it. There are not ridiculous stories about parties, but when they screw around, you get the feeling you were there yourself.....a very nice writing job and well worth the trouble to find and read.

I've read many a book about the Rolling Stones. This one is by far the funniest, most grotesque, enjoyable read about the Stones ever written. Suprisingly Phelge has a natural talent for writing, and it shows in this delightful read. I reccomend this book for any Stones fan. Trust me. My wife even liked this book!I guarantee you won't put it down until it's done. Thanks Mr. Jimmy

This book is precious and priceless!

Older Stones fans (like me), especially those familiar with Sixties London and the districts where The Stones lived in 1963, will delight in the easily readable and so evidently true stories of The Stones' very early days when Mick, Keith and Brian were more than teenagers but not quite mature adults. Phelge has covered many of the bases and truly gives you a taste of the environment that nurtured The Stones. You arre literally in the room with them, watching The Stones struggle hard, indeed, almost desperately for a commercial break, and against incredible odds in a still conservative post-war England. The book is chock-full of marvellous observations, wonderful insights, hilariously humorous incidents, and pathos. It clearly reflects Phelge's superb capabilities as a raconteur (and one not given to exaggeration) who tracked the evolution of The Stones even as he lived with Mick, Keith and Brian 40 years ago in their squalid, disorganized flat where cleaning up for the lads simply meant throwing crockery, cutlery and utensils out of the kitchen window into the communal garden below.

The book is filled with gems: Mick's yearning and wistfulness for a load of money as he lolls aimlessly in a freezing cold, food-free flat with his fellow Stones; chucking Ian Stewart out of the band because he did not look "with-it" enough for Andrew Loog Oldham, the first manager of The Stones along with Eric Easton; the unbelievably funny and ridiculous "Toilet Door Fiasco" with Keith and Phelge who drove their neighbors mad every day for months on end with their antics and purloining; the "Immaculate Dollies" with their [nice figures]; the "nankering" (face-making and squawking) and pranks that went with their looning around generally; the list is endless.

In addition, Phelge paints excellent portraits of The Stones' character and temperament. One sees the competitiveness and tension between Brian on the one hand, and Mick-and-Keith on the other hand, all starting very early on in their association. (They would carry this around with them for years until they ditched Brian with the worst of feelings in 1969.)

Younger Stones fans need to read this book in order to understand who The Stones were and where they came from, and how they started up the ladder that took them to stardom at the very top of the world where they have stayed since 1965. My younger office colleagues who like The Stones have absolutely no idea about any of this history and it is a shocking gap in their knowledge.

Overall, an amazing, informative, excellent book. At least 5 stars!

JS

A Cinderella story. I loved it when I read it years ago. I have continued to re-read it. And I love it now.

My public had to dig it up from the hidden stacks, but a few years back I checked out and read The Revenger's Tragedy, which Stewart quotes as epigrams before chapters. I fell in love with Shakespeare's "The Tempest" after reading "This Rough Magic," and other novels assume a knowledge of Greek drama. It's great to see this new edition, but I wonder if a Gothic romance of this erudition could be published today.

This is an absolutely fantastic mystery/romance. I own it and have read it multiple times, along with most of the rest of Mary Stewarts books. It's one of the books I never get tired of. No matter how many times I read it, I still can't put it down when I'm in the middle of it. I highly, highly recommend it.

This is the first Mary Stewart novel I've read and while I enjoyed the book's atmosphere and lead characters, I was a bit let down by the plot on the whole.
From reviews I had read, I was hoping for a dark and intricately plotted mystery. While there were several very suspenseful passages, the story was a bit too predictable and the ending seemed to drag on a little too long.

I did enjoy the fact that 'Nine Coaches Waiting' is mainly a mystery with just a sprinkling of romance. However, I felt that even with the main focus not on the romance, that part of the story could have been handled a lot better. The romantic entanglements between the two main protagonists seem much too rushed and unrealistic.

All that being said, I still enjoyed reading 'Nine Coaches Waiting' (even though it did not live up to expectations)and will give the author's other books a try.

I enjoyed this book. It's the story of a young girl 23 who becomes a governess in a French mansion with a dark side to a little boy and she falls in love with a handsome but dark and mysterious man named Raoul. It was a good gothic mystery when strange things start happening to her.

This book was my introduction to Mary Stewart. I found it in a box of books in the attic when I was about twelve or thirteen. I read it and most if not all of her other novels throughout my teenage and young adult years. I reread this recently (30 years later) and find it is still enjoyable. It seems all the romances on the market these days are nothing but bodice rippers and they get boring real fast. I much prefer books with a plot and character development. I highly recommend Mary Stewart's novels to every one.

Has any one else noticed that her characters smoke so many cigarettes in her novels? Maybe I do because I'm an ex smoker.

This is an excellent novel about the Sepoy Mutiny in India in 1857. The focus of the story is the siege of the British Civil Service enclave at Krishanpur (historically this was the siege of Lucknow). A group of Sepoy soldiers was given new rifle cartridges that were wrapped in greased paper, and the paper was removed by biting it off with one's teeth. The word spread was that this grease was animal grease, which was an insult to religion. The sepoys mutinied, killed their superior British officers, and started marauding across India.

Hearing about the mutiny the (tax) Collector in Krishnapur had ramparts built around the British buildings in Krishnapur. Shortly afterwards the Sepoys attacked in waver after wave for a period of several months. Surprisingly author Farrell describes the sufferings of those besieged with a good deal of humor, humor that pricks holes in the pompous beliefs and attitudes of 19th century British colonizers. We bring them progress, a superior civilization, yet they turn on us marvels the Collector. The condescension doesn't stop with the Indians. At one point the Collector speaks to the British women in the enclave, and silently thinks that in reality women are really useless creatures. It is the men of the world that shoulder the responsibility of getting things done. The padre runs around telling everyone that God is punishing them for their sinful behavior. A new school and an old school doctor constantly disagree over medical treatment. In perhaps the funniest scene of the book the old doctor contracts cholera, and instructs his aides to cover him with mustard plasters. The young doctor, who is aware that cholera victims die from dehydration, initiates a saline IV every time the old doc sinks into a coma. The IV brings him around, and he immediately pulls out the IV and insists on getting his mustard plasters, following which he soon sinks back into a coma. Back goes the IV and the doc becomes conscious again. This cycle goes on and on and becomes hysterically funny.

The British thought they were doing wonderful things for the Indians, but the harsh reality of it is they were creating harsh lives for their colonial subjects. The sepoys, for example, were paid near starvation wages. This is an important novel about the misguided philosophy behind imperialism. Perhaps there is a lesson here for us Americans. Should we really be focused on bringing our way of life to other countries?

Chapatis. It is always difficult to start a novel convincingly, but it's a long time since I saw it done better than it is here. The harbinger of the brutal and bloody Indian uprising of 1857 was, in this narrative at least, the secret distribution of chapatis to the intended victims. I have long forgotten what little I may ever have known about these events, and I would actually be delighted to discover that this detail was not an invention of the novelist's but what actually happened.

If paraphrased, the amount of gore and squalor that is detailed here on page after page would seem grotesque and even intolerable. As told by Farrell, it manages to be neither. This was the Victorian era, and the story is a scenario of British Victorians subjected to pressure and strain of near-incredible ferocity. The author does not spare us the specifics, and it will be a long time before I forget the spongy piles of corpses, the sense of near-unbearable heat in which I for one would have had difficulty in even wearing the stuffy formal clothes let alone dancing let alone battling for my very life, the pervasive stench, the outbreak of cholera and the indelible vignette of the lapdog chewing the face off a fallen defender. Even more extraordinary, to me, than the way they keep going is what they don't do and in particular what they think and don't think. There is no real instance of irrational panic whatsoever, and although the Padre for one has clearly gone slightly round the bend, the way this manifests itself is in an obsessional fixation with denouncing Sin and Heresy, and largely with his frantic concern to prove that great Victorian preoccupation The Existence of God from something like Aquinas's Argument from Design.

At the height of the horror, the Collector is still thinking in Victorian vocabulary and expressing himself in subordinate clauses. Staring death in the eye, the young intellectual Fleury is still concerned with his theories, whether in respect of the operation of guns or of the progress of rationalism. The ladies themselves, who might have been expected to be in a state of blind terror, are still weighing up the niceties of how the matrons and widows on the one hand, and the Fallen Woman on the other, are expected to comport themselves. Most amazingly of all, when the cholera first breaks out the two doctors conduct a lengthy and articulate debate on its causes and remedies, keeping the attention not just of each other but of an attentive audience.

The book abounds in unforgettable incidents - the smothering cloud of cockchafer beetles, the snowstorm, the slaughter of one rebel contingent with silver forks from the dining-room and marble busts of Socrates and Keats - but what is distinctive and extraordinary about this book is its tone. Its tone is quiet, detached and wry without being aggressively ironic. No heavy lessons are preached (although it's not hard to see which side the author is on when it comes to religion). No particular political standpoint is adopted either, the nearest we get to that being the shoulder-shrugging last paragraph. The whole saga ought to have been a filthy nightmare, but instead the reader feels rather like the onlookers who have come along with picnic lunches to watch the events as if they were watching a game of cricket. It has all been Virgil's `plurima mortis imago' - the omnipresent face of death, and yet it has been a bit of a spectator-sport too. I'm actually rather glad I'm no historian in this instance. I don't know what set off the uprising, and once the relief forces turn up so far as I know things went back to much as they were before. The author offers us no theories or explanations: he just leaves us having witnessed wholesale and insensate slaughter and wondering what it can all have been in aid of.

Its rare to find a book that combines a fascinating story with great character studies and development and meticulously researched history to make a point about our civilizing impulses. It took me a bit of effort to get into it, and then couldn't put it down. The introduction by Pankaj Mistry provides a great synopsis of the themes, and I really enjoyed rereading it after I finished the story.

"The Siege of Krishnapur', the second of J.G. Farrell's now classic works on the British Empire, (see also Troubles (New York Review Books Classics) and The Singapore Grip (New York Review Books Classics)) is a fictionalized account of the Siege of Lucknow during the Great Mutiny of 1857-1858 (aka the Sepoy Rebellion). The mutiny or rebellion, depending on one's point of view, was ultimately defeated by the British and led to the replacement of East India Company rule by direct British governance under the Raj.

Farrell masterfully recreates the insular British upper-class life in India - and the siege only intensifies this insularity. As the siege drags on and on, the inhabitants strive to maintain expected standards of behavior and decorum. Farrell populates his book with interesting characters who debate and dispute morality, religion, progress, and civilization.

Excellent introductions are a hallmark of the New York Review of Books Classics and the introduction to this volume by Pankaj Mishra places the book in historical and cultural context and adds significant value.

Highest Recommendation.

At the climax of this magnificent novel, the book's protagonist, Hopkins, the British civil administrator or Collector of Krishnapur, finds himself trapped in a Union Jack whose flagstaff has been shot down, knocking him to the ground. He recognizes it as the scenario of a persistent nightmare that had been troubling since his small enclave had been put under siege several months before. But it is also a symbol for the entire book.

The initial set-up here is similar to that of the author's TROUBLES: a group of British colonialists crammed together in a decaying building while the threat of native rebellion comes closer. But this is larger in scope, with a bigger cast of characters, grander themes, and a rebellion which is much more than some background disturbance. Unlike the violence in TROUBLES, which is seen at first hand only in the hallucinatory final chapters of the book, this one (the Sepoy Mutiny of 1857) takes center stage about a third of the way into the movel, leading to harrowing scenes of death, starvation, and disease. On the level of a simple war story, these events (based on the siege of Lucknow) make for a stirring story of heroism and courage -- especially where these qualities are unexpected, is in the formerly stuffy Collector who discovers hidden talents for generalship and strategy, and the young poet George Fleury, fresh out from England, who proves to have a strong practical streak and a remarkably cool head.

Also as in TROUBLES, there is a pervasive eroticism to this book, centering around three of the younger woman besieged in the Residency: the debutante Louise, chaste belle of Calcutta balls; Miriam, George's young widowed sister, tired of being assigned to stereotypical female roles, and Lucy, whom everybody knows as a "dishonored woman" although nobody is entirely clear as to the extent or agency of his dishonor. As the siege persists, the courtship conventions of colonial society are turned on their head by proximity and deprivation. There is one almost surreal scene in which Lucy, attacked by a huge cloud of otherwise harmless flying beetles, rips off her clothes and promptly faints, leaving two young men to scrape the insects off her, in the process discovering the differences between a real female body and a marble statue.

For, despite the bloodshed, Farrell's characteristic tone of comedy is present here too, but now his targets are as much institutional as personal: the hypocracies of colonialism, trivia of class and culture, and Victorian attitudes towards faith and science. As we meet the cast of characters, we find many different points of view: the Padre who believes that the rebellion is God's punishment for sin, the cynical Magistrate who is a confirmed atheist, the Opium Agent who believes only in profit, rival doctors from older and newer schools of thinking, bluff soldiers who do not think much at all but who can yet be excellent at their jobs, the aesthete Fleury whose first reaction to being under fire is to assemble phrases for an epic poem, and the Collector, who believes in progress, but attempts to strike a balance between all points of view. And to a remarkable extent, the author also manages to retain that balance. The siege is a crucible in which every kind of received attitude may be tested, and for the most part found wanting. But Farrell is never preachy or polemical; he does not make everything subservient to a single point of view, even the anti-colonial one. His great gift is to keep you thinking, even as you turn the pages with bated breath. A brilliant achievement!

I am so happy I bought this book. It has answered a ton of questions I had.

In a profession without a road map, this book is essential. A skilled editor, Jacob's tone is at once motivating, demanding, and kind. In her chapter on recipe testing, she brings you into famed kitchens--i.e. those of Deborah Madison, Mark Bittman, and Alice Medrich--to show that recipe developing is both hard work and loads of fun, like food writing itself.

I stumbled upon Dianne's website while I was researching for my book proposal. I wasn't planning to write a cookbook but since I love food and this book is so unique, I got myself a copy anyway.

I'm pleasantly surprised! I've learnt a great deal about raising one's platform/profile before publishing a book, as well as the nuts & bolts of the publishing industry. This book is a MUST-HAVE for all aspiring cookbook writers!

An inspiring food writing with a stack of gastronimic literature to read through over a long weekend, I had a goal of finishing at least two of three books that were sitting on my coffee table. The first one I chose was "Will Write for Food" by Dianne Jacob. A food writer who's been writing since 1978, Dianne also instructs and coaches individuals and groups on becoming successful food writers. As she mentions in her book, she used to tell students to go check out books at the library about food writing to gain perspective of the business outside of class. After students repeadedly came back to her stating there were no books out there on food writing, Dianne decided she'd be the one to write it. So I guess one could say this is the first book published on the nuts and bolts of becoming a successful, professional food writer. I found the book incredibly helpful, honest and no-nonsense. Dianne has a gift for mixing honesty (don't quite your day job right away) with pep talks (just keep writing, you'll get there). She delivers practical advice and covers topics from writing cookbooks to the art of restaurant reviewing, pitching food article ideas to magazine editors to writing memoirs, and getting ficiton and nonfiction pieces published. The book also features a number of exercises at the end of each chapter for readers to stretch their creative muscles, like brainstorming exercises that assist in developing magazine article topics, writing your own food recipe and researching food and book publishing markets. Finishing the book inspired me to march forward and capture all the ideas floating in my head onto paper to get them closer to being published pieces of work. This is a book I will refer back to regularly.

I have read many advice/guidance books on writing, and I truly found this book to have more practical and thorough information than all others I have read - and solely on the subject of food writing! The 'Interview Subjects,' 'Bibliography,' and 'Selected Web Sites' sections knocked my socks off. It is obvious that Dianne Jacob put a lot of time and effort into this book. I read it completely in just three days, and I will refer to it regularly for my food writing pursuits.

This book isn't for new filmmakers or independent filmmaker. basically you will not need this book ever to make your future because we are living the new digital era of the film making unless you are academic student and your professor asked you to acquire it then you have to.

You can buy a book speaks about specific thing you desire. you can find thousands of books here better than this. in my opinion this book is passed history not coming future, complicated and confusing.

The new digital age will bring soon new equipments like combining 2 or more equipments into one only. simply, the book is boring.

Buy any other book like DV Filmmaking for Ian Aronson. you can support yourself by other specific and simple book but not this 600+ pages (hands book).

great book if you plan on going into the film industry. i would recommend this book.

The Filmmaker's Handbook is exquisitely detailed in it's delivery of filmmaking knowledge and know-how. It cover's everything from film to video and from the film industry to the television industry, delivering updated information that will prepare even the most amateur videographer for the professional industry. However, it would be a good idea to start with some basics before tackling this book because it IS quite detailed and technical in it's delivery. Overall though, it is an excellent resource! Bravo!!!

I bought this book few months back in order to study the film making process. The book has details for practically everything and best for beginners as well as professionals. however since the version dates 5 years old so I'd suggest anybody interested in learning the aspects to consider this book as a base and then also subscribe to a magazine as you'll have a know how of latest stuff happening in the movie making technology. something like movie maker magazine. anyway the book still deserve 5 stars for its content.

This is a required text book, and is used in many colleges. It is a great book and it is so good to read that studying is not a chore

This is a must own for anyone who has ever needed to know why something works the way it does in Star Trek. This covers almost everything you can imagine in how Deep Space Nine and space craft work. If it isn't covered in this book it is covered in the TNG Tech Manual. If you write Fan Fiction, play a character in a Trek RPG, or operate a Trek Website You will treat the Tech Manuals as your gospal in Trek technology. Other good books are out there, but they don't compete with this book.

The tech isn't much different in manner from the TNG Tech Manual, but the images in this, the DS9, manual are far superior. All Trek Geeks (come on, fess up) need this book.

I never picked up a copy of this wonderous guide when it was published. There were a few mistakes I made last decade, not buying this book was one of them.

There is not much storyline given away here. Mostly background info regarding the Cardassians, Bajorans and the Federation. Deep Space Nine was the best "Star Trek" series, in my humble opinion. This guide is useful to those who wish to write about the series of the future, as well as daydreamers like myself. The thrill of walking down every corridor, knowing the details of Quark's bar and Ops...

It is all like dream, now that it is over. I never watched the original broadcast in the 1990s. What a loss on my behalf. Now in the age of hopelessly dull reality T.V., what a better way to pass the time than watching the epic unfold on DVD. Though a little overpriced, to an avid fan like myself, worth every penny! Make sure you have a copy of this manual sitting close by!

This book is amazing. I read it from cover to cover and ended up satisfied with all the details the authors placed in them. The book carries details ranging from the subspace communications system to the weapons and even the environmental system of the station. The information on it is not contained only to details about the station but everything connected to it including the Runabouts, and the Defiant. It gives off an effect that there is really a station named Deep Space Nine. The paper used was high quality glossy paper which doesn't crumple easily and the numerous images in them were in color. Although it could have been better with a hard cover, it's excellent the way it is.

First off, this book is anything but a disappointment. It is a packed with information on the series and its fictional technology from the station's basic layout to things like tricorders and sensor probes. It has great illustrations, mostly rendered in 3D by Doug Drexler and all in color. This is a quite obvious advancement since the STTNG Technical Manual.

One reason why I like the DS9 Technical Manual less than its "sister manual" is that its reliability is lacking. This is in part not the fault of the authors, considering that technical specs and especially the size of the station and of the Defiant were always subject to change throughout DS9. Nevertheless, it is dissatisfactory that none of the size figures given in the book correspond with the schematic diagrams in the same book, the latter of which consistently show a smaller 120m Defiant and a station diameter of at most 1000m. The section on starships is even much worse, since ship types and specs are arbitrarily and hastily made up, sizes of well-known ships are wrong and the Saber and Norway class even have exactly the same specs. Considering that many fans who took the specs for their websites didn't even notice the latter error, I may be overly critical, but from an officical manual I would expact much more carefulness than that.

The other point of criticism is that the Deep Space Nine Technical Manual isn't very technical and it isn't useful as a manual. It is rather like prose that has been supplemented with a certain limited amount of Technobabble, a couple of size figures and many nice images. It doesn't care about the technology in such detail as the STTNG Technical Manual, and if it is only shown how to operate it. Summarizing, as a novel the book is rather boring, while it is just not complete enough for a technical manual. Anyway, at least the drawings are great, especially the fold-outs, and most of the book with the exception of the starship section is pleasant reading, so I recommend to buy it.

While I am a long time Star Trek fan, I tend to stay away from books such as this one because I just see it as another way for Paramount to get into our pocket books. I just lightly browsed this book one day in a book store and next thing I knew almost an hour had gone by!

This has to be one of the most engrossing works of fictional tech I have ever seen. There are times where you almost wonder if some form of prototype exists for the items they discuss.

Both richly written and illustrated this book is a absolute must buy for the die hard Star Trek fan! And if your favorite Star Trek is DS9 (like myself), I am not sure how you have lived without this book!

I don't need to repeat what eveyone else seems to be stating in their reviews of this book and the entire Josephine trilogy; the story flows from start to finish.

I very highly recommend this book!

A perfect ending to a wonderful trilogy. Gulland has clearly done her research and France comes alive through the eyes of Josephine Bonaparte. Compassionate, kind and well-loved in France, Josephine also gives us a very intimate and sympathetic insight to Napoleon Bonaparte. I enjoyed this whole series and would heartily recommend it to anyone interested in the French Revolution, the French Republic and the rise of Napoleon. It is engrossing, humorous and heart-rending. Highly recommended.

While this book stands out on it's own merits, you would be doing yourself a huge disservice if you didn't read the first two books in the trilogy first ('The Many Lives and Secret Sorrows of Josephine B.' and 'Tales of Passion, Tales of Woe'). This is probably my favorite group of books and everyone I have let borrow them feels the same. All are well-written and easy reading (as well as interesting history). I am only sorry that Sandra Gulland hasn't written any other books...yet. I keep hoping.

Bravo, Bravo, Bravo!! Oh, how I hated to come to the end of this series. A caution to would-be readers: Do NOT shortchange yourself and skip either of the first two books (Many Lives/Secret Sorrows, and Tales of Passion) - they all flow together seamlessly and offer an indescribable wealth of passion and intellect. Wonderfully written, deeply researched - this trilogy by Ms. Gulland is truly a treasure.

I can't express how much I loved this wonderful novel. The most accurate adjective I can think of would be 'interesting'. This book was soooo interesting. Gulland's attention to detail is absolutely meticulous. She used over 400 sources in the writing of this trilogy. I learned so much--not only about Napoleon and Josephine, but also of other historical figures of that time. I also found the daily life of the aristocracy not only fascinating but also exhausting.

Napoleon Bonaparte and Josephine Beauharnais are some of the most intriguing characters in history. Their story is so compelling and Gulland does a wonderful job of presenting it. Her 'Josephine' trilogy tells the story of Marie-Josephe-Rose Tascher (Beauharnais Bonaparte) who was born on the French Caribbean island of Martinique in 1763. She died, as she was still known, as the Empress Josephine at her beloved Malmaison in Paris in 1814. THE LAST GREAT DANCE ON EARTH begins in March 1800 at the Tuileries Palace in Paris and ends at her death. But, Gulland has a special treat for her readers. She ties up all the loose ends by telling us what happens to all the characters in her novel. I loved that! In fact, I was taking a tour a couple of weeks ago in St. Augustine, Florida and the guide told us that this is where Napoleon Bonaparte's brother came to....I now know that it was Jerome. The author also has a chronology with detailed accounts and dates of events in the last fourteen years of Josephine's life. Gulland also used actual letters of the pair in this book. And again, the pages are peppered with footnotes that add credence to this story.

In book three we're treated to more of the deep and abiding friendship of Josephine and Napoleon. The love they had for each other is legendary. Napoleon was a wonderful father to Hortense and Eugene and they also adored him. But Josephine had to put up with her horrid in-laws, their jealousy and constant designs of destroying her marriage, their lies and the constant undermining--geesh, she was more patient than I could have been. They eventually succeeded. Despite going through horrible and archaic treatments for infertility, Josephine could not conceive. As we all know, Napoleon divorced her in order to gain an heir. Even then, they continued their friendship and love.

I have been mesmerized with Napoleon and Josephine since visiting the Lourve for the first time as a college freshman and falling in love with David's "The Coronation of Napoleon." Then, after visiting the famous, albeit headless statue of the former Empress at her birthplace in Martinique, my curiosity became insatiable. We learned that Josephine's head was cut off because she influenced her husband to reinstate slavery. I was hoping to read an explanation in these novels but it was never mentioned (although Martinico is mentioned quite often). Which comes to another point: Gulland mentions that researching the lives of Napoleon and Josephine is addictive; I've already bought two more books, maybe I'll find the answer to my question!

this book is awesome!
it's like looking into Alan Lee's Sketchbook as its name indicates.
the renderings are beautiful. any Tolkien fan will appreciate this as a wonderful companion to the books, as well as any one interested in fantasy art and drawing!

If you're looking for the film's information literally, this might not be what you want. But, if you're looking for a trip into the cretive process that brought Tolkiens masterpiece to life, you might like this one.
Alan Lee is a wonderful artist, his drawings are really impressive, and in this book he shows how he created his version of Tolkien's world, trying to be faithfull to the autor's ideas.
There's plenty of drawings and sketches from all parts of the story, and the text explains how and why they were developed to the movie's scenes.
I loved.

In the amazon review we can read: "the book contains 20 full-color plates", but this is a lie: The book contains only 7 full-color plates (2 of them in small size). The book is really beautifull, but it is not as amazon shows it.

Our son was "more than pleased" with this most unusual contributiion to his library. It was on his Wish List, and delighted to receive it for Christmas.

if you like pencil drawings then this is the book for you! uncountable number of awsome alan lee drawings. and he tells alot about many of the drawings.

Just finished taking step 2 & 3...I highly recommend NAIL THE BOARDS, The Ultimate Internal Medicine Review for USMLE STEPS 2 & 3 ... , it is concise and, most importantly, the information in the text is relevant to the actual exam. This book is the most current resource reflecting the new changes to USMLE step 2 and 3. The book is up to date and contains all the major topics needed for step 2 & 3. This book contains a lot of excellent contains and summaries that I could not find in any other review book. It seems to be a great companion while doing review questions. I also found this book to be an outstanding source when I prepared for work rounds to teach the interns and students. I can highly recommend this book to all residents. I wish I had it when I started my residency. Great Book!

I initially heard of this book from the 2nd & 3rd year residents in our program. A lot of them used it for their Step 3 and were successful and loved it. I was skeptical at first because this exam was important to me for a number of reasons. In any case, my experience was much the same as theirs, and I did extremely well, as with my predecessors, but I wanted to provide greater detail that I know will help you. I was pleasantly surprised, but at the same time totally relieved, when I sat for the exam because everything I'd studied here was right there on the exam. Specifically, I found the book was incredibly helpful in all of the following areas, which are the key areas required on the exam:

** Associating current complaints with presented history and identifying pertinent factors.
** Interpreting elicited history.
** Interpreting mental status & identifying neuro exam findings
** Interpreting specific physical findings as relates to differential diagnosis
** Knowing appropriate directed physical examination & required technique.
** Recognizing commonly associated pertinent history
** Identifiying risk factors--especially oustanding
** Recognizing signs & symptoms and physical findings

I also found the book super useful for all the lab stuff, specifically:

** Knowing when NO diagnostic or lab studies are indicated
** Knowing which studies to select and when
** Interpreting all the key tests
** Basic lab/diagnostic study algorithms
** Identifying which study/procedure will most likely establish the dx or differentiate it from another
** Predicting the most likely lab or diagnostic test result

Bottom line: I passed easily and I'm thankful to those who recommended this gem. But I also wanted to take a few minutes to "pass" this on to others as well. I know there's a lot of other favorable reviews below, but they really didn't go into much detail. I'd also give a top recommend to the Frontrunners Q&A book which was another treasure trove and landed me a lot of extra points on the exam. As far as I'm concerned, it was the perfect combination.

Solid review for Step 3. My friend used it for his Step 2 too and loved it, but my only experience was for 3. I like the way the book's organized by medicine subspecialties (Cards, GI, Renal, Tox, etc) and the outline is a huge time-saver while leaving nothing to the imagination. GREAT book and a zealous recommend.

Relatively inexpensive as for as board reviews go, but POWERPACKED with all the key info, concisely presented, and beautifully organized. I passed my USMLE Step 3 with flying colors. Definitely have to recommend this one.

This was my favorite book both going into and coming out of my step 3. My studying was efficient and I aced all the medicine questions. The starred items are extremely valuable and the book is worth getting just for those alone, if nothing else!

Frank Joseph's story, TO LOVE MERCY, is, on the surface, about two young boys and their families, one black, one white, living in a segregated Chicago of the 1940s; and a confrontation that might have ended in tragedy that instead inspires mutual curiosity, respect, and eventually trust. These feelings between the two heroes of the story lead them to follow their hearts, not allowing the adults, who refuse to resolve their differences, to turn them away from the truth--that they are more alike than they are different, that they have, by living through a particular set of experiences together, become friends. But the story offers even more for those who are open to its timeless and universal message. It provides a template of hope for what will certainly be one of the ongoing challenges for the next generation--achieving a greater understanding of those who are different than "us," whoever "we" and "they" happen to be at any given moment.

This book is a must read for every middle and high school student in the Chicago area. Narrated primarily by two children, it's voices are incredibly real and completely believable. While the story is a painful reminder of how race has (and continues) to influence how many Americans treat each other -- the reader will find no lectures or moralizing in this book -- just compelling dialogue and a plot that makes it hard to put down.

I've never read a story quite like To Love Mercy, but I wish there were others like it. The unique way the book was written and laid-out really kept me reading and eager to find out what was going to happen next.
I am no author, but I know that writing from the perspective of someone else takes a lot of talent. Frank Joseph did this fluently and creatively, which provided me with complete mental images of each scene.
I strongly recommend To Love Mercy. It explores racial issues and is an all-around good novel.

I work at a College in the Englsih department so I'm always on the lookout for intersting books that can be used in classes. I found "To Love Mercy" a very interesting read. I really enjoyed the depth that Mr. Joseph went to in creating some of his characters (he talks about it in his blog on his book website). I thought that the most intersting part was how he had the two main characters bond though a negative incident that turns out to create an incredibly positive bond and growth experience for both boys. I enjoyed this book a lot.

To Love Mercy is a heartfelt story about two boys who grow up in different racial and economic backgrounds, where segregation and ignorance make up the landscape of society. They become the center of a brewing storm between their families.

Written in a very unique narrative style, Frank S. Joseph invites the reader to a neighborhood called Bronzeville during the '40s in Chicago, Illinois. The lives of pre-teens Steve Feinberg and Jessie "Sass" Owens Trimble intersect in a parking lot after a White Sox game, when Sass, his brothers and their friends accost Steve, his father and grandfather for money. What began as taunting in order to distract them and pick their pockets, ends up with Sass knocked out cold with a broken nose and a lost heirloom.

Steve wants to do the right things and comes alone to the hospital to visit Sass. What proceeds is a beautifully written story from a child's perspective on race, money and friendship--and God. The intimate interviews Frank had with black Southerners who migrated to Chicago and those who lived in Bronzeville are reflected in the careful details of the characters.

The lack of punctuations in the story line was disconcerting at first, yet it became freeing as I found myself invited into the private thoughts of Dora, Steve and Sass. There is a reverence about how Frank leads the readers into their personal struggles, fears and anguish. It is obvious his love for them kept the integrity of this novel intact.

I finished the book is four days, reading it every chance I could. I was disappointed when it ended because I felt I was leaving new friends behind.

Armchair Interviews says: For a debut novel this was very well done.