Classics Books

Just ordered this and awaiting it anxiously. I have just finished two later collections The Hill Bachelors and Cheating at Canasta (the title story in the latter is heartbreaking and just a perfect piece of writing). I also immediatley ran out and bought After Rain and A Bit on the Side. I had overlooked Trevor for years. I now fully acknowledge that in doing so; I deserve to be tried for crimes against humanity! Being from Ireland and living here, I also live with the constant knowledge that Trevor is a god and part of the literary furniture. Somehow, strangely, I just took him for granted and never read him. I had also wrongly assumed that Trevor belonged to that somewhat stuffy Irish "big house novel" literary tradition (if one can call it that). By chance, I picked up The Hill Bachelors and have found literary salvation! He is utterly brilliant and consistently so. 12 collections and counting. Nearly every collection consists of 12 stories, each about 20/22 pages long, divided in to 5 or 6 scenes. His structure is so simple and within it he performs miracles, over and over again. It is also wonderful how his stories alternate between a story set in Ireland and a story set in England, the country that he has lived in since his 30s. I adore short stories and all the great North American and Irish writers in the genre: Hemingway, Carver, Wolff, Munro, Joyce and McGahern. But I think Trevor is now my literary hero - plus he's a first rate gentleman (not always so with literary geniuses). Although now 80 let's hope for a new collection from the master in about 2010 and God help him, maybe more after that.

If you enjoy consummate skill in the written word you will treasure this book. It is the most beautifully crafted collection of short stories I have ever encountered. The characters are powerful, endearing, heartbreaking, loving, loathsome, self centered, generous, and sometimes frightening - the scope of this work is breathtaking. It is unfortunate that a book perfect for "dipping into" is so large and heavy - a reissue in rice paper would halve both (The Oxford Book of English Verse 1250-1918 has 1166 pages and fits quite comfortably in a coat pocket!) William Trevor is a genius - if you buy his book you will not be disappointed. Dr Peter J Kirby.

It took me a couple of months to make my way through these 85 stories and it was definitely worth the time I spent with them. Trevor's prose is always simple and clear, yet his range of characters and plots is astonishing because of their superbly captured detail and variety. Most of these stories deal with Irish and English characters, and many swirl around the realities or possibilities of extramarital affairs. "In Isfahan," one of Trevor's best stories, a married middle-aged man carries on an impromptu affair with a young woman he meets while in Iran; in "Lovers of Their Time," another top-notch story, a married man carries on a long-term affair with a shop girl by meeting her in a hotel's second-floor public bathroom. Trevor is also quite adept of presenting the romantic yearnings of women. In "The Ballroom of Romance," a country girl's dreams and consequences are highlighted in her trips to the local dance hall; in "Afternoon Dancing," a middle-aged married woman dallies with the idea of an affair with her dance partner after the death of her close friend. Like Chekhov, to whom Trevor is often compared, this writer also has an admirable sense of comedy. "Mulvhill's Memorial" finds an unlikely pornographic set-up within an office; "The Trinity" has a couple booking a vacation to Venice and ending up in Switzerland. Accidents spiral out of control in "The Penthouse Apartment," and in "A Complicated Nature," a man is forced to help his upstairs neighbor when her suitor unexpectedly dies. Another one of the best stories of this collection is "Broken Homes," where an elderly woman suffers the indignities of having her kitchen painted by a team of indifferent youths. Other first-rate stories include "The Smoke Trees of San Pietro," where a boy's sickness propels his mother into an affair, and "Death in Jerusalem" where a mother dies while on vacation.

Someone else here refers to the problems of 'star' hyperbole. He's right. The five stars Trevor deserves must be especially large and dazzling.
He goes wrong, just a little, once in a while. So did every truly great writer we know. Most of the time he opens a door on the world of two or three people, and shows us the universe in the process. He is a breathtaking artist. Witness 'Another Christmas' - in a dingy living room and armed with no one but an aging Irish couple, he brings home the Troubles in Ireland in epic, heartbreaking scope. And 'Torridge'...a girl said to me when this story first appeared in The New Yorker that it was like Beethoven's Fifth; you can't imagine it not having been around before. It's that good.
Readers! You can do no better than to get to know what this man can do with a pen.

Had never heard of the guy - got it at a bookstore because it had 1200 pages (I needed a lot to read) and because it was written by an old guy (well, he's old now, at least - well- wrinkled but kind looking). So far I'm about a third of the way through it, but like everyone else has said, this book is great. Some writers get lazy and write the same story over and over. Not this guy - every character, every situation is unique. For people who like movies, read the one about Istafan and compare it to "Lost in Translation". The story about the swingers party is indescribably great also, just in the way he describes a man kissing a woman's hair or them barely dancing at all.

I read this one soon after it came out--and it informs some of my thinking about current events in and around the Persian Gulf. I'd encourage it for the non-Iranian American who lived through the 'Iranian hostage crisis' period especially. Poignant.

When searching for a book- for my cultural anthropology class, I found this incredible and extraordinary book. I am Mexican, and my boyfriend is Iranian. Hence, sometimes it was difficult to comprehend many things about his culture, but this book really helped me to understand and appreciate Iranian culture. He is more American than Iranian, but he has faced the ongoing negotiation between his past and present, his native home and his adopted home I will recommend this book to anyone who is interested in achieving a personal enrichment and wants to see our modern world with different eyes.

I am 1st generation American. I grew up drinking tea and hearing the stories of Ferdowsi but it didn't seem to capture me completely into my father's culture.

When I came across this book, I fell in love with my culture! I understand so much more of my father's past, his sorrows, his joys, and his beliefs. I also learned more about myself.

I highly recommend this book to anyone interested in the Iranian culture!

When searching for a book- for my cultural anthropology class, I found this incredible and extraordinary book. I am Mexican, and my boyfriend is Iranian. Hence, sometimes it was difficult to comprehend many things about his culture, but this book really helped me to understand and appreciate Iranian culture. He is more American than Iranian, but he has faced the ongoing negotiation between his past and present, his native home and his adopted home I will recommend this book to anyone who is interested in achieving a personal enrichment and wants to see our modern world with different eyes.

"A World Between: Poems, Short Stories, and Essays by Iranian-Americans," edited by Persis M. Karim and Mohammad Mehdi Khorrami, is an excellent anthology which greatly enriches the world of ethnic American literature. The pieces in this collection deal with many issues: language, biculturalism and the anxieties of assimilation, family ties, male-female relationships, Islamic fundamentalism, the role of Zoroastrians as a religious minority, war and its aftermath, etc. Although many such issues are specific to Iranian-Americans, others are universal to all "ethnic" Americans. The stories take place in both Iran and the United States, and one even takes place in France.

Some of my favorite pieces in this book include the following: "Made You Mine, America," Ali Zarrin's joyful poem which invokes both Walt Whitman and Langston Hughes; Mariam Salari's humorous short-short story "Ed McMahon Is Iranian"; Ramin M. Tabib's story "Tuesdays," about two Iranian-Americans in the L.A. club scene; Nazanin Sioshansi's essay "The Suffocating Sense of Injustice," about Zoroastrians in Iran; and Siamak Namazi's fascinating essay "Finding Peace in the Iranian Army," about an Iranian citizen who returns to fulfill his military obligation after living in the United States.

"A World Between" really opened my eyes to some of the pain and beauty of the world(s) of Iranian-Americans. This anthology would be ideal both for classroom use and individual reading. For a fascinating complementary text, try "Boricuas: Influential Puerto Rican Writings," edited by Roberto Santiago.

I concur with most of the points addressed by earlier reviewers, and found this book to be one of the best about history that I've read. Many of the letters were eye-opening, detailing facets of America's history of which I was unaware. As an example, I found the letter detailing the My Lai Massacre both illuminating and horrifying. The letter from Roosevelt to 'The President of The United States in 1956' honoring the first American soldier to give his life in WWII is one of my favorites, along with the letter to the Warner Brothers from Groucho Marx that an earlier reviewer mentioned. A few additional thoughts:

1. The choices of letters from the 1990s were the weakest of any decade. I suppose that's to be expected in the days of e-mail, chatrooms, and the demise of the letter writer, but I'm sure there were better selections than one detailing the results of testing performed on the stained blue dress worn by Monica Lewinsky, or the letter to a Star Trek fan.

2. The majority of the letters related to negative aspects of the century, which while powerful to read made it a bit depressing to read more than 30-50 pages at a sitting. As the various forms of media have always realized, bad news makes for better stories than good news. I wish, however, that there would have been more letters evincing triumphs, humor, and/or optimism. Such letters were in evidence, but not in abundance.

3. I agree with an earlier reviewer that noted the liberal bias of the letters selected. There appeared to be an inordinate amount of 'coming out' selections and letters voicing disapproval of the System. They were important letters, however, that gave me a different view of the country's past.

4. One of my favorite history-related books is A People's History of The United States by Zinn. This book of letters reminded me of that text, required in a college history class.

Overall, I strongly recommend this collection to anyone interested in the history of 20th century America.

This is a collection of over 400 letters that attempts to summarize the century using such. It's a fool's errand, of course, but this is a valiant and fascinating effort.

Some of the letters are famous ones: Einstein alerting Roosevelt to the possibility of developing a nuclear bomb, Martin Luther King writing from the Birmingham jail, and Nixon's terse letter resigning the presidency. Others are less-known but still from famous people: Mark Twain complaining caustically about the inefficiency of telegrams, Charlie Chaplin ecstatic about his first movie contract, Bill Gates trying to discourage early software piracy.

And others are from and to obscure people while still being remarkably telling: an immigrant writing to his relatives about his new life in America, a Jewish woman writing of her experiences being captured and interrogated by the Nazis, a letter left at the Vietnam War Memorial, an erstwhile Compuserve user giving up on his connection problems when confronted with technobabble in response to his request for help. It's really a fascinating read, a hodge-podge of life across the century, from mundane domestic problems to the key issues of the day. My only complaint is that there's a bit of a liberal bias, with plenty of letters describing the hardships of the downtrodden masses and not a whole lot celebrating human ingenuity and accomplishment. But perhaps that is a telling point as well, considering it's a bias that has dominated this century.

This book is a wonderful collection of stories from every year of the 20th century. The authors of the letters are famous people and ordinary citizens. These letters express every human emotion love, loss, triumph, joy, and hope. This book is a pleasure to read.

My favorite story is about a young woman writing to her best friend about her bad marriage. Her husband is physically abusive to her and her son. She yearns for the courage to escape and become an independant woman which she eventually does. Another story by a young man who actually survived the sinking of the Titanic He writes his girlfriend about his experience of getting off the ship and waiting to be rescued.

There is a letter by a woman in Hawaii to her brother in Ohio. She recounted witnessing the bombing of Pearl Harbor during World War 2. She recounts going to a bomb shelter and depicts the commaraderie among the people of the time.

There is a Dear John letter addressed to Ernest Hemmingway from a nurse who cared for him while he was wounded in World War 1 He loved her but their relationship was a mere fling to her. She lets him down gently. This relationship inspired Hemingway to write the novel The Sun Also Rises. There is another letter written by a young unwed pregnant woman in the 1930's seeking advice from a doctor. Her father has no knowledge of the pregnancy and her mother is dead. She has nobody to turn to and her desperate plea for guidance is very touching.

There is another poignant letter written by the sister of a Vietnam Vet who died from lymphnoma as a result of exposure to Agent Orange. She expresses her disbelief, loss and sorrow to an anti war group. There are several stories written by expectant parents to their unborn children. Each letter is filled with anticipation and hope. Buy this book. You will never be able to put it down.

I did not expect to like this book. I had avoided reading it for some time, thinking it would be dull, pedantic, not worth the effort it might take to read it, and generally unpleasant.

I am so glad I found out I was wrong.

It's actually enthralling, well-done, and a worthwhile addition to anyone's library. I am not generally fond of ultra-personal non-fiction, or of the twentieth century in general, but _Letters of the Century_ overcame all of my doubts. The explanatory paragraphs and notes are extremely helpful; the letters are generally of medium length, diverse in subject matter, and uniformly fascinating. I thoroughly enjoyed this book, and highly recommend it.

Every library should have this treasure. I can't think of any book that is as immediately accessible or as fascinating to anyone who reads it. It's a fun way for anyone to learn about America's last 100 years. It's a great gift for a teenager who may consider American history a sleeper subject; it can help put all the facts into context. I wish I had this book when I was in high school!

It's Gorey at his best continued. I am not exactly sure if the book i supposed to be a continuation of Amphigorey, but it has more of Edward Gorey. Content is different from the original Amphigorey, with the exception of the Chinese Obelisk. This book has included draft version of the work, as well as the final one (final one appears in the first book as well).

This is definitely a quality addition to one's Gorey library. However, if you're going to own only one Amphigorey, make it Amphigorey Also, in which he has truly mastered his own peculiar style.

This excellent follow-up anthology contains such classic Gorey works as The Beastly Baby, The Pious Infant, The Gilded Bat, The Chinese Obelisks, The Deranged Cousins, and The Disrespectful Summons.

I don't care if you've never in your life read Edward Gorey, I don't care if "it's not your thing," I don't care about any silly excuse. If you haven't read this book than you are not complete, and there's only one way to fix the problem.

Edward Gorey is satiric genius, and when he isn't being sarcastic and whimsical then he is beautiful and poetic (although come to think of it, he's always poetic, isn't he?). Being an Amphigorey, this book has loads or nonsense stuff crammed together with some of his best work. I can't imagine that anyone with any kind of imagination could read through it without finding at least one thing that they adored.

The contents of Gorey's collections with personal rates for each work:

AMPHIGOREY:
The Unstrung Harp (1953) ========================= ****1/2
The Listing Attic (1954) ========================= *****
The Doubtful Guest (1957) ======================== ****1/2
The Object-Lesson (1958) ========================= ****
The Bug Book (1959) ============================== ***1/2
The Fatal Lozenge (1960) ========================= *****
The Hapless Child (1961) ========================= *****
The Curious Sofa (1961) ========================== ****1/2
The Willowdale Handcar (1962) ==================== ****1/2
The Gashlycrumb Tinies (1963) ==================== *****
The Insect God (1963) ============================ *****
The West Wing (1963) ============================= ***1/2
The Wuggly Ump (1963) ============================ ****1/2
The Sinking Spell (1964) ========================= ****1/2
The Remembered Visit (1965) ====================== ****

AMPHIGOREY TOO:
The Beastly Baby (1962) =================== *****
The Nursery Frieza (1964) ================= -
The Pious Infant (1966) =================== ****1/2
The Evil Garden (1966) ==================== ****1/2
The Inanimate Tragedy (1966) ============== ****
The Gilded Bat (1966) ===================== ****
The Iron Tonic (1969) ===================== ****
The Osbick Bird (1970) ==================== ****1/2
The Chinese Obelisks (Sketch) (1970) ====== ***
The Chinese Obelisks (1970) =============== ****
The Deranged Cousins (1970) =============== ****1/2
The Eleventh Episode (1971) =============== ****
The Untitled Book (1971) ================== ***1/2
The Lavander Leotard ===================== ***
Direspecful Sermons ======================= ****1/2
The Abandoned Sock (1972) ================= ****
The Lost Lions (1973) ===================== ****
Story for Sara ============================ ****
The Salt Herring ========================== ***
Leaves for a Mislaid Album (1972) ========= ***
A Limerick (1973) ========================= ****1/2

AMPHIGOREY ALSO:
The Utter Zoo (1967) ======================== *****
The Blue Aspic (1968) ======================= ****1/2
The Epileptic Bicycle (1969) ================ ****
The Sopping Thrusday (1970) ================= ****1/2
The Grand Passion (1976) =================== **1/2
Les Passementeries Horribles ================ ***
The Ecletic Abecedarium ===================== ***
L'eure Bleau ================================ ***
The Broken Spoke (1976) ===================== ****
The Awdrey-Gore Legacy (1972) =============== ****
The Glorious Nosebleed (1975) =============== ****
The Loathsome Couple (1977) ================= ****1/2
The Green Beads (1978) ====================== ****
Les Urnes Utiles ============================ ***
The Stupid Joke (1980-1982) ================ ****1/2
The Prune People (1983) ===================== ****
The Tuning Fork ============================= ****1/2

AMPHIGOREY AGAIN:
The Galoshes of Remorse (illustration) ==========
Signs of Spring ================================= ***1/2
Seasonal Confusion ============================== ***1/2
Random Walk ===================================== ***1/2
Category (illustration) =========================
The Other Statue (1968) ========================= ****
10 Impossible Objects =========================== -
The Universal Solvent (1989) ==================== -
Scénes de Ballet ================================ ***1/2
Verse Advice ==================================== ***
The Deadly Blotter (1997) ======================= ***
Creativity ====================================== ***
The Retrieved Locket (1994) ===================== ***
The Water Flowers (1982) ======================== ***1/2
The Haunted The-Cosy (1988) ===================== ***1/2
Christmas Wrap-up (illustration) ================
The Headless Bust (1999) ======================== ****
The Just Dessert (1997) ========================= **1/2
The Admonitory Hippopotamus ===================== ***1/2
Negected Murderesses (1980) ===================== ***1/2
Tragédies Topiaries ============================= ****
The Raging Tide (1987) ========================== ****
The Unknown Vegetable (1995) ==================== ****
Another Random Walk ============================= ***1/2
Serious Life: A Cruise ========================== ***1/2
Figbash Acrobate (Illustrations) ================
La Malle Saignante ============================== ****
The Izzard Book ================================= ***

Three generations have loved The Animals' Merry Christmas by Richard Scary. For a while, it seemed to have disappeared from the shops. Now it's back in all its glory, ready for a new generation of young readers to love!

There are lots of great memories here with wonderful illustrations to bring them back to life for you!

My sister and I had this book when we were kids in the '80s. We broke it out every Christmas and read the delightful stories of "The Naughty Teddy Bear" and "The Snow Shoe Rabbits" until the insomnia of Christmas Eve gave in to sleep. The illustrations really make the book for me. I'm so glad this book is back in production. This year I bought a copy for my nieces and nephew and they love it too.

Four stars because this book is so wonderful, but Golden Books has a nasty habit of making some deletions when reprinting their classics. There are also a few pages missing from the reprinted "Santa's Toy Shop," another Christmas favorite.

Four stars anyway because the deleted stories were not particular favorites of mine, but people who remember the original will be disappointed. Better this, however, than no Richard Scarry, and I do not want to discourage anyone from purchasing this marvelous book and reading it to the current generation of children. This is my 60th Christmas, and few of my Christmas memories are more precious than those wrapped up with this book.

My three year old twins are enjoying this new book. So far their favorite stories are "The Naughty Reindeer" and "Terrible Teddy Bear". I can see that this will book will be read during the Christmas season for many years to come!

My husband and I love this book for the old illustrations from when we were kids. The colors and pictures are vibrant and captures the eyes of even our 2 year old. Lots of fun poems and short stories. This is such a cozy book that brings back old fond memories.

This book changed the way I eat and live. The american diet is a breeding ground for cancerous cell growth. I am working to eliminate processed foods & sugar from my diet as much as I can, moving to a more organic lifestyle. The body has truly amazing healing powers, so anything I can do to help it will make a difference in my quality of life all around! Plus, by making smarter choices in my eating habits, I have already lost a few pounds and never had to say the word "diet".
A must read for everyone, but especially important if you or a loved one has cancer.

I have never written a review before, but this book has changed my life and I want everyone to read this so I am taking the time to write one now.
I consider myself a healthy person (I workout, eat "right", etc.), however I now even am not buying organic meat anymore and used to drink decaf coffee and now switched to decaf green tea when I read how many things it does right for your body. Also, I had no idea that something like sunflower oil is not optimal for your health compared with olive oil (I was buying organic pretzels that had sunflower oil and thought I was being healthy!)....
He writes his book so that everyone can understand and yet it provides enough medical research to back up his findings and theories that he is proving. It also brings you close to him when he explains how his cancer affected his life.
Cancer runs in my family and I think about growing up how we had to make sure we had protein (meat) at every meal to be healthy and drink milk, etc. Organic was not mainstream in those days!
This is a must read.

Having a family member with a rare cancer with a poor prognosis, I have to admit my hope was drained. Everywhere I looked there were no really hopeful answers and one treatment door after another seemed to be slammed in our faces. I am a person of faith, but I realize my faith was dashed by the very medical science we were looking for a cure in. I also look for evidence to support choices. There are many quacks who are preying on people and we've run into a fair share of them wanting to sell us their useless sugar pills in order to advance their down-line. Predators of the worst kind. We found this book and I admit I was sceptical at first, after all, here is another guy with something to sell. When I read Dr Servin-Schreiber's story and the first few chapters, I felt that here is someone who is interested in helping people. Everything is well documented. What Dr S does best in my mind is to give hope that perhaps with lifestyle changes, we can get a better long term outcome. Nothing looks harmful and the diet is really stuff that we've all heard for years. Dr S has done the work and compiled a lot of research into an understandable format and roadmap for anyone to follow, not only to fight the cancer you're in, but to avoid as best you can getting cancer. Dr S and I agree, we need to keep on doing what medical science has given us, but also do what we can with lifestyle to help ourselves in the battle. I bought this book for myself and my wife who's battling this enemy, and will buy it for our children as well. If you have a friend or loved one who's battling the disease, I would suggest getting it for them as well. If for no other reason than to give them hope that they can live in the tail of the curve.

This is a great book for anyone that has anything to do with cancer. It shows you the benefits of changing your life style, particularly your eating habits. The author had brain cancer, like me, and has lived 16 years since diagnosis. This is unheard of for brain cancer patients. This book applies to brain cancer and all other cancers. It shows you how and what to eat that is healthy and does not invite cancer into your body. As Jim Cramer would say on his "Mad Money" TV show, BUY! BUY! BUY!

In "Anticancer: A New Way of Life" David Servan-Schreiber M.D. has written a wonderful accompaniment to Colin Campbell, Ph.D.'s "The China Study. Dr. S-S's writing style is clear and concise. He has the gift of being able to make the scientific understandable to all of us. A comprehensive approach to complementary ways of fighting cancer are presented with warmth and caring. After reading "The China Study", I immediately ordered a dozen copies for family and friends. I will do the same with this wonderful book. As a physician, I understand all too well the profound deficit in nutritional education that plagues our medical schools. Thus excellent physicians are woefully uneducated in how the food we eat affects our ability to either promote illness or contribute to our health and well being. This book is comprehensive, including the scientific, nutritional, exercise/physical and the mind/body in a very user friendly way. It is just as important for those of us who are currently healthy as it is for those of us engaged in a battle against cancer. And the possibilities for changes in our children and grandchildren are very encouraging.

This book was exactly what I was looking for. It is great for a intermediate beader (which is what I consider myself). It goes briefly through the basics of many stitches (chevron, spiral rope, crochet rope, herringbone, peyote, and more), and then proceeds to show variations on each one. For each stitch there are several step-by-step projects, beginning with the simple to the advanced. It also shows galleries of works by otehr beaders. Also, there is an entire section on beaded beads. All in all, this book is fantastic, and I would highly reccomend it to anyone who wants to move beyond the basics and advance their beadweaving.

One of the best beading books I have seen to date. Wonderful beaded beads featured which I have already made. Well presented with lots of detailed descriptions to follow. Extremely happy with purchase.

This book is absolutely inspiring! It is wonderful what sophisticated designs can be created with these techniques and simple beads. The author is a woman after my own heart (she asks, "Can any one person own too many beads?"), and her knowledge and passion show in her writing. I think this book may overwhelm someone who is an absolute beginner, someone who has never done any beadwork before. To get the most from this book, I think you need a little experience. But her illustrations are the best I have ever seen, and her instructions are very clear. This book is worth the price just for the gorgeous color photos of projects. Another thing I like about the book is the fact that she gives many pointers for variations in the techniques, and encourages you to take off on your own. If you like seed beads and want to get beyond stringing, this book is essential.

There is only 1 other book at this level and that is the author's Creative Bead Weaving. Buy either one or even better both. Not only are the instructions excellent but the pictures and the projects are creative and inspiring. Please - when is your next book coming out.

Great book for instructions for all types of bead weaving. The beads are numbered so you have exact directions on where to go next. A "must have" book for any beader.

Due to ever degrading literary taste of our post-war generation, Stefan Zweig has been forgotten for few decades,in spite of the fact that the first half of the 20th century , Zweig was perhaps one of the most famous and popular authors in the world. He and compatriot Hugo von Hofmannsthal had almost pararell lives.They were both some sort of literary prodigies(Hofmannsthal and Zweig earned their fame in their teens).They began their literary careers as poets and ended up writing various kind of literary genres,including libretto for Strauss. Also both ended up committing suicide. Zweig wrote many memorable fictions ,but only one novel.And, this is "Beware of Pity".
The novel is a kaleidoscope of the Habsburg dual monarchy.Zweig's talent lays on his superb description of human psyche of each character and the representation of comtemporary time. this work well represents decaying , both morally and physically , Habsburg dual monarchy. It shows how anarchoronistic system of mores( of K.u.K) that led otherwise good natured and a bit simple minded Leutenant Hoffmiler conered to the desperate situation. Does Hoffmiler deserve his fate? read book and decide that by yourself. what amazed me was how well Zweig synchronized and symbolized tragic denoument of kekeskalva family with the outbreak of" the war to end all wars". This is both pcychological and historical drama par excellence.One of forgotten masterpiece that recently rediscovered. Thank you NYRB to bring Zweig back.

This is an intense, psychological drama, and a page-turner to boot! What's so great is the wonderful language, the "lofty" writing. I just loved every page, and our poor, tortured hero.

In the introduction to this book Joan Acocella tells Zweig's story as a writer. One of her claims is that despite his enormous popularity as biographer, essayist, writer of great novellas and stories, this novel is his masterpience. The novel is in essence the story of a feeling, of 'pity' of how it becoming the obsession and duty of the main character turns self- serving and destructive. Briefly , the book revolves around the relationship between a poor Austrian officer Hoffstein and a crippled seventeen year old daughter of a wealthy family Edith Kekesfalvas. After he has inadvertently insulted her by having asked her to dance he becomes bound into a relationship with her, in which she falls deeply in love with him without his truly reciprocating. This is how Acocella reads the protagonist's reasoning and its result after her doctor informs him that it would be disastrous for him to abandon her.

"So he descends ever deeper into hypocrisy. In the process, Zweig gives us a piercing analysis of the motives underlying pity. Gradually Hofmiller realizes how much he enjoys the courtesies paid to him for his emotional services, how it pleases him that when he arrives at the Schloss his favorite cigarettes--and also the novel (its pages already cut) that he had said in passing that he wanted to read--are laid out on the tea table. Nor is it lost on him that his own sense of strength is magnified by Edith's weakness and, above all, by his growing power over the Kekesfalvas, the fact that if he, a poor soldier, does not present himself at teatime, this great, rich household is thrown into a panic, and the chauffeur is dispatched to town to spy him out and see what he is doing in preference to waiting on Edith. Beyond the matter of power, however, Hofmiller finds that the emotion of pity is a pleasure just in itself. It exalts him, takes him to a new place. Before, as an officer, he was required only to obey orders and be a good fellow. Now he is a moral being, a soul."

This end in destruction is somehow a foreshadowing of what would happen to Zweig.Having been betrayed with the rise of the Nazis by the Europe he loves, tried to make a new home and life with his second wife in Brazil. But it does not work out and the both of them are found after having taken fatal overdoes of drugs hands intertwined.

It's a fabulously written book about love instigated by pitty, which can be very dangerous. Worth reading as this kind of thing still happens every day.

...no, not the book by Dave Eggers, but this masterpiece by Stefan Zweig. I came upon this by accident, and bought it, intrigued by the story outline and the reviews below. Only very, very rarely does a book have the power to draw me into the lives of the characters, probably because they're usually just that - characters. Not so here. Here we have flesh and blood and all that entails. I'm still amazed at Zweig's story telling. He's the kind of writer who could make a shopping list fascinating. I lived and breathed every single word in this incredibly beautiful book, and, as has been said elsewhere, the tension becomes almost unendurable. I can hardly do justice to it in a few words. Weirdly, I often found myself smiling, not because it's a funny book, far from it, but just through an appreciation of Zweig's supreme mastery of his art. This is one of those books appearing only a few times in your life that wring emotion out of you whether you like it or not. A heart-breaking, unforgettable and life-enriching experience.

I'd also like to praise the translation, by Trevor and Phyllis Blewitt. At no time is there even a hint that you're reading a translation - something that occurred to me only after finishing the book. On the contrary, it seems to me that the elegance of the language and all the magnificent virtues that contribute to Zweig's humanity and genius have been faithfully rendered. The proof is in my twin disappointments; coming to the end, and learning that there are no further full-length novels by Zweig. I'll definitely be reading all his other works, though.

I own the original French version of this book: "Peau noire masques blancs"! Franz Fanon addressed very well the racial issues encounted by previously colonized civilizations like the French island of Martinique. But Martinique is just an example. The truth is raw, but it's the truth, and there is still a long way for the freedom of the mind.

Frantz Fanon was a contemporary writer of the 1950's. Born in Martinique, he studied psychiatry and medicine in France as a young man after volunteering his services in World War II. He had an educational background in post colonial studies including racism and colonization. At the age of 27 he published "Black Skin, White Masks" which played a vital role in civil rights and Black consciousness movements throughout its time. Fanon's analysis of the Black psyche, "Black Skin, White Masks", was amazingly interesting and educational. It gave me a fresh perspective to what it means to live as the minority, as a person of color in a White world. This is a wonderful review of how the French of different backgrounds interacted with each other. There are also a few downfalls in understanding "Black Skin, White Masks". This book is hard to follow because it jumps around quite a bit, making various points throughout the same train of thought. There are many topics covered, one of the most thoroughly explored being romantic love between interracial couples. It also explores the use of language and the importance of knowing one's familial, racial, and cultural history.
One of the topics Fanon concentrates on is the Black man and his goals in life. To understand what Black men go through, one has to first understand the history of the particular Black man he is talking about which is born in an island off of France then moves to France and faces the culture shock of entering a country where the language and customs are different. Here the Black man goes from being comfortable and part of a larger entity to being the minority. At this stage the Black man feels he is worthless because of the history of the relationship of Blacks and Whites, where the Black man has led a forced life of servitude and abuse which has caused him to believe that he is inferior to the White man. The White man's racism has created the White man's feeling of superiority which correlates with the Black man's feeling of inferiority. Because of this inferiority complex the Black man has an overpowering need to prove himself equal to the White man. Fanon goes on to argue that the Black man's goal is to prove to Whites, Blacks and himself that he is an intelligent, good, and worthy of pursuing happiness individual. One of the most detailed examples was how the Black man attempts to get closer to being White by having any relationship, be it friendship or romantic (preferably sexual), with a White person other than a master/slave association. As an example Fanon tells a story of a young mulatto woman who marries a White man and in a split second goes from being the slave to being the master. Yet there are other cases when the Black man succeeds and he is not only rejected by Whites, he is repudiated by Blacks.
Another theme was that of language and what happens to a Black person when he arrives to France. The Black man has to learn how to speak French as it is spoken in France in order to become "whiter", for example, an educated Black man is no longer seen as Black because Blacks are savages while the intellectual is civilized. Yet there have been many cases where despite the success of the Black man, Whites refuse to accept them as equals and show it by speaking to them in pidgin or as children. There is also the struggle of remaining part of the Black community after assimilating into the White world. After learning to speak French, he returns home as white in the eyes of other Black people. The Black man must be able to code change in order to survive in both worlds.
Antillean education is looked at carefully in this book. Fanon compares the children of France with those of Martinique. As French children learn about their culture and their ancestors, Martinique children learn of the ancestors of others. Fanon proposes that the Black Martinique children should learn about Black history as a separate section in order to build self esteem and confidence. Children need to learn that there have been others in similar situations that have pulled through and made it despite discrimination and hate. If the educational system increases the Martinique children's knowledge and understanding of their own heritage and history, they will be able to make connections with their own ancestors and their amazing accomplishments. This would thus curb ideas of inferiority.
There was a contrast between Blacks and Whites that kept the world as it was. In order for there to be white, there has to be black. In order for there to be a slave there has to be a master. In order for one group of peoples to be superior another group has to be inferior, and this is the case with Whites and Blacks. As a result, whatever one group is the other is the opposite. Here arise a series of stereotypes that support how people think of these two groups. Whites are intelligent, progressive, civil people while Blacks are primitive savages in need of taming. Since Blacks are savages they cannot control their emotional and sexual needs hence in contrast Whites are not sexual and have the ability to suppress their emotions. From this Fanon argues that a subtle jealousy was born; the White man envied the Black man's sexual freedom.
As I read this book I could not help but think of my students and how they embody many of the same believes as Black men in the 1950's. The children I teach Mathematics to are people of color, either Latino or Black. I spend much of my day listening to them speak among themselves about various topics and have picked up on certain ideas that reflect that of past colonized populations. Although there is this total rejection of anything and everything that is White, there is also an underlining want to be White (perhaps mainstream is a better word). For example, I have heard my students discuss accents and the implication that those who have one are in some way less intelligent than those who speak like Americans. Students have also expressed in happiness that they do not speak their parent's native tongue, typically Spanish, which is an indication that they are closer to being white than those who's first language is not English. Another disturbing behavior I have noticed is the animosity towards Whites. It seems my students have been programmed to be hostile towards White people, especially peers. They constantly refer to Whites in derogatory terms; for example, when one of my mentors (an older White woman) spend a period in my classroom the students were flustered and after she left referred to her as "the white b*$^%" as opposed to "the lady who was just here". At the same time they insult each other by using terms that are associated with being Black such as insulting the wideness of their nose and/or thickness of their lips. I find this to be an interesting contradiction and would like to explore it further in hopes of understanding the contemporary adolescent.
As a teacher I found this book to be very helpful in understanding why our children of color behave the way they do and why they consistently fail in a system designed for children who are not exposed to the gruesome situations the students in the South Bronx (where I teach) go through on a daily basis. These children could very well have an inferiority complex which they will have to overcome before being able to succeed in this White man's world.

Frantz Fanon was a black man born in the French colony and island of Martinique. He trained as a doctor specialising in psychiatry. He was deeply concerned about the impact of colonialism on the people of colour, particularly how it humiliated them, destroyed their culture, values and dignity. This led him to get involved in the Algerian war of independence in the 1950s.

The book "Black Skin, White Masks" was written almost fifty years ago. This was during the time when decolonisation of the African continent and elsewhere was gathering momentum.

To adequately capture and assimilate Fanon's thinking of the question of colonialism and racism and their impact on the coloured people, one also needs to read Fanon's other great works: "The Wretched of the Earth" and "Dying Colonialism". Here one can see his anger and the background to his conclusion that it was only through violence that people of colour could liberate themselves from colonialism, particularly from mental bondage and inferiority complex that accompanied colonial subjugation.

In "Black Skin, White Masks", Fanon develops his thesis about the impact of inferiority complex of subjugated peoples and the alienation of some of them from their kind resulting in their wish to identified with the colonialists or imitate the European. There are a number of celebrated and classic cases of coloured people who have tried various formulas to change the colour of their skins, the tone of their voices or their names so that they sound more civilised (European).

Fanon's ideas about how the coloured people can liberate themselves (physically and mentally) influenced many leaders of revolutionary movements that were fighting colonialism. Some organisations in the USA, such as the Nation of Islam, appear to embrace a lot of Fanon's ideas and thinking.

The book is recommended reading for those who wish to understand the impact of colonialism on the colonised around the world and their different reactions to this menace.

If you want to understand racial identity, you should read Fanon's approach. The most influential author on ethnicity and colonization in the twentieth century.

Fanon really draws you in with this book. One feels involved with Fanon's fight not just against racism and colonization, but also his own self evaluation and struggle within himself to accept himself for who he is.

Among other things, what struck me the most was the way Fanon showed that minorities do not feel inferior because they were thrust in the midst of a majority. Considering that South Africa has minority white population and yet the black population there took on the brunt of racism and that had nothing to do with the minority subjugation.

Another line of thought that Fanon brings about is the domination of the colonized language. In Martinique, the average middle class family would insist children to speak French like the French would and not the commonly spoken Creole. The Martinican returning from France was expected to uphold that standard and speak proper French. If he reverted to his old ways of speaking, it was looked down upon. Fanon shows that the black man of Martinique maintains locked in his own cultural impositions and unless that is shed it would make it difficult for him to rise out of it.

Fanon brings about how the psychological impact of colonization through language, culture and history plays on the black man. Fanon delves into studies done by others and compares or rejects ideas put forth by them either with by presenting his own experiences or a generalistic view of the colonized Martinique land.

Fanon digresses frequently from topics of discussion and jumps around wildly in some of the chapters. But overall the book is well written and makes you think and begs you to put your own experience and thought into it.

Too much fun! Read it over and over and never tire of it. Blackadder will not disappoint you if you love British Comedy, Rowan Atkinson, Tony Robinson, Hugh Laurie.

"Blackadder" is one of the most brilliant television shows ever. The star, Rowan Atkinson, along with other series regulars such as Tony Robinson (as the perpetual dogsbody with a cunning plan,) Tim McInnerny, Stephen Fry, and Hugh Laurie carry this show through four distinct historical periods, with more laughs than could possibly be expected. Series one starts in the fifteenth century, with Atkinson as Prince Edmund, the illegitimate and despised son of the lunatic king, Richard IV. During this season Edmund adopted the moniker "The Black Adder" only after Baldrick advised him it was much more awe inspiring than his original choice "The Black Vegetable." (Note that while his name is spelled "Blackadder" in the scripts, when it is used as a title in season one, it is spelled "Black Adder.") This season sets the stage for Blackadder as a conniving and scheming con man, a reputation he and his Blackadder descendants live up to through the rest of the series.

Seasons two and three see a progression though history with Edmund first becoming Lord Edmund Blackadder, in the court of Elizabeth I (who is delightfully played by Miranda Richardson,) and later becoming the butler to Prince George, the Prince Regent, who is the idiot offspring of crazy King George III. These seasons provide the most laughs of the series for me, and I am particularly enthralled with the episode "Ink and Incapability" in which Baldrick burns Doctor Johnson's new dictionary. This episode is the ultimate in Blackadder humor, witty and urbane, yet full of madcap comedic moments as well, especially when Blackadder introduces new and confounding words for Dr. Johnson's considerations: "Contrafibularities, sir. It is a common word down our way....I am anaspeptic, phrasmotic, even compunctious to have caused you such pericombubulations." (Of course in true Blackadder fashion this only gets him in trouble, as Coleridge, the poet and Johnson ally threatens to thrust an Oriental disemboweling cutlass up his "ignoble behind.")

The forth season of Blackadder sees Atkinson as Captain Edmund Blackadder in the British army during the trench warfare of World War One France. This series also had a lot of laughs, with my favorite episode being "Private Plane," in which Blackadder and Baldrick join the Royal Air Force and are forced down behind enemy lines. They are subsequently interrogated and insulted by the Red Baron ("How lucky you English are to find the toilet so amusing, for us it is a mundane and functional item, for you it is the basis of an entire culture.") and sentenced to teach home economics to a convent of nuns for the duration of the war. One thing about this season (and two of the others) is that in the last episode of the season the entire cast dies, which elevates the series into a peculiar blend of black comedy and social commentary which I have still not grown fully accustomed to.

The book is a collection of scripts and has several extras germane to the time period being satirized which are also well done. I like the excerpt from "Dr. Johnson's Dictionary" provided on page 106, with definitions such as "left behind - part of the sitting apparatus of a personage," and "leek - a long, thin Welsh tomato." There are also helpful lists of the "Duties of the Prince Regent," "Duties of a Butler of a Royal Household" which includes "Commissioning moleskins (as and when necessary)," and "Duties of an Underscrogman." Baldrick, being the Underscrogman serving under Edmund is responsible for (among other things): "Removing and making good all squoles, whiffen-plugs, and blunters," "Cleaning the wulger-hole," "Quilping," "Cliving," "Groving," "Arranging the sheep droppings into neat little pyramids," "Frossiking the hounds," "Folding the glut-pile," and of course, "Making sandwiches."

This is a wonderful book, though if you are unfamiliar with the series, I recommend buying the DVD set and watching the shows first; a subsequent reading of this book will ensure many more laughs. As a side note, profits from this book go to the charity Comic Relief, a brief history of which appears in the last three pages of the book.

I recommend this book very highly for intelligent wit, and I likewise recommend the television series on DVD interphrastically.

The Blackadder series, begun in the 1980s, was a comedic masterpiece set forth by Rowan Atkinson and his comrades. From start to finish, the first series was a masterstroke of wit, irony and comedic styling that fits both the contemporary and medieval situations perfectly. The combination of slapstick and intellectual humour blended well, and the literary types will not miss the occasional credit of William Shakespeare as a collaborating writer on some episodes -- this might well be the kind of comedy Shakespeare would have produced today.

The first series was set in the pre-Tudor royal family, projecting that Richard III won at Bosworth Field, and Richard IV succeeded him, until after many adventures, the entire royal family was done in, and Henry Tudor reworte history thereafter. The first series starred Brian Blessed and Elspet Gray as the King and Queen, and Robert East as their eldest son, the Prince of Wales. Rowan Atkinson played the second son, who with companions Percy and Baldrick (Tim McInnerny and Tony Robinson) create most of the comic scenes. BlackAdder variously becomes the Archbishop of Canterbury, the betrothed of the Spanish Infanta, a witch on trial, and finally, however briefly, King of England.

The second series sees Percy and Baldrick following a descendent of Blackadder in Elizabethan times; as befits the period, the characters are more vibrant and saucy, particularly Blackadder, who still seeks his fortune as one of the Queen's suitors. Here he variously becomes the royal executioner, a sea-faring discoverer, a bankrupt noble, and finally a traitor to the crown, albeit not without a sense of humour. Miranda Richardson puts in a spectacular performance as Queen Elizabeth, with Stephen Fry and Patsy Byrne in attendance. Stephen Fry will recur throughout the series.

In the third series, Blackadder is still close to the crown, as the butler of the Prince Regent, a despised position to a despised person. Baldrick is still around, and the Prince is played by Hugh Laurie, who will recur in the final series. Done almost as a period comedy, the very titles and situations pay hommage to the day of the Scarlet Pimpernel, Dr. Johnson's dictionary, and the conflict with France. Through an interesting set of circumstances, butler and prince trade places, and the Blackadder finally becomes his intended goal, albeit in the name of someone else.

In the fourth and final series, Blackadder has fallen from a great height, and is an officer in the trenches of World War I. Baldrick is still there, and Percy and the Prince have transformed into fellow field officers, with Stephen Fry playing a bellicose general here as he did Wellington in the third series. The main device of this series is the effort by Blackadder to escape the trenches, by variously becoming an artist, a theatre producer, a chef, but to no avail finally, producing a sombre end to the dynasty.

The book is a fabulous companion piece to the series, as the BBC is known to do with television series of success. The six episodes of each of the four seasons is laid out in script-narrative form, with a generous collection of side offerings, such as the Blackadder family tree, the menu of Mrs. Miggins' pie shoppe, and other pieces of interest related to but not found in the actual series. The cast is included at the beginning of each series section. The book concludes with a partial collection of some of Blackadder's best insults.

This book was printed in aid of Comic Relief, who give a brief outline of their history of funding good causes in the last few pages.

This is a must-have for any Blackadder fan. Regretably, it does not contain the addition special features (such as the Victorian Christmas of Blackadder), but for any devotee of the series, this is a requirement.

1983 saw the airing of a hilariously funny new British television show, Blackadder. This show had four separate seasons that chronicled the lives of four members of the Blackadder family: Edmund Blackadder in 1484, son of Richard, Duke of York; Edmund Blackadder, favorite of Queen Elizabeth I; Edmund Blackadder, butler to Prince George, son of King George III; and, finally, Edmund Blackadder, Army captain during World War I. This book is a companion to that wonderful series, filling in the holes left in English history, giving all sort of useful information drawn from the Blackadder family archives, and the full scripts of each of the shows!

This is a great book, and a must-have for any fan of the Black Adder. The scripts are great to have, and the other information demonstrates the same great humor as the show. Having been created in 1998, the book does not contain any information on the Y2K special, Blackadder Back & Forth, which makes sense. What doesn't make sense is that it completely ignores the 1988 Christmas Special! But, that said, this is a nice book, one that I highly recommend to every Blackadder fan!

I stumbled upon the Black Adder comedy series one night in the 1980s while channel surfing. Something was weird, I thought--there's this sniveling coward, and this even more sniveling sycophant, and then the dogsbody who has dung all over him. Looks interesting. And as I watched, I found it extremely funny, as well. It required a knowledge of history (or Shakespeare, as you see fit), yet wasn't afraid to do the occasional fart joke. Puerile, yet intelligent. That described me at the time as well.

The successive series (Blackadder II, Blackadder the Third, and Blackadder Goes Forth) shifted over into the more intelligent realm (with the third series being the most so), although the running jokes about Baldrick (the dogsbody) being little better than the dung he came from remained. Blackadder II, set in the court of the virgin queen, starred Miranda Richardson, who was perfect in her cruelty towards the hapless Blackadder. The third series had Hugh Laurie as the Prince Regent, a befuddled German idiot who is being taken advantage of by Blackadder, the butler (think of a dark Wooster/Jeeves match, where the Jeeves character retains his aplomb but becomes extra greedy). I never got to see the fourth series on television, so my experience with it is through this book alone.

And what a great book it is. Published to benefit Comic Relief, the organization trying to aid the poor and destitute in England and Africa, it contains the scripts to each episode of the four series with faux historical documents and a running summary of the line of Blackadder. For an American, the scripts are almost a necessity to catch some of the more obscure language used in the series--especially the curses. The endpapers have color pictures of the main characters in each series, and there are some black and white stills with humorous captions included within the pages.

To say that Black Adder is my favorite TV show is true. I liked the 1970s American sitcom, SOAP, as well, but from its hilarious beginnings, it tapered off into pure silliness (as most American shows tend to do). The nice thing about the Blackadder series is the way that the British limit themselves to sets of shows, rather than endlessly milking the cash cow. Yes, I would like to see a fifth Black Adder (I've seen the Christmas Carol, which was wonderful), but only if it can be of the same quality as these. If not, let's not ruin a good thing, shall we?