Classics Books

"The Dream Machine" is billed as the story of J.C.R. Licklider, one of the main driving forces behind the research and engineering of personal computing. However, at least half of the book actually consists of general computer science history having little directly to do with Licklider, but which rather serves as context for Licklider's long and varied career. Well, it seemed to me that both aspects were handled very well by the author Mr. Waldrop and I am certainly much more educated now on computer science.

Though quite long at nearly 500 pages, the book was actually a page turner for me as the style of the prose is closer to that of a novel than of a textbook. I found the transformation of government funding from virtually unlimited in the '50s and '60s (e.g. the massive SAGE project) to greatly budget constrained in the '70s fascinating, as well as the various contractors' reactions to the changing federal priorities.

I give this 4.5 stars as it could have used a bit more focus on the purported subject, Licklider. Highly recommended for anyone with a strong interest in computers and software.

For anyone who wants to know the history behind the personal computer revolution, this book is a must read. The author was a senior writer for Science magazine and understands both the technology and the people involved. There's almost no fluff in the book's 475-pages of fact-rich, well-written prose. My only complain it that, along with pictures of people, I'd have loved to have seen pictures and diagrams of the early equipment he describes.

--Michael W. Perry, author of Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings

If there such a thing as an "epic" story of computer science, then M. Mitchell Waldrop's The Dream Machine is it. Although it purports to be the story of J.C.R. Licklider, and the birth of personal computing, this book is much more than that. It takes us from the edges of the computer science revolution, through the development of the modern computing industry and the World Wide Web.

Waldrop spends more time exploring the shadowy edges of the rise of computer science in America, and the intellectuals whose raw thinking provided the structure around which computing would develop. Giants like Norbert Weiner and Claude Shannon, and more obscure players like John Atanasoff of Iowa State University are given more thoughtful attention here than in most popular history accounts that I've encountered. Not only are their concrete accomplishments covered with clarity and understandability, but the thinking that got them there is attended to as well.

Of course, among the cast of great individuals is Licklider, whose efforts are worthy of the title billing Waldrop gives him. J.C.R. Licklider was a computer scientist before there was computer science, in any practical sense. While Lick (as everyone called him) himself, and the voice of technical accuracy, would likely disagree with that assertion, I stand beside it. Licklider was first a scientist, and he applied those core principles to developing his ideas in computing; computer science.

However, Waldrop's book does not feel like it was about Licklider, per se - despite a very intimate coverage of the man. Instead, the book remains focused on the growth of the intellectual concepts, and the practical technology that rose from those ideas. The scope of characters and technical detail covered by the book is remarkable, and yet it remains a readable and compelling story. The science is clear and understandable to individuals with an interest in the subject, without requiring a deep background (although, those with deeper backgrounds will still find the book enjoyable, and original).

If The Dream Machine were a novel, you might conclude the author used every writer's technique to make it a thriller. Even though you know the outcome, you wonder how the many "miracles" and lucky breaks it took for the dream to become reality.

A graduate course in a book! A tour through historical theories, accounts, and events that made up the development of the modern computer and the Net. Far more extensive than just the story of Kicklider, a historical overview of many of the minds at that time and the events that converged to form the new informaton era.

Superb. Simply. Great literature. The character of John, the main character's friend was the best and most gratifying of all. Please obtain and let your eyes go to work. To think the author died short of fifty. Man, we get burned sometimes.

I am thilled to see this book being available in hardcover and paperback as well. I read this book about ten years ago and I read it regularly every couple of years. The story is very compelling and the scene of the protagonist walking home through a run-down community is a classic of American literature.

What this book and O'Connor's other novel, The Last Hurrah, apart is the writing. In an era where writers seem to challenge one another to be more like Faukner and less comprehensible to the average man, O'Connor wrote very well and his language is beautiful. From this fine prose arises really deep characters which are flawed and so easily identifiable to us all.

I found this to be a wonderful novel and a great pleasure to read. I have been trying to find this for years and could not in any bookstore. While this could not translate to the movies as easily as Last Hurrah, I found this to be so much more interesting. A truly Catholic novel, it is a joy to find something that takes spiritual issues seriously and yet is hardly preachy. And if you are Irish, the dialogues of the "friends" of the family will make you laugh outloud while reading. This brought back the charms and frustrations of my childhood and my own family of Irish aunts and uncles. Long but worth the effort. A great find.

As I was reading THE EDGE OF SADNESS, I couldn't help but think that in 1961, when this Pulitzer Prize winning novel was published, it must have been rather controversial. It dealt with the humanity of priests, noting flaws but in a respectful manner. While some writers such as Georges Bernanos dealt with such issues in his DIARY OF A COUNTRY PRIEST, American audiences were still used to the Hollywood Big Screen concoctions of Spencer Tracy--Father Flanagan/Bing Crosby--Father O'Malley models of priesthood. While the priest in THE EDGE OF SADNESS may be worthy of the warmth and love given to his movie counterparts, he's hardly perfect.

The novel tells the story of an alcoholic priest named Hugh Kennedy beginning again in ministry in an older, run down parish. Readers get a sense he's not the priest he once was, and throughout the novel we learn of his early ministry, the ramifications of the death of his father, the struggle with alcohol, and the loneliness that is a real part of his life. The book is written in the first person, and we hear the story of his life as he tells of his rekindling of a friendship with the Carmody family: Charlie, the patriarch, his son John the priest, Dan, the ne'er do well, Helen, the outspoken sister married to a doctor and Mary, the daughter who remains at home to care for the aging but still independent and at times ruthless Charlie. We also meet a host of minor characters: Helen's husband Frank, their son and daughter-in-law Ted and Anne, Charlie's longtime friends P.J. and Bucky, Roy, the maintenance man who works at Fr. Kennedy's church, and Fr. Stanley Danowski, the endearing yet naïve and at time nerdy young curate at Fr. Kennedy's parish. As the events of the novel unfold, we see changes in Fr. Kennedy as he discovers his love for God and his vocation.

This is an older style novel in many ways. O'Connor is not short on words and he gives a number of details, yet the novel flows and is a fast read for a volume of nearly 650 pages. The issues of struggles in priesthood, vitality of parishes, older priest verses younger priest, unstated yet real competition between clergy people, and a hunger for God are all present in this book. In some ways if some historical details were changed in the book, it could be about modern day Catholic life. Perhaps this is the power of this book and why it can seem timeless. While it tells a story from an earlier day, it's not an invitation for nostalgia, at least for Catholic readers. Instead it will remind readers of what truly matters in life: the importance of faith, and the importance of having people who love us and people we love in return. While it may seem dated in some ways, readers will agree that the editors at Loyola Press were correct in reissuing this book as a classic.

This simple but beautiful bittersweet story of life among the Irish-American citizens of an unnamed eastern city is a joyful and beguiling tale. O'Connor's characterizations and dialogues are engaging and from my personal experience utterly authentic. I feel as though I have met all the main chacters and could give them names among family and acquaintances. The set piece of Father Kennedy' battle with alcoholism is tastefully done.

It was a timeless story.I was quite upset cause it wasn't all about horses.

This is a very good book. Although it features horses it is not completely about horses. It is a strange--in a good way--study into human nature, from Uncle's disturbing rage to Will's defiance.>>Summary<<Where will Christina fit in at Flambards, the once-prominent foxhunting stables? After riding a horse named Sweetbriar, she loves foxhunting, but life at Flambards isn't easy.}This book is excellent, for anyone. It is not a novel for children young than YA, for some scenes are mildly violent, and contains mature situtations. This is not to say the book is bad, it's just a warning. ;)...ps, I'm really 15, the adult form doesn't work.

I first read this trilogy 18 years ago, shortly after I had seen bits and pieces of the series of the same name on PBS, and I was unable to put it down. Although the books are geared towards young adults, do NOT let that hinder you--adults of any age will find these novels appealing because they are well-written, the characters are fully developed and engaging, and the storyline, with its triumphs and tragedies, is timeless. They are the stories of Christina, a young orphan who is sent to live with her uncle because she is an heiress and he needs her money to continue the lifestyle he is accustomed to living. The story progresses as Christina grows up, learning to both love Flambards, the ancestral home, and yet despise the backward-thinking ways of her uncle and his eldest son, Mark. It tells of the rivalry between Mark (the favorite) and William (the second son) not only for their father's love but for Christina's as well. It illustrates how life was changing in England at the time (just before WWI), and the hope that those changes brought to many who felt restricted by hide-bound Victorian (& Edwardian) rules. I think that readers will be able to relate to Christina, William, Mark, Dick, Sandy, and Dorothy regardless of their age, or where you grew up. I do suggest reading them in their proper sequence, beginning with "Flambards", continuing with "Edge of the Cloud", and finishing with "Flambards in Summer". I have read these novels again and again, and have loaned out my copy of the trilogy so many times. The author has a rare ability to truly take you back to an Edwardian county estate and to draw you into that world through Christina and her cousins. The books are very emotional, and have touched me in ways that other books depicting this era do not. I think that the best word for them is "haunting". It is too bad that they cannot be rated as 10 stars.

I'll admit it....I'm a Flambards Fanatic. I read this book in the early 80's, after seeing the series on television. I found the book at a local bookstore, loved every word, reread it immediately, ordered so many copies that the bookstore owner started calling me "The Flambards Lady". I was thrilled to be able to get another copy here at Amazon. This book is sometimes considered to be a child's book, but I think adults enjoy it very much. It's a marvelous, unforgettable story of love, loss, and picking up the pieces (or reins) and moving ahead. The series is available on VHS and DVD. I own both but prefer the DVD.

This moving story of the struggling relationships between Mark, Christiana, William and dick will touch the hearts of anyone who reads it. I finished reading the whole series a few days ago and i cannot forget the effect that these books had on me, i admit that i did cry at times. The book tells the story of christiana, an orphan, who is sent to live at the crumbling Flambards. It tells of her life and loves in the old manor. An excellently written story and a must read, especially for a country lass like myself!

This is one of Elizabeth David's classic cookery books, bursting with good advice and as always, beautifully written. Her research was excellent and she always added interesting historical asides and information. If you are looking for a typical recipe book with artfully arranged photos, and the latest trendy dishes, then this will not be for you. The book, written in 1960, has some line drawings, but is otherwise pretty much free of frills.
However, if you are a serious cook, either amateur or professional, and enjoy reading about great French country cusine, this this is for you!

The truly remarkable thing about Elizabeth David was not so much that she could write enthralling and compelling cookbooks ("Mediterranean Food", "French Provincial Cooking", "Italian Cooking"), but that she transformed a glum, drab post-war England by the beauty of her prose and her ability to evoke the sunshine and brilliant colours of the mediterranean. And, further north, the simple beauty of cuisine bourgeoise, home cooking french style.

It was this book that got me started on a lifetime of home cooking. Like all great cookbooks, it can be read and savored without cooking at all. Her ability to evoke time and place is startling -- for example, her recipe for little courgette souffles is wrapped in the story of how she first enjoyed them. Of course, this was in a small country restaurant where the proprietor used his own recipe to make them for her.

She talks vividly about La Mere Poulard and her Mont St. Michel omelettes, for which she offers the original recipe. Roughly translated from the french, it reads: "Monsieur, I get some good eggs, I put them in a bowl and beat vigorously. Then I put them into a pan with good butter and stir constantly. I will be very happy if this recipe gives you pleasure".

I remember, over 30 years ago, the first time I made her recipe for pork chops "to taste like wild boar". They do indeed, and very good they are. Her recipes for classics like Cassoulet, and Bouillabaisse are vivid and provide the cultural context as well as precise directions. Her description of a bouillabaisse on the beach makes you want to catch the next plane there.

She explains the environment of her recipes, their milieu, and their progenitors so that you get right inside the whole theory and practice of french cooking. This is not haute cuisine, though it is not always simple to execute. But her sympathy for the process of cooking and her ability to describe it precisely prefigured writers like Richard Olney and Alice Waters, who owe her, as do we all, a great debt.

In any case, she is directly responsible for the appalling culinary assaults I have perpetrated on family and friends for longer than I care to remember. I still use the book, though most of its pages are now stored directly in my memory.

This book assumes that you know something about cooking and working in a kitchen. Many times amounts of ingredients are not specified, but easily guessed at. The recipies are relatively easily prepared and well worth any effort. I have never prepared a poor meal using this book. Ms. David was a leader in Britain in bring continental cooking to the British Kitchen. This is not a new book but still one of the best, and a favorite. I have used it since 1972 and am still finding things to make. Compared to Alice Waters, the preparations are less fussy but equally satisfying. I would recommend this book to a cook who has experience, it is most likely not a good wedding present, but entirely appropriate for the 5th anniversary.

Elizabeth David is one of foremost writers on food in the latter half of the 20th century and this book has her most celebrated writing. For this reason, I was inspired to write this modest review when I saw Amazon feature the volume as an offering, 43 years after it's first publication in England.

It is a coincidence of no small meaning that this book appeared within two years before the publication of Julia Child et al's landmark `Mastering the Art of French Cooking'. Child was even worried, when David's book appeared, that it may steal a lot of the thunder from Child and her colleague's effort. The fact is, the two books are very much like the Wittgensteinian `duck rabbit' optical illusion in that they deal with the same subject but from different points of view.

One distinction is that while Child's book is simply a cookbook of French recipes, David's book is a long essay on French cuisine, offering the sketches of recipes more as exercizes to be completed by the reader than as true recipes. In fact, it is one of the most enduring legacies of Child's book that it redefined the detail to which a recipe writer should go in order to adequately communicate the process of preparing a dish.

A second distinction between the two is that they deal with two different facets of French cuisine. As David recites from work by Curnonsky, there is haute cuisine, la cuisine Bourgeoise, la cuisine Regionale, and la cuisine Improvisee. David discourses on the third while Child, et al present the second.

For many, including such luminaries as Jeremiah Tower and Alice Waters, Elizabeth David is the fountainhead of thinking on the French notion of `la cuisine terroir', sometimes interpreted by the notion `what grows together goes together'. For David, this is the heart of regional cooking, and the thing which most distinguishes it from cooking at restaurants where clientele arrive at any time of the year or the day and expect to be able to order virtually any well known French speciality.

One of the passages which best characterizes David's approach to a lot of cooking is her opening statement on the perfect omelette: `As everybody knows, there is only one infallible recipe for the perfect onelette: you own.' I'm sure this would not work for Daniel Boulud, but it works just fine for me, after having seen about five (5) different, contrary techniques on how to make the perfect omelette.

It's interesting to constantly encounter reminders that the book was written before the widespread distribution of Teflon coated cookware, as there is no mention of it, even for egg cookery. I believe the book is all the more valuable for this fact, in that it paints a picture of a cooking style which has irrevokably been changed by technology. A second technological change brought upon the world by the French themselves is the 'robot-coupe' or food processor. It's noteworthy that the device is only mentioned in Notes to the 1985 edition where it is pointed out that the device was a major contribution to both the good and the bad aspects of nouvelle cuisine.

As stated above, the recipes are not as much presented as a blueprint to reproduce every dish cited, but rather to illuminate the discourse. One of my favorites is the entry for Salade Nicoise, where not one but four (4) different variations are given, including the variation of Escoffier.

The sections on French kitchen equipment and French techniques appear to be quite complete and absolutely essential if you embark on reading a cookbook written in French. The book has a short essay on each of the major culinary regions of France, starting. Almost obviously with Provence which is blessed not so much with great culinary talent as a great source of produce, similar, perhaps to the situation in California where the `la cuisine terroir' could take root much more easily than in Toledo or Albany. The largest portion of the book is chapters on cuisine by type of foodstuf or type of preparation such as:

Sauces
Hors-D'oeuvres and Salads
Soups
Eggs and Cheese
Pates and Terrines
Vegetables
Fish
Shellfish
Meat
Composite Meat Dishes
Poultry and Game
Left-overs
Sweet dishes

The book ends with a bibliography which alone is worth the price of the paperback volume.

This book begs to be read from cover to cover. The only other writers who come to mind of a similar caliber are John Thorne, M.F.K. Fisher, and Harold McGee. Elizabeth David's books belong in the library of anyone who loves to read and prepare food and this is her best.

This book is unequaled, engrossing, superlative. It remains, despite the four decades since its publication, the finest book on authentic French cooking in the English language. To that extent, it is uncompromising - a quality not likely to endear it to the timid or fadish american cook - but never daunting. The sheer sensuous beauty of the food evoked in these pages is a loving, prolonged essay on one of the glories of western civilization.

This is one of the sweetest books for children. The messages are simple, heartfelt and ones that adults can benefit from as well.

I started reading this book to my daughter at 2 months old, she is now almost 6 months. If she is being fussy or crying because she is tired I simply say, "Give Me Grace...Monday...Monday make me good and kind..." and she looks up at me and smiles and I read it to her. It's the most amazing thing to see. The book is great, the illustrations are lovely, and the messages are wonderful.

This is one of my favorite gifts for a new baby. Beautiful pictures and message. Cynthia Rylant is always wonderful!

My year old granddaughter Grace LOVES this book. She will pick it out of a pile of books to be read to her everytime. The prayers are simple and sweet, and I am sure she will have them memorized by the time she starts to talk clearly. I highly recommend this book

This book is simple, eloquent, beautiful... something I read myself even without the kiddo. Great introduction to prayer.

The title says it all: "Trombones" represents the preservation of the history of the community backbone of prayer, persistence, and strength. The poetry gives some insight to the suffering of the elders, and speaks to the continuing fight for the full parity of the AfricanAmerican community in a country that was literally built upon the bleeding, sweaty backs of my ancestors.

Amazon is to be commended for participating in this historical preservation of a works that I would recommend as mandatory reading for generations to come - regardless of religion, gender, or color.

My soul is galvanized everytime I hear or read James Weldon Johnson's God's Trombones. I have directed student perfomances of this deeply moving African American text. "The Crucifixion," for example, tells the story of how Jesus Christ, my Lord, my Savior,my Friend, suffered death on an old cross so that I might have an opportunity to be more sensitive to the hurting. The "Prodigal Son" urges me to experience and, thus understand, that I must live with a redemptive consiousness. And, of course, I am compelled to understand, through the poem "Go Down Death" this reality: God does call His children home. Those who have suffered "long in the vineyard" are deserving of rest. For sure, God's Trombones is a poetic tribute to an experience that is Christian and African American. I thank James Welson Johnson for creating this poetic masterpiece. Let's continue to read it; let's perform it. Let's live within the context of the spirituality of the voice. Amen!

God's Trombones is a beautiful expression of the themes of the Southern black experience and God's constant, personal presence in their lives. The themes he chose were expressed in sermons and in Gospel music. For the black person, God was aware of their struggles, would bring them out of "Egypt" (slavery) and would eventually take them to their home "over Jordan". Death would be a gentle freedom for those who were weary (as in "Go down Death").

Johnson's introduction explains that he was trying to express the fervant Southern black preacher with his pauses and emphases. He has done both well.

This is a book to be read for its beauty and inspiration, but more important, it shows (theological inaccuracies aside) how an oppressed people trusted in God's gentle hand, and God's constant love for even the "least" of his Creation.

I recommend this for historians, teachers, lovers of poetry, and for its spiritual content, anyone seeking inspiration.

My dad teaches Sunday School and was looking for this book to incorporate into his lesson plans. I found it here at Amazon and fell in love with this book. Absolutely wonderful to read and very profound. Exceptional!

While James Weldon Johnson's theology is not always orthodox ("God thought and thought" - who could put a new thought in God's mind? unless it was God and, then, God would not be God - this insight compliments of E.V. Hill in his sermon "When Was God At His Best?"), JWJ's poetry and, especially, his Preface displays the harmonious beauty of a long tradition of African American preaching not generally known or appreciated outside of African American circles. If one really wants to become familiar with and, indeed, edified by the godly reaching of E.V. Hill (now deceased), Fred Luter, Tony Evans, Robert Smith and a host of unknowns who preach with substance and, sometimes, in the "whoop"ing style, then, Weldon's book is a must read. May Christianity never lose what God has brought forth in a substantial style which stirs heart, mind and soul.

Yes, this book IS heavy! But my tiny 2 year old loves it so much that she lugs it off the shelf and hauls it on the couch for us to read. That's 5 stars in her book. My 4 and 6 year old love to flip through and choose numerous stories for us to read - they enjoy this book also. I am glad it's in our children's book collection.

I bought this book for my 4-year-old granddaughter and within the first week we had read through it completely and at least half of it twice. It's a great compilation of top-notch classic picture books and in a quality presentation. It's a little too heavy for a child to cart around with him or her, but should be a favorite at story time. All the books inside are full sized with reprinted original illustrations.

This is the kind of book that should sell itself -- a collection of classic children's stories. At a time when going to the children's section of any bookstore can be overwhelming, it's a relief to find something like the Harper Collins Treasury of Picture Book Classics. It takes away all the guesswork by being filled with over a dozen stories that are already tried and true, stories that are proven entertainment to a wide variety of children. And they're all in one book (though it's a heavy sucker, to say the least). The contents are as follows:

Goodnight Moon written by Margaret Wise Brown, illustrated by Clement Hurd
Caps for Sale by Esphyr Slobodkina
Harold and the Purple Crayon by Crockett Johnson
Crictor by Tomi Ungerer
A Baby Sister for Frances written by Russell Hoban, illustrated by Lillian Hoban
Leo the Late Bloomer written by Robert Kraus, illustrated by Jose Aruego
William's Doll written by Charlotte Zolotow, illustrated by William Pène Du Bois
If You Give a Mouse a Cookie written by Laura Joffe Numeroff, illustrated by Felicia Bond
George Shrinks by William Joyce
Baby Says by John Steptoe
From Head to Toe by Eric Carle
Pete's a Pizza by William Steig

In addition to these timeless stories, the Harper Collins Treasury of Picture Book Classics contains short author and illustrator biographies (such as what other books they've done) and useful ideas for sharing the story further with children (like concepts to discuss). And all proceeds from the purchase go to First Book, which donates books to needy families. It's a win-win situation, and not only for you and your children, but for others as well.

This book is a wonderful collection of classic children's stories! Not only will kids love it, but as an adult, it was very nostalgic to flip through and revisit some of my favorite stories as a kid. Who doesn't love "Goodnight Moon" and "If You Give A Mouse A Cookie"?? Just a good time, fun read for everyone. I gave this book as a gift...and I think I may have to purchase another one just to keep for my own personal collection!

Publisher Harper Collins really lives up to its name. I was so impressed with the carefully chosen picture books they compiled. There were so many children's books and I wanted to find the best ones for my child and I did with this book! There are 12 unabridged books in this book and the picture quality is EXCELLENT. The paper is glossy stock grade and the pictures are just beautiful. Good Night Moon looks much better in this book compared to its individual board book and hardcover versions in this book. Baby Says is another picture book that is mainly a pictorial but was perfect for my infant who was able to comprehend the story. Her reactions were just amazing. There is another picture book out there called "The 20th Century Children's Book Treasury" and it does not compare. A good majority of the books in their book is abridged, the paper quality is like any other and, although the book is large in its dimensions, the pictures were shrunken down quite a bit because they put multiple pictures per page on some stories. In addition, some of their book choices were great but a lot of them weren't unlike Harper Collin's book. They really chose only the best. I only wish they came out with another volume. This book contains two books appropriate for infants, Goodnight Moon and Baby Says. The rest of the books will grow with the child.

Brilliant, touching allegory rivaling the quality of Pilgrim's Progress--a quick, great read. I 100% recommend it.

This is an excellent devotional for anyone who is seeking a close relationship with my Heavenly Father God. I love being in the presence of God. This book gives me the intimacy I yearn for everday of my life. I know the readers of this book will feel the same way as I do when they are interacting with Our Lord and Savior. This book helps you to converse with the Master one on one.

This book is a life-changer! If I could I would give more than a 5 star rating! The insights pierce straight into the heart of humankind! Anyone who reads this book will see themselves in one character or another and discover the way to live life with The Great Shepherd on the heights and in the valleys! An added bonus is the womens devotional throughout the book with room for notes!

This book was read by my bible study group this summer and was definitely a favorite. Much-Afraid was such a relatable character, and the book was a very easy read.

"Hind's Feet" was everything and more than I'd hoped it would be. Yes, it was an adventure of the heart but it took my spirit to both depths and heighths that were unexpected. The way the story unfolded combined with the devotionals enabled me to build a deeper understanding of who we are in Christ and how He has designed us to fit into His kingdom for His sake and His glory. These are both lost features in many spiritual relationship and discipleship building instructional-type classess and training seminars.

I love to build upon my personal relationship with the Lord and allow the Him to challenge me; which often entails a great deal of searching, valley walking, rock climbing and gut wrenching spiritual exercises but those are the little pearls of wisdom as I call them, the "rocks" that "Much Afraid" referred to as she gathered them. What brilliant alters we find that we have to offer our Lord as we learn under His guidance and loving care all through our lives.

I plan on giving this book to all of my Small Group members and sisters as gifts and prayerfully hoping that their lives are touched in similar ways mine was and will continuously to be as I use the book as a daily devotional. I teach middle school with extremely needy students and this book will certainly begin each of my days for years to come. How can I ever get tired of being reminded that "Hind's Feet" are gradually grown as we walk the way of the Lord for His glory experiencing His love and teachings all along the mighty climb upwards towards His heavenly home.

I'm sorry so say that The House at Pooh Corner isn't quite as good as the Winnie-The-Pooh book that preceeds it. It spends a lot of time on the new character Tigger. Too much if you ask me. Even though Tigger is a darn cute fellow in words and pictures, I thought the first Pooh book to be much more balanced out, and to be honest, I didn't think Tigger to be as funny as the other characters. He's only funnier than Rabbit, and that's not saying much. Rabbit's darn plain when compared to that crafty Brer Rabbit of the Uncle Remus books.

Actually, maybe Tigger isn't the problem. It's just that some of the middle chapters of the book are quite bland. Two, Three, and Five don't stand out very much, and look rather ordinary. However, Eight, Nine, and Ten more than make up for the bland chapters and suddenly this book becomes well worth reading. Eeyore's even funnier in his second appearance than his first, and Milne does such a great job giving personality to even the most inanimate of objects. The man's a darn good writer, let's face it.

And, my goodness, Chapter Ten really gets you thinking. Where is Christopher Robin going? Is entering into the grown-up world really so bad? What will the forest do without him? It's very subtle, but you can tell it's important too.

I think my favorite thing about the Pooh books is the entire universe is pretty much limited to 8 or so different individuals. Pooh wakes up and says, "Let's visit everybody to wish them a Happy Thursday!" He can do that because there are only like 8 people in the whole world. It sure makes things a lot simpler having so few people.

The Pooh books make simplicity beautiful. They seem to be set in a very limited technological environment with a heavy emphasis on nature. Heck, everyone there lives in a tree, for goodness sakes.

The House at Pooh Corner is yet another book in the Pooh series. This book is ok, I say this only because it's not as good as the original Winnie-the-Pooh, (When We Were Very Young, etc.) But with A.A. Milne's storytelling and Ernest H. Sheppards fantastic drawings you can't go wrong.

I actually enjoy Winnie-the-Pooh and The House At Pooh Corner much more as an adult than I did as a child. Maybe this is because I was not properly introduced to them at an early age. I am sure that the Disney shorts set some preconceptions in my head (namely, that these are merely childish stories). I think that the original Winnie-the-Pooh features from Disney are wonderful gems, but they do, nonetheless, depart significantly in overall character from Milne's stories. It is also true that there is a great deal of cleverness and insight here that I did not discover or appreciate until I was grown up.

It turns out that these are beautiful, masterly crafted tales full of witty dialogue, lively songs, gentle landscapes, and real warmth. Shepard's lovingly rendered illustrations do not simply complement the stories, but are easily the equal of Milne's narratives.

I look forward to reading these books to my boys--when they are ready for them. In the meantime, I am quite content to snuggle up with these tales myself, again and again.

This classic is listed under the age group of four to eight, and as a Poohphile I am quite appalled that it is. Winnie the Pooh books have such wit, wisdom, and humor that gets better every time I read them. Their not just for children, they are for everyone. Over the years, Christopher Robin, Winnie the Pooh, Eeyore, Piglet, Tigger, Kanga, and Roo have become some of my dearest chums. I once heard someone say, or perhaps I read it, that "books are like dear friends, and who has too many friends?" I am quite inclined to agree with that statement. This book is a dear friend of mine and I hope that you shall make it yours. :)

I was participating in an on-line discussion on the subject of the single book that had influenced us each the most.

The book that first came to my mind was "The House at Pooh Corner". It seemed rather silly, but after considerable reflection I decided it was probably the correct answer after all.

The book was read to me by my Dad before I could read, and I still re-visit it occasionally fifty years later. In fact, I wouldn't be adverse to using it's ending as my epitath.

This work regarding the testimony of God's faithfulness to Hudson Taylor is truly inspiring and amazing. Hudson Taylor was truly a unique individual that sought to pioneer the mission movement in inland. While other missionaries were content to stay in the large metropolitan centers of Asia dotted along the coastline, Taylor ventured forth with a firm faith in God with the purpose of bringing the Gospel to the Chinese countryside. The title of the book is somewhat of a misnomer as the secret is no secret. Taylor bowed his knee in simple obedience to clear biblical commands. The secret of the book is how it documents Taylor's account of how God used him. God said "Go!" and Taylor went, and the influence of that is still being impacted on Asia. The book shows the uniqueness of Taylor as God worked in his spiritual formation, mission philosophy and practice. The Hudson Taylor's spiritual secret is attributed to his radical commitment to live a life in which he completely trusted in God and the living out of the Great Commission.

Very informative and honest account of what it is really like in practice to trust in Jesus Christ to fulfill your needs when you are loving and obeying the Lord's Word (the Bible).

This book is simply one of the most powerful books you could read to draw you to the Lord, in increased trust, fervor and understanding of His love.

Very well written and worthy of commendation. I recommend in for all, especially to those who are seeking, with hope, a trophy of God's dispensations in the diverse and many operations of this world about them, and in them.
There certainly is a refuge in the midst of the storms, who is Christ Jesus...but, sometimes, it is neddful to direct thy bow to face the storm, and to ride the waves right into the storm. It is there, that we may find an "eye" in the storm, with peace and tranquility our anchors and mainstay.

This got me an A on a college paper on Missionaries in China. It is a great primary source.