Literature Books

This is just the basics. Our son loves learning Spanish. He's 3 and I want to encourage it. My old tapes are coming back to me from Jr. High and High School Spanish. I'm able to help him with simple sentences using the words from this book. He really likes the pictures. Some of the words are different than in other versions. This can be a bit confusing. Not sure which is correct all of the time, but it serves our purposes. We have two other versions of this dictionary and cross reference. My son likes it because he knows it guarantees more reading time with mom.

I bought this book to help me learn Spanish vocabulary and I like it a lot. The pictures are very cute and it is also good to have the Spanish and the English. The only problem I have is that some of the words are words that are no longer used in Spain, or words that are only used in South America. If you are trying to learn South American Spanish, then it is the perfect book for you, but if you want to learn Spanish from Spain, then it is helpful if you have someone that can go through the book and point out the words NOT to learn.

This word book is great! My son already knows more Spanish than I do, but I was in search of a book to help with every day words and this book is great! I have learned alot from it and the pictures are a plus too!

My toddler loves this book because of the photos of objects and children. Other books I looked at had illustrations but were harder to understand. This one is great!

EXCELLENT BOOK FOR KIDS EDUCATION, TO LEARN ENGLISH OR SPANISH

It is not often that one finds the combination of beautiful writing and a compelling story. Nature Lessons is that and more. Set against the exotic yet turbulent atmosphere of South Africa during apartheid, we meet the young Kate Jensen, who recounts her life with a mentally ill mother. Woven in with the story of young Kate, is the journey of the older Kate who returns to South Africa to search for her mother. Their stories create a tapestry rich in the lasting effects of cultural, political, and psychological dynamics on a young girl. It grips the reader from the first page and takes one on a haunting journey.

Intriguing storyline and amazing use of description. Lynette is a first-class story teller and author. This is a book you won't want to put down.

This is a great book. For those of you who loved Oprah's book club, this is much like her selections but not as grim. The story keeps you guessing, the characters are well drawn interesting people. The story is set mainly in South Africa and illustrates the effects of Aparteid on a society from a child's perspective.

Brasfield creates a fascinating mystery out of her protagonist's desire to understand a painful upbringing. She weaves together information about Kate Jensen's mother's mental illness, her country's political climate, and the oddly over-zealous attentions of her uncle, Oom Piet. Brasfield's management of a mentally ill character is particularly impressive; Kate's mother is neither simple nor predictable. If you enjoy reading about politics, South Africa, relationships between men and women, family interactions - or even if you just like a good mystery - read Nature Lessons.

This beautifully written novel highlights the dilemma of a dysfuncional mother/child relationship and the havoc it creates in the development of the child. The perspective of the daughter grown and the daughter as an adult that Brasfield takes, elevates the story to far more than a good read. It is food for thought so intense that there isn't a page that the reader will not nod and say, "Yes. I've been there. I know just how she feels."
Brasfield poses the eternal question of how to judge a child's assessment of its mother and who can define what is abuse and what is rational behavior. She also points up the dilemma of judging mental desease in the context of the times. For example, the mother in Nature Lessons is living in South Africa where many of her paranoid delusions have basis in fact. Who is to say that she is not right? Who can really know if the government is not indeed spying on her and her family. This is a book you cannot put down and when you reach the last page, you will want to reopen it and start reading this poetic prose once more. The issues presented are those that no one can forget. We all are living them and battling their effects throughout our lives.

I had the privilege to study the history of the Germanic languages from a photocopied version of the manuscript for this book back in the day. Though the title makes it seem targeted at students of Old English, it actually gives equal weight to all of the Germanic languages, notably Old High German, Gothic, and Old Norse (Icelandic).

Each chapter begins with the parable, "The Sower and the Seed," in the language of the chapter. This text was chosen because it's actually found in the existing manuscripts - - the Bible tended to be translated into the vernacular early on, and disseminated widely - - and because this story has a goodly amount of grammatical action. "A sower went out to sow seeds" gives you three variations on the basic stem of , and you can see how that idea is reflected in each language.

Using the same text also makes for great pedagogy. After a few chapters, the student *sees* the differences immediately, and automatically starts thinking about the language at hand.

It would be easy to make a book like this a collection of reference grammars with a boring list of similarities and differences from one language to the next. Robinson avoids this, and writes in a lively and interesting style. I highly recommend this book if you're interested in the history of the Germanic languages.

This is a wonderful book, and I doubt if any serious reviewer will give it less than five stars. It is exceptionally well-written by an author who wears his immense learning lightly. Devoting a chapter to each of the known early Germanic languages -- e.g., Old Germanic, Gothic, Old Saxon, Old English, Old Frisian, etc. -- Robinson shows how the languages developed, how they shared common characteristics and developed new ones, and how they to some extent must have cross-fertilized one another. In the process, he shares some fascinating information, such as the development of "Futhark," the runic alphabet in which Old Norse was originally written, and makes a cautionary remark which explains that we may know a good deal less about early Germanic writings skills than we think we do: "It is easier to write a letter on a stick than on a stone." He also tackles some deep linguistic issues, such as the reasons why the idea of a language-tree may be misleading, and why the analogy of biological taxonomy to language typology can be problematical. When biological species diverge, they never re-converge. But tribes, armies, villagers, etc., my split up, rejoing, form new groups, etc., so their languages may diverge, reconverge, borrow, meld, and otherwise demonstrate a more complicated history than a "divergence from a common ancestor" model might suggest. For example, Robinson concludes there never was a "common language" which could be called "West Germanic."

Robinson also points out the limits of our knowledge -- so much of our reconstruction of these ancient languages depends upon translations of the Bible and other religious texts that we know very little about the idiomatic usage which surely characterized the "everyday" use of these tongues. We have to be grateful to Robinson for a book which is unlikely to be equaled, much less surpassed, anytime soon.

This book was my first introduction to Germanic linguistics. The book begins with a chapter entitled "The Germanic Language Family." Although the discussion is, for obvious reasons, framed in terms of the Germanic languages, this is incidentally the best and clearest exposition of the principles and techniques of historical linguistics that I have ever read.

The next chapter, "Germanic: A Grammatical Sketch", lists those features of phonology and grammar which characterize the Germanic languages, richly illustrated with examples, mostly from Gothic. That's because Gothic is considered to have preserved more archaic features than the other languages surveyed, and to best represent what proto-Germanic must have been like.

There follow chapters on each of the following languages: Gothic, Old Norse, Old Saxon, Old English, Old Frisian, Old Low Franconian, and Old High German. Each chapter begins with a short history of the tribe(s) which spoke that particular language, usually 4-5 pages worth.

Following this is a short listing of texts from which we derive our knowledge of the language. This obviously varies from language to language. In the case of Gothic and Old Saxon, the texts are few and are listed in their entirety. In the case of Old Norse, Old English, and Old High German, the number of texts which survived is too numerous to list them all, so the corpus is merely described by genre, with a few outstanding representative texts listed.

Next are two short readings in the language. These are limited by the scope of the texts that survive in the language in question. The first is usually the Parable of the Sower and the Seed from the New Testament, to allow for easy comparison between languages. The second is usually from a text unique to the language: for example, the second text in Old Norse is the story of Thor and Skrymir from the Edda; in Old High German, it's from the Muspilli; in Old Frisian, it's from a Frisian legal code.

Following the readings, there is a glossary of all words contained in the readings.

Next there is a short grammar of the language, which covers spelling and pronunciaton pretty thoroughly, and offers a less thorough treatment of grammar. The author clearly states that he did not intend to present a comprehensive grammar for each language. The intention is to give the reader the noteworthy characteristics of the language being considered, and especially to illuminate how it is similar to, and how it differs from, the other early Germanic languages.

The next section for each language covers some topic in Germanic linguistics; the author chooses a general topic which has special significance for that chapter's language. For example, for Old Saxon, he discusses Germanic alliterative poetry. This is particularly relevant to Old Saxon since our main representative text in that language is the Heliand, an alliterative epic retelling of the events in the life of Jesus.

Finally, there is a bibliography for each language, usually containing about 10-12 items, which directs those interested to further reading. The lists are relatively short, but I have found some real jewels there; McDonald-Stearns treatment of Crimean Gothic, for example.

The author concludes the work with a discussion of the grouping of the Germanic languages based on grammatical and phonological features, together with a chart listing some of these features and the early Germanic languages which exhibit them, for ease of comparison.

This is one of my most treasured books. I purchased it 10 years ago, and still keep it by my bedside. I've read it innumerable times from cover-to-cover, and also enjoy opening it at random.

This book is an exceptional piece of literary work. This book compares old English to it closest continental relatives. I particularly enjoyed the preamble at the beginning of each chapter that discusses the history surrounding the people that spoke such languages as old Saxon, old Norse, old Friesian and other Germanic dialects. This would be a valuable tool to the student or to the armchair Etymologist/early medieval historian.

Orrin Robinson has done what many suggested could never be done -- or done well at any rate: he has constructed a useful, solid introduction to the whole of early Germanic linguistics, hitting all the high points, with concision, without merely paying lip service to each language. It's a terrific starting point for comparative Germanic linguistics -- from which you can move on to more exhaustive works on the individual languages.

Robinson covers seven key Germanic languages here, each in its own chapter: Gothic, Old Norse, Old Saxon, Old English, Old Frisian, Old Low Franconian, and Old High German. In each chapter, he situates the language in its proper historical context, discusses its development from Primitive Germanic, explains its phonology (useful crib notes to refer back to when you need to remember how to pronounce Old Saxon or Gothic! :), talks about the key literary texts in the language, offers two or three reading samples in each language -- with glosses and cognates in the margin and a short glossary following, provides an overview of the grammar, and more. Each chapter also concludes with a Further Reading section, telling those interested in learning more where to turn next.

This is quite a lot to have accomplished in such a relatively short book (c.300 pp.). Robinson's writing is a model of clarity, and the book never plods or becomes too overwhelming or too dry. I've read this book more than once and I refer to it often, which is a compliment of another sort. Very highly recommended indeed!

Dazzling and intense works. Good overview of his output. Although this is not the Collected Poetry of Heaney it does contain almost all his best poems up to 1996, as well as his Nobel Prize acceptance lecture (a gem) and an excerpt from his play Cure a Troy. Essential poetry volume.

I needed the book for a class... I went in to reading it like it was going to be garbage... But it actually was a little bit interesting...

strong poems, there is a sadness and a resignation of fog that permeates these poems. this is a melancholy man, one for whom the all-pervading glue of inaction and paralysis bounds him to a bleak world, soiled and grey and drab. this is a weary poet, too nauseated with reality's bruised soldiers, slovenly rudeness, the uncouth glutton, the debauched fiend. i enjoy him, immerse myself in his dust-gloom, his inability to soar into elation and falcon-freedom.

author of Lorelei Pursued and Wrestles with God

After currently studying the quality of Seamus Heaney's poems, i am quite sure that this book will not dissapoint you. The quality of Heaney's poems are somewhat outstanding, they are a shock, as you dont normally read poems of this sort, and once you read one, you have to read the others. One of my personal favourites is Mid-Term Break.

Written by Kirk Aged 14

If you have not read Seamus Heaney, then you are not in touch with what the English language is in its heart. Heaney's simple, unstrained word usage, coupled with a deep knowledge of the rich Anglo-Saxon which is our cornerstone, evokes a strength which comes not so much from what we see and know as from something which is rooted deeply in our psyches as Anglo-Europeans (or at least those living in and a part of such cultures). Heaney also brings to light the beauty of the ordinary, primarily by weighting it with the yoke of history and the various passions of his fellow man.

I bought this collection because I enjoyed others of his works (especially The Spirit Level and Seeing Things), which I uncovered at the library, too much to go long without his poetry. And this collection turns out to have all of my favorites from those volumes, as well as the best and most skilled of the poems of his earlier volumes. Do I recommend it? I wouldn't have prominently displayed the fact that I was reading it in numerous public places if I didn't, now would I?

I ordered this book for our library's collection (for education students, to help them understand all faiths their students might be), and I still have the habit of reading everything I order-and I'm very glad I read it.

The artwork is wonderful, but the real magic of this book is it's handling of many aspects of being raised Pagan. Young Rabbit has been raised Wiccan by her parents and each of the major rituals and Sabbats are examined from her point of view, as are their understandings of the dieties, how to deal with teasing, and stewardship of the Earth and other people. Stories of everyday life and ritual life are mixed in with explanations of Sabbats and there are great real-life examples of how to bring a child into Circle worship with parents. It makes me wish there was a larger family-centered Pagan community in my area to share with my son.
This is definatly a book written for an American child (it mentions the US more than once), but it would probably be appropriate for a UK Pagan, as well. Excellent resource for Pagan children up to about 3rd grade, for Pagan parents, and for educators or neighbors who have discovered there is a Witch in their community.

First of all I need to say that I personally know Lyon. But don't let that make you think I'm biased.

All of Lyon's books are fun and down to earth so they can be enjoyed by both children and adults alike.

Not only does she write children's books, but lives the spiritual lifestyle as well.

If you have young children in your life and follow the pagan lifestyle, I'm confident you will not be disappointed in this or any of Lyon's books.

Highly recommended!!

Beautiful art work. Execellent story and lesson for the pagan child or any child for that matter.

I've read this story to my daughter dozens of times, and while she is only 2 she loves this book. I've had to memorize it because she pulls it into her lap and pretends to read as she turns the pages. Okay, enough of the cute stuff. Lyon has captured essential pagan themes and practices in an absolutely terrific story about Rabbit and how she has learned pagan customs and festivals. If you have been searching for that book to help your child understand your beliefs, stop now, get this book. P.S. SHE ILLISTRATES IT TOO. This is one seriously talented author.

My daughter loved this book and i learned a few things as well. It's a great tool for teaching children about their parents' pagan ways and covers alot of info about the 8 sabbats, circle, goddess, etc. It's written in the form of a 'storybook' but with all of this info contained within the story. I would highly recommend it!

Pale Phoenix is a wonderful book. so detailed and well written that you can see your self there with the main characters. enchanting and a joy to read. i first discovered it 6 years ago at the local library and ive been rereading it(and i dont like to reread books *nods*). adios

This was a great book. The author kept you in suspense until you figured out what was going on. It is about a girl named Miranda and her parents. They take in an orphan named Abby. It was going okay, and then Miranda realized there was something weird about Abby. Then she started searching Abby's past.

This is another fine example of Kathryn Reiss's writing. I think it was a great book. I read atleast 4 times because I loved it so much. I really hope Kathryn Reiss becomes well-known. She has a great imagination and sense of literature. This classic tale about a pheonix rising from the ashes is a great story for young and older people to enjoy. I'd give it 10 stars if I could.

The only way that you will reall you will really understand this book fully is if you read the first book, Time Windows. The basic plot is that a girl , Miranda has a very great life with her parents and neighbors in her small Northeastern town until they take in this orphan named Abby to live with them. Miranda and Abby do not get along a weel and things change for Miranda. She beginds to start uncovering Abby's amazing past and helping her deal with it. If you read this book you will really benefit from it becuase, if you read anymore books by this author, the character Abby appears in many of them breifly.

This story is so suspenseful, that I was kept on the edge of my seat the entire time! This time-travel book, involves a young, thirteen-year-old girl by the name of Abby Chandler, who mysteriously and magically escapes a horrific fire, in which her family was killed. Abby does not know it, but a small, magical, stone flute carved in the shape of a phoenix, given to her by a Native American woman, Willow, saved Abby from dying in the fire with her family. But the flute did not only save Abby's life, it also threw her ahead in time by at least three hundred years! One second Abby was living in the colonial era, and the next second she was in a field of snow, without any knowledge of the buildings and houses around her.

Eventually Abby crosses paths with a young, fifteen-year-old girl, Mandy Browne, of Massachusetts. Unknown to both girls, but the day these two meet is the day Abby is rescued from her seemingly inevitable fate of living forever.

Mandy discovers there is something about this girl that isn't right. Whenever Mandy hears Abby hysterically crying, she goes to her room, but Abby is not there. What is even more strange, is that Mandy's parents do not hear Abby's wretched crying. In addition, Mandy discovers pictures of Abby's dating back hundreds of years. The strange thing is though, is that in all of the pictures there is a girl who is the splitting image of Abby, with the exception of clothes from each time period.

Twice, Mandy confronts her parents about Abby's crying, and twice Abby somehow returns back to her room, denying all of it, to which Mandy's parents take sides with Abby. Abby now knows that Mandy can unquestionably hear her crying when she has traveled back to her home of ruins. Since no one else has been able to hear her crying when she has been there, she decides to tell Mandy what really happened to her. Shocked and surprisingly moved by Abby's story, Mandy has no idea what to say and she is left speechless. Abby thinks that because Mandy can hear her crying, she will be able to help Abby save her family.

The rest is up to you to figure out what happens to the two girls. I loved this book and I know that anyone who reads it will too!

The story is this: A young woman, Prudence Sarn, is born with a harelip, which makes her subject to superstition and ridicule from the small-minded country folk who surround her in early 20th-centry Shropshire, England. Because of her deformity, Prue is told again and again that she will never marry; her brother, Gideon, more or less conscripts Prue into serving him on the family farm, telling her that if she follows his plan that she will at least have money and respectability someday. Prue follows along with this plan, envisioning the day that she will have enough money to make herself "beautiful as a fairy" - a dream that takes on concentrated exigency in Prue's mind when she falls in love with the handsome weaver Kester Woodseaves. Prue thinks that no man could ever love her as she is, "cursed and hare-shotten," and when one tragedy after another strikes the Sarns, she wonders if true happiness will ever touch her life.

It's rare that a book moves me to tears, but in the course of reading this novel I grew so attached to Prue that I felt as if she were speaking to me as a sister. The delicate, simple distinctions of this story ring true in every word; it was as though the secrets, disappointments, and beauties of the English country were visible in the spaces between words on the page. At first the language, written in vernacular of the time, was hard to read, but once I grew accustomed to it I was transported to a remote and seemingly miraculous place where Prue discovered and treasured profound beauty in unlikely places. The same can be said of discovering Prue herself, whose compassion, wit, love, and faithfulness shine in everything she does. I would recommend this book to anyone and everyone - it is undoubtedly a story about love, but not in the conventional rom-com or Harlequin-paperback way that's so prevalent nowadays. This is a story about strength of spirit, about unconditional goodness in the face of cruelty, mockery, and calamity. If that's not a real "love story," I don't know what is.

This is one of those rare stories that seeps into your soul and leaves a lasting impression. The language itself, while a bit difficult at first becomes a song you want to sing and long to hear it spoken. The story, sometimes achingly sad and violent is ultimately triumphantly romantic - with a sequence of events that leaves the reader breathless and yearning for more. Shortly after reading Precious Bane, I was lucky enough to discover a small theatre group in Chicago performing the stage version. My husband and I were in a packed theatre of about 30 people, where I sat front and center with the actors not more than two feet in front of me. Knowing the story line as I did, I made a spectacle of myself sobbing through the second half of the play. I'm sure the actors were gratified that they had such a strong effect on their audience. Suffice it to say, no one who picks up this book will be disappointed, nor will they ever forget it.

This is an amazing book which should be read by all those who enjoy British literature. It is a touching, romantic story. The writing is sensual in that there are sounds, smells, sights, tastes and textures to be experienced in its textual descriptions. The natural setting almost becomes a "character" in and of itself because you could not take the story out of the beautiful, natural, country setting Webb creates.
Look at other reviews to understand the plot. However, it truly doesn't make sense to try to recount it. Be patient when waiting for the "hook", when you won't be able to put the book down, it will come. Also, allow yourself a bit of time to learn to read and hear in your mind the syntax and sound of the words. Mary Webb takes you to a different place and time and you come to understand what it would be like for a young woman with intelligence, family devotion, character and longings who happened to be born with an external defect.
May this book become one of your favorites as it has become one of mine. (If anyone knows how I might obtain a video/DVD of the Masterpiece Theatre version with Janet McTeer and Clive Owen, please let me know.)

Once in awhile, you run across a book that's like coming home, that places you in a persona and setting that is hazily familiar. Mary Webb's Precious Bane does that for me. Set in rural England in the early 19th century, it tells the story of Prudence Sarn, a young woman whose mother encountered a hare while she was pregnant with Prue. The baby was born with a harelip.
For those who knew her, it meant that Prue would never marry--what man, after all, would want to kiss her? For those who did not know her, it was an excuse to make up tales that she "roamed the country at night in the body of a hare" and that she could curse with a look. For Prue, it was reason to hide from the man she loved, the weaver Kester Woodseaves.
Prue worked like a slave for her brother Gideon's dream of wealth and power in exchange for his promise of money to have her affliction cured when they were rich. But Prue took moments to appreciate the lilies on the lake's edge, the molting of the dragonflies, and the heady scent of apples in the attic where she retreated to write in her diary.
Mary Webb (1881-1927) lived most of her life in Shropshire County, England, where she and her father wandered the hills and lanes, a pastime she continued after he died. Later, Webb--who was also a poet--enhanced her stories with the naturalism and mysticism she learned from her father and the land.
Shropshire English is heavily influenced by the Welsh language, creating a lively and colorful dialect that Webb has distilled in her novels. It takes some getting used to, but once you catch the rhythm, it's hard to let go. Webb's prose will sing in your mind days after the book is closed.
She also used local traditions such as telling the bees when someone has died, and the employment of a Sin Eater, who, for a fee, consumes the sins of the dead person in a glass of wine and a crust of bread. When Gideon's and Prue's father died, Gideon agreed to eat the sins of his father if his mother, who was upset because her husband "had died in his wrath, with all his sins upon him," turned the farm over to him.
But it was the people she met on her wanderings and trips to the market where she sold flowers and produce from her garden that proved Mary Webb's greatest resource. Her novels are enriched by minor characters like Isaiah in Seven for a Secret, who said little but "Ha!" That one syllable was enough to make him a wealthy farmer because people felt they had been found out and out of guilt gave him their best prices. Sarah, the housekeeper in The House in Dormer Forest, broke the favorite china and vases belonging to whomever she was angry with.
Mary Webb's protagonists make her novels shine. Hazel Woodus in Gone to Earth seems more animal than human; she is as wild as her beloved Foxy. Deborah Arden, in The Golden Arrow, loves deeply and totally with all her soul. Robert Rideout, in Seven for a Secret, composes music and poetry while he herds sheep. Prudence Sarn is Webb's greatest achievement as she brings the reader to care passionately about Prue .
The novelist was able to draw from within herself to create Prue Sarn because she suffered most of her life from the facial disfigurement brought on by Grave's Disease.
Precious Bane is a masterpiece. Mary Webb's other novels do not reach that pinnacle--they are too didactic and sometimes simplistic, but they are well worth reading as they poetically explore love, passion, and social norms.

I first learned of Precious Bane when I saw the movie adaptation on Masterpiece Theater in 1989. It immediately became my all-time favorite story. After reading the book, which is even more satisfying than the wonderful movie, Mary Webb became my favorite author as well.
Mary Webb was more than the consumate wordsmith, her character development makes one feel that Prue Sarn is a cherished friend. This story works on so many different levels that it is hard to catagorize. Yes, it is a romance, but it also is a fairytale. It contains beautifully detailed imagery of nature that is nearly scientific in its observation - yet is transcendingly lovely, poetical, prose. It is both tragedy and comedy. Webb employs allegory, theology, philosophy...her work is multifaceted, literary artistry.
I give this book my highest recommendation for it is of inestimable value to the lover of literature!

An excellent edition of Graham Greene's The Quiet American because it combines this prescient novel with superb contextual documents about the Vietnam War, Greene's role in it, and a wide-range of critical essays about the novel. It's stunning how Greene in 1952 was able to see what would happen and why in Vietnam, but the novel speaks as well to us today about the dangers of imposing our own ideologies on other cultures and being blind to human suffering. It also shows the dangers of sterotyping and objectifying the "other."

To read The quiet American now, some thity years after the end of a sensless and disastrous war, gives us an unexpected vision of Vietnam, its people and the United States involvement in that war. Furthermore, it's inevitable to think of the present war in Iraq.
It's no news that Graham Green is a magnificent fiction writer, witty, sometimes funny, always capable of digging deep into historical situations and different people habits and values (The power and the glory and The comedians are very good examples)but in the qiet American he is also a cruel reporter and a skillful creator of full size human characters.
The Viking Critica Library edition has also an enormoues value for the inclusion of literary reviews from the first edition of the book and the opinons of experts both in literature and Vietnam history.
Javier Olmedo,
Mexico City, Mexico

Into the intrigue and violence of Indo-China comes a young, idealistic and quiet American called Pyle who is employed in the Economic Aid Mission. He is sent there to promote democracy through a mysterious Third Force. But his naïve optimism about democracy starts to cause deaths and his friend the cynical British foreign correspondent Thomas Fowler finds it hard to stand aside and watch. As Fowler intervenes, he wonders whether it is for the sake of politics or for his love for the young Phuong.
Commissioned during the 1950s to write an article on guerrilla warfare in Malaya, Graham Greene stopped off in Vietnam to visit a friend, and soon fell under the spell of Indo-China. This novel is a result of his love for the country, inspired by his experiences there. Although the political situation has changed dramatically, The Quiet American continues to reflect accurately and powerfully the problems of war and the people involved in it.

If you plan to buy this book by all means get this edition. The novel is very readable and Greene is a real wordsmith. The thing is this edition has news articles by the author about Indochina,
critical reviews (the good and the bad), interviews with Ho Chi Minh and American generals, a plot summary of the film and documents about the war. It also has topics for discussion or school papers. The text is less than 200 pages and readable so there is time to read the additional material. This book has the last chapter first such that you know the final result and the rest is leading up to the events in the first chapter. It is a gimmick but it works. I had to re-read the first chapter when I finished; couldn't help it. Find this edition, Viking Critical Library.

One of the most amazing things that jumped out at me about Graham Greene's novel, "The Quiet American," was the copyright date. 1955. How many years BEFORE America found itself mired in the nightmare of the Vietnam War?
Why didn't anyone in power or policy see the warning in this novel?

I'm still reading through all the extra material but I feel confident enough about the book itself and what I have read that I can definitely give this book five stars (the novel is over a third of this book).

Alden Pyle, Greene's "quiet American," clearly represents America in this cruel world. He's young, strong, sure of his beliefs and willing to act on his own convictions--but in this world of deceit and corruption, he doesn't have a chance. And quite a few people have said the same thing about America in Vietnam.

Beyond the deeper meaning of the setting and story (more powerful since it was written BEFORE the USA got stuck in Nam), the characters really make for some fiction. Pyle, the clear-eyed Yank looking to do good in Indo-China, runs into the narrator Fowler, an opium-smoking old Brit journalist who's seen too much and forgot how to care about anything--except the Vietnamese woman who comes between them.

At the end of the 1970s, "Apocalypse Now" got a lot of kudos for its dark humor ("I love the smell of napalm in the morning!") but Greene had written along those lines in the 1950s: Fowler rides along on a bomb run and, after a village is blown to bits, the pilot points out the beautiful sunset on a nearby river.

Up to this point, my favorite Greene novel had been "The End of the Affair," but now it's "The Quiet American." I also want to see the Michael Caine movie they made a couple years back.

One thing that poverty didn't diminish is Woodruff's powers of recall. Though, as soon as he becomes literate, one senses he'll inexorably transcend his meagre beginnings which ring most vividly in this tale. I loved the regional patois as much as the rising political conscience of the working class boy. The years roll by with the daily grind, humilities accompanying the unjust disenfranchisement of workers; Dickensian conditions that were worse in Lancanshire than other industrial zones. Woodruff's effortless prose is as tough as his father's persistent presence and as nuanced as his mum's mercurial mood shifts. Fortunately for readers,'Nab's End' is no end, but a beginning to further tales from post adolesence. Having just closed the covers on Roy McFadyen's, 'at A Cost', I opened Woodruff to discover a parallel story in times bedevilled by poverty and dire economic depression. If you want to visit the comparison and find, at a pinch, an even more extraordinary childhood,'At a Cost' is published and distributed by its author @ 15 Maryann Street, Golden Beach, Queensland, Australia 4551.

This is a wonderful book which, as an Anglophile, I loved reading. Just a word to those who feel it some of the terms are American. Remember, please, that the author is now living in the US, and new terms become automatically one's own after a while. And yes, there is a sequel to this book!

You don't have to have been born in Blackburn (as I was) to appreciate this wonderful true story of a childhood in poverty with all the wit and humour and honesty of the working class. Their hopes for a better and fairer future are vivid and the story ends with an emotional desire from the reader to know how and if this young man succeeds as he takes his steps away from Lancashire. Inevitably the reader will read the sequel Beyond Nab End which is even better but read this first.

William Woodruff and I have something in common; we were both born and reared poor in Lancashire, doubly lucky as Mr Woodruff puts it. The book itself is a reader, you pick it up and you can't put it down. There is always something else you want to read in the next chapter. It is a shame the book had an ending to it as it leaves you wanting more.

Like one of the other reviewers I was a bit disappointed when the text was dumbed down, probably for our American cousins, as little discrepancies showed through the text. For instance, stating ten pennies instead of ten pence (we would have said it 'tenpunce') and the absolute glaring mistake of calling a tanner 6p when it should have been 6d and a dodger is 3d not 3p. Little details like this tend to eat at me.

The book was easy to read and if you know a little about Lancashire, specifically Blackburn, you will find it fascinating.

Tim Brimelow 19 May 2003

I came upon this book after hearing brief snippets of it serialised BBC Radio 4 and the World Service.
It had added interest for me as I know Blackburn (at least modern Blackburn) very well, it was later a surprise to discover I knew virtually nothing of the town.
The book is evocative and stirring as you follow the authors journey from early childhood to his 16th year, when he finally leaves a deprived, economically and spiritual broken town for London, in hope of work and a better life.
The journey in between is a rich array of colourful and long forgotton characters and ways of life. Most striking by far is the harshness of past societies in which the poor were virtually ground into the dirt and totally at mercy of commerce. Yet still the love and joy of these kindly, caring and sweet natured people shines through, it took a great deal to make them lose all hope. One cannot help but to think that these poor and hardworking forbares made more than a little of the muscle in the British national psyche.
The Authors journey is one of love, loss and curiousity, his intelligence is meant for better things than the dust and grime of cotton mills but so hard worked are his people and he that this realisation is a long time coming.
Highlights characters are Grandma Bridget and the lovley Aunts he visits in Summer. Quite a journey and very much a joy to read.

This book is spell binding, excellently written and so full of history that it makes you want to reach out for more info.

A true story for our time and one that needs to be shared. If you want to know more about the Coast Guard and what it's like to be at sea, this is the book to read. I'm having trouble putting it down.

This book is superbly written. The amazing story of the SS Badger State is magnetic, and even more fascinating because it's true! I will recommend this book every chance I get, and I will keep my copy as a prized possession.

I recently sailed with a person who was a crewmember on the S.S. Badger State when this tragic incident occurred. Your book brought the story full circle, thanks for writing such an illuminating account.

Paul J. Gunis

Mr. Benedetto has brought history alive with his accounting of the horrific journey of the S.S Badger State. One feels the struggle and dispair of the Captain and crew as the drama unfolds. Sailing into the Abyss is a compelling real life story that would rival any fictional tale.

Very few people are likely to have heard of the loss of the American merchant ship Badger State at Christmas of 1969. She was carrying a load of bombs to resupply the Air Force in Vietnam, and a chain of unfortunate events--poor stowage of the explosives, carrying an insufficient amount of cargo so that the ship rode high, bad weather--combined to lead almost inevitably to tragedy.

Benedetto, in very simple and unadorned prose that is not bogged down by a great deal of nautical jargon, provides a workmanlike rendition of the last days of the ship and crew. He draws heavily upon the documented testimony of survivors before a Board of Inquiry and received very significant input from Charles Wilson, the captain of the late vessel.

He also throws in a great deal of material (which at times verges on simple padding) about the tragic experiences of many other ships of the U.S. Merchant Marine over the last two hundred years, particularly about their destruction by, or, in some cases, escape from, Axis forces in WWII.

A small number of black and white photos are included. The diagrams of the ship and of the bomb pallets would have been better placed at the beginning of the book for easier reference.

This is not a lyrical and haunting masterpiece of man's struggle against the hostility of nature, but it's a serviceable enough rendering of an otherwise forgotten disaster and a nice primer about the sacrifices of the merchant marine.