Contemporary Books

Mental pictures.

Yes, there are those who state Los Angeles County is an area with few landmarks. First you've got have a good disposition to this place, and second you've got to get close. Cameron's shots provide plenty of pockets of beauty and character, and plenty of quintessential "LA" landmarks. One must close enough to observe and experience them. "Above Los Angeles" lets us. Photos that highlight the interesting and beautiful icons of this city's architecture and natural character.

Another book for LA-philes and those interested in its' history and growth is: "LA Lost & Found: An Architectural History of Los Angeles (California Architecture and Architects, No 21)." by Sam Hall Kaplan, and Julius Shulman (Photographer).

Jemma, the youngest of the sisters, labors suggestively in the shadow of her older sister Rozzie. Begrudingly acquiesing to subordinate status, Jemma, at five years of age, realizes that she is "a pathway to my sister's approval" and "as easy as breathing" determines to accept this role. Alienated and sensitive to her differences (both outside and inside her family), Rozzie exploits Jemma's willingness to do "whatever is required to ensure...she will never be truly seen again." The two develop a balance based on misgiving, silence and perceived acceptance of role; in reality, both envision themselves intertwined with the other in a complicated mathematics of expectation, subservience and dependence. Although as an actress Rozzie appears distanced and detached, Jemma's choice of photography as a means of artistic expression requires identical traits.

The metaphor of vision haunts both sisters. As Rozzie loses her sight, she fights the very invisibility she affected. Jemma's photography tends to focus on isolation and periphery, and as she begins to study the dynamics of her relationship with her sister, ruefully admits that in her own way, "I am missing too." If clarity sets humans free, both Jemma and Rozzie have built walls, shutting down their capacity to see themselves and each other as authentic people. Both women, talented in portrait and interpretation, lack the art of seeing their own hearts. This terrible irony lends a tragic tint to their relationship, but to McGovern's credit, the author does not exploit it for sentimental purposes. Instead, the author encourages her characters to use their deficiencies as the basis for renewal and change.

Consequently, Cammie McGovern elects to challenge readers to reflect on the limits of their own observations. Have we unfairly sided with either of the two sisters? Are we blinded by our own perceptions? What must people do to attain a sense of artistry in their own sight? Jemma and Rozzie quietly grapple with not only their own individual artistic imperatives; they use their talents to retrain their hearts. "The Art of Seeing" becomes its title, a work of art that permits us a clearer vision of ourselves.

Some of my best book friends when I was a kid were the wonderful illustrated histories of Genevieve Foster, and the one I loved most was *Augustus Caesar's World.* I recently introduced it (and a few others: *Washington's World*, *Lincoln's World*, *John Smith's World*, *Columbus's World*) to my 8 year old, and he's discovering the magic in them I did so many years ago.

There are three qualities to *Augustus Caesar's World* that make it so entertaining and educating. The first is that it's incredibly well written. Foster has the gift of breathing life into historical accounts. In reading about Cicero's execution or the life of Siddhartha, for example, one experiences all the dreadful waste of the one and the liberating wonder of the other. Second, the book is wonderfully illustrated by Foster herself. The illustrations are themselves instructive: along with individual scenarios, she provides time-lines, illustrated most fetchingly, that conveniently encapsulate events and persons. Finally, Foster's histories are really world histories. In *Augustus Caesar's World,* she focuses on the events leading up to the end of the Roman Republic and the establishment of the Empire (roughly, 44BCE to 14 CE). But she doesn't limit herself to Roman history; she also examines events taking place across the world during the time frame in which she's working: the druids in Gaul, Hindus in India, Confucius in China, Mayans in the Americas, and so on. She even includes intellectual history: the origins of Christianity and Buddhism, the Upanishadic culture of the Hindus, etc. Her aim is to give the reader a wide angle of vision, and she succeeds wonderfully.

I'm grateful that Foster's histories are being republished. They don't patronize kids by resorting to silly gimmicks that supposedly make learning more palatable (or at least more marketable). Instead, they make history fascinating the old fashioned way: by showing that it's a great story in its own right. They're a great discovery for my son, and a great rediscovery for me.

Thomas Sowell is more than just a critical thinker: he has a penchant for expressing his ideas with a clarity with which it is difficult to argue. He uses that uncommon commodity known, for some strange reason, as "common sense."

Sowell points out`the ludicrous incongruities of the liberal "philosophy" in terms so plain and unvarnished that only one attempting a proctological examination on themselves could miss it.

An example: "The point of being a superpower is so that no one will attack you and require the sacrifice of more and more young Americans like those buried in this cemetery. We were attacked at Pearl Harbor because we were sitting ducks who had allowed our military forces to dwindle away until we had an army smaller than Portugal's--and not enough equipment even for this small force." Page 7.

Or: "Multiculturism is one of those affectations that people can indulge in when they are enjoying all the fruits of modern technology and can grandly disdain the processes that produced them. None of this would be anything more than another of the many foibles of the human race, except that the cult of multiculturism has become the new religion of our schools and colleges, contributing to the mushing of America. It has become part of the unexamined assumptions underlying public policy and even decisions in courts of law." Page 19.

Or: "Much of the current uproar about IQ differences between blacks and whites does not get down to the rock-bottom question: What is there to explain? The average score of blacks in IQ tests in the United States is about 85, compared to a national averge of 100. Is that unusual? No. It is not." He goes on to explain that various groups of various ancestries have had IQs of 85 at various times and places, and he names some of them, and says that the phenomenon is not peculiar to the United States, and he admits that he doesn't know why. Even American aoldiers of the First World War had lower IQs than our soldiers of the Second World War. Page 176.

This is a man to be reckoned with, and these essays are valuable for their insights, most of which effectively puncture widely and emotionally held ideas, especially those that are deemed "politically correct," and institutionalized unquestioned dogma of the liberal anointed who think they are qualified to tell the rest of us how to think and act.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books