Performance Books
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This is the best spoken word and music I ever heard.Review Date: 2008-04-07
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Good Basic Info on "Smart" Drugs and NutrientsReview Date: 2005-08-26
I find the recipe portion of the book a complete waste, but can see how some might find it useful.
If you know someone who is interested in taking supplements to live longer or healthier - then you need to get them this book - they will love it!

A great book for coaches and phys ed teachers!Review Date: 2004-08-04

Eigenvector analysis of input/output matricesReview Date: 2004-09-10
Seton's method has been used to analyze issues in decontrol in Russia and Eastern Europe (Michael Kaser, The Economic Journal v. 100 (June 1990), 596-615), and to evaluate aspects of the South African economy (D. E. N. van Seventer and F. D. van Niekerk, The South African Journal of Economics, v. 59, No. 1, March 1991.
I have read the 1985 edition, but not the 1992 edition.
This is an author who is as much ahead of his time as William Vickrey was in his 1961 landmark paper.


"Coaching Basketball Effectively"Review Date: 2007-12-23
All information is reinforced at the end of each chapter by Communication Tryouts consisting of five questions that test readers' digestion of main points. These Tryouts may be checked with the author's Answer Keys. Dr. Smith has conveyed information on five major topics: "Coaches Know This," "Basics in Communication," "Clearly Stated (Almost) Everything You Need to Know About Messages," "The Learning Process," and "The Coach as Change Agent." To further reinforce content and fix main points, he has included brief descriptions of each chapter.
EFFECTIVE COMMUNICATION:COACHING BASKETBALL SUCCESSFULLY by Gil Smith, Ph.D, and contributors Elinor A. Smith,Ph.D, and Michael Sachs,Ph.D, offer a "Must Own" Manual modeled for persons involved in or interested in basketball as coaches or participants.
Sandra E. Bowen
Retired College Professor
Author

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I use this in my classroomReview Date: 2007-04-10

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Outstanding Book.Review Date: 2002-11-25
After reading this book, I've come to completely understand particular characteristics of electric motors. Some examples are: the four quadrant operation of motors; dynamic and regenerative braking, and the difference between the two; and voltage control of motors.
Although I've worked with wound rotor motors I've never seen one with a "slip power energy recovery scheme". This book details such schemes which is very interesting.
The cycloconverter is shown throughout this book which I find extremely interesting. Siemens uses the cycloconverter in their marine electric propulsion systems. I now know more about the cycloconverter.
This is one outstanding book.

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Brilliant!Review Date: 2007-11-20

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Examining the Intersections of Oratory and LiteratureReview Date: 2002-04-26
"Eloquence Is Power" cleverly constructs its arguments in the framework of the performance semiotic: each chapter focuses centrally on two, sometimes three key figures at a particular historical moment who enact the struggle for linguistic primacy and social control through, and increasingly, in the mutual involvement of orature and literature. Eschewing the popular teleological view of a cultural progression from `savage' speech to 'civilized' writing, Gustafson claims that not only are the two insistently linked throughout the history of early America, but that each develops with notable contributions from Euro-American, Native American, and African-American, and sources. The central question of the book concerns power relations and their respective derivations. In the religious and political realms that provide consistent loci of cultural tension for Gustafson, inspiration and textual precedent are both at odds and variously incorporated in disputes over who has legitimate authority.
Beginning with the friction between Anglicanism (text-centered) and Puritanism (speech-centered) and their early efforts at conversion of the Native Americans, Gustafson shows how the supposed universality of the prepared text and the supposed appeal to the individual from extempore speech form a paradigmatic conflict that is repeated throughout American history. The following chapters detail the ways in which gendered and racialized modes of access to divine and scriptural authority provisionally threaten, but are tenuously contained by public displays of white male power. Publicly enacted debates over the relevance of feminine piety to religious communities ensue in the interstices of the ongoing performance semiotic between the arenas of speech and text.
In her account of Euro-American encounters with racial others, Gustafson discusses the appropriation of 'savage' performances in the religious conversion of Native and African-American populations. Aspects of these include the gesticular performances, and ritual qualities of both Native and African religious ceremony, manifesting itself as mimicry with a difference in the mobility and adaptability, and even linguistic translations of Euro-American itinerant preachers and missionaries. Of course, the mimicry with a difference is primarily attributed to 'Othered' American subjects, as shown in Gustafson's discussions of the careers of Samson Occom and John Marrant, who incorporate Euro-American evangelical styles hybridized with Native custom to serve and alter the interests of Euro-American Christianity. Gustafson clearly delineates the methods by which colonial authority maintains a cautious relationship toward the potential ascendancy and potential threat posed by the exploited Native, the enslaved African, and the suppressed woman.
Turning to the American revolutionary moment, The mixing of oratorical and textual modes troubles and defies any teleological notion of American national development through the spread of print media alone. The two, for Gustafson, are mutually-sustaining, continually challenging and reinforcing each other. The primacy of the body as semantic vessel returns in the pre-revolutionary period as the Boston Massacre furnishes revolutionary orators, writers, and engravers with an occasion to exercise their eloquence against insupportable English forms of tyrannical control. Deftly, the argument shows how public sentiment in the years following the Boston Massacre and the tradition of annual oratorical remembrances elide the initial identification of racial scapegoats, turning all of the American casualties into martyrs in the struggle for American independence. In the aftermath of independence, Gustafson shows how nothing was cleanly resolved by either the Declaration or the Constitution, as public debate raged in the form of party politics concerning the appropriate form that the new American government should take, as well as in an examination of George Washington's presidency and beyond.
Gustafson's "Eloquence is Power" is a fascinating reassessment of early American history at the intersections of literature and orature. In recuperating the influence of women and ethnic minorities on the formation of the American public sphere, Gustafson offers an inclusive and important study. Professor Gustafson's prose is lucid and devoid of academic jargon, making her arguments easy to understand and follow throughout the book. "Eloquence is Power" is a book that is informative, accessible, and enjoyable.

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Great Help for the ClassroomReview Date: 2008-03-07
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Intoxication: Heathcliff on Powell Street
The band work like that in the "Clown" CD comes after the performance poetry theater events archived in the book. If anything, it sounds much more radio friendly and even entertaining. She comes "as close to singing as anyone can without really singing," a playwright wrote of Gorski vocals. It is really something that should be part of every slam poet's collection. Has anyone been thinking that all the slam poets are beginnig to sound the same? How about Def Poets? Are they all beginnning to deliver the same style of poems and voice inflections? I think so. That is why performance poetry is so much better than slam. Especially the one and only original performance poet, so-called, on the CD. Gotta hear it and own it before the CDs disappear. Really a treat.