Literature Books

I think deconstruction is important but have difficulty understanding it. This book is the only lucid explanation I've seen of it's basic principles.

If you are beginning to read derrida, this book will be very helpful. Now if they only made one for Judith Butler! (Skip the Foucault, his theories are not that complex.)

Derrida is my favorite philosopher. I don't think that his 'Deconstruction' is holistic necessarily but the gist of it explains the inherent problems of doing philosophy better then anything else I've read.

Unlike the greats of Science who simplify complex ideas (i.e..Stephen Hawking, Richard Feynman), the guru's of philosophy take fairly straight-forward ideas and shroud them with such mysterious sounding proprietary language that their work becomes nearly impossible to decipher. Derrida is no exception. This is a shame because his underlying message is brilliant...and really not not all that abstract.

So until philosophers realize that less words does not directly translate to less intelligence, we should be very glad to have commentators like Jim Powell around.

"Derrida For Beginners" concentrates on developing the key concept of "differance" and defining the necessary Derridian terminology used to communicate its meaning. The book clearly defines, "binary opposites", "texts", "logocentricism" etc.. and has plenty of diagram's to help you get the idea. While I can't say the artwork did much for me, the cartoon setting does force the message to be carried accross succinctly...no babling. The first book I read after failing miserably to tackle "Of Grammatology" was "Derrida" by Christopher Norris. While his was an excellent introduction..I will say that after I read "Derrida for Beginners" I went back and read most of Norris' book again and got a lot more out of it. Try this: read "Derrida for Beginners" as many times as needed until you have all the words in bold print at your fingertips..then, read Norris' book "Derrida". With this few hours of investment, do some online searches and read some of the commentaries and criticism of Derrida. You will be surprised at how badly he is misunderstood by so many who have studied him a lot more then you, and should feel good about your knowledge in comparisom. Of course you then need to get humble again so start reading "Of Grammatology". :)

This book is concerned with making accessible the often inaccessible Derrida. Derrida's philosophy will help you develop a healthy sensibility and cynicism for 'knowledge' and 'representation.'
Do not be fooled by the 'for beginners' title; it is not simply an introduction, it is a hands-on intepretation of several his 'major' works. The book has any value for anyone interested in learning about the world in which we live.

This book is concerned with making accessible the often inaccessible Derrida. Derrida's philosophy will help you develop a healthy sensibility and cynicism for 'knowledge' and 'representation.'
Do not be fooled by the 'for beginners' title; it is not simply an introduction, it is a hands-on intepretation of several his 'major' works. The book has any value for anyone interested in learning about the world in which we live.

Superb. Simply. Great literature. The character of John, the main character's friend was the best and most gratifying of all. Please obtain and let your eyes go to work. To think the author died short of fifty. Man, we get burned sometimes.

I am thilled to see this book being available in hardcover and paperback as well. I read this book about ten years ago and I read it regularly every couple of years. The story is very compelling and the scene of the protagonist walking home through a run-down community is a classic of American literature.

What this book and O'Connor's other novel, The Last Hurrah, apart is the writing. In an era where writers seem to challenge one another to be more like Faukner and less comprehensible to the average man, O'Connor wrote very well and his language is beautiful. From this fine prose arises really deep characters which are flawed and so easily identifiable to us all.

I found this to be a wonderful novel and a great pleasure to read. I have been trying to find this for years and could not in any bookstore. While this could not translate to the movies as easily as Last Hurrah, I found this to be so much more interesting. A truly Catholic novel, it is a joy to find something that takes spiritual issues seriously and yet is hardly preachy. And if you are Irish, the dialogues of the "friends" of the family will make you laugh outloud while reading. This brought back the charms and frustrations of my childhood and my own family of Irish aunts and uncles. Long but worth the effort. A great find.

As I was reading THE EDGE OF SADNESS, I couldn't help but think that in 1961, when this Pulitzer Prize winning novel was published, it must have been rather controversial. It dealt with the humanity of priests, noting flaws but in a respectful manner. While some writers such as Georges Bernanos dealt with such issues in his DIARY OF A COUNTRY PRIEST, American audiences were still used to the Hollywood Big Screen concoctions of Spencer Tracy--Father Flanagan/Bing Crosby--Father O'Malley models of priesthood. While the priest in THE EDGE OF SADNESS may be worthy of the warmth and love given to his movie counterparts, he's hardly perfect.

The novel tells the story of an alcoholic priest named Hugh Kennedy beginning again in ministry in an older, run down parish. Readers get a sense he's not the priest he once was, and throughout the novel we learn of his early ministry, the ramifications of the death of his father, the struggle with alcohol, and the loneliness that is a real part of his life. The book is written in the first person, and we hear the story of his life as he tells of his rekindling of a friendship with the Carmody family: Charlie, the patriarch, his son John the priest, Dan, the ne'er do well, Helen, the outspoken sister married to a doctor and Mary, the daughter who remains at home to care for the aging but still independent and at times ruthless Charlie. We also meet a host of minor characters: Helen's husband Frank, their son and daughter-in-law Ted and Anne, Charlie's longtime friends P.J. and Bucky, Roy, the maintenance man who works at Fr. Kennedy's church, and Fr. Stanley Danowski, the endearing yet naïve and at time nerdy young curate at Fr. Kennedy's parish. As the events of the novel unfold, we see changes in Fr. Kennedy as he discovers his love for God and his vocation.

This is an older style novel in many ways. O'Connor is not short on words and he gives a number of details, yet the novel flows and is a fast read for a volume of nearly 650 pages. The issues of struggles in priesthood, vitality of parishes, older priest verses younger priest, unstated yet real competition between clergy people, and a hunger for God are all present in this book. In some ways if some historical details were changed in the book, it could be about modern day Catholic life. Perhaps this is the power of this book and why it can seem timeless. While it tells a story from an earlier day, it's not an invitation for nostalgia, at least for Catholic readers. Instead it will remind readers of what truly matters in life: the importance of faith, and the importance of having people who love us and people we love in return. While it may seem dated in some ways, readers will agree that the editors at Loyola Press were correct in reissuing this book as a classic.

This simple but beautiful bittersweet story of life among the Irish-American citizens of an unnamed eastern city is a joyful and beguiling tale. O'Connor's characterizations and dialogues are engaging and from my personal experience utterly authentic. I feel as though I have met all the main chacters and could give them names among family and acquaintances. The set piece of Father Kennedy' battle with alcoholism is tastefully done.

A bored emu named Edward in a zoo envies his seal neighbours and decides life would be a lot more exciting as one of them. He hops the fences of both enclosures in this poorly designed zoo and lives life as a seal. The customers and staff at the zoo aren't the brightest and don't notice any difference between him or the other animals let alone return him to his own enclosure so he's all set being a seal. Only he overhears a member of the public say that his favourite animal is a lion so Edward decides to hop the fence again. Hanging out with the lions (who don't eat him for some reason) someone else mentions snakes are their favourite so he decides to become a snake. Is it really a desire to be different Edward is after or is it something else. Read this book and find out!

The illustrations are very well done with minute attention to detail resulting in very realistic colour sketches. My only criticism is that it would be nice if Edward had visited a few more animals but that's the only bad thing I have to say about this book.

There's also a sequel available called Edwina the Emu.

Edward the Emu is sick of being an Emu, so he tries out being a few other animals at the zoo, only to discover that the visitors have many favourite animals.
The story is told in a lovely verse and the illustrations are one of the best I have seen in any children's book. Edward The Emu is funny and engaging with a simple message of valuing oneself.
Highly recommended.

Edward the Emu is just a precious story with the funniest illustrations! My kindergarten students love this book! It is one we keep out all year and read lots of times. Edward makes us all laugh, especially when he is trying to be a snake, they think that is a really funny thing for an Emu to be a snake! You will enjoy this book.

Although this book has been in print for over 20 years, its still enjoyable. The story is told in rhyme about Edward the Emu who lives in a zoo. He's not happy being an emu so he visits the other animals pretending he's one of them. The book's moral is be happy with who you are. I used this as part of my character eduation in the First Grade. The children had fun finding the rhyming words too. Nice story with a moral.

I have been buying this book for nieces, nephews and random children for years, ever since I first brought it back from Australia 15 years ago.The story teaches a moral lesson about accepting who and what you are, but the rhyming text and glorious illustrations make the lesson a joy.

Both my 5-yr old and my 2 1/2yr old girls love this book! So simple, and beautiful pictures!

I gave this book to my daughter on her 2nd birthday and for over 7months now it has been one of her favorite books she has her Nonna read her "Busy Timmy" everyday and when its time for my daughter to do things on her own like use her potty or eat if you remind her that Timmy does them she just can't wait to do them as well! This book is a treasure for any toddlers library!

I love this book. I grew up with "We Help Mommy". It brought back memories and tears!

Eloise Wilkin Stories (Little Golden Book Treasury)
The sub-title says Little Golden Book Treasury and treasury is an appropriate title. This book is a treasure! Each of the 209 pages is a delight! The pages have a sentimental familiarity for me as I can remember relishing them as a child, reading them to my children, and now sharing them with my grandchildren. The reproduction is excellent- much better than some other publishers are offering- each detail still intact altho some of the images are as old as 1948. I heartily recommend this edition to anyone who enjoys the peaceful beauty of Eloise Wilkin's illustrations!

My toddler loves Eloise Wilkin's illustrations-- they clearly make the "babies" (as he calls them, whether they are or not) very sympathetic. He will ask frantically for the "baby stories," and start begging for more when we get to the penultimate page of whichever one we're reading. Some of the books selected for the anthology are a bit long/wordy/tedious for a very young child, but half are suitable for even the youngest. I was sorry to see that "We Help Daddy" was not included along with "We Help Mommy," but that's my only complaint.

my eight year old got this when she was 7. she loves it. nice pictures and explanations. Needs parental supervision of course. I would recommend this book if your child loves science. fun family bonding time! Teaches children science concepts in a fun way!

This book is so cool. Bought one for a gift but will be buying one for my house.

Great book, chocked full of projects. Easy to follow instructions. Many of the items for the experiments are household items, which keeps the costs of supplies low. Parental participation a must with some experiments. A+ book.

My 7 year old daughter and I have been going through some of the experiments in the book. The experiments are easy to follow and the explanations are basic enough for a 7 year old to understand.

2 things - 1) you have to do the dissolving egg experiment... it's fabulous!! 2) pay attention to the age range - my nephew (the intended recipient) loves science (okay, exploding things...) just turned seven and he is definitely too young for the detailed explanations. He didn't like the delayed gratification but he did get a kick out of the results the following week... for the younger kids you might want to do the experiments yourself and then once you have results let them get excited about it... the bouncing egg... after accepting that it didn't happen just then!! ... was a huge hit the next week. This really is just an AWESOME book...

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Wonderful is too weak a superlative to describe this book. Written in a factual style and incorporating historical events such as Peary's trek to the North Pole, it is one of the most delightful stories about Christmas ever written. There is also a detailed account of the land expedition by Will Steger, the only man to actually see Santa's village at the North Pole.
The chapters are:

*) The reindeer by the river: It was a wondrous thing. In which the author tells of his search for the true Santa Claus.
*) The echo of hooves: Searching for yesteryear's reindeer. In which Santa's history is detailed, past adventures are recounted.
*) The North Pole today: On the roof of the world. In which the kingdom is visited, the elfin life is described.
*) The miracle of reindeer flight: Mysteries explained, science revealed. In which the way he does things he does is discussed.
*) Eight tiny reindeer (Plus one): Santa's starting team and his helpers. In which a host of heroic animals and people are met.
*) Like down on a thistle, evermore: Work that never ends. In which the future of Santa Claus and his mission is pondered.

The spirit of Santa Claus within the concept of Christmas is a powerful one, in this book you can capture some of that spirit and appreciate the strength of the man and his mission.

I have this book, with some handwritten annotations. The author got a couple facts wrong, but then I used to be in the Air Force, worked in many. many different command posts and operational centers, and well somethings are still classified. Some good guessing and all!

Cute book, I love it, my husband, a "Santa Helper" loves it, our teens liked it (really!) and the few copies I have given as gifts were very well received.

If you have older kids this is a great book.

I have the movie with Bridges and Thomas and I love it. It is called "The Christmas Secret" it is suppose to be taken from part of the book "Flight of the Reindeer" I don't know if that is true or not. Because I did not buy the book yet.

There is a Santa Claus! This is an amazing book, written in documentary style about the existence of Santa and his reindeer. It is a delightful addition to anybody's coffee table at Christmas time or any time. I really love his description of how he found Rudolph, and how he guided the team that one year, a small reindeer with a big heart. The description of the reindeer's year is fascinating!

This book will warm the hearts of Virginias everywhere. Yes, there is a Santa Claus!

I found this a long time ago in a bargain bin for $2. I *love* this book--it's one of my all-time favorite books. Although I haven't put up a tree in years, it's now a tradition to read this book every year. It puts me in the Christmas spirit--and adds realism, proof and perspective to the Christmas mission.

Buy it and make your own family tradition.

Maybe it's not the first of the civ building type games, but it's the first rule set for those games. Played between H.G. Wells' kids, with him as moderator, this nation versus nation in combat and comerce game is still fun to play. It's very family oriented and a good way to bond with parents and kids. Since everything is physical there is no ambiguous rules to be misinterpreted, this helps belay blow ups between siblings. A fun fun game for all!

Loved the book and the game! Thanks Skirmisher for bringing HG Wells back to the masses!

I am long-time gamer and also a great fan of H. G. Wells. When this reprint came out, I knew I just had to have it. It is really neat. Thanks to Skirmisher Publishing for making it available again!

If you haven't read H. G. Wells's "Floor Games" (and the later but better known "Little Wars") you owe it to yourself to check them out. They're funny, creative, insightful, and elegantly written--a century-old testament to Wells's genius. Kudos to Varhola and Skirmisher Publishing for rescuing these classics from obscurity.

I must admit I had not heard of "Floor Wars" prior to reading "Little Wars". The book predates "Little Wars" but is often considered a companion to the other book. It focuses more on the collecting and building of settings than actual wargaming. The books compliment each other well. "Floor Wars" sparked my imagination even more...taking me back to the little countries and armies that I used to think up in my youth. It was amusing listening to Wells go on about how good figures for certain periods and ranges were not available. I guess nothing really changes after all!

Brilliantly photographed. The sheer joy of yoga shows on all of the little faces. I plan to use it as a teaching tool and hope my little yogis find joy in my classes.
Namaste

This book is great! I like to do a lot of fun things with my kids and this book helps me to "instruct" the under 3 crowd in my house. The kids love it and everyone laughs when we do it! A definite must buy!

"Fly Like a Butterfly" is truely exhilarating and simply FUN! The photos are absolutely beautiful.
I have nine nieces and nephews and practice yoga with them weekly. They LOVE the "Frog". Because of your book we have a new found love.... YOGA!
Thank you Shakta for bringing "Children and Yoga" into my life.

This was my first children's yoga purchase which I still use today when teaching young ones. This book gives many different stories to tell as you are teaching children to move their bodies and breath within the poses. A great tool for educators and parents of children preschool through elementary age.

Out of three Children Yoga books I bought off of Amazon, this was far the best! it gave me a lot of ideas to work with and was able to build up a lot of lessons to teach the children. Children love the chanting meditaions and acting like the animals in the jungle story.

At school my whole class read this book for read aloud! It was a very good book. Frida was very good at art. She had five sisters but it seamed like they didn't pay attention to her! She was always lonely and she was bored.But atleast she had Imaginary friends to comfort her. One day she got in a horrible bus accident! Read this book to find out how Frida turned out after her pain. Reccomended for people who may want to learn how to turn pain into beauty.

I own the Spanish version of this book, and I love it. So do all my students - I teach Preschool Spanish (ages 3-6). My 5 year old daughter is an artist and she loves the vivid colors and imaginative characters that follow Frida through her life. The children I teach do not know Spanish, but they are able to look at the pictures and understand the story. They regularly request this book and enjoy looking for the 'spooky' characters.

My son and daughter could really relate to another person's life thanks to this well-written and cleverly illustrated book. Frida was, as they are now, someone who wasn't always able to have her mother's attention. She lived out fantasies in her mind, just as they do. She used her imagination even when she was unable to move her body, just like they do before they fall asleep at night. Frida's quotidian and extraordinary experiences spring to life thanks to the inventive illustrations and sympathetic writing.

More than once, creating art saved Frida Kahlo's life. Even though she had five sisters, she was almost always lonely and sad. When she was infected with polio and she was very sick, even her imaginary friends couldn't cheer her up, but painting and drawing rescued her. Most of her life, she was in heart-breaking pain after being in a horrible bus accident. Read this book to find out how art saved her once more. Recommended for people who want to learn how Frida Kahlo turned terrible pain into beautiful masterpieces.

My mom read me this book and I saw that art is important and special, it can save you and allow you to express your imagination even when times are tough