P Books

I bought this book in hardcover form when I was 18 or 19. It sat on a bookshelf for a decade or more having never been read by me or anyone. Then it disappeared somehow through movings and such. Recently, some 25 years later, I found a used paperback copy at my local library and purchased it. This time I read it and kicked myself for days for having not read it so many years ago. I must agree with many of the other reviews. This is a wonderful book. Full of nostalgia and humor and so many other things. The characters become part of you and you don't want the book to end. I purposely did not read it quickly because I knew right away I was going to enjoy it. And I did. I love stories about nostalgia. I am nostalgic so I guess I identify with George. But all the characters are wonderfully illuminated by Mr Myrer and you feel like you know them personally. The use of the music of the 40's and 50's is great. A nice touch. Particularly if you love this kind of music. Which I do. A must read. Try it.

I read this while in college almost 30 years ago and still recommend it to people from my list of "best books of my life." Myrer is incredible and "Once an Eagle' should be also considered. One of the greatest books in American Literature!

This book really encapsulates the experience of the World War II generation, and brings it alive for Boomers and Gen X readers. I would put this in the top twenty of the best novels I have ever read.

I first read this book probably 15 years ago, and I still pick it up and re-read it once in a while. It's so well-written, it makes me nostalgic for a time I didn't even live through! While it's about a group of college friends starting out in the 1940s, I think the story and its emotions are timeless enough to appeal to anyone. I saw parallels to my own experiences in college during the late 1970s, minus the war. The characters are so real, and they stay with you long after you've finished the book.

The Last Convertible is an esquiste trek through the past. Author Anton Myrer takes us on a journey into the lives of five young men who meet and become friends while attending Harvard in the era surrounding WWII. They are bound by a fantastic automobile - a gargantuan Packard nicknamed the Empress. Each of the men has a unique life backstory and is uniquely created to demonstrate a life of his own. Myrer introduces us to their girlfriends and families as we journey through these war years learning of their lives and loves and adventures.

I first read this novel while in university. I was an English lit major and I neglected my own studies for a period so that I could finish this wonderful book. I passed the book off to all my friends and my girlfriend. We were already living our own version of this comraderie so reading about this "romantic" era's friends only reinforced what we had. It was as if I could smell the same air and feel the same breezes as the characters.

The only problem arises after the characters leave Harvard. Once they move into the real world, their lives seem forced and not as interesting as they did when they are all together as a unit. It is as if the total is not equal to a sum of the parts.

It is still refreshing to read a story that provides us with such a vast landscape, so finely crafted. It is a book filled with prose-like writing that is elaborate and detailed without being bogged down by the words.

I really can't recommend this book enough. I think that you will find this to be a book you can expect to one day be taught in school.

This is a fantastic book and a must for any Far Side afficianado. Not only does it have the usual great material, but includes stuff never published and commentary by Gary Larson as he takes you through his creative process during various stages of his career.

I first saw this in my school library, and after reading a bit I decided to buy my own copy as it was so good. It is kind of like a short biography of Larson combined with special features like his earliest cartoons that weren't published and others he decided not to publish for various reasons. He includes annotated versions of some of his best cartoons, which make you think "Oh, so THAT'S what he meant..."

It's like a Larson bible. You need it.

Gary Larson has one of the sickest, most demented senses of humor and we are all better for it. In this book, he describes some of the major points in his development as a cartoonist. There is not a great deal of insight into his mentality, although he does include some of his cartoons that were rejected as being in too bad of taste. Those are of course the most interesting ones in the collection.
If you love the slightly macabre touch that Gary Larson expresses in his "The Far Side" comic strip, then this is a book you should read. It all started in a music store and the rest is twisted history.

I would totally recommend this book for anyone who would like some insight into the mind of the man who brought us the Far Side as well as anyone with an interest in the cartooning industry.

My favorite part being a section of mistakes made when the cartoons were published, for example, when his caption was switched with one from Dennis the Menace (my childhood nemesis, by the way). The result is hilarious.

The first Farside reads, "Lucky thing I learned to make peanut butter sandwiches or we woulda starved to death by now" as a family of snakes sits around a table for dinner. The first Dennis the Menace reads, "Oh, brother!... Not hamsters again!" as he and his friend walk through the house holding peanut butter and jelly sandwiches.

The second Far Side reads, "If I get as big as Dad, won't my skin be too tight?" (not very funny but...) The second Dennis the Menace reads, "I see your little, petrified skull... labeled and resting on a shelf somewhere." Said as Dennis looks Thoughfully at his mother. REally Funny!

Great book. Get it!

So you've got the massive two-volume "Complete Far Side" and figure you're all set, Gary Larson-wise. If so, you're a few cows short of a herd, because you need this book to round out your collection. It's not just a collection of his comics. The book has a discussion of how his career as a cartoonist got started and has examples of his previous effort, a one-newspaper comic in the same style as "The Far Side." It goes on to show particular cartoons, with his comments on them, both positive and negative, on how they worked, where ideas came from or even the mechanics of drawing them, amongst other criteria. He also shares some sketchbook drawings, some of which led to final, published comics and some which did not. (One of the latter, about a frontiersman named Jeremiah and rhubarb, would have been a good one.) And he discusses how editing had sometimes unexpectedly changed his cartoons, and he relates the letters from people about specific cartoons, some very negative as you might imagine; for certain ones, he engages in a detailed discussion of what he tried to do, contrasting this with how others saw it upon publication. Larson also shares some UNpublished panels, some of which are hilarious. There's also a giant picture of a louse. He ends with a generous helping of his favorite panels, some in color. All in all, it's a lot of fun, and it gives a lot of insight into how Larson went about creating his famous comic that so many of us miss seeing in our newspapers daily.

As a Culinary Institute of America graduate, I was fortunate enough to take the Chocolates & Confections class that this book is based on. We used it as a textbook and it was such a huge help in understanding the theory behind candymaking. Chef Grewling is a very knowledgable and enthusiastic instructor. The formulas in the book are the ones that we used in class, so trust me when I say they work and produce some tasty results!! And for all you bakers that are maybe not so serious or just wanting to do stuff at home, Chef is working on a book for the home baker, so look out for that in the future! Enjoy!

It's like being in school - fantastic book. Great educational book. It's a wonderful learning tool.

As a culinary student, my chocolates and confections class instructor relied heavily on this book to teach us recipes and techniques. My team has yet to fail in any of our candy making endeavors. :)

Part food-porn, and all instructional, if you're serious about making the best ganaches, chocolates and confections, look no further. This book is absolutely indespensible.

My wife wanted this for Valentine's Day. It went over swimmingly. She's a bit of a cooking freak. I can't vouch for the contents of this book, but it's managed to give her ambitions to be an artisan chocaltier.

This book is a little pricey, but you get what you pay for. I am getting into the chocolate business and have a recent certificate in chocolate making. Of all of the books I have read on chocolate making, this one has the best lay out and photographs. The how to sections are easily read for the amateur but very comprehensive for those wishing to read further.

I love this book. It is one of my favs. out of all 13 books

i have read all of the daughter of the moon books several times
they are all totaly awesome.serena is getting possessed she is not acting like her self.you will not regret readingthese books i've allready gotten friends to read the books and one of my teachers wanted to read it!!!!!!!!!!

i thought this book was amazing ! it was so good but it was also really sad with stanton...i think serena is just so cool and i lyk that she has that dark side which cna keep her with stanton

This book was good. We find out in the end that Serena has a 3rd choice, unlike the other Daughters. You have to read the book becasue I am not telling you what it is. This book is also revloving around Serena and Stanton again. Hopefully thought her next one won't be.

Payasa


Possession was an AWSOME book, like all of the other Daughter of the Moon books! It was about a girl named Serena who can read minds. All of her friends have powers too. She was running away from Jerome, a boy who has a total crush on Serena, but she tottaly hates him, and she bumps into this old lady who gives her some potion stuff. She wakes up hours later and walks home, but a black Lexus follows her. She went to sleep with an awful headache. She wakes up to find herself in the kitchen with words writen in her own blood'"YOU'RE NOT ALONE ANYMORE". Her friend, Catty's, mom invited them to read the future in a coffee cup, and she saw snakes, which means "an enemy has come to visit". Serena gets spaces in time where she can't remember anything. She starts to get really freaked. She finds the old woman and she is able to undo the curse by fighting the followers that the old woman is leading along with Lambart.This is a great book and I highly recomend it for readers that have read the rest of the series because it just gets better with every book. For those who haven't read any other books in the series, I recomend it if you like present day fantasy based in Los Angeles.

BrandSimple is a refreshingly easy read that boils the essence of brands and branding down to, well, their simplest but most important basics. Anyone involved in business management of any kind should read this book.

Adamson reminds us throughout the book that a brand is a very different thing than branding and that marketers cannot be great at branding without first creating a great brand.

The best brands are different. They promise something different and unique and deliver on that promise every time. They also find a way to simplify their brand message so that just about everyone instantly "gets it" and that the "it" resonates and seems obvious after the fact. Getting to that simplicity can require a lot of hard work and thinking, but making it seem so simple, obvious and intuitive is the key.

As Managing Director of Landor Associates, Allen Adamson peppers the book with real-world examples from his work at Landor and from his previous positions. His case studies show how the best brands work tirelessly to emerge with a simple promise and a simple message that is easily communicated in just a few words.

The real examples are brief yet clearly show the challenges and ultimate solutions from brands like Compaq, Visa, Apple, Aquafina, Baby Einstein, BlackBerry, JetBlue, Timberland, Pixar and many more. He uses these brands to show that often a simple insight that makes your product different is the real power in building a great brand -- as long as that difference is important and relevant to your potential customers.

The book is written at an easy reading level so that any business manager will be able to readily breeze through it without tons of technical branding terminology and grasp the important concepts. This in turn will inspire them to reevaluate and transform their own brands. The book is straight-forward, simple and highly insightful and useful.


On my "Professional Marketer Investment Scale";
($-Poor investment, $$$$$-Great investment)

Rating: $$$$$

- If you're starting an ad agency, marketing business, or developing your own brand you NEED to read this. I know while reading personally, I had to stop and breathe every 2 pages and take notes because it was packed with so many thought provoking truths.

- Every page has something important or special. Usually books like these are written with a lot of Filler in between chapters just to make the book longer. However BrandSimple avoids this, and stays clear, simple, and informative throughout the end.

- I'm keeping this one, If I ever hire employees for my Ad Agency this book will be a mandatory read.

- Also, Tested Advertising Methods by John Caples is a Must read as well.

This book provides insight about how to make your brand stick. With all the marketing noise that we as business people have to penetrate through, it is necessary to differentiate your product. This book details the process of creating a relevant brand in our global market. I recommend this book to anyone who has a business at any level from a home based business to a start up. It is written in a simple style and is highly informative with stories and interviews to highlight the key points. Learn how to establish your brand idea and align your signals for a profitable return.

I've just finished reading BrandSimple and wanted to thank Allen for writing this book.

We are at a stage in the life of our company in which we are using branding & positioning to go head-to-head with companies that are much bigger than us and BrandSimple has saved us from making many mistakes that would have cost us dearly in both the short & long term.

Beware though, that this book has been written in a compelling manner which is true to its mantra (i.e. keeping things simple) and will make the reading of other most other marketing books much more difficult.

I re-read "BrandSimple" while navigating through airports over the weekend. Remarkably, it was even stronger the 2nd time around, and 1+ years after my initial read. Few books of any genre can make that claim. I was reminded of just how much great, immediately actionable knowledge Adamson has captured in this book. I've worked in branding and marketing for 17 years and feel strongly that BrandSimple should be compulsory reading both for the branding veteran as well as the relative novice. Kudos to Mr. Adamson...

Michael Draznin

This book is one of the best books about the fire service I have ever read. I hung onto each and every word. It was though I was there sometimes.

During the tumultuous period of the 60s when author Dennis Smith wrote Report From Engine Company 82, the book was a cry for help from exhausted, frustrated men. Men who cleaned up in the aftermath of other exhausted and frustrated inhabitants of a society stretched to the breaking point.

As I type this, a younger firefighter in a comfortable, air-conditioned fire station among a population that by-and-large respects my profession, it's easy to forget the sacrifice of our past brothers who unceasingly fought fires, city hall and the population they served, until they had forged the modern fire service.

It's an important book for new firefighters to learn how the iron men of old did the job. And for the general reader it's a testament to both a volatile period in our nation's history, and to the timeless strength and courage by which good men have always worked to keep back the chaos of barbarism and destruction.

I spent 10 years in the fire service in both engine and truck companys. While I have many memories and stories to tell, the author, Dennis Smith, sums up the life of a fire fighter in an urban environment about as well as can be possibly told. Trying to balance the unpleasantries and sadness against the satisfaction of saving a life or helping a family overcome one of life's most agonizing moments is very well portrayed in this book. This is what a fire fighter's life is about folks. There is no other book that I can remember that tells it any better than this. If you're thinking of a career in a big city fire department or for that matter, if you're even thinking of becoming a volunteer fire fighter this book is a must!

I first read this book 20+ years ago, when I was under 20 years of age myself but streetwise from being the "wheels" (with a driver's license and a car) for various escapades all over Chicago in my raucous, hard-partying and utterly politically incorrect youth. Many aspects of "Report From Engine Co. 82" stuck with me through the years, and I've re-read it several times. Now I'm 40 and an ER RN in a Chicago hospital where we see more than our share of the extraordinarily dysfunctional lives of the people who live in poverty in the neighborhoods that surround our hospital -- the type of job and environment Smith portrays so well in "Report From Engine Co. 82."

"Report From Engine Co. 82." tells truths about the nearly inescapable poverty and illiteracy of people scraping by in lives that are marginalized in every possible way because they don't -- can't -- really care for themselves appropriately because they don't even know how. Poverty isn't what it used to be -- but it's still as screwed up as it was in Smith's first book. Most of our ER visits aren't really emergencies, just as most of the calls Company 82 responded to weren't emergencies, either. Nowadays, people call 911; when "Report" was written, that 911 system didn't exist yet. But not much has changed since then, in terms of what the firefighters/paramedics respond to and bring to the ER.

Most of the "emergencies" he sees are not emergencies. The non-emergencies, combined with the real emergencies, portray the dangerous and unthinking way poor people live through a combination of lack of resources, lack of experience with the "straight" world, lack of common sense, and minute-by-minute survival thinking. Most of these emergencies and non-emergencies are easily prevented -- if people had common sense, proper parenting, and a normal instinct for self-preservation.

These qualities, however, are surprisingly hard to come by in poverty, and this is what Smith dramatizes. The heroin overdoses. The stupid kids doing stupid things because they are constantly left unattended and to their own devices. Kids who shoot themselves in the thigh or foot -- or worse -- "playing" with guns. Fires that kill children because space heaters provide the heat slumlords refuse to provide in their code-violating buildings. The incipient hatred and distrust poor minority neighborhoods have of the white emergency personnel and firefighters who respond to their calls. The huge cultural gaps that make true communication and understanding so difficult -- even when you're both the same race and both speaking English.

What Smith accurately portrays is the way poverty-stricken people "live in the now" -- people whose entire lives are spent with no real financial or material stability or security. These are people for whom the concept of saving money for the future is impossible, either as a concept or a reality. People for whom making an appointment days or weeks in the future, and actually remembering to get to the appointment, is nearly impossible. Their main mode of thought is: what do I need to do now, what do I want to do now, what do I need or want to do in the next five minutes. This inability to think about and plan for the future is endemic, as is the inability to prioritize that which really matters -- one suspects because most of these people realize on some level they have no future that truly matters to the rest of society, and they're incapable of living as the rest of the "straight" world lives because they never have, didn't grow up with it, and don't know the language of living that life, let alone the mindset.

These are the people and children who have no insurance, no health care, no glasses when their vision is bad, no braces or dental care when their teeth are bad; who never use birth control (to prevent pregnancy OR to prevent disease transmission). People who don't understand why it's inappropriate to come to the ER with an upper respiratory infection and get pissed off when they wait hours for care while higher priority, higher-acuity patients (in respiratory distress, cardiac arrest, heart attacks, asthma attacks, and overdose, etc.) are taken before they are.

Conversely, these are also the people who shun health care until they are so sick they can no longer avoid it, and discover they have cancer... Cancer that could have been prevented or at least treated, often saving their lives, had they ever had regular health care -- but who are now consigned to an inevitable death they will blame on the healthcare providers who couldn't save them because they were at a stage beyond saving or treating in any way other than palliative.

Smith's New York is NOT the New York of Sex And The City. This is the New York of the infants whose welfare mothers don't immunize them, but have the latest, most expensive coats and boots because conspicuous consumption is how they live: you show how much money you have by wearing all that your money has bought you (rather than doing the far less glamorous but sensible things more responsible people, whose children were WANTED rather than accidental, do). The New York of the kids having kids who have kids, all of whom have never known proper parenting, nutrition, or health care. The overdoses. The children who come in with accidental poisonings or burns from household chemicals because no one was watching them. The attempted suicides with anything and everything -- cold medicine, knives, guns, illegal drugs. The kids raised by siblings because the parent is completely incapable, if they're even around, with or without the additional problems of substance use/abuse, addiction, or domestic abuse. The families which are largely single-parent families -- and where the parental figure may be an elder sibling, aunt or cousin who cares more for the children than their biological parent(s) does or is capable of doing.

This is also the world of the terrified illegal immigrants who wait so long to call for help because they're afraid of INS (now ICE) and deportation; by the time they do, they're often too sick to save. The penniless old people whose pensions don't cover their living expenses and who don't call for help because they're terrified of being discharged from the hospital to a nursing home and losing what little autonomy and material security they have left. The fractured families (with utterly dysfunctional dynamics) who interfere with the paramedics' jobs -- as well as the tight-knit families who are rich only in love for one another. The people who refuse help they desperately need because they fear and distrust the paramedics and firemen trying to help them, and because their healthcare illiteracy is such that they have no idea what is necessary to save their lives, and so refuse or avoid medical treatment that could stop problems in stages when they're still treatable. The mothers who speak no English, who superstitiously fear that emergency treatment will kill their children, yet who are so desperate to save their babies, they don't know what else to do, because all home remedies have now failed. The endless numbers of people who let their prescriptions run out or try to save money by taking less than the prescribed doses and then have severe health problems that wouldn't happen if they bought and took their meds as prescribed -- but who, for multiple reasons, can't and/or don't. The people who beg not to be brought to the hospital because "people DIE in the hospital" -- people who don't understand that their neighbors and family members who died in the hospital, died because they waited far too long to call for help, and were therefore were beyond saving when they finally got to a hospital.

Anyone who works in public service as a fireman, cop, nurse, social worker, or psych intake worker in a big city -- and in poverty-stricken, crime- and drug-infested suburbs and rural communities -- can relate to Smith's book. For everyone who majored in something else, this book opens a door and exposes the lives of people you don't even know exist, people you don't acknowledge when you're forced to share a bus or train with them during rush hour (or who you intentionally avoid by driving in your own car, despite the expense of gas, insurance, and time spent on the commute): the people who don't work, or the people who work wage-slave jobs like janitor, maid, fast-food worker, security guard, who can barely pay their bills or care for their children with what little they make -- or who blow it all on liquor and/or drugs and/or gambling (or all three) to escape the miserable hopelessness of their lives. The kids who have the latest "stuff" -- whether it's the shiny ten speed bicycles Smith writes about, or today's video games and cell phone/mp3 player/cameras -- but whose parents can't or won't give them what they really need: breakfast, lunch, dinner, and a stable environment from which to emerge every day to deal with the life-endangering risks of walking to and attending public schools that do little more than babysit and warehouse kids whose futures include teen pregnancy (and the late-term, life-threatening miscarriages that go with total lack of prenatal care, with or without drug use), repeated incarceration, and shorter-than-average lifespans due to the daily likelihood of violence in their communities and their lives.

Smith's portrayal of this kind of poverty is not pretty but it is not unsympathetic -- there are glimpses of beauty and hope, mostly in the young women and children who haven't yet been ruined by their surroundings. Smith tempers it all with a matter-of-fact acceptance that although it is his job to care for these people, he may never really understand them because he's now too removed from that life, and he takes on faith that they possess human qualities they often fail to demonstrate. But some do show their humanity, and those are the people he does it for.

Smith does an excellent job of portraying the paradox that the job of these firefighters and paramedics is to help and save these people, which by its nature includes finding them WORTH helping and saving, at the same time as they move and live as far away from these neighborhoods and the associated poverty, crime and drug problems as they possibly can. This is not merely a racial difference. There are plenty of black and Latino paramedics, cops, firefighters, nurses and doctors who straddle the gulf (some might say 'minefield') between their class and the class of the people they help, in circumstances that are at best trying and at worst nearly impossible to help them transcend for any sustained length of time.

Smith portrays the sympathetic detachment required to know that this is what you do, all day, every day you work, with only the hope that one or two out of ten people will actually genuinely and sincerely thank you for what you do or have done for them -- which is that elusive reward you get, one that can make it all seem worth it when it happens -- and to hope that when you show up and give this of yourself on every shift, there might be one kid or teen who sees what you're doing, who still has enough time ahead of them to see this glimpse into another world... A world it is just *barely* possible for them to enter given enough determination, education, mentoring and drive, and sadly also given enough instinct to discard much of what they learn in their families about how they THINK the world works, versus how the world REALLY works for the more educated and better-off people who run it.

The fact that Smith can show all this without denigrating an entire class of people -- does, in fact, portray them with humanity and the grace one occasionally sees in these circumstances -- is because he also recognizes that he is not that far removed from the kind of poverty he sees on the job (he grew up poor, too). He recognizes and accepts that he is that kid who admired firemen as a boy and saw a different world -- he is that kid who made the leap to the next class up, to the working class and blue collar as opposed to poverty-stricken. He understands the dysfunction -- the drinking, the drugs, the abuse -- that occurs in the neighborhoods Co. 82 responds to because it occurred in his neighborhood, his family, his poverty, while he was growing up.

This understanding that few "get out" -- and that he was one of the lucky few -- underscores with sympathy his otherwise stark portrayal of the job of a NYC fireman in the 70s when NYC was not a desirable place to live and people did their best to escape "the city" as soon as their financial circumstances permitted it.

The uncensored version of this book (which is the one I've read multiple times) also shows the bizarre split someone who works as a fireman/paramedic, nurse, or doctor must negotiate within themselves -- the intimate knowledge you have of the bodies of the people you must save, which is merely part of your job but which you can't really talk about to any family member or lover who isn't in one of these fields. I don't mean merely intimacy with people's genitals -- though there is that, such as the way the Smith describes heroin overdoses getting icebags put under their testicles (negative stimulus, designed to bring unresponsive, unconscious people back to responsiveness and consciousness). I mean the intimacy of seeing people stripped of their modesty and dignity, voluntarily (prostitutes) or involuntarily (the terribly sick), whose personal space and body integrity you must necessarily invade, often in less-than-respectful or diplomatic ways because there is no time for those niceties when someone is dying and you're trying to save them. People who don't work in these fields can never really understand how you can be unaffected by the nudity, exposure and/or intimate knowledge you have of these total strangers, and the disinterest or casual attitude with which you greet what would shock most everyone else.

And, of course, you're not unaffected by this knowledge. Sometimes you're disturbed, or someone or something sticks in your mind -- the things you've seen or had to do -- and is recalled in inappropriate moments with your loved ones. You're not unaffected, you're just emotionally calloused or you compartmentalize it, in order to repeatedly perpetrate and endure this violation of the boundaries between strangers and its inherent power imbalance: you, as the emergency personnel, never have to reveal any of these intimacies to your patients... but they must necessarily, willingly or not, reveal them to you. This includes the mentally ill and the hopelessly drug-addled or dopesick (or both, combined) -- sometimes the most disturbing intimacy of all: the insides of their heads and their distorted, sometimes frighteningly unhinged, perceptions of the world around them.

Before anyone decides to dedicate their lives to becoming a firefighter, they would be wise to start their research here. Some 30+ years after it was first published, this book still shows remarkable insight into the lives, struggles, and emotions of a professional firefighter. When I started on the road to becoming a firefighter, being a volunteer and reading Dennis Smith books asserted in my mind that my life would be wasted doing anything else. For others, this may convince you that the job is not for you. It isn't for everyone. Either way, this is a very enjoyable read and worth the time and money for anyone, not just firemen and wannabe's.

A book that is a literary puzzle, an adventure of sorts, and full of sneakiness and tongue-in-cheekness. I have read quite a lot, and when I read this, I had trouble trying to work out who was who in quite a lot of cases. I suppose this is a lot of the appeal, though, being like a really, really hard cryptic crossword, at times.

Silverlock is a fun, roller coaster ride through literature. It chronicles the journey--inner and outer--of an American cynic as he travels through the world of literature. Some of the fun is tracking down the literary characters, from Beowulf to Don Quixote to Becky Sharp. Part of me regrets not having been born in the 1950s to relish Silverlock fully; the Internet makes finding the sources of the characters effortless. Hopefully, readers take the next step and read the original sources to expand their understanding and appreciation of literature. In my opinion, the novel posits that literature is an evolving, cumulative organism. Modern (American) literature is built on the foundation of the stories that came before. The novel shows that someone can find meaning in the stories he or she encounters, and sharing those experiences--and possibly using them to invent new stories--is one of the joys of life. Anyone with respect for literature and the history of speculative reading should give Silverlock a try.

_This is truly a book for book lovers. It starts with a middle-aged Chicagoan with a degree in Business Administration and a life that that has ceased to hold any meaning or charm for him. He boards a freighter as a passenger in order to try to put a little interest and excitement in his life. Well, he finds it. The freighter is shipwrecked after several days of running before a storm and the main character, Silverlock, finds himself cast adrift without a life boat. As he says- if he had cared to live, he would have died. As it is however, he doesn't struggle and exhaust himself- he merely surrenders himself to his fate and the currents. Fate soon finds him....

_What Silverlock finds is the Commonwealth. This is a place where all the great stories from myth, legend, and literature actually exist, somehow, side by side. This requires a suspension of belief, but given the excellent story telling that isn't too difficult. That seems to be what the Commonwealth is all about- it is the Commonwealth of story telling, or imagination.

_It is more than just a survey of great characters and stories, however. Silverlock comes across as pretty unsympathetic at the beginning, but through experience and suffering in his travels from east to west he grows immeasurably in character. Perhaps the Commonwealth is a mask for purgatory, where lost souls are given a second chance at growth and redemption. In any case it is more heaven than purgatory for the reader.

_Save this book for special quiet times when your spirit needs a recharge. I know that I do.

The plot exists only to connect allusions popular in western mythology. An easy read and may create interest in beginner who may be attracted to find out the source of the iconography.

More advanced readers might resent the fact that originality was sacrificed to make the glue for the various fables. Representing "Silverlock" as a masterpiece of literature is an error that ought not to be told even to the youngest reader.

Your manuscript is both good and original, but the part that is good is not original and the part that is original is not good.
Samuel Johnson

I suspect that this is one of those polarizing books: those that love it REALLY love it; others will be, at best, blandly indifferent or outright bored. I hew more closely to the second camp.

The book has notable adherents and in recent years has been hailed as a bit of a neglected gem, but I found it only moderately diverting. It was written in 1949 and so it's a bit dated (and its attitudes toward women are not the most advanced, but then again, the protagonist is by his own admission a cad and a bounder), but that's really not much of a problem.

The novel is your typical Pilgrim's Progress type of thing, and is divided into three parts, which turn out to be Chance, Choice, and Oracle, or as I see it, Heaven, Purgatory, and Hell, based on the decreasing level of quality (and the not-concidental Dantean shenanigans toward the end). It starts out strong, but the charms grow old fast, and the overarching quest in the middle section simply is not very gripping. In the final third, the book becomes unbearably didactic and wearisome, and then, rather suddenly, the words "The End" scroll across the screen.

On a side note, I found myself often contrasting this book to Stephen Donaldson's "Chronicles of Thomas Covenant". Both feature (anti-)heroes thrust into a strange land and both deal, to some degree, with large philosphical concerns. (In fact, Donaldson acknowledges having read this, and having plucked the titles of a couple of his novels from one of the songs within, but purports to find the book sub-par.) The major contrast, of course, is that Covenant believes nothing of what he sees, but Shandon easily rolls with all that he finds, no matter how fantastical, to an extent unbelievable of someone from mid-20th century America.

Filkers and others who enjoy making songs out of poems will like "Silverlock", as will those who excelled in high school English classes and who can pick out some of the myriad allusions. I suspect most others will find this to be much less than advertised.

I would, at any rate, recommend picking up an annotated version to get details on some of the more cryptic appearances of characters from myth, fable, and literature.

If you love C&H, you'll like this book. For me, Calvin is like pepperoni pizza... when it's good, it's really good, and when it's bad, it's still good.

Unfortunately, I say it rather cynically.

My, there are so many monsters peopling this strip. The kid's a monster. His parents are monsters. The tiger's a monster. The teacher's a monster. The babysitter's a monster. And the only character who's not a monster (and more of a victim) is naturally enough, a young girl who is never bad or gets into any trouble. And the strip, while a rugrat's fantasyland, also smacks of extreme adolescent rebellion.

The strip is so overrated even after its demise a decade ago that it's been ensured that no cartoonist alive or yet to be born would ever create a strip as well-worshipped as it is for all eternity to come. So why not just remove the whole comic section from the news for good?

This book combines material from both Yukon Ho! and Weirdos From Another Planet!. Perfect to read with a blanket and a cup of tea on a rainy Sunday afternoon. It lifts my spirits up and makes me laugh, even when there's no one around. Really, that could be said about any Calvin and Hobbes book, though!

Whether the collection is the "Indispensible" or "Essential" or "Quintessential" Calvin and Hobbes, it doesn't really matter. Watching this hyperactive, hyperimaginative child and his willing though wise accomplice, Hobbes, take on evil babysitters, Susie Derkins, the class bully and all creatures (real or imaginary), is a pleasure and laughter without stop. "The Authoritative Calvin and Hobbes" is another in a long list of the great comic work of Bill Watterson. This is an indispensible/essential/quintessential collection for all Calvin and Hobbes and humor fans!

Calvin is a beam of light, a dinosaur, Spaceman Spiff, a pollster on the election of new parents, a robotic explorer from Jupiter (in search of chocoloate) -- well lots of things. He's all the best and all the worst a boy about five can be, and that covers a lot of ground.

If the others around him never quite see things Calvin's way, that's really not his problem. Hobbes will always understand, and generally offer some understated commentary on events. I prefer not to say too much about Hobbes. It's really best if you let him introduce himself.

This book is a treasury of daily and sunday color strips. It captures a part of one of the best strip comics ever. If you already know C&H, you'll surely want this collection. If you missed the strip when it was still in the papers, this will give you a wonderful introduction.

It's never too late to have a happy childhood, and Calvin offers his for your enjoyment.

//wiredweird

This is a great econometrics book. I wish that I had found this book earlier in my graduate career, and now I find myself going to it all the time. It covers all the important concepts and is very clearly written. The best thing about the book is that it teaches how to use econometrics not just what it is. It makes that very important jump of teaching students how to apply these tools properly. I cannot recommend this book enough!

I highly recommend this book as a source of intuition for econometrics. As a Ph.D. student working on my own research I find this book very helpful when I want a quick and easy explanation. This book is also good for clarifying some basic concepts that never got adequate explanations in my econometrics courses. I only wish that this book had a little more coverage on limited dependent variable models.

Not many scientists can write but Peter Kennedy is NOT one of them. He presents the mathematical and statistical information in clear, concise language. A wonderful AND informative read!!

This is a great book. But buy it for the right reason. All by itself, not as useful as a lot of the reviews suggests.

This has to be used together with Greene's <>. It suppliment a lot of the formulae with ideas and reasons. But it is light on formula by itself, and you can not use it as a reference. This is a explain book, tells you why we should do it this way, what to caution/watch for, what is the logic behind that.

So buy it with greene's book. Learn the math in greene's book, keep greene's book on the shelf as regular reference book. But read this book to understand ideas, and sort out complexicities.

Overall, still a great buy.

The product arrived in a timely manner and I have no complaints. I would use this seller for future transactions.

I have been gaming for over 15 years, ond only recently picked this up and played at a con. I love it. It's simple, easy to learn and play, and has an inherent flexibilty that makes it easy for Keeper's to make a judgement call on events not covered in the rules. (When in doubt, the Luck roll is a good bet).

If you want real horror, ignore the WoD and make it Cthulhu!

The Call of Cthulhu system, as written in the 5.5 and 6.0 versions, is one of the most complete systems I've ever found.

That is amazing, considering exactly how LITE the rules system is. There are very few hard and fast rules, with almost everything being handled by percentile dice. The system is very organic, with characters increasing in skill by performing them.

The characters in a Call of Cthulhu game are more 'real' than some similar games from other companies. They have a great sense of depth due to the occupation system used. Also, considering how lethal combat is in the game, you are greatly encouraged to think your way out of problems.

One other area that has been found by my group to be important is the ease of transfer from one 'style' of play to another. Whenever we are wanting to run any type of realistic game set in any era, we always look to the Call of Cthulhu rulebook for ideas. So far, we have run a wild west game and several other genres using the rules in this book.

The works of master horror writer H.P. Lovecraft of the 1920s have influenced almost every single good horror writer to date, from Ann Rice to Stephen King. COC is likely the best RPG ever put to print, and the publisher Chaosium just makes things easier for players by adding content from their various supplements with each new edition. A typical game session has your characters snooping around for clues, and interrogating various NPCs (non player characters), and then implementing a course of action. The climax of a campaign also often (unfortunately for players) includes one of the hideous deities of the Cthulhu Mythos, such as Azathoth, Cthulhu himself, Dagon, or, possibly the worst, Nyarlathotep, trickster god with a thousand avatars or "masks". COC is the only game that has ever given me, as the gamemaster, chills reading a supplement in the middle of the day. I also recommend picking up one of the numerous Cthulhu Mythos anthologies of short stories. Prepare to be scared

I first read these tales in an "Armed Services Edition" of HP Lovecraft stories, back in 1944! Sitting underseas in a US Navy Submarine in the South Pacific, scared to death, and lonely for home, these stories gripped me so completely, I forgot my real fears of war.

That old book, now tattered and yellowed with age, was read by my son and daughter, who now want to pass it on to my grandchildren. It's time for me to replace it with a new Penguin edition before is falls apart, totally!

Lovecraft's writing has many weaknesses, flowery language, poor characterizations and vague plots. I see all these faults now, but they never bothered me when I first read him. Women don't seem to be a part of Lovecraft's world, and that is a shame. His stories were too short to correct these faults. Modern full novels, in the Lovecraft tradition, like "The Riddle of Cthulhu," are written with many of HPL's faults corrected; like the inclusion, for example, of unforgetable characters, romance and a believable plot. Still, the "Call" is the source and the classic horror book. You must experience these classic stories, then move on to today's modern "Lovecraft Style" novels!

Doesn't it tell you something, that *every* review for this edition of this book gives it 5 stars? (Some of the out-of-print editions have reviews here too.) And let's face it, us RPG enthusiasts are not the sort of folks to shy away from criticizing.

Some people will say the Basic Roleplaying rule-set is outdated. It's true that games like Unknown Armies and Godlike are pretty cool, and I know people who are using those rules for their CoC games. But just try introducing a newcomer to those rules, or getting someone who's only played D&D before to convert. They get dizzy, I tell you. Nope, for a simple, elegant rule-set that just about anyone can grasp right off the bat, Call of Cthulhu's Basic Roleplaying has still got it, after more than 20 years. The rules fade into the background, where they belong.

And unlike other games with their multivolume core rulebooks and endless splatbooks that you *need* if you want a fully fleshed-out campaign, everything you really need is right there in this one rulebook. Heck, every time Chaosium does a new edition, they comb all the supplements for spells, monsters, skills, and so on, and add them into the new edition--to save you time and money! Chaosium even printed the entire short story, "The Call of Cthulhu," in this edition, so newbies can get a taste of what it's all about.

If you've got an older edition of CoC, you don't need to buy this one--the rule changes are quite minor. Unlike D&D, a new edition doesn't make everything you already know obsolete--"editions" of CoC are back-compatible with older editions and old supplements. Chaosium does new editions to keep the book in print and to make it a little better every time, not to force the fans to spend money. I bought it because my old book was getting worn out, and I wanted a more durable hardcover edition. Now I can loan out the old book to players. But I'm really happy with the little changes, and it's nice to have some of the information that used to be in adventures and supplements all gathered together in one book.