Poetry Books
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The wind gives me/ Enough fallen leaves/ To make a fireReview Date: 2008-03-08
Wonderful poetryReview Date: 2007-12-07
will make you want to meet the good hearted Ryokan and share some tea with him in a cold winter dayReview Date: 2007-08-16
Early spring - picking vegetables
a pheasant cries-
Old memories return.
The Wabi- Sabi mood and the Miyabi atmosphere are well recognizable in his poetry, and make the whole reading experience something much more intimate with his emotions and thoughts.
Another one of my favorite among Ryokan's waka songs is :
Lying in my freezing hut , unable to sleep;
only the quite roar
Of water pouring over a cliff.
Reading his book even a song a day will make you want to meet the good hearted Ryokan and share some tea with him in a cold winter day..
sure made me want to...
Are my poems poems?Review Date: 2008-01-03
"Who says my poems are poems?
My poems are not poems.
When you know that my poems are not poems,
Then we can speak of poetry."
Ryokan, nineteenth-century Japanese Zen poet and monk, was either somewhat addled (an hypothesis which his eccentricity lends itself to) or was acutely aware that some of what he wrote simply didn't qualify as poetry. Most of it, however, did; his haiku, waka, and other traditional forms are often exquisitely rendered images of his life as a hermit, a beggar, and a man lonely even while those in the town in which he begged for rice loved him dearly. Often, his work is short, to the point, and lovely, showing the reverence for both nature and language that the best Japanese poets seem to feel as naturally as you or I breathe:
"Down in the village
the din of flute and drum;
here deep in the mountain
everywhere the song of the pines."
But, every once in a while, as with the piece that opens this review, he simply ignores everything he knows (and we know) about poetry and jots down a thought or a koan broken into short lines. Thankfully, there are far fewer of these than there are actual poems in this collection, and so it's worth your time; be prepared for a slight inconsistency in quality, though. ***
Natural...striking...Review Date: 2006-02-24
This book is full of poems touching on the completely ordinary matter, of everyday life. This everyday life wich contains everything we need/yearn for, yet almost always overlook. Ryokan was sort of an anti-establishment Zen student. Since establishments often usurp power and any value from things like Zen, leaving only inflated ego's ruling over cynical minds. Needless to say Ryokan wanted no part of this. Wich is why he lived mostly alone in the often freezing mountians.
He often writes of sheer loneliness. Wich makes some people question his enlightenment. I think this is a very important point. Cause it shows how cold and unbending some peoples view of Zen/enlightenment actually is. Whos to say an enlightened person cant feel lonely? Because Japans greatest master Dogen never wrote of lonliness? Many masters of the past lived in monasteries full of students. If anything they probably had very little time alone. Nowheres near enough time to develope any "lonley feelings." Hardly a fair comparison, that of Ryokan who lived in a little mountain hut, to a master of hundreds of disciples. Silly, but it doesnt seem to be too rare. I think this same thing that makes some Zen scholars cricital, is what makes Ryokan so beloved by everyone else who knows of him. He not only felt a gamut of emotions but completely accepted them as a dynamic part of life. Often writing beautifully about them as in this book. Ryokan shows us a Zen life doesnt have to be a sterile and emotionless one.
Thats not to say he was a complete hermit, he was very fond of the common man especially the children of surrounding villiages. Wich is what these poems are all about. Playing with the children in the "grasses" (he was sometimes criticized by other adults for this.) Walking along uneven mountain trails. Gazing at misty bamboo groves with various creatures scurrying about. Drinking sake with the villagers from time to time. Gathering supplies for his mountain hut. Writing poems and/or caligraphy for people when they would visit his him.
These are the everyday events as well as many others wich these poems speak of. You will feel as if you are sitting next to Ryokan while hes writes of the moon shining through the window, or the smoke rising from a single stick of incense.
Although Ryokan was a Zen master in his own right, he isnt lecturing or preaching anything in his poetry. He never seemed to talk of Zen, practice or philosophy (although he seemed to take his own practice seriously.) His poems will appeal to anyone for there descriptive naturalness and down to earth feel. In a few simple lines, Ryokan shares his fascinating daily life with us. I would highly recommend this book for anyone even halfway into poetry or a spiritual and aware life. Poetry at its best. Enjoy!

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Better than just a poem a day.Review Date: 2006-02-03
A JOY TO READ! SOMETHING FOR EVERY WORD LOVER!Review Date: 2000-05-27
"And did you get what--- you wanted from this life, even so?--- I did.--- And what did you want?--- To call myself beloved, to feel myself--- beloved on the earth."
The power of the words shine through: the power of words to heal, strengthen, uplift, comfort, hurt, wound, enrage, succor and rejuvenate! This book is a celebration and a joy to read.
I enjoyed reading the words to Leonard Cohen's, "Suzanne Takes You Down", a favorite song from my past.
The poem, "from Jubilate Agno" written by Christopher Smart in the 1700's while in an insane asylum (about his cat!) was awesome and a must read for EVERY cat lover.
"The Falcon to the Falconer" by Jonathan Steffen blew me away. Here's a few lines:
"Unleash me from your hand--- And I will lance the light for you--- I'll cut a swordblade on the wind--- And pennant it with flight for you--- To signal I am yours--- If you will free me to be true to you. . ."
I could go on and on! I'm so happy that I found this book and recommend it highly!
This book is a treasure!Review Date: 2000-09-17
It does not matter if you have enjoyed poetry before today, because this is a splendid collection of poems especially selected to touch and tickle you. Poems of love and nature and joy and mundane; you will find yourself in these words.
The editors, Karen McCosker & Nicholas Albery, have done a wonderful job of selecting interesting and intriguing poems. The footnotes alone make the book worth the price because they only serve to draw you into the poets life, or experiences, or work.
I do not own or write poetry. I like words and reading. I love this book.
Read 'A Poem A Day.' You will regret not having this book yesterday.
Linger With Old Favorites And Discover The New Review Date: 2007-03-11
Whatever your mood, you'll find just the right verse here. Romance, humor, deep thoughts, dirges,song lyrics, great play quotes and much more.
The poems, which range from olden days to contemporary, follow the calendar. Each day has it's own special entry, and has notes on the Author or the poem itself and usually has some special meaning for that particular day. For example, from Hamlet - Act III, Scene I, the great and celebrated soliloquy("To Be or Not To Be....") is given the March 16th page - "On this day in 1976, a performance with Albert Finney in the lead role opened the National Theatre in London, some 25 years after work on the building first started....."
Or on February 11th..Sylvia Plath's poem "Words", you not only get to drink in the beautiful poem but also learn that -"On this day is 1960, exactly three years before taking her own life Sylvia Plath had written to her mother and brother with news of her first book of poems, 'The Colossus', being accepted by Heinemann. 'Amaze of Amaze', she wrote.
So the book, not only serves to give the reader the beauty of the words of the Author's themselves, but on every page, you'll learn something new about your favorite. It will also open new doors to others you may be just discovering. The editors encourage you to study your favorites and make them your own. You can take just one a day,linger with your favorites, enjoy the pleasures to be found in the words, and maybe even take the time to memorize it. Or read several a day, whenever the mood strikes. There are treasures inside you can savour and then return to anytime.
A year's worth of wonderful poems, a lifetime to cherish. And yes, you even get one for February 29th - "Time Is..." by Alan Beam, born Feb 29th 1948
Enjoy....Laurie
A fine collectionReview Date: 2000-12-27


Yay!Review Date: 2006-10-27
Mr. Simmons is fricken' cool.
He's really funny, and I'm not lying. =]
<3 Corinne
Shawn RocksReview Date: 2003-08-22
Wow.Review Date: 2003-07-11
TIGHT!Review Date: 2003-07-07
Still ShakingReview Date: 2002-12-24

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wore out first copy!Review Date: 2008-06-02
WOW!!Review Date: 2008-05-21
Wonderful MemoriesReview Date: 2007-12-03
Sparkle detracts from the beautiful illustrationsReview Date: 2005-06-07
Special note for Lassen and publisher: please make an edition of this book without the "sparkle." The artwork sparkles on its own, without the need for shiny paper.
My son LOVES this bookReview Date: 2004-04-16


Exquisite SonnetsReview Date: 2001-12-23
The reader will gain a new insight into the minds and hearts of our beloved P&P characters, and there's just a dash of humour scattered throughout.
Altogether, an exquisite and delightful little book!
Sonnets Are Hard To Write!Review Date: 2002-04-25
Selene Goodman has done a beautiful job with this little book and I'd recommend it to all!
Charming collectionReview Date: 2000-06-29
Lovely sonnetsReview Date: 2000-04-19
The Magic of Roses and ThornsReview Date: 2000-03-11

best of Shepard...Review Date: 2007-05-25
an incredible collage of beautiful playsReview Date: 2006-06-01
The one to start on!Review Date: 2002-09-24
Essay, Different Ways of LifeReview Date: 2004-11-23
Phillips Academy, Andover
"True West"
The play is about the struggle between modern society and more traditional ways of life. Lee and Austin represent two disconnected brothers with drastically different upbringings who have come to accept different norms. Against the growth of the city and the suburb, their spirit of the Wild West, though diminished, still exists. They steal and fight just like cowboys and highway robbers. Yet, both Lee and Austin are scared and frustrated. Lee doesn't know if he should try to blend into the new ways, and Austin doesn't know if he should go back to the old ways. And this play about two writers writing about the West is in itself a Western story. It has all the excitement and violence of a rider's life.
Who else would steal a dozen toasters and TVs? Austin and Lee were lawless and wild, daring enough to do anything. Austin's car is like a horse, and driving out is like going for a raid. "Lee enters abruptly into kitchen carrying a stolen TV set." The sentence has such an air of ease as if Lee entered with a Shopping bag. Stealing is no more than a normal part of Lee's life. He lives off of it, like those high-way riders who plunder by-passers in the old days. The wholesale raid of the toasters shows the wilder side of Austin." It was toasters you challenged me to. Only toasters. I ignored other temptation." He says to Lee after the thievery. These words make Austin sound like a warrior who has just beaten his rival in some major battle. The only irony is that the major battle was about stealing a dozen toasters. Austin is bragging about his lawlessness, and that is a very cowboy thing to do. Not only are these brothers such "professional" thief, they also are more than violent. From Lee "ax-chops(ing) at the typewriter using a nine-iron" to Austin trying to choke his brother with a telephone cord while their mom is standing on the side. It is hard to get worse than that. It is like a misplaced scene from a Old Western movie. Not only do these pair of thief like to kill each other, they also have that independence and individualism that Western heroic images render so forcefully. On top of living on the desert by himself, Lee also says "I don't sleep." , and does not seem to eat breakfast. "Do you Eat Breakfast?" "Look, don't worry about me pal. I can take care of myself." When Austin asks him if he needs any help with money, "Lee suddenly lungs at Austin, grabs him violently by the shirt and shakes him with tremendous power." Lee wants money, but he is going to get it by himself, not through his little brother. Lawless, violent, and independent, Lee and Austin are depicted in the play as the "True Western Heroes" borne at a wrong time. This, however, is only the first layer of the play. It makes the story entertaining, but not meaningful.
"Yappin' their fool heads off. They don't yap like that on the desert. They howl. These are city coyotes here." The deeper meaning of the play is about the difference between the city "coyotes" and the country "coyotes". The country "coyote", Lee, is older, lives on a desert, use to catch snakes, and uneducated. The city "coyote", Austin, is younger, writes screen plays, does not remember having ever caught snakes, and has an Ivy League education. The brothers grew up together, but went onto totally different paths of life. But they don't merely represent two disgruntled brothers, but the struggle between the different ways of life. In Austin's eyes, the place where they used to live is "built up", but in Lee's eyes, the place has been "wiped out". But the struggle is not that simple. At the same time of feeling deep nostalgia, and refusing to adapt to the new way with help from his brother, because "it is too cold up there." , Lee also says the new houses that he saw were "like a paradise" with "Blonde people movin' in and outa' the rooms." Lee is deeply rooted in the old way of life and very unprepared socially and mentally for anything other than roaming around and stealing things. He likes comfort like anyone else, but the life of those living in those houses is like "paradise". They are far and aloft, and are not in his reach. Lee wants to write something to change his life, and Austin tells him that he can really turn things around and buy a ranch. Lee's excitement was obvious, " (laughs) A ranch? I could get a ranch?" We can see that it is very clear that even when Lee tries to change, he is only trying to change back to the old ways. Austin at the end of the play suddenly made a deal with Lee asking his brother to bring him to the desert. This shows the conflict at the other end of spectrum. Austin has more money, and has a seemingly good life. But is he really happy? Is his frustration with life any less than Lee's? No. The society that he has so well adapted to is of little comfort to him. He tries for years to get a screenplay to production, but at the whim of an executive, the deal goes to his brother. Austin is frustrated, and though he types betters, suffers as much. Lee asks Austin "maybe we're too intelligent..... One of us has even got a Ivy League Diploma. Now that means somethin' don't it?" But no, it doesn't mean as much as it seems.
The truth is, the old West as it was disappeared long ago. It is no longer filled with rugged mountains, uncharted rivers, cowboy hats, and one does not have the freedom to roam around for thousands of miles with only wild animals as his companion anymore. The untamed natural world went away a hundred years ago with the railroads, and has been changing even more ever since. It is sad to see the past go by for those who grew up as a part of it. Faced with new situations, some of these people try to adapt, some have no chance to adapt, and some don't even want to adapt. And for those who have adapted, they wonder if the decision to change in the first place was valid after all. They wonder if they should go back. That poor Lee had no chance to adapt. He was left out by progresses, and envies dearly the seemingly much more comfortable life that others have. Austin at the same time is in the mainstream of modern life, but he is just as troubled and depressed by commercialism. However, within all these confusions and fightings, all these differences and changes, there is something that has always stayed the same, and that is the true spirit of the West, the "True West". The motivation for people to go to the West in the first place is also the motivation that made the world more modernized. The struggles that the first settlers of the West faced were no different from the struggles that people now face as they move into new ways of life. That spirit is not limited to time nor place, it is about the fundamental human eagerness for new and for more, and at the same time, the unquenchable ties to the past.
Information about bookReview Date: 2002-03-15
The title of the book is: Sam Shepard: Seven Plays
It includes the full text to 7 of his plays, including:
Buried Child
Curse of the Starving Class
The Tooth of Crime
La Turista
Tongues
Savage Love
and True West
Fantastic collection in one book. 336 pages, has gone through repeated re-printings
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Timeless Christmas StoryReview Date: 2006-12-12
The best book Christmas book everReview Date: 2006-11-27
Fav Christmas BookReview Date: 2004-12-29
My all-time favorite Christmas storyReview Date: 2004-12-14
A Treasure of a TaleReview Date: 2002-12-25

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This is a darn good bookReview Date: 2006-12-09
When you read it, it makes you feel good, like when you are in your rocking chair sitting out on the front porch. Sometimes it rocks smooth and easy, and other times it rocks hard and really makes you think what life is all about.
Albert GibbsReview Date: 2006-11-17
Venus is out of this worldReview Date: 2006-11-03
An emotional delightReview Date: 2006-09-20
A Revolutionary ProjectReview Date: 2006-06-20


The Soul of a ManReview Date: 2001-04-16
I look forward to the next masterpiece.
The truthReview Date: 2001-04-12
Ageless Eyes--Timeless VisionReview Date: 2001-06-13
Poet Richard A. Parks, Jr. - E-X-P-O-S-E-D!Review Date: 2001-05-30
Someone Is Sleeping In My Head is definitely for those who believe that our brothers don't know how to communicate effectively. Richard A. Parks, Jr. disproves this theory as he invites readers into his head, his heart and his soul with his brilliantly expressed poetry.
This brotha surprised me a lot!Review Date: 2001-05-25

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A wonderful children's bookReview Date: 2007-02-03
Augie's Favorite BookReview Date: 2007-02-17
Wonderful, Clever, Catchy poemsReview Date: 2006-08-26
As a child I loved poems, but often felt Shel Silverstein's were too morbid (especially some of the drawings.) Though I'm a huge fan of his now, at the time Something Big Has Been Here was a wonderful, more mellow book of poems that really got me loving cleverly written poems.
The best thing about the book, in my opinion, is that even though it's written for children, it never talks down to them or oversimplifies emotions or actions. And it's funny enough that even adults can get a snicker or two.
Perfect for teachersReview Date: 2005-03-21
Silly, goofy and fun fun fun!Review Date: 2004-04-11
"I Wave Goodbye When Butter Flies" is an excellent example of the oddities of the English language. The poem turns such common phrases as "pocket change" and "coffee break" on their ears and makes them into something new. There are subtle puns on condiments in "We're Fearless Flying Hotdogs" (can you find the one for saurkraut?). The emptyheadedly happy expressions on the five flying franks make the whole idea even funnier.
James Stevenson's line drawings accentuate the levity and absurdity of the poems. His artwork for "An Elephant is Hard to Hide" demonstrates even better than words the impossibility of stuffing an elephant into a dresser drawer. The expression of glee on the face of the boy reveling in "Mold, Mold" is identical to expressions seen in mud puddley schoolyards.
This volume is a treasure for both children and adults. It's a great way to spend some time laughing with a child (or by yourself).
Related Subjects: Reviews Magazines and E-zines Genres Interactive Electronic Text Archives Forms In Translation Performance and Presentation Contemporary Organizations Criticism and Theory Directories Poets
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Like a fool, like a dunce
Body and mind completely dropped off!
This is another great translation of Ryokan by John Stevens. So many in their reviews have shown their respect and love for Ryokan who "is replete with MUSHIN, the mind without calculation or pretense, and MUJO, the sense of impermanence of all things".
Ryokan (1758? -1831) was a Japanese poet, Zen buddhist and one of the greatest calligraphers of all time in East Asia. In his early twenties he became the disciple of top Soto Zen Roshi Kokusen and trained diligently as a Zen monk. When Kokusen died in 1791, Ryokan left on a long pilgrimage, wandering all over Japan. In his early 40s he drifted back to his native place and spent the rest of his life in mountain hermitages. Near the end of his life he fell in love with a beautiful young nun Teishin who was by his side when he died at age 73. His hermitage Gogo-an on Mount Kigami still stands.
One Robe, One Bowl contains translation of his 100 chinese and 103 Japanese poems(101 Waka and 2 Haiku). Many of his poems are without titles and doesn't give us a reference to the time and place they were written. Ryokan frequently broke the rules of poetry composition. His poems are simple, direct and very poignant. His poetry is about love of nature, local children, rice wine and living a simple life. His beloved Teishin compiled the first edition of Ryokan's poems, titled Hachisu no Tsuyu ("Dew drops on a Lotus Leaf") four years after his death, which has also been brilliantly translated by John Stevens.
Both these books are a must read. Ryokan's poems refresh you, make you look around and under your feet. You notice everything from sun to clouds, birds and insects, trees, wind and rain, and his great love - Moon. I highly recommend reading them in a natural spot, where there are trees, flowers, flowing water and birds. You will find yourself drifting in and out of his poems and nature and back. Almost surreal.
Once you have read them again and again, add to your collection Ryokan's favorite poet, the Chinese sage Han Shan (Cold Mountain), also available on Amazon.