Classics Books

Abrams, accomplished scholar and critic, has created a monument for himself and the best, most reliable, and concise glossary of literary terms. Opening up the recent trends, but not as trends, as developments from within established scholarship and literary science. This glossary is special, with a good index of terms, one for authors, and dense, usable, clearly written articles with further reading, its form is unchanged since it first appeared in 1957. The 8th edition I purchased opens with the Absurd and closes with Wit, Humor, and the Comic. The articles are articles, not just key terms defined, but developments traced and contextualized. This is no replacement for an encyclopedia of literature or an Oxford Companion, but a vital tool next to these. None of us can keep every term in mind, and this is a serious book to help our feeble minds, for which we should be grateful and which delivers bang for the buck.

Every student of literature should have their own copy of this book. Non-students would get a lot out of this too. And while the price might appear excessive, I think in the long-term this book is a worthwhile investment. What makes this guide of literary terms different from others, is its comprehensiveness. Abrams goes into great detail on the important terms that one comes across most often in literature. There is information on theories and movements in criticism and terms such as modernism and post modernism, are clearly defined. there is also material on symbolism, metaphor and other figures of speech and so on. A Glossary of Literary Terms, now in its 8th edition, is written in a lucid style, and is a must buy for anyone who wants to expand their literary horizons. Recommended. 5 stars.

Abrams supplies very nicely written explanations of many terms you are likely to come across in literature, or more specifically, in literary studies. If you have puzzled over an "objective correlative", then he explains that it wasn't due to TS Eliot, as many believe, but to Allston. Though Eliot was the one responsible for popularising the term. Or, if you want to use "doggerel" properly when deconstructing some Bukowski poem, perhaps check Abrams first.

This is a very well-researched encyclopedia covering almost any literary term that comes to mind. Try it, look up the term as if using a dictionary and one finds a clearly written paragraph, if not essay, that explains it all. It also provides links that can point the reader in different directions. In the event of literary jargon overload, there is no better treatment currently available.

As a student, this is an essential reference for me, but it is also something that I would want to keep forever as I think it would be very difficult to find such a useful, interesting and intellectually credible/incredible guide to literary terms. As a future teacher I look forward to using this book for many years to come.

The reader who complains that the 8th edition is radically different from previous editions with respect to the definitions of literary terms such as sonnet and ode is entirely mistaken. The entries on these and other terms are either unchanged from earlier editions or improved and updated. Moreover, a number of new terms have been added.

It's in the knowing of someone that we can develop trust in who that person truly is. This is precisely what our Creator means for us to do concerning Him. Purpose to know Him, believe Him, understand Him, trust Him. As we come close to God through His written word and prayer, we know Him as our Comforter! This book leads us in that direction.

To me the title makes it sound like a book for those of us in need of sympathetic, "touchy-feely" encouragement. Instead I would say it is a book encouraging us to take God at His word, in spite of how we would want to wallow in our own ways, and thereby finding in Him true "rest for our souls."

To understand Scripture and God in a new light is powerful! For example, the chapter that has recently hit me is on Self-Examination. Too often we in the Church are urged to regularly examine ourselves, a practice that often leads to inward, self-centered and myopic, if not discouraging, spiritual vision. Yet in actuality the Bible tells us only to do this in two different passages: prior to Communion and once said to a church to check if "one is in the faith" - a Yes or No question. From that point, Smith writes that we instead read in Scripture to invite GOD to examine US (not we ourselves), asking HIM to reveal in our lives HIS ways and plans; in other words, we are to focus on HIM, learning of Him, growing toward HIM as a result of it being He who we chose to spend time with, about, and for. Taking our eyes off of ourselves, even when looking inward appears a pious undertaking, and turning our examination toward Him gives freedom from self-focus, inherently grows our relationship with our Lord God, and allows our hearts to be changed not from our own working but from God working in us! This was an incredible change of perspective for me!

Excellent, excellent book!

My wife has read this book off and on for years. She decided it was so good that she wanted to give it to a close friend who has cancer. Our friend said he really appreciated and loved the book.
E. T. Owens

Another WOW, just the depth and richness of her writing, and understanding of God, His words, and His LOVE will encourage, and enlighten you, you will be amazed at the simpleness, as well as the profoundness of her words, and more impressive, as it was written in the middle 1800's, and addresses anything that is relevant today.

The Christian's Secret of a Happy Life ( Complete and Unabridged)

I have been teaching this book for nearly a year to my ladies Bible class on Wednesday nights. The class consists of 25 women, who, in varying ways, need to be comforted. Even though this book was written in 1906, and these women range in age from 20 to 60, it is the best book I have found to address each of their needs. This book has taught me that God can and does meet all our needs and even though each of our needs are very different, His way of meeting them, individually, is very similar. Hannah Whitall Smith has a way of simplifying and explaining how God can and will comfort us. Chapter eight, The Lord our Dwelling Place, has been particularly helpful to those of us who have had wayward children. She has a way of convicting us that God is there and He really is Our Father. Even though I thought discussing 17 chapters would be long and redundant, the class has proven to be one of the best I have ever led and the women have recommended it to more people than any class I have ever taught. I highly recommend it.

I love The Beatles and thoroughly enjoyed reading about each of their songs. I just wish there was more information! I felt as though some songs barely received any attention. I'm hoping to find a book with more detail.

Turner's book is another essential one about Beatles music. I have read a few of these "about the songs" books, and while another title, Beatle Songs, used to be my favorite, it was nudged out recently by A Hard Day's Write. It feels more substantial, is easier to read, and has some great pictures.

This is a book that focuses on the genesis of the Beatles tunes we know and love so well. It fills in a gap that the other books don't...they are more interested in the recording or instrumental aspects, while this one sticks with comments and quotes by the Beatles and other insiders that explain how and why they chose to write the songs they did. It is more about inspiration.

I love this book because it gives a peak into the minds of some creative geniuses. Reading this book is as close as you will ever come to having the Beatles over for lunch some day and getting the chance to pick their brains over BLTs. This is because the contents of the book are mostly from the Beatles themselves; this book is not just some blowhards interpretation of how Lucy in the Sky stands for LSD. The information is from the horses' mouths (not Henry's) and that is the premier source.

I like a lot of these new-fangled Beatles books. Improvements in technology have allowed new books on old subjects to be printed with more pictures, better quality, and good durability. It has a lot of the same information you can dig out of other books or interviews, but here is is collected and organized for easy access. This is another book that you can read straight though or as time allows. Pick out your favorite albums or songs, or just start from the beginning and see how the music evolved.

I purchased this book for my son-n-law and I almost kept it for myself! This book has a lot of really good photos and very interesting stories. I highly recommend this book!

this book is great for an older beatle fan. i grew up with them from ed sullivan on. while we all had our own ideas what every song was about it was good to finally learn the true meaning of so many of my favorite songs.

This was a book that I couldn't put down reading the first time. Now, when I hear a Beatles song and have a question, it serves as a great resource book.

If you know Suzanne Farrell you will love and respect the lady even more after reading this book. Many artists can relate with her experiences and feelings. I'm sure anyone who was in the arts in college knew of someone who had this type of relationship with their teacher.
Honesty and truth abounds in this volume. Ms. Farrell has an accurate memory of the past. We have proof of that in her restoration project of Balanchine "lost" ballets. She is putting together choreography that she danced in her early twenties.
A remarkable lady!

Farrell had a rather dramatic climb into the spotlight so this is not the book to learn how a young dancer makes her way up through the ranks. It's also a little I-danced-this-then-I-danced-that, which makes it hard to remember important roles early in her career. That being said, she is a brilliant dancer, with an unusual career and the truest sense of Balanchine's choreography. If you're interested in Balanchine, American Ballet or the New York City Ballet, this is a must.

Suzanne Farrell was often regarded as Balanchine's ultimate "muse", although she was neither the first nor really the last. Balanchine in the 1960s became obsessed with this willowy, mysterious dancer, and choreographed many ballets for her. Their personal relationship was much gossiped about. But Balanchine was married (to another "muse", Tanaquiel le Clerg), and Farrell was a staunch Catholic. Eventually, she married another dancer, and left the New York City Ballet. When she returned 5 years later, Balanchine's personal obsession was over. They worked professionally till his death but it seems as if Balanchine never became emotionally invested in her again. Farrell for her part loftily insists that the relationship was consummated through "dance" and not the traditional way. One wonders if it was this remoteness and unattainability that made Balanchine so hurt when Farrell married and left the company.
Farrell's book is a moving personal story, and I'm too young to have seen her dance but surviving videoclips make it easy to understand Balanchine's obsession. She was indeed a beautiful, electrifying dancer. However, like a lot of singer autobiographies, Farrell can't help but sound a bit self-centered. She was isolated at the NYCB due to resentment from the other dancers, but it seems impossible that she'd remain so completely oblivious to the company's other members. Thus, 1960s mainstays of the NYCB like Edward Villela, Patricia McBride, Karin von Arnoldigen, that all figure so prominently in any chronology of the NYCB, are completely absent in Farrells story. From someone reading her book you'd think Balanchine choreographed solely for her, that she was the only important ballerina in his life, and that the company essentially revolved around her. This is not a criticism, but it's something to keep in mind when reading the book. I'd suggest also getting a biography of Balanchine, to keep this in perspective.
To Farrell's credit, she never self-aggrandizes or vilifies anyone. She admits Balanchine could be selfish and smothering, but overall she treats him very sensitively. She is also fair about her mother, a typical stage-mom. Overall, this is one of the best autobiographies of a dacner that I've read. Its candid and personal. However, like most autobiographies I wouldnt read it as an entirely accurate history of ballet either.
As an interesting footnote, Farrell's frequent stage partner and new NYCB dancermaster Peter Martins fired Farrell from teaching at the NYCB after a blowup in the late 1990s. In a preview of the book Farrell mentions the firing.
Farrell's co-writer was Toni Bentley, who's also written a fascinating personal account of being a NYCB dancer.

I stumbled across this book by accident almost a year ago and have been touched by it ever since. I'm not sure that I can explain the specialness of this of this story but it feels like a real life fairy tale. You can feel Ms. Farrell's emotions and passion of what it must have been like for her to work with her teacher, George Balanchine. What a dynamic duo they must have been together. I would recommend this book to everyone, whether you have been exposed to ballet or not, as a special glimpse into a very public but very private life. Truly a lovely story.

i read this book as a young adult, when i was entrenched in the rigours of technique and training and it inspired me in many ways. from farrel's honesty and dedication to her art to the descriptions of balanchine as both a person and an artist. i love this book and i highly recomend it.

These tales evoke a poetical kind of realism. "Hunters in the Snow" is a tragic but comic portrayal of three bumbling hunters acting dumb but believable: so in character with themselves yet slightly bizarre. Everything in these tales is real. There is no trumped up language or superfluous prose. The narratives sweep along with a good balance of dialogue, description and action, and are never boring. "Face to Face" is another good one--tragic again and emotional; you come away with a real sense of pathos. And none of it is asked for. The author doesn't beg our emotions. It's very real and very human. "Worldly Goods" is a hilarious tale but again with sober touch. "Maiden Voyage" is spot on in its portrayal of the bondage and meaning of marriage, and the allure of new love. "Passengers" is a terrific tale about a road warrior girl picked up by a straight-laced guy, the adventures they have and the effect she has on him--it makes you think, and it's all our doing. We never get pandered to or have our feelings played with. And it seems so effortless!

I would absolutely recommend this book. I don't usually give full-throttle approvals, but with this book I can find no fault. Read and enjoy!

I am amazed with everything Tobias Wolff writes.


His fiction is as strong and deep as his non-fiction. In Pharoa's Army is the most profoundly human book I've read on the subject of soldiering in Viet nam.

This short story collection from Tobias Wolff is truly just that. Each story gives you enough of the bare essentials to keep you informed and invested, but they never cross the line into anything remotely superfluous. Each story feels very much like you've entered right into the middle of things and you are there for the climax, but not necessarily the introduction or the conclusion.

While I found this book to be an effective exercise in the art of the short story, I was even more moved by the flaws each character in every story displayed. Wolff had grand success in getting down to the heart of who and what people are, and that is, in essence, good people that usually display less than admirable traits. We all have those idiosyncrasies that make us unique and often troubling to our friends and family, and Wolff captures perfectly normal, though certainly troublesome, eccentricities amongst his characters that give us all we need to know about their particular story.

This is a very fast and interesting read, and if you ever wanted to engage in a deep character study in the genre of the short story, this is the collection for you.

~Scott William Foley, author of The Imagination's Provocation: Volume II: A Collection of Short Stories

Tobias Wolff writes short stories pertaining to issues such as spousal abuse, envy, and lying. Wolff understands the conflicts his fiction characters face because he has addressed about those personal situations in his memoirs. His fiction is so real, it reads as nonfiction. Buy this book, buy them all. Wolff is an adventuresome author with adventuresome characters, himself included.

The characters in Tobias Wolff's short stories are typically ordinary people in relatively ordinary circumstances yet he creates through them such vivd glimpses of humanity that we recognize our friends ,relatives,neighbors and ourselves in them.
Powerful writing that is subtle and yet somehow unforgettable.

All of his short fiction collections are equally enjoyable and I would have a hard time recommending one as opposed to any other. This particular book contains several stories that will pull you in and cause you to want to explore more. This is a book that can be opened at random to any of the selections and read with great enjoyment.

What impressed me the most of this book, is how Walter Lord presents personal details, whether it would be the people involved or the happenings around Hawaii or the western United States. Case in point, Mr. Lord describes how the power went out in parts of Oahu cause Pearl Harbor needed extra electricity as they repaired the USS YORKTOWN.

This book is a classic.

This book presents a complete, chronic picture of the Battle of Midway and is a timeless classic in its own right. It is true that Walter Lord may have exaggerated a bit by saying that "they (the Americans) had no right to win", "they were hopelessly outclassed" because in reality this was a battle between carriers and airplanes (and to a lesser extent submarines). The battleships, destroyers and cruisers never fired a shot against each other from the two sides (in fact, they never saw each other), therefore the two sides were matched pretty much evenly in terms of carriers (Japan: 4, U.S.: 3), and even more so in runways (the U.S. had the added benefit of the unsinkable "aircraft carrier" of Midway Atoll itself.

But otherwise this is a fine book, it unfolds the story from the preparation for the war on both sides, code breaking of the U.S. intelligence personnel, and the high drama of the battle itself. What's also impressive is how Lord blends the afterwards recollections of the participants into his own story-telling, it makes the book read like a Montaged documentary, it also gives the book a very personal perspective.

If you have to read one book about the Battle of Midway, this is the one.

Wow! Although the outcome of this battle is a given, I cannot remember a more thrilling, edge-of-the-seat read than this one. Truth is indeed more exciting than fiction, or at least it can be when the right author relates the tale. Mr Lord has shown us just how contingent and unpredictable history can be -- although nearly everything we threw at the japanese was shrugged off by the emperor's men, when we finally succeeded, it was a magnificent triumph that no one would believe if it had happened in a story. Lord's book is well-documented and he tells us a few new things about this battle -- for instance, although we had supposedly cracked the japanese code, it was more like a few bits of information rather than the entire plan.
I'd recommend it highly, but only if you have a good heart and a tolerance for intensity.

Incredible Victory is a great telling of the events on the Battle of Midway. As events are occurring, you will 1st get the Japanese side and next you'll get the American side or vise versa. The book is written well. It is hard to put down; very interesting. Walter Lord has a good writing style. I was enjoying his book so much that before I was half way through it, I ordered his "Day of Infamy". I would buy this book again.

This book is a great example of how compelling history can be in the hands of a great writer, one who puts a human face on the history without sacrifing accuracy.

Granted, the battle of Midway was an inherently dramatic event, but other accounts of the battle don't rise to the level of Lord's writing.

This is another book I'd give a 6 if I could.

"Inner Drives: How to Write and Create Characters Using the Eight Classic Centers of Motivation, " is a great course on human behavior applicable to creating vidid realistic characters with the personality to lead your story. It is adapted to screenwriting but is about story in practically any genre. Learn about your behavior while learning about character creation and his/her effective deployment throughout your story.

Inner Drives: How to Write and Create Characters Using the Eight Classic Centers of Motivation

Within a few minutes of reading Inner Drives, I intinctively knew it was going to give me unlimited potential to improve my process forever, both in acting and screenwriting. That was over a year ago and I still read and reread it everyday. An old soul trapped inside me has been set free to create the art I need to show the world. If you have a burning desire to contribute stories that inspire caring, sharing, and growth--BUT ARE LOST AND FRUSTRATED-- Inner Drives will give you an amazing base to start working from. Pamela Jaye Smith's perceptions are like food for the brain and she's tailored the learning process to allow any reader's process to thrive in the mix.
If you're an actor lost in finding a process that works for you, this book will hone your imagination razor sharp and rescue your passion for the craft. Acting classes stress the importance of homework but what does that mean? Where do you start? What is homework? Does creating character biographies seem like guesswork? Do you say your lines a million times in your room hoping for magic to pop out? If so, I urge you to read and reread Inner Drives. Use it like a workbook and watch what starts coming out. Centering your characters using the Chakras will open up a whole new creative world you did not know existed.
If you're a screenwriter who's stuck staring at a blank page, take some time out and start reading Inner Drives. Soak up the Chakras centres, swim in the duality of Sliding Scales, and play with the Pairs of Centres. Feed your imagination to find out what motivates your characters and how you need to test them. Pamela Jaye Smith gives you a map to find the hidden treasures in your storytelling. Mythological archytypes resonate deep within the human chord allowing rich characters, both flawed and fantastic, to show up on the page.

Sean O'Brian,
Actor, Screenwriter
http://www.imdb.com/name/nm1694574/

Wow. This is a great screenwriting book -- but it's so much more. Not only does it give you a better understanding of character, but it gives you a better understanding of human nature!

Pamela Jaye Smith has written one of the most intelligent, thought-provoking, and in-depth explanations and explorations on the key motivational centers of human beings. You won't ust learn how to build better characters, you'll discover how to develop your own character. No kidding. This is not just a manual for better writing -- it's a manual for better living!

Buy it. Devour it. Apply it. And read it again...and again...

I don't understand why the consensus rating is 5/5. I found this book extremely wordy and it reads like a history book. If you want dozens of pages on the historical aspects of (insert your favorite chakra here), then this book is for you. If you want to see the same movies quoted and re-quoted over and over as examples of (insert your favorite chakra here), then this book is for you. If your idea of fun is combing through over one hundred pages dripping with hippy-isms looking for the "meat" you can use, then this book is for you. However, if you want a book that gives you a fair amount of background on a subject, fresh movie examples, and then leaves you with concrete ideas and examples of how to leverage the content matter to improve your characters and stories, then this book is not for you.

Notice how many times I repeat "this book is for you" and you'll get the idea of how this books reads. I am disappointed, especially given the 5/5 rating. It's more a 2/5 in my opinion, I got almost nothing useful out of it.

And I thought I knew about acting. You know nothing until you apply this book. You can forget the first two chapters. Go back and read them later for a "wow" crash course in philosophy. Just accept that the chakra system works as viable structure (and how) start at chapter three and apply to your craft. Ms. Smith knows her stuff. I get so excited with this stuff.

So many books on the acting craft never get down to the fact that you are an actor helping tell a story; a story that you tell with other people onstage and offstage. This book will show you you where you fit in to the ensemble and what you need to do so your character is true to life. Like Michael Shurtleff's "Audition," it takes a subjective art form, acting, and makes it objective. You get to view your work from outside yourself, and where to apply everything else you have learned. Not until now have I found anything that helped me do that. I have tried Inner Drives and am having a blast. You will be making choices that people will want to see and keep coming back to you for more. You will never read or act a script the same way again.

Plus, it's a damn good read about movies.

This noevl The Kid from Tomkinsville, is a very interesting book. The author John R. Tunis tells us about Roy Tucker, a young man from Conneticut trying out to play for the Dodgers.

When I was in junior high, I was addicted to reading juvenile sports fiction. Shortly after beginning seventh grade, I went to the alphabetical beginning of the fiction section in the school library and began moving down the alphabet. As I went, I examined the books and read all that were sports related. In a little over two years, I had read every sports fiction book in the collection. Of all those books, the Kid From Tomkinsville was one of the most memorable.
While the background of the 1940's made the presentation difficult for someone in their early teens in the 1960’s, the descriptions of baseball more than made up for it. Roy Tucker is the title character and an excellent pitcher. However, immediately after one of his best games, he slips and cracks his pitching elbow. This finishes him as a pitcher and the main theme becomes his quest to come back as an outfielder.
He is initially very effective and believes success is assured. However, he soon begins to struggle and doubts creep in. The description of all of this is a combination of one of the best baseball stories as well as one of triumph as a combination of talent, hard work and persistence lead to his success. I still remember the scene where his manager comes to his room and tells him the problem is that he is playing for himself and not for his team.
John Tunis is one of the best writers of sports fiction that has ever lived. He makes baseball exciting, even when all the action is taking place off the field. While our society has moved on to a point quite different from the time period of the story, baseball is still a game where strategy, preparation and dedication can triumph over athletic ability. That has not changed, and the descriptions in this book will continue to keep the attention of baseball fans for decades to come.

Like another reviewer, I fell in love with John R. Tunis as a kid. Tunis has great characters and great stories. Perfect for the kid who loves baseball.

I was hardly a baseball fan at all when I began this book. Now baseball is one of my greatest loves. This book is terrific! Whether you love baseball or not you'll be pulled in as Roy-the main character-tries to overcome a freak injury and rejoin the Brooklyn Dodgers.

I read this book the first time back in the mid-80's in high school. I had a burgeoning love of baseball and fell deeply in love with Tunis' works. The point I got from this story is that there is always another door to get to your dream.

Wonderfull stories actually written by Elinore Pruitt Stewart. The woman was a tireless worker with a special kindness to her fellow man. You can picture in your mind just what she lived. Her descriptions are as good as they can be. Her kindness will melt your heart. She makes me wish I had lived in the area at the same time. It's such a world of difference from todays progression. I'm not so sure we have progressed to a better life. Even though it was a hard life and a short one I think it may have been a slice of heaven back in old Wyoming. She will tug at your heart at times and make you smile at others.
A great easy enjoyable read. I highly recommend it.
Steve from Boulder Creek, Ca.

The audio version of this book is so well read -- it is well worth the cost. You cannot help feeling cheerful and energized about your own life, as you hear it. I gave the paperback version to a couple of discouraged women friends who prefer to read rather than listen to books. Both women loved it, and were inspired to face their own hardships more buoyantly. The very gifted author has blessed us with a wonderful history and narrative!

Genuine substance and sincerity describe Stewart's letters from the early twentieth century while homesteading in this remote corner of Wyoming. Whereas most women would not even consider putting down roots in such an isolated area, Mrs. Stewart was determined to make a life for herself in this territory. And she did just that. It took a special kind of person to live in this far-removed landscape.

Her writing, subject matter and approach to life were most admirable. Hard working and always enthusiastic for adventure, she writes of various encounters with surrounding neighbors and experiences into the countryside. If she had any dull moments on the ranch they must have been few and far between.

Very optimistic about life, Mrs. Stewart affirms, "...all my own efforts have always been just to make the best of everything and to take things as they come."
To further quote, "It has always been a theory of mine that when we become sorry for ourselves we make our misfortunes harder to bear, because we lose courage and can't think without bias."

A wonderful read furthering an appreciation for life in the homesteading era.

Dear fellow Book-lovers:
I found this little gem at the local library today and I can't put it down. It is so good--easy to read (perfect for a busy Mom of 5 like me), inspiring, wholesome, funny, and informative. I am fascinated with this woman: her love for people, her giving heart, and her passion for fun and for life. I'm only on page 81 (out of 282) but I can already sit here and tell you to buy this book and enjoy it! I'm buying myself a copy and also one for my best friend. Christmas is coming!

I listened to the audio version of this book and after the first part, I went online to check to see if this was actually taken from real letters or just a modern novel. It was so interesting and so well-written that I couldn't believe it wasn't the creation of a novelist. But no, they are the authentic letters of an incredible woman. Ironically, she apologizes in her letters, for writing too much. If only she could have known that a century later, people around the world would be wishing she wrote even more.

If you choose the audio book, try to get the Sound Room Publishers version, narracted by Kate Fleming. It is far superior than Blackstone Audio's version read by Rebecca Burns (who does a good job, but whose voice is too much like a young girl's to express the wisdom and experience that Fleming projects).

I thought this book was a great book.I think its a great book because of it helps explain how santa came to be.Ialso think its a good book because it helps to feed litle kids imanginations. I thought that giving toys away willingly was a generous thing to do. That's why I think The Life and Adventures of Santa Claus is a good book

This truly magnificent book has been a family tradition for over 50 years. I have the most fondest memories of my siblings and I sitting in our living room as children listening to our parents read 1 or 2 chapters per night. They would time it perfectly to have the last chapter read on Christmas Eve year after year. More than 30 years later, I continue the tradition with my own children. Although they find the first chapter sad and difficult to understand, my children have learned that the obstacles we encounter in life help shape us into who we are, with Nicholas being the perfect example.

My mother gave me my very own copy of The Life and Adventures of Santa Claus when I got married. She wrote on the inside cover, "Dear Patty, I hope you enjoy this book for as many years as I have. May it always remind you of all the Merry Christmas' that we all shared. The years pass so quickly and we are fortunate to have so many happy memories. Love, As Always, Mother" This book will always be one of the most cherished parts of my life. Begin the tradition...

This is the most loving, gentle story of the Santa Claus legend I have ever read. A wonderful telling of the tale, good for children who still believe in Santa Claus, their older siblings who have learned their elders are the givers, and parents who are looking for a way to explain the transition and to focus on the real meaning of Christmas giving.

I have had the 1923 Norwood Press (Norwood, Massachusetts) edition since I was a little girl, and I raised my children on it. I was sharing it with a friend who has grandchildren, and she wanted a copy for them -- we assumed it would be out of print, but I checked on line to see if it was still in copyright before making a photocopy. I'm so grateful it's still in print -- I've just ordered 4 copies to share!

When my adult children were in elementary school, every year during the Christmas season their principal (Mr. Houghton) would read this story over the p.a. system. They would come home and tell me all about it. They were so enchanted with the story I decieded to buy the book and read it myself. When I finished the book I believed in Santa again. It has become a tradition in our home to read every year. I have since bought the book as gifts and everyone who reads it loves it. I have bought copies for when my children become parents so they will have it for their children. I hope it lives on throught the ages. Thank you Mr. Houghton for introducing this wonderful book to my children.

What a beautiful story of how Santa Claus came into being . . it will let you believe! When my son was young, we would read it as a chapter book, we would start on the 8th of the month and read a chapter every day. As he got older, we would take turns reading it to each other. I give credit to Julie Lane for prolonging my sons belief in Santa Claus and he now carries the spirit of Santa Claus in his heart. I strongly recommend it for your bookshlf, no matter how old you are!!!!