Literature Books

#2 in the Bodyguard series is even funnier than the first. Natasha is on her own this time, hired to guard a show dog named Chumley, who is so obnoxious he's cute, while trying to figure out who is threatening the dog's life. In her usual overzealous way, Natasha manages to get herself into some wacky situations. The chapter with the massage parlor involving Natasha, Pit and Bigun was so funny, I had to put the book down I was laughing so hard.

There's plenty of romance between Natasha and Striker, with the usual cast of quirky characters surrounding Natasha. Roger and Stevie aren't given much space in this book, and I hope to see more of them in future books.

A really fun, well-written series. I look forward to the next one.

I READ ALOT MORE OF THIS BOOK THAN I WANTED TO, DUE TO THE GLOWING REVIEWS...BUT IT NEVER GOT ANY BETTER. THERE'S NO DEPTH TO THE CHARACTERS AND A WASTE OF 3+ HOURS SPENT READING.

[...]

The Bodyguard and the Show Dog is Christy Tillery French's second installment in her Bodyguard series. By some bizarre cosmic twist, I am reading this series in reverse order. Fortunately, Ms. French's stories each stand on their own, and I am able to thoroughly enjoy this book on its own merits. Hang on for a wild ride!

This book is a fast and fun continuation (in either direction!) of the zany, madcap, e-ticket adventures of protection specialist Natasha Chamberlain, a diminutive, clumsy, danger-prone, feisty, gun-toting, southern girl from Tennessee. This time, Natasha has been hired to protect Chumley, a spoiled, stinky, sex-crazed champion show dog. The scene is impeccably set for the wacky situations that Natasha is (in)famous for, and Ms. French delivers on every page.

Although The Bodyguard and the Show Dog is humorous, breezy, summer fun, Ms. French's characters also deal some difficult topics, including animal abuse, with fitting vigilantly justice satisfyingly meted out in true Natasha fashion. Natasha has a strong, well defined moral character, and she always stands up for anyone who cannot stand up for themselves. She delivers apt punishments and has her own special way of dealing with the worst offenders.

This book is truly a wild ride, well written, fasted paced, and very, very funny. The characters are endearing, the situations are hilarious, and the love making is hot. What more could you want? I can't think of a thing.

Hands up everyone who ever fell for a smelly little dog ... or for a hectic, independent heroine with poor impulse control ... or for a handsome hunk of a man not afraid of anything but being too much in love. Anyone left out there? How about a bunch of crazy friends and relatives and an adventure with the energy of a skyrocket?

Oh yes, there's something for everyone in The Bodyguard and the Show Dog (Bodyguard). This is the second book in author Christy Tillery French's BODYGUARD series and it's a wonderful rollicking ride. Natasha Chamberlain is determined to pursue her chosen career -- protection specialist -- in spite of her boyfriend Jonce's objections. When Myrtle Galbreath hires Nattie to protect her prize pug, Chumley, it ought to be simple, right? Then why does Nattie wind up in the Emergency Department so often? Why are people shooting at her? What, for that matter, is Nattie doing hanging around biker bars and massage parlors, and driving around with bags of horse manure? And the big question: how does she get anything done at all with her interfering mother and grandmother on her heels and Jonce's heavyweight employees trying to protect her?

For all the laugh-out-loud action and dialogue, there are some serious elements to the story. Nattie's a thoroughly modern young woman and she wrestles with her need for independence. When Nattie and Jonce are together the sparks fly, and she worries about being drawn into his orbit and losing herself. Jonce, on the other hand, struggles with his urge to protect her from her own decisions. These problems play out in an entertaining "show, don't tell" fashion thanks to the effective character portrayal.

Christy Tillery French is strongly committed to the humane treatment of animals, and this theme is also played out poignantly in Show Dog. Don't be fooled by the fact that Chumley's got his papers -- there are plenty of animals that need rescuing and Nattie does her best for them all.

Just by chance I'm working my way backward through this series of three BODYGUARD books. I just hope that by the time I finish the first installment, there will be a new set of Nattie's adventures for my enjoyment. Don't miss out! Get your hands on these books and enjoy the fun.

Linda Bulger, 2008

"The Bodyguard and the Show Dog" by Christy French is a book that will entertain the reader for hours on end. The characters are easy to relate to and the plot (like most of Ms. French's stories) will leave the reader eager to read the next book in the series.

I am a huge fan and truly enjoy all of Ms. French's books. If you have not had a chance to sample any of her stories then this is the perfect book to begin with. You will quickly become a fan too!

I meant to post a review of this book when it first came out but I have been on location in France and haven't had the chance to get it done until now. For this Ms. French, I'm sorry. Better late than never, I suppose.

I enjoyed your new book very much! Keep them coming.

John Savoy
International Film Maker
California

What can I say about Ernie Pyle? One of the most well-known correspondents in WWII, he wrote with an empathy for the common infantryman that transcended his simple, eloquent prose. "Brave Men" is a collection of the articles he wrote while covering the war in Sicily, Italy, England, and France. Exceedingly modest, Pyle always downplayed his role while extolling the infantry fighting on the front lines, his beloved "dogfaces." Pyle may not have thought that he was doing anything of importance, yet his articles served to bring the war home to an American public that was being fed a somewhat sugar coated version of the war by the government; in turn, the GI's loved Pyle as one of their own. He immortalized as many of them as he could in his articles, stating the names of the many men with whom he had contact, and often their full home address for good measure. He shared many of their hardships on the front lines, and now, more than 60 years later, his articles offer an insight into WWII for today's readers that is as poignant now as it was then. He makes the reader feel as if we know these men personally-they are our fathers, grandfathers, brothers, neighbors, friends. Impossible to put down, this book is the enduring legacy of a great man whose life ended much too soon (after surviving the European theater, he traveled to the Pacific at the request of the Navy, where a Japanese sniper took his life on the tiny island of Ie Shima, just off the coast of Okinawa); I would recommend this book to everyone I know with an interest in WWII.

I read many of these stories when I was an infantryman in the ETO during WWII. I just wanted to re-read them again to satisfy the feeling of respect I have always had for Ernie Pyle and what he did for the American soldier during that conflict. It was good to smell the smells and hear the sounds while in a safe environment.
It is an excellent 'Chronicle' that takes one back to a time of long ago.

I have read this book several years ago and was touched by his writing and empathy toward the GI's. I saw a biography about him on the tube and found out how the war torn the man apart inside. That and the burden of his wifes dive into madness and all I can say is there was a man! Rest easy Ernie you did good!

Ernie Pyle was truly the soldier's reporter. I have the original wartime copy of "Brave Men," and it's a work of genius. Pyle knows how soldiers feel, Army, Navy, Army Air Corps, from Privates to Sergeants to Lieutenants to Generals, Pyle brings their stories to life with a simple sort of clarity that nonetheless retains every ounce of power that original stories had. Many reporters told the stories of World War II, grand theaters, massive battles, staff meetings, generals, leaders, strategies. Ernie talks about privates, sergeants, lieutenants, the adrenaline highs and sheer terror of close combat or being surrounded by flak, the miseries of mud and rain and the joys of the girl at home and that package of fried chicken that some thoughtful mother sent. All the little things that make soldiers soldiers, and men as well.

Pyle was nothing less than a genius, and his death on Ie Shima resulting from a Japanese sniper's bullet was a loss to journalism. But then, I'm at Indiana University Bloomington, within spitting distance of the Ernie Pyle School of Journalism, so I guess I'm biased. =D

I'm a french reader and I discovered Ernie Pyle through an excerpt of Brave Men published in a french newspaper.
Obviously, this man was a great reporter! I was looking for Brave Men in a French edition but it seems to be impossible to find it, what a pity !.
I was very happy to find it on Amazon.com.
I think that this book is far above all the films or novels you could read on this subject. With Ernie Pyle style, you can catch the real feelings and the fears and the heroism of this men who were caught in this Maelstrom.

This book is absolutely amazing. It helps you with kanji, vocabulary, reading speed, and much more. But don't think that this is easy. I've taken two semesters of college Japanese, and I find this book very difficult. This is not for a beginner. I haven't gone through one whole story yet. I reread each page probably more that 5 times. But in reading and learning the first page, I've learned over 10 new kanji and about 20 new words. Some of the kanji, though not many as far as I've seen, are old and you should make sure you learn the current kanji instead. As with everything in life, it is VERY beneficial if you are willing to put the time and effort into it (LOTS of time and effort).

Great book. Very good stories. Well translated. Easy on the eyes to read! Well done, guys!

But, why didn't anyone think of this before? This book basically works like those reading segments you find in books like the Genki series. Only this time you won't find the usual stuff about Mr. Yamada's introduction to the staff of his new company, or Mr. Smith's first experience with tempura, but several selected short stories by two of the most revered masters of modern Japanese literature: Natsume Soseki and Ryunosuke Akutagawa. If you don't like literature, let me put it this way: at least one of the writers strongly inspired one of Akira Kurosawa's greatest films: Rashomon. Like those manuals to study Japanese, this volume comes with mp3 files to help you with both your reading and your listening, and you can find them for free at the website of the publishers. I've written in other reviews there's no single bulletproof method for anything. There's no such thing as a method for everyone. The great thing about this book is this: the last word that comes to mind is "method", because it's not about learning Japanese language itself as much as it is about Japanese literature. I'd suggest it for intermediate students, though, because of the basic knowledge it requires.

An excellent resource for intermediate students of Japanese working their way to a more advanced level. The author puts all the necessary learning tools in one convenient location. And the free MP3 files help students fine tune their reading, kanji, and pronunciation skills. I would like to see more products like this. I would buy more products like this.

I studied Japanese for three semesters ten years ago and have had no opportunity to practice it since. I'm not exactly a blank slate, but I certainly don't remember very much -- maybe 35 kanji (numbers, sun, moon, etc.) and roughly 85% of the kana.

With what basic knowledge of Japanese sentence structure, common particles, and a few verb-ending constructions (v~te, v~tari, v~nakareba, v~tai are common) I've retained, I can read these stories at about one page per 10 minutes with no other reference material needed.

It's that "no other reference materials needed" that makes this an outstanding book.

The first stories have the same slightly repetitive nature that textbooks use to help one learn kanji or sentence structures, but these are classic stories with a repetitive stylistic element, rather than the mindnumbing textbook equivalent. All the benefits of "I am Smith. Who are you? I am Jones. Are you American? Yes, I am American. Are you American? No, I am Canadian. Is your friend Canadian?..." without the boredom!

Granted, some of the kanji I've learned to recognize are not really the highest priority, in terms of usefulness -- "eyebrows" and a phrase for someone who's blind (now considered too rude to use) are in there -- but I've also learned kanji for several useful nouns and adjectives in painless increments, just while reading.

Best, it's fun and gives me a sense of accomplishment I just don't get from reading, say, a Japanese newspaper at the rate of one sentence per half-hour, surrounded by dictionaries.

I saw this book reviewed in People magazine and thought I would take a chance. I am glad I did. I enjoyed it and learned alot also.

This was a very fascinating account of the generations of a family that progressed from slavery to freedom to landowners. While they made many advancements in their lives, they never outlived the racial prejudices that followed them. Very well written and highly recommended.

I recently finished this book and was blown away at how attached I found myself becoming to the characters! This novel tells the story of three generations of African-American women beginning from before the civil war and ending in the Depression era, all fighting to break the bonds and stigmas of slavery. This story tells of their loves, struggles, families, deaths and births and how each moment impacted them and future generations. Each woman has a story of bonding (either voluntarily or forcibly) with a powerful white male to "bleach the line" as Tademy calls it, or making the Negro skin whiter to give the future generations of children better opportunities as they become passable as white. The story talks of the struggles of interracial love in prejudice times and the heartbreak it leads to. Just everything in the story is so moving and I felt pain for each trial the character went through and cheered for every joy that came their way. I found myself wishing I could just sit with the older generation women and just listen to more of their stories about their lives. I was infuriated with the ruinations that came to the family through the ignorant prejudice behaviors of the supposedly higher class uppitty Christians meddling in private affairs. But I understand that was the way of the times.

I can honestly say this book gave me one of the best perspectives of that era that I have ever read. It does well in displaying the advantages and disadvantages of each side of the color line and I applaud Tademy for bringing such a monumental work to the masses. The story was even more touching with the documents and pictures within the book as a constant reminder that while the book may have been fictionalized, these characters were at one time real living breathing people.

If you get a copy of this one, don't let go!!!

I am currently reading this book and it is an awesome book. I have not put the book down since I brought it. I am looking forward to read her next book Red River. Mrs. Lalita Tademy is a great author. She keeps the reader attention from the beginning to the end. It is a must read book that could be used in American Literature.

Happy readings!

Cane River is absolutely enthralling. The story of Elisabeth, Suzette, Philomene and Emily is heartbreaking yet uplifting. It reaffirmed my faith in family and love. Get this book, you'll love it!

I ordered this book for the purpose of understanding Roman constuction of a city. It is definitely an excellent source for those who wish to know how Rome may have organized it's sattelite cities. The books is concise and filled with illustrations to aid the reader in imagining what a Grand scheme a Roman Engineered city must have been (especially considering what setbacks in civilization would come later through the middle ages).

I really enjoyed this book, the only setback I have with it is that it is maybe too good at summarizing it's subject. It is a brief read, more belonging to the non-fiction section of a 'Young Adults' library than a history loving 'Adult'. It is a little...sanitized in Roman Rule, and skirts around the visciousness of Italy. One would be inclined to believe the Romans were peaceful while reading this, and forget that they were a civilization bent on subjugaition of foreign lands, and brutal in justice for all citizens. That is the only reason I hold back 1 star; there is much more that could be told, and considering the excellent detail the rest of the book gives, it could have abbreviated LESS in it's timeline, and the reader would have been much more in debt to the author for having done so. I want MORE!

A very good source of Roman city information. Well recommended.

The only reason I gave this book 4 stars rather than 5 is that David Macaulay has set the bar so high for himself over the years by writing and illustrating some real masterpieces such as Castle and Cathedral. City is also a great book, just not quite as amazing as others he has written. I bought this for my son, who has always been intrigued by construction projects, but I have also enjoyed it quite a bit.

When taken together as a collection, Macaulay's books, from Castle and Cathedral and Pyramid, Mill, Unbuilding, Mosque, and most definitely this one, City, create what is probably the most readable, retainable, and approachable exploration of the story of architecture that's out there. These books, each highlighting an era and a project, are all a lot of fun to look at, read, and think about, and in this volume, City, the foundation and construction of a Roman population center is detailed. From the explanation for why the Romans built cities from scratch, to the selection and preparation of the site, to the actual erection of a brand new city, Macaulay leaves nothing unexplored or unexplained. These books are as enjoyable for adults as they are for children, and are truly classics of our time.

In this book, David Macaulay expertly describes and illustrates the construction of the imaginary Roman city of Verbonia. It is based hundreds of real Roman cities built between 300 B.C. and A.D. 150. I was amazed at the planning that went into the city, and the systematic and precise manner that everything was managed. I was fascinated to learn how they built the aqueducts for the city's water supply, even going through hills, and the sewer system underground to keep the city sanitary. The architecture of the forum and baths was so intriguing. Of course, this might be expected from the author of "The Way Things Work"! His detailed drawings are fabulous. This a terrific book for learning about Roman cities in this time period and for studying the way the cities were put together to provide for all the needs of the inhabitants.

When David Macaulay published this book in 1974, he was following in the path of the great American illustrators Edwin Tunis and Eric Sloane. They produced many memorable history books for young adults in the years following the Second World War. Tunis and Sloane blended well written history with well done pen and pencil illustrations. "City" follows the standard convention of beginning with a parcel of undeveloped land and showing the building process as the project progresses to a completed Roman city.

What makes this book so important is that David Macauley was able to expand the age paremeters and produce a beautiful book that could appeal to both young children and adults. His skills as a story teller and illustrator allowed people to look architecture and history in a new light. There are other illustrators with stronger drafting skills but there is nobody with more imagination. Macaulay is not afraid to enter into an image and tear it apart and look at it from many different viewpoints. There is a sense of movement and playfulness in his illustrations that make him unique.

This book is so important in the history of children's non-fiction literature because David Macaulay opened the doors for a whole series of children's book illustrators who have produced hundreds of illustrated history books.

I'd never read any of Bobbie Ann Mason's work before reading Clear Springs for a book club. I believe I may be missing out if her other books are like this one. There is a warmth to her story that makes it a real pleasure to read. Mason's language, too, is comfortable and highly readable. Her rhythms, especially, give a real richness to her prose. I highly recommend this.

Indispensible to serious readers of Mason's fiction, this memoir is true to family and community life in Western Kentucky (despite what other reviewers might say).

Bobbie Ann Mason has done a wonderful job with "Clear Springs". I did not grow up in Kentucky in the baby boom generation, but I did grow up in rural southern Missouri just after it, and this story is so very like what I was familiar with. Ms. Mason is of my mother's generation and except for the disfunction there are many similarities between this story and stories my mother has told. My family reminded me of the older Masons and not the disfunctional Lees. The isolation of rural life, but the joy in many ways that come from it. The curiosity of the outside world, but the fear of it. She relates that Clear Springs hadn't changed much since the Civil War and she was correct in that. The world that slowly evolved for most Americans changed before this rural generation's eyes. A Great book!

I'm an appreciative fan of Bobbie Ann Mason's short stories, about rural people raised with traditional values now somewhat at sea in a world of consumerism, pop culture, and a new morality. Young adults, whose parents would have stuck with a marriage come hell or high water, now divorce and drift through relationships. Their parents tied to the land and other life-long occupations, Mason's post-war generation is less rooted, freed of conventional beliefs, but often at a loss about what to believe in. Most striking as America grows increasingly urban, Mason's people continue to inhabit a rural landscape -- more worldly than their forebears, but not more sophisticated.

While some readers of Mason's stories and novels may have been puzzled by the point of view in them (ironic? matter of fact? sentimental?), this wonderful memoir should do much to clear up that ambiguity. Here a reader is introduced to the world of day-to-day experience that these narratives have emerged from. And you can begin to see how the matter of fact, ironic, and sentimental blend into a perspective that is distinctly rural American. The strongest individual (who is surely the source of many of Mason's fictional characters) is without doubt her mother, a remarkable woman with a quizzical sense of humor, a colorful manner of speaking, and a long view that comes of witnessing much of the 20th century at first hand.

A list of highlights in this book would go on for pages; there's just so much to savor and enjoy. There's Mason's own unsophisticated childhood (barefoot summers, crushes on pop stars, rock and roll fandom), the making of the film "In Country," and the continuing transformation of the rural Kentucky environment from horse-and-buggy days to the invasion of agribusiness -- a huge processing plant has sprung up across the road from the family farm.

I recommend this book to anyone who has enjoyed Mason's fiction. It is rich with thoughtful and well-observed detail reaching back across three generations of family history.

When writing a memoir, authors are advised to write the first draft as if everyone is dead - and then to prune the damaging parts in subsequent rewrites. Perhaps Mason pruned a bit too much. This otherwise lovely and affectionate memoir of how it was to grow up in a small, working-class town in Kentucky in the 40s and 50s is a bit long on respect and caution - and a bit short on grit.
Otherwise, I loved it. I grew up in Kansas in the 50s and can relate to the pace, small-town values, and lack of danger (except from the "evil Communists" and "the bomb") that Mason portrays as such inherent parts of her roots. Her language, esp in the first part of the book focusing on her own childhood memories, is rich and multi-layered and pulls readers into every scene right along with her. In the rest of the book, she uses the techniques of creative nonfiction to weave a background narrative that spans the lives of three generations of women within the community.
A worthwhile read; it won't change your life, but it might make you think, and it's certainly a pleasant trip to take with this accomplished author.

I have read much on the history of our beautiful country and also of other countries as well.

This book by Thomas Paine "COMMON SENSE AND THE RIGHTS OF MAN" is an extraordinary out line of how man should form his government and live in harmony with his fellow man in this world. Thomas Paine, one of our founding fathers, is a man that saw the rights of man being trampled on by England. His writing is plain common sense, of which many of us fail to utilize, about what a government should be and should not be. Our founding fathers gave us a Republic, if we could keep it. So far we have taken the declaration of Independence and the Bill of Rights completly our of context. We are nowhere near the government our founding fathers gave us.

Those who wish to find the truth are compelled to read this book. Those who are satisified with the status quo will continue to be so. Read one of the best books ever written on the Rights of Man and then make your decision whether you want to live free men or langour in slavery.

Thomas Eby......

Thomas Paine is the Main Man who started the two Revolutionary Wars, first America which took 7 years then afterwards France starts her own Revolution with Thomas Paine's help but hers is won almost overnight. Thomas Paine not only started these Revolutions but he participated in both. This book is a real page turner that you won't be able to put down!

With all of the current claims by people of what the Founding Fathers intended for our country I decided to begin reading them for myself to achieve a personal perspective on what the Founders intended. This book and the writings contained are an excellent source of information and insight as to what Thomas Paine's intentions were.

Thomas Paine is an important figure in the founding of the United States. Although he was later ignored by the United States (when he was a prisoner in France...).

The book is a good compilation of the works of Thomas Paine. Paine was a smart man and his writings were influential in the American Revolution (Common Sense) and the French Revolution (Rights of Man). This book combines the writings into one book.

Common Sense is a short phamplet that greatly influenced the United States foundation. The sensical arguments seem obvious to readers in the 21st Century but in the late 18th century they were ideas that people needed to hear, and was a kickoff to the drive for independence. Common sense was read by a lot of Americans at the time and would do students of American History well to get the feelings of the Revolutionary period.

In today's politically heated atmosphere, people seem to have forgotten what this great nation was founded on. Reading this book is enlightening, awakening, and reminds us of what it took to make America. Sadly, it's also a pretty sharp reminder of how more and more of our rights are being stripped away from us. I think this book should be required reading in school, and certainly before any political discussion. I recommend this book to ANYONE of ANY AGE. Absolutely amazing.

In the entire history of western philosophy, there is not one person I can praise more than Michel de Montaigne. Normally, any book over 500 pages tends to become tedious to me, and works of philosophy over that length become insufferable. The best praise I can give this book is to say that at 1200 pages, I was not the least weary of it. In fact, I wished it was longer! Montaigne is the definitive philosopher, a man driven to write out of boredom, who presents his essays as his views, never trying to categorize and name realities, but simply marvelling over everything, from literature to pets. His broad learning and wonderfully disorganized style lead the reader on a journey into the what ifs, and whys of existence. Montaigne is the epitome of a renaissance man. His views in most situations are more modern than yesterday. He speaks out for the virtues of women, carefully denounces war, subtly questions the more extraneous doctrines of Catholicism, and even denounces colonialism and promotes respect of racial and cultural differences. This is not a man one would have expected to find in the 1500s. But here he is. And his text! Often saying that his memory was weak, MOntaigne demonstrates it by going off on wild tangents for thirty pages, only to realize that he has succeeding in proving his original idea without his knowledge. His sentences and rich prose leap across the pages, and dance with ideas of the sublime and the ridiculous, ideas which he does not so much attempt to resolve as ponder upon a page. He never once falls into the philosopher's folly of stating his views as though they were fact, and is often very careful to say, "This is what I think" in one way or another. He never attempts to convince the reader, for he originally never intended his essays to have a reader. In situations where he would challenge authority, he is always careful to say, for instance, "But my own views are nothing, the church of course knows better". More than any other work of philosophy, the Essays are an adventure, leading one through the soul of a man, a man who thought so little of himself but was so great. It reads almost as a novel, and at the end, after 1200 pages of Essays, Montaigne stands before the reader as clearly as any historical or fictional figure ever has. This is the true Magnum Opus of western philosophy.

This English translation of Montaigne's Complete Essays is wonderful. Although I like it better than Donald Frame's version, I actually prefer J.M. Cohen's to either. Cohen's translation is only a selection, unfortunately. If you need the Complete Essays, go with Screech.

Screech's version, however, has a very annoying problem. As in Frame's translation, letters are used within the text to note differences between the three major editions of the Essays (A, B, C). Frame's version uses small capital letters inserted within the text; they are unobtrusive and can be ignored. Screech's version, however, uses full-sized letters within brackets with a lot of space surrounding them. They are just too darned disruptive. Why in the heck did they do this? Perhaps they intended it for academic or scholarly use. It's a shame. I hope that Penguin will issue a new edition or revision that will take care of this problem.

Use the "Look Inside" feature of this book to decide for yourself.

I cannot praise this book highly enough. It is one of those rare books that can change your life. Sure, many people say something similar about a particular book, but it is genuinely true in this instance. Montaigne is wise, humane, and very humourous. If I had to live on an island and could only take three books with me, this would be one of them. And, it would be an easy choice to make. I have read the Essays cover to cover twice already and plan to do so again many times in my life.

Here are some general points you might want to keep in mind when reading Montaigne's Essays: First, he doesn't always stick to the topic announced at the beginning of an essay. Sometimes, an essay appears to be about a particular topic but ends up being about something else entirely. Second, even when Montainge makes a half-hearted attempt at staying on topic, the journey is still the scenic route instead of a straight shot (but, this is half the fun of his Essays). Third, Montaigne's Essays are a perfect crash course on the wisdom to be found in the writings of the Latin authors. Finally, Montaigne is surprisingly skeptical and relativistic on many issues. This is obviously why his Essays are so relevant even today.

Now for a word on translations. The two primary translations that are easily available are this Penguin edition translated by Screech and the Stanford University Press edition translated by Frame. Each edition has its advantages and disadvantages, and it's a shame the editions can't be combined to create the perfect translation.

The Penguin/Screech edition includes the original and a translation of all Montaigne's foreign language quotations. The vast majority of these are in Latin; so, if you know some Latin, this is helpful. It also includes very helpful notes on obscure literary and historical issues, which provides for greater understanding. However, if you read the introduction and Screech's notes carefully, you will realize he does have an agenda. Screech plays down Montaigne's skepticism and tries to portray Montaigne as being more religious than he was.

As to the Stanford/Frame edition, its translation is much closer to the original French than Screech's. If you put the French text and Frame's translation side by side, you'll see what I mean (even if your French is pretty weak like mine). And, Frame does not play down Montaigne's skepticism - he lets Montaigne speak for himself. But, Frame's translation does have some flaws. It does not include the original for foreign language quotations. And, when Frame translates Latin poetry, he almost always makes it rhyme even when the original Latin does not rhyme. I find this jarring and not true to the original. Frame also does not include any helpful notes.

All in all, I'd like to combine Frame's translation of Montaigne's French with Screech's original and translation of all foreign language quotations. This would be the best possible version of the Essays.

This book is one of the finest products of the human mind. You will not regret the significant amount of time it will take to read these Essays. And, if you read them carefully, you'll never look at the world the same way again.

Montaigne. He has lessons for us all, I've found.

Some of the lessons are hard. He writes about everything, but most of all, he writes about himself. There is a painful clarity to his work - but that cliche term does nothing to properly explain what it is he accomplishes with his writing.

At thirty-three, Montaigne decided to retire to his home and write. He had vague ideas about writing a gentleman's book on warfare, and the first few essays reflect that. But, as he progressed, he kept going on little side journeys into his own thoughts and opinions. At first, Montaigne reigned himself in, struggling to stay true to the path he had decided for himself.

Happily for us, he failed.

He abandoned the idea of writing for gentlemen - though there are still slight evidences of this throughout the work. Instead, he decided to focus on the one thing he knew better than anybody else in the entire world - Montaigne. Who else could know more, or would bother to take as much time exploring this one man than the man himself? And why not explore his own mind - every day, he has to live and deal with the advantages and disadvantages, the habits and the thoughts, the opinions and the ironies of being Montaigne. Thus, he decided, it was worth exploring. In his view, there was nothing more important than understanding one's self. If you cannot understand yourself, how can you expect to understand anybody else?

There are moments of 'painful clarity', as I said above. Montaigne discusses (his) impotence, his imperfect marriage, the disappointments he has created in others, the times when he did not do what he should. But he also talks about how he can make himself a better person, and how, in a lot of ways, he is an admirable person. It is important to realise that Montaigne is not writing an apology for himself. He is putting himself on to paper, 'warts and all', and declaring it true. There is a point in one of the essays where he declares that he wouldn't want anyone to lie about the person he is, even if they flattered him or praised him. This is, in a nutshell, Montaigne's thinking. He is not concerned with being the greatest person ever known - he is concerned with understanding himself.

Four hundred years on, what is there to offer us, the modern reader, in Montaigne? An infinity of wisdom. Could I, in honesty, completely and unwaveringly disect myself for the consumption of both myself and others? I don't think so. I very much fear that the answer is no. And yet - why not? Is it shame? I don't think so, as I have nothing major to hide. Perhaps, then, it is simply the fear of unrealised ideas and thoughts. If I am unaware of myself, I cannot present it. Montaigne was and is aware of himself and thus manages to accurately describe the person that he is.

Montaigne's essays are invaluable not only for the man that they portray, but for the wisdom in what is spoken. Montaigne has thought about so many aspects of what it is to be a human and alive, and we can all learn from this. The topics he discusses go beyond mere 16th century issues, and deal with concepts, ideas and concerns that affect us now, and will affect us always. Absolutely essential reading.

What's not to like about Montaigne? Everytime I pick through parts of his essays [and it does not matter where one begins] I find myself in deep thought. Sometimes I feel as if Montaigne were speaking to me. I have the Donald Frame translation. Although I have read the Cohen translation too, and I do have a copy of it somewhere in this jungle I call my library. I have just recently purchased this Penguin edition, with another yet another translation. But no matter, the words and wit of Montaigne are, and will be as timeless as long as people are willing to open these pages and gather meaning from them. And I will always continue to do so.

These essays were meant to be read and re-read. And you know, I never tire of reading Michel de Montaigne. This mans works have been a part of my life for as long as I can recall. And how many times can you remember picking up the same books over and over again to reach words of wisdom? And Montaigne's humble wisdom and honest look at himself is what makes these essays so profound and enjoyable to read. Why? Because he took a long hard look deep into his own soul and wrote for himself, and to himself: And in turn, he imparted these essays to the rest of us. Which I am forever grateful to him for. If you have never read Montaigne, it's time you do. Highly recommended. Should be required reading in all schools today.

This book is an outstanding resource for readers who devour mysteries. Heising's multiple ways of listing books (geographical, by profession, etc.) provides a wealth of information for the reader who is always on the lookout for a new author. I just wish there was a new edition! I wouldn't part with this one, though. It's always a good way to start on a new author.

This reference work is invaluable in finding mystery series by woman up to 1999 or so, when I bought my copy. However, it is now very much out-of-date and of little use on newer series/authors/titles. I keep checking to see if there's a Detecting Women 4, and can still hope, but possibly this one is the end of the line. What a shame!

This is a wonderful tool to keep track of all those mystery books on your shelves. This book offers a comprehensive listing of women's fiction mysteries. Books are listed by author and title. It is great way to see the order of books written in a series. There is also a check list where you can check off the book once you purchase it, and then check it after you read it. I like to make notations next to the books once I finish the book. Books that have been nominated or received awards are designated with a star by the title.

Watching the Detectives
How far has Sue Grafton gotten in her alphabet mystery series? What's the first book in Patricia Cornwell's Kay Scarpetta series? Who are writing books featuring bed & breakfasts?

As those who love reading mystery series know, it's difficult to keep track of the hundreds of writers past and present who have contributed to the mystery genre, which is why reading sleuths will love "Detecting Women," a guidebook to the distaff side of mysteries.

This handsome, large paper bound book lists more than 600 series and 3,400 books written by women. Each entry contains a biographical introduction with the title and year of each book, and notes if the book has been nominated for any awards. Editor Wiletta Heising has done an exceptional job of breaking down the information, providing extensive lists that break down series by year, occupation, geographic location and even pseudonym.

The brief biographies are gold mines of fascinating information that invites lengthy browsing. Here is where you can learn that Grafton's fictional P.I. Kinsey Millhone will celebrate her 40th birthday once "`Z' is for Zero" appears in 2009 (when Grafton will be 69); that Agatha Christie wrote 35 novels featuring Hercule Poirot, and 12 about Jane Marple; and that the largely forgotten Anne Katherine Green is considered the "mother of the detective story," and was a best-selling author nine years before Arthur Conan Doyle put pen to paper.

Purple Moon also publishes a pocket guide to help mystery fans track of their favorite series, and comes with a notepad useful for noting suspects, clues, and books desired. "Detecting Women" provides a welcome overview of the rapidly expanding mystery field, and can reintroduce readers to now-forgotten and obscure writers. It is nothing less than required, fascinating reading for mystery fans.

How many times have you discovered a new author and tried to unravel the sequence of the series? Publishers sometimes list previous books - provided they published those previous books. Or the author's work is neatly cited in alphabetical order. Great if you've picked up Sue Grafton, not so good if the author is Martha Grimes. Or only the books still in print appear.

I edit two mystery newsletters, one for a general bookstore. My readers want to know series order. Short of tracking all the mystery writers yourself (good luck!), DETECTING WOMEN-3rd Ed. is the very best thing. Willetta Heising also includes bibliographies to catch the fancy of the most fanatic fan - settings, characters, types, historical venue, pseudonyms, and award nominees/winners. The master list even has blank spaces to accommodate future titles.

There has never been a more comprehensive listing. I wouldn't/couldn't prepare a newsletter without it. This is definitely a keeper -- until DETECTING WOMEN 4 comes along!

I was fascinated by Huxley's use of this story as a way of trying to explain his thoughts on "man's deep-seated urge to self-transcedence, of his very natural reluctance to take the hard, ascending way, and of his search for some bogus liberation either below or to one side of his personality" - as revealed by our dependecies on religion and in joining mass movements like fascism or communism, as well as sexuality and substance use and abuse.
In Chapter Three he focuses on the religious aspects of these tendencies to "desire - and desire, very often, with irresistable violence - the consciousness of being someone else."
In the Epilogue ["In amplification of material in Chapter Three)"], he expands on these ideas by discussing substance use and abuse: "Alcohol is but one of the many drugs employed by human beings as avenues of escape from the insulated self." He adds to this the use of "From poppy to curare, from Andean coca to Indian hemp and Siberian agaric, every plant or bush or fungus capable, when ingested, of stupifying or exciting or evoking visions....seems to prove that, always and everywhere, human beings have felt the radical inadequacy of their personal existence, the misery of being their insulate selves and not something else.."
He then continues with the "crowd delirium" of mass movements:
"The professional moralists who inveigh against drunkeness are strangely silent about the equally disgusting vice of herd-intoxication - of downward transcendence into subhumanity by the process of getting together in a mob." leading to "The final symptom of herd-intoxication is a manical violence. Instances of crowd-delirium culminating in gratuitous destructiveness, in ferocious self-mutilation, in fratracidal savagery without purpose and against the elementary interests of all concerned, are to be met with on almost every page of the anthropologists'textbooks and - a little less frequently, but still with dismal regularity - in the histories of even the most highly civilized peoples."
His concluding sentence: "Every idol, however exalted, turns out, in the long run, to be a Moloch, hungry for human sacrifice."

This book is not merely an historical essay describing the lurid details of the events at Loudun [other books on the subject do that job], Huxley covers far more ground and delves far deeper into the experience of being human than that; it can be disturbing at times, but also illuminating.
Huxley's own later use of psychedelic drugs [mescaline, and, as has been said, LSD while on his death-bed] - which he describes in "The Doors of Perception" [1954] - indicates that he was still trying to reach an understanding of self-transcendence - in a more positive light.

It is the early 17th century in Loudun, France. The local parish priest, Urbain Grandier, has become embattled in various local rivalries with civic magnates and ecclesiastical officials. He makes powerful enemies among them but they are helpless to action against for the moment. Both sides are determined to see victory and religious sanctity takes a back seat to revenge and personal gain. Against this backdrop an altogether remarkable occurrence takes place; the inhabitants of the local covenant experience an extraordinary case of mass possession by demons. The head of the covenant, Saeur Jeanne des Anges, experiences the worst of the possessions and under an exorcism conducted by Jean-Joseph Surin she, or the demon within her, places the blame squarely on the shoulders of Urbain Grandier. The moment his enemies have waited for has arrived.

For those who are fans of Huxley's fictional and non-fictional works this book is not one to be missed. Although it falls into the category of non-fiction as it tells the story of a historical event in 17th century France, Huxley uses his creative powers and imagination to make the tale come alive. Granted historians may have an issue with taking such liberties in writing about a historical event, but Huxley's goal is not `pure' history, a pretty questionable term in itself, but rather to tell the story of a remarkable event with all the drama and suspense that it deserves.

His account of the mass possession in Loudun is backed up by an admirable amount of research. It is clear that Huxley's knowledge of both the time and place extend far beyond the details of the story and serve to enlighten his account. His understanding of human psychology as plays a prominent role in this book. It goes beyond a simple recounting of historical events, which as interesting as they are does not in itself make the book a unique one. It is Huxley's continual fascination with the human mind that really makes this book special. After setting out the basic historical framework for the story, he attempts to reconstruct the psychological factors that played a large role there. After examining the individual characters from the Loudun saga, Huxley takes the time to reflect and draw conclusions about humanity in general and what drives people to believe themselves possessed and the further implications this has.

Whether one agrees with the validity of conducting a sort of psychological analysis of historical figures hundreds of years removed from us and then in turn using those conclusions to draw wider ones about humanity or a time period in general, this book is an immensely interesting read.

Huxley has written a wonderful study of witchcraft,demonic possession and social commentary that is an historical cornerstone.Both religion and psychiatry are carefully intertwined in this lengthy novel.Set in France, it explores the human condition at that time.Greed,jealousy,revenge and theatrical performances are core themata.The inquisitional pressure coupled with political appeasement on the local,state and national level are explored.Mad nuns teased by repressed sexual needs and the subsequent outcomes are discussed. The careful documentation of the interplay between religious fervor and satanic influence are revealed in this exacting book.The twisted motivations of maladjusted individuals and the harm they can cause,the somatic possibilities and manifestations,coverups and intrigue are deftly and intellectually examined and detailed.The horrors of torture,self mutilation and sexual deviation as viewed as deviate for the times, gives one a sense of being voyeuristically one of the crowd.Watching the nuns perform their tricks,allegedly possessed by devils for the benefit of the church is amusing.Sister Jeanne,Father Grandier and Father Surin are all players in the game of gods love,human sexual needs,demonic possession and rather kinky goings on in the nunnery.It's a regular satanically,sexual soap opera with much guilt, regret and tragedy at the end.Any fan of Huxley needs to read this if they haven't already.Fans of the origins of psychopathology will marvel at the many mechanisms of defense used as justifiers for actions that were over the top for a pre-enlightened world.For witchcraft afficionados this is required reading.Again, it is a long read but worth it for purely historical anaylysis of the crypto religious/sexual linkage that to some degree is still present today.A must read for lovers of this subject matter.

HOW does a book this important come to be out of print?!!

No matter. Used copies can be had here for very little. Buy one and read it.

One of the joys of reading is how one subject can lead to a serendipitous find. Having recently come across a brief reference to the early 17th century barking nuns of Loudon I went in search of a more detailed exploration. In Aldous Huxley's book I found all that I sought and much more.

Urbain Grandier, the local parson of Loudon, is a very naughty cleric who partakes much too much of the sensual world. One morsel happens to be the daughter of his best friend. She becomes pregnant with unhappy consequences for many people. Grandier manages in this way of behavior to alienate nearly every important Catholic in Loudon as well as make an enemey of Richelieu.

When Grandier spurns the local prioress, Sister Jeanne, she claims demonic possession at the hand of Grandier as do 2 of her nuns. Grandier may have been guilty of many sins, but demonic possession was not among them. Exorcists are brought in as much too destroy Grandier as to throw out the devils (7 specific ones inhabit Sister Jeanne alone). The exorcists produce devils in 14 more nuns. The public exorcisms provide great entertainment, reviving the local tourist industry, but eventually produce the trial of Grandier, who in due turn is burned at the stake. The story continues when the Jesuit Surin arrives to finally successfully exorcise Sister Jeanne's demons.

Huxley's 1952 work explores the psychological aspects of demonic possession and exorcism, sometimes brilliantly against the backdrop of the madnesses of his own time. Liberal rationalists had "fondly imagined" an end to persecutions of 'heretics'. Instead, as he observes "from our vantage point on the descending road of modern history, we now see that all the evils of religion can flourish without any belief in the supernatural, that convinced materialists are ready to worship their own jerry-built creations as though they were the Absolute, and that self-styled humanists will persecute their adversaries with all the zeal of Inquisitors exterminating the devotees of a personal and transcendant Satan...In order to justify their behavior, they turn their theories into dogmas, their bylaws into First Principles, their political bosses into Gods and all those who disagree with them into incarnate devils. This idolatrous transformation of the relative into the Absolute and the all too human into the Divine, makes it possible for them to indulge their ugliest passions with a clear conscience and in the certainty that they are working for the Highest Good."

In the last third of the book he explores the nature of Sister Jeanne's possession, the possession of her exorcist Surin, and the manner of her recovery. The modern mind has some difficulty here. Clearly Surin and possibly Jeanne believed in the reality of demonic possessions (it is worth noting that many learned men, including those behind Grandier's fall and most Jesuits did not believe in the authenticity of these possessions). At the same, Jeanne is also play-acting at times as she concedes in her own subsequent writings. They believed in the Devil, they believed in possession, but understood that the Devil could not overcome the will of the possessed. Huxley paints a poignant, if oddly amusing, scene when he describes how Surin ordered Jeanne's devils to discipline themselves - in other words to flagellate Jeanne. Two of the devils lay on the whip with gusto, but Balaam and Isacaaron abhorring pain, would barely swing the whip and yet the possessed Jeanne would scream in agonized suffering.

An absolutlely fascinating read by one of the great minds of the 20th century.