Short Stories Books

I randomly picked this book up at the local library not realizing how magnificent it would be. I wanted a breather from all the romance novels I've been hooked on lately and boy what a difference! It was a very depressing story. There are particular lines in the book that are still lingering in my mind. I don't want to spoil it for anyone, but when Evan gets back with his ex-wife and they're talking of the past and he realizes the child she had with another man could have been theirs, but it wasn't.(please read the book and you'll understand) As a reader I felt his pain and misery for the mistakes he made that he couldnt take back, but was trying to mend. When I finished reading this book I could not stop crying; it's that touching!I read a review somewhere where the reviewer is saying this book is not depressing, but I beg to differ! It is very depressing and nostalgic, yet I got the message the author was sending. I highly recommend it.

The premise of a lonely ghost observing life going on in the house in which he died is what attracted me to David Long's novel. But that idea is actually a rather slight portion of this story.

For reasons neither he, nor the reader, ever understand, Evan is doomed to remain in the house in which he committed suicide 10 years earlier. While the premise is fantastical, the tone of the novel is not. We see Evan's life is fragmented, almost swirling snapshots, which seem appropriate for a lost soul still piecing his recollections together. Long writes beautifully in a very literate style and much of the story is Evan reflecting upon his life. And the events of his life are rather prosaic and mundane. He meets his wife, marries her, has an affair, is divorced, reunites with his wife and her troubled daughter. Perhaps Long's point is that life is mundane. But Long's elegant, somewhat melacholy prose holds the reader more than the story itself.

There's a slightness to the narrative. And Evan's connection to Maureen, the woman living in 'his' house doesn't seem fully fleshed out. What is it about her that touches him more than the previous tenants in the house? (She seems to most resemble the woman with whom he had an affair, but that connection is never made explicit.) We follow Evan's mental collapse leading to his suicide in the flashbacks, but it feels a bit arbitrary. There's a slightly aloof quality to Long's story and prose and Evan remains an oddly generic character. It's clear long before the reader gets to the end of this book that there will be no tidy conclusion to this story. And there isn't. And since the emotional impact of the ending hinges on Evan's connection with Maureen, it's puzzling that this connection is what is slighted for much of the novel.

This is a lovely novel -- readable, if not entirely compelling, but perhaps not what many readers might expect from its other-worldly premise.

I have not, in the past, felt compelled to write reviews on the internet, but this book is so haunting, smart, poetic, and strange, I can't help myself from asserting to potential readers: read it. This is an author who has such a sense of the nature of human beings, their motivations, the depths of the psyche--it changed the way I'll ever again see some of the people in my life. While I was reading it, I found myself talking to its characters, recalling its details, singings its praises to strangers. It entered my dreams! I'm not doing it just, but will say, you won't find another novel like this, and you won't forget it.

Evan commits suicide and returns 10 years after his death to his Seattle area home where he tries to understand "why" he did it - he reflects on his life and his quest for strength to escape his battle with depression and failed relationships. The book is dark and often foggy and rainy like its setting in winter in the Pacific Northwest. However, it is beautifully written and places the reader in the shoes of one where if your DNA was off-kilter just a tad - you can imagine that it could happen to you...

It's been a week since I finished The Inhabited World, and I still can't shake its spell. I read the terrific review in the NY Times, which piqued my interest, but I had no idea the experience of entering the world of this book would be so fulfilling and moving.
I have to say that I'm flabbergasted by the review printed here on Amazon, claiming the book is "slight" -- flabbergasted. I really don't know how anyone could arrive at that word. The daily life of the protagonist was so specific, small in scope but precise and utterly believeable, all of which qualities are rendered so poignant by the circumstances of the present (his suicide).
It is written with mastery; no new writer could achieve this simplicity, could so completely put his words to the service of his story. I never marvelled at his prose, just at the characters' behavior, and only after the book was laid down did I marvel at the exquisite and invisible engine that had driven the story to its conclusion. A heartbreaking and life-affirming conclusion.

Yet more great stories from literary master David Lubar. Plenty of short
sharp shocks to give kids the shivers as Halloween approaches!

My kids and I loved this book. It is full of great short stories. It would be a great book for a reluctant reader because the stories are so short. The reader can have many short, entertaining reading sessions without the chance of getting bored. While camping this past weekend my son retold many of stories from this book while we were sitting around the campfire. They really are great spooky campfire stories!

This book is creepy but not to creepy,that's what I love about this book. Some of these storys are funny and creepy. My favorite story is "Nigh Fishing" its really creepy. I recomend this book to everone, Lubar strikes again!

In the book Invasion of the Road Weenies David Lumber tells scary stories to scare the readers and get them excited about what's going to happen. This book is fiction book so the kids who like fiction books should read this amazing book. I like this book because its fiction and it get me to visualizes what's happening in the story. There are all sorts of stories in this book like the " TANK" or "COPIES". In the "Tank" this kid saw ripples in the water and was wondering why there was ripples in the water. And in "Copies" these boys go to work with there father and finds a copier and puts there face on it and copies one thousand copies and they come out with out a face. There are 35 wonderful stories in this book Bt Tyler

If you want to read a book but you don't know what you want to read, you should read INVASION OF THE ROAD WEENIES written by David Lubar. Invasion of the Road Weenies are all little stories you can laugh so hard you'll almost cry of laughter. You might think it is dumb at first but it
will get really funny. I think this book should be 4 stars. I like one called COPIES. Copies is about a little boy and his brother that go to their dad's work for bring your child to work day. The two boys see a copy machine and decide to use it. The older brother puts his younger brother's face on the copy machine and accidentally presses 1,000 copies. Then the older brother sits down on another to copy his behind. Then finally when the copies were over they see that their face and behind was gone! If you like the beginning you'll really like it in the end. I hope read this book and I hope you have a good time reading this!!

Love this book and have loved reading Call of the Wild, since I was 9 or 10.
I also recommend the other collection because it has a few this one doesn't. The Portable Jack London (Viking Portable Library) The thing I liked in addition are the old letters he wrote. Cool reflection and time travel to that time period.

Novels and Stories was the first of a two volume set that I scored for cheap on ebay a few years ago. The second, Novels and Social writings concentrates on his political/social novels and essays while this one is comprised of his Alaskan and sea bearing adventure stories.

This book weighs in at over 1000 pages and includes three GREAT novels in Call of the Wild, The Sea Wolf and White Fang as well as multitudes of his short stories.

I can't say enough about how much I love Londons writings and how much admiration I have for him as a man as well. I've read Call of the Wild about every two years or so since the first time I read it as a child and I get more out of it every time I re-read it. His adventure stories on one level are just great red blooded adventure stories that anyone who has any heart or spirit would enjoy and there is a deeper level to London as well. His stories are highly spiritual if you are able to look at them on another level. Although thats something that you have to "feel" from within I suppose.

You can't lump too many people into the same sphere with London...Twain, Poe, and Lovecraft are a few that spring to mind. He's an American Titan, and he gets the fawning treatment you'd expect from the Library of America in this exemplary, extraordinary, green-registered book.

Call of the Wild is a page-turning yarn about a dog that becomes a wolf. It's listed on the MLA 100, but any competent kid of ten could tackle it...and enjoy it.

White Fang is a canine bildungsroman that inverts the plot of Call of the Wild, with the wolf becoming a dog. Also a page-turner, also something a kid would read without having to be coerced, and possessed of a truly classic scene where White Fang fights a bulldog.

The Klondike Short Stories are all superb--some people think London's metier was the short story rather than the novel--with Batard being a personal favorite.

The Sea-Wolf is a work of genius...until it all comes crashing down with the introduction of Maud Brewster, and the escape to Endeavour Island. What had heretofore been a truly transcendent work of art transmogrifies into a clunky, melodramatic, and tedious chore, where London's love of sailing jargon threatens to overwhelm the reader.

The Selected Short Stories show that London wasn't just a Yukon guy...he had some other arrows in his quiver. A few stories demonstrate his--at the time--devout socialism, which lasted up until he himself got rich. The Apostate is the weakest of these, but The Strength of the Strong is a pretty good allegory for fin-de-siecle capitalism, with all its gory excesses. London also writes convincingly about such diverse topics as boxing, South Sea cannibals, and straight-up science fiction.

This book of books is excellent, and any American who fancies himself a lover of literature would be remiss in not reading it.

After reading this book for school, (not that I was forced to) I gave it a 4/5 star rating. It was excellent when it came to the setting of the story. Even though it is a very short, it crams alot of suspensfull and interesting moments into 100 some odd pages. This book is quite good and page turning. I highly recommend it to readers who like a mix of reality and fantasy in one. Masterful piece of writing.

This book was really good, but I believe that White Fang was better. Many settings took place, but I will start with the main ones. The first setting in this book was Judge Millers Mansion. The second is the dog breakers place, in which Buck (the main character, a dog,) learns the "law of Club and Fang." The third place is where Buck learns the method of husky fighting, and because the other dog died, he lived a long and well-lived life. The first major event in this book is when a person steals Buck from Judge Miller, and he is starved and strangled and is thrown in a shed to wait for a train to the dog breaker. There, he is introduced to the primitive law of club and fang. After that, he, and a Newfoundland, are taken to Alaska. There, he is introduced to the method of Husky Fighting, and then is put into the harness, and is put to work on the mushing sled. The next major event is when Buck is taken of his first mushing trip in the wild. There he learns how to keep warm in the harsh winters by digging into the snow and having your body heat heat up the space. The next area is when Buck and Spitz finally fight to the death, and Buck takes the position of lead dog on the mushing track. Finally, the last major setting is when Buck finaly turns to the wild, and he attacks the YeeHats with a vengance, because they had killed his LOVED master. The conflict in this book is Buck is a spoilled rotten dog, until he reaches the North and finds that he has wild ancestors. They eventually take over Buck and he lives with the wild.

What an opening into a soul, and what a sharing of a self!
Mus White's book combines images and reflections into a story,
which is as much a sweeping epic across time and place, as
it is a personal tale. After reading this book, I felt like
I was, indeed, holding Jasmine in my hand.

When we read we travel to a world that is not ours. We are given the transportation to another's consciousness. Mus White's novel Jasmine in my hand carries us to more than a couple of corners of the world. One of these places, for example, is a dimly lit corner of Copenhagen where we follow the life of small worried girl. Pia falls into an oily green canal in her brand new gray coat which she had begged her mother to buy though her mother couldn't afford it. Another place is LA, where this same small child has grown into a woman who has everything modern America has to give, all the coats in the world, more light and light switches than anyone could possibly use or want. But in these and other locations the real place through which we move and travel is Mus White's consciousness and what a consciousness it is. Using language that dances more than it sits, we dip and slide, slither fall, lift and ascend. Ms. White's sense of the movement of language is a language of its own. It sits not in letters and sentences, words and paragraphs, but somewhere between an intense consciousness of the senses and the dream life of both wordiness and wordlessness. Mus White moves us with the confidence of a witch across these boundaries and back again. Read her, dance with her, sit and ascend.

If you want to rediscover and exercise all your emotions in a single read, buy this book. White's writing is so raw, honest, and powerful, you will instantly see what sets this book apart from all other heroine-centered, first-person novels. This is no manufactured study of a woman with imagined torments; this is the real thing. Pia is a flesh and blood person, fully alive and sitting right in front of you, telling you her remarkable story, with all of its anguish and passion, as if you were in her kitchen holding her hands. You can see the tears, hear the laughter, and smell the coffee. You smile with her; you cry with her; and you want to support her like your new best friend. After all is said, Pia is right there for you, a magnificent woman, with all her complexities. Very highly recommended.

In Jasmine in MY Mind, Mus White sets an initial cadence with her writing
that beats through her novel with the hum of humanity.
At times, through her poetic use of language, she creates sublime images
that are unique in their nature. And other times she reaches to the dark side
that resides in all of us and comes forth with observations that are totally
honest and at the same time utterly terrifying.
Ms. White seamlessly shifts between childhood and adulthood and never loses
the threads of her mesmerizing story.

Nothing about the title and summary of this book prepared me for the absolute uniqueness of this writer's voice and story. She somehow manages to make you feel as if you've burrowed deep into her very soul; you experience right along with her everything that's happening, both the familiar (in a new way) and the unfamiliar (as if you were there).

Her story keeps you turning pages, as riveted as one might be by a soap opera. But this is no soap opera. Rather, it's the debut of an extraordinarily talented new writer with a lot to say and the wherewithal to say it in a most literary and expressive way. I dare anyone to put it down once they've start reading it!

If you want to love life, read this book; if you want to hate life, read this book, too. It makes you a hero.

Just like many of the readers, I first read it about ten years ago and surely it has since remained the best book I've ever read in my life. As a keen lover of music, I have experienced, am experiencing and will experience how music of Beethoven's gives me bravery and strength during dark and weak period of life. This book, too, certainly is the counterpart that will be accompanying me for life, sublimating my soul and give me
power and strength.

I read this book when I was in high school. All summer nights in 1994!! I even felt bad as I progressed through the pages as if the book was a bag of cookies. Ideal, spiritual, as pure as the sound of a wood wind instrument.

A decade later I revisited this book this summer. The protagonist were no more as inspirational as before. First of all this Jean Christophe person is such a super moral man that I don't see any reality in his character. It is hard to imagine that Beethoven was such a character.( Another book by the same author. See how I was intrigued then.) Maybe I'm wrong. People born before WW2 could have lived different lives than our own.

Jean-Christophe is a very touching story that does indeed prove the saying above.Jean Christophe may be the idea of a rascal, evil and full of hatred to the rich, but he's just a desperate man in need of comfort, of peace, and most of all, of appreciation. It just-in it's persuasive way-forces you to look upon the dirty, 'unworthy' ones with a new light, with pity-not disgust. The language simply cools down the heart like a mountain-full of ice by the beauty of it. And it's hatred for the world behind the mask just burns your heart as it did with Christophe. Down with pretense! Down with politeness! All in all, the tragedy of this impatient man who found peace in death will either pierce your heart with enlightment or choke you with laughter. Be it a long lecture, a 1600+ pages of enlightment, a rebellion, this is not a master of the great arts you will soon forget.

I read it translated in Korean about 12 years ago. Though i felt it was somewhat boring at that time, i couldn't put it down, so i persisted. And now i know the book has been serving all these years as a formative novel to me. I am afraid I don't remember the details, but surely i remember how absolutely it absorbed me and arrested me. I want to get a copy of it now and read it again, for now I am sure i will be fully enjoying it, even loving the memory of boredom it gave me when i was a novice and dull reader. So sad it is out of print.

Don Wood is an amazing artist! The illustrations are just incredible. The story is sweet. My three year old daughter and I enjoy reading it.

I love the Wood's books, but this one takes the cake for me and my family. The illustrations are beautiful and are the perfect compliment for the wonderful prose. It is childlike, but very profound and sweet, completely heartwarming.

This picture book is about a bullfrog named Jubal. He was a very happy frog and wanted to share his happiness with his other friends. He tries to share his picnic lunch with Gerdy Toad and her toadlets, but she doesn't accept and has to much work to do. Then Jubal goes on to Captain Dalbert Lizard and finds that he is not very happy either. Jabal goes away to eat his lunch questioning if he should be unhappy, since the others are. A wizard appears and Jabal wishes for all his friends to be happy, not sure if the wish will work. Jabal then makes his way back to see that his wish has not yet been granted, and finds a toadstool and sits and begins to cry. It begins to rain and Jabal becomes stranded, and shortly after his friends come to his rescue and everyone is happy. I think this is a great book that would pass some down time in a classroom. This book teaches children the lesson that not everyone around you will be happy all the time and you cant change that! I think this book will help children with there reading skills, and helps them use the imagination with the animals coming to life. The illustrator does a fabulous job when showing how the animals are capable of doing everything us as humans can; it brings them This is a great picture book that can be used during some down time in class. This book is a short read, and will help children with reading, as well as there imagination. It brings animals to life, and paints a clear picture to the students about how everyone is not always going to be happy. You could get your class involved with maybe making a snack to share with another class each week, thus will also help your children make new friends and the chance to apply the story to real life. You may be able to even have your class share the times they just didn't seem happy, and or if they had a friend they just could not cheer up, and share with the rest of us what eventually happened. You may also have your students to compose there own story concerning a time in which there friends didn't seem to have the time to spend with them, then publish their work online! It would be great for them to always have to look back on!to life and will allow a child's imagination run wild.

I bought this book for my son when he was 2..now he is 5 & still loves this book. Jubal is an engaging character that children can't help but love. The colors in this book are what first made me pick it up. It is so cheerful & exciting. I highly recommend this and all Audrey & Don Wood books.

I think Jubal's Wish is a very good story. The illustration is very colorful and lively. I love Audrey Wood, she is one of my favorite authors and her stories are really cool. Of all of Audrey Woods books I would have to say that Jubal's Wish is my favorite, it's a really good book.

This must have been one of the funniest books I've ever read. It has different stories about Andy Griffiths when he was a kid. All stories are about Andy playing practical jokes on his parents, his friends, and total strangers. You won't know what's funny until you've read Just Joking. It is extremely hilarious. One of the main reasons I liked this book is how fast it is. There wasn't a part in the book where I was bored. Andy Griffiths sure knows how to keep the reader just wanting to keep on reading. Just Joking is also a very easy book to read.

This book is intresting and funny.I would simply describe it as hilarious.I've read most of the "Just" books and all of the "butt" books.I recommend this book for kids of all ages.

I liked Just Joking because it was very, very funny. It's a whole bunch of very, very silly stories. He plays very good pranks on people, only most times he gets in trouble. One of the funny parts was when he wanted a milkshake, he wanted a chocolate milkshake, but instead of chocolate syrup, they used slugs! If you like practical jokes, this would be a completely excellent book for you. I would totally recommend this book.

Now I have read all the "Just" books, but I remember Just Joking the most. I was reading one of the funny stories in this book and I laughed so hard that I almost did the number one in my pants! I wish I could read more funny books from this author.

This book was so good! It was the most funny book ever made.when I sat down and started reading the book I coud not stop. I think the authours message was look on the bright side. So if you are looking for a good book read Just Joking.

I recommend this book to anyone who loves to read good literature.

After having read all three books - Wow! She deserved the Nobel Prize. This last book is a great read - much exciting stuff. And how she understood what a mother feels about her sons - and their leaving her.

THE CROSS is the final shattering novel in Sigrid Undset's KRISTAN LAVRANSDATTER trilogy. In it, Kristin reaps both the rewards and sorrows of the choices she sowed in the first two volumes.

In the first novel, Kristin's passion for Erlend Nikulausson led her to break her betrothal to Simon Andresson. In the second volume, Kristin sought to atone for her sin (she was already pregnant when she celebrated her wedding with Erlend), but had to struggle to forgive Erlend for leading her astray. In THE CROSS, the consequences of Kristin's choices all come to a head. The first section of the novel focuses on Simon, who has been a faithful friend to Kristin and Erlend, even as he continued to harbor feelings for Kristin. In the mid-section of the novel, Kristin and Erlend strive to find peace with one another. While their passion for one another never died, they were never fully able to overcome the mismatch in their marriage. And in the final section, we follow Kristin as she seeks acceptance from her seven sons, and most importantly from God.

For while KRISTIN LAVRANSDATTER seems to be a novel about love, friendship, and marriage, its deepest message is about the struggle of deeply-flawed humans to reconcile themselves with God. The trilogy is set in medieval Norway and all of the characters order their lives (as best they can) around the Christian moral order. Even as they knowingly fail, the Faith is a part of the very air they breathe.

The miracle of Sigrid Undset's trilogy is the clarity of her perception into the human condition. All of these characters live and breathe, and (more startling) we see clearly how they impact each other through the tangled webs of their lives. But Undset's literary talent is embedded in a sharp religious vision, which points to God's relationship with us as sinners. Undset never denies the good in Kristin's passion for Erlend. Nor does she hide the devastating consequences their passion had on each other and on all of the lives they touched. Often, to sin is not to choose that which is evil, but rather to choose a lesser good. Yet as the saying goes, God can write straight with crooked lines, and at the end of this extraordinary trilogy, Kristin comes to see how God has been with her through all of the light *and* through all of the dark. We walk away from the novel enthralled by the grandeur of the story we live out in this fallen world, and the enormous love God has for us.

Rereading Sigrid Undset's classic trilogy has been one of my most rewarding projects this summer.

Sigrid Undset is a master at character and place. She seamlessly draws you into medieval Norway while captivating you with the depth and humanity of her characters. I read them breathlessly captivated. No wonder Ms. Undset received a Nobel Prize for these historical novels--among the best I've ever read. Bravo, Sigrid Undset.

...this one brought me to tears in more than one place. If you're reading "The Cross," or considering purchasing it, you've probably already read the first two books in the series and are caught up in the story. Is this book worth it? Yes. It's not an uplifting read by any means, but it brings the Kristin story to a logical -- though heartbreaking -- conclusion. I am in awe of Undset for her creation of such believable characters, and grateful to her for this glimpse into medieval life. Nunnally's translation is clear and reads smoothly. This, along with "The Wreath" and "The Wife," is one of those books you hate to see end.

Early '80s new York (specifically Queens) is the setting for this loose novel following a 12-year-old Korean-American over the course of two days as he roams the 'hood with his little brother, and two friends. It seems someone broke into his apartment and stole his Atari 2600 and 40+ cartridges, and he aims to find out who. Well, sort of... he actually seems rather resigned to his loss until his friend's continual irritating prodding provokes him into finding someone to blame. All of which makes the book sound a lot more plotted than it is.

The framework is basically picaresque, as Peter, his introverted little brother Steven, the incredibly obnoxious Fatty, and quiet Africa, rove the neighborhood getting in fights, shoplifting, pranking their super, and generally being kids. Along the way, their home lives flicker into view -- and the general sense is of outsiders trying to find their own identity. Steeped in the New York streets, these kids are all about stickball, b-boying, and proving how tough they are. But as busy as they are assimilating the culture of others (for example their little clique is called "The Warriors", after the seminal film), they are perfectly happy to spew racial slurs about blacks, Hispanics, and other Asians. Paradoxically, Peter is utterly contemptuous of his own Korean community, and this self-loathing is reminiscent of much immigrant fiction.

Over the course of the book Peter's anger at himself, his parents, and the world grows less and less interesting, even as it escalates. Peter and Fatty rat-a-tat insults in authentic early-'80s lingo for 180 pages, and yes, it can get pretty funny, but the shtick also gets repetitive. The book does a good job of capturing the foolishness of youth and the heightened sense of frustration adolescence can generate, but it never leads anywhere interesting or unexpected.

Park has done it again. Las Cucarachas is a modern urban masterpiece. From the very first line, his reader is blown away by highly stylized writing and is transported into the mind and world of a 12-year-old boy from Queens. It is amazing that in a book where almost nothing happens it seems that everything happens. Park's voice is incredible and uncomparable to any other writer. This is a wonderful read that has the ablility to pull you in and make you remember what it felt like to be a kid.

LAS CUCARACHAS BROUGHT BACK WONDERFUL MEMORIES OF BEING A KID IN NEW YORK CITY. I REMEMBER BEING YOUNG AND HAVING A SUMMER HOUSE ON LONG ISLAND. THE KID'S IN THAT AREA WOULD WHISPER ABOUT HOW MY FAMILY AND MYSELF WERE FROM "THE CITY." THEY'D ASK QUESTIONS LIKE, "DO YOU RIDE THE SUBWAY?" "DO YOU GET MUGGED FOR YOUR JEWELRY?" "ARE YOUR FRIENDS BLACK PEOPLE? LAS CUCARACHAS TOUCHES ON WONDERFUL IDEAS ABOUT A PLACE THAT USED TO BE HOME. ALSO IT RECALLS THOSE ADOLESCENT ISSUES THAT MADE US WHO WE ARE TODAY. THAT FIRST BEST FRIEND WHO BECAME YOUR FIRST ENEMY JUST SIX MONTHS LATER. OR WHEN THE STREET GETS HOLD OF YOUR FAMILY PROBLEMS AND COLDLY AND INSENSITIVELY THROWS THE CONVERSATION AROUND LIKE YOU'RE NOT IN THE ROOM.
CHARACTERS LIKE FATTY ARE TO NEVER BE FORGOTTEN AND PETER WHO WE HAVE ALL BEEN AND STILL ARE INSIDE. IT IS A MUST READ FOR ANYONE WHO WANTS TO LAUGH, RELATE AND REMEMBER.

Although I probably read more than the average person, I've never written a review before and in fact I avoid reading them in general, particularly before picking up the book or seeing the movie upon which a review is based. I just finished 2 of this author's books, "Las Cucarachas" and "Boy Genius," and out of curiosity I decided to read what others had to say. Interestingly, many of the reviewers take time comparing this book to other books. I'm going to frankly describe what I myself thought rather than make these comparisons.

First of all, both of this author's books are worth reading, and they should be read as a pair. I would recommend reading "Las Cucarachas" and then "Boy Genius," in that order. I was born and raised in New York City, and I'm from approximately the same generation as the main character in "Las Cucarachas;" to me it's incredible how well the author brings to life what my own childhood was like, growing up and hanging out in the streets of New York- not desperately poor, but poor enough so that the kids from what was called the "middle class" seemed rich by comparison, and were luckier than any of them ever seemed able to see. It's as though the author lived this NYC childhood, with all its obstacles, frustrations and pains, freeze dried it, moved on in his own life, and then went back to it and set it down exactly, precisely, missing nothing, not a single thought, feeling, experience or idea. You read "Las Cucarachas" and you experience the raw, real life of a tough, smart street kid in a big city where money is everything- absolutely, totally everything- and where the kid knows that it's not that society wants him to fail; rather, society is so completely and profoundly indifferent that it can't even be bothered to have an interest in his success or failure either way. Nobody from any middle or upper class background can ever truly know the alienation this situation creates, but by reading "Las Cucarachas" they can sure get a good goddamn taste of it. "Las Cucarachas" is the story of a boy that's forced to gear everything around slickness and toughness, and who's trying to make something happen against impossible odds and what seems like an endless stream of jerks and idiots holding him back and getting in his way. When I finished reading "Las Cucarachas" I felt a strange urge to contact the author, congratulate him for making it through, and thank him for creating such an honest, vivid, and truly touching testimonial to youth.

"Boy Genius" should be read after "Las Cucarachas;" in fact it's remarkable to me that "Boy Genius" was actually written by the same author. "Boy Genius" is so completely different, and not just the subject matter, but the whole style of the book as well. "Las Cucarachas" is raw and gritty; "Boy Genius" begins right off the bat with fantastic events that continue unfolding throughout. The narrator in "Boy Genius" gets you to suspend your disbelief so completely that I myself often looked up from the book while reading and felt an embarrassed smile on my face, as though realizing once again that I was the victim of this author's ongoing, intelligent, playful mischief. Bringing this together- the surreal storyline, the narrator's ever present, eccentric, hilarious and intelligent take on things- and you've got a book, "Boy Genius," that once again is not only wonderful, honest and real, but that's also simply enjoyable to read... and that's something that's important to me for any book that I pick up! I'm still a New Yorker, and I know I've got a book I love when I can take that book onto a crowded train during rush hour on my way to work- and lose myself in it totally and completely, in spite of the fact that I'm being jostled and crushed by stressed and impatient New Yorkers who'd prefer I put the book away, hold onto the handrail and stare at the ceilings and walls like everyone else. Both of the books written by this author passed my test, and I enjoyed both of them enough to not only recommend them and pass them on (I've lent out both of my copies) but also, to look forward to reading the author's next book too.

Very rarely can an author capture the range of emotions and epiphanies a normal human being can go through, let alone a child, without becoming verbose and oversentimental. Peter Kim and his gang, the Warriors, live in a tough part of Queens and are bound to each other not by some heart-warming tie of friendship but simply as a means of survival. Does Peter like Fatty, the crass and selfish pathological liar of the bunch? Does he even like his own weakling of a brother Steven?
Ask yourself the same questions about your gang, your family, and your identity and you'll start to scratch the surface of what Mr. Park is able to accomplish in his delightfully brief but infinitely insightful second novel. Especially for those of us who grew up in America as sons and daughters of the lesser represented immigrant community (i.e. Asian, South-Asians, or Arab), the author is able to take the cliche, 'on the outside looking in' and chapter by chapter, peel off the coexisting, but conflicting emotions of community pride versus the self-loathing one feels for being identified with that community; the emotional attachment of family that is continually tested by the faults and shortcomings of those providing for it. Peter's Dad is useless, he lost his store and he is increasingly slothful in Peter's eyes. Yet amidst this pathos, Peter and his buddies accept their respective harsh realites, even embrace them at times, ultimately giving all those who stand responsible for their plight the proverbial finger. Is it fair? No. But does it feel good? Yes. And who doesn't like feeling good? Las Cucarachas reminds us that no matter who's responsible for our misfortunes, whoever stole Peter Kim's Atari, whoever smashed up my bumper in that parking lot and didn't leave thier info, whoever..well you get the point. Yongsoo, thank you for telling it like it is. People, hear this man. Long live the Warriors.
Kesav

The work of Stephen Mark Rainey has soul, depth, character, and the ability to make you care about the characters, which makes his power to terrify that much more awesome. He has his own distinct voice and beat, but some of his work--as with The Last Trumpet--is so uncannily Lovecraft that one has to wonder if Mark has some hidden talents he's not telling us about, such as channeling the untold words of the dead. To name a few favorites: 'Threnody' is a wonderful execution of a brilliant premise and 'The Fugue Devil', which has to be *THE* Stephen Mark Rainey classic-- terror and heart in perfect harmony. Unforgettable.

I'd recommend his work to anyone.

Rainey does what so many Cthulhu Mythos fans cannot - he takes the idea of unknowable horror, things that see us as nothing, and places that idea firmly in the modern day without doing a Lovecraft pastiche. His stories in this volume are all connected by locale, but range in horror from trapped heroes, doomed to a grisly fate, to a feisty futuristic heroine, fighting for survival after the stars have become right. Satisfying work, set in the Mythos, but without the standard trappings so many authors feel necessary to throw in (the million moldy volumes, rattling through the entire Old One pantheon, etc.). Highest recommendations. I've just ordered Balak, his novel, after finishing the collection, and can't wait for it to arrive!

The Last Trumpet is a bone chilling collection of short stories by Stephen Mark Rainey. All the stories though different, are inter-connected in an interesting way. A treasure worth keeping in your library. Very well written, it's true horror at it's finest. If you like all things Cthulhu as I do, you won't be disappointed. Breathes new life into the mysteries of "Avante Garde" 20th Century music.

really interesting read. rainey has a way of making something seem very fresh. his plots always seem original, even when they are not. great stories. great descriptions at times. what rainey is really master at, however, is the angle. he writes a story from a certain angle, making it very intersting. his stories are at their best the most refreshing stories i read in horror. very enjoyable

What a bore and nuiscance it is to read through the piles and piles of Lovecraft pastiches that have accumulated in the past decades. Sometimes one is left to wonder why ever H. P. L. encouraged anybody at all to contribute to his phantastic creation, forgetting too soon about some of the writers who have really done a lot to expand the mythos in its masterminds' sense, and to keep it alive through now almost 80 years, people like Fritz Leiber, Ramsey campbell -or Stephen Mark Rainey.

Not too full of hope, but impressed by the overwhelmingly positive reviews the book got, I started to read through the first story, and actually became so absorbed that I could not stop until I finished the last page. It is true, Rainey has managed something all too rare: to write explicit Cthulhu-Mythos fiction without being derivative (at least as far as it is possible), bringing in a whole lot of new -and not so new- interesting aspects and ideas with an originality and, particularly, quality of style that would have made H. P. L. proud !

Although the last of the stories seemed to me a little bit like one might imagine the multiplayer mode of the upcoming Doom III-game, it nevertheless gave me some quite unpleasant nightmares (and usually I did not get any from reading horror fiction since I read "The dreams in the witch house" by Lovecraft at age 14).

But to get to the point: Rainey's stories are all centred, in a way, around an imaginary Virginia County, surrounding the (fictious) town of Beckham, and around a couple of protagonists that are, often in a subtle way, connected to each other. But apart from that arkhamasque resemblance, the similarity to Lovecraft's imaginary Massachussetts realms ends. The southern background and the distinctly postmodern settings of the stories leave little room for comparison to Lovecraft's creations. A major influence on Rainey's book was obviously the role of SOUND in the opening of vistas into the great (and terrible) beyond, influenced (admittedly) by H. P. L.'s "The music of Erich Zann", and, certainly, some of his other, less explicit, stories & a variety of other sources. Whatever the origins, the idea is presented with overwhelming originality and a sense of weirdness that reminds of some of Ramsey Campbell's best and most disturbing stories in places. All of the stories, which Rainey published over a long period of time, are interconnected in a complex but enjoyable way, with a lot of cross-references, so that one is almost left uncertain whether this is a collection of short stories or a caleidoscopic novel.

The more playful of readers may also expect a lot of really enjoyable Mythos in-jokes that offer some relief from the partially almost unbearable darkness of the stories (be prepared e. g., to meet a certain ghoul named "Richard" under the most appropriate circumstances in a story that would have found the approvement even of Lord Dunsany himself, if he'd been in one of his most sinister moods).

Rainey manages easily to write in an almost dreamy and surrealistic Dunsanian, as well as in a realistic, dialogue-and action-based, stephenkingesque manner, but always keeps far away from merely copying these or any other writers, particularly never-ever copying H. P. L. himself. Read one of the deceased Lin Carter's stories (whose work as an editor I admire, but, frankly, not his writings) and compare it to one of Stephen Mark Rainey's best efforts as "To be like them", "Sabbath of the black goat" or "The fugue devil", and you will immediately recognize what unfathomable abyss lieth inbetween.

Highly recommended. I'm certainly up to buy anything the man has ever written.