Short Stories Books

Yesterday I was having one of those "I need to have an attitude adjustment sort of days". My parents are both deceased, my mother having been buried the week of Christmas in 1988. I get sort of melancholy this time of year, and without meaning to, can slide into a "funk". Anyway, it was that kind of a day. I was looking for something in the bottom, deep drawer of my desk when I came upon Tim Richardson's book, JUMP STARTS. I had actually forgotten I had it. I read the table of contents and knew IMMEDIATELY the place I was to begin reading: Part Seven: Life Teaches Us Lessons in Attitude Adjustment! Yesterday I read "The Sun". This morning I read "Music in the Morning". Thank you, Tim, for the gift of your book. Thank you for writing it for people like me. And I thank God, who always in His timing, knows who or what to put in my path. It was no coincidence that I came across your book yesterday.

Inspirational and thought provoking vignettes. There's no reason NOT to read this book.

It was fun reading Tim Richarson's book, JUMP STARTS. I'm glad Tim has such insight and glad the proceeds go to such a worthy cause. Amazon.com is wise to carry this book. I know it will be a big seller. Businesses would be helped by including this book in their training program.

Tim Richardson displays insightful and inspiring stories in his book, Jump Starts: Wit and Wisdom to Jump Start Your Day. Tim captivates the essence of what it's all about.

Yesterday I was having one of those "I need to have an attitude adjustment sort of days". My parents are both deceased, my mother having been buried the week of Christmas in 1988. I get sort of melancholy this time of year, and without meaning to, can slide into a "funk". Anyway, it was that kind of a day. I was looking for something in the bottom, deep drawer of my desk when I came upon Tim Richardson's book, JUMP STARTS. I had actually forgotten I had it. I read the table of contents and knew IMMEDIATELY the place I was to begin reading: Part Seven: Life Teaches Us Lessons in Attitude Adjustment! Yesterday I read "The Sun". This morning I read "Music in the Morning". Thank you, Tim, for the gift of your book. Thank you for writing it for people like me. And I thank God, who always in His timing, knows who or what to put in my path. It was no coincidence that I came across your book yesterday.

Les Miserables is the best book that I have ever read (which is saying a lot given how much reading I do). Don't be discouraged by the length of the book. The minute that you finish it all you will want to do is go back to page one and start over again. I don't know anyone that has regretted the time spent reading the unabridged version. It is a powerful story of love, mercy, and justice being exercised in a dark world.

I admit to having been skeptical when I read accounts that this was one of the greatest novels of all time, but upon completing Les Miserables I'm inclined to believe that this sentiment does not go far enough. There are many novels which are entertaining--few which make you want to be a better man. Les Miserables is a beautiful story told in a manner that is both insightful and inspiring. It is quite a bit longer than the average modern novel, but upon reaching the end you will find yourself wishing for more.

Although Wilbour's classic translation of Les Miserables is excellent, readers may also wish to consider the newer unabridged translation by Fahnestock and MacAfee; apart from being somewhat more natural to Anglophone ears, the latter also contains translations of some of the French verses that Wilbour did not translate (e.g., see Saint Denis XII:6).

Hi! I am the 15 year-old who wrote the earlier review entitled "The Best Book" We just got a program for our computer that can translate different languages to English, so I finally found out what it says on Valjeans gravestone. I thought that I would post it for those of us who can't speak french. Feel free to E-mail me if you have any questions of if you want to talk about the book.

He sleeps. Although the fate was for him very strange, he lived. He died when he didn't have his angel anymore; The thing merely of herself arrives, As the night makes itself when the day leaves.

My two favorite classics of all time are LES MISERABLES and THE BROTHERS KARAMAZOV. Interestingly, I've read that Fyodor Dostoevsky was a great admirer of Victor Hugo and of Les Miserables in particular. To me, what these two authors have in common is the profound psychological and spiritual insight found in their work. Les Miserables, for instance, is the most heartbreaking but uplifting story I've ever read, and the life of Jean Valjean is the most inspiring I've ever encountered in fiction. That's why I've slowly come to prefer a good abridgment to the unabridged version: because the story of Jean Valjean comes into much clearer focus. Both versions are incredible, and I'd recommend reading the unabridged version to start with, but for me it's all about Valjean, about the love he shows, the sacrifices he makes, and his overwhelming gratitude toward God. I doubt I'll ever read another piece of fiction more moving and emotional than the final scenes of this book. Highly recommended.

I took "Lt Colonel de Maumort" on a cruise in 2006. I started reading the book on the flight out and was virtually in awe of what I was reading. The discription of his youth and his relationship with his father was very impressive. When it came time to start the cruise, I put on my seasick patch that kept me from getting seasick but also dulled my mind enough that this book suddenly became "over my head". After I had switched to a less intensive series of books, I returned to Lt.Col de Maumort and read it one chapter at a time. I liked it better that way for some reason. Maybe it was because it is so intense a style and depth of writing that I preferred savoring it. When I came to the end of the book, I planned on reading the 130 or so pages of letters and files that comprised, I believe, the further notes on the outline of this posthumously editted and published work. I still haven't gotten to that part but I'm sure I shall some day. This is the fourth book by Roger Martin du Gard that I have read and all, with the exception of the short novel "The Postman", seemed to be very deep. I am always on the look out for more of his work translated into English. I have read a book entitled "The Thibaults" but I get the impression that it was just one vollume of a larger worker under the same name. I would appreciate any information that might clarify that for me. In the meantime I would rate "Maumort" as the best of his works that I have read. The book bogs down a bit about halfway through with a prolonged incident that didn't, in my opinion, add much to the book.

As I understand it, du Gard left a partially completed novel that was completed largely on the notes he left behind. I an many others are grateful for the effort. Often it is an author's lessor works that appear after their death (probably because the author might not have thought that particular book was worthy of publication). However, in the case of Roger Martin du Gard, it is just the opposite.

Some people like short books, others like them long - I like them great. I read this book in every spare moment I had for two weeks. I've finished it, and now I am bereft. Reading it, I felt so known, so human, so accompanied. I want the honesty and clarity of this book in my life.

I stopped reading Colonel Maumort at the halfway point. So good, I'm saving it for vacation. Same feeling I had when I read Tolstoy.

I was hooked early in this amazingly ambitious novel by a lovely metaphor where the narrator Maumort compares the way our early memories follow one another to the fish that came each morning out of the lake on lines that he and his sister had set the evening before. Yet memory is only part of the story, as Maumort, a career army officer, is also in thrall to matters abstract, in love with ideas, theories, analysis--all that intellectualising that we Americans love to have the French do for us. However all that cerebration also serves du Gard in developing his characterisation of the Lt Colonel himself, a man determined to understand himself and his society. That such an ambitious story reads so fluidly and fluently is a testimony to both du Gard's and his two translators' splendid prose. Midway in the novel is is a cinematically rendered and unsparing account of a tragic seduction that utterly establishes du Gard's gifts as a novelist, and which by itself might justify the entire novel, were there not so much more here: the marvellously canny portraits of character after character who Maumort encountered in his life, the unflinching account of human sexuality (especially early male sexual experience), the lavishly detailed picture of French society, and as already mentioned, no shortage of food for thought. All this capped by a poignant and powerful moment of dark paralysis towards the close, as the aged Colonel, having just reclaimed his beloved rural estate from its Nazi occupiers, takes one last look back at a relentlessly examined life.

Timothy Crouse has always had an eye for the telling story that's right under everyone's nose, but which most everyone else misses. His book "The Boys on the Bus" was the first not only to notice the enormous power of the press in a presidential campaign but also candidly to describe its operations.

His journalism over the years has been marked by a stubborn willingness to describe contradictions and unfairness, bringing a clear Orwellian eye to an examination of the social and political conventions by which we live and would just as soon forget. Yet he has always been among the most entertaining and fluent of writers, successfully tackling many genres.

His update of the libretto to Cole Porter's musical "Anything Goes" matched that 1920s show with the madcap spirit of the `80s, and ran for years in New York.

When, lately, the word trickled out that for his latest project Crouse was engaged in translating a massive, 60 year old French novel, by an obscure (to Americans) Nobel Prize winner that dealt in detail with French life in the 19th century, readers wondered what was with this chronicler of our own times and spirit.

Trust Crouse, however, to find the contemporary in what everyone else thought of as antique. The book, "Lieutenant-Colonel de Maumort" (Knopf), written by Roger Martin Du Gard, is now out in a fluent, companionable translation done jointly by Crouse, and his collaborator, Luc Brebion Ph.D.

Brebion himself is a distinguished, Berkeley-based, writer, translator and lecturer on aesthetics

As an example of the translators' art, Brebion and Crouse have produced a model. The text flows easily and persuasively; the notes are few and unobtrusive; the narrative voice is candid and companionable. In age when most writers are writing books designed to be read in 10 minute spurts, Brebion and Crouse offer a text that inveigles the reader into a richer, more rewarding reading experience. The ten minutes you have before bed for reading, quickly becomes with "Maumort" thirty, thirty minutes become forty-five.

Ostensibly the memoir, written as the Nazis invade France in 1940, by a retired French officer of his life in the previous 80 years, "Maumort" is a surprisingly frank and insightful account of social, family, political, intellectual, and sexual manners.

It may indeed have been too frank - the author, Martin du Gard, who died in 1958 before he could finish the work, had, at any rate, ordered its publication to be posthumous.

One of the most modern portraits is of a single woman, who adopts a child, only to be disappointed when the adopted child fails to prove to be brilliant. The consequences are horrible as the mother withdraws from the adopted daughter. As Martin duGard writes, "In fact, she was not satisfied with loving the girl, she wanted to be proud of her as well, wanted her affection to be, as it were, justified by the child's exceptional qualities." This novella, "The Story of Henriette," sounds an eerie current note as one listens to contemporary parents measure their children's worth primarily in terms of schools, and tests.

Written with enormous sympathy for the plight of each of its characters, "Maumort" nonetheless posits that much human behavior is situational, not innate. As Americans, these days, feel more and more that they are born into tribes, some may find this view controversial, others, objecting to the reduction of personality to traits, may find it welcome. It is an insanely contemporary discussion.

Martin du Gard's detailed portraits of marriages will leave readers' jaws agape as they see themselves in the lives of these early 20th century Parisian couples.

And as baby-boomers find themselves in small families, wondering about old age, Martin du Gard's assessment of the failures and strong points of large families, and on the emotional life of the aging, is vivid and apposite.

"Maumort" is one of the first novels in which there is a serious, modern treatment of gay themes. A subsection of the novel, entitled "The Drowning", an account of a tragic obsession between a schoolteacher-soldier and a baker's apprentice, rivals Melville's "Billy Budd" as a depiction of the high cost that is paid when societal strictures cross passion, drowning not only happiness, but also courage.

Not the least of the book's valuables, is the vocabulary Martin du Gard - and here the translation work of Brebion and Crouse is at its most pellucid - gives to the evanescent moments when a relationship shifts and suddenly redefines itself.

Although Martin du Gard was unable to finish his portraits of French military leaders, his panorama of Parisian intellectual life is rich. Again, while these portraits are rooted in a long gone age, they are of more than antiquarian interest: Here is the academic who, beguiled by the media scene, never writes anything important. Here is the blustering ideologue who has nothing to say, but says it about everything. There, the trust-fund baby, rendered impotent by an addiction to comfort, who nonetheless considers himself part of the great world of affairs.

His sketches of French military and political leaders also resonate deeply. As I read them, I found myself thinking, "that's as apt a description of Bill Clinton [or George W. Bush, or Al Gore, or Bill Bennett, say] as I've ever read.

So Brebion and Crouse have pulled from history, a novel valuable not only for its description of olden days, but primarily for its uncanny, and needed, articulation of the people, mores, and manners of our own day.

Part and parcel of the book is a section containing Martin du Gard's notes and files. These "Black Box files" offer a fascinating insight into an author struggling with, and conquering, problems of narrative. A boon for writers.

A few years back I read and taught The Language of Good-bye, Fischer's first novel, in the MFA in Writing Program where I teach. The students (and I) were impressed with Fischer's beautiful style and ability to juggle plots lines and viewpoints, particularly because her two main characters came from such different cultures. TLOGB is a book I've read more than once and truly enjoyed, so naturally I looked forward to her next book, which was a while in coming. But SO worth the wait. There is nothing uneven about this book, so pay no attention to the Kirkus review. Having finished The Life You Longed For just moments ago, I felt compelled to write this review. It is an astonishing book. This is the best kind of story there is--involving, complex, raw in places, a peek into a world that could slip right by. The characters are imperfect and human and so real it gives you the shivers. The amount of scientific information, the weaving of 9/11, the denoument, wow. Another reviewer said it would make a great movie, and while that's true, I am satisfied that it is a book because I know I will read it again and again. TLYLF belongs on the New York Times bestseller's list. I plan to buy copies for my reader/writer friends and spread the word. Just a tremendous read. I hope Fischer has another book in the hopper so I can read more of her stories soon. Loved it.

This is one of the best books that I have ever read. Maribeth Fischer is now one of my favorite authors. You must read this story!

I was disappointed with this book. The protagonist was unlikeable (surprisingly, since she was the mother of a terminally ill child). The author equates Munchausen Syndrome by Proxy cases with the Salem witch trials, and apparently doesn't believe that there are any "real" cases. This is provocative, but disingenuous when there are actually cases where mothers have been secretly taped in hospital rooms doing things to make their children sick. Each section starts with a pretentious introduction written in italics which is apparently placed there to show how thoughtful and philosophical the author is, but comes off as pretentious and does little to move the story along.

I literally could not put this novel down. It grabs you on page one and never lets you go, never lets you relax. It procedes with high emotional intensity to the end.

This is a novel that teaches -- about mitochondrial disease, about Munchausenn's, about the failings of the child protective system in this country, and about our own human failings. It does so in an extremely well-crafted story. I read it wide-eyed and open-mouthed.

This would make an amazing movie.

I look forward to this writer's next novel.

Maribeth Fischer manages to accurately capture the conflicting and confusing emotions surrounding the terminal illness and death of a child. She portrays the impact of a mother's seemingly obsessive devotion to her ill child on her marriage and surviving children. She also reveals the very human nature of grief-the need to retreat to a haven unrelated to death, a place where for a few hours Grace, the mother, can be an ordinary woman. Fischer maintains the integrity of real life by realistically portraying the consequences of Grace's actions. She introduces dramatic tension by carefully exploring how a loving mother's determination to do everything possible for her dying child can be misconstrued, leading to a tragedy of nearly equal proportions to the child's death. Her rich use of metaphor makes the dark subject a joy to read.

Even though this book is a novel, its descriptions of heartbreak and grief are spot on. Healthcare providers, especially social service professionals, could gain valuable insight by reading Fischer's book.

I fell in love with Clark and Marty in the traggic but sweet Love Comes Softly movie, so I had to order the series, eight books in all. The plot thickened with each child born to Marty and Clark. I connected with Marty the wife, Marty the mother, and Marty the grandmother. Then when Belinda [Marty's baby girl] gave her inheritance away and went back home without one thing to assist her aging Mom and Dad, I was appauled. I just finished Like Refined Gold, the last novel in the saga of Marty and Clark's family, The Prairie Legacy, starring Virginia, their granddaughter, Belinda's daughter. I love the rock solid faith portrayed in this inspirational fiction and how true to life Janette Oke portrays the hearts of wives, daughters, and grandmothers. You don't want to miss Marty's granddaughter, Virginia, Belinda's daughter, and her search for Mr. Right,and the toughest battle of "true motherhood". I treasure all twelve of these novels.

I have enjoyed the whole series of books by Janette OKE. They are wonderful family reading and can be shared with all ages.

The last book in this series is by far the best of them all. It is sweet and sad. I think it is really cool that Mindy is willing to go see the mother who left her. Everyone should read this book.

Many fans of Janette Oke have asked her to bring back Clark and Marty Davis and she does so in this series. This series is about their granddaughter Virginia, Belinda's daughter.

Virginia lives on a farm with her husband, Jonathan, and their children. Jonathan works with his brother breeding and raising horses. Lots of changes happen for Virginia in a few short years.

Their daughter, Mindy, was left with them by her mother when she was very young. Mindy knows about her "real" mother because she still has some memories of her. But since she has lived with Virginia and Jonathan she's called them mother and father because they are the only real family she's known.

Mindy hopes her mother will soon come to Christ. She prays for her as often as possible.

Mindy's mother comes for a visit and requests something that Jonathan and Virginia won't agree to.

I really liked this book! I like the Love Comes Softly series better so far but maybe I need to finish this series before I compare them. But I do suggest this series, it does a great job of continuing the story of the Davis Family.

this book is so great. i loved it. i hope Janette oke
does write another series. or is there already ?

It is missing 2 pages and some of the words are not spelled correctly, I don't know if it is the editors, publishers or whose fault. Makes you wonder if it is the original.

Es uno de los mejores libros y una buena razón para leer los clasicos. Me recuerda a Don Quijote - y aún hace una referencia al libro - en que hay muchos temas que desarrollan en el cuento: lealdad, fe, venganza, honor y, principalmente, el libre albedrío.
No hay ninguna sorpresa en el final, aunque cómo se llega al fin es muy entretenido. Es muy interesante cómo Dumas teje los cuentos dispares de los crímenes en el papel del inocente Edmond Dantés. Y aunque Edmond adopta su papel del angel vengador, aprendemos que hay nuevos principios para todos que siguen las palabras: esperar y confiar. Hay varias lecciones para muchas personas de esta època.

when i first started to read this book it leaved it marks on me,i didnt finished it because it wasnt my and i started to search it for about 3 months until i found it and i must say that this is the better book that i've read i'd pay 100 bucks for it....it doesnt have a price definitivamente un clasico.

Una de las mejores novelas que he leído y definitivamente la mejor obra de Alexandre Dumas. Expresa los sentimientos humanos y describe el ambiente de la época a la perfección en esta novela que combina suspenso e intriga. ¡Un libro que no se puede soltar ni un minuto!

This is the best novel ever created. It tells about a man, Edmont Dantes, who gets captured on his day of wedding by policemen. He had to sit in prison all his life, for a crime he did not do. The story tells how this enigmatic man escapes from prison, becomes overwhelmingly rich, and one buy one hunting down his enemies who put him in prison, not physically, but psychologically. I read this book 3 years ago, when I was 14, and beleive me, i got into this book so deeply, that I finished both volumes, each about 700 pages, in 10 days. That's an average of 150 pages per day. This is how interesting is this book. If you start this book, you'll see, you'll get into it very deeply, and you'll feel moments of revenge, sadness (your eyes might get pretty wet), and joy. It is very probable that after reading this book you decide to change your character and make it like the character of Edmond Dantes. This book is worth every single penny of its price and more.

This has been one of the most engaging works of fiction I've read recently. Beginning with a made-up country and a fictitious civil war, in simple language Alarcon takes us through what feel like real dilemmas of people involved in a time of crumbling government and rural flight. But beyond this, the story is intriguing - a radio host, a hidden history, a mysterious boy. Enough to drive the story. Unlike many other books read recenly this doesn't just start well - it keeps the momentum going through the end of the book.

I was astonished by this novel. I thought it started off a bit slow, I thought the main characters Norma and Rey a bit dull at first, and some of the main plot twists were foreseeable. But even if the main characters didn't enthrall at first, many of the secondary ones did. Adela, Trini, Rey`s father and even the ambiguous Zahir and Manau are touchingly rendered. For me, the book really started to pick up during the first full chapter in "1797" - the jungle village were key events involving Adela and and her son Victor happen. But towards the final chapters the tension builds and even Norma and Rey grow in humanity: the last chapter in particular is devastating. The at times semi journalistic style with which the wartime events are described is also very effective.

All in all, this was a fantastic book. I look forward to more by Alarcon. Readers who enjoyed this book are encouraged to try Nathan Englander's "The Ministry of Special Cases" - an equally engaging, impecabbly written and emotionally gripping novel set in somewhat similar context of Latin American political instability.

Daniel Alarcon's debut novel chronicles the lives of three people -- Rey, Norma and Victor -- in an unnamed country, probably Peru, where Alarcon was born, during the monstrous 10-year civil war in the 1980s. Norma works at a radio station where she hosts the program "Lost City Radio," which lists the names of people lost in the brutal conflict. Rey is her husband who goes missing when the police nab him for not carrying ID. Victor is a street urchin who gives a list of the missing to Norma. Alarcon's prose is very well written, terse and visionary. The chronology of the novel is nonlinear, which makes it difficult, at times, to follow what happens and when. And since the name of the country and time period are not given, the historical context of the story cannot be provided. Of course, if this novel is meant to be applicable to all such conflicts throughout the world, who needs a context? However, I wanted one, though this is not necessarily a failing in the novel. Altogether, it was refreshing reading an American novel(Alarcon was raised in Alabama and graduated from Columbia University) with little or no figures of speech, slang or cliches. The best praise I can give the novel is that it could be considered "literature." Look for more material from this very talented young man!

This is a very good book, is easy to read and catches your interest as soon as you start reading so that you cannot stop! I had to read it in a couple of days cause I needed to know what came next in the plot...
When you have lived in Peru during those years, you get the feeling of this story, it has also used an actual radio program as a model but the mastership of the author is to join all those stories and create a new one that have a little bit of multiple stories but is in itself different but very nice. I highly recommend it.

Set in an unspecified South American country, "a nation at the edge of the world, a make-believe country outside history", people are still reeling after ten years of war between the government and guerillas, their spirits broken by incessant violence, legions of the disappeared unaccounted for. In one small place of hope, the Indians in the mountains and the poor of the barrio listen with rapt attention to Lost City Radio. The voice of consolation to her devastated listeners, Norma reads lists, the endless names of the missing, hopeful that some may be reunited with their families. But in the last year of the long absence of her husband, Rey, one of the missing, Norma's advancing grief and impending hopelessness has grown burdensome, the expectations of the audience weighing on her every waking moment.

Hugely popular, Lost City Radio flourishes in spite of a repressive government, spies everywhere, questions rebuffed by officials who allow no independence of thought. The prisons are filled with the captured insurrectionists, their leaders all but buried in the smothering confines of underground cells. Norma hopes to find Rey in one of these prisons, but it is impossible to discern him in a sea of gaunt, determined faces. Other than his profession as an ethnobiologist, Norma has no idea of Rey's other interests, his life carefully compartmentalized. They met under romantic, mysterious conditions, Rey hinting at a more obscure identity. By the time they are married, Norma accepts her husband's eccentricities; but when he fails to return from the jungle village 1797 (names have been replaced by numbers), Norma has no way to track his activities or learn of his fate.

Then one day, ten years after the end of the war, his teacher delivers a young boy to the radio station, eleven-year-old Vincent from village 1787, perhaps a key to Rey's location. Certainly, as time and events unfold, Norma is confronted with the unthinkable: "She had a husband, he was dead or gone... the war had ended, or perhaps it had never begun." Norma's memories are fresh, alive with the spirits of the lost, some of the names still too dangerous to mention on the air. Wracked by loss, clinging to the child, Norma blindly navigates the present, the forbidden names whispered into the dark night. The emotional journey of a grieving wife and an innocent orphan permeate the novel, their stories shadowed by Rey's duplicitous past and devotion to his wife. This otherworldly tale of strength in the face of a confusing war speaks to the vital issues of out time. Such a scenario no longer seems the stuff of fantasy, given the human faces of these poignant characters, Alarcon's novel a grim reminder: "People disappear, they vanish. And with them the history, so that new myths replace the old." Luan Gaines/2007.

I loved this book when I was little. I don't remember how old I was or where I first saw it, but I remember checking it out of a library several times. I knew it wasn't a new story, with the tattered cover and discolored pages, but I loved that there were never any problems in it and that the little girl lived so differently than I did, in a time before mine. I was looking for another childhood favorite and was thrilled to find this one! I remembered the story almost perfectly when I looked back in the excerpts. I can't wait for my own 3 year old to read it...

What a sweet book! I'm 23 and always pre-read any books that i intend to give as gifts to the various kids i know. Usually i find that they eventually turn into scary stuff which isn't too good for the younger ones. When i read this story book i went out and got six copies, one for each of the young children i baby-sit, age ranging 3 to 9, even the 9 year old loved it. There is no violence, no bad language and is a wonderful way of showing young children how people lived in days gone by without taking on a lecturing tone. You know what, even the two young boys liked it!:-)

Don't rule this out for your older children...I just bought it for my just-turned-8yo dd after starting a library copy of it and all of us (including 10yo brother) being enchanted (he actually suggested buying it...said it was a "classic"!)! It reminds you of simpler times... the wholesome joys of childhood. It probably is best for 8 and under but we found it absolutely charming!

I was amazed when i came across this title in my search. I got both the Milly Molly Mandy books as a gift when I was little. I had to wait to read them as i couldnt read very well when i received them. The became my favourite books and I still have them packed away somewhere to this day, dog-earred and with torn covers. I never tired of reading the same stories over and over again, wishing that I could have adventures like Milly Molly Mandy.

This book was the first I was able to read myself, at age 4. It had been my mother's book as a child, and I still have her copy. I was amazed to see that it is still being printed and is still so popular. Somehow I thought it was unknown to most people (my little secret!)

My own granddaughter is now old enough to read about Milly-Molly-Mandy, so I will purchase the new edition for her. She looks just like Milly-Molly-Mandy! Also, it is fascinating to learn that the stories take place in Holland, not England. My sisters and I still use the phrase "little-friend-Susan" to describe the perfect friendship!

Miss Elizabeth Mapp lives in the English village of Tilling and there she attempts to be part of the cream of Tilling's society. With a steady diet of gossip, Miss Mapp and her circle of fellow residents flavor their lives with eyes on the goal of status. Benson's sharply observed and satirical tale is part of the Mapp & Lucia series, which pokes fun at English society of the times. Like an early ancestor of "Dynasty" or anything else produced by Aaron Spelling, the Mapp and Lucia stories are big fun for any Anglophile or fan of camp literature.

Miss Mapp rules the tiny English village of Tilling- that is she rules those who matter. It is a tiny circle of people who have enough class to rate her attention - but she manipulates and lauds over them with machiavellian schemes, and intelligent surmises - and she is intelligent.

Benson has written a village with a range of gorgeous characters - from Diva who is Miss Mapp's great rival, to Irene the local artist who keeps embarrassing Miss Mapp with her prosaic pronouncements. Then there is the local Vicar who talks in a combination of Shakespearian English and Burnsian dialect. There is also Mrs Poppit who is an up and coming social climber (hardly worthy of Miss Mapp's notice) and the novel begins with Miss Mapps machinations to the Poppitt Bridge party.

Village life you see seems to run around Bridge parties. In this petty world of card games there is a great deal of opportunity to expose one another's weaknesses and Miss Mapp, in order to be the center of village life in Tilling finds no object too petty to exploit. This is a novel of small things made into huge issues because of the smallness of the village. There is Miss Mapps constant running battle to dress better than Diva, the competition over Mr Wyse's attentions (with his supposed comtessa sister), and the ever pressing desire to be the First To Know all the gossip in town.

The physical descriptions both through the characters minds and from Benson's pen are wonderful for instance Diva is always depicted as whirling around the place - her legs circling. Mrs Poppit is ever present in a huge and weighty sable coat.

This is a wonderful book, and beautifully written. Benson seems to me to be very influenced by Austen - there is the small and claustrophobic atmosphere of village life - the characters (Miss Mapp seems so like Mrs Norris of Austen's 'Mansfield Park') to me - and then there are the odd Austen Names (in this case the Coles feature strongly as a family that is not quite up to snuff - just as the Coles are in 'Emma'). If nothing else Benson writes of English village life in the 1920's with the same Ironic pen as Austen did of village life in the early nineteenth century.

Highly recommended if you want a couple of days of laughter.

This book from the hilarious pen of Benson, is odd in a certain way. After all, Miss Mapp is the queen of Tilling in the book, and undisputed depot who rules with an iron tongue! Where is our dear Lucia, Mapp's sworn enemy, and the pretender to the throne? Well, she is back in her original home of Riseholme, with her dear husband Peppino. Those who know the Mapp and Lucia Saga from the wonderful television series, might find it strange to have Mapp ruling the roost without interference, however it makes for a delightful read (with one oblique allusion to Lucia), and shows that Miss Mapp is a strong enough character to carry her own book. The most significant event (though hardly significant at all really) is the rumored duel between Puffin and Flint over the affections of Miss Mapp. What really occured on that misty morning? Read this brilliant piece of humor to find out. I love it!

Well, after meeting Queen Lucia, I quite enjoyed learning all about Tilling and its dear Miss Mapp. You will wonder who she visited in Riseholm, and you will die from the anticipation of the two ladies meeting up in subsequent books (you won't be disappointed!). The characters are fantastic, the situations are comic, and I absolutely loved this book! I am officially hooked on the entire series! I hope you will try it and love it just as much as I.

Not only will the Reader of today recognize Miss Mapp amongst her acquaintances, dear Reader is only too likely to see *herself* in caricature. (I, for one, am Diva Plaistow; no getting round it.) A delight from the first paragraph, "Miss Mapp" is even more enjoyable if you've read the first two in the Lucia chronicles. Librarina@netscape.net

When my son was three, he made me read this book to him so many times that even now, 22 years later, I know the entire thing by heart.

Kids love this book. Parents do, too, at least the first 10 or 12 thousand times they read it to the kids!

I adored this book as a kid (I'm in my 30s now). I haven't gotten my new copy yet, but I think there is a lesson about temperance at the end, but that's not what I recall: I just remember the sheer joy of more, more, more. With books that use so few and such simple words, it's often hard for an adult to distinguish the adequate from the great. Speaking for my very young self, I can tell you that this book is great.

This is my favorite children's book - it is especially fun to read out loud. It has a cute level of humor and I've even had a class of 3-year-olds laughing at it. A good learn to read book - but also a good story in general.

I love reading this book to my daughter (2 1/2). I got it when i was a small child and have held onto it as one of my favorites. It is quickly becoming her favorite as well...the story flows so well its really fun to read...my daughter likes to see how fast I can read it without messing up.

I love this book. It lends itself to many activities with monkeys or spaghetti.