Poetry Books

I'm not into poetry, but a friend recommened "The Naked Truth" after all of the women in her office was talking about it. I was not disappointed. All I could say after every poem was WOW! This is a MUST read for all poetry fans and for those that are not into poetry, you should read it as well. You will have a hard time putting it down.

The poems "Joyride" and my favorite "Call Me Daddy" will keep you turning the pages. This is a must read for the male and female who truely wants to know what's really going on. I wish I could give it 10 stars!!

i enjoyed reading the steamy book.. it gave some good info about sexual situations and ..what the title says is true.. i loved reading the book .

Over 33 poems compile THE NAKED TRUTH, and two chapters from his upcoming novel Chapters of Ecstasy. The poetry contained within the pages touch on the needs of women, her sexual awareness, the pain she endures at the hands of a man, why men cheat, what matters to men and how men and women can satisfy each other. The poems are erotic in nature and contain an unnerving sense of understanding by a man who knows what we as women crave in relationships whether physical or emotional.

Javon64 states there are two types of people chronicled in this collection: those who are inhibited and those who are uninhibited. The eroticism displayed throughout THE NAKED TRUTH covers a myriad of sexual fantasies, fetishes and sexual freedom. The poetry includes tributes to the author's mother and grandmother, male/female friendships, one-night stands, foot fetishes and uninhibited sexual encounters. The poems are not offensive, but truly erotic in nature. I enjoyed the entire collection with my favorites including: "Can I Catch Your Tears," "One Night Stand," "How Sex Use To Be" and "Wanted: A Good Man."

THE NAKED TRUTH is really an intuitive bare-it-all compilation of poetry. Javon64 deals with topics women and men have contemplated and have lived in their lives; he just put them to rhyming prose. His style is unique but simple. Javon64's poetry is like an autobiography of his life as he states "...a person isn't completely reborn until they can stand naked in their own truth." This collection is filled with truthful insight into the sexual relationships of men and women and how the emotional portions affect them. Also, the little black satin cover is a very nice touch. If you like erotica and poetry, you will enjoy this little black book.

Reviewed by Cashana Seals
of The RAWSISTAZ Reviewers

The Naked Truth by Javon64 is a collection of deliciously erotic and sexy poems. Javon64's use of seductive and descriptive words will satisfy the erotic reading audience. The poems run the gamut from two touching poems dedicated to his mother and grandmother, to a woman's plea for a good man.

Some standout poems from this collection include: "Dirty Talk," "Role-Play," "Joyride," and "Head Doctor." The Naked Truth by Javon64 is a tantalizing entry into the world of erotica.

Noticia de un secuestro is one of Gabriel Garcia Marquez most dry books in terms of the literary style used. It could be because the theme does not allow for much variety but just an honest recount of the truth. The book gives the reader a realistic view of daily Colombian life, a country that has struggled with guerrilla warfare and drug trafficking for the past forty years and more. The protagonists of the book are the victims of the kidnappers and throughout the book we learn about the cruel reality of these people who have changed the life of many Colombians by use of violence and cruel killings without mercy. I think the book was well written with revealing details of how the victims feel (mentally and physically) and how their families suffer when they are forced to negotiate with the drug dealers etc. for the safe return of their family members. Also, we clearly see the role that the government plays in the rescue process. The style used by the author is very journalistic, thus making the book and story very dry in comparison to his other literary works. However, perhaps this style was chosen simply because this is the reality of Colombias daily crisis. The book is excellent, has much eye-opening information and is a wonderful read if you wish to learn more about the socio-economic problems of this great South American country. Arriba Colombia.

This book is really interesting, because tell us the political and social problems of one of the most important countries in latinamerica: Colombia.

One of the best books I've ever read about Colombia and its problems.

Noticia de un secuestro

Para: Gloria Leticia Fernández, en Cali.

Noticia de un secuestro de Gabriel garcía Márquez es un libro que se deja leer y que presenta y representa la narrativa en su forma más pura. Con un estilo periodístico claro y directo el Gabo nos hace penetrar en lo más hondo de las vidas de los secuestrados y nos hace sentir sus horrores de la manera más sutil, pues en ningún momento se centra su atención en los crímenes o torturas sino en la vida en común de captores y capturados, y los esfuerzos del gobierno y de sus familias para liberarlos. Una cosa parece cierta y es que la realidad supera siempre a la ficción y este relato de la vida real lo demuestra por lo novelesco que a veces nos parece y lo increíble de las cosas que pasan en Colombia sacudido como esta por el trafico de drogas, las guerrillas y las constantes luchas internas. Aun así sus habitantes aun viven y trabajan, tratan de forjarse un futuro y muchos luchan por el bienestar de su pueblo. El libro esta narrado de forma magistral como un gran reportaje en que el autor se abstiene de intervenir y es simplemente un narrador de hechos contados por otras personas. Nunca nos deja ver el Gabo sus sentimientos ni estropea la obra con rebuscados sentimentalismos que hubieran hecho de este libro un dramón insoportable. Nota: en Colombia se produjeron mas de tres mil secuestros el año pasado y la practica llamada pesca milagrosa ( asaltar gente en las carreteras sin saber bien quienes son para luego de depurarlos pedir rescate toma fuerza). Los cuerpos elite no dan abasto y el país tiene un índice de peligrosidad muy alto. Espero que mi amiga gloria que se encuentra en Cali este bien y si estas leyendo este articulo, sepa que tiene un amigo en uepa.com y que me puede escribir. Espero que este todo bien en su amada Cali y que la paz llegue pronto a Colombia, que los latinos podamos unirnos en un interés común y hacia objetivos nuevos, que todo el mundo deje de halar para donde más le conviene y que al final podamos progresar en paz.

Mis saludos al pueblo Colombiano.

Crazzyteacher.

La verdad es que le hice el quite a este libro durante tiempo, pensando que era una especie de producto de los talleres que hace G.M. pero hace poco lo leí de una sentada y me sorprendió. No está a la altura de ninguno de sus libros de ficción y tampoco es gran periodismo, pero todo el trozo que cubre la reclusión de las mujeres y la forma que buscan para sobrevivir al encierro es notable. Lo que más molesta del libro es que no toma ningún riesgo. Es plano, ultracorregido y sobreeditado. Y además, esa tendencia a describir a todos los parientes de las secuestradas poco menos que como personajes de teleserie es desagradable: son unidimensionales, incorruptibles, incansables. No hay drama ni interés ahí, sino que en el encierro. Lástima que el libro no comenzara y terminara dentro de esas cuatro paredes. Para leer una pura vez.

I got this after talking with a friend, who happens to be the author. This book is great!

'Petals of Life' was an amazing emotional tribute to the pains of our world. So many people survive what you have been through and never share their story. Thank you for giving an insight to those of us who have no idea. I feel enlightened and yet bewildered by what seems to be some things so tragically widespread. Poetry is something that not everyone can pull off, and you have done an amazing job conveying emotions and telling a story in each piece. After reading 'Petals of Life' I feel like I know you. I am excitedly awaiting your next book. My prayers and best wishes go out to you and your family. Thanks again!

Review of Petals of Life By: Candice Martin
ISBN# 1-4241-1494-2
Anyone who is serious about poetry, as a writer or reader should have this book. While the technical student of poetry may feel some of the poems are of a simple rhythmatic style, certainly this thought is quickly forgotten once we realize the subject matter. Candice M. Martin gives her all in this vulnerable collection, which portrays what the skill of writing poetry is really all about. This book displays a rare combination of beauty and power. The beauty that lies in the telling of raw and blunt truths. The power to change lives, to shed light on a seldom viewed, but common experience, the experience of victimhood and of recovery.

This book is for those who are students of poetry and for those concerned about the subject of abuse. This book gives a voice to women who have been denied a hearing by our culture.
Ms. Martin shows uncommon courage in facing that pain, and in allowing the reader to begin to share some understanding of her experience. I recommend this book to all survivors-men and women-and to those who work with survivors of abuse, and to all who share their lives in any way.

This book contains a great variety of poems - something for everyone. The Author has a gift for exposing life's problems in a personal way. She gives one the feeling that she has "been there." She also touches on the bright side of life with an expression of tenderness in her poetic views of love and life.

A definite buy - a keep sake. I give this a 5 Star Rating.

A Brilliant Collection! A Real Collection!

When you first look at "Petals Of Life : A Survivor's Writings" by : Candice M. Martin you walk into a world unknown. Or at least I did. You come out of that world in total shock. Emotional and vamped, this collection of poetry rips at your emotional scenes and makes your eyes bleed of tears. Powerful and emotional to places so high and unthinkable, this book is a book that I will read over and over and over...

Fantastic, one of my favorite cat books. Every time I pick it up, I change my mind about what the best poem is.

I actually remember lines from these poems sometimes, in circumstances where less happily placed people would recall lines from the original
poems !

By the way, 'Beowulf' is about the least wonderful, perhaps because the original was of no interest to me; too bad that that is the one Amazon used as the excerpt.

I've read some of these as "friendly email" forwards, with no attribution. Folks, always use accurate attributions; People like Henry Barber (the 'editor' of these works) deserve to make a living out of what they produce. :-)

Also by the way, 'French for Cats' by Henri B. The little furfaces gather when I practice the French phases in it. Tell me French is not the natural language of cats! :-)

The only thing wrong with this book is that one has to both love cats and be educated in poetry. (In other words, there's no one else I know who can appreciate this book!) I like some of Henry Beard's poems even better than I do the originals. I'm especially glad that he chose to interpret some of my favorite poems (e.g., "Stopping by Woods on a Snowy Evening," and "Xanadu.") Henry Beard is extremely talented; this sort of thing is very hard to do. (I know; I've tried.) This is a MUST for anyone and everyone who loves cats and poetry.

Readers of Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse by Henry Beard will notice how much influence humans have on cats. Cats will not enjoy having this pointed out. They work hard to protect their free will and try to dictate the terms of their relationships with humans. You can not just pick up a cat and expect it to be happy being held; you have to wait until the cat is ready. Cats will not play with toys just because you want to play. Cats appear to think independently, but their poetry betrays them.

Here is a bit of verse written by Henry Wadsworth Longfellow's cat:

I chased a mouse beneath the stair,
It went to ground, I knew not where;
For, so swiftly it ran, my sight
Could not follow it in its flight.

Sound familiar?

There is more. Samuel Taylor Coleridge's cat wrote the following:

In Xanadu did Kubla Kat
A splendid sofa-bed decree
With silken cushions soft and fat
A perfect feline habitat
Set on a gilt settee.

Here is another sample, this time by William Shakespeare's cat:

To go outside, and there perchance to stay
Or to remain within: that is the question:
Whether `tis better for a cat to suffer
The cuffs and buffets of inclement weather
That nature rains on those who roam abroad
Or take a nap upon a scrap of carpet ...

Have you noticed a trend? It appears that cats listen more than they let on, and they even identify with the humans with whom they relate. They certainly borrow verse as freely as they claim their favorite chairs.

Cats do deserve some credit for knowing what poetry to borrow and adapt as their own. They are able to turn bits of Chaucer, Keats, Frost, or Ginsberg into works that serve their purposes, such as catching goldfish, breaking vases, or berating Whitman for sleeping too late. In near unison they raise their voices to complain about their vets.

One thing that surprises me about Poetry for Cats is that Henry Beard never reveals the cats' names. I can not imagine that Emily Dickinson had a nameless cat!

Poetry for Cats is an attractive book with colorful illustrations and is still in print after eleven years. I found our copy when inventorying the poetry collection. I am afraid few people have borrowed it lately, so I am going to put it on display. The cats need to be heard.

Henry Beard has both a good knowledge of the original poems and of cats. His spoofs are tremendously clever, and he chooses the most common poems in English literature, so most people will recognize them. I laughed myself nearly sick. It's as good as jogging! ;-)

This book is funny in and of itself; however, if you are familiar with the poems on which these are based, you're in for a special treat. Beard doesn't just substitute words: his premise is that the poets' cats wrote these poems, which makes "She Walks In Booties" or "Abyssinias" even more feline, er, sublime...

I read this as part of a spiritual path, but just the story -- in and of itself -- carries every bit of 'flavor' that any great story always does. In a lot of ways, it's a pure adventure, albeit with monkey gods and man in all his worst behavioral situations. People are hit, cut, betrayed, loved, and supported by those around them in ways that are surprising, saddening, frightening, and just plain good reading.

It's the story of Vishnu -- one of the three forms of God -- coming back to earth to kick the butt of a really nasty demon. When I say nasty, I mean nasty -- not bedside reading for the 8 year old at home. The reason Vishnu has to show up as a man is because only a human man can bring an end to the destruction (one of those 'curses of the gods' things). So Vishnu shows up as the "Tiger of a man" named Rama. And rama kicks butt as he was supposed to.

It's impossible not to draw comparisons between the story of Rama and the story of Christ, although the former comes (in the most conservative guesstimates) 2,500 years prior to the time the Bible was written. Three forms of God, incarnation as a human who is in direct contact with the father/divinity and carrying a message of hope and forgiveness. And there's plenty of table turning in both books.

Having read a couple of translations of this ancient classic, with their stilted and archaic English, it was refreshing to read this version. Dharma has certainly adhered closely to the original text, but has presented it in a very enjoyable style that in my view nicely brings out the mood of the epic. His words carry quite a poetic flourish that really does justice to this work, which, after all, was originally written as a poem. His descriptions are graphic and his characters are lucidly portrayed, helping the reader enter deeply into the action. He also manages to skilfully weave in the spiritual messages of the work. This in fact was the main aim of the author of this epic, the sage Valmiki. His desire was to show the majestic opulence and divinity of Rama, whom he accepted as a divine incarnation of the Supreme Lord. Thus the text carries a profound spiritual import that Dharma has obviously been at pains to preserve. For my money he has a done a good job. I found myself in tears many times as I read this book, feeling moved at a very deep level. I also felt frequently uplifted and edified by the wisdom it contained.

Apart from all of this the Ramayana is a great story, as its enduring appeal proves. Followers of the Vedic tradition claim it is hundreds of thousands of years old, and many versions of it appear in nearly all the Asian cultures. But no matter how old it may be, its message remains entirely relevant, and its story is as fresh and engaging as anything churned out by the fiction writers of today. Perhaps there are some typos, as one reviewer here has remarked, but I can't say I noticed them. I was enthralled by this book and will certainly be reading it many more times.

The Ramayana is an ancient epic, one of the oldest in the world. It tells the extremely engrossing tale of a man named Rama, who is an incarnation of the Hindu deity Vishnu. The events that occur early in the story (even if they seem irrelevant) all come together at the end, culminating in a massive battle with the forces loyal to Rama on one side and Ravana, a rakshasa (demon) king, and his warriors on the other. The story in itself certainly deserves five stars, however the edition had some flaws to it. It was written to be watered down so it would be more accessible to a larger audience, and in this the author certainly succeeded. My only complaint on this point is that it seemed to fall slightly short of what it could have achieved. The real problem I have with this edition is the amount of typos and spelling errors. Once or twice the error was so severe that I was not sure of the intent of the sentence. The book is definately worth buying if one just wants to know the story, however if one wants a better understanding of the epic and the culture invloved, I would suggest a looking for a different edition.

Ramayana must rank as one of the most loved and revered books of all time. A part of India's ancient Vedas, it is a beautiful story of romance and adventure. It recounts the history of Rama, said be an incarnation of the Godhead, and his divine consort Sita. Filled with magic and mysticism, it entrances the reader and stirs deeply moving emotions. At the same time its profound spiritual messages leave one feeling uplifted and enriched. This is a novelisation of the classic. It contains all the essential narrative of the original Sanskrit poem, but written in a contemporary style. Whilst adhering closely to the original, I have tried to make it as readable as possible, using the techniques of character development and dramatisation to draw the reader into the action. By weaving in other spiritual commentaries on this sacred text, I have also tried to offer the reader the benefit of the wisdom of India's seers and sages. As I am sure you will discover when your read the book, that wisdom is as relevant in today's stressful world as it was thousands of years ago, when it was first written.

It was my love for this wonderful book which prompted me to write my adaptation, and I hope I have been able to share that love with others. Whether you enjoy it simply as a great adventure story, or you enter deeply into its spiritual meaning, you will surely find it an engaging read. All in all, I would say that this is as authentic and complete a version as you are likely to find outside of scholarly translations, but it is a lot easier to read. If you enjoy this, then you might like to try my novelisation of the Mahabharata, the other great Indian epic, which is also published by Torchlight.

Krishna Dharma

I understand why the Ramayana is such a popular and beloved story even today, but overall I really found that I liked Vishnu's avatar as Krishna better than his earlier one as Rama. Rama's being Vishnu incarnate wasn't really a big part of this version, and because he was depicted as such a great human being and hero, acting in very specific roles as an overly obedient son, devoted husband and brother, and finally heroic warrior, it was easy to lose sight of the fact of his true identity. With Krishna, I find it easier to not lose sight of the fact that he's Vishnu in a human body, and in the Krishna story, he's depicted in so many different roles (e.g., baby, lover, best friend, sneaky little boy, enlightened teacher) that one can easier relate to him as more than just some exemplary human being and a deity made mortal, which Vishnu does only when the balance of evil in the world overrides that of good. He had to take on a human avatar to kill Ravana, since he was so evil that no one could kill him, and he also had a boon from Brahma which entitled him to protection against being killed by one of the gods, many of whom had a long list of grievances with him. The gods know that it will be almost impossible for an ordinary human to kill Ravana, so Vishnu takes on his seventh avatar to rid the world of his evil.

I know that in comparison to other versions of this famous ancient tale, this one doesn't tell the entire story and is more like a brief retelling of each important event that happens along the way, like the abduction of Sita, Hanuman leaping to Lanka to scope things out, Rama, Lakshmana, and Sita going into exile, and the important battles in the war Rama, Lakshmana, Ravana's little brother Vibhishana and four of his friends, and their huge army of bears and monkeys wage against Ravana and his evil Rakshasas. No matter how condensed it might be in comparison to the actual full-length epic tale, it still conveys the same sense of romance, mystery, love, adventure, and human emotions that a much longer version does. It's also different from other versions because of the depiction of Sita's ordeal; some versions have her immolating herself and dying, but this version has a twist on it. (How far we've come; Rama's accusations of infidelity, in spite of the curse prohibiting Ravana from raping a mortal woman and in spite of how he only accused Sita of infidelity to test her, are not only highly un-PC now but just insulting! The woman was kidnapped and held by an extremely evil man and his cohorts for nearly a year; it's not like she ran off with him of her own free will!) This version is also missing what I find to be the most moving part of the Ramayana, when Hanuman, the noblest of the monkeys, literally tears up his chest to show that his devotion to and love for Rama and Sita are so deep and strong that their names and images are literally written on his heart.

As illustrated by Sita's ordeal towards the end, and along with some other things in the story, there is a strong sense of a time, culture, and place which is very far from how people live today. But in spite of how Rama is overly obedient to his father and his later treatment of Sita, or how Lakshmana won't even look his brother's wife in the eyes, the overall story is timeless. I don't usually like books with battle scenes, but the battles fought here are so well-written and captivating that they're nothing like the usual fare of endlessly describing battles. I can't wait to read some other versions of the Ramayana to compare with what's written here.

We bought this book when my now 3 year old was an infant. At only a few months old she would just sit (lay) and listen to me reading this book. Even now, 3 years and many repaired pages later, it's still one of her favs. I HIGHLY recommend this book.

After my 3 year old daughter kept pulling this off the library shelf to check it out time after time, I decided it was time to buy a copy. This version has beautiful illustrations and the text is lovely and timeless.

I loved this book as a child and have spent nearly three years looking for this particular version. A beautiful poem made into a fabulous bedtime story. Every child's personal library should have this book.

We love this book!!! The poem is beautiful and calming and the illustrations are gorgeous - definitely the best of the many available.

This was my favorite story as a child. I ordered this book for my grandchildren, they are too young to enjoy today, but will grow up with the story. The illustrations of my book of the 50's was much better, as the three characters were three babies of non gender.

One of the reasons we read is to remind us we are not ordinary. We are beautiful, complex, brilliant, and flawed at any given moment. Mary takes us deep into the parts of humanity we crave: the excitment of desire, the edge of fear, the loveliness of sorrow, the pull of longing, the danger of love, the disconnects...
She captures us with unique images and strong language and moves us toward a greater understanding of ourselves. Those of us who are seaching creativity are inspired.
We're all connected on this path--if only in imagination

Mary utilizes colorful phraseology in her deep and passionate verse. Her contemporary style evokes promise unlike those in similar fashion. I highly recommend this book to anyone who enjoys avant-garde, thought inspiring poetry.

When reading Ms. Eastham's poetry I'm reminded of an impressionist or expressionistic painting. She uses words like an artist uses color. At times the ideas are clear and recognizable coming clearly into focus but more often this artist is not spelling out every detail for the reader. One has to use their imagination, creativity and experience as a human being here. These ideas take a moment to penetrate and sometimes require multiple readings in order to establish a connection. It's definitely an interesting read, one that will give you pause for thought.

Lovely, lovely words and feelings, images and emotion. Amazing writer you are, Mary. What an imagination and talent you have for moving your reader on a deep level.

"When asked to describe her childhood, she said it was like riding a bicycle through sand." Ahhhhhhh. Perfection.

Kissing Harrison sent me on a journey of emotion that comes from rich and authentic details. In the end, I ached for her lost love. Same with the title poem. Beauty, too. Loss and love, the two thematic threads tie the book together. Universal, thus evocative.

Undertones, deliberate? or not? hint at deeper themes. A man can't give her what she wants because another woman has already stolen his heart. hmmmmmmm

To love and to lose. Mary's book leaves me determined to live fully in love while thumbing my nose at the impending loss...

What a joy to find this book. Ms. Eastham has found the words for her heart. This is a lovely, special book of poetry that anyone who has thought they were living life will be surprised by. It touches in deep corners.

"Silver Pennies" was my elementary school poetry book filled with whimsical and delightful imagery of fairies and natural surroundngs. Compiled in two sections, Part I for first through fourth graders and Part II for fifth and sixth graders, many of the poems can be memorized. Others are wonderful for bedtime reading by a grown-up. The poems have charm and sensitivity to the world of children's imagination and speaks of a simpler time when we stopped to hear the fairies.

When Silver Pennies by Blanche Jennings Thompson was first published by The MacMillan Company in 1926, this beautiful collection of poetry for children was bound in cloth imprinted with the silhouette of a small child reaching up to the heavens towards a cascade of silver stars. The current publisher who claims a 1976 copyright is aptly named Buccaneer Books, for they have pillaged much of the charm of this book. The library cover is the dullest imaginable! For the price of this reprint, surely they could have reproduced the cover which so captured my imagination and that of so many other children in years past. I would have given this book all the stars in the world, had they kept those stars on the cover!

Silver Pennies has made terrific bedtime and quiet-time reading for our 3yo. The poems are short enough and entertaining enough to keep a little person's attention, and ours has already found some favorites.

After all the cutesy-wootsy, sanitized, dumbed-down kids' books I've read through, this is a delight.

Although the new cover looks more like a Book Of Shadows than a book of children's poems, the actual writing still has the charm of the original. Beautiful, optimistic, sentimental...a lovely trip back to what was good in my childhood.

A dear old friend gave this book (1952 ed) to me ten years ago. I was only 22 years old then and much to busy for poetry. She died a few years later. For ten years, I didn't pay it much mind. Then I had my first child and began to search among my books for poems that would be good to read at bedtime. To my delight, I rediscovered Silver Pennies. What a find! My husband and I read from it every night and our little 2 year old loves it. It's become almost a ritual at our house. I know my son doesn't understand all words, but the poems have a beauty all their own and he must appreciate it. I've read my favorites such as The Faithless Flowers, Rain in the Night, and Water Noises so many times that they're now committed to memory. I probably know at least a dozen of the poems by heart, which has been a real delight to my son when we are traveling or camping out and don't have books to read or light to read by. I just recite them to him in the dark -- he loves it and drifts off to sleep every time. My husband and I will always treasure this little book.

This review is long overdue. I was given this book by a mentor of mine in high school, fourteen years ago and have always kept it safe and reread it at least once a year. She has a very special place in my thoughts. Without her, I would not have written several poems of my own. I can relate to what the words are said here in this book. Sometimes I wanted what the pages describe to everyone who reads this book. Finally after years, I found that Special Someone and know that I am Something to Someone.

Javan,
I enjoy your books. I am looking forward to more. If you would increase the size of the letters and make them a little darker that would make it as comfortable to the eyes as it is to the mind. When a person goes through their second childhood ,as I am ,one doesn't see as well as the first time they read your books.

Thank you,
Harold Phillips

"At the end of each day
We should be
One step closer
To what we should be"

The pages are unnumbered and there are no titles. The pages like shadows of rippling water in a beautiful pond or dry desert sands blown across a vast escape are classically arranged and present poetic musings of a deep heartfelt nature.

The third poem is a profound start to a book of pure poetic longing. Javan expresses his inner turmoil over life's paradox. He expresses his need to seek balance between two extremes.

"For while some people have
A shoulder to cry on
It is the destiny of others
That they must cry alone"

A few poems are a prayer and others resemble a poet growing through changing life circumstances. The wisdom from a life well lived all while fighting the human condition and realizing the need for human connection.

Javan is a sensitive soul touched by beauty and he expresses his thoughts in poems that read like beautiful gifts from the heart. Now and then you meet someone amazing who sends you a poetry book of great meaning. "Something to Someone" is a beautiful gift where your soul can grow. Thank you!

~The Rebecca Review

These books have helped me through every difficult situation I have encountered. I am amazed that I can re-read them over and over and still be moved by the emotion and sincerity in the words. This is the best set of books I have ever owned.

I received this book among the four-book set of Javan's poetry as a Christmas gift in 2003 and didn't put them down until I was finished reading each of them. Then I read them again...and again...
The poetry within Javan's pages is elegant in its simplistic nature. Instead of intrepreting each with your mind, as with those of the more formal, literary (cold?) genre, you will find that you read them in the format intended - translated with the heart.
Sometimes it is in the simple that one finds the genius of something and I found this particular philosophy easy to think while reading Javan's verses.
I can understand the appeal of his books to a wide audience because Javan's are very open, honest and the life topics written about, apply to everyone - regardless of gender or station in life - never leaving a hint of bitterness in the afterthought of reading.
The story of Javan's journey to publishing sucess (located at is web site) is also interesting and inspiring.
I recommend any of the four books written by Javan, especially to any who never before thought they would enjoy reading poetry. Check out the prices of each book - they can't be beat and are well worth the value!

Twenty-five years ago I read Franz Wright's father's poetry feverishly. Twenty-five years later I read the son even more feverishly. James Wright did do a good job no matter what the son says. Success comes in many different ways. Including loneliness, or "trying/to stay alive", even abandonment. "All is for the best in the best of all possible worlds." This is an odd place I can finally agree with Voltaire's satire in his famous novel Candide.

In the book of poems titled Walking to Martha's Vineyard, Franz Wright will surely ponder reader's minds everywhere. There is a constant theme involving spirituality throughout his poems. Often you will find his poetry calling out to a higher power or demanding faith through fear. He provides a sense of something that is hidden to the outside world that only he will ever fully understand. He keeps secrets from his audience. The spirituality woven throughout this collection of poems can be compared to Rainer Maria Rilke's poetry, although it is not as heavily demanding in the spiritual sense. Wright's actual prose can better be compared to Some Thing Black by Jacques Roubaud.

Franz Wright was born in Vienna in 1953, and grew up mostly in California. He won the Pulitzer Prize for Walking to Martha's Vineyard and was a also finalist for his work titled The Beforelife. He currently lives in Waltham, Massachusetts with his wife Elizabeth and works for the Center for Grieving Children and Teenagers.

His poems are all connected in an orderly fashion that slowly moves the poetry forward with a subtle taste of satisfaction. There is no set form to his free verse and he uses punctuation for a reason, never taking it lightly. In his poem "Fathers," Wright beautifully discusses and compares his own father and a higher power, or a heavenly father. He calls out to the creator of the stars to create a new heart in him. I believe the most beautiful stanza in the poem is right after this when he writes, "Homeless in Manhattan, the winter of your dying." It flows so beautifully on the page. There is a constant sense of wanting to belong and to be loved. The last line reads, "and how often I walked to the edge of the actual river to join you." It is so wonderful because it is so real. It is not known to whom he is calling out to. It could be his real father that passed away when he was a child, or the Heavenly Father. It could be both.

His poem titled "June Storm" speaks about a sad journey through life - always living with a question and never knowing any answers. He always ends his poems with a very solid statement that ties the entire poem together, but at the same time leaves the mind to wonder. In "June Storm" specifically he talks about how as a child and now as an adult he does not know the names of trees or birds or leaves. There is a sense of realization that comes with age and is also despised. He ends the poem in three lines saying, "I felt this as a child, and now I know it."

When reading this work of art, it is best to read it from beginning to end in order to obtain connections and meanings in their entirety. While one poem can inspire you, all of the poems can change you. Wright's poetry should be read by everyone, religious or not, because there is no damnation, only captivating secrets and questions among the pages.

It's a remarkable book, and his poems are so true. Look at the poems about his father; that should make the decision.

With this volume, I believe, Franz Wright finally, fully passed from beneath the shadow of his father, the famous poet James Wright. In fact, upon Walking to Martha's Vineyard being awarded the Pulitzer for poetry, James & Franz became the only father & son tandem awarded the Pulitzer Prize in the same category.

Like a number of critics, I felt much of Franz's earlier work got bogged down in issues relating to abuse and addiction - it seemed for a time he was destined to banish himself to a truncated audience by making himself into a single issue, thematic poet. However, in Walking to Martha's Vineyard, Franz Wright forcefully breaks free from simple categorizations - his poetry comes alive, embracing the whole of human experience, including of course genuine suffering and loss. This slender volume is somatic, visual and emotive - it reaches the reader on many levels. Also it's mastery of the line, the springboard of rhythm, is a wonderful balance of experiment & tradition.

I give Walking to Martha's Vineyard by Franz Wright 5 stars - something I rarely do. I think there is much here for almost all lovers of poetry to cherish. I believe you will find yourself, like I have, returning to its treasures over and over again, always wanting for more.

Franz Wright speaks to me, perhaps more so than any other modern poet, and he does so with an elegant, minimalistic style. He has a keen way of recognizing the common, often mundane aspects of our existence. Yet, when he captures them on paper and puts his characteristic spin on them, it's a thing of beauty.

Not to mention, Wright has lived. I mean really lived. This is an artist who has suffered from major depression, alcoholism, poverty and has come out on top. Although if you talked to him, I am sure he would say that everyday is a journey of new found meaning and sobriety. From interviews I've read, he is a class act!

This collection, as a whole, is about redemption and his new found idea of positive living. Everyone could learn from that.
The poems are never long, never tiresome or tedious and always interesting. He uses rhyme scheme sparingly and when he does, it's hardly noticeable. I also love his use of white space. In my opinion, no matter how great a poem is, if it's laid out poorly it becomes boring and its meaning lost. Wright understands that and has structured each poem to be its own work of art. Some of these poems could actually be framed.

Unlike other Pulitzer winners of the past, I feel that Wright definitely deserves the honor bestowed him.

Favorite poems and quotes from "Walking to Martha's Vineyard":

1. University of One- "And I've lost my fear/of death/here, what death/There is no such thing./There is only/mine,/or yours-/but the world/will be filled with the living."

2. Untitled- "Some say/the more you stray/the more you're/saved,/I wouldn't be surprised/....Set the mind/before the mirror of eternity/and everything will work."

3. Letter- "The humiliation I go through/when I think of my past/can only be described as grace./We are created by being destroyed."

Go out and buy this book. I promise it will speak to you...