Classics Books

I've used this book extensively in the last 3 months. It helped me construct a great resume, coached me on interview techniques and etiquette, advised me about salary negotiations, and just centered me in general when I was feeling adrift after a recent, unexpected layoff. I gave this book to a friend in the same situation and she has also found it incredibly helpful. I got my first offer yesterday and I know that I will keep this book as a resource long after I land my next job!

I found "How to Land the Job of Your Life" to be the most valuable resource I used in my job search. I also felt that it would be invaluable for my college aged children to keep as they begin their future job searches. The book kept me motivated during the difficult times and helped to keep me focused. I think everyone should read this book and make it part of their permanent library!

Few people know more about finding the right job than Jeff Taylor, founder of Monster, the world's leading career Web site. Taylor leaves no contact unused in this comprehensive guide, discussing every step of finding a new job, from writing a winning resume to avoiding mistakes during salary negotiations to building a productive network. In addition to his experience, he presents advice from recruiters, human resource professionals and Monster employees. So if he directs you to Monster's Web site a little too insistently, you can forgive him, because his book is so well written, easy to read and full of good advice. It includes a good resource list of books, Web sites and services, as well as useful exercises. We recommend this 400-page monster especially to first-time job seekers, although experienced employees seeking more money, prestige or career satisfaction may also find its tips helpful.

I highly recommend this book for anyone in a job search. The exercises in part 2 "Preparing Your Search" have given me so much more confidence by helping me understand my own accommplishments and value to employers.

It's a little annoying that the book refers to worksheets online that don't appear to actually be available.

I found this book very good in getting me up to speed with today's job market. I would recommend it to anyone who is looking.

I don't know why this book is so little known - it's very clever and it's hilarious fun. I wish I knew about it sooner. But if you're thinking of buying it, beware: there's no key. You'll have to figure these puzzles out on your own.

If you can read French and if you grew up heaaring Mother Goose rhymes (in English) this book is a MUST HAVE. It presents an almost credible scholarly work about some fragments (in French) from an old civilization. If you will read those fragments aloud, you"ll be able to hear (in English) well known nursery rhymes. Truly fascinating, and soetimes challenging! (Especially if you had never known THIS rhyme in English!)
--And the "scholaraly" footnotes are great!

Zebu qui se regrette: there's no question about that, and I _am_ grateful that it's back in print. BUT, buyers beware: the print in this edition looks like it came out of a cheap photocopier. Van Rooten deserved better.

This is a wonderful book - I laughed myself silly the first time I encountered it (even though my French comprehension is NOT wonderful). Will give this one to a friend to whom I know it will give hours of pleasure.

Mots D'Heures: Gousses, Rames is one of the greatest literary entertainments ever written. It runs the gamut from touchingly nostalgic to raucous. Above all, it is howlingly funny. It makes me laugh so hard it hurts.
You need two things to enjoy Mots D'Heures: Gousses, Rames. You should know some French, and you should know some nursery rhymes. With that, the book will hit you from line to line with waves of jaw-dropping hilarity, endless wit, and moments of poignant reminiscence.

There is nothing more to say except: bah, six boucs! [The author apparently thinks you should pay six goats---or a sheep?]

PS -- Having unguardedly purchased a copy of the paperback edition listed above, I must agree with a recent reviewer that the production is dreadful. A reader interested in this masterwork would do well to seek out a copy of the original 1967 edition (long out of print), even at considerable cost. But not from me, though. I wouldn't part with mine for less than tartines fortunes.

Gorky's childhood memories brush a very outspoken picture of `that close-knit, suffocating little world of pain and suffering, where the Russian man of the street used to live.'
It is a world full of brutal violence: husbands beating savagely their wives, severely and intensively flogging of children, gamblers becoming totally destitute, alcoholism, dangerous diseases (smallpox, ulcers) and cruel street games (cock and dog fighting, cat torturing, making fun of drunken beggars). Socially, there is a big chasm between the haves and have-nots: their children cannot play together. The poor cannot feed all their new born babies and expose them.
On the other hand, this bunch of `wild animals' is deeply, but primitively religious. They ask God constantly to forgive their sins.

Despite this barbarous environment, Gorky considers his childhood as `a beehive to which various single obscure people brought the honey of their knowledge and thoughts on life; often their honey was dirty and bitter, but every scrap of knowledge was honey all the same.'
There is also another reason why he put these painful memories on paper: `It is the truth and the truth must be known. The Russian man in the street is sufficiently healthy and young in spirit to overcome the horrors.'

Although he lost his love for his family and was thrown out of their home, he remains highly optimistic for mankind: `Life is always surprising us by the bright, healthy and creative human powers of goodness. It is those powers that awaken our indestructible hope that a better and more human life will once again be reborn.'

Gorky was received with open arms by the communists, but that love story ended in total personal disaster.

This brutal picture of the man in the street should remind us from where we all come from.
Not to be missed.

"Childhood" starts out like many Russian novels; we visit the funeral of a young man. In the midst of all the grief, the young widow suffers a miscarriage and the young orphan is sent to the rather disfunctional home of his grandparents. There the temperment of the patriarch is measured by the severity of the beatings he administers. In the midst of all of this, a young boy grows into adolescence.

Maxim Gorky earns our respect as a writer (and as a survivor). It is hard to fathom such a life but Gorky has used the genre of autobiography to paint as visual a portrait as any novel could create. There may not be action taking place on every page but there are always recollections by a man rediscovering who he is by recreating the influential events of his early life. In sharing this insight, Gorky gives us portraits of many interesting individuals. I hedged away from rating "Childhood" with 5 stars because I didn't mind setting it aside from time to time. It is very good but it is not compelling.

I first read this book as a college freshman and think it must be read by all young adults. Gorky is, after all, the "father of Russian literature" -- yet most people have never heard of this writer par excellence. His storytelling is smooth, intense, and warms the heart like a swig of vodka on a nippy night in Nizhny Novgorod (Gorky's birthplace). Wilk's translation is clear and quite excellent. Gorky's vivid memories of childhood will inspire one to recollect their own experiences growing up.

The finest memoir of chilhood that I have ever read. I never felt like I was reading a translation. Gorky captures the wonder of a remarkable and sensitive soul.

This is the 1st past of the trilogy of Maxim Gorky's autobiography. This is a really good and entertaining book, but contains at times morbid and depressing subject material, especially the unbelievable cruelty of some of the characters. There are some light moments though and if you enjoy realism and a brutal peek at what life was like in early 20th century Russian life for poor folks and enjoy Dostoevsky, you will like this book.

I personally think that Gorky belongs at the top of elite Russian writers.

This is the seed book on advertising and copywriting.

It's a short book. The ideas in it are so tersely stated
it's easy to miss their profundity.

Very concise. Very well illustrated by examples from
Hopkins' advertising career. The incidents described
occurred in a different time though - so they might
at first inapplicable to today's marketing environment.

Housewives no longer become excited by canned Baked Beans
and mail-order corsetry. When this book was written
products were described with words and a drawing at
best. The demands of the marketplace today are different
and customers have been split-up into almost infinite
niche markets today.

Still, timeless wisdom about what gets people to buy.

I have read marketing books by several of the most famous marketers who are still alive and this book is much better than all of them. This book lets you really understand marketing in a practical way, whereas other books make marketing seem more difficult, confusing, theoretical, and vague. Other books are much less helpful than this one. I think Claude had many times more experience and major successes than any living marketer. I think he knew what he was talking about much more than any others. That's why he explains things much better. I think he was also much smarter and talented as well. He was truly a marketing genius. It doesn't matter that this book is old, because people haven't changed and the scientific principles underlying marketing have not changed at all. If it is true that few people read this book, then I am glad! I would be afraid if all my competition read this book!

This should be a must reading in every single business university on the planet earth that teaches marketing and advertising. Brilliant book!

Hopkins's career began at the dawn of advertising and copywriting. As his career progressed so did advertising and he gives us a behind the scenes look at many advertising campaigns from the late 1800's-1920's. Hopkins almost single-handedly helped take copywriting out of its "swaddling clothes."

Of equal interest is his personal history. He was raised in a strict religious home and expected to become a minister. But at age 17 he delivered a sermon that revealed his true beliefs, which were more liberal than his mother's, and he said it was the defining moment of his life. Not once, however, does he criticize his parents or his upbringing and he credits his mother for his advertising and copywriting skills.

Hopkins launched his career in Grand Rapids, Michigan and eventually moved to Chicago, and other cities, for bigger and better jobs. Yet he says that he wondered if remaining in Grand Rapids and living a quiet life wouldn't have been the better choice. He remained connected to normal, real people even after becoming affluent and said he learned much about contentment from them. Hopkins's attitude is very different from most authors of modern business and personal finance books, where it's all about the money.

Scientific Advertising is, as you already know, must reading for advertisers and copywriters. The chapters are short and address very specific topics: headlines, letters, individuality, telling a full story, and, my favorite, service. "The good salesman does not merely cry a name...He pictures the customer's side of his service until the natural result is to buy."

In this book you will not only learn about advertising but you will encounter a humble man who remained detached from the trappings that advertising can sometimes present.

If you are going to be successful in direct marketing you need to the buy this book and read it until you can quote from it. Study this book and it will pay off.

It is not often that one finds the combination of beautiful writing and a compelling story. Nature Lessons is that and more. Set against the exotic yet turbulent atmosphere of South Africa during apartheid, we meet the young Kate Jensen, who recounts her life with a mentally ill mother. Woven in with the story of young Kate, is the journey of the older Kate who returns to South Africa to search for her mother. Their stories create a tapestry rich in the lasting effects of cultural, political, and psychological dynamics on a young girl. It grips the reader from the first page and takes one on a haunting journey.

Intriguing storyline and amazing use of description. Lynette is a first-class story teller and author. This is a book you won't want to put down.

This is a great book. For those of you who loved Oprah's book club, this is much like her selections but not as grim. The story keeps you guessing, the characters are well drawn interesting people. The story is set mainly in South Africa and illustrates the effects of Aparteid on a society from a child's perspective.

Brasfield creates a fascinating mystery out of her protagonist's desire to understand a painful upbringing. She weaves together information about Kate Jensen's mother's mental illness, her country's political climate, and the oddly over-zealous attentions of her uncle, Oom Piet. Brasfield's management of a mentally ill character is particularly impressive; Kate's mother is neither simple nor predictable. If you enjoy reading about politics, South Africa, relationships between men and women, family interactions - or even if you just like a good mystery - read Nature Lessons.

This beautifully written novel highlights the dilemma of a dysfuncional mother/child relationship and the havoc it creates in the development of the child. The perspective of the daughter grown and the daughter as an adult that Brasfield takes, elevates the story to far more than a good read. It is food for thought so intense that there isn't a page that the reader will not nod and say, "Yes. I've been there. I know just how she feels."
Brasfield poses the eternal question of how to judge a child's assessment of its mother and who can define what is abuse and what is rational behavior. She also points up the dilemma of judging mental desease in the context of the times. For example, the mother in Nature Lessons is living in South Africa where many of her paranoid delusions have basis in fact. Who is to say that she is not right? Who can really know if the government is not indeed spying on her and her family. This is a book you cannot put down and when you reach the last page, you will want to reopen it and start reading this poetic prose once more. The issues presented are those that no one can forget. We all are living them and battling their effects throughout our lives.

What a product! When you read something like this you begin to realize the real depths of obsessive thinking. There's so much to learn here -- exact details relating to late 19th century Britian; considered essays on where exactly Watson was shot (there is some consensus he must have been shot while stooping over, to take into account various Doyle references); and more than that, watching fans do their best to bring it alive.

Kind of reminds me of Potter.

This was the first time I read any Sherlock Holmes and I was not disappointed. But what really made the experience such a fun time was the vast number of info accompanying the novels. The notes are right next to the text so you don't have to keep flipping pages, plus various pictures abound throughout the volume capturing the times of Holmes and Watson.
After reading it myself, I lent this volume to my good friend who can pretty much recite any line from the novels and he absolutely loved it.
So if you are a fan or just curious about all the hype, this is a must!

This collection of Sherlock Holmes stories & analysis is clearly one of the best biographical works published in the past 30 years. The painstaking effort and detail put into this work is something to be marveled.

Whether a new or old fan of the exploits of Sherlock Holmes & Dr. Watson, this product will not disappoint.

Also included in this series is some of the original artwork from the Holmes novels. If a fan, you might also consider picking up The Crime Doctor, which also bears the artwork of Frederic Dorr Steele, with stories of the medical detective by EW Hornung (also the brother-in-law of Sir Arthur Conan Doyle).

Having been brought up on the edge of Dartmoor,in Devonshire, SW England,where the Hounds of the Baskervilles story was located I found the annotations to that novel to be very interesting and, more importantly, factual even to the minor details that were mentioned.
I have no doubts whatsoever that the facts connected to the other three novels are just as accurate.
I have thoroughly enjoyed this book and would recommend it to any Sherlockian.

While most people have read at least one Sherlock Holmes stories others have not only read them all but have studied every detail of them. The author, Leslie Klinger, is one of the latter group. He is one of the foremost experts on the 'Canon' as devotees call the Holmes stories, and a member of The Baker Street Irregulars, the oldest and most exclusive club of Holmes scholars.

Klinger follows the accepted practice of the Irregulars in that he treats the stories as factual, rather than fictional accounts. This volume covers the four full length novels: "A Study in Scarlet"; "The Sign of Four"; "The Hound of the Baskervilles" and "The Valley of Fear" completing his study of the Canon that had begun with his two volume treatment of all the shorter works. As with the earlier works the book is printed in two columns, one containing the text of the story and the other containing the notes from that section. The book is illustrated with engravings that accompanied the stories in the magazines that first published them. The notes that Klinger has included with the text cover a wide range of subjects from explanation of outdated slang expressions to speculations by the author and other experts on people and locations the stories were actually based upon to in depth explanations of details. In addition both in the notes and in appendices Klinger offers his own and others theories as to the dating of the events in the stories.

This is a beautiful book, one that any fan of Holmes and Watson will surely enjoy. Someone who is reading the stories for the first time might find themselves suffering from information overload but anyone familiar with at least some of the stories will delight in finally discovering what some of those odd references meant. Also it is interesting to see that at times Watson or perhaps his 'agent' Arthur Conan Doyle, made some errors in their accouts leaving the impression that the 'Master' (Holmes) made some errors.

Hirschfield writes about poetry with an intellectual as well as with an emotional clarity that illuminates and clarifies her subject. In doing so she draws from an vast well of deeply considered experience and insight. If you are interested in poetry in its many forms and manifestations I highly recommend this book.

I've owned this book for several years now, and I turn to it again from time to time, dipping into its rich prose and remembering the love I felt for it the first time I opened its covers and began to read. I was so captivated by Hirshfield's words that I read aloud from it to my friends, sharing her sense of beauty and mystery with them, and the joy I was taking not just in the way she formed her arguments, but in the wonderful feeling that came from hearing the words aloud.

I have a shelf full of books on poetry and poetics. I've got volumes of writers' exercises and essays on what poetry is and how to do it. This is the only one I've ever assaulted my friends with. Share it. Pass it along.

Jane Hirshfield's "Nine Gates" is probably the most interesting and insightful book I have read on the art and uses of poetry. While Hirshfield's approach to poetry is very much informed by (and often illustrated through) her knowledge of Asian arts and Buddhist philosophy, one need not be a Buddhist or a scholar to understand and appreciate her vision. Hirshfield is most interested in approaching poets and poetry through the essential work that they perform by helping us to understand the natures of, and the relationships between, the self and the world (that is, community in its largest sense). The book's argument is hardly as abstract or fanciful as this might sound, however. Instead, Hirshfield uses this approach to show how the most basic elements of poetry (rhythm, rhyme, image, and so on) function to help the poem build its meaning and fulfill its purpose. "Nine Gates" is an excellent book to strengthen your ability to read poetry, and to deepen your understanding and appreciation of this vital art.

...sometimes we need a personal classic to draw comfort from.

This past year when both grandmothers passed away, the soft voice of poetic comparison helped ease the heart.

In my small opinion, this is an inspired and gentle voice to turn to and read. And also reread.

I hope you also enjoy this reading experience.

At first I rebelled against the author's devoting pages to a discussion of poetry translation. However, once I dug hard into
her elegant but fairly dense prose, the more I found it fascinating, (including (of all things) certain esoteric aspects of Japanese language and poetry as well as translation.

I have begun reading NINE GATES for a second time, and I suspect not for the last. Although scholarly, the book is also moving, touching and definitely inspiring for any artist, poet or not.

I had the privilege to study the history of the Germanic languages from a photocopied version of the manuscript for this book back in the day. Though the title makes it seem targeted at students of Old English, it actually gives equal weight to all of the Germanic languages, notably Old High German, Gothic, and Old Norse (Icelandic).

Each chapter begins with the parable, "The Sower and the Seed," in the language of the chapter. This text was chosen because it's actually found in the existing manuscripts - - the Bible tended to be translated into the vernacular early on, and disseminated widely - - and because this story has a goodly amount of grammatical action. "A sower went out to sow seeds" gives you three variations on the basic stem of , and you can see how that idea is reflected in each language.

Using the same text also makes for great pedagogy. After a few chapters, the student *sees* the differences immediately, and automatically starts thinking about the language at hand.

It would be easy to make a book like this a collection of reference grammars with a boring list of similarities and differences from one language to the next. Robinson avoids this, and writes in a lively and interesting style. I highly recommend this book if you're interested in the history of the Germanic languages.

This is a wonderful book, and I doubt if any serious reviewer will give it less than five stars. It is exceptionally well-written by an author who wears his immense learning lightly. Devoting a chapter to each of the known early Germanic languages -- e.g., Old Germanic, Gothic, Old Saxon, Old English, Old Frisian, etc. -- Robinson shows how the languages developed, how they shared common characteristics and developed new ones, and how they to some extent must have cross-fertilized one another. In the process, he shares some fascinating information, such as the development of "Futhark," the runic alphabet in which Old Norse was originally written, and makes a cautionary remark which explains that we may know a good deal less about early Germanic writings skills than we think we do: "It is easier to write a letter on a stick than on a stone." He also tackles some deep linguistic issues, such as the reasons why the idea of a language-tree may be misleading, and why the analogy of biological taxonomy to language typology can be problematical. When biological species diverge, they never re-converge. But tribes, armies, villagers, etc., my split up, rejoing, form new groups, etc., so their languages may diverge, reconverge, borrow, meld, and otherwise demonstrate a more complicated history than a "divergence from a common ancestor" model might suggest. For example, Robinson concludes there never was a "common language" which could be called "West Germanic."

Robinson also points out the limits of our knowledge -- so much of our reconstruction of these ancient languages depends upon translations of the Bible and other religious texts that we know very little about the idiomatic usage which surely characterized the "everyday" use of these tongues. We have to be grateful to Robinson for a book which is unlikely to be equaled, much less surpassed, anytime soon.

This book is an exceptional piece of literary work. This book compares old English to it closest continental relatives. I particularly enjoyed the preamble at the beginning of each chapter that discusses the history surrounding the people that spoke such languages as old Saxon, old Norse, old Friesian and other Germanic dialects. This would be a valuable tool to the student or to the armchair Etymologist/early medieval historian.

Orrin Robinson has done what many suggested could never be done -- or done well at any rate: he has constructed a useful, solid introduction to the whole of early Germanic linguistics, hitting all the high points, with concision, without merely paying lip service to each language. It's a terrific starting point for comparative Germanic linguistics -- from which you can move on to more exhaustive works on the individual languages.

Robinson covers seven key Germanic languages here, each in its own chapter: Gothic, Old Norse, Old Saxon, Old English, Old Frisian, Old Low Franconian, and Old High German. In each chapter, he situates the language in its proper historical context, discusses its development from Primitive Germanic, explains its phonology (useful crib notes to refer back to when you need to remember how to pronounce Old Saxon or Gothic! :), talks about the key literary texts in the language, offers two or three reading samples in each language -- with glosses and cognates in the margin and a short glossary following, provides an overview of the grammar, and more. Each chapter also concludes with a Further Reading section, telling those interested in learning more where to turn next.

This is quite a lot to have accomplished in such a relatively short book (c.300 pp.). Robinson's writing is a model of clarity, and the book never plods or becomes too overwhelming or too dry. I've read this book more than once and I refer to it often, which is a compliment of another sort. Very highly recommended indeed!

This book was my first introduction to Germanic linguistics. The book begins with a chapter entitled "The Germanic Language Family." Although the discussion is, for obvious reasons, framed in terms of the Germanic languages, this is incidentally the best and clearest exposition of the principles and techniques of historical linguistics that I have ever read.

The next chapter, "Germanic: A Grammatical Sketch", lists those features of phonology and grammar which characterize the Germanic languages, richly illustrated with examples, mostly from Gothic. That's because Gothic is considered to have preserved more archaic features than the other languages surveyed, and to best represent what proto-Germanic must have been like.

There follow chapters on each of the following languages: Gothic, Old Norse, Old Saxon, Old English, Old Frisian, Old Low Franconian, and Old High German. Each chapter begins with a short history of the tribe(s) which spoke that particular language, usually 4-5 pages worth.

Following this is a short listing of texts from which we derive our knowledge of the language. This obviously varies from language to language. In the case of Gothic and Old Saxon, the texts are few and are listed in their entirety. In the case of Old Norse, Old English, and Old High German, the number of texts which survived is too numerous to list them all, so the corpus is merely described by genre, with a few outstanding representative texts listed.

Next are two short readings in the language. These are limited by the scope of the texts that survive in the language in question. The first is usually the Parable of the Sower and the Seed from the New Testament, to allow for easy comparison between languages. The second is usually from a text unique to the language: for example, the second text in Old Norse is the story of Thor and Skrymir from the Edda; in Old High German, it's from the Muspilli; in Old Frisian, it's from a Frisian legal code.

Following the readings, there is a glossary of all words contained in the readings.

Next there is a short grammar of the language, which covers spelling and pronunciaton pretty thoroughly, and offers a less thorough treatment of grammar. The author clearly states that he did not intend to present a comprehensive grammar for each language. The intention is to give the reader the noteworthy characteristics of the language being considered, and especially to illuminate how it is similar to, and how it differs from, the other early Germanic languages.

The next section for each language covers some topic in Germanic linguistics; the author chooses a general topic which has special significance for that chapter's language. For example, for Old Saxon, he discusses Germanic alliterative poetry. This is particularly relevant to Old Saxon since our main representative text in that language is the Heliand, an alliterative epic retelling of the events in the life of Jesus.

Finally, there is a bibliography for each language, usually containing about 10-12 items, which directs those interested to further reading. The lists are relatively short, but I have found some real jewels there; McDonald-Stearns treatment of Crimean Gothic, for example.

The author concludes the work with a discussion of the grouping of the Germanic languages based on grammatical and phonological features, together with a chart listing some of these features and the early Germanic languages which exhibit them, for ease of comparison.

This is one of my most treasured books. I purchased it 10 years ago, and still keep it by my bedside. I've read it innumerable times from cover-to-cover, and also enjoy opening it at random.

This well-structured and nicely illustrated English/Spanish dictionary is a good resource which could easily have been made excellent. Where it comes up short is the lack of bilingual coverage for many entries.

Though the product description does flag the fact that the dictionary's purpose is to "meet the needs of today's English language learners," the layout of the dictionary gives the impression that it is for English speakers learning Spanish as the initial entries are given in English. However, many examples -- most notably the practice exercises -- are given in English only. This could prove frustrating for those wanting learn or expand their Spanish with it or vice versa.

I have been teaching French, Spanish and ESL for many years. I have tried every teaching tool I could find. I can honestly say, this book is the best language tool ever! My students take this book with them everywhere they go and they are the ones who started calling this their "bible."

Apr 5, 2008: Has all sorts of practical vocabulary for everyday situations: household vocabulary, garden care vocabulary, medical vocabulary and many other situations. Would be valuable to communicate with Spanish speaking employees who may have limited literacy, because it is a picture book aimed at adult immigrants. Has lots of words for tools, car repair and furniture that you don't get in high school textbooks.

I am an English as a Second Language Instructor. Every time we use the class set of Oxford Picture Dictionaries my students always want to purchase them. I get a lot of requests for these. I see the students using them all of the time. It increases their knowledge of English & their confidence. I highly recommend it for anyone learning English or Spanish!

I have found the Oxford Picture Dictionary to be a great help for teaching vocabulary words in my ESL classroom. The illustrations are very good and easy to understand. I would recommend it highly.

this book is like
WOW
KA-POW
a sock in the gut
a kick in the butt-
on fly jeans that were
often worn by torn men
and broken women
who called themselves

beat

this bible is a meet-
ing ground of sound tribal mind
open heart prose
souls that want to rise with
those that have al-
ready rose

each chapter contains
some laughter
about how things came together
during that magical time
of free
verse
and holy ryhme

ginsberg
kerouac
burroughs
ferlinghetti
and more
dissolving their flesh
exposing their spirit driven core

oh, i love to read and bleed this book dry
i love to cry with sad saints
and be healed by words revealed

in the city we are
"constantly risking absurdity and death"
but we
who
are brave
and
not
a slave to tyrants
can freely take a chance
and take a new breath
and dance
with Holy Men
gone
bye.


Peace & Blessings,
john, 'the Light Coach'

This book features some excellent beat writers and includes informative blurbs on their history and style. Each artist has a little chunk of their writing for you to sample, and the material is everything from stories to letters to classically bad prose.

What impressed me were the essays by each other, on the actual generation hype.

"Young people seemed more intense, clutching, and I couldn't help feeling they took themselves too seriously... 'good, clean fun' appeared to be a thing of the past. Or perhaps the aura of suspicion and defensiveness was merely a reflection of my own fears..." --Carylon Cassady

It's a great book for deciding which authors you want to read more of.

This reader is a good overall introduction to beat literature. While I could have done with a few more examples of writing from the women in the movement, that probably would not have kept the book as "portable" as its title promises.

An absolute wonder, a perfect selection of Beat writings: Poems, fragments of novels, essays, history, mythology, philosophy... The Portable Beat Reader is one of the most essential books in my collection and rarely leaves my side. And it is, thankfully, portable, and much easier than bringing everything with you all the time. Aquire it, open it, and just start reading.

Simply put, this is what I turn to when I need inspiration for reading, for creating, for anything. It combines wonderful bios of everyone from Kerouac to Bob Dylan, and their poems, book excerpts, and lyrics galore. Absolutely enjoyable, absolutely essential. Thank god for Ann Charters.