Poetry Books

This is an amazing book and I give it to every friend who has a new baby. They always think it is priceless, and in turn start giving to their friends who have new babies.

I was given this book by a friend after the births of two grandchildren. I loved it so much that I ordered 3 copies to give as gifts for upcoming baptisms and a welcoming gift for a newborn.

The book is gorgeous! It is beautifully written and beautifully illustrated. It makes a perfect gift for any newborn.

This book was the perfect touch at the blessing of our twins! It's beautifully written and has wonderful pictures. This is going into the babies library for years to come. I am even buying another copy so that they can both get a copy of it in their hope chests...

My mother recently gave this book to my daughter for her baptism and read it out loud to all of us at the party following the ceremony. It was so touching that I could not contain my tears and ended up wetting several tissues. The illustrations are beautiful and the sentiment so perfect. I will purchase this book to give to friends who are expecting their first child.

This book seems to have a good intention, but it sadly misses the mark. A wonderful collection of historical images, mixed with wishful thinking. Verses are articulated as prayers (may, let), which only serve to point out this book's greatest omission: the object of prayer, who is Creator God himself, who graciously fashioned our precious little ones. Without glorifying the Giver of Life, these thoughts and wishes just evaporate into thin air.

Anne Perry, the enormously popular writer of historical fiction, just recommended this ballad by G. K. Chesterton as one of five must read tales of historical fiction. (See the Wall Street Journal's online Opinion Page for April 21, 2007 in an article entitled "Past Tense.") Here's part of what she said:

"This is the story of the English King Alfred's desperate stand against invading Danes in 878. England is conquered, and Alfred is a fugitive when he sees a vision of the Virgin Mary that bids him call together the remnants of his people for a final battle. "The Ballad of the White Horse" is an epic poem of courage, passion and unsurpassable beauty."

If you'd like to read other tales and poems by Chesterton, you might want to get "The Ballad of the White Horse" as part of a collection of his poetry that I edited for not much more money. It's called G. K. Chesterton's Early Poetry and has "The Ballad of the White Horse," along with two other books of Chesterton poetry under one cover. That means you'll also get his best humorous poetry, "Greybeards at Play." No less a writer than George Orwell ranked Chesterton as one of the three best writers of funny poetry in twentieth century England. The poems are a riot of the ridiculous and are accompanied with equally funny sketches he did.

And although Anne Perry and I have the same last name, as far as I know we're not related. Her's is a pen name. Mine is a real name. I guess I'm not creative enough to invent a name for myself.

G. K. Chesterton's Early Poetry: Greybeards At Play, The Wild Knight And Other Poems, The Ballad Of The White Horse

Mr. Chesterton has a masterful skill with the pen; _Orthodoxy_ and _The Napoleon of Notting Hill_ are wonderful books--but _The Ballad of the White Horse_ is heartbreaking in its power, beauty, and nobility. With a stunning use of alliteration, rhythm, and imagery, Mr. Chesterton teaches the reader about true hearts, true faith, and true sacrifice. I have bought a few copies of this book to give as gifts to friends, and I eagerly recommend it to anyone who will listen. This book is a must-have for any individual interested in expanding their knowledge of great poetry!

Out of the thousand or so books I have read in my life, if I were to put the Bible aside (since the Bible speaks with a special authority to believers and cannot really be compared to other books), I have read no more than five or six books that I would call truly great. That means there are only five or six books I would rate at five stars. This is one. Yes, it is that good.

I have never read any author who could make the English language sing the way Chesterton does in this poem -- for over a hundred pages. In contrast to contemporary "poets" whose "poems" consist of a bunch of strange words scattered apparently at random on a page, whose meaning, if there is one, is far beyond obscurity, Chesterton had apparently unlimited ability to create rhyme and alliteration, and then he bound it all tightly in the sing-song ballad style that carries it all swiftly along. The words of this poem are glorious to hear, and really, this book should be read aloud, so that one might hear the music of the words.

And few have ever been able to match the way Chesterton paints pictures with words. I will quote one passage, and hope it is not to long, to illustrate this. The scene here is Alfred's army making one final charge against the Danish camp:

Then bursting all and blasting
Came Christendom like death,
Kicked of such catapults of will,
The staves shiver, the barrels spill,
The waggons waver and crash and kill
The waggoners beneath.

Barriers go backward, banners rend,
Great shields groan like a gong,
Horses like horns of nightmare
Neigh horribly and long.

Horses ramp and rock and boil
And break their golden reins,
And slide on carnage clamorously,
Down where the bitter blood doth lie,
Where Ogier went on foot to die
In the old way of the Danes.

It would be hard to imagine anyone anyone describing such a violent scene in so few words any better than Chesterton does in that passage. And this passage is but one of dozens of glorious word-pictures that Chesterton's poetry paints in this book.

Beyond its magnificent use of the English language, this book also contains much philosophical insight -- insight that, although first published in 1911, is directly and clearly applicable today. Chesterton expresses very clearly the way that Christianity has formed the heart of Western culture over the ages, and the way that Christian faith -- which seems all about self-denial and thus sadness -- leads to unconquerable joy.

The book, of course, is not perfect; no work of literature can be. There are places where it gets a bit too preachy for my taste. But the book's flaws are few and minor, while its good points are many and glorious.

How good is this book? I have read it at least 50 times in my life, and I still enjoy reading it. In my opinion it is one of the truly greatest works written in the English language. It is one of the few books I have read that truly deserves five stars.

I had read some of Chesterton's fictional books, most of which contain poems which he has written, and I very much enjoyed his poems, so I decided to get a book of his poetry. This too I really enjoyed, so I decided to get another book of his poetry, this time it was The Ballad of the White Horse, and this book simply blew away all of the rest of Chesterton's poems. In fact, it simply blows away most poems by anyone. I have read Dante's Divine Comedy, Milton' Paradise Lost, Eliot's Wasteland, Chaucer's Canturbury Tales, etc., but I can honestly say that I enjoyed this epic far more than any of them. I am not saying that it is a better written poem or that it should be ranked above these classics, but I am saying that it is much more exciting to read than the others. Somehow Chesterton makes his poem involving: you are drawn into it and cannot put the book down until you have finished the chapter. He wrote it in such a way that the verses beg to be read quickly, and as I read I found myself reading faster and faster, until I was stumbling over the words and had to slow down again. Chesterton, like no other poet whom I know of, paints a picture of glory, honor, bravery, and captures the true spirit of an idealized Medieval War. The poem resounds with the drums of doom, the cries of angels, the hordes of invading barbarians and great deeds of heroes of old. If I were to recommend owning one epic poem, this would be the one.

Overall grade: A+

A stirring epic poem with a message important for the future of western civilization...to act on hope when there is no longer any hope... The outcome is always, finally, in God's Providence. "The Ballad of the White Horse" should have great appeal for young men who can dream impossibilities because they are firmly grounded in the eternal verities. The battles scenes will fire the blood!

_The Book of Questions_ defies easy description. Neruda composed over 70 poems in quatrains, two questions per quatrain - yet the depth of the questions and the variety of interpretations the reader can take from the questions is limitless. That the book contains English translations of the Spanish original is an added bonus.

The images are surreal, as if a Dali painting put to words. Further thought (and the poems ARE thought provoking) yields a different answer with each reading. There is a pervading sense of sadness to them, perhaps because Neruda was dying of cancer while he wrote them; but there is hope, here, too - and a wisdom that only a master poet can communicate. For example:

Where is the child I was,
still inside me or gone?

Why did we spend so much time
growing up only to seperate?

Neruda's _Book of Questions_ haunts and provokes, much like life itself. Highly recommended.

The BOOK OF QUESTIONS was written in 1973, a few months before Neruda's death to cancer. Troubled by the knowledge of his impending death, as well as by a U.S. backed coup threatening the Allende government in Chile (Leftist regime 1970-73), Neruda wrote several small books of brief poems, comprised simply of unanswerable questions, in the koan tradition (question/statement in the form of a paradox that disciples of Zen ponder). They are enigmatic, at times surreal, leaving you lost in labyrinths of deep thought, or in abstract bewilderment.

My favorite questions include:

Why do leaves commit suicide
When they feel yellow?

and

When the convict ponders the light
is it the same light that shines on you?

--ross saciuk

Pablo Neruda's BOOK OF QUESTIONS is one of those books that simply cannot be read just once. Though the poems are short, they are questions that make you ponder and think about through out the day. Neruda covers just about everything, such as politics, society, nature, and life in general.

The most enlightening thing about poetry, especially Neruda's style of writing poetry, is that it lends itself to much interpretation. Anyone that reads this book will have their own answer and interpretation of what they think Neruda was trying to convey. For example, Neruda has a knack for covering politics. He writes:

"How did the grapes come to know
the cluster's party line?

And do you know which is harder,
to let run to seed or to do the picking?

It is bad to live without a hell:
aren't we able to reconstruct it?

And to position sad Nixon
with his buttocks over the brazier?

Roasting him on low
with North American napalm?" (p.18)

For the most part, the book has a zen-like quality, which suggests a complexity to the poems -- the sense of not-knowing, and moving towards intuitive perceptions, beyond rehearsed patterns of thinking and feeling (viii). In a way, it appears complex, but at the same time liberating. Neruda's poetry is simple in its structure.

Beyond analysis, BOOK OF QUESTIONS is also helpful for anyone trying to refresh their memory to read and write in spanish. The translations are wonderful and practical. I recommend this book as well as other books by Neruda because of this added bonus.

Pablo Neruda is much missed as a poet and thinker. Since his death in 1973 there has been an even stronger growing of appreciation for his unique style of writing. During his last days he composed this strange little collection of some 300-odd questions and a number of poems all dealing with the life cycle as only one who sees his end at hand can write. The subjects are death, rebirth and nature in as complete a marriage of intention as any poet has created. They are beautifully translated by William O'Daly.

Intending his reader to be stimulated by his words to create a visual image that is personal, his questions from this volume so aptly titled 'The Book of Questions' open our eyes and our minds to some rapturously beautiful experiences. Examples:

'Why don't inanimate things
do something?

Where did a celestial body
leave something tonight?

Why don't they train helicopters
to suck honey from the sunlight?

Where did the full moon leave
its sack of flour tonight?'

Warmly humorous, touching and eventually elevating, the questions remain on the backs of our eyes awaiting reentry into our brains for relish at needy times. Neruda is a poet for all seasons. Just read this book and discover. Grady Harp, December 06

With this book, Pablo Neruda takes the universe and turns it inside out; in doing so, he brings forth questions for which there are no answers, and which, at the same moment, lead us toward the questions and vibrations of our own souls. The questions may appear as nonsense, but in truth, they are of another language, that of the poet, and they are neither meant to be answered nor translated into the realms of the logical and linear. He embraces humor: "What will they think of my hat, the Polish, in a hundred years?" and "Is there anything sillier than to be called Pablo Neruda?" Yet he also delves into mystery of life and living: "Is 4 the same 4 for everybody? Are all sevens equal?" and "In the end, won't death be an endless kitchen?" While perhaps never having read C.S. Lewis' "A Grief Observed," Neruda picks up a thread from two lines of this short memoir of grief: "Is yellow square or round? How many hours are in a mile?" But while Lewis searches for answers in a prosaic realm, Neruda remains the poet of questions. His work also brings to mind a poem by American jani johe webster, "the color of august": "what is the sound of a shadow / how do you say a hope / can you see time in a dream". For a truly amazing experience, read William O'Daly's translation of "The Book of Questions" side by side with Ben Belitt's: it is an amazing study of words, meanings, translation, and most of all, questions.

This is one of those books designed for the fidgety story-time goer.

It's full of instructions - clap your hands, tell me your age, I'll tickle you if you tickle me, find something red, that sort of thing.

Great fun for kids to get to move around instead of sitting through a story, this might be a good way to end storytime!

But, because of those good points, board book format might not be the best way to go. The pictures are too small for moving around - you have to sit close to really see them - and some of the instructions are really too hard for the younger rip-up-books crowd anyway. You might be better off waiting a year or two and getting a normal edition instead.

Great book for kids of many ages. My two year old grandson LOVES it....but so do my first graders. It's a great book to read when the class needs to get up and move around...it has become a class favorite! I had never seen it until a colleague who joined our staff this year shared it with me. It will be a book I'll be giving to LOTS of people in the future!

I originally bought this for my 9 month old, but my 2 year old gets more out of it right now. It's a fun, active, educational book. Because my girls are so young I just wish there was a cd so that we could play it since it's hard to use my hands to hold the book and act out the activities at the same time.

I have read this book to various ages (preschool 3 yrs old through 1st grade). As my children have grown,I have always read this book to their class. A 1st grade teacher asked where I got it and I am getting her a copy as her end of school gift. It holds the kids attention with the simple words, fun actions and sing-song type way that it is written. You cannot go wrong adding this to your personal library - it comes in paperback too!

Our son (age 2 now, about 18 months when he first started really being able to play along) enjoyed this book so much at a friend's house that we had to buy one of our own, and we've given it as a gift to others, too. The pictures are fun and imaginative, and the simple rhyme is cute, but the real magic is in watching kids follow the book's instructions - turn around, find something red, growl like a lion, etc. They get to practice following directions, hone their motor skills, burn off some energy, and have a sense of accomplishment about doing all the actions - and, of course, the kids just think they're having fun! We love this book!

I bought about ten of these because they are so easy to carry around and are printed with easy to read type and sell at a very good price. I have many other editions of Shakespeare's plays but these are perfect for what I wanted. I have lots of other editions with introductions, evaluations, etc. and I don't really need that in my bag. These editions are a great way to read the plays without carrying around five pounds of book!

this is shakespeare's most accessible comedy. it's a farce about mistaken identities among identical twins. nothing complicated here. the play has it's funny moments. it's not the bard's best comedy; that's 'much ado about nothing', imho. but this is not a bad place to start.

Shakespeare's vision grew tremendously over the course of his writing career. However, this play demonstrates that his uncanny power as an artist grew quickly and was present in some form from the very begining. It is exceedingly hard to buy the common notion that this was his first comedy when it is so much better than "The Two Gentlemen of Verona" in nearly every way. The dialogue is fast paced and screamingly funny. The characters interesting if broad and there are some surprising touches that, aside from being interesting in and of themselves, point down the road to later, darker comedies. Chief among these is the amazing opening, perhaps still unequaled in all comedy for the level of grimness. These are the first words uttered in a play long seen as a kind of sitcom of Shakespeare's plays: "Proceed, Solinus, to procure my fall, and by the doom of death end woes and all." The speaker is Egeon, a merchant about to be put to death for simply coming from the wrong country. The whole first scene feels like a cloud is hanging over it and there is a sense of fear-infused urgency that catches the mind off guard and makes the joyous, lunatic story all the more welcome while at the same time coloring it with real drama, making it all the more exciting. To be sure, there is little real depth and much of the play is like a sitcom but only the best of sitcoms and perhaps "Monty Python" at their most absurd is a better comparison. The plot is well chosen (from the Roman comic dramatist Plautus) and well handled. For some reason the play is not well known even among the early comedies which is a shame. It is probably the best of them, even surpassing the wonderful "The Taming of the Shrew". Aside from being an easy read, keep in mind the play is good to perform as it holds up well and doesn't suffer from being tinkered with. I've seen one production that was mostly straightforward but did a few weird things that worked like magic. They would've sunk almost any other Shakespeare comedy. I must also mention the last moment between the two clowns. It is as heart-warming and humane as it is funny. The master is already present AND growing. Do yourself a favor and pick up this play, you'll laugh your head off!

I recently re-read THE COMEDY OF ERRORS prior to attending The Colorado Shakespeare Festival's performance of this farce-like play under the summer stars here in Boulder. Based on Menaechmi by Plautus, William Shakespeare (1564-1616) produced this romantic comedy between the years 1592-93 and published it in the First Folio in 1623. While on its surface this early play may seem superficial and frivolous when measured against KING LEAR or HAMLET, it is not without its own unique depths. It also shows that the Bard had a sense of humor. It tells the hilarious story of two, identical twin brothers (Antipholus of Syracuse and Antipholus of Ephesus) and their identical twin servants (both named Dromio), all of whom were separated at sea during their infancy until redisdovering each other through a series of madcap mix-ups, mayhem, and mistaken identities in the apparently insane town of Epheseus. Meanwhile, Egeon (the father of the Antipholus twins), has been granted a day to raise local ransom for illegally entering Ephesus. In that day, the separated twins are reunited, Antipholus of Ephesus pays his father's ransom, and Egeon discovers his long-lost wife (Aemilia) living in the local priory. In the end, THE COMEDY OF ERRORS is as much about the power of family as the search for completing oneself. It is a play that reminds me that it is perhaps better to re-read and understand Shakespeare than to devour one bestseller after the next.

G. Merritt

One of the problems that great artists present to us is where to begin in getting to know their works. Their masterworks are often so full of what they have spent a lifetime developing that most of it is lost on those who have not yet put in a significant amount of effort becoming familiar with that artist's style and means of expression. Yet, if one begins with their apprentice works one may become discouraged because they lack the miracles of the masterworks. So, where does one begin?

Shakespeare offers the reader an additional challenge of an English that is removed in style and idiom from us by 400 years. It is not an insurmountable challenge. In fact, it is quite easy to overcome with a bit of time reading it and getting into the flow. It just seems strange in the beginning, but it really does become easy to read once you spend some time with it. However, getting over that small hill has kept many from enjoying the glories of Shakespeare.

This play, "The Comedy of Errors", is clearly an early work. It has many virtues, but despite them it does not offer much of what we really value in Shakespeare. It is a very fine play and is constructed very well. It is a wonderful first work to read of Shakespeare because it is short and has a very simple plot. The new reader does not have to spend much effort contemplating characters or the immense subtlety of language of the great works. Its charms are direct and what it has to offer is pretty much on the surface of the words.

The plot is, like all farces, ridiculous. It involves twin brothers who are served by twin slaves. They are separated early in life and when the play opens one set does not know the other exists. One set (the Antipholus and Dromio from Syracuse) visits Ephesus where the other set (the Antipholus and Dromio of Ephesus) lives. The play involves people confusing the two sets to the bewilderment of those suffering from the confusion. It really is quite funny. Of course, eventually, all is resolved to everyone's delight.

This edition, like all of the individual editions Arden offers of these plays, has a wonderful opening essay that offers a great deal of background on the play including a discussion of its performance history, sources, and discussion of the play itself. The appendices in the back offer excerpts from the sources and some brief information on the Gray's Inn performance of 1594.

If you desire to study Shakespeare and are willing to spend time reading many of his plays, "The Comedy of Errors" is a good work to start with just to ease into the language and get a feel for some of the conventions of Elizabethan theater. Just don't stop here. Shakespeare has so much more to offer that you owe it to yourself to continue your exploration of this supreme artist.

"Don't judge a book by its cover!" they scream as I hang my head in shame. Once again I have proven to myself how narrow minded and judgmental I can be. This brilliant little book is packed full of surprises especially for those who have developed some preconceived notion as to what it's about. Starting with the title which, now that I know what it means, I think is brilliant. I was picturing two pot heads making out with a sort of latte-esque foam covering their mouths which I'm sure is exactly what the author wanted me to believe. Then turning past the table of contents I came upon the explanation of the title and was immediately transported back to my youth in Florida and my fear of the tall grass. I won't say more about that in order not to ruin this very pleasant little surprise for others.

Then the first story "Some new kind of kick" is pretty much exactly what I was expecting. A very dark and seedy tale of Goth clubs, speed and sex, although one thing I didn't expect was to really like it. Something about the way Clint Catalyst casts his penetrating stare into this so called "Goth" scene is so incredibly revealing of not just the Goth scene, but any scene that's gotten old and tired. And it's in this first story that I began to realize that the scenes and the players are all the same. It doesn't matter what scene you were in, because we all got tired and we all ended up alone. The scenes all lacked something, or as the author so eloquently points out, we ourselves lacked something in ourselves that our "scenes" or distractions could not replace; well, not for long anyway.

So I guess it's clear that I'm not a "Goth". And while I did think they were cute in the mid eighties when they were still known affectionately as "Death Rockers" I've never been into things "Goth". I've also never been into speed of any sort. Of course I've done speed and had so called "Speed Sex" which contrary to the name takes hours, but I've never been into the whole "gak" experience if you know what I mean. So despite hearing the rave reviews of "Cottonmouth Kisses" I put off actually reading it, thinking it was fifty percent Goth and fifty percent homoerotic speed induced sex. Not my cup of tea exactly.

But from that first story Clint Catalyst just blew me away. His insight into moms, wanna-bees, punks, straight boys, art school girls, alleged bisexuals, strippers, bag ladies, in fact everyone he encounters and most importantly himself is nothing short of stunning. This book is crammed with fascinating stories which in and of themselves are great but without which you would still be left with an incredibly insightful book about people and our inner truths and fears.

Stories I particularly like are "Party Favors", "Conversation with what once was a friend", "To Push Away or to Clutch" and "Taking Care of".
Poems I particularly liked are the beautiful and charming "First Person Third Person First", the dark and direct "Guess I should talk about sex", the dark and funny "Truth about Modeling", the grim foreboding "Inky Bloater" and my favorite, "At the Edge" which to me was like an updated and slightly more optimistic take on Langston Hughes' "A Suicide Note".

Overall, I read this book too fast and have had to re-read it twice to catch up with the brilliant and still racing mind and prose of the enigma that is Clint Catalyst.

After reading Cottonmouth Kisses I found myself in awe of the sheer richness of Clint's language. His command of both poetry and prose is astounding and refreshing indeed. His honesty and unpretentious approach to the recording of his own experiences is a gift to his reader. Whether Clint is writing about drug addiction, sex, friendship, or love, the sheer energy of his personality shines through in every piece. The combination of rage, passion, sorrow, and humor that animates this book is something to behold and reading it was like being taken on a ride where every turn promised something new. A truly wonderful collection of writing. Moving, engaging, and always on the mark.

This is a great selection of essays and poetry from Clint Catalyst. They deal with gay relationships, adolescence, and out of control drug addiction. These subjects are dealt with in such an honest, clear and edgy way. The lives of these unconventional characters are brought to the page so intensely with all their flaws clearly exposed. You'll feel their thoughts and feelings. The artistic language used in this book make it a pleasure to read right through to the last page. No matter how dark and trashy these characters get you'll want to read more.

This was my first introduction to the author's writings (thanks,Sheldon) and I truly enjoyed this book. I think what really made this book special was the poetry in-between the essays and fiction. These poems were so easy to read and what I mean by that is they were very understandable. You don't have to spend all day figuring out what the author is trying to say. They are a joy to read. I look forward to this author's future work. Highly recommended.

which I deem:

1) "What is Goth?" by Voltaire
For spelling out the basics to looky-loos, kinderbats, or insiders who aren't afraid to laugh at themselves (for fear of exposing the adhesive-stripes along the gumline of their fake fangs)...

2) "Cottonmouth Kisses" by Clint Catalyst
For its sinister and gorgeous first-person account of life within the nightclub netherworlds. I've known many a Goth girl over the years who's had her share of Clint "pin-ups" and "shrines," and the fact that he's lived a life so far beyond the margins of Hot Topic and mainstream acceptability (and SURVIVED it) is more "Goth" (i.e., barbaric -- i.e., AUTHENTIC) than any paint-by-numbers impostors out there...

3) "21st Century Goth" by Mick Mercer
For its role as an informative compendium of the international scene in all its varied shades of shadow. There is no easy answer, no singular attempt in this book to pigeonhole Goths -- in fact, it does the opposite. Plus, I mean, it's MICK MERCER, who's been reporting on the scene longer than most batpackers these days have been alive. Pay your respects to the grandaddy of Goth!

And ALL HAIL THE TRIUMVIRATE!

Mr. Clint has really let all of us, no matter what stage of life we are in, what planet we are from, or the aumont of zeros on our paycheck, look inside his world and gave us a whole new realm of thought. I loved this book. I read it in two days. AND thats with two kids under the age of 4, a hubby and a big white dog. I couldnt put it down. Its an awesome book. I can not wait for his next wonder in print... keep up the good work clint. This is definately a must read!

W. Eric Croomes writes from an eclectic sociological view of the relationships African-Americans face today. Researching deep into our past and bringing it all forward into today's world. Will make you think deeply. Not a book one can read lightly. I have found myself referring more than once back to this book in explaining relationships and the way we deal with them to young people I work with and to my own daughter. The poems are artfully written and thought provoking. The story of Kwasi Benefo will make you think time and time again. Why, how, am I making these mistakes in my relationships and how do they relate to me in the here and now. I have pages dog eared and underlined to refer back to. An important read and study into the psyche of the African-American relationship. I recommend this book highly!

I must admit that I've never been one to purchase and actually read a book of poetry but this one was truly different. This is not your average book of poems. Through this literature you experience various avenues of life as well as cultural events that take you back to the beginning of the Civil Rights movement and beyond. I thoroughly enjoyed reading "Dance in the Dark..." and would recommend it to anyone that enjoys reading.

Powerful. Dance in the Dark is a romantic masterpiece. Each page illuminate heart felt words that move in a rhythm that captivate the spirit. The author of Dance in the Dark pours himself into this beautiful work. Only one that has truly taken a look inside of himself can write like this. It's not difficult at all to hear his voice throughout the book. Mr. Croomes has learned to "Dance in the Dark" and challenges us to dance as he leads us on a journey of spiritual truths of love that dares us to find purpose.

This book was wonderfully written. Readers will understand how the author relates not to just one but many aspects of our lives today. Highly recommend.

DANCE IN THE DARK offers reflections that explores the concept of love and culture in the African American community from past to present day. Along with poetry, Croomes incorporates history and mythology as he addresses the complexity of the issues at hand and how it has impacted us as a people. Croomes offers several interesting pieces throughout the book including "Letters to Eve," "The Edge of Love," and "Diary of an Ex-Queen".

When I first picked up W. Eric Croomes' DANCE IN THE DARK, I was looking forward to seeing a different but unique perspective from the poetic standpoint. While DANCE does offer a beautiful variety of poetry, the heavy commentary that is presented throughout takes away from the book's overall essence.

While Croomes offers poetry that is both passionate and intriguing, my main criticism is that the various essays take away from the book overall. There were times where I felt that I wasn't reading a poetry book due to the content at hand. While I found DANCE IN THE DARK to be interesting, from a poetic standpoint it didn't captivate me as other poets have. Despite this, I do commend Mr. Croomes on a worthy effort.

Reviewed by Kanika (Nika) Wade
of The RAWSISTAZ Reviewers

I found the Spanish easy to understand, though his philosophy went over my head!

Aunque no estes de acuerdo con todas las ideas de Octavio Paz, las reflexiones y los analisis de esta mente birllante ayudan a entender nuestra magnifica raza. La escritura lleva al lector al pasado y al presente, para poder entender la condicion de Mexico y su gente. Todos los Mexicanos deberian de sentarse a devorar este libro que clarificara las costumbres de nuestra gente y nos ayuda a entender que tiene que cambiar en nuestra politica para tener un pais mas prospero.

Paz, el ganador del Premio Nobel de 1990, escribo tantos libros destacados-Sor Juana, El arco y la lira, pero este representa el cumbre de su poder artistico. El escribe sobre el hombre mexicano en todas sus formas y tribulaciones. El libro es, al mismo tiempo, un ensayo(o mejor, un libro de ensayos), un analisis, una historia, y, sobre todo, una pregunta-en que consiste este hombre cuyo origen forma parte de la conquista de America, un proceso ya en proceso.

Empieza la obra discutiendo "el pachuco"-una figura del medio siglo XX que representaba la ambiguedad y la frenesi del hispano en los estados unidos durante ese periodo. Despues de esta discusion, continua explicando la cultura hispana desde la epoca precolumbina hasta la revolucion mexicana. Termina la historia con este evento, y la unica cosa que le hace falta a la obra es un analisis de la historia contemporanea.

Este seria el primer libro que le recomienda sobre Mexico al nuevo estudiante.

Octavio Paz, el escritor que haya definido nuestra vida como "olvidado asombro de estar vivos", nos habla de sus ensayos escritos más que hace cincuenta años. Su "La Dialéctica de la Soledad", uno de sus ensayos más destacados, presente sus puntos de vista sobre la soledad no solamente mexicana, sino también la de hombre presente mismo. Paz trata varios temas ensayísticos con la cristalina claridad y persigue un proyecto casi filosófico: muestra la alma mexicana con sus raíces aztecas, su plaza en la vida antigua y contemporánea y, finalmente, su visión de "soñar con los ojos cerrados". Justamente por este ensayo mismo atrevo a recomendar todo el libro tratando de la soledad, cuya presencia en nuestra vida diaria es tan obvia. Además, un interesado en la obra de Octavio Paz debería leer su discurso que había pronunciado en el año 1990 con el motivo de agradecer el galardonar de Premio Nobel. Leyendo Paz, uno descubre que Paz ya contestó muchas de nuestras cuestiónes inquietantes ...

Octavio Paz wrote the definitive sociological book that deciphered the Mexican character. He correctly diagnosed that, in fact, the Mexican was stuck in a labyrinth and condemned to find a way out, and in many respects is still trying to find that way out. He understood that he would receive harsh criticism and he did. However, he stayed true to his calling as a man of letters and delivered a book that must indeed be read by anyone wanting to understand the make-up of the Mexican or the serious scholar searching for understanding in the field of Mexican history. I strongly and without reservation recommend this book, it will change your outlook on this important country and most importantly on the inhabitants and descendants of it forever.

I was in the bookstore yesterday and saw this book reprinted with new cover---a sign that it's been doing great in the market! that says a lot about it's content. I got this book over two years ago; from time to time I took it out from the shelf and it always entertains and brings great romantic feelings! I really hope the editor could do more of this kind of book! I have compared this book with other books of love poems---the unique collection of poems from all around the world, modern and ancient, make this book so much more special. The poems seem to use very effective language and words and put together the most sensual pictures with very little words. Very entertaining and enjoyable! BUY THIS BOOK AND CITE ONE A DAY TO YOUR LOVER LIKE I DO! DO IIIIIITTTTTTT!!!!!!!

186 pages filled with amazing poetry. This book connected.... to both thought, and pleasure.

Erotic love is one of the highest forms of contemplation. ~Kenneth Rexroth

The Erotic Spirit is a collection of beautiful poems mingling together in a land of sensual nirvana. The minute you enter the pages of this stunning anthology, you will find you have entered a sacred sanctuary of desire. You may find yourself startled by the mirroring of emotions. When Sappho (6th century BCE) wrote: "Eros seizes and shakes my very soul like the wind on the mountain shaking ancient oaks," did she imagine women in the future knowing exactly what she was talking about?

Sam Hamill has included moments of beauty to blur the distinction between spirituality and sensuality. The two become one in a swirling of seductive soul expressions.

When I think of you,
fireflies in the marsh rise
like the soul's jewels,
lost to eternal longing,
abandoning my body

~Izumi Shikibu (970-1030)

Rarely have I read a "Preface" so profound in content and so enlightening in regards to poetry. The "Notes on the Poets" section is also essential to your enjoyment and I was so pleased Sam Hamill included information on each poet. Suddenly a poem becomes all the more significant when you read about Sappho jumping from a cliff because her love was not returned.

Sam Hamill is a poet and the author of over thirty books of poetry, translations and essays. He shows a deep understanding of erotic love and has included poems of longing, passion, compassion, sexual love, adoration, devotion and ecstasy.

There are poems from Egypt, Greece, China, Japan, Turkey, India, America, England, Thailand, Mexico, Spain, France, Lebanon, Pakistan, Estonia and Costa Rica.

Featured Poets: Sappho, Anakreon, Asklepiados, Praxilla, Rufinus, Marcus Argentarius, Catullus, Philodemos, Ovid, Petronius Arbiter, Tzu Yeh, Agathias Scholoasticus, Cometas Chartularius, Paulus Silentiarius, Li Po, Otomo No Yakamochi, Yuan Chen, Li Ho, Ariwara No Narihira, Li Hsun, Ono No Komachi, Izumi Shikibu, Liu Yung, Samuel Ha-Nagid, Ou-Yang Hsiu, Mahadeviyakka, Jelaluddin Rumi, Francesco Petrarch, Ikkyu Sojun, Kabir, Vidyapati, Mirabai, William Shakespeare, Bihari, Robert Herrick, Anne Bradstreet, Se Praj, Andrew Marvell, John Dryden, Jonathan Swift, William Blake, John Keats, Walt Whitman, Charles Baudelaire, Emily Dickinson, Paul Laurence Dunbar, Antonnio Machado, Yosano Akiko, Anna Akhmatova, Pablo Neruda, Kenneth Rexroth, Hayden Carruth, Denise Levertov, Carolyn Kizer, Robert Creeley, Adrienne Rich, Roberto Sosa, Robert Kelly, Lucille Clifton, Jaan Kaplinski, Sam Hamill, Gioconda Belli, Olga Broumas, Maurya Simon and Dorianne Laux.

Within these pages there are poems by an Indian Princess who became a saint, poems by one of the most influential poets in history and even poems from a woman who is considered to be the first poet in America.

Poems to Adore:

Plum Blossoms - A poem describing longing while lovers are apart. The clouds become love notes as a poet drifts in an orchid boat.

Yuan Chen's Remembering - Passion, daydreams and mountains keeping lovers apart.

Fires Run Through My Body - An anonymous Kwakiutl poem describing love as pain. There is a similar theme in Yuan Chen's Remembering where pain is embraced.

The Erotic Spirit will make you breathless! Some of these poems stir up such deep emotions it is as if the poems burst from the pen in order to experience a union with the page on which they were being written.

100 Stars!

~The Rebecca Review

Poems from Walt Whitman, Rumi, Adrienne Rich, Shakespeare, William Blake and Pablo Neruda are just some of the poets listed in this anthology. Out of my 25+ poetry books, it is the one I reach for first if I am looking for something romantic or erotic. Included is a little notation about each poet listed. It's a wonderful little paperback that has gotten re-read often at my house.

I purchased this book as a bon voyage gift for my new love who had to leave the country for a few months during the throes of our blossoming romance, and it has done a tremendous job of helping keep the home fires blazin'! He says it's the best poetry book he's ever read. The poems perfectly capture all aspects of the longing, lust and yearning of lovers throughout the ages. If you're looking for the perfect romantic Valentine's gift for your partner, this is definitely it. A must-read for die-hard romantics everywhere.

The Hunting of the Snark is a whacky piece of poetical silliness by Lewis Caroll. Complete nonsense, no-one knows what a Snark is, or why Snark hunters hunt it, or why anyone would want to become a Snark hunter to start with. Anyway, the poem is definitely amusing at times with some of the humour he slips in.

The Hunting of the Snark seems to be a very, very short imitation of The Canterbury Tales. The first chapter (titled a fit) introduces all of the occupations of all the different people going on a journey. However, instead of going on a general pilgrimage and telling tales along the way, their trip is very specific to hunting.

The Baker actually attempts to tell a story, but the Bellman (who leads the group) says there's no time for storytelling. They have to catch the Snark before nightfall.

Along with the Bellman and Baker, a Banker, a Bonnet-maker, a Butcher, a Boots, a Billiard-maker, a Barrister, a Broker, and a Beaver tag along to hunt for the Snark. The Beaver is afraid of getting cut by the Butcher, so he puts on a dagger-proof coat and talks to the Banker about buying an insurance policy.

The Beaver is involved in a hilarious scene with the Butcher later, when the two attempt to compute sums. But perhaps the funniest scene of the entire book is in the Barrister's dream when the Snark declares sentence on a pig, only to find out the pig has been dead long before the trial even began.

I'd highly recommend this short poem for Carroll fans, even though it's not big enough to contain but a small portion of what's to be found in the Alice books.

I have read a great deal of nonsense in the past, but this was by far the best nonsense that I have ever read. There is no point, no meaning, no sense, and no boringness. It is a delightful poem (which is well written and very fun to read aloud) about a crew on a ship hunting a snark. The crew includes a captain who only rings a bell, a beaver, a cook who only cooks beavers (the beaver and the cook did not get along well), a man afraid that the snark would turn into a boojum and make him disappear, etc. As you can tell, this makes for an insanely silly poem. The subtitle is rather fitting, as my sides were definitely hurting from laughter when I was done. Well done Mr. Carroll.

Overall grade: A+

Nonsense poems can easily miss the mark
Yet, this masterpiece has that spark.

"How do you kill a _____?", you ask
To find the answer was the hunters' task.

"What was their fate?", you wonder
Did they ever catch their elusive plunder?

A paragon of haunting Carollian lore
Be in no doubt that you'll finish wanting more.

This poem is just great!

First, this one of the most delightful pieces of writing that ever appeared in (more or less) English. It succeeds as a sustained exercise in illogic. I am sure that only a mathematical logician like Dodgson could possibly have pulled it off - only someone with such deep understanding of reason could master unreason so completely.

Second, Martin Gardner's commentary adds depth and background to the reading. Gardner explains terms that are now obsolete, but also adds his own analysis and a rich history of the Snark phenomenon. It should be no surprise that Gardner is still best known as the long-time editor of Scientific American's column on Mathematical Games, a mathematician himself.

I can't add much to the scholarship or praise that already surrounds this incredible poem. I would like to point out, however, that most non-native English speakers are unfamiliar with this poem. Many of them have only ever seen the serious side of the English language, and have never seen English at play. I consider this short work to be the ideal introduction to the very best of English-language nonsense.

//wiredweird