Classics Books

I suspect that Nabokov must have been suffering from depression, for voidness usually springs forth little except art. And that's precisely what you find in this collection; his opulent, artful take on humanity makes one shudder! While I admit I didn't finish reading all the stores in this book, I did especially love La Veneziana because it -vaguely- reminded me of Dorian Gray (one of my very favorites). I also read Lolita (recommended only for those who are obsessed with that one elusive love), but I think I like his short stories better.

Although I had read various Nabokov stories over the years I had never done so in a comprehensive manner, and finally decided to do so. I anticipated that this would be a wonderful read, and of course, I was right.

I was well aware as to how gifted Nabokov is with the language; what surprised me is his versatility. It seems like there is nothing he can't do. Contained in this collection is every kind of character imaginable: rich, poor, simple, smart; there is even an entirely credible portrait of a Siamese twin. There is straight drama, fantasy, adventure, horror and intrigue. There are all the elements of what our English teachers told us make good writing: symbolism, allegory, descriptive power, observation, wit, cleverness, heart, and an enormous store of knowledge, performed in a style that can only be described as poetic. And woven through it are the themes that make up the web of humanity: beauty, truth, and love. It is an utterly splendid collection, as good a collection of short stories as any I have ever read.

One of the things that sets him apart is restraint, or perhaps subtlety is a better word. In, "The Reunion," for example, two brothers meet after not seeing each other for ten years. One escaped the Soviet Union and is living a poor, almost wretched existence in Berlin. His brother stayed, and was able to achieve some success as a Soviet functionary. They finally meet each other in the Berliner's shabby apartment. Most authors would not be able to resist the urge to let this to sink into melodrama. There would be arguments, tears, and recriminations. But not for Nabokov. In his story the brothers simply find that they are uncomfortable with one another, and when they go their separate ways the seeming lack of drama beforehand makes their parting all the more poignant.

Humor and sadness are evident in all of this collection, sometimes in succeeding stories, sometimes in succeeding pages. "A Bad Day," is the touching and amusing story of a little boy's visit to his cousins in the Russian countryside, a visit he dreads because he doesn't get along and because he will be teased. The last line of the story--which in the hands of somebody like Updike would be a devastating condemnation of humanity--is here bittersweet, bringing both a tear to the eye and a smile to the face in self-recognition. It is, after all, nothing more than a "bad day."

But if there is whimsy here there is also great power. In, "Signs and Symbols," an old man and woman make a trip to the sanatorium to visit their deranged adult son on his birthday. Such a simple exercise is made terribly complicated by their age, their lack of means, the unpredictable nature of their son, and the indifference of the hospital staff. Nothing is really resolved by story's end; we are simply given an indelible portrait of the difficult, arduous journey that life has been for these uncomplicated, decent people. It is very moving and also an excellent example of Nabokov's worldly or otherworldly knowledge.

Many of the stories here have to do with, as you would expect, Russians and Russian expatriates. ("Write about what you know!" the English teachers say.) Nabokov unfortunately knew about the horrible experience of being exiled from his country, a country that his stories make clear he deeply loved, and to which he never returned. He doesn't spend a lot of time condemning the evil system that drove him and millions like him away, (although he does, briefly, in two of his earlier, weaker stories), he instead concentrates on those that it drove away. There are many excellent examples of this, but perhaps my favorite is entitled, "Cloud, Castle, Lake." In it, an older fellow is taken on a holiday train excursion he tries to get out of, is coerced into taking part in activities he doesn't wish to engage, and told to forsake the simple pleasures he has come to enjoy; all for--he is told--his own good. The train eventually stops at a perfect little inn, which overlooks a perfect lake in which is reflected a lovely cloud and castle. He wants to stay. Of course, he can't. Sad as it is, the story is also very amusing, and, typical of Nabokov at his best, works on several different levels.

The story also contains examples of Nabokov's splendid use of the language at the height of his power. Our friend observes the countryside from his hurtling train: "The badly pressed shadow of the car sped madly along the grassy bank, where flowers blended into colored streaks. A crossing: a cyclist was waiting, resting one foot upon the ground. Trees appeared in groups and singly, revolving coolly and blandly, displaying the latest fashions. The blue dampness of a ravine. A memory of love, disguised as a meadow. Wispy clouds--greyhounds of heaven." How marvelously descriptive this, and so beautiful that one finds oneself emotionally engaged.

The book is loaded with this stuff. You can barely turn a page without some surprise or delight awaiting you. A twenty-eight year old son returns unexpectedly after many years to visit his mother in, "The Doorbell." In the dimly lit room, he is taken aback by the fact that she is clearly preoccupied with something. Suddenly, "like a stupid sun issuing from a stupid cloud, the electric light burst forth from the ceiling." This, by the way, is another great story. In, "Ultima Thule," as a character is walking on the beach, "a wave would arrive, all out of breath, but, as it had nothing to report, it would disperse in apologetic salaams."

I could go on and on. After picking up the book I decided to read it cover to cover, but after about a hundred and fifty pages, I simply opened it and read the stories randomly. After a time I began to open the book onto stories I had already read, and found that I couldn't help but to reread them. Finally, I became apprehensive in fear that I might have missed something.

But no matter. If I haven't gotten to one yet, I will eventually. The book has already become an old friend, and like an old friend I will return to its comfort and joys for many years to come.

Put simply, this collection of short stories is a contemporary gold standard for the form. Nabokov's stories are packed with sparkling surprises, playful artifices and languid, confident language. I've put together a 50+ year reading vita and I find myself drawn back to these stories like a moth to flame...

I'm so glad I stumbled upon the Nabokov section in the bookstore last month. See, I'm a Russian Studies major, and the Nabokov class is being offered this quarter. I'm not taking it, but I decided to go check out what this guy was all about. Let me just say --- WOW. This man could really write. It's all like gorgeous poetry. Buy this treasure of a book, with so many beautiful stories in it, and you will not regret your purchase.

Started out reading this book little by little in order to digest each story in full, but then began reading one story after another with seemingly no intermission in between. Both ways suited me fine. In fact, sometimes it doesn't really help to think all that long about some of his stories--they are are like simple chance meetings w/ strangers, while other stories of his spawn dramatic lifetime relationships and require, even demand your utmost attention.

Everytime I stray from reading Nabokov I always come back to his books and think, "Wow, he is such an amazing writer!". I can't say enough about his detailed descriptions, his amazing perspectives, and his uncannily large English vocabulary. He never ceases to amaze me.

Having purchased The Three Musketeers and The Man in The Iron Mask I realised that there were three intermediate novels pulling the story together.Twenty Years After, The Vicomte De Bragelonne and Louise de La Valliere bring the complete story of the musketeers into focus. To gain the most from these stories they need to be read as virtually one book in five large chapters.

After writing The Three Musketeers and Twenty Years after, Dumas wrote a third installment to the trilogy. It is probably the most controvercial book in the trilogy, as can be revealed by reading many of the reviews. For starters, it's LONG: over 200 chapters. As a result, the English-speaking world has split it into three books: The Vicomte de Bragelonne, Louise de la Valiere and The Man in the Iron Mask (the most famous volume). The length is certainly a problem, in fact is it THE major flaw in the conclusion of the trilogy. Dumas is never terse or concise, but in this three-part book, he produces an monolith. This was largely due to him overcomitting himself and having to write this much for financial reasons. However, while this is a major setback, the three books still have elements of great, almost sublime Dumas left in them, which can be extracted if approached in the right way.

The final installment of the trilogy represents the dear old Athos, d'Artagnan, Porthos and Aramis maturing and growing old. The trilogy thus moves from more active and straightforward swashbuckling to a more complex and sombre picture. Like the previous book Twenty Years After, it is not completely clear as to who's in the right and who isn't, only this time it is more so. Like the previous book, age has placed the former Musketeers in a somewhat divided situation, this time involving many a clandestine dealing of state and international level. Finally, in this three-part saga, we are introduced to a huge number of characters while our Four at times take a back seat for several hundred pages. This has been criticised as well, but has a point.

In terms of this specific volume (The Vicomte de Bragelonne), it is the most historical one, as initially d'Artagnan and Athos are brought out of retirement, united in their royalist causes. After completing an adventure reminiscent of their former, more "action-packed" years, the intrigue of the newly-ascended Louis XIV begins. It is here that we can see Dumas as painting a brilliantly detailed picture of what he sees as France moving towards a more centralised, efficient yet pedestrian autocracy from Richeleu to Mazarin to Louis XIV. For the first time, d'Artagnan finds himself serving (and appreciated by) the king, however, the novel asks the question of whether this is at all a good thing. In the power-struggles of the court, we see the irony that the "detractors" of progress are often more honourable than its supporters.

If you only expect more action involving the Four, then don't bother reading this at all. However, if you persevere, you will get to see sublime glimpses of what a long way the Musketeers of old have come (for better or worse), what they think about the entire society they live in and what Dumas thinks. As well as some of the old-fashioned-style adventure. I think that the fact that this is obscured by an overly-drawn-out style, while annoying, does not detract from this being an honourable conclusion to the trilogy.

If you are reading this review, you have probably already read the Three Musketeers and Twenty Years After. You are wondering if it is worth it to continue with the series. If you decide to go on, you have three more 600+ page novels ahead of you. That is a lot of time and energy.

If you are foremost into the swashbuckling aspect of the Musketeer stories, I would not go forward. The Musketeers are now in their late 50's. They are still vital characters but they are no longer young men looking for any excuse to duel with the Cardinal's Guard. From this point on, there is a lot less sword play and campaigning. The focus of the story moves to the intrigues of Louis XIV court.

I am continuing with the series because I like the characters. I want to find out what happens to the four friends. In this novel, D'Artagnan and Athos are the principal characters. Aramis and Porthos do not show up for the first few hundred pages. Dumas has kept me entertained for the first two thousand pages of this saga and I am counting on him to keep me entertained for the next 1500 pages.

This book is part one of a three part series, the next two being the Louise de la Valliere, and the final being the more well known Man in the Iron Mask. I understand this was originally one HUGE book, but is now more commonly broken up into these three books.

This book starts about ten years from where Twenty Years After (Oxford World's Classics) ended. Although the book is titled the Vicomte de Bragelonne (who is the son of Athos), we don't see much of him except for the first and last parts of the book. The rest is filled with the adventures of D'Artagnan and Athos while they separately scheme (unbeknownst to the other) to aid Charles II of England to claim his throne. LOL, D'Artagnan's scheme in regards to General Monk. Aramis and Porthos are up to something mysterious and make only the briefest of appearances. The rest of the novel is filled with the mysteries and intrigues of the French court, and ends with the marriage of Henrietta (Charles II's sister) to Louis XIV's younger brother, Phillip.

If you loved the musketeers, history and intrique it is well worth your time to spend on these books.

Before I begin reviewing this book I'd like to comment on it's place in the total D'Artagnan Romances. The D'Artagnan romances are a trilogy started with the Three Musketeers, followed by Twenty Years After. The last of these stories is broken up into three volumes which are The Vicomte De Bragelonne (part 1), Louise de la Valliere (part 2), The Man in the Iron Mask (part 3). If you are like me and reading library copies you may even find The Vicomte De Bragelonne broken up into four volumes either all titled The Vicomte De Bragelonne, or titled the same as the three volumes with Ten Years Later added as the first volume of the story. With that being said, on to the review...

This story take place around ten years after the events of Twenty Years After. We find Luis XIV now king, but hardly so sense Mazarin holds all the power. D'Artagnan is still a Musketeer, but is losing faith as what he had earned in the previous book has been taken away from him. Seeing that his friends have prospered out side of the Kings service, while he has made no progress, and being dissapointed with the useless king who allows himself to be overshadowed by Mazarin, he leaves the king's service with a bold plan to make his fortune. This leads to a reunion with an old friend, and one of the best of a series of adventures that takes place in this, the last of the Musketeer series.

This volume brings back the great four musketeers, all of whom have gone their seperate ways. This volume is dominated by the charaters of D'Artagnan and Athos. A fine begining to a wonderful but long story.

Review continued with Louise de la Valliere...

There are a plethora of translations of Chinese classics out there, but please know that many of these "translations" are just "re-imaginings" of the original, i.e. the authors usually do not know Classical Chinese (let alone modern Chinese!).

Merton is one such "translater". This is not necessarily a bad thing, as long as one is aware that this does not strictly reflect the original text (although it may resemble it). What we have here is a picking over of existing translations of the Chuang-tzu and a recombination of them. This is often done with some artistic licence.

Merton is better than most in that he is somewhat sensitive to the original material. Things get vastly worse with translations of the Daodejing (for example, Ursula le Guins monstrous butchering). If you want a more accurate account of the Chuang-tzu then I recommend A.C. Grahams' expert translation which is a relatively successful facsimile of the Chinese original (given the difficulty of rendering Chinese into English anyway).

I am a recently retired teacher who for thirty-five years have begun every class (Theology, Sexuality, Physics, Chemistry, Math and in summers Arts and Crafts to kids 4-12 years old) with a sounding of small brass cymbals (Tibetan), a minute of silent breathing followed by a short reading from the Tao Te Ching, Emily Dickinson, a portion of the Sermon on the Mount, or the Way of Chuang Tzu by Thomas Merton.
I meet former students now pushing into their fifties who baldly admit that those moments have stayed with them all these years and they have included meditation as one of the most important activities in their lives.
Thomas Merton's Introductory Notes say it far better than I ever could and should be read .
I can only wholeheartedly recommend that you buy this book and keep it at your desk or bedside for a quick straightening out of your mind concerning what is really important in life.

If you have an interest in learning the deeper meanings of Tao then this is a book you must add to your collection. A seldom translated philosophy of poetic renderings are clearly detailed in the transliterations of Thomas Merton...the spirit of Tao is clearly revealed.

This is a very good translation made by Tomas Merton of Chuang Tzu's works. This also gives a little bit of the view of Tomas Merton due to his Note to the Reader section and his specific selection of some of Chuang Tzu's writings to put in this book. This book has many good proverbs and stories written by Chuang Tzu which can be very enlightening and sometimes humorous. Chuang Tzu is one of the greats of Taoism but of course Lao Tzu takes the top position. If you are interested in the learning about the roots of Taoism you should check out this book and some about Lao Tzu also.

Like a fine wine, this collection is best consumed slowly. As it is clearly stated in the foreward, this is not a faithful reproduction of Chuang Tzu but a collection of personal and spiritual interpretations of his work. Readers that expected otherwise might consider reading the description of the book before purchasing it. It would seem embarassing to write a negative review of a product that goes in complete contradiction of the product's clear description and intentions.

Thomas Merton was a Trappist Monk who took a particular interest in Buddhism and Asian spirituality. Because Merton tragically died at a young age, we will never see a final product of this work. In "The Way of Chuang Tzu", Merton selects writings of Chuang Tzu which reflect a Christian mentality. Obviously, Chuang Tzu was not a Christian. However, this does not disqualify his writings to a Christian audience in any way. If the reader can go into this book with an open mind, he/she is likely to enjoy it. Those who are closed minded to this type of work which may seemingly blur the line between faiths according to their view may be outraged. I would strongly encourage open-mindedness.

These pop-ups are just amazing! I love to see the new ones he creates almost every year!

Beautiful pop-up book; so much fun.Winter in White: A Mini Pop-up Treat (Classic Collectible Pop-Up)Robert Sabuda lives up to his outstanding reputation as an incredible artist. This book will be well loved in our household.

Love it! Love it! Love it! This little book is a pop-up treat!
I was very surprised at how pretty a bunch of white pop-ups could be.
I was really pleased with this book, & so were my young granddaughters.
Money well spent.

We collect these pop-up books and continue to be amazed at the skill and talent it must take to create them. This mini pop-up is a treasure. You can pick it up time after time and find something new. It is a joy to share with others. These are definitely 'adult' that would not stand up to little hands, but can be shared with the child one-on-one. Everything we have gotten from Robert Sabuda has been amazing!

This is a beautiful book with wintry scenes for small folks with someone to help them read it -- without ripping it apart. I purchased it for my toddler grandson. Only caveat, it's not the only book of its type, so check before buying that a similar book is not already owned.

For 41 years John Barrow manipulated the Royal Navy and the British Government to pursue his own fixed ideas on geography.
His mistaken belief that there was an open, ice-free sea at the North Pole, a permanently clear North-West Passage and that the Niger emptied into either the Nile or the Congo, caused the deaths of unknown numbers of men, the loss of ships, the expenditure of a king's ransom and the physical and mental breakdown of many of Britain's elite officers.

This is the story of that prolonged tragedy; the irony of it is that it fathered the most amazing feats of endurance and privation, that they are regarded today as the pinnacle of human endeavour - only the similarly ill-equipped expeditions of Scott come close.

Barrow's 'Boys' are his hand-picked officers (strangely, they were usually totally ill-suited to the tasks he set them) who are either ambitious, incompetent, zealots or plain insane (or any combination!) and Barrow goes out of his way to ignore all the best advice from those with the real experience, to either under- or over-equip the expeditions, seemingly never hitting the right balance.
The internecine rivalry of the officers, the badly-picked crews, the obstructions of companies and kings, all combine to produce farce after explorational farce. On top of this, each failed expedition only fires his zeal, perversely convincing him that he is right, so off goes another doomed expedition.

If anything tells us that inhabitants of ivory towers have no idea of the real world, it is this book ... Get it and enjoy!

Good book, but it spent too much time in England peering behind the political scenes and not enough time in the Arctic. It is very interesting to learn of the behind the scenes "politicing" required to carry off such pointless acts of courage, but most of the officers come off looking like political hacks instead of the incredibly courageous explorers that they were. These men sailed in the face of fear and came home heroes, but a self-serving bureauocrat makes it to the title of the book. While Barrow deserves much of the credit for getting the machinery in place behind these men, sometimes he did not even do that. I may be trasferring some of my deep personal distaste for the man (Barrow) to the book, but I did enjoy the book very much. I just wish it spent more time on the expeditions and a little less on the politics.

For 41 years John Barrow manipulated the Royal Navy and the British Government to pursue his own fixed ideas on geography.
His mistaken belief that there was an open, ice-free sea at the North Pole, a permanently clear North-West Passage and that the Niger emptied into either the Nile or the Congo, caused the deaths of unknown numbers of men, the loss of ships, the expenditure of a king's ransom and the physical and mental breakdown of many of Britain's elite officers.

This is the story of that prolonged tragedy; the irony of it is that it fathered the most amazing feats of endurance and privation, that they are regarded today as the pinnacle of human endeavour - only the similarly ill-equipped expeditions of Scott come close.

Barrow's 'Boys' are his hand-picked officers (strangely, they were usually totally ill-suited to the tasks he set them) who are either ambitious, incompetent, zealots or plain insane (or any combination!) and Barrow goes out of his way to ignore all the best advice from those with the real experience, to either under- or over-equip the expeditions, seemingly never hitting the right balance.
The internecine rivalry of the officers, the badly-picked crews, the obstructions of companies and kings, all combine to produce farce after explorational farce. On top of this, each failed expedition only fires his zeal, perversely convincing him that he is right, so off goes another doomed expedition.

If anything tells us that inhabitants of ivory towers have no idea of the real world, it is this book ... Get it and enjoy!

This was a well written book on the many Polar and African interior explorations that were sponsored by the British in the first half of the 19th centry. From trying to find the North-West Passage above North America to searching for the legendary "city of gold" called Timbucto in Africa this book kept me interested throughout. Never before or for that matter since has such a group of explorers been assembled. The man responsible for these quests was John Barrow, a man who had a dream of mapping uncharted areas of the world. He set into motion the largest and most expensive series of explorations in the history of mankind. This is a story of courage and determination like no other that I have read before. This book recounts the stories of men who spent years stuck in the freezing cold in their dreams of being the first to find a passage across North America. The book also details the adventures that other men had in their quest to map the interior of Africa. Other stories of different areas in the world that were explored are also included. John Barrow might not have been as successful as he would have liked but his dream inspired later explorers and set a benchmark that carried on into the 20th century.

The Author explains that this book originated as the name of John
Barrow is to be found in the Bibliographies on English Expeditions of
Discovery, for a good portion of the first half of the 19th
Century. Those that lead or were notable participants in these
ventures have books written by them, and about them, many times
over. Evidently this is the first time the man who was a driving force
behind these events has been profiled alongside the voyages. Just some
of these events include the search for The Northwest Passage, the trek
for The North Pole, documenting the North and South Magnetic Poles,
and exploring Antarctica. And when you have frozen through these epic
travels, the writer takes you to Australia, and the overland marches
in search of Timbuktu, the beginning and end of The Niger River, and
many other historical firsts.

Along with the details of the trips and
the men that participated, the Author also explains the construction
of the ships, how these wooden vessels were able to break through ice
instead of their being broken. There are remarkable details noted,
such as there was a black member of the group that first crossed the
Northwest passage from West to East, and also a man of color when the
North Pole was attacked. The tales range from remarkable folly when
officers were to wear dress uniforms when crossing the desserts of
Africa to maintain the pride of Britain, to other men who adopted not
only the dress of The Muslims, but also learned to speak their
language!

In his position at The Admiralty and other distinguished
posts, Barrow not only could direct what expeditions took place, but
also those that were to lead them. With this power he made or
destroyed the reputations of many brave men whose only failure was
that they did not succeed according to Barrow. Most of his beliefs
about The Northwest Passage, The North Pole, and the rivers and cities
of Africa were wrong. Despite this, his persistence and those that
shouldered these journeys filled in the voids on the worlds map that
had until then been blank. But while alive he was a bitter taskmaster
who would brutally discredit the same men he had sent to destinations
never before seen by a European, if he did not gain the information
and confirmation of the beliefs he held to be true.

Different readers
will select those actions they find to be the most remarkable, for me
it was those trips that in futility sought The Northwest Passage by
ship. These ships and crew would at times be gone for 2, 3, or even 4
years depending on the whims of the ice. During one such voyage after
surviving another brutal winter a vessel again made its way toward
home. When once again locked in the ice for yet another winter the
ship had traveled a distance that a man could easily walk in 2 hours!

These winters, which occupied most of the calendar, were filled with
activities to literally keep all members healthy and sane. Seamen who
could not read or write came home literate, and the majority of the
time scurvy was kept at bay by Captains that truly seemed to care for
their men. There were of course Captains whose sanity could be
questioned, and at least one who was certifiably a mental
misfit. However these were the exception and not the rule. The Author
also shares the first human encounter that an isolated group of
Eskimos had experienced in 400 years. The story will contradict every
evil cliché that has been too easily attached to those who set out on
these voyages.

The book is a remarkable piece of work, and pays
tribute and passes judgment when appropriate. A wonderful piece of
scholarly work that is a privilege to read.

The book I read was A Bear called Paddington, and it was very good. The author of A bear called Paddington was Michael Bond who has been writing children's books since 1995. A Bear called Paddington is a fantasy story.

A bear called Paddington has 8 stories in the book. First story...Mr. and Mrs. Brown find a bear who had came to America from darkest Prue. The train Stations name was Paddington so they named him Paddington. Paddington has no family so the Browns takes the bear to there house. Second story... Mr. and Mrs. Brown have 2 children, Judy and Jonathon, they really like Paddington. Paddington always has his hat o which actually saves his life. When Paddington was in the bath and forgot how to swim so he poured the water on the floor out of his hat. Third story... Paddington, Mrs. Brown ad Judy go underground somewhere, and o the way there, they lost all there money so as soon as they get there they don't have ay money for tickets. So all 3 of them looked for the money for the tickets. Fourth story Paddington, Judy ad Mrs. Brown go shopping and Paddington have never been on an elevator so he wants to go on one. They got off the elevator and Paddington hates it so much. Fifth story... On day a grocery man tells Paddington how to get paint off stuff. After hearing that, Paddington wanted to try, so he found an old and tried to erase it but it makes an even bigger mess. Sixth story... The whole family went to the theater. Paddington loves it so much that now he wants to be in show business. So he creeps I the actor's dressing room to find the main person, Sir Sealy. Sir Sealy gives Paddington a special part in the play. Seventh story... the whole family go's to the sea and Judy, Paddington and Jonathon enter a sad castle contest and one of them wins. Eighth story... Paddington gets a magic kit for his birthday in the end he vanished 2 thing's and broke one thing.

This book was one of my favorites, it was so good. One bad thing is that it was very easy to understand. I would recommend this book to third or fourth graders.

Paddington is very funny when he does little mistakes. Paddington is a very interesting character that is lovable to everyone. Whenever I'm bored I read it, usually, even though we have already read it. You should mainly buy it for your kids, but you should read it to them because adults like it as much as the kids do. I like all the Paddington books, but my favorite one is the first one. Paddington is a wonderful character and he is my most favorite on earth.
by a 9 year- old (almost)girl from the USA

We LOVE this CD set! I bought it 2 years ago for my daughter to listen to for naps and bedtime, and now at age 5 she's STILL asking for it every night.

I like the fact that both CDs are over an hour long, she likes that there are several stories on each CD to keep her attention. The plots aren't too complicated for her to follow, but they do force her to pay attention and focus on the cd, which is key for naptime. :) Stephen Fry's voice is wonderfully soothing to listen to, and he does a great job of distinguishing between the various characters -- key for books on CD!

As she's gotten older Caroline has begun to appreciate some of the silliness that is Paddington, but the stories are nicely entertaining even without that element. We parents don't mind listening to Paddington in the car when we're on trips. All in all, I say this CD set is well worth this money, it's one that will really grow with you!!

This proved to be a wonderful purchase. The stories are entertaining for both parents and children and are perfect for long car trips. Excellent alternative when you don't want the kids in front of the television.

A classic! I loved Paddington as a child and I'm thrilled to have this in our CD collection. (I'd even listen without the kids!). Stephen Fry reads the stories very well.

The pieces of the Bin Laden family puzzle have been scattered across numerous continents and decades. With a doggedness that has already won him two Pulitzers, Steve Coll attacks the challenge of bringing these pieces together to form the definitive history of this enigmatic family. From published works to countless interviews with Bin Laden family and associates to long sequestered State Department documents, Coll assiduously mines the data and develops a portrait of one of the most recognizable names in the world. This portrait is immediately recognizable to everyone: money, political power, excess, self-destruction, contradiction, hypocrisy. The lives of the fifty-four children of Mohamed Bin Laden would not be out of place in the pages of the National Enquirer, People, or Forbes. One gets a sense of humanity from this all-powerful Saudi Arabian family. Unfortunately, even with all of this research, Coll's portrait still contains holes, and is far from being the definitive word on the Bin Ladens.

While the collected evidence does flesh out many previously unknown details, it remains thin in those areas that will be of most interest to scholars and casual observers alike. Stories about the Bin Laden's love of flying and ownership of property or the latest gadgets are entertaining, but most readers are going to come to the book expecting a clear understanding of how the most famous Bin Laden fits into the dynamic. Granted, being the relative of the mastermind of the worst terrorist attack in history is bound to shut up even the most chatty individual. Throw in the added dimension of the potential loss of a family fortune through lawsuits related to said person, and the prospects for obtaining any real data becomes thin. Coll acknowledges this throughout The Bin Ladens, but it doesn't lessen the impact. By the end, the reader is left with just as many questions as when they started.

Publicly, the Bin Laden family repudiated and disowned Osama in the early 1990s when he was primarily making trouble in Saudi Arabia. This repudiation only intensified as Osama's terrorist actions increased. Privately, however, the picture is murky. Coll tantalizes with snippets and anecdotes that certain elements of the family may have supported Osama, either tacitly or directly via financial means, but they ultimately end up going nowhere. For instance, near the end of the narrative, he throws out the comment from one of Osama's nieces that "some of the young people at the Bin Laden compound [in Jeddah] openly celebrated the September 11 attacks," but fails to add anything more. Peppered throughout the book are countless examples such as this where the author ultimately has to state that "the record is uncertain" or "the evidence just isn't there."

Even more puzzling is the role that the governments of Saudi Arabia and even the United States played in supporting the Bin Laden family over the years. Why did Saudi Arabia issue diplomatic passports to non-governmental charities suspected of funneling cash to Al Qaeda? Did the FBI treat the issue of terrorist financing so gently because the CIA wrongly estimated its importance as being low, or was there political pressure from on high? What about Bush family friend, Jim Bath's, wild assertion that he ran supplies to Osama Bin Laden in Afghanistan for the CIA during a time that the CIA has repeatedly claimed it did not have any contact with Osama? In the end, such unanswered questions leave the book feeling sparse and unfinished.

All in all, though, one does get the impression that many of the deficiencies were caused by stonewalling from those who hold the puzzle pieces as opposed to any deficiencies on Coll's part. This being the first real, in-depth look at such a broad subject as this huge, secretive Saudi Arabian family, The Bin Ladens is an excellent starting point. Researchers will no doubt return to it and use it as the foundation for future treatises on Osama and the larger topic of the Global War on Terror. For that, it most certainly must be praised.

Yes, this is a long book; worth every minute. The depth of research is mind-boggling, but it is written with a clear, quickly-moving presentation. It is long on detail, extensive and interesting, short on editorializing: Coll leaves that up to the reader. Given the opacity of the Saud and bin Laden families' entrepreneurship, one is certainly left wondering! My favourite line actually appears at the very end: "...in the meanwhile, each time his audio- or videotapes reached Al-Jazeera or CNN, Osama reemphasized, like a Barbary pirate with a marketing degree, the impunity that he still enjoyed, as well as his continuing capacity to plan and inspire mass violence by exploiting the channels and the ethos of global integration." Another Pulitzer for Coll?

What an insight Mr. Coll gives to the Bin Laden family...I highly recommend this book!

Picked up this book after hearing the author interviewed on PBS. Given the family's aversion to publicity this represents an exhaustive effort to pry out detail. Coll tracks the family history from their humble beginnings in Yemen to the patriarch's rise in business association with the Saudi royal family, and to the present day. Usually after finishing a book this size I am ready to switch to something els, but at the end of this 575-page volume I found myself going back to reread the first few chapters. This held my interest and is worth the time.

Peterson's review is very good and captures the essence of the book. There is a good deal of information about the Saudi Monarchy in this book that can fill out reading from other sources. It's a poignant story at times evoking the normal tragedies of life in the early deaths of Mohamed, the founder of the dynasty and his heir, Salem. Mr. Coll has a gift for narrative non-ficiton and weaves the constant theme of aviation into the Bin Laden story as well as the destructive side of their construction business. It is a fascinating study of the Bin Ladin family and of Saudi Arabia as it grew into the twentieth century. As he did with Ghost Wars, Mr. Coll has produced another great book.

I will plug Frontier of Faith here for a further study of where the battle formed and rages between Islam's radical arm and the West.

... if you like Faulkner. You'll enjoy the stories here; this is also a great starting point for someone just learning to appreciate the genius of this writer.

As someone who read Flannery O'Conner before ever getting near Faulkner, I must say that he does hold his own with these stories. For better or worse, Faulkner will always be near the top of great American authors. I say for better or worse, because some people can be greatly turned off by his novels, and the difficulty in reading them. While I've been greatly critical of him in the past, I'm still trying to learn and understand his modus operandi. It's been a rewarding learning experience, but one that hasn't been without some exasperation.....I still like O'Conner better!

This short story is twisted, but that's why it's so great. The story is dark and gloomy, but it is really interesting. A Rose for Emily recounts the story of an eccentric spinster, Emily Grierson. An unnamed narrator details the strange circumstances of Emily's life and her odd relationships with her father, who controlled and manipulated her, and her lover, the Yankee road worker Homer Barron. When Homer Barron threatens to leave her, she is seen buying arsenic, which the townspeople believe she will commit suicide with. Faulkner based the story upon a true incident. The rose indeed was for his friend, Emily Grierson. In the story, the townspeople's points of views on Emily actually reflect the society's value at that moment to some extent. Emily feels that she is released when her father is dead.
However, I do not recommend this book if you might get scared easily. The ending might come as a surprise, but that's suspense. Go read it, if you like it a bit twisted.

After reading "A Mule in the Yard," "That Will Be Fine," and "That Evening Sun" I was reminded of why this guy is one of the greatest storytellers ever. I know, his writing can be dense and even a times nearly unintelligible, but patience and concentration pays off with Faulkner. And his use of point of view is amazing.

Amasing, strong and powerful. What else can one say about one of the best writers of the world?

Do you want to study and understand kabbalah in details? Are you trapped or met blinds in your studies into mysticism? Are you intrested to know who and who are the true author/authors of the great and renowned book in kabbalah The Zohar? You have met blinds in your kabbalah studies? Here is the one amongst other books that would shead light on your path to the true wisdom of the Ages. You would definately get more than your moneys worth.

When reading Scholem I often feel like I am reading an old testament prophet; his writing and words seem to convey a great dignity and authority and power beyond their age.

Major Trends is basically a set of lectures Scholem gave on Jewish mysticism. Scholem was one of the first scholars to apply scientific methods of criticism to Jewish mystical texts and traditions and their sources, which had been neglected to a large extent in favour of the rational Jews like Moses Maimonides. The age of Reason had little time for religion, myth and mysticism and it was really only in the latter part of the 20th century people began to return to their mystical traditions.

Scholem made many important discoveries, including showing the author of the Zohar (which supposedly came from the 2nd century) was written by Moses de Leon, a 11th century Spanish Jew. Also in this collection are some valuable studies of the relationship between Kabbalah and Christian Gnosticism, and on Isaac Luria's bizarre theosophic ideas, and of chariot mysticism which influenced early Christianity and many apocryphal biblical books such as the Books of Enoch.

Scholem's study remains the most important 20th century study of Jewish mysticism.

Gershom Scholem was a pioneer in the academic study of Jewish mysticism. Major Trends in Jewish Mysticism is an excellent introduction to the kabbalah. The book covers the main historical movements and personalities. It explains the basic doctrines, rituals, and texts. The footnotes and referenced authors and texts become an excellent source of further study for both the academician and the spiritual seeker.

What I love best about Scholem is that he wrote eloquently about spiritual enlightenment without presenting himself as being a mystical master or guru. He will guide you through the history of Jewish esoteric thought, after which you can sample some source texts (many of which now are available in English translation). No preaching here - just good scholarly thought and clear, eloquent writing. It's also amazing how a 60-year old volume remains the standard introduction while still being regarded as controversial in fundamentalist quarters. An awesome achievement!

Kabbalah is one of those things that everyone seems to want to be part of, and something that enjoys a high level of fashionability at the moment. While this is great, it also means that there is a lot of rubbish out there with "Kabbalah" printed on it. For the beginner or the curious, this can make getting at the real thing a bit daunting and difficult.

Scholem's book "Major Trends in Jewish Mysticism" is rightly considered a classic in the field of Kabbalah and the study thereof. While somewhat aged, the book still retains its status as among the most respected of works.

Scholem covers the major phases of Kabbalah, and includes sections on each one. He delves into the details, teachings, personalities and the impact of each phase, and brings the reader an erudite introduction to them. He includes early Jewish Merkabah mysticism, Lurianic Kabbalah, Abulafia, the Zohar, (a big section on this!) and even the very interesting Sabbatianism.

I found some points of terminology a little objectionable in connection with Gnosticism, but this would not be an issue for the general, non-Gnostic reader. As such, it should not discourage you from reading it.

As a starting point, Scholem's "Major Trends in Jewish Mysticism" is unbeatable for both its scholarly approach and also for Scholem's ability to make it all understandable and absorbable. This is a fantastic book and one worth getting. I could not praise this book enough.

To be honest, if Gershom Scholem wrote it, you can't go far wrong with it.

It's amazing how soothing just reading William Blake's poetry is on the troubled soul. I always look for his work to ease my mind and lift my spirit. Everyone should treat themselves to his work. Peace be with you.

A wonderful paperback edition, containing all the works of
William Blake, with a excellent introduction
of Harold Bloom. An priceless tool for students
and teachers

This is an outstanding resource for anyone interested in the works of William Blake. It's well organized and easy to work with. I'm very pleased with it.

What to write for my last review? That was tough. Since I was a little boy I have always been one of those who had his face in a book. Books, books, books. When I began my jobs as a paperboy, and later at the grocery store, I began buying books. This hobby grew so large, that my father made our rumpus room a library for me. And it grew ever larger. By the time I enlisted in the Air Force, I had amassed quite a large number of volumes. While in Europe and the Middle East, I would scour book stores and began purchasing leather books. Some very old, and many in foreign languages. Since the Air Force only allowed for a 5,000 lb limit, I spent a fortune sending books home. When I left the service my house looked like a library. Running out of space, I began to make my garage a library. However, it grew ever larger. Therefore, I made use of my brothers garage, then my mothers, and eventually even had to make due with having to rent a few storage spaces.

Yes, it's that large. I was hoping to make a large home library some day. Books have been my life: Even though I write mostly about Asian films. And I was glad that VHS films came into vogue, as they afforded me the opportunity to begin amassing a large collection of Japanese films which I have a soft heart for. That got real big too! Anyway, back to the question as to what to write for my last review? Well, I just happened to stumble across this book last night, one of many. There is a poem by the gifted and enigmatic poet, engraver and painter William Blake. I do recommend the book by the way. Events in my life have gone in a very negative way, therefore, I have decided to impart a poem as my last review. Hope you like it. It's one I have remembered from my childhood. There are too many great things to write about, and I figured this would not be a bad goodbye. It is William Blake's "THE TYGER"

THE TIGER

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?


William Blake (1757-1827)

It has all his writings: letters, anotations scribbled in the margins of other people's books, everything. Only downside: it doesn't show his illuminated printing.