Short Stories Books

"The Most of P.G. Wodehouse" was the first book of his that I've read, but you can be sure that it won't be the last! Though Wodehouse was first brought to my attention because of the Jeeves stories, I started in with the Drones Club and was immediately hooked. This book is hysterical. Who knew there were so many things in life to place bets on?!

Having read other short story collections in the past, I was ready for the typical couple thousand word stories that were good, but not exceptional by and large. Wodehouse's short stories, however, are brilliant.

This collection is fantastic. It's perfect for those times when you just want a quick, entertaining, light read. My wife always knew when I was reading this book because I couldn't stop laughing.

The back of The Most of P. G. Wodehouse declares this to be the "most lavish P. G. Wodehouse collection ever published," and when one considers the breadth of selection crammed into just over 700 pages, it's hard to argue with the publisher's assertion. Wodehouse's writing career spanned over forty years, and while I am far from being able to claim that I've read even a third of his output, in my opinion his genius and comic timing rarely faltered. Probably Wodehouse's best known creations are Bertie Wooster and his indefatigable valet, Jeeves (memorably portrayed by Hugh Laurie and Stephen Fry, respectively). The pair is represented here by five short stories. As I recently acquired Jeeves & Wooster - The Complete Series, I have to say that Laurie and Fry captured the characters so perfectly that I now hear their voices in my head when I read the J&W tales. Wooster's cronies at The Drones Club are represented by seven stories - "Tried in the Furnace" and "Goodbye to All Cats" are particularly hilarious. There are seven Mr. Mulliner stories, where he sagely dispenses his life wisdom based on the experiences of various and sundry members of his incredibly large family - I especially liked the story "Mulliner's Buck-U-Uppo." In five stories one can read five of Stanley Featherstonehaugh Ukridge's wildly whacky money-making schemes, and there's a brief stop at Blandings Castle, home of Lord Emsworth and his prized pig the Empress of Blandings. There are five of the Golf Stories, and they were an absolutely revelation - so hilarious, and I am not a fan of golf in the least. The one complete novel, Quick Service, is a solid representation of Wodehouse's full-length fiction, full of romantic entanglements and comic misunderstandings. Wodehouse's sense of humor and command of the English language make his stories and novels an absolute joy to read, and this anthology is probably one of the best introductions out there. Read, enjoy, and laugh till you cry.

The best distillation I've found of Wodehouse's amazing body of work. Great introduction to his variety of characters and situations. One of the few authors that can make me laugh out loud, even on the second or third reading.

Like the last Wodehouse anthology I read (and the first Wodehouse book I had taken the time to read) this book is a splendid collection of humorous stories by Wodehouse, all of them really first rate. However, where the Bestiary only had one or two samples of each of the different "genres" of Wodehouse this one has grouped several into chapters. It really is a marvelous book!

This collection is a fantastic introduction to Wodehouse, who is known as a master of the English Language and a brilliant plotter. Includes the hilarious "Uncle Fred Flits By," a short story that fires on all cylinders, and the complete text of "Quick Service," one of my favorite Wodehouse novels. Other well-known stories like "The Great Hat Mystery" and "The Great Sermon Handicap" are here as well. You'll get a good sense of what Wodehouse was all about and have fun while you do it. Pick it up today!

I'm beginning to realize that George Gissing is an author who is relatively unknown by the general public but who is frequently studied/referenced by academics. The main reason why I think this is true (and this relates to the book at hand) is that Gissing himself had more of an academic temperament than a writing temperament. He was very adept at analyzing the world around him and commenting on it to a point of depressing realism, but he wasn't a storyteller. In fact, he struggled with creating enough storylines in order to support himself. Thus, while his books give impressive looks at Victorian life, they don't always leave a reader fully satisfied.

Why do I say this so confidently? Well, as Gissing was particularly self-aware and as he was particularly oppressed when writing "New Grub Street," in this novel he writes about what it's like to be a writer in London in the 1880's and 1890's. He essentially writes about his own life and those he find around him, all of whom are trying to make a living on writing.

Gissings seems to portray himself through the main character, Reardon. When the story opens, Reardon is struggling. His sophisticated wife is getting fed up with their impoverished lifestyle and with her husband's inability to write decent material. Reardon, a sensitive soul, is floundering under mounting pressure and stress. He is torn between his desire to write sophisticated, meaningful material and the public demand for "fluff." The more stressed laid on him, the less he is able to create and stick with any plausible fiction novel. He becomes more and more fererish and unable to work, and he is devastated as he loses his wife's love and respect.

Around this central character Reardon, Gissing builds a very full and weighty cast of characters. A small sampling of these characters are:
- The embittered, older column writer/reviewer, Yule, whose temperament has made so many enemies during his career that he is still laboring hard to support his small family at the end of his life.
- Yule's daugher, Marion, who is very clever but who is also very vulnerable. Her education has made her too good for many positions and marriages but her lack of money makes her a poor match for the educated class.
- Reardon's friend Milvain, who is an ambitious young man who has no problem writing exactly what the masses want. He knows his talents, he knows the market, and he knows his stuff won't last for posterity. But he is determined to live a comfortable life, make a strategic marriage and become a semi-respected man.
- Biffen, another friend of Reardon's, sympathizes most with Reardon's situation and condition. Two peas in a pod, these men spend long hours discuss meter, prose and ancient poetry.

I found myself continually amazed at Gissing's amazing ability to get into the head of many individuals in his large cast and to see how the world makes sense through each's eyes. Gissing also provides us with a wealth of information about the Victorian publishing scene. It was amazing to read that writers and publishers then were struggling with the same issues writers and publishers are struggling with today.

Additionally, Gissing gives you an unglorified look at poverty and the impoverished educated class of London at that time. While Dickens' works on the poor is idyllic and sentimental, Gissing simply relates the life he has known. There is nothing exceptional or amazing, and Gissing seems to argue that poverty takes character out of a man rather then build up a man's character.

Overall, I found this to be a fascinating piece...though perhaps a slow read. For those interested in publishing, writing, realistic portrayals of Victorian England, or other such topics, this is a fantastic work.

Poor Gissing! I suspect his miserable, self-destructive life fuelled his wonderful novels much as (we now know) Dickens's traumatic "blacking-factory" experience explains so much of the nightmare world of those gargantuan fictions. Gissing greatly admired Dickens, and like Dostoyevsky, seems to have appreciated the grim side of Dickens most. Not much humor in Gissing; but there is the same shabby poetry one used to see in Bloomsbury back in the 1960s. The same wonderful appreciation of futile, obsessive scholarly lives. Gissing is a great poet and sometimes a rather fine moralist. His pictures of London rival those of the Master (Dickens --and Dore). Don't miss him. Start with "Workers in the Dawn" and "The Nether World"--his passion more than compensates for his crudities. Remember: he was also a very accomplished classicist--more of a scholar than any other major Victorian novelist! A not insignificant fact.

George Gissing's 1891 novel, "New Grub Street," is likely one of the most depressing books I've ever read. Certainly, in its descriptions of literary life, be it in publishing, or in my own realm of graduate scholarship, the situations, truths, and lives Gissing portrays are still all too relevant. "New Grub Street" itself points to the timelessness of Gissing's portrayals - as Grub Street was synonymous, even in the eighteenth century with the disrepute of hack writing, and the ignominy of having to make a living by authorship. One of Gissing's primary laments throughout the novel is that the life of the mind is of necessity one which is socially isolating and potentially devastating to any kind of relationships, familial or otherwise. "New Grub Street" gives us a world where friendship is never far from enmity, where love is never far from the most bitter kinds of hatred.

The anti-heroes of "New Grub Street" are presented to us as the novel begins - Jasper Milvain is a young, if somewhat impoverished, but highly ambitious man, eager to be a figure of influence in literary society at whatever cost. His friend, Edwin Reardon, on the other hand, was brought up on the classics, and toils away in obscurity, determined to gain fame and reputation through meaningful, psychological, and strictly literary fiction. Family matters beset the two - Jasper has two younger sisters to look out for, and Edwin has a beautiful and intelligent wife, who has become expectant of Edwin's potential fame. Throw into the mix Miss Marian Yule, daughter of a declining author of criticism, whose own reputation was never fully realized, and who has indentured his daughter to literary servitude, and we have a pretty list of discontented and anxious people struggling in the cut-throat literary marketplace of London.

Money is of supreme importance in "New Grub Street," and it would be pointless to write a review without making note of it. As always, the literary life is one which is not remunerative for the mass of people who engage upon it, and this causes no end of strife in the novel. As Milvain points out, the paradox of making money in the literary world is that one must have a well-known reputation in order to make money from one's labours. At the same time, one must have money in order to move in circles where one's reputation may be made. This is the center of the novel's difficulties - should one or must one sacrifice principles of strictly literary fame and pander to a vulgar audience in order to simply survive? The question is one in which Reardon finds the greatest challenges to his marriage, his self-esteem, and even his very existence. For Jasper Milvain and his sisters, as well as for Alfred and Marian Yule, there is no question that the needs of subsistence outweigh most other considerations.

"New Grub Street" profoundly questions the relevance of classic literature and high culture to the great mass of people, and by proxy, to the nation itself. For England, which propagated its sense of international importance throughout the nineteenth century by encouraging the study of English literature in its colonial holdings, the matter becomes one of great significance. The careers of Miss Dora Milvain and Mr. Whelpdale, easily the novel's two most charming, endearing, and sympathetic characters, attempt to illustrate the ways in which modern literature may be profitable to both the individual who writes it and the audiences towards which they aim. They may be considered the moral centers of the novel, and redeem Gissing's work from being entirely fatalistic.

"New Grub Street" is a novel that will haunt me for quite some time. As a "man of letters" myself, I can only hope that the novel will serve as an object lesson, and one to which I may turn in hope and despair. The novel is well written, its characters and situations drawn in a very realistic and often sympathetic way. Like the ill-fated "ignobly decent" novel of Mr. Biffen's, "Mr. Bailey, Grocer," "New Grub Street" may seem less like a novel, and more like a series of rambling biographical sketches, but they are indelible and lasting sketches of literary lives as they were in the original Grub Street, still yet in Gissing's time, and as they continue to-day. Very highly recommended.

I found Jasper Milvain, the "alarmingly modern young man," to be the most interesting character in Gissing's New Grub Street for a number of reasons, the most significant of which is that he evinces what can only be considered a modernist's consciousness in his approach to writing. That is, while it soon becomes clear to the reader that Milvain represents the antithesis of what Edwin Reardon personifies-i.e., the work of literature as an emanation of author's native genius-and thus one of the intercalated plots of the novel involves the incremental success of Milvain as a modern man of letters, and the concomitant gradual abjection of Reardon. In a manner of speaking, then, Milvain and Reardon's fates emerge from a common source, namely some sea change in the reading public's (the consumer's) preferences and tendencies.

Milvain identifies as vulgar the most lucrative market for the product of the man of letter's labor. The vulgarians, or "quarter educated," drive the market (479), and since they have been determined to desire nothing more than chatty ephemera, they have successfully opened an insuperable gulf between material success in writing and artistic success. Reardon's psychologically penetrating novels just aren't in demand. Therefore, there emerges quite an interesting conceptual shift within the nascent hegemony of the quarter-educated as established by their purchasing power: what was once considered healthy artistic integrity has transmuted into a peculiar kind of petit bourgeois hubris, if, in the new paradigm, the writer is more an artisan than an artist. Therefore, Reardon's artistically-compromised and padded three-volume novel, written with no other end in mind than to pander to the vulgar reader, nonetheless achieves only modest success because, the fact that it is indistinguishable from countless other similar works glutting the market aside, his novel is infected from his irrepressible integrity, and thus his novel becomes a strange sort of counterfeit, a psychological narrative masquerading as a popular novel. Reardon thus becomes a sort of Coriolanus among writers.

Milvain, on the other hand, is a sort of Henry Ford among writers; he reveals his particular genius when offering advice to his sister Maud about how to write religious works for juveniles: "I tell you, writing is a business. Get together half-a-dozen fair specimens of the Sunday school prize; study them; discover the essential points of such a composition; hit upon new attractions; then go to work methodically, so many pages a day" (13). In other words, Jasper has managed to streamline and to mechanize the writing process. He studies previous works, abstracts formulae from them, isolates the elements of these formulae, and then deploys and rearranges these elements to give his own writing a patina of originality. By treating writing as an exercise in manipulating formulae, Jasper exchanges "authenticity" (whatever that word means anymore) for the convenience and efficiency of not having to grapple with his own potentially mutable and recalcitrant genius. Jasper did not invent writing, just as Ford did not invent the automobile. But like Ford did with automobile manufacture, Milvain discovers those aspects of writing that lend themselves to mechanical reproduction. Thus he is able to capitalize on his time and effort, and effectively becomes the very machine Reardon believes himself to be but never actually becomes because of his lingering notions of artistic integrity (352).

Also of interest is the fact that Albert Yule is a sort of synthesis of Milvain and Reardon. Like Milvain, Yule attempts to streamline his own literary production by delegating some of the labor to his daughter Marian. However, like Reardon, Yule clings to the superannuated notion of the necessary individuality of writing: "[h]is failings, obvious enough, were the results of a strong and somewhat pedantic individuality ceaselessly at conflict with unpropitious circumstances" (38). In other words, Yule fails to recognize the obsolescence of the lone, learned genius within the realm of literary production. A market of vulgarians who demand occasional literary confections simply does not expect Works of individual genius. Moreover, even if they were in demand, works of individual genius are too ponderously inefficient to keep pace with the rate at which they are consumed. Therefore, Yule straddles the either/or proposition personified by Reardon and Milvain: One may preserve his artistic integrity and write "for the ages"--hence Yule, Biffen, and Reardon's fetishization of Shakespeare, Coleridge and authors of classical antiquity--and starve in the process, or one may write "for the moment" and actually turn a respectable profit.

The shadow of Charles Darwin indeed looms large over the events and characters of New Grub Street. The growth market brought about by the advent of the "quarter-educated" vulgar class, and their discretionary income coupled with their callow aesthetic sensibilities and truncated attention spans, represents a nascent economic, if not ecological niche, for certain social creatures to occupy. However, it's not simply a matter of being able to adapt one's skills to the tastes of these consumers. One must also be a prodigious enough writer to keep pace with an equally prodigious rate of consumption. Individuals like Milvain and Whelpdale are adequately adapted to this niche in that they satisfy the demands of this niche in terms of both content and output. Reardon panders to the vulgar taste only grudgingly and after long resistance and thereby cannot meet the production demands of this niche. Biffen absolutely refuses to pander at all. Alfred Yule does attempt to pander, but his mode of literary production is too inefficient to meet production demands, and he is also largely ignorant of vulgar literary taste. While more in touch with the vulgar reader than her father, Marian Yule is as inefficient in her literary production as her father. Therefore, each of the characters named above are equally maladaptive, albeit for various reasons, and thus their extinction by the novel's end strikes the reader as somehow inevitable. Whereas Milvain and Reardon's widow Amy are left to come together as the triumphant niche occupants and thus reproduce themselves in their offspring, should they decide to produce any.

I recently read New Grub Street, and I must say I was stunned by how much I enjoyed it. Gissing's prose and characterization hold up remarkably well. He's sort of an urban Hardy, though far more accessible to today's reader. I'd recommend this to any serious reader. Oh, and this novel is ripe for adaptation. A BBC miniseries would be great.

Though the other stories have much cinematic potential, my favorite of this collection has to be "Dirk Snigby's Guide To The Afterlife." Funny and snarkily irreverent, it is full of the absurdities that is the currency of organized religion. In the right hands, "Dirk" could be the next "Dr. Strangelove" -- a chilling satire on what we fear most after taking that final breath in this life as we open the door to the next. Who knows, perhaps Dirk might in fact be our Guide. Pick up a copy of this anthology for this story alone.

an excellent collection of short stories that will make wonderful movies. standouts :gone to mum's
dirk snigby
some pig
waltzing matilda.
sit back with a long cool drink and enjoy.

_The Hustler, It Happened One Night, High Noon, Minority Report_ and _All About Eve._ Quite an impressive list, but what do these movies all have in common? Give up? They all started as a short story.

Next Stop Hollywood is the brainchild of Steve Cohen and Jonathan Davis. Each year they partner with St. Martin's Press to publish original short stories that are judged by a panel of Hollywood insiders via an international contest, with winning entries compiled into the anthology. Their criteria? Finding stories that would make a great movie or TV project. More than 600 entries were submitted and narrowed down to a mere 15.

Using the same judging criteria, I chose three stories from Next Stop Hollywood to highlight.

Perry Glasser's "An Age of Marvels and Wonders," tells the story of a lonely old man slowly going blind and the young woman who comes into his life. Raylene is a walking hard luck story--with two kids, no money and an abusive ex-husband. Is it any wonder she's skeptical of an offer of help? Bob may slowly be going blind, but he sees far more than mere eyesight allows.

"Gone to Mum's" by Barry Simiana is a richly detailed and poignant story of missed chances, stolen moments, heartbreak and redemption. Simiana's narrator takes readers along on his journey of self-discovery amid the rugged backdrop of Australia. The author paints emotion on his canvas, stunning the reader with the simplicity and honesty of his prose.

"The Good Kid" by Brian Richmond, is a clever tale of deception. Marty is a bank robber on the run with nowhere to go. The kid is more than willing to help. But is he helping himself or Marty? O. Henry would have approved.

With Hollywood scrambling for fresh ideas, it's nice to know that the art of the short story is not completely forgotten.

Armchair Interviews says: Kudos to Cohen and Davis for their part in reviving an endangered genre.

I thoroughly enjoyed these short stories, especially "Dirk Snigby's Guide to the Afterlife". Dirk and the devil would be a hit on the silver screen!

Perry Glasser is a wonderful writer and an inspiration in my own writing. His forthright yet crafty style will leave you complete. You won't be disappointed!

I bought this novel for two reasons.
1) To read the much-anticipated follow up to Garak's life in "A Stitch in Time", and
2) To see how O'Brien and Bashir made up after their fight in "Hippocratic Oath".
I was NOT disappointed. In fact, describing my reactions via a negative does not do justice. IT WAS EUROPHIC!
To be honest I have yet to read the other stories which take place during, not after, the DS9 series. [The stories are almost entirely fill-in-the-blank stories, covering things that were not covered in the show but nonetheless happened to the characters, be they fictional or not.] But if the first two stories I read are any indication this collection of stories is amazing. If the rest suck, it was well worth buying PLAIN and SIMPLY for the Garak story!!

I have now also read the Jake-Ziyal story. It is very excellent. The similarities between the two makes one wonder why they never actually DID develop a relationship on the show, since quite obviously they should have! 5 out of 5.

Star Trek: Deep Space Nine recently celebrated its 10th anniversary. To mark the event, Pocket Books produced a short story collection called Prophecy & Change. Using the conceit from the episode "The Visitor," the framing story has an older Jake Sisko visited on a rainy night by a young woman, an aspiring writer. He spends the night regaling her with tales of his time on the station, which these happen to be. Despite the fact that a couple of the stories don't really fit this mold (the Garak story being the most unlikely for Jake to know), it's a nice idea that really works well. I can say that there are no bad stories in this volume, and some very good ones make this an excellent collection.

The stories take place along the timeline of the TV series, beginning with a story that takes place days after the series premiere, "The Emissary," and ending with a story set during the post-series novels. Each season is represented except the second, with most of the stories weighted toward the end of the series. While the stories seem to be leaning toward Quark and Odo, each character gets his/her time in the spotlight, which is a nice touch. Sisko and Kira are the most shortchanged, with only the first story, "Ha'Mara" (by Kevin G. Summers) concentrating on them. "Ha'Mara is an effective tale that ties together "The Emissary" and "Past Prologue" and explaining how the relationship between Sisko and Kira mellowed a little bit between the two. Kai Opaka proclaims that Sisko is the emissary from the Prophets. Kira has a lot of trouble believing that some outsider, especially somebody from the Federation could be their savior. They get a lot of time to argue, however, when they and two Bajoran children are trapped in an underground labyrinth by a cave-in. It's a very effective character story for the two of them, and the story is only marred by the heavy-handed characterization of Colonel Day, a Bajoran militia member who would also love to throw the Federation off Bajor and who hopes to use the cave-in as a way to discredit Opaka.

A few of the stories explain little continuity bits from the series that never were really explained. Thankfully, these stories move beyond that and are good stories in themselves, or else the book would have serious problems. "The Orb of Opportunity" (by Michael A. Martin and Andy Mangels) tells us why Nog decided to strike out on his own and eventually join Starfleet. In this story, an orb is being returned to the Bajorans by the Cardassians, but it gets hijacked by a band of Maquis (Federation citizens who are fighting the Cardassians because a treaty put their homeworlds in Cardassian territory). The orb is in a Ferengi lockbox, and only somebody with the ears of a Ferengi can open it. Rom refuses to go along after being browbeaten by his brother Quark, so Kai Winn secretly enlists Nog's help. After having an orb vision of the future, Nog even decides to forego payment in advance to help! He sees an opportunity that he feels he has to take. The story is very touching, with everybody being characterized wonderfully. Winn is the perfect balance between wily manipulator and a Bajoran religious leader who just wants what's best for her people. She's almost sympathetic, but then she does something that just makes you want to shoot her.

The book has a nice mixture of old and new writers, which is another plus. The pride and joy of the book, however, is another tale by Andrew J. Robinson, the man who played Garak on the series. The last story in the collection, it details the story of Garak and how he is helping Cardassia heal from the horrors of Dominion occupation, where millions died. Some time has passed, and the Cardassians have been through civil war and massive plague which has wiped out even more of his people. This takes place after A Stitch in Time and a stage play written by Robinson and performed at conventions when Robinson and Alexander Siddig are both there. Robinson writes Garak so well, and the story is only marred by the fact that I felt lost at times when he was referring to the events of the play. He tries to put explanations in there, but it just seemed too much. I think it was a mistake to have it be a direct sequel to something that hardly anybody (relatively speaking) is going to see. Still, Robinson shows that he is a gifted writer as well as actor, making the conflicts interesting even when the reader doesn't quite understand what's going on.

As I said earlier, there really isn't a bad story in the bunch. The weakest story is probably the Ezri Dax story, "Chiaroscuro" (by Geoffrey Thorne), which has Ezri going to Pandora station to open a puzzle that Jadzia Dax set so that only another Dax would be able to do it. The story takes place shortly after Ezri boards Deep Space Nine so she's still unsure of herself. I found that the writing didn't grab me and the puzzles that Ezri had to solve just weren't that interesting. Ezri sees a side of Jadzia Dax that she's never seen, but neither have we so we don't really identify with it. It's a young Jadzia, inexperienced and emotional, and ultimately the story just falls flat.

Overall, this is a wonderful collection. It's so great that I spent a Sunday morning plowing through it (which I never do) because I couldn't put it down. That's the seal of approval as far as I'm concerned. If you're a Deep Space Nine fan, you owe it to yourself to pick this up right away. And I'm anxiously awaiting Tales from the Dominion War as well.

David Roy

Reading this book felt like watching the television show (that's a good thing). Each story was probably about the same length as a TV episode, and had similar formats. Overall it was entertaining. A few of the stories I could have done without, but it was still readable. I would highly recommend this to someone who is feeling nostalgic and misses those old days.

DEEP SPACE NINE was always the most literate corner of the STAR TREK universe. It's no surprise, then, that this tightly-edited anthology uses a clever framing story which allows us to imagine that all the stories are being told by a post-middle-aged Jake Sisko, Deep Space Nine's own resident author, reflecting on his time aboard Deep Space Nine. While this means that PROPHECY AND CHANGE isn't technically a part of the so-called "Season 8" relaunch of the series in book form, it does make it a valuable prologue to these newer adventures.

Within just a few pages, you'll quickly see that this is a different kind of STAR TREK than most people knew existed. This is a rich, messy universe, far, far beyond the scope of the other STAR TREK series. In these post-ENTERPRISE days when STAR TREK seems to be a disgraced genre, the one constant source of good new material is the DEEP SPACE NINE line. This first stop along the way back to STAR TREK will both give you new material while reminding you of the high points of each of the seven televised seasons.

Perhaps the best story of the lot is Kevin Summers' "Ha'mara", which takes us all the way back to Sisko's first journey to the Bajor that would become his home over the course of the television series. Notable for giving us our first real look at a lot of introductions that the television pilot left out, it weaves together broad political themes with the very personal struggles of Ben and Jake Sisko. DEEP SPACE NINE was always remarkable for its deft handling of the big and small pictures, but maybe there's never been quite as poignant a moment in any part of the DEEP SPACE NINE legacy--televised or literary--as Summers gives us here. Without giving too much away, I'll just say that in the midst of exploring exactly why the Bajorans were so distrustful of the new Federation presence, Summers takes the time to give us a portrait of the exact moment Jake Sisko became a writer. So simply moving was this scene that I can still remember it now, some two years after having read it.

If there had been nothing else in this book but that one moment, I would have felt my purchase price fully justified. Happily, there's so very much more in this rich collection, which leaves no major character without a truly signature moment.

As I stated in my subject line, this book is the tour de force of Star Trek Deep Space Nine, revisiting the most complicated Star Trek series ever made and tying up loose ends.

The anthology consists of 10 short stories which go a little deeper into the story of Deep Space Nine, from 'Emissary' to 'What You Leave Behind', this book fills in all the blanks, all the loose ends (few that there were) from all 7 years of Deep Space Nine.

The authors are the 'newer' breed of Trek authors, mainly those that have come through the Strange New Worlds competition and written some of the DS9 relaunch books. If the stories from 'Prophecy and Change' and merely the 'early works' of these authors, then I shudder to think just how brilliant their writing will be when these men and women hit their prime.

The stories themselves are mastefully told, and are presented as stories being told by Jake to the young woman that came to see him in 'The Visitor', when Jake is an old man.

Each story is great, but the standouts are definitely 'Three Sides to Every Story', 'Foundlings', and 'Chiaroscuro'. Each of these stories are just brilliant, and cover the last 2 seasons of DS9, which was where the series really hit it's peak.

My only problem with this book was the last story, the Garak story by Andrew J. Robinson. I throughly enjoyed his previous work about Garak, entitled 'A Stitch in Time', but I did not enjoy his contribution to this book, entitled 'The Calling'. I found the story disjointed and at some points just plain confusing. Robinson made some reference to a play entitled 'The Dream Box' which I have never heard of. I'm guessing that this play is the step between 'A Stitch in Time' and 'The Calling', but I have never seen this play, so 'The Calling' was utterly confusing to me.

My only other negative point about this book was concerning a specific plot point. Please be warned, this paragraph contains spoilers. If you wish to avoid them, skip this paragraph. In 'Three Sides to Every Story', Ziyal gives Jake a precious Bajoran earring belonging to her mother, asking Jake to keep is safe for a while. After Ziyal's death, Jake goes to Ziyal's body and considers giving the earring back, but then decides that he should keep it, thus fufilling his promise to Ziyal. This was a wonderful piece of writing, but I think that the author could have gone a step further. The last part of the book is the conclusion of the meeting between Jake and the young woman that comes to see him. I believe that Ziyal's earring should have been mentioned there as still being kept safe by Jake. This would work in two ways, firstly, it would add weight the Jake-Ziyal story by making direct reference to it in the 'objective' sections at either end of the book. Secondly, it would help to reinforce the fact that Jake had an active role in these events. It's a fairly trivial point to be sure, but it was something that I felt should have been included in the story. But that is really a matter of opinion.

Overall, if you are a fan of DS9, either casual or serious, then you should buy this book. It's absolutely fantastic.

What motivated our American forefathers to take up arms against each other? Jack Maples has given us a story where confronting this question doesn't boil down to a simple argument for one ideology over another. This book gave me a better appreciation of the role individual, personal motivations played in the minds of men who fought this war. I'm also convinced the richness of detail in historical accuracy lent a depth to the storytelling that made for very satisfying reading - even for someone with only passing interest in the Civil War. Towards the end of the story, as Caleb returns to Gettysburg for a reunion with his rebel unit, one can't help but be moved by the scene. A good read and a powerful story.

Reconstructed Yankee is a novel set during the civil war, and it follows one man's struggle to live and find his place in a hostile world. Caleb Parker is one of 257,000 free persons of color living in the Confederacy; when war breaks out, he and his best friend enlist in the Union militia, yet Yankee atrocities force them to change sides and fight for the Confederacy. After the war, Caleb encounters extreme discrimination in reconstructed North Carolina; he takes his family to New York, hoping to find more tolerance, yet racism and segregation persist, leading him to ponder whether the bloody Civil War accomplished anything good at all. A harrowing and thought provoking insight into individual and societal failings and legacies.

A new edition of Reconstructed Yankee now is available. The hardcover ISBN is 1-59411-087-5; the softcover ISBN is 1-59411-088-3. Please enter the applicable ISBN under a "Books" search to locate this product.

As a native Tennessean, I was captivated by the well-researched and well-written descriptions of people and places throughout the South. The characters and situations were very much like people that my grandparents had heard about from their relatives and talked about as I grew up. Descriptions of the battles were authentic-and a good reminder that war, even when fought at a distance, is still horrible and painful.

This was not a fast read-I savored every word and look forward to Jack Maples' next offering.

This book is an easy-to-read novel that deals with the Civil War. It is quite informative and very interesting. By reading this book, I was able to have a whole new perspective and outlook on the Civil War. This book is one of the great ones!!! Definitely pick it up..

Shippey walks the reader through Tolkien's lifelong fascination with and love and study of language, which is the golden thread of Tolkien's depiction of humankind through the mists of our earliest time on the planet.

This book is quite simply superb in every conceiveable respect. It is written by a scholar who understands and respects Tolkien's own scholarly passion for philology, the science and stories of the evolution of words and language. This is very different from the humanistic field of literary criticism, and Shippey explains at some length what a philologist can and cannot do. The close reader will end Shippey's book with a wistful feeling that some very wrong turns have been made in academia over the past one hundred years, and one of the reasons for Tolkien's greatness in his time was quite simply his refusal to accept or acknowledge that these wrong turns had been made. At bottom, a scholar of literature is, or at least ought to be, someone who loves words. We will always have a few of these people among us, and Tolkien's and Shippey's works remind us that no overgrown pathway is ever truly lost.

Tom Shippey has an intimate knowledge of the mind and creative processes of the late Professor J.R.R. Tolkien, perhaps nearly as intimate a knowledge as Christopher Tolkien himself. The degree of the schism between language and literature professors of his day was most startling, and how that affected the early critics' appraisals of his masterpiece was also not what I had expected. Tom Shippey's knowledge of JRR Tolkien's mind is most revealing and is encyclopedic, and his ability to explain how deeply the master philologist would see legends and myths in the most ordinary of names and words left me thunderstruck. I have read all five of the main Middle Earth volumes several times and have read some of the Lost Tales, but I had not gained any insight from previous volumes saying how Pr. Tolkien created his world. The authors of those books seemed to lack legitimacy. Tom Shippey does not have that problem, and his book demonstrates that he is Pr. Tolkien's bona fide pupil and linguistic heir. Fans of Middle Earth should be thankful for Tom Shippey's insight, an insight that could only be bettered by Christopher Tolkien, or Pr. Tolkien himself.

Tom Shippey is a profound student of Tolkien with a deep love of middle-earth and a deep understanding of it and its origins.

Unlike so many academics, he is a fine writer. He has style, insight and erudition. Professor Shippey succeeded to Tolkien's chair at Oxford and he has the feeling of Tolkien's world in his bones. He knows Tolkien not only as a fantasist but also as a philologist and understands - and can explain in simple and lucid language - how Tolkien's studies of words influenced his creative work. He has also written interesting critiques of science-fiction.

This is a most valuable book that will contribute proufoundly to any reader's understanding and appreciation of Tolkien's greatness without - and this is very important! - destroying the magic.

I know Tolkien's work well and cannot fault this book.

Shippey's "J.R.R. Tolkien: Author of the Century" places Tolkien in the context of his time. "The Road to Middle-earth" has the more scholastically challenging job of placing Tolkien in the context of his tradition. As that tradition is primarily philological and philosophical, these are his subjects. He tells us what Tolkien meant the words and names in his stories to mean; he tells us how Tolkien used modern language to convey modern and ancient styles and philosophies in contrast; he tells us how the Ring mediates two mutually exclusive concepts of evil; he explains Tolkien's complex narrative strategies; he dresses down critics who misunderstand Tolkien and blame him for not fitting into their concepts of literature; and he does all this with such a blistering display of erudition and general intelligence that the reader sits back amazed.

The book is discursive, and the opening theoretical chapters may seem heavy going, but have patience: they provide necessary context. Shippey has Tolkien's measure in full throughout. He explains what was important to Tolkien, what Tolkien thought he was doing, and - no less vitally - why it is necessary to understand this if one is not to bash Tolkien in annoyance for not accomplishing something totally different.

If you read Shippey, will you necessarily understand Tolkien? No. But if you don't read Shippey, and if you also don't have his insight and knowledge, you will not fully understand Tolkien.

I read an essay by Offutt in The Eleventh Draft--a collection of essays on writing by graduates of the prestigious Iowa Writer's Workshop--that I loved so much I knew I had to read more of him. Offutt is a Kentucky native, who in this memoir, weaves a thoughtful, smart, often funny reflection of his life in different stages: in it, he works his way between life as a sort of aimless vagabond to falling in love with his wife and awaiting the birth of their child, all with a gorgeous attention to the natural world around him and the love that makes him feel whole. This is beautiful, meaningful, brilliant writing. I loved it.

Chris Offutt's first memoir is a pretty decent read. "The Same River Twice" is essentially the story of the years after he left home and hitchhiked across the country. The writing is lyrical and concise and there are quite a few amusing bits to this book (see for example the hilarious exchange between Offutt and a NYC-by-way-of-Jamaica hooker on pages 28-29). This memoir alternates (by chapter) between Offutt's cross country travels and his wife's first pregnancy. The latter portion of the pregnancy stuff is occasionally moving and majority of the book is amusing and well written. Recommended and I strongly suggest interested readers review pages 28-29 for some very useful looooove tips. Batter up!!!!

i picked this book up as a recommendation from a bookstore and it was great read.
The author who left home at age nineteen and drifts along with various jobs and finally ending up living on the banks of the iowa river.
He takes regular walks comtemplating how his life is going to change and how good a father he is going to be(his wife of course is pregenant)as he takes these walks the stories from his odd jobs are woven in.For me the best job he had was when hewas pretending to be a real live walrus in a small circus.This is a great book give it a shot

This magnificent memoir is absorbing, funny and deep, full of surprises. One of the best things I've read in years.

Besides the fact that Chris Offutt is a great writer, I like the guy's work because he's so honest and genuine. For those of you who can't tell the difference, Chris is an authentic country boy. Reading this memoir and sections of his novel "The Good Brother", I recognize the rhythm of speech, turns of phrase, and basic life assumptions that are innate in country boys like us from the Great State of Kentucky and southward, although I'm afraid that some traits are more reflected in the guys I prosecute than in myself. Offutt has given an admirable voice to a class of folks who are ridiculed and berated, but rarely understood. Thank you for helping us understand, Mr. Offutt-those of us seeking to understand ourselves, and those for whom the country is a place to visit. I'm afraid there aren't too many people today who get sentimental when they hear their state song the way we do when we hear "My Old Kentucky Home" (or "Georgia on my Mind"). It seems like no one understands the point of standing on a handful of dirt from your homeland when you get married in a foreign land (or New York City). At least they will recognize great writing when they see it. And here it is in your memoir.

This book was awesome! All of these authors are phenomenal and their stories in this book were great and very touching. I am a big fan of all four so I knew even before I purchased this book that I would love it and I did! Each story made me believe that Miracles can happen if you open your heart and believe.

This book helped me to remember the true meaning behind Christmas and the value of embracing the spirit of giving.

There are times when you read a book at just the right time in your life and this is one of those books and times. Hurricane Katrina took so much away from Biloxi MS, but more than anything material, it took away the hope and spirit of so many, myself included. The holiday season started out so bleakly and I admit that I just wanted it to be over, but when you have children you know you have to find the strength to make it as wonderful as possible. It was a struggle until I read A Season of Miracles. I started the book and before I knew it I could feel myself smiling and just feeling good about everything. This book made me believe in miracles again but most of all the miracle of a better tomorrow. It makes you feel so good inside and you cannot help but feel a little sad when you come to the last page, as you feel as if you are leaving behind friends you have come to know and care about. This book is a miracle in itself and one which I will read over and over again.

This book is to die for...after all the disasters that occurred in 2005 that devistated so many lives makes you wonder...But this book will inspire you to have faith and to believe that miracles do happen. I would recommend this book to anyone!!

There are four enchanting stories which will enhance the real meaning of the season and the blessing of miracles.

"Shepherd Moon" by Rochelle Alers tells of Rhianna, a young woman who fled her hometown when her fiancé was killed in an automobile accident. The face of his twin brother was too painful a reminder of what she had lost. Ten years later Rhianna returns home because of a family illness and runs into her fiancé's twin brother and also her past. Now Rhianna can bring closure to her loss and accept the real reason she fled Shepherd, New York.

"Wishing on a Starr" by Adrianne Byrd shares the turmoil seventeen-year-old Gia suffered when she became a widow and a single mother in a matter of months. But Gia never saw her daughter, her aunt saw to that. The loss of her child forced Gia to leave Talboton, GA for New York City. Almost fourteen years later Gia still longs for her child and wants to do something about it. In a crowded department store, Gia bumps into Daniel Davis and his thirteen- year-old daughter, Starr. There is an immediate attraction between the two, and an answer to a wish even Gia could not have imagined.

"Blind Faith" by Kayla Perrin revisits Andrea and Mark, a couple who ended their relationship because Mark was snubbed by Andrea's parents. Years later Andrea's family has fallen on hard times, but Mark has excelled and is an entrepreneur. Their chance meeting is cordial but strained, still Mark is intrigued. An impromptu visit, a near fatal accident, and some blind faith are what Mark needed to propel him past his hesitancy about capturing his holiday miracle.

My favorite, "A Christmas Serenade" by Janice Simms, brings a world traveled concert pianist back to his roots in Charleston, South Carolina in search of himself. The best friend of his deceased mother welcomes him with open arms and southern hospitality. But this motherly matchmaker offers Jack so much more. She shares information about his parents and tapes of performances by her daughter, Callie. Callie is also a pianist, a blues singer and a magazine editor. When Callie and Jack meet the holiday suddenly feels and sounds majestic. But Callie is afraid that the difference between their respective backgrounds may be a problem.

THE SEASON OF MIRACLES is a Christmas Anthology filled with promise and hope. Grab a cup of eggnog, get comfortable on the couch and experience the joy of holiday love. This one will delight the heart.

Reviewed by aNN
of The RAWSISTAZ™ Reviewers

If you a Sherlock Holmes fan this is a great book to read. I like this Volume that I order Volume II to read this summer.

Recently I finished reading E.W. Hornung's The Crime Doctor, the outstanding novel about Doctor John Dollar (both physician AND detective), and I decided to pick up a complete set of Sir Arthur Conan Doyle's works on Sherlock Holmes. Although this collection is a little dated, I consider it to be the best availible on the market.

There's not much left to say about this literary classic. It's great to have all of the stories and novels put together, in the order that they were published--there are references here and there to things that happened in previous stories. Of course, you don't have to read everything in order, but its worth it all the same.

Some of my all-time favorite stories in this volume of the collection are "The Red-Headed League," and "The Adventure of the Speckled Band." Also worth a read are the short novels A Study In Scarlet, The Sign of Four, and The Hound of the Baskervilles. They illustrate Doyle's (and Holmes's) mastery of the art of observation. As Holmes says in a story in the second volume, "I see as much as you, but I notice what I see." Sir Arthur Conan Doyle is one of my all-time favorite authors; this collection is highly recommended.

Immerse yourself in foggy 19th century London, following the steps of intrepid detective Sherlock Holmes. This volume will give you a very thorough introduction to the official "canon" of Sherlockian lore. Recommended reading.

This book offered some of the lesser known writings of Doyle, as well as, some of the better known stories like "The Sign of Four". My only gripe was that the font was bit small and I was feeling like a detective myself holding a magnifying glass just to make out the words.

Arthur Conan Doyle captures my interest with each little detail and surprise that awaits our true Bohenian Detective and his companion Watson. The dialogue is always fluid and natural. And the stories are so involving. I recommend anyone hoping to become a writer someday to tackle Doyle's works headon. You'll be better for it.

Gina Buonaguro and Janice Kirk have written such a deep, touching story in "The Sidewalk Artist". It is so poetic, it brings tears to this reader's eyes. The book presents the life story of a Renaissance artist into the modern world where a young tourist named Tulia meets and is instantly inrigued with a sidewalk artist and finds herself falling in love. Their tale intermingles with the book Tulia is attempting to write during her travels through France and Italy. Slowly, the truth begins to reveal itself about the artist and the secret he hides. Everyone who has a romantic bone in his or her body should not miss this one!

If you have ever been to Paris or Italy or have an interest in art, or if you are a romantic, this is the book for you. I enjoyed it very much. Such a novel plot and so well done. You cheer for the heroine and the ending is bittersweet.

Buy it and read it -- you'll love it! I didn't want this book to end! I can't wait to see what the authors come up with next....

The Sidewalk Artist is a beautifully written book and is very atmospheric.

The book really is two stories but it is really one love story that surpasses time and I did work out the plot when I was half way through I was not tempted to give up as I was hoping I was wrong !

It is not a book I would normally buy but I did enjoy it. Definitely a lovely Summer read. My only complaint is I would have liked it to be a bit longer !

The Sidewalk Artist is a beautifully written book and is very atmospheric.

The book really is two stories but it is really one love story that surpasses time. I did work out the plot when I was half way through, however I was not tempted to give up as I was hoping I was wrong !

It is not a book I would normally buy but I did enjoy it. Definitely a lovely Summer read. My only complaint is I would have liked it to be a bit longer !