Classics Books

This book was a joy to read. My daughter read it to her 3 oldest daughter's, a chapter at a time. They could hardly wait for "reading time" and begged for more at the end of each chapter. The life lesson in this book is so valuable. I am pleased that I have my own personal copy.

I loved this book when I was a girl. Now, reading it to my four children, I get quite emotional when I realize how much I was impacted by this story. It really did partially make me into the mother and home-educator I am today. It amazes me how deeply the wisdom of this book sunk into me. Everyone who homeschools their children should read this - for themselves and for their children.

This is a wonderful story for girls. Read it aloud, savor it, laugh and even cry over it.Whatever you do, though, just get it! You'll be glad you did.

I had never heard of this book until it was listed in the AmblesideOnline curriculum. We checked it out and my girls fell in love with it. I finally bought them their own copy and they treasure it. We read it again, and now they argue over who owns it, and who gets to keep it for their own children.
Great read!

Understood Betsy" was one of my favorite books from childhood and I was happy to see that it was available from Amazon. Even though it was first published in 1917, it is very contemporary in it's message about the importance of gaining self-esteem through accomplishment. In this day and age when parents tend to hover and worry over every small concern, this book show how Betsy, when sent to a farm to live, became a very confident and happy child due to the adults in her life who let her stretch her wings. Many of the ways in which these adults gave her a new life are very subtle but moving. Highly recommended for mid-elementary girls.

Whether you agree with him or not, Nietzsche's thought is pivotal in understanding modern Western society. This one-volume compilation provides an excellent introduction to his core philosophy.

Nietzsche changed my life. This translation and selection heightened and developed my sensibility more than any other philosopher or work of fiction. I think the difference in dynamic plays a role here: in works of fiction the characters represent man in various and hyperreal circumstances, but it is only a representation. With Nietzsche, the life of the real man and what he wrote underscore each other.

Nietzsche is utterly enjoyable. One almost feels a wicked pleasure as he dismantles the various and prevailing constructions of the world. But he always fights fair: he allows his targets to live on the page and fight back.

I love the aphoristic style. The way he briefly but profoundly treats a topic, and then returns to it again with a new twist or perspective. It is rich!

I've typed that name what seems like a thousand times in the last month. I used Beyond Good and Evil for two papers this semester, and he gave me an idea for a short story. What a writer! Not a guy you'd like to be on a desert island with, but his philosophy could be purposely misinterpreted and made into a somewhat logical or at least palatable set of ideas. The interpretation seems to be pretty good...I also used Kaufman's Nietzsche for the research paper I did, and he seems to be pretty knowledgeable and unbiased. I can't wait to read some of the other pieces in this.

a great collection...i don't think it includes 'thus spake zarathustra', though. if it does, my apologies. if i'm right, then that's an odd omission. otherwise, i love it.

The Birth of Tragedy-75 Aphorism-Beyond Good and Evil-The Genealogy of Morals (3 Essays)-The Case of Wagner-Interpretations/commentaries

A great collection, though a strange chronological leap from BOT to BGE. Right for the price and a great review of the later published books of FN. All of Kaufmann's footnotes are maintained. You'll at least want to have had read The Gay Science before coming to this, or even TSZ; Beyond Good and Evil and The Genealogy of Morals are NOT the place to get your feet wet and FN is not joking in Ecce Homo when he says that a close reading and familiarity with his earlier writings is necessary to delve and dredge up all that he has thought through--and to then move on to further possibilities presented by the various threads lain therein.

But if you are really eager to get to these later works, do at least have some familiarity with Hegel and read the Untimely Meditations and then make the leap to this volume.

Caveat: I cannot recommend the Zarathustra translation by Kaufmann, as available through the Viking Portable Library or Penguin; it is truly facile. Hollingdale's translations of the TSZ, Twilight and the AntiChrist are much preferable, thought they lack K's commentary.

Series book. The large, readable print makes this good for children to read.

Summary
Frog and Toad are friends who share life together. I love the "To Do List," which includes "Wake up." Lobel wrote and illustrated more than 70 books. This book received a Newberry Honor Award.

Illustrations
I love the fresh and pleasant green and brown pictures, as did my children.

When Frog and Toad saw a snake, the snake said, "Hi,lunch!" Frog and Toad ran away.
Toad made cookies and Frog said, "They got will power." Toad made a list then when he got to Frog's house, Toad said, "We have to take a walk." They went on a walk. Suddenly, Toad's list blew away.

My daughter's nursery is decked out in Frogs, so the discovery of these books made them books we had to consider. They are fun and the illustrations are grest. At eleven months she is too young to read them herself, but we read them to her - and she enjoys them. The stories are simple with a central theme - do good for others, treat your friends with respect, help your firends when they need help, laugh, and aporach life with adventure. These are great virtues to instill in young minds. If the books were made in cardboard stock, Teah would be even more happy with them - as it is she frequently grabs one of them when it's time for her bedtime story - and great bedtime stories they are. By the time she starts to read she will know the stories by heart, but that's ok - fond memeories of bedtime stories like these should help her build a lifelong interest in reading on her own.

The Frog and Toad books were favorites of my daughters when they were young. I often give them to young friends, and was very happy to share them most recently with my two year old grandson

Learn the value of friendship with one of the most delightful duos in all of children's storytelling! Perfect bedtime stories or beginner's reading books, kids love the animorphed amphibians and funny adventures. Buy one and you'll have to get them all!

J. Lyon Layden
The Other Side of Yore

This is a book that I couldn't read slowly enough for fear that it would end.

Wendell Berry--novelist, poet, essayist--has written an unrequited love story and a love letter to the natural world. Jayber Crow revisits Berry's fictional Kentucky town of Port William and peers into the life of the town's barber, the book's namesake, Jayber.

Berry, a well-known environmentalist, has enough skill to render a page-turning story while advocating for the earth. He's one of our greatest living American writers. I highly recommend this book.

This is an amazing story! Vividly written and really makes you think about what is good in the world. The characters stay alive in your mind for months after finishing the story!

This audio version is well narrated and easy to listen to. It's un-abridged, so all the wonderful descriptions of the book are in there.

Wendell Berry is a fantastic author - I can't wait to start the next book.

The book jacket calls this a "beautiful, lyrical love story," and it is. But it is not the romance of a man for a woman but rather the deep, fond emotion that Jayber Crow holds for his community, his friends, and all that has gone into his non-eventful but ultimately pleasant life. Here is a book that can be an antidote for the disillusion and despair we feel when we seem to be lost in the cosmos. As Jayber reminisces,

"I still do belong to Port William. Being here satisfies me. I have no thought of going away. If I knew for sure that I would die here, I would be glad. And yet definite as all this is, it seems surrounded by the indefinite, like a boat in a fog. I can't look back from where I am now and feel that I have been very much in control of my life. Certainly I have lived on the edge of the Port William community, and I am farther than ever out on the edge of it now. But I feel that I have lived on the edge even of my own life. I have made plans enough, but I see now that I have never lived by plan. Any more than if I had been a bystander watching me live my life. I don't feel that I ever have been quite sure what was going on. Nearly everything that has happened to me has happened by surprise. All the important things have happened by surprise. And whatever has been happening usually has already happened before I have had time to expect it. The world doesn't stop because you are in love or in mourning or in need of time to think. And so when I have thought I was in my story or in charge of it, I really have been only on the edge of it, carried along. Is this because we are in an eternal story that is happening partly in time?" (322)

Berry's lyrical prose helps us to enjoy the opportunity to be "on the edge" of Jayber's life, and we are the better for being carried along by it.

Reading Jayber Crow is like spending the weekend listening to your favorite uncle tell family stories. The conversational tone used by Berry could get sappy in the hands of a less skilled writer, but that doesn't happen on the pages of Jayber Crow. Wendall Berry's prose is exquisite. As the story moves slowly through another time and place, Jayber's voice draws you into his private mind. It is a tender place to be. The story is thought-provoking and deeply moving. I hated for this book to end.

I used to read a lot of books and I never felt the need to quantify or compare one book to another. But when I finished Jayber Crow I knew that this was the best book I had ever read.

As other reviews here will testify, it is astounding how Wendell Berry communicates with mere words the beauty of life, the human heart and the love that holds both together.

I've sold most of the books I owned but I doubt that I will ever part with my copy of Jayber Crow.

I absolutely love this book. It has such a great message, and I agree with a lot of the other reviewers that the message is wonderful for both kids and adults.

The illustrations are wonderfully simple, and I really like how there are few words per page. This book makes for a great read aloud book for pre-schoolers. I read this book recently in front of my class of 4 and 5-year-olds and they clapped at the triumphant ending of the book...they were so happy for the missing piece!

Shel Silverstein's representation of human relationships and the many "holes" that people often have is very astute. I think the subtleties of the different personalities might be over the head of children, but most adults will see just how spot on he is.

I really really can't celebrate this book enough.

This classic book was really written for children, but it has a powerful message for people of all ages!

The drawings are simple but effective, and the story is one that we all can relate to. The Missing Piece starts out alone and is looking for someone or something to complete it. By the end of the story, The Missing Piece realizes he doesn't need anyone to complete him. He is already complete.

This is a very quick read that can help build the confidence of a young child, and can help adults regain the confidence they may have lost somewhere along the way!

This was a gift to me after a divorce. The content is simple yet profound and I love to share it with my children in hopes that they too will know that relationships are at their healthiest when people are whole and complete, rather than half of a whole like a friendship necklace (to the chagrin of tweeners everywhere!) ;) I now share this with others who are going through relationship troubles or struggle with their self-worth.

A person who was one of the most influential in my life gave this to me as a gift. After reading the book, the gesture impacted me that much more. I buy this for anyone that means something to me. This type of book should be shared by all. Silverstein is a master who I still feel isn't talked about enough.

Don't forget 'The Missing Piece'!

I LOVE this book. What a simple way of viewing the process of breakups and of finding meaningful relationships! Great for readers of all ages.

It is understandable why this book earned a Pulitzer for the author. Written in the early 1950's, it was the first time Civil War events were treated from a human versus fact-after-fact view. However, Shelby Foote later wrote a superior account that not only provides the human side, but also presents all the historical data.

It would be an almost impossible task for anyone to figure out just how many books have been written dealing with the American Civil War. It would also be difficult to determine which Civil War historians are most often cited by their peers but there is no doubt that Bruce Catton would be near or more likely at the top of any such list. The reason for this is quite simply that Catton was one of the great historical writers of all time. Very few people can take their readers into the heart of an army, both those of it's soldiers and leaders like Catton and even fewer convey their story in the very clear and easy to read style that this author has mastered. To read this book of pure history is in many ways like reading a historical novel and even the reader who already has a firm grasp on the historical facts of this story will sometimes find themselves wondering what happens next.

This is the story of the last campaign of the Army of the Potomac, that Ill-fated army that had so often been humiliated by Robert E. Lee and his Army of Northern Virginia. This campaign was to be different however because there was a new man calling the shots and having a man like U. S. Grant at the helm made all of the difference in the world. It took Grant a while though to convince this often badly led army that he was any different than his predecessors. Different he was however and once he locked horns with Lee he wasn't going to let up until one army or the other was destroyed. In other words Grant understood what had to be done and he was determined to do it.

Catton's main field of study was this man Grant but one of the author's most endearing qualities is that he makes no effort to whitewash or hide his subject's faults. Catton also does not attempt to build Grant up by tearing away at Lee like many of the more recent Grant biographers have done. He simply makes Grant's greatness apparent by telling the story the way it happened and it doesn't take long for the reader to figure out what an outstanding general Grant was.

The author has done a lot of searching through soldier's letters and memoirs as well as regimental histories and this leads to a very personal perspective of the last year of the war. The stories he has gleaned from these sources are poignant, somber, gleeful and funny. For example, one entire brigade falls out of the final advance upon Lee's army to chase down and cook some chickens that have been scattered by artillery fire. I think it was Napoleon who said something about an army traveling on it's stomach.

I highly recommend this book to anyone with an interest in the Civil War. The hard core Civil War reader will find new information here and the casual reader will find that this book is fun to read and no one should have a problem following the story. If Amazon allowed six stars this is one of the few books that would qualify.

Part 3 of Bruce Catton's fantastic trilogy of the civil war is an interesting look at how the Army of the Potomac ended the war. From a discussion of a daring plan to plant dynamite underneath confederate lines to the chasing down of Lee's Army by Grant a true sense of what happened during the civil war can be gathered form this trilogy. An essential collection to any civil war historical library.

A Stillness at Appomattox is the last in the trilogy of the Army of the Potomac and covers from the period from late 1863/early 1864 (before the Wilderness and Spotsylvania Campaign) to April 1865 (Appomattox).

While the book is certainly heavily weighted in its coverage of the Union side, Catton is fair in his assessment of the various Union leaders. Of course, there is also the unique writing style that Catton possessed - a free flowing and smooth narrative rich with details.

My only complaint is the lack of maps. However, one must also bear in mind that the first edition was written in 1953, a time when books did not have the number of detailed maps that you would find in more recent titles.

Complaint aside, I highly recommend the book and series as the best coverage of the Union Army of the Potomac during the Civil War.

Read and enjoy!

This superb narrative about the Union's Army of the Potomac in the war's final year captured the 1954 Pulitzer Prize. The book is one of several superbly readable volumes on the Civil War by author/historian Bruce Catton (1899-1978).

This narrative covers the Army of the Potomac from the start of the brutal 1864 wilderness campaign through the war's end a year later at Appomattox. The author shows that General Ulysses S. Grant was more capable than brilliant, and fiercely determined to keep the pressure on General Lee's rebel army until the Confederates had no choice but to quit. Given the Union's advantage in men and material, the strategy made sense. What was less sensible were costly errors by Union officers, frightful casualties, and a sickening Union failure to clinch victory on the first day at Petersburg (thus reducing carnage on both sides).

The author perused many soldier diaries and letters to show us the life of the average Union enlisted man. That soldier was well-paid ($16 a month), but forced to endure boredom, rough weather, marching, stress, and dangers from disease and a tough, determined enemy.

This moving look at the last year of conflict is probably the best of Catton's narratives on the Civil War.

Playwright Peter Shaffer is an exceptional dramatist. His characters are unforgettable, and each one is dealing with a psychological struggle. In "Amadeus," Shaffer examines seventeenth century Vienna and the life of Wolfgang Amadeus Mozart and his rival, court composer Antonio Salieri. This play shatters the view of Mozart as an innocent child prodigy, and instead paints a picture of a childish, scatologically minded, yet ultimately tormented musical genius. Trapped by the financial demands that are placed upon him, and the demands of a domineering father, Mozart strives to make his music and to be excepted.
The main focus of the play is upon Salieri, whom the audience sees as a sweetmeat loving, conniving schemer who is appalled by Mozart's new ideas and manner. However, Salieri is not one demensional. He is a sympathetic character, who wrestles with his conscience. Feeling betrayed by a god who shows favoritism, he recounts his desire to make music that will provide him with unsurpassable fame. However, his music is ordinary when compared with Mozart's genius, and Salieri is fully aware of this whereas ordinary citizens of Vienna are not. Vowing revenge, Salieri decides to lash out at Mozart: "God's Flute," therefore providing an opportunity for a terrifying confrontation in which Mozart is driven into madness and early death. Everyone can relate to the character of Salieri because we have all felt betrayed when our own specific talents were regarded as inferior to someone else's.
Shaffer introduces us to two tortured individuals who are nevertheless sympathetic and unforgettable. Please give this play a chance.

When I was younger, I almost never reread anything. My hunger was so voracious that I gobbled up a book and then rapaciously moved on to the next. But as I've aged, I read less frantically, returning again and again to a few works that especially move me. At the top of the list of such works are the plays of Peter Shaffer. And at the top of that list is his masterpiece "Amadeus."

What I find remarkable about Shaffer's "Amadeus" isn't so much the title character, Mozart, as the character who becomes Mozart's nemesis, Antonio Salieri. Salieri is one of the great tragic figures in literature. He's an individual who appears to genuinely love musical beauty, and who genuinely wants to dedicate his life to it. (In an early scene, for example, he makes a deal with God. "Signore," he begs, "let me be your flute, your mouthpiece. Let me produce absolute beauty. In return, I'll be your slave.") But Salieri is also a hopeless mediocrity. He knows good music when he hears it, but he's simply unable to create it himself. His compositions are acceptable, and sometimes even pleasing to the ear. But when compared with the music of Mozart, they reveal themselves for what they are: technically proficient, but utterly uninspired. The awareness of his own mediocrity, coupled with his absolute yearning for beauty and his life-destroying jealousy of/admiration for Mozart, is the heart of the play. (Milos Forman's 1984 cinematic production of the play unfortunately rewrites the script to put Mozart rather than Salieri centerstage, thereby missing the whole point.)

When one thinks about it--and I believe that this is what makes Shaffer's play so poignant and profound--Salieri is everyperson. Let's face it: most of us are mediocre. We fall somewhere in that great middle zone of "average." We'll never be able to create artworks that express the yearning for beauty that even the dimmest of us occasionally feel.

As if that's not bad enough, the world, as Shaffer demonstrates in his play, is unforgiving of mediocrity when it comes to art. One can work like a demon, as Salieri does, but it's genius that the world wants, genius that the world demands, and genius that the world rewards. Moreover, the creative genius is allowed anything by the admiring world--in fact, the world expects its geniuses to walk to the beat of a countercultural drummer. The mediocre artist, however, is allowed no latitude whatsoever in personal lifestyle.

The paradox of this situation, as well as the horrible burden of mediocrity felt by artists like Salieri (and the rest of us), is the tragic message of "Amadeus." When Salieri at play's end tells us, in his decrepitude and madness, that we can pray to him when we feel the sting of our own shortcomings and he will bless us, most of us ought to shiver. For, after all, we don't want our mediocrity blessed, do we? And yet the tragedy of the human condition is that, blessed or not, it's what we are. And so Shaffer leaves us with this question: how do we overcome our Salieri-like resentment and frustration at not being able to create beauty long enough simply to appreciate beauty when we encounter it?

The best part of the book is the introduction, which tells of the changes made to the script over the years, based on on-going research by the author. I saw the movie and the play, then bought the script in order to compare the different renderings of this amazing story.

Peter Shaffer's award-winning and highly popular play AMADEUS is in many ways a morality play but seen through the eyes of a complicated postmodern villain. The play is called AMADEUS but the chief character of the story is Antonio Salieri. Salieri is the Court Composer for Emperor Joseph II of Austria during the end of the 18th Century. He is held in esteem not only by the Emperor and Court, but by the masses as well. Then Amadeus Mozart makes his way to the Austrian Court at Salzburg and Salieri recognizes in the young man a musical genius superior to anything musical he has ever heard. He becomes enraged with bitter jealousy. Feeling that God has abandoned him and given the talent that he has trained to develop and possess his entire life, Salieri declares a war against God that he will fight on the battleground that is Amadeus Mozart.

AMADEUS is a fantastic play. Author Peter Shaffer has revised the play several times since its first performance in 1979 and this version of the show (written twenty years later in 1999) is in my opinion the best because it is the one that portrays Salieri more than just an evil man, but as a human being that the audience and readers can relate to and actually understand somewhat. A must see play that anyone who enjoys theatre should be familiar with.

Like a newspaper article, theatre has to convey its story with an economy of words.

In this way, great playwriting is a rare skill much like land the penny toss at the carnival and Shaffer is that rare playwriter who accomplishes his task so seemingly effortlessly.

Deftly, Shaffer tosses his Amadeus and Saliere together and in so doing plays each against their type rendering his Amadeus into the simple squeezebox which provides the background for the languid single note of Saliere's mournful jealousy.

What's so amazing is that in telling us the story of Amadeus' art, Shaffer shares important insights about his own. Don't have too many or too few notes but just the right number. Don't be so flashy in being good that people concentrate on the flashiness instead of the point.

And don't become so engrossed in your art that you lose sight of the ultimate ends it was meant to service in the first place.

Whether we are each more Amadeus or more Saliere we can connect with this play.

Wally Hatford is a 10 year old boy who started a war between the Hatfords and the Malloys. He has three brothers, Peter, Josh, and Jake. The Malloys just moved in from Ohio to the Bensons' (The Hatfords' best friends) old house, and the boys want to want to oust the Malloy girls, Caroline, Beth, and Eddie (Edith) out of Buckman.

Wally is in Mrs. Applebaum's class, right in front of Caroline, the wanna be actress. He is the mastermind for the boys in the war between the Hatfords and the Malloys. Wally wants peace between the boys and girls to see how long it takes for a waffle box to travel down the river, to jump off a tree, and to climb a church steeple.

I could relate to Wally. He is like a kid in my class named Jake. Jake, like Wally, can think up of ideas to win a war against anybody, boy, girl, or parent. Jake also is curious of just things in normal life.

The Boys Start the War is a book just for children seeing that adults aren't interested in wars between boys and girls. It is easy to understand all of the humor and vocabulary in the book. I loved the book and went on to read the whole series.

The Hatford boys were looking out the window with their binoculars waiting to see three boys moving in their friends house across the river.When they see their girls moving in and not boys.They makea plan to sent the Malloy girls back to Ohio.Throwing dead animals to dead bodies.Playing bad tricks on the girls.Will the girls get back on them?Is the war barly begining?Are the girls going to get even with the boys. This is a really funny book to read.

This book is a hilarious book. The Hatford brother's best friends, the Bensons, moved away from Buckman to Georgia. The boys were expecting 3 boys to move into the Benson's house, but they were surprised when they found out that it was actually 3 girls. The Hatford brothers decided that they would try to make that the Malloy sisters so miserable that they would want to move back to Ohio and the Bensons would move back because no one would rent their house. The boys are in for a surprise when they have to go against the Malloy sister's cleverness. The pranks go on from dead fish to dead bodies and from floating heads to washing windows. The boys and the girls keep going at each other. They both can't tell their parents because then they would have to tell about all their other pranks. The war goes on and on to other sequels.

I like book because of all the pranks. The pranks are all thought up cleverly but something always goes wrong. A quote that shows something going wrong is, "`You got the flashlight?' Jake asked Wally breathlessly. `Heck, no. You were carrying it.' `I thought you grabbed it,' Josh said. `Someone did!' But that someone was already inside the house." This shows how the Hatfords lost their flashlight while pretending to be a floating head outside Beth Malloy's window.

Another reason I liked this book is because it's a humor book. I don't read many humor books but this book made me laugh. This book is filled with many hilarious events. Caroline Malloy draws a funny picture of her teacher but Wally manages to steal it and blackmails her. The things that go wrong are also funny. Just when one side thinks they've won, the other side finds a way to get even. There are many other books in the series and this is only the first.

My favorite part of the book is at the end of the book when the final prank is played. When the girls go to get Caroline from the Hatford's tool shed, they think they won because they made Jake say to them, "Your faithful, obedient servant." As they were leaving Wally comes out with Mrs. Hatford saying that the girls were coming over to help peel the bushels of apples the Hatfords had picked. I thought this was hilarious and was a great way to end the book to keep you hooked.

Just when the Hatford boys were expecting three boys to move into the house across the river the Malloy girls arrived instead. Wally and his brothers decide to make Caroline and her sisters so miserable that they'll want to go back to Ohio, but they haven't counted on the ingenuity of the girls.

Cast of Characters:
Malloy's:
George Malloy-father-football coach
Jean Malloy-mother
(Edith Anne) Eddie-11-6th grade
Beth-10-5th grade
Caroline-8-4th grade
Hatford's:
Tom Hatford-father-mail man
Ellen Hatford-mother-hardware store worker
Jake and Josh-11-6th grade
Wally-9-4th grade
Peter-7-2nd grade

This is really cool.It can be for 3-??yrs old.Pluse it takes places in my hometown Buckhannon,WV.The school they go to has beem turn into a building for 5-18 year olds,called Stockert Youth Center.The Mallory girls are really cool!!The Boys are trying to get the girls out of their old best friends house by playing tricks and being mean,and the girls try to show the boys the can't tear them away from Buckman wich really is Buckhannon.Read it!!Its cool!!

One of those books every home needs on the shelf. By the way, read it.

I have made it a habit this year to get through many of the classics on audio book during my daily commute. I picked Pilgrim's Progress since it was one of the most influential English books ever published, and I wanted to see what it was all about.

The audio book was published by Blackstone Audio and the reader was Robert Whitfield. The reader did an excellent job and was very easy to listen to. He did some characterization with his voice that made it easy to know which character was speaking. I was a little worried about the older style English, but it gave me no problem. It probably helps that I am familiar with the King James Version of the Bible. Overall, listening to this book worked out very well.

This is the first book length allegory that I have been through and I thought it was an excellent way to teach. There is no doubt which principal each character is supposed to represent by their name, and their actions represented that well also. I can understand why so many families had this book in their libraries. As far as Christian doctrine goes, there are a few things that some would disagree with, but most of the principals taught are still generally accepted today. The path to God's presence is filled with opposition, but there is help available and the reward is worth it.

I highly recommend this book for anyone wanting to understand an important part of our heritage, and to see what an effective tool allegory is.

I love this book. It was written from a jail cell in the 1600s. This version is the original so the text is difficult to read at first but I would not want a watered down modernized version (which can be purchased). I find if I read in chunks it starts to flow nicely. The characters have names like, "Evangelist", "Piety", "Talkative", "Faith", etc. So you know just where someone is coming from. I have marked up this book with pencil just like I do my scriptures! It is like reading one long parable in story form! Cool book. I'm glad to have found it.

We've read this book to our son and he has really enjoyed it. He doesn't yet fully understand everything and we had to stop and explain a lot to him, but it is something that we plan on reading over and over again as our kids continue to grow.
I read a review that stated that a main flaw in this book was the lack of one on one relationship with Christ. I can understand what they are saying, but I think what you have to keep in mind is that while we are here on earth and in our day and age we do not physically see Christ. He was once here walking and living on this earth, but He is now in heaven. He uses other means now to maintain a personal relationship with us. For example, we can know Christ through His word and through prayer. Just as in the book, He often also sends other Christians along in our life to help us and encourage us. This book is a good example of a walk of faith. We can't see and physically touch Christ right now, but when we are in heaven we WILL see Him just as Bunyan talks about in the book. Christian persevered in his walk without physically seeing Christ and he was rewarded in the end for his faith. For now, how much greater our reward is for those who have not seen Him and yet believed!

Every christian household should have this volume to read and share with the famiy. It never fails to bring me to tears when pilgrim falls before the cross and looses the burden of sin. It is a must have for every christian library and the additional insights from Bunyan are a added blessing!! I cannot say enough good things .....

This is the fourth and sadly the last of the Julian Kestrel Mysteries.

I have enjoyed reading all of the books in this series. The first three take place in England while this story unfolds in Italy.

In Italy a wealthy nobleman, Lodovico Malvezzi, was murdered five years ago, the true cause of his death was concealed for years and has only recently been disclosed to his family. The prime suspect in Malvezzi's murder is the young English tenor he was grooming for a career on stage. The singer's true identity was unknown to all but Malvezzi, who concealed it from everyone and referred to the singer only as 'Orfeo'. Orfeo vanished five years ago.

I thought this was the most intricate story of all the Julian Kestrel mysteries. I enjoyed learning more about Julian's youth and upbringing.
I was surprised several times by the twists and turns of the story and I was pleased that I figured out who the murderer was. And just as I was wishing for a particular thing to happen, the author granted my wish!

I'm very sad that Kate Ross has left us and with her died Julian Kestrel.

If you like historical novels and mysteries my guess is you will like this as well. I recommend reading the Julian Kestrel Mysteries in the order they were written.

Once again I liked the list of the cast of characters and the map of the region.

This excellent fiction falls between four and five stars, and I'm rounding up, as a generous Italian may have during the lively festival that occurs in one segment of the book. The late Ms. Ross has chosen an unusual time and place for her intrigue and historical backdrop, 1820s northern Italy post-Napoleon, and an atypical hook with the opera in a key role. Those fundamentals bring a freshness to the story, as providing the background on the political scene, culture, the meaning of rank relative to the peasants, daily life and music gave Ms. Ross plenty of room for overview and vivid detail without being stale.

The length (440 pages) came in a little too long for me, with some trimming certainly possible. The wrap-up after the climax was a little disjointed, as there was quite a bit of dialog in the remaining scenes finishing the story and explaining much of the complexity. The plus side of the length is that she gave depth to the background and characters, with multiple threads, all related. I can't recall any completely irrelevant subplots, as seemingly every character who appeared more than a trivial amount somehow figured into the plot itself or its resolution. Many tidbits read as obvious clues - they just won't be obvious in meaning. For example, Julian discovers that a servant is literate and knows Latin, highly unusual at the time. If you don't figure out why that matters, you will eventually.

Don't be scared off if you have no interest in opera and think this is a story for specialists. Music lovers may have an extra appreciation of the scenes at the opera, perhaps, but the connection is handled lightly enough and with enough explanation to be entertaining and informative for the casual reader. I say that as someone with virtually no interest in opera.

Also have no fear of reading "The Devil in Music" without any familiarity with Julian Kestrel from her three other novels. Ms. Ross included sufficient background for you to get the idea, and I assume that this one stands well enough on its own that those three wouldn't necessarily have given the reader a better chance of solving the mystery early.

Julian seemed almost too good to be true, living the life of the "dandy" and blending with the aristocracy that somehow keeps itself occupied and (usually) funded. And he's a natural with the servants and peasants, too. Smart, sophisticated, musically talented and courageous, who could blame him for his attraction to Beatrice or another sultry, spirited Italian. Some other characters, such as the unfriendly Grimani and the murdered marchese, have enough edge to be plausible and interesting.

How did a trial lawyer manage to write such an intelligent novel? It's sad to imagine what else she may have published in the ten years since this fine work.

I grieve for the marvelous Kate Ross, who died after penning three of the best novels in any genre. Luckily, the strength of her writing (plot, characters, feeling for historical setting) allow for endless re-reading. The Devil in Music is, to pun, a virtuoso masterpiece. A tense manor house mystery becomes something far more grand, with much more reach when it is set against political upheaval in 1820's Italy. The role the opera serves that piece of society, the effect music has on every soul are both explored, but in a way that does not necessitate a previous knowledge of any of the subject matter. Julian Kestrel's man-servant provides an outsider's view of everything, particularly of political high fliers and of those who hide behind costumes for the opera. He serves as Tolstoy's Natasha at the theatre.
Ross lets the tension ease only to bring it on more strongly. The reader is gripped from beginning to end by the intense personalities of the main characters. Evil seems to lurk everywhere, and only the astute Julian Kestrel will ever be able to see things for what they are--and they are very, very unexpected.

Kate Ross's body of work may be small - only four Julian Kestrel novels - but it stands up to the greats of the genre. All the Kestrel novels are rewarding reads and this is the best of the four. As much about the passionate love of music as passionate love itself and what it can drives us to do, The Devil in Music is fine mystery, a fine comedy of manners and a great novel. Kate Ross left us too soon; thankfully she left us with Julian Kestrel.

Kate Ross left us far too early, but as the reviewer below stated, she did leave us with Julian Kestrel. And for that, we are grateful.

What an amazing fourth book. Unlike the previous three in the series, this one does not take place in England, but in Italy. The ending was as surprising a twist as any twist I've read in recent memory. The plot is rich, the characters are colorful, the dialogue wonderful, and Julian is once again the character you stand up and cheer for. Please do not be put off by the thickness of the book. The pages fly by and when it's finished, you'll find yourself wanting more.

These are the Julian Kestrel books in chronological order:

Cut to the Quick
A Broken Vessel
For Whom the Gods Love
The Devil in Music

I heartily recommend this series to everybody, not just historical mystery fans.