Other The Books

I work a lot with Welsh Gods and I have to remind everyone, this is THE source of what we know about Welsh mythology. I am not sure if persons not interested in deciphering the stories would enjoy them, but if you want the mystery and challenge, buy this book. Too many people claim to worship Rhiannon or know all about Ceridwen, and have never read the original sources of what we know about them which drives me nuts.

I received this book the evening before departing on a trip. After settling in on the plane the woman who was seated next to me asked, "What are you reading?" I showed her and was greeted with an immediate "Oooooh.... ugghh." I must admit that I understood her reaction. Although I have steadfastly slogged my way through them, many translations of ancient works have left me wishing for the touch of a modern bard. This one, however, did not (or perhaps it had, indeed, benefitted from such a touch!). Ford was my companion on both the flight out and the return trip. He was informative, entertaining, insightful, and (I am told by others who would know), quite accurate. I recommend this book highly.

Patrick Ford's translation is the best that I've read. It appears to be the most accurate translation and the easiest to read and understand. Anyone who is interested in Welsh mythology or mythology in general should read this book. The tales themselves are interesting and entertaining. They give us a great glimpse into the world of the ancient Welsh people.

How does the handsomely bound new rendering by Sioned Davies, Chair in Welsh at Cardiff, compare with the standard version often used and widely praised, Harvard professor Ford's? I consulted my 1977 copy as Ford's new printing has not yet been published. Will his "30th Anniversary" U of California paperback reissued edition find itself in a dead heat with Davies? The race may prove a photo finish!

I compared their translations of a favorite passage of mine early on in the First Branch, Pwyll's tale. Arawn's just been reunited with his queen after the year's test by unwitting yet steadfast doppelganger Pwyll. She wonders, post-coitally after a long year's lapse, why it's been so long since her husband made love with her.

Here's Ford (1977 ed., p. 41) first at the starting line.

"Shame on me," she said, "if from the time we went between the sheets there was even pleasure or talk between us or even your facing me-- much less anything more than that-- for the past year!"

And he thought, "Dear Lord God, it was a unique man, with strong and unwavering friendship that I got for a companion." And then he said to his wife, "Lady," he said, "don't blame me. I swear to God," he said, "I haven't slept with you since a year from last night nor have I lain with you."

And he told her the entire adventure.

"I confess to God," she said, "as far as fighting temptations of the flesh and keeping true to you goes, you had a solid hold on a fellow."

"Lady," he said, "that's just what I was thinking while I was silent with you."

"That was only natural," she answered.

--You can feel the hesitant insertion of the teller's dramatic pauses implied with the "saids." These intensify rhythms of the poet's strong, confident prose. A few contractions and the well-placed dashes quicken the dialogue's pace. The language avoids the flowery exactitude and chivalric diction that marked Gwyn and Thomas Jones' 1949 Everyman edition. But, neither does Ford choose an entirely modern register. He keeps a slightly elevated style while emphasizing verve and a gently sophisticated voice for the couple.

--Compare and contrast Davies (2008 ed., p. 7). As in other pages I spot-checked, the two professors run neck and neck and overlap considerably-- a sign of how both scholars channel what Ford calls the "restraint" in this passage as well as its humor and tension.

"Shame on me," she said, "if there has been between us for the past year, from the time we were wrapped up in the bedclothes, either pleasure or conversation, or have you turned your face to me, let alone anything more than that!"

And then he thought, "Dear Lord God," he said, "I had a friend whose loyalty was steadfast and secure." And then he said to his wife, "Lady," he said, "do not blame me. Between me and God," he said, "I have neither slept nor lain down with you for the past year."

And then he told her the whole story.

"I confess to God," she said, "you struck a firm bargain for your friend to have fought off the temptations of the flesh and kept his word to you."

"Lady," he said, "those were my very thoughts while I was silent just now."

"No wonder!" she said.

--Davies in her preface emphasizes the "performative" qualities in her edition. In this passage, she appears to let the lines go longer rather than reining them in to English syntax. They drift away slightly before coming back to us. Perhaps this echo demonstrates Davies' own scholarship in the medieval Welsh interplay between orality and literacy. The author of two books on the Mabinogi, she stresses the "interactive" nature of the manuscript to be read aloud for the "acoustic dimension" embedded in the Welsh texts and through alliteration, tone, and beat, she tries to give us a feel for this tempo, albeit imperfectly conveyed perforce into our clunkier English.

--Both Davies and Ford include the four branches: Pwyll, Branwen, Manawydan, and Math. Both include Lludd & Llueyls. But, reflecting textual differences in the original manuscript anthologies, they also differ. Ford's tales attributed to Gwion Bach & Taliesin, Culhwch & Olwen, and his appendix on Cad Goddeu do not appear in Davies. She provides Peredur, The Dream of the Emperor Maxen, The Lady of the Well, Geraint, and Rhonawby's Dream.

--Both editors explain their textual choices and open with prefaces. They both add glossaries, pronunciation guides, and bibliographies. Ford situates the tales in Indo-European contexts and Davies delves into their delivery as recited stories. Ford begins each tale with a short introduction; Davies adds explanatory notes in a detailed appendix, keyed to asterisks in the body of the text. Davies keys her "Index of Personal Names" to pages in the text while Ford does not. For study and teaching, it looks like the competition may result in a dignified and spirited draw. Most serious readers doubtless will want to consult, as I have, both fine efforts side-by-side.

(This review's, fittingly, also at the Davies listing on Amazon US. May both translations flourish.)

An excellent and accessible translation of most of the stories normally included in the Mabinogion (minus the three Arthurian tales, Macsen Wledig, and Rhonabwy), plus "The Tale of Gwion Bach/The Tale of Taliesin" and the hard-to-find "Cad Goddeu". Includes introductions, a glossary of proper names, and an index.

Maid of Heaven was the third book I recently read about Joan of Arc. While I don't typically read poetry (that is I may be a bad judge), this particular poetry was definitely not to my liking. The book was essentially a short biography of Joan 's life told in a manner that seemed forced and not particularly appealing; the poetry aspects seemed almost non-existent to me other the some basic rhyming (I have read some really good poetry, some that captures your imagination and lets your drift into deep thought, not this one). The reason to add this review was to provide some counter-balance the 10 other 5 star ratings (!?) -- you may love this, but the book didn't excite my imagination at all.

Everyone knows of the general legend of Joan of Arc - a young and illiterate girl hears voices from God and leads France against the invading English. "Maid of Heaven: The Story of Saint Joan of Arc", however, tells the complete and through story of a sixteen year old girl who rose up to stand against insurmountable odds. Nonfiction, but written and reads like fiction, "Maid of Heaven: The Story of Saint Joan of Arc" is expertly composed and highly recommended to world history shelves and for anyone who wants a complete understanding of this enigmatic teenage girl who was anything but.

I've read many books about France's Partron Saint, Joan of Arc, but never seen one like 'Maid of Heaven' by Ben Kennedy. It is Joan's life portrayed through beautiful poetic form. Mr. Kennedy does an amazing job of putting such a lyrical story into capitivating lyrical form. It is the kind of book that catches your attentiion, and then never lets go. Once I started, I was compelled to continue to the very end. The poetry is lovely and well versed, and the historical perspecties reflect an accurate accounting of Joan's amazing story. Most importantly, Mr. Kennedy doesn't neglect to include the spiritaul perspectives and implications in his work, and we are all the better for it. I highly recommend this lovely and most original approach to Joan's life.

Watch Video Here: http://www.amazon.com/review/RNE87Q7CFIJMO Great inspiring video about Joan of Arc with historic pictures.

The symbolism in this poem is awesome! The whole battle of light verses darkness in the life of St. Joan is beautifully portrayed throughout Maid of Heaven. The very first stanza references St. Joan's birth on the Epiphany and from there her great spiritual journey unfolds in a way that make it clear what the focus of her life was: serving God.

If you only read this poem as a history of Joan of Arc you will come away with a good understanding of the major events in her life. BUT if you allow the poem to take you deeper you will transcend beyond the obvious conclusions about St. Joan of Arc and better understand why she truly deserves to be called a saint.

Continuing tale of the Cambridge-educated English Officer living the hell of warfare on the Western Front: replete with adoring batman, blustering colonel Blimps, out of control colonials (Australians and Canadians), journeys to England on home leave to meet misinformed civilians. Sasson has a style that waxes between light and lyrical, cynical and dark and starkly realistic. It is reminiscent of Graves but less dark than Blunden.

This is a tale of the human mind (an upper crust mind) that makes the journey from old world to that of the lost generation -- but Sassoon never loses himself. It shows that the mind-set was already there capable of dissecting and throwing away the old world view tradition. With capable honesty Sassoon relates the contradictions in life, army and mind set of the pre-war generation. He still takes advantage of the liesure of the educated class; his batman pours his tea, he still sees the colonials as slightly quaint and backwards (especially the Australians), still finds refuge among his educated Cambridge intellectuals -- this is no tale of class struggle.

This book can read as part of his trilogy lifestyle or on its own. It has many haunting vignettes and is perhaps one of the top 5 WWI memoirs. Highly recommended.

Siegfreid Sassoon's wonderful war memoir is thinly disguised as the story of George Sherston. Based solely on Sassoon's life in the trenches of WWI, it recounts the horror and scale of carnage that occurred. More importantly it shows the emotionally scars that the survivors carried with them as a result of exposure.

Sherston (Sassoon) was a rather spoiled and pampered young upper class Englishman. The war changed all that. Confronted with death, destruction and idiotic leadership from the High Command you sense the inner turmoil of Sherston.

Relieved when he is not involved with the fighting he is driven by guilt over the loss of the soldiers in his battalion. Consequently when his platoon is on the line he takes great risks in reconaissance of the German positions.

The effects of non-stop total war, stupid leadership and the complete contrast between England and the trenches (only a few hundred miles apart) is staggering to Sassoon. Sassoon becomes anti-war and considers becoming an objector, but his obvious connection to his comrades and loyalty to them wins out in the end. He hates the war but won't abandon his comrades in the field.

This is a great war memoir written by a poet who survived and was changed for life by his experiences in it.

Terrific book that sounded a bit autobiographical. Sassoon, of course, was a war hero on the battle of the Somme, decorated twice for bravery.

The book reads lyrically and is convey's nicely the daily life of soldiers moving back and forth from the front fighting trenches to the rear area of the battle field. He also does a great job portraying the strangeness and inner conflict of being back in British society (while recovering from illness) with people who know nothing of the war or its cost to the participants.

A Brit's version of "All Quiet ..."

While perhaps best known for his poetry written during WWI, Siegfried Sassoon was a very talented wordsmith in general, a trait that is demonstrated in his second semi-fictionalized autobiography, "Memoirs of an Infantry Officer". Sassoon chose to fictionalize his accounts of his life, an odd technique that allows him to distance himself from these experiences as he intimately describes the raw emotion and response behind them. In his three memoirs he is George Sherston, a thinly veiled version of himself, who thinnly veils the real-life characters he encountered during these times.

Readers are automatically flung into Sassoon's war experience, from the disjointed and fantastical training, to the brutal reality of life in the trenches. Sassoon describes these experiences in vivid detail, the sheer misery of trench warfare, the almost callous attitude toward the dead on both sides, and the surreal life led by those back home. Sassoon, nicknamed "Mad Jack" for his stubborness and seemingly sheer lunacy at times, was awfully lucky during his battle campaigns. He was wounded a few times, always sent back home to England to recuperate, and almost happy to return to the war.

However, after one session as an invalid, Sassoon begins to recognize that the war may not be all it's cracked up to be, that those in power are not telling the truth about their war aims, and that he may just be a lowly pawn in a game he doesn't want to play. Towards the end of his narrative, Sassoon tells of his decision to speak out against the war, even if it meant being court martialed. This act, filtered with courage and fear, is achingly portrayed as an act both necessary and questionable: as Sassoon places himself in danger, he questions his true beliefs in the matter. This account ends just as Sassoon enters the hospital in Scotland, avoiding court martial with a diagnosis of shell shock, 'lucky' as usual.

"Memoirs of an Infantry Officer" is a vividly descriptive account of life in the trenches during WWI. Sassoon is a gifted storyteller, who can make even the direst settings come to life. He offers a unique insight into the soldier poets who first questioned whether or not war was such a noble and glorious pursuit and if the sacrifice of lives was worth the price in the end. While a little slow at times, the last quarter of the narrative which details Sassoon's questioning of the war, is a brilliantly written firsthand look at how a too little celebrated writer finally found his voice.

Siegfried Sassons' "Memoirs of an Infantry Officer" is a first-hand account of life at the front line during World War 1. This is not a just a historical document or diary however. Sassoon writes via an alter-ego called George. In real life, Sassoon was an infantry officer who fought at the front, but eventually grew suspicious of the reasons for the continuation of World War 1, and as such became a dissenter. This book may be fiction, but it is based on fact and it gives an impressive account of what life must have been like in those trenches, nearly a hundred years ago. Sassoon's incredible ability with words paints a much more vivid picture than any war movie will ever provide.

George was a middle-class officer who had the luxury of a university education and was an avid reader of classic English literature. He juxtaposes the themes and ideas in this romantic poetry with the realities of life at the front to great effect. Although a tad repetitive in it's ideas (perhaps to get the point across clearly), this book is rewarding and still relevant this whole century later. As one character in the book says, "In war-time the word patriotism means suppression of truth" .

The Message is made available to the members of our congregation. It has greatly incresaed Bible study, especially for those who listen to it as they commute to work. For any who are more comfortable listening than reading, I highly recommend it.

like my title this version is amesome. it's cheap enough to buy it. i have listened to it at work and learned so much, i also have been listening to it as i read the bible, so i am hearing and reading it. for if i listen i can drift thoughts, or things of many other things, if i just read it late at night i can fall asleep, or realize the last 2 chapers, i don't know what i was reading. so by doing both i have been getting heaps out of the old testament, which is hard for people to get warmed up to. But i sure have. you'll like it.

"The Message" is a paraphrase of the Bible. It is easy to read and understand; however, readers should be cautioned that this is one author's interpretation. "The Message is not THE BIBLE and is marketed as a paraphrase. This is also not a verse by verse paraphrase but rather a chapter by chapter look at how Eugene Peterson interprets the scripture. Therefore, it changes the meaning of scripture that is conveyed in trusted translations of the BIBLE.

The Message is a great translation for listening to the Bible. The 5 MP3 CDs are an economical and convenient way to get the material. As others have noted, the readers are very easy to listen to. The production is very well done.

I hate to be the one to nitpick, but I noticed several dozen numbering errors in the file names and in the MP3 meta data. Perhaps I'm handicapped by a poor media player but I had to correct some of these files by hand for the chapters to sort perfectly. I'm certain that in most cases the errors go completely unnoticed by listeners because the files themselves are in the correct order on the CDs. The files on CD 4 are arranged in a completely different manner than the other discs.

So while I found the MP3 arrangements imperfect, the content itself is superb and deserves 5 stars. Buy it.

Having enjoyed the hard copy versions of The Message for years, I decided to invest in the CD version and was very glad that I did. Each chapter of The Message has a brief snazzy musical intro (which I *really* like) with a woman's voice giving a background about the church, the times and the general history. I suppose I glossed over this part in the written form, but I surely do enjoy listening to it on tape. It really helps put the whole thing in context.

I'm always hesitant to invest in these "books on tape" because sometimes, the reading so dry and boring, but the reading on The Message is strong, clear and interesting. The intro to Matthew even features Eugene Peterson himself, explaining a little background about how he wrote "The Message."

I am *not* an audio-based learner but more of a visual learner, yet my thoughts don't drift whilst listening to these CDs. I find it very easy to stay focused and really pay attention and soak up the meanings.

I've listened to these CDs for several years now and they never grow old. I love the layout and organizations of the tracks, the little case (very handy), the narrator's voice, the music and above all, I love listening to The Message.

While I do own a deerhound - as depicted by Laurel Long's stunning art work - and am somewhat prejudiced as a result, I can only say that this is a book that should be read by every dog owner. It is a heartfelt tale of the unyielding loyalty of a dog. The great sadness in the story comes in that the Prince is not up to the same standards as his loyal friend. You'll be tearing up by page 6.

My mother got this book and another one also illustrated by Laurel Long (The Magic Nesting Doll by Jacqueline K. Ogburn) for my son and daughter for Christmas. The very first thing I noticed was the beautiful, pseudo-Medieval artwork. It's definitely a picture book worth having for the *pictures*! :-)

The story itself is a little sad, but good, not depressing. We've really enjoyed this book.

This is a story about a boy and his dog, but when the boy turned into a man, he no longer had time for his dog. But the dog never stopped loving his master, and the dog became a hero through his loyalty. The man greatly regretted getting too busy to love his dog, so this story involves one of most difficult human emotions to deal with, regret.

I'm not even a dog lover and this book brought tears to my eyes. What a touching and special story with amazing artwork. The reason I bought this book, since I don't often go through the third vender since Amazon no longer sold this direct, was due to the artist, Laurell Long. By now I have tons of these great picture book/fairy tales, and she is the top artist of them all. I appreciate great art, but her artwork blows my mind. I can't imagine anyone having the ability to create such art without using magic or something! Her talent is unreal. So therefor I did a search by her name and bought up most of the books from this genre that she illustrated, such as The Lady and the Lion. Not only is her artwork mind-blowing, but the stories are very special and well-written too. So memerable. I highly recommend you do what you can to buy up all her books too!

Thanks to all of you reviewers, you never let me down. I just received this book and devoured it as soon as I opened the box. Yes, the story is sad, and it brought me to tears, but I look at my own dear scruffy dog a little differently, and so does the little boy I read it to.

I collect Children's Books for their illustrations. I have to admit that some of the books that I own the content is so-so, but the illustrations are marvelous.

This one, stands out in all aspects. I am proud to add this to my library.

(I think I'll buy another one for a spare...I know we'll be reading this one alot)

This book is a gentle treasure. The story and the illustrations tug at the heart. The story is well told. It is gripping without being too intense for younger children. The artwork is lovely and adds to the sense of times past. This work will be handed down by generations of book and animal lovers. Exquisite. Highly recommended to all.

The book arrived in a timely manner and in excellent condition as promised. Thank you.

Hardcover edition. My mom bought this book for me after I wouldn't stop raving about it after checking it out of our local library. Chinese culture has always fascinated me and this book gave me an overall idea of the culture. Great recipes of traditional food, a variety of craft projects for kids of all ages, and tales of how the traditions started. It also includes an overview of Chinese holidays such as the Chinese New Year, the Dragonboat Festival, and the Festival of Lights. *Mom's footnote - My daughter was born in the year of the Dragon.

We are in the long wait for an adopted sister from China and this book has been invaluable for communicating to our son what his soon-to-be sister's culture is like. It is beautifully illustrated and great for teaching him and preparing him for the holidays we will be celebrating. Very informative with great crafts and recipes. The festival introductions are great as well. We have actually made a few of the crafts. The puppet show was a huge hit!

This book is full of activities; stories and recipes--we will be using this book a lot in keeping the some of the traditions of China alive for our adopted daughter.

A nice book full of pictures and stories about the various festivals. There are craft items to make and food to cook. A good idea for those who are trying to incorporate chinese culture into their family life.

Weather you in the business or getting into it, this book is essential. Even if you have a lawyer. Good insight...

This book is so crammed with info and knowledge coupled with insight into practices of the industry and courts its like attending a credited law school.With basic torts and concideration of all parts and many elemental workings of the industry.It is a must have.

This is comprehensive & each chapter was written by another expert, so you're bound to like something!

This can be a substitute to the book: "Everything You Need To Know About The Music Business" (Donald Passman)

This book was a required text in my Legal Problems of the Recording Industry class. I'm passionate about the music industry and can give a good debate, but am far from being a "legal mind." This text is great for those, like me, are not the best students in legal courses. This text breaks down real contracts/ agreements into easy to understand formats, section by section. If it wasn't for this text I wouldn't have made an A in the course. This book should be required reading for those in the music business as well as the musicians who will be facing these agreements. Plus, it's like my professor said 'remember, everything is negotiable - don't get screwed in your contract!'

People think music business is all about creation and keeping the fans happy. Well it mostly is but a young artist can become stuck in all that legal stuff. For somebody who is new that can be very difficult and people could take advantage of this and try to cheat you so this book is about all the legal involved aspects of the music business. This book will offer you a detailed explanation of everything that concerns the people in the music business. After you read it you will know what to avoid and understand the issues as they are explained in an easy and franc manner.

I've read Darryl's book twice and refer to it often. The entire goalsetting approach is particularly useful. The book is very well-written, quite easy to follow, and applicable to most any person. It is truly a gift from above.

I am a hair salon owner and author.My husband and I have been married for twenty-five years.We have two happy, productive children in college and one in high school. We thought we knew all there was to parenting. This book has helped us tremendously. Instead of running around in circles,we are now managing our time more wisely. This book is a guide for all families to follow. It is well written and very easy to understand. I find myself referring to it again and again.I thank God for allowing Daryl Green the opportunity to write this wonderful book!

If you are a single parent, a fresh young couple venturing out to start a family, or a family that continues to struggle with life's ups and downs...BUY THIS TAPE! I assure you that when this tape comes to an end, you will begin to feel better about yourself, your family, and life. Hats off to the Greens!...Ree

this audio tape is spectacular. I feel it is well written and very helpful for working families. this book really reaches the problems of working families and families in general. I would recommend this book/tape to anyone.

Anyone with a family needs to take a look at Darryl's work. We all need to set priorities and survive life, and Darryl offers families an approachable and successful method of family management, that is not overwhelming. If you are a parent - working,single, or just trying to get through the day, Darryl really gets you feeling positive and honestly makes you feel capable of achieving anything with your family. I take this time to thank you Darryl, your book/cassette has really changed my life.

This wonderful book is as powerful as it is wonderful and it is as applicable to today and to all wars as it is wonderful and powerful. This book has deep insights as to how war is really fought, how huge bureaucracies are ugly blunt instruments of war, how occupied people cope, survive and live, and how naive well intentioned souls are awakened in the ugly reality of it all. This is a book for life.

I group this book with Eric Newby's "Love and War in the Appenines" for unsentimental and direct views of the corrupting power of war that use Italy as examples. Liberation seems such a romantic idea that one can hardly resist it, and yet here we can easily read and understand that true liberation takes a lot more than military objectives and shouting in congress.

Lewis's eye was remarkable in one so young. I hope that both these books have found their way to the library at West Point. It is perhaps too much to ask that they should be read anywhere inside the beltway.

Can a foreign military "successfully" occupy another country? Where can we look for historical lessons to our clusterf**k in Iraq. What are our boys reading in West Point? Is there large scale prostitution and venereal disease..Are there markets openly selling stolen U.S. military items.. Where are ordinary Iraqi's getting $ to survive with their economy is shambles? Lots of questions.

Naples 44 is a beautifully crafted account of allied occupation in Naples. Norman Lewis describes, with his usual gentle irony, the unique lifestyle of Neapolitans and how they survive abject poverty.
He has an eye for the absurd whilst retaining his compassionate love of humanity.

When I was younger I knew an Italian-American veteran who spent time in Naples at roughly the time covered by this book. His stories while entertaining always seemed a bit exagerated to me. Now, after reading Norman Lewis' account of those days I owe my long departed friend an apology for having doubted him.
This is a remarkable account from a gifted observer. Lewis as a British intelligence officer assigned to the Area occupied by American forces immediately following the expulsion of the Germans was in a unique position to observe many aspects of the struggles and adaptations of the locals under these extraordianry conditions. The ingenuity and superstition of the Italian people is displayed from a point of view that is neutral in it's judgements while sparing the reader nothing of the darker side of the stuggle to survive at the same time.
As somone who has read extensively about WWII I was surprised this one got by me for so long. I stumbled on it while browsing Amazon and highly recommend it to anyone interested in the War ,Italy or just a good entertaining read.

I read Kazantzakis absorbing and compelling verse novel over a two-month period, rich and crazy as a Christmas fruit cake, and only to be nibbled in small doses. This is a deeply flawed work of consumate art; flawed, because it expresses a weltangshaung and philosophical stance utterly at odds with the complexities and values of the human spirit which it still succeeds in celebrating in verse of passion, intensity and beauty. Flawed, because it defines the human spirit in terms of the unsubtle, extroverted, violence of masculinity at its most obnoxious, a Nietzschean ubermensch driven to sweep through the human mind like a panzer division; flawed because it present a vision of utter and self-serving solipsism.

But of consumate art in that within those paramaters it creates, with a richness and intensity rarely encountered in modern literature, a detailed, elaborate and sensory world of image, passion and experience; and in positioning the human spirit dancing at the edge of the abyss, in celebrating the defining moments and relationships of life, it ultimately triumphs over its own weakness.

Its stages of the soul's evolution, its imagery and its passionate invocation of the sun link it with the old warrior-cult of Mithras; and while the leopards, elephants, drunkards and maenads seem at first more of Dionysos, the elegance and elegaic elements also link the work with the Greek Apollo, and the discipline of an exact and exacting verse.

Essential to an understanding of the twentieth century vision - and also to an understanding of what made so many of us passionately feminist.

A long, long time ago, I read this book and it changed the way I read literature. Kazantzakis' book goes beyond writing - it is a vivid exploration of the flame that consumes man. To go back to reading the frivolous so-called literature of today almost seems pointless. I am just thankful that Kazantzakis left us with such a rich body of work to read. The libraries were full of his books twenty years ago, but today I rarely find them on any shelf. To those of us who were lucky enough to discover him early, we know that he is the best kept secret of the twentieth century.

This is the best book I have ever read. Granted, I have read it in greek but still, there is no match. Homer would have loved his hero over again.

I read this in a period of weeks while homeless in a city, each day I would return to the library and read another huge section,never missing a day...the incredible prolixity and repetition, far from being burdensome, were like great rolling waves of majesty and freedom upon which I floated until the last cantos, surely one of the greatest climaxes in all world literature, brought me to rest and peace as Odysseus was united with Christ, and sailed off through the ice. And then I knew that for the rest of my life I would be as free as Odysseus had showed me how to be in this work. How's that?

This is the best book I have ever read. Granted, I have read it in greek but still, there is no match. Homer would have loved his hero over again.