Poetry Books
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A pedestal on lifeReview Date: 2008-05-06
TimelessReview Date: 2008-05-03
A ClassicReview Date: 2008-05-01
The Prophet and then SOME!!!Review Date: 2008-03-29
:)
OK, so I was hard headed... I later was introduced by a Brother In Law to Kahlil Gibran and it was like finding a kindred soul. I now totally encourage any one that want's to excel in poetry to read the greats. And you won't find many of the caliber of this man!!! His words sing from the page both in his poetry and in his short stories! I love "Martyr's To Man" (It's been a while but some of the words are still singed in my brain... And I think it truly speaks of the time we are living in now more than ever... From memory so not verbatim...
Are you a soldier?
Who must forsake wife and children?
And go fourth into the fields of battle?
For the sake of greed
Which your leaders miscall duty?
Than you are a martyr to man!
There's more but the gist of what I am saying is if you love poetry and you haven't read any Kahlil Gibran you're missing out on one of the greatest poets to ever live!
And if you write poetry, I firmly believe Kahlil Gibran should be recquired reading!!!
Not that you will feel you have to plod your way through it...
You too, will fall in love with his immense gifts!!!
Sincerely,
And best wishes to all
Chase von
Your Chance to Hear The Last Panther Speak
EloquentReview Date: 2008-03-21


One of my favoritesReview Date: 2008-05-06
All the Advice You NeedReview Date: 2008-04-20
Forget the multitudes of self-help and inspiration books that are out there to help with your career, busines, and life - all the advice you need is contained in the colorful pages of this slim volume.
Dr. SeussReview Date: 2008-04-14
If you've read the hype, u've read the bookReview Date: 2008-04-08
Not eye dry eye to be found...Review Date: 2008-04-05

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love it!Review Date: 2008-05-01
it has rhythm!Review Date: 2008-04-15
Clap your hands!Review Date: 2008-04-15
Love itReview Date: 2008-02-09
Best BoyntonReview Date: 2008-02-08
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One of the best childrens books ever.. also great for adults!Review Date: 2008-04-26
quirky yet sentimentalReview Date: 2008-04-18
now, saying that i absolutely loved Where the Sidewalk Ends should not be construed as a statement that Silverstein's work is shallow. piddling my knowledge might be about bodies of poetry, in whatever form, this one thing i am sure of: that though this book can be read to kids (and [gasp!] can actually be understood and enjoyed by them), it somehow still manages to deliver punchlines that could draw forth a surprised smile or chuckle from an adult--at least those not totally drowning in cynicism or morbid depression. but who knows...
a lot of the poetry here are funny (not outright hilarious, more like plain goofy), and yet come to think of it, still some of those are actually quite sad, with undertones about life and life experiences we take for granted. like the "Snowman", "Invention", "What's in the Sack?", "I Won't Hatch!", "The Garden", "The Little Blue Engine", and even the subtly poignant "Love".
whether you actively seek a moral in any of the poems or just want to go for some light reading, this book (in my opinion) is sure to leave you with a wistful feeling. exactly about what...well, i can't say. but i loved it. and for me that's more than okay.
Cute bookReview Date: 2008-03-15
Great inspiration, relaxation for Virtually Taken Care Of!Review Date: 2008-03-14
Every child should have this.Review Date: 2007-12-15
Buy this. Read it. Love it.
Of course, if you're uptight, think children should never laugh too loudly, then this would NOT be the book for you.

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Not Essays but OKReview Date: 2004-08-10
Judge the book on its own termsReview Date: 2004-01-13
It's time to give the Iowa Workshop a break. Just let it go. I mean, really, whether it's jealousy, or a rejected application, or just some strange anti-MFA vendetta, there seems to be a pervasive, generic attack on all who spent time at the school. People, it's just a school, good or bad. It's not some factory that automatically frankensteins each poetry student into some Jorie Graham/Michael Palmer avant-guardian. We actually have our own minds, styles, and ideas, and some of us even hold onto them well after we graduate. Imagine that.
I can assure you, there are few labels that would accurately portray all Iowa workshop students across the board, especially in the poetry program. You have no idea what it was like there unless you were there, and it varies from year to year. I would be uncomfortable judging people who've just graduated the program on the same standards, attitudes and practices I found during my '95-'97 term.
I'm not saying you have to like it, but review the work itself as it is given to you, not the Workshop or the writer's personal life. Why do people have to dismiss or attack writers and their works simply because they come out of a specific school, or because they are popular, or because the author has some success at an early age? Good writing has come out of Iowa, bad writing has come out of Iowa, just like every other MFA program, publishing house, school of thought, or geographical area.
This is an incredible work. Truly dazzling.
And to the reviewer who slams John for "plagiarizing" Dave Eggers, I can tell you that John had already written several of these essays, and published at least one of them in a journal (the Martha Graham piece)years before "A Heartbreaking Work..." was even published.
John is an exceptionally gifted writer and person, but even with all of his talent and imagination, I don't think he has the ability to steal work that didn't even exist at the time. To that reviewer, do your homework before you use serious words like "plagiarism" - John has clearly done his.
To the World: I Accept Your ChallengeReview Date: 2004-09-01
hermits are suppose to write wellReview Date: 2003-09-13
No Hype for youReview Date: 2003-10-19


GREAT BOOK!Review Date: 2008-05-04
Classic Story Great, but Bad PrintingReview Date: 2008-04-14
The LoraxReview Date: 2008-02-17
Crazy Environmentalist HOGWASH!Review Date: 2008-03-02
If more children were to read this tripe, they might actually begin to understand our inter-connectedness to all living beings, and accidentally inherit a world with a sustainable future. Is that really what we want for our kids?!
Maybe the Bar-ba-loots, Swomee-Swans, and Humming-Fish should think twice before settling in to a perfectly viable habitat with such vast economic potential. (Wink.)
Peace.
An important messageReview Date: 2008-02-28


There's HopeReview Date: 2003-11-04
my thoughts about todayReview Date: 2002-12-14
EXCELLENT WORK !!!Review Date: 2002-12-06
I Thought....Review Date: 2002-10-29
I Thought About You TodayReview Date: 2003-01-25
from my boyfriend Deronti Milam tonight. I could not put it down until I finished the last page. I thought that it was very interesting. On the back cover it states that "this book is for adult women". Men need to read it as well so they can learn what is pleasing to a woman. If more men and women catered to each other needs, there probably would be more committed ralationship in the world today. Keep up the good work and thanks for the autograph.
God Bless
Barbara Walton

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Cute bookReview Date: 2008-04-28
Delightful Book!Review Date: 2008-04-08
Love they rhyming.Review Date: 2008-04-03
Great RhythmReview Date: 2008-03-18
Jamberry: A Whimsical Melody of Words...Review Date: 2008-03-08
I love the detailed illustrations of the book. Look for the crackers lily pads!
A very special unique book. A must have in any parent's reading material for their young child! Don't miss this one!
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How the Grinch stole Christmas- Dr. SeussReview Date: 2008-01-12
A Holiday TraditionReview Date: 2008-01-02
everyones favoriteReview Date: 2007-12-16
Not Just For KidsReview Date: 2007-11-24
Also recommended: Christmas Gifts, Christmas Voices--another story (however, definitely not for kids) about an individual who ultimately is healed and transformed.
the best children's book EVER !!!Review Date: 2008-02-15
When the story begins we are introduced to the Grinch. He hates Christmas with all celebrations down in "Who-ville," a village he can see from his home on a mountain. The Grinch hates the noise, the caroling, the sharing of presents and the feast of "roast beast."
Eventually the Grinch gets an idea--he dresses up as Santa Claus and uses his dog Max for a reindeer; and this perverse take on the real Santa Claus tale is meant to strike people as ugly. The Grinch comes down from the mountain with his sled and his dog Max made up to look like a reindeer. Soon the Grinch steals all the presents, the stocking hung with care on the fireplace mantle, the roast beast, the Christmas trees--and even the firewood!
The Grinch gets quite a surprise when on Christmas day the "Whos" of "Who-ville" celebrate and rejoice anyway--without any material things to mark the holiday spirit. This shocks the Grinch and he must consider the possibility that Christmas doesn't just "come from a store."
Of course, once the Grinch learns his lesson he returns everything and there's quite a huge celebration with the Grinch leading the way as he carves the "roast beast." It's a very positive ending.
The moral of the story for our children is, of course, that Christmas DOESN'T just come from a store. The importance of Christmas with its religious significance and its message of good will toward all mankind is stressed without banging the child on the head too aggressively. The story overall makes for a fascinating experience for the children. I have many fond memories of watching this TV special and reading this book when I was a very young child.
As with many Dr. Seuss books, children can use this book on a concrete, literal level to improve their vocabulary and reading skills. Older kids will learn the importance of Christmas and the need for all mankind to respect each other and share the beauties of the world together.
I highly recommend this exceptional children's book.

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POEtic JusticeReview Date: 2008-04-06
Allan F. Whitney
poes bookReview Date: 2007-12-18
The undisputed master of gothic horror.Review Date: 2007-10-26
The mind of a geniusReview Date: 2007-07-15
The Enduring Master of the MacabreReview Date: 2008-02-18
What is it that makes an author famous? I don't mean famous in the sense a news article reports that "Jack Greylea's novels sold 15 million copies last year," but in the sense that he is thought of as being profound, and seminal. That he is quoted, and scholars analyse his works, and he is looked upon as being the original voice of his style, or the font from which many imitators have drawn inspiration.
Edgar Allan Poe is one such. The very hint of his name calls up images of midnight graveyards, of crumbling mansions lit by wax candles, the home of strange and tormented aristocrats, till the description "Poe-like" can draw as vivid a picture in our minds as "elephant-like."
Yet his output was not great. Basically a short story writer and poet, he produced only one full-length novel, which received more censure than praise, and which very few people today can name. Without wishing to run him down as an author (what he did, he did well, but what he did well, was to be Poe) he was a limited writer, and all of his works over twenty-two years can be contained in one thickish book.
So what is the secret of Poe, whereby a scanty writer becomes the cult-centre of a world of horror that carries his own stamp? It lies I think in two things.
Not to place these two in any order of importance as regards his continuing fame - I leave this to you - but I would say....
Firstly, that it was his choice of subject and execution of it. The mournful, weird and macabre, in which man becomes little more than an instrument of darkness, and that usually the worst darkness, that which wells up from within, whose black light shows us as being not the pawns of evil, but the source of evil itself. But to seize on this idea - or any other idea - as inspiration is nothing, merely the starting point from which the quill hits the paper. It is in the execution of his vision that Poe's genius emerges. Not with a great deal of subtlety, nor a much complexity, but with great and disciplined fixity on the horror of his intentions, Poe moves relentless to the nasty culmination of his stories, and they come to us with all the rawness of unconsoled misery. His art was that of the short story writer, and as such he wrote little, but when reading Poe a little is more than enough.
Secondly, that Poe more than any other author is identified as a man with his works. An orphan and an outcast from his adopted family, overly sensitive and reckless, he lived wildly, lied readily, lived in poverty, married strangely to his thirteen-year old cousin, was widowed miserably, and finally died mysteriously at age forty, from uncertain causes that speculation has named as anything from drug addiction to murder. As if this were not enough, his works were controlled after his death by his executor, who attempted to blacken his name. More than any other author that I can readily think of, Poe was his own tormented, tragic hero, and his oppressed characters were him.
In the nineteen-sixties, several of Poe's stories and poems - The Pit and the Pendulum, The Masque of the Red Death, The Raven, The Tomb of Legeia and others - were made into popular, low budget films, cementing Poe's reputation firmly into the mythology of modern horror movies. It's common of course for movies to be nothing like the original written work, but all of these are based on not on fully worked out novels, but ideas that Poe dealt with in comparatively few pages.
Incidentally, the principal actor in many of these was Vincent Price, whose tall, mournful frame instantly springs to mind as well nigh inseparable from Poe's weird gems.
Related Subjects: Reviews Magazines and E-zines Genres Interactive Electronic Text Archives Forms In Translation Performance and Presentation Contemporary Organizations Criticism and Theory Directories Poets
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