Poets Books

I've been through the book twice and know I will pick up even more on the third. The book is a very fast read with practical and easy to understand advice. He covers everything from rhyming and metaphors to just plain good writing advice - poetry and prose. His advice makes great use of modern poems so you can see what has been getting published in the last few years. He only touches passingly on specific forms such as sonnets, but gives several recommendations for folks that want to dig deeper into specific forms.

This book is for those of us that like poetry - but don't know much about it.

I continue to enjoy this book and have found it useful even though I am a published poet and author.

This book is the best I have seen for any beginning poet. Its simply a must have!!!!!!!!!!!!!!!

Ted Kooser has written a poetry manual for amateur and professional poets who are interested in improving their writing craft. His suggestions can be easily implemented. As a poet I've read many books on the writing craft but this one rates in my top three. There is more to writing poetry than to jot down the words the pretty Muse whispers in one's ear. For those serious about becoming better poets, this is the book for you.

This excellent no-nonsense book about writing poetry also manages to be inspirational. In clear and compassionate prose, Kooser addresses real issues that poets struggle with, such as the fine line that exists between gushing sentimentality and the resonant expression of real feelings, the subject of one of his 12 chapters.
Kooser provides wonderful examples to illustrate his points, giving us the pleasure of reading good poetry while we learn to write it. He also provides vivid images as metaphors for how writing works and how readers read, transforming glass bottomed boats and ham cubes into tools for crafting poetry.
Laced with humor, this book feels like a casual conversation that you want to return to again and again.

I first came across Sylvia Plath in an anthology of modern poetry. Her poems "Daddy" and "Lady Lazarus" blew me away. The former may well be, in my opinion, the best poem ever written by a woman, and one of the five best written by anyone in the last two centuries. Buying this book, I expected more of the same. Unfortunately, I found most of her early work to be dissapointingly typical. The reason Plath is so controversial is that her greatness is linked inextricably to her darkness. Before the latter manifested during her divorce and subsequent depression, there just wasn't that much to her. In other words, much of her early poetry is that of a reasonably intelligent woman- entertaining, even a little intriguing, but lacking the fury of "Lady Lazarus", the darkness of "A Birthday Present", or the fatalistic beauty of "Ariel". And while there are some glimmers of the genius that is to come (The Colossus, I Am Vertical), they aren't many. My advice to any prospective reader is to save some time and money and pick up her collection "Ariel", which contains 90% of her essential work.

Sylvia Plath - The Collected Poems has to be the best book of poetry in the world. I love Sylvia Plath, she was a genius. Her poetry moves me, everything she has ever written is gold. The first poem I ever read by Plath was Metaphors, "I've eaten a bag of green apples, boarded the train there's no getting off." Something about that line just struck a cord with me, from that moment on I was determined to read all her poems. Another poems I love include: Soliloquy of the Solipsist, I am Vertical, The Other, The Rival, You're, The Rabbit Catcher, Lady Lazaurus, Stillborn, For A Fatherless Son, Leaving Early, Morning Song, Cut, A Birthday Present, Fever 103, Gigolo, Daddy, and The Disquieting Muses. She writes about her father a lot, he died when she was nine and his death left her with depression for the rest of her life, from The Colossus, "Counting the red stars and those of plum-color. The sun rises under the pillar of your tongue. My hours are married to shadow." The Jailer is a poem I just adore, "My sleeping capsule, my red and blue zeppelin drops me from a terrible altitude." The poem, Poem for a Birthday- Witch Burning is gorgeous and frightening real, "I inhabit the wax image of myself, a doll's body. Sickness begins here: I am a dartboard for witches. Only the devil can eat the devil out." Plath left a legacy of timeless poems, short stories, and a novel, The Bell Jar. I have enjoyed reading The Collected Poems and so will you, Enjoy!

I love poetry, and this every poetry lover's fantasy. Having a volume of one of the best poet's ever almost complete collection. This is a book that I treasure, all the poems are masterpieces, and so beautiful. No one will ever write or think like Sylvia Plath again. This is a must-have for all of her fans. I own many poetry volumes--and this has to be my favorite. I would definitely recommend this--it was well deserving of 5 stars, and even people who aren't big fans of poetry have no choice but to love "The Collected Poems" by Sylvia Plath.

I originally bought this book seeking one special poem. What I have got now is a the key to the richest of treasure chests!

Anyone who has not discovered Plath's poetry-- distinctly superior to her prose-- would be greatly served to seek out a slim volume called "Crossing the Water." This haunting collection features most of her greatest poems from what I think to be her most creative years: 1957-1959. If these don't grab you, then give up on her altogether. However, the Collected Poems are the inevitable place to continue since they include her early promising works, as well as those dark pithy gems that characterize her bitterly twisted slide into the furthest reaches of her capacity for cynicism and despair.

A superb collection.

A must to complete the set. For some reason, I bought volume 2 first. As an aficiando of Mary Oliver, I am very happy to have both volumes now.

I love Mary Oliver's poetry - it always puts me into a better frame of mind, and makes me slow down and breathe. Her poetry is so lyrical and evocative, I am transported straight to the wonderful natural world, and am able to view my struggles and petty difficulties through a calming and peaceful lens. I recommend this book to anyone who enjoys poetry, and to anyone who hasn't yet fallen in love with poetry - Mary Oliver is one of the best poets ever, in my opinion!

This is a collection of her poems, old and new. She is an outstanding poet, and one cannot do better than have her book of poems by your bedside, to read before going to sleep or when you awake in the night, or first thing in the morning.

The Pulitzer Prize winning poet, Mary Oliver, finishes her poem,"What Have I Learned So Far" with the line, 'Be ignited, or be gone.'To me, this conveys the passion she brings to life and poetry. What comes through clearly in her poems is her reverence for nature.
New and Selected Poems, Volume Two, is a moving collection of her past works combined with many new poems. There is a Zen isness that permeates her work.Haiku like parsimony with no embellishment. Nature does not need anything extra. For example, writing about what she saw after a storm -
And this detail: the body of a duck, a golden-eye; and beside
it one black-backed gull. In the body of the duck, among the breast
feathers, a hole perhaps an inch across; the color within the hole
a shouting red. And bend it as you might, nothing was to blame:
storms must toss, and the great black-backed gawker must eat, and
so on. It was merely a moment.
I recently saw Mary Oliver at the 92nd Street 'Y' in New York City where she was reading from this collection. See her if you can. She reads as she writes, with dignity and with passion and wisdom. This is an extraordinary collection of poems.

I have about 5 of her poetry books. I feel that her poetry has gotten more and more beautiful over time, and believe that this collection is better than Volume 1. Mary Oliver is definitely my favorite poet - much of her writing is about a thirst for growth and spirituality, and finding peace in nature and love (friendships and relationships). I have given this book to a number of friends, who are also touched by her gift of expressing the unexpressable. Some of my favorite poems in this book: the Percy series (her dog), Why I Wake Early, and The Whistler.

My other favorite book of Mary Oliver poems is her most recent one: "Thirst". It deals with grief at the lost of her long-time partner and is quite beautiful. For those looking for a really good book of poems in general, I *definitely* recommend "Good Poems," compiled by Garrison Keillor; and "Risking Everything: 110 Poems of Love and Redemption" compiled by Roger Housden. Enjoy!

A Child's Christmas In Wales CD: And Five Poems
Hurrah! Now I won't have to wait for the radio to play Dylan Thomas reading his wonderful Child's Christmas every Christmas. Truly a beautiful recording of the other poems as well.

My goodness, these illustrations are ugly. They completely detract from the beauty of the language. Either read it out loud to a blind person or stick with the version illustrated by Trina Schart Hyman.

This reading of A Child's Christmas in Wales is tops! It wouldn't be Christmas for us without hearing Dylan Thomas tell his story. He recounts a holiday of simple, family and neighborhood doings, and paints a picture of snowy, seaside Wales of the 1920's.

I love this story, as do all my children, who, from their earliest years, have not much struggled with the density of the language nor the scatteredness of the story. 5 of my 8 great-grandparents are from Wales, and the remaining 3 have the blood in them as well, so maybe it is like drinking water for us.:-D Our minds are all scattered, and words, even English words ;-D, fall on us in clumps....which makes it doubly hard to keep a clean house. LOL

The sort of prose-poetry imaginative way of seeing and describing the world unique to Welshwomen and Welshmen and Welshchildren, which does not seek to keep up the pretense that history can be separated from myth, story and desire, and which requires loving with eyes wide open to [and eventually embracing] one's own and others' bumps, bruises and idiosyncracies included, is extraordinarily well represented here. So, by the way, is speaking and listening to the close and Holy darkness!

My favorite version isthe one illustrated by Trina Schart Hyman. To me she has captured the complexity of the Welsh personality best, though i have nothing to say against the other illustrators praised in these reviews. I DO have a warning for you: there are some skinny versions flying about which do not have the poem-story complete and correct. This sort of work cannot suffer removal or modification, IMHO.

gbg

If you have read A Child's Christmas in Wales, you know that it has to be a classic. But you can't fully appreciate it until you have heard Dylan Thomas read it. What a deep, expressive, poetic voice. For years, I have listened to the recording on a Caedman record. It is wonderful to have it on a CD.

The book is worth purchasing for the biographical background. His youth and adulthood were extremely tough and lonely. Hughes seems to have lost his religion early in life.

Excellent book and historical treasure that I intend to pass down to my grandchildren in the future.

I prefer his earlier stuff but there are poems in this book that make the entire thing worth it. Nude Young Dancer, Minstrel Song and countless others made me want to weep and smile. What can I say, I felt this guys pain...

If you haven't heard of Langston Hughes, I suggest that you purchase this, THE COLLECTED POEMS OF LANGSTON HUGHES, as an introduction to his style. Hughes was part of the definitive Harlem Renaissance Movement of the 1920s through the late 1940s, that was a very important period of time for African-Americans in the United States. For the first time, their voices were really being heard [and recognized] in the genres of music, writing, and sculpture, in this country.

This book is an amazing collection of five decades of his most powerful, intelligent and sensitive works. The poems start in 1921 through 1967. There are also several poems, written for children, that I didn't even realize Langston had penned! So beautiful and unexpected. What's more, one of his most well-known poems is featured, here, "What Happens to a Dream Deferred." Langston Hughes' views of race, society and social issues are truly timeless and compelling. For me, reading his works is like listening to a quiet, constant patter of rain on the rooftop, gradually growing with intensity, until the raindrops start flowing like teardrops from the great sky. That is how Hughes uses language. Essentially, he derives his beautiful rhythmic poetic language from an infinite river of words, he then pours them over on another and tells stories. This is truly the book to add to your poetry collection.

More than the exiled Eliott, greater than Walt Whitman, consistently clearer than Ginsberg, more powerful than Pound, freer than Frost, more American than Wallace Stevens, moreso even than the mighty Merton, here at long last is our greatest American poet receiving over-due respect.

A thick tome I purchased for my English learners which will instead fill my bed and my head for many cold and lonesome months ahead. Like the collected Poe, the collected Giovanni, an essential element to any American literature shelf, here for the first time meticulously researched and reported, with promise for more should any further works emerge. This is our American voice, clear and strong. This is the consummate volume of this great American poet, the one who wrote:

"( . . .) I've known rivers, ancient dusky rivers.

My soul has grown deep like the rivers."


May we once more grow deep with him, and by him. Read him, once more, here, complete and correct. Read him, and recall our America. Read him.

I would recommend this book to anyone, from therapists to coaches to artists. It's an excellent creative stimulant that would be applicable even in creative classroom settings.

fantastic book! i tried The Artist's Way but... too time-consuming - i'm busy!!!! maybe i'll get back to it, but maybe it won't be necessary. i found that within the first few chapters of THIS delightful book i'd already gained focus and answered questions... i found mine at the local library, wrongly filed under "metaphysical", lol... i'll be buying my own copy very soon.

Several years ago, I browsed through "The Nine Modern Day Muses" in a bookstore and decided to buy a copy for myself. What a gift that turned out to be! Since that time, Jill Badonsky's book has made a wonderful gift for others. I have given copies to my sister; my boss; close friends; colleagues from my former life as an attorney; fellow writers, zydeco dancers, meditators, Buddhist practitioners.... Their response has been unanimous - every one of them loves the book.

"The Nine Modern Day Muses" is so much fun. The book is an easy read - Jill Badonsky's sense of humor is delightful, and her writing is light and playful. BUT don't let this fool you. "The Nine Modern Day Muses" is packed full of substance: powerful tools for igniting your creative spark and overcoming creative obstacles, fun but effective exercises for generating creative ideas, thought-provoking gems, and page after page of inspiration and encouragement. The book has been a tremendous hit with my creativity coaching clients and creativity group/workshop participants.

I highly recommend buying Jill Badonsky's book for yourself, your family and friends, and anyone else you know who wants to be more creative.

Laurie M. Hawley
Certified Kaizen-Muse Creativity Coach

If you haven't yet had the privilege of reading Jill Badonsky's magnificently motivating book The Nine Modern Day Muses (and a Bodyguard) you MUST find a copy and read it.

A Master Muse of our time...Jill Badonsky is a witty , sometimes wickedly irreverent, delightful and brainy Tinkerbellesque Warrior of the creative enchanted mind; illuminating the magic and possibility of creative ideas, visions and artistic dreams. This is a writer that not only walks her talk...she lives it.

The Nine Modern Day Muses gives you serious tools to take your dreams and your goals from imagination to reality. This brilliant and delicious recipe is that of an intellectual gourmand with a sense of humor. Ms. Badonsky shares cutting-edge psychological technologies, specific exercises and the extraordinary power of guided imagery to aid us in winning the battle against self-sabotage and marauding inner critics. Add to that a dash of whimsy and several pinches of joyful, motivational merriment and you have a reference that takes significant information and presents it with a sense of ease and FUN!

You will find yourself picking up this timeless creative classic again and again and again. There is a mysterious energetic resonance that infuses THE NINE MODERN DAY MUSES. With each read, no matter what page you may choose, the book seems to reveal another layer of excellent information; as though the Muse Faerie Scholars come out when it's on the shelf and add more dazzling, thought-provoking ideas!

This is NOT just a book for Artists, Craftspeople, Poets, Writers and Lovers. This is a book for EVERY HUMAN BEING. We are all students of ourselves.

JILL BADONSKY'S THE NINE MODERN DAY MUSES (and a Bodyguard) will lovingly speak in non-judgmental voices and persuade you to consider the power of yourself...the Wildchild you still are... and the inimitable gifts you have to share with our world.

Post Script: A SECRET...The latest word on the streets of Museopolis is that Jill Badonsky and her Muses are soon to launch another inspirational and brilliant morsel...The AWE-MANAC. Keep your eyes open for it this September!

This book is delightful! As a lifelong creativity champion, the moment I saw it I knew I had to have it. Of all the books I've read on creativity, and there have been many, it's the most creatively written and formatted that I've found, providing not only valuable information on the creative process, but being itself a model and an inspiration as well. The author, Jill Badonsky, brilliantly presents creativity principles in a playful, engaging and interactive way, personified by fun and spirited muses. Being a former producer of training materials and a promoter of creative and interactive performance support strategies, I appreciate the concept of chunking bits of information into a sort of buffet of info nuggets that can be digested in either a linear or a non-linear fashion. This book offers such a buffet. It's chock full of metaphors, strategies, resources and exercises that provide a bountiful and delicious creativity experience. Whether you want to explore your creative potential, take your creating to a new level, or help others do the same, buy this book! You won't be disappointed.

If you can get past an idiotic short introduction by Bill Murray, you'll enjoy a wonderful experience. Billy Collins has created true poetry that will make you think and laugh.

I heard Billy Collins speak in Wellington early one chilly Sunday morning. He commented that he was amazed anyone would want to get out of bed and listen to him on such a cold day ...he wouldn't! Of course we all thought it worth the effort, nothing beats hearing a really superb poet reading his own work superbly.I heartily recommend this cd, it's always in the most played pile near my cd player and on my ipod,so that I can listen to him any time.
A great selection of his work and interesting pre-ambles before each poem.

As always, Billy Collins is above and beyond in his poetry readings. Great humor, great heart and an accessibility rarely found in intellectual circles! You will fall in love with him and with poetry all over again.

This is a figure of speech of course - once upon a time... never mind, but you'd burn your dinner or if it's cooked, then the food on your fork will miss you mouth, if you try to cook or eat as you listen to Billy Collins read. It's a treat.

My high school students fell in love with Collins. Even the chronically apathetic perked up during his reading... use this in your classroom, and follow it up with selections from Poetry 180. You'll be glad you did.

This a great collection of poems from the past! If you enjoy whimsy, this is for you!

with eliot, a maximum of content is achieved through a FORM worked with a
care and conciousness not seen perhaps since the greeks. he understood,
as he once wrote, that the novel form ended with flaubert. in the centuries after picasso and stravinsky there is no place for anything in
literature which makes people remain sitting, whithout standing and perhaps dancing. the same thing could be said about pound, very different though very twin.

The Eliot of despair, the Eliot of 'Prufrock' and 'Wasteland' is contended with and overcome by the Eliot of the 'Quartets'. The message of modern mankind's meaninglessness, the broken fragments ( of Tradition) shored against his ruin is replaced by the vision of sacred turning, a Christian vision of redemption. Eliot is a writer whose work and life break down into these two distinct periods each of which has its champions in defining what is best in him.
As one raised on 'April is the cruelest month, breeding lilacs out of the dead land' and 'Let us go then you and I when the evening is spread out against the sky, like a patient etherized upon a table' the most memorable lines are certainly of the first phase where it ends not with a bang but with a whimper.
Yet my admiration for the hypnotic power of Eliot's memorable lines is strongly qualified by my knowledge of his 'Burbank with a Baedaker, and Bluestein with a Cigar' with his all too fashionable literary anti- Semitism. Of course Eliot was not preaching death camps and extermination but he did connect his work to the tradition of Christian Anti- Semitism.
Thus I have always had difficulty being comfortable with my 'enjoying of Eliot's poetry. And I have never been able to sympathetically read 'The Quartets.' They have always seemed to me to be too impersonal characterless and abstract.
Eliot who for most of the century strode the English Departments as if he were a colossus did noble work in reviving interest in 'The Metaphysicals' but somehow failed in my mind to write a poetry humanly rich in the deepest sense.

When you think of the best poets ever, T.S. Eliot is one of those that comes to mind. His work is well crafted, intelligent, beautifully written, and has a flow to it that few poets can match. And this is a fine collection for the Eliot lover or for the reader unfamiliar with Eliot. It's divided into several sections. The first section is his Prufrock section, poems from 1917, which contains probably his finest poems: "Prufrock", "Preludes" "Rhapsody on a Windy Night", "Hysteria", among others. Then there is the Poems 1920 section which also contains many fine poems ("Sweeney Erect" and "The Hippopotamus" being my favorites). Then follows his masterpiece The Wasteland. Then The Hollow Men which is followed by the wonderful Ash Wednesday. Then the Ariel Poems (which contains "Journey of the Magi"). Then there are two unfinished poems, "Sweeney Agonistes" and "Coriolan" which I thought were weak. Maybe they would have been great had he ever finished them. Then there is a section called minor poems followed by the mediocre "Choruses from 'The Rock.' And then there is what I consider to be his true masterpiece, "Four Quartets." And the book finishes with some occasional verses, one of which is a sweet and touching poem to his wife. This is a great collection of poems.

Yep, this is a great collection of Eliot's works. I initially found out about Eliot throught the Movie 'Apocalypse Now' in which Brando is heard reciting the poem 'The Hollow Men'. The poem sounded so good I hunted it down and came across this little book.

My favourite poems would have to be 'The Hollow Men', 'Love song of Prufrock', 'Ash Wednesday' and 'Rannoch, by Glencoe (perfectly captured, drive through Rannoch and you'll see ;-)

Yep, definetly worth a read.

definitely one of the best spoken word poetry books out there. a lot of mind blowing subjects. great read especially for 20 somethings up. not that suitable for young adults as this does have some pretty grpahic stubjects such as beastiality

I have had this book for ten years now, i read it once a year at least and am finding i get something new out of it each time i read it. I just bought this as a gift for a friend of mine who is big on poetry slams ( i didn't have the nerve to loan him mine). It is in my top five of my all time favorite books (and i own thousands of books!!) It pulls at my heart strings, makes me cry, and makes me laugh out loud.

I loved every minute of this book, you never know what you're going to read next, my boyfriend loved it as well, & I am purchasing this book for him as well.

I have read this book over and over and over. Every time I read this collection, the more I like it. Very unique. I recomend anyone who loves poetry and likes something different, to pick up this book.

A few years ago a voice mail was set up in New York City, and poets were called in every month to read a new poem everyday onto the message. Then the public could call in everyday, listen to the poem, and respond after the beep with anything they had to say. The poems were recorded on an album, and the best printed in this wonderful book.

The book came out in 1997. The phone number they have listed in the introduction is either wrong or changed, I called it twice and kept getting the voice mail to someone named "Kika." The poets in this book are: Penny Arcade, Tish Benson, Nicole Blackman, David Cameron, Xavier Cavazos, Todd Colby, Matthew Courtney, M. Doughty, Kathy Ebel, Anne Elliot, Janice Erlbaum, Allen Ginsberg, John Giorno, John S. Hall, Bob Holman, Christian X. Hunter, Shannon Ketch, Bobby Miller, Wanda Phipps, Lee Renaldo, Shut-Up Shelley, Hal Sirowitz, Sparrow, Spiro, Edwin Torres, and Emily XYZ. All the poets get at least three poems, and very good portraits by photographer Christian Lantry. The poems are short enough that you can probably get through this in one sitting, or read a poet a day.

Penny Arcade starts the book off with a bang, using some really incredible verse. Tish Benson is next with poems that read like lazy blues songs, but filled with so much detail and activity, you can almost hear Billie Holliday gruffly whispering this in your ear. Nicole Blackman and her section is also incredible as she seems to speak for so many women who cannot find their own voice except hers. David Cameron's writing, while readable, is a little bland, like a freshman creative writing class. Despite his obvious emotion, I felt he was holding back on his own writing. Xavier Cavazos's section is slightly better, except for an entire poem that slams Rush Limbaugh. It may have been very clever when written and read, but it just give conservatives like Limbaugh more ammunition to go after art that they do not believe in. Why not a poem about Parkay hawking corporate monkey Al Franken, who had so much success slamming Limbaugh? Or Dennis Miller, whose rants against everybody was quickly dashed by asinine long distance ads. Nothing worse than a sell out. Todd Colby does better work with paragraph poems than traditional verse poetry. Matthew Courtney reads like poorly written Allen Ginsberg, full of "shocking" imagery and without a point. M. Doughty's work is scary and involving, and not your traditional stuff. Kathy Ebel left me with no response. I read it, I was done, and I was not terribly moved. Anne Elliot reads like poorly written Matthew Courtney. Janice Erlbaum is wonderful, filling a sonnet and sestina with modern situations, turning antiquity on its ear. Ginsberg is Ginsberg. Being a little familiar with his work, I expected to see poems about gay sex, followed by verses about a frog. Ginsberg is so Ginsberg. John Giorno's two poems are shocking, about more gay sex, and taking drugs. He seems to be shocking without TRYING to be shocking. I guess you could say his shock is natural.

John S. Hall also seems to be writing without getting to the heart of his point. His verse is so much posturing. Bob Holman is a bit of a bore, with quite a few poems here. Again, none stuck with me. Christian X. Hunter takes me into his world and it was hard to get out. He is probably my favorite poet here. Shannon Ketch reads like John S. Hall. Bobby Miller's very personal poems made me nostalgic for a time I could never experience. He writes about his first homosexual experience, and protesting Vietnam, so vividly, you swear you are there. Wanda Phipps opens with an angry poem, and never lets up. She is not threatening, but she has a lot to say. Lee Ranaldo also did not do it for me, his listed words seemed glossy and packaged. Shut-Up Shelley is fun because she is so different. Her changing font size on the page just screams at you, yet her photograph by Lantry shows her so whimsically. She is my second favorite poet here. Hal Sirowitz is my third favorite poet here, writing deeply personal poems about everyday things that had an obvious effect on his life. He is a blast to read aloud. Sparrow is weird. His first poem, involving possible sex with a cow, is a hoot, and his possible middle names for Bill Gates is a riot. Spiro is also very funny, especially his opening poem about heroin addiction. Edwin Torres also had me scratching my head for a while after I read him. His poetry is not hard, just inaccessible, and I was not interested enough in what he was saying to dig deeper. Emily XYZ reads like good Edwin Torres.

The 26 poets here are quite a variety, and I recommend this tome to any poetry lovers. I also repeat my mantra to read more poetry and keep buying those little chapbooks you might see in used bookstores or at flea markets. There is always time in your day to smarten up.

This does contain a lot of profanity, drug references, and sexual content, so giving it to your five year old to practice reading may not be a good idea.

I have some real mixed feelings about this book. On the one hands I really like how Mr. Whyte used such unconventional ways to get his point across (he uses poetry to point out the flaws in the corporate world), but on the other hand, a lot of the points in the book made me scratch my head and go 'huh?!'.
The material is very deep and even where there is supposed to be just a small, simple message, Whyte seems to make it complicated so that the meaning looks to be more profound.

How much of our corporate productivity is impeded by pettiness and posturing in the workplace? Seems a corporate healer like David Whyte is needed to stand for finding and reminding folks of a different bottom line.

Whyte has a unique capacity to make powerful connections between the inner core that fills us with emotion and caring and the places we do our work, sometimes even at the place where our job is located, though not often. His observation that we leave as much as 55% of our true self "in the car" each day when we go in our office to work is so powerfully true. I dare say there are few among us who cannot relate to that feeling. And yet, it is the 55% of ourselves that the company we work for really wants and needs but rarely gets. Unfortunately because of the patriarchal environments that many organizations (not always corporations or even private sector businesses) create we all too often find no real fulfillment in the workplace. That is sad because I never have read any mission statements that pronounce "We ABSOLUTELY are not going to have fun or like one another around here." That makes me think that the realized, oppressives outcome are not intentional. However, we often find ourselves working in and hating very dysfunctional cultures, even if not by design. Whyte introduces the concept of hope in a effort to replace the all-too-present doubt and hegemony of the workplace. We may not be able to express ourselves freely at work but Whyte allows us some freedom to dream of that possibility during our reading of this book.

Brilliant! Brilliant! Brilliant! If you have a soul, buy this book. If you are not sure....buy this book. This book is an excellent exploration into the meaning of life + my job the incubus = a poetic awakening. David Whyte is a wonderful philosopher.

David Whyte writes in a truly inspiring way. When I worked at the Monterey Bay Aquarium many of us read this book as we struggled to grow better as an organization. This book was the catalyst to many personal "AH HA!" moments. Not just for me, but for many of my colleagues as well. From there I found myself in love with poetry again too. David's poetry is powerful and meaningful. The heart aroused is your own, and worth coming back to.